Cleo on Cleo 2024

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Cleo Parker Robinson Founder and Artistic Director

Cleo Parker Robinson Dance (CPRD), soon to enter its 54th Anniversary Season, is a Denver native and graduate of the University of Denver, formerly Colorado Women's College (CWC), in the field of Dance, Education and Psychology. She began teaching college-level dance at age fifteen at the University of Colorado, and began her own company upon graduation from CWC, influenced by mentors Rita Berger (a former Balanchine dancer and Metropolitan Opera soloist), and legendary choreographer and humanitarian, Katherine Dunham.

Cleo Parker Robinson Dance encompasses the renowned Cleo Parker Robinson Dance Ensemble, Cleo II (her second company), a Youth Ensemble, a year-round academy, an international summer institute, a 240-seat theatre, and an extensive outreach program serving communities throughout Denver and the Front Range. Expansion of CPRD’s current facilities through the addition of 25,000 square feet of new studio, performance, and office space begins in the Spring of 2024.

Ms. Robinson has collaborated with numerous symphonies, theatrical and opera companies, and acclaimed artists including Dr. Maya Angelou and Gordon Parks, Sr. Renowned choreographers Donald McKayle, Talley Beatty, Katherine Dunham, Dianne McIntyre and Eleo Pomare have set legacy works on her Ensemble Her operatic collaborations include Aida, Samson and Delilah, Carmen, Salome and Porgy and Bess Symphonic collaborations include Carmina Burana, Romeo and Juliet, Lark Ascending, Bernstein’s Mass, Stravinsky’s The Firebird and Prokofiev’s Cinderella Theatrical collaborations include the Denver Center Theatre Company productions of Dream on Monkey Mountain and Emperor Jones

Her talents as teacher, choreographer, and cultural ambassador have taken her world-wide, with numerous workshops and master classes reinforcing her vision of dance as a universal language. In 1993, a United States Information Agency (USIA) tour to Europe brought critical acclaim to her Ensemble which has also toured to Belize, Africa, Singapore, Nassau, Iceland and New Zealand. In 1996, the company participated in a USIA cultural exchange with Nairobi, Kenya that was praised by the International Sister Cities Inc. Other international tours included Cairo in 1999, and in 2000, a tour of Italy, and the opening of the Tel Aviv - Jaffa First International Festival during an Israeli tour. The most recent international tour for Ms. Parker Robinson and her Ensemble brought them to Bogota, Colombia in Spring of 2019 at the invitation of Tiempo de Juego A Fall 2024 tour to a series of festivals in Mexico is currently in development

The Ensemble has performed at prestigious venues and festivals throughout the United States, including Jacob's Pillow, Vail Dance Festival, American Dance Festival, Lincoln Center for the Performing Arts, New Jersey Center for the Performing Arts, John F Kennedy Center for the Performing Arts and the Joyce Theatre The Ensemble is returning to the Vail Dance Festival in Summer of 2024 with performances in Avon and Beaver Creek CO.

Ms. Robinson has received fellowships from the Colorado Council on the Arts, the National Endowment for the Arts, The Lila Wallace Foundation, Pew Charitable Trust Fund in Washington, D.C., National Dance Repertory Program, and commissions for collaborations with Dr. Maya Angelou and poet Schyleen Qualls. She has worked with renowned composers Jay Hoggard, Carman Moore, Halim El-Dabh, Ann Henry, and Howard Roberts. Her film work includes Run Sister Run, a Margie Soo Hoo Lee / Gordon Parks production about Angela Davis Her Ensemble is featured in African Americans at Festac, the United States Information Services documentary on the World Black and African Festival on Art and Culture in Nigeria

She collaborated on Black Women in the Arts with Kim Fields and Stephanie Mills, the Jeffrey Osborne video Borderline, and two Denver Center Media documentaries - Pamoja: A Coming Together, about the Kenyan exchange, and Dancing Along the Nile about the Ensemble’s Egyptian tour

Her extensive awards include the Colorado Governor's Award for Excellence in the Arts, the Denver Mayor's Award, the Kennedy Center Medal of Honor for the “Masters of African American Choreography” series, the “Pioneer In Black Dance” Award by the Dynamic Dance Festival in Atlanta, Georgia, the Huntington’s Disease of America “Distinguished Leadership Award”, the “Fairfax B. Holmes Community Award” from The Denver Links, Inc., the “Unsung Heroes Mountain Award” from African-American Leadership Institute, the “Civil Rights Award of the Anti-Defamation League” (ADL), the “Building Civil Rights” award from the Rachel B Noel Distinguished Visiting Professorship, the Denver Metropolitan State College “Dr Martin Luther King Jr Peace Award for Service to the Community”, and the “Dr Martin Luther King Jr Humanitarian Award” from the Urban League of Metropolitan Denver She is an Honorary Lifetime Trustee of the Denver Center for the Performing Arts, in recognition of her longtime commitment and lasting impact on the Center for the Performing Arts, in recognition of her longtime commitment and lasting impact on the Center, and was named a “Timeless Legend” by the Denver Urban Spectrum In 2017, she received the prestigious DanceUSA “Honor Award”. In 2021, she was named an Honorary Member of the International Association of Dance Medicine and Science.

In March 2023, Ms Parker Robinson, along with the other four founders of the International Association of Blacks in Dance (IABD), was honored at the White House as the IABD received the 2021 National Medal of the Arts.

A member of the Colorado Women's Hall of Fame, “Who's Who in American Colleges and Universities”, the “Colorado 100” and the “Blacks in Colorado Hall of Fame”, she received the “Thelma Hill Center for the Performing Arts Award” for outstanding achievement in the world of dance, the “Woman Owned Business of the Year” by Colorado Business and Professional Women, and the “Oni Award” from the International Black Woman's Congress She was nominated by Black Theatre Alliance Awards, Inc for Best Choreography in a Music/Dance Program for “Evocation of Memory”, and is a University of Denver “Living Legend of Dance” Ms Robinson was chosen, along with four other "Living Legends", as part of Dance Women/Living Legends, honoring women who have made a positive difference in the dance over the past 30 years

She holds an Honorary Doctorate from Denver University (1991), an Honorary Doctorate of Humane Letters from Colorado College (2003), and an Honorary Doctorate of Public Service from Regis University in Denver (2008). The University of Denver honored her with an Alumni Award in May of 2021. In Fall of 2021, she received the 2020 Honorary Degree, Doctor of Humane Letters, Honous Causa from CU Boulder. This year, she is named as the 2024 Professor for the Rachel B. Noel Distinguished Visiting Professorship.

Ms. Robinson served on NEA panels on Dance, Expansion Arts, Arts America, and Inter-Arts panels for the USIS, and as on the National Foundation for Advancement in the Arts In 1999, she was appointed by President William Jefferson Clinton, and confirmed by the Senate to the National Council on the Arts, advising the Chairman of the NEA on policy and programs, reviewing and making recommendations on applications for grants Ms Robinson is currently 1st Vice President of the International Association of Blacks in Dance (IABD), an organization preserving and promoting dance by those of African ancestry or origin

Since 2011, Ms. Parker Robinson has significantly returned to her greatest passion as a choreographer, creating and presenting Dreamcatchers: The Untold Stories of the Americas and the world premiere of her Romeo and Juliet, in collaboration with the Colorado Symphony Orchestra. Her work On the Edge… Reaching to Higher Ground premiered in October of 2014 in answer to resurging racial and human rights infractions world-wide. In Spring 2017, she re-staged two works, melding classical and jazz composition with the power, passion and beauty of modern dance – Romeo and Juliet and Porgy and Bess. Fall 2017 saw the premiere of Copacetic: A Tribute to Jonathon “JP” Parker, honoring her late father In Spring of 2018, she premiered Lark Ascending in collaboration with the Boulder Philharmonic Her Rhapsody in Black, created in collaboration with CPRD Associate Artistic Director, Winifred R Harris, premiered at the Newman Center for the Performing Arts, University of Denver In January 2019, in collaboration with the Denver Brass, she choreographed an innovative interpretation of Bernstein’s On the Town and Spring 2019 saw a collaboration with the Colorado Ballet entitled The MOVE/ment as part of the Tour de Force series at the Ellie Caulkins Opera House, Denver Center for the Performing Arts In 2019, she traveled to UMKC, Kansas City, to set a work on the students of CPRDE alum Gary Abbot, entitled Check Cashing Day in tribute to the jazz genius of Bobby Watson and Milt Abel. In August 2021, she premiered Standing On the Shoulders, a work commissioned by the Vail Dance Festival. September 2021 saw the debut of her work Freedom Dance, created in collaboration with jazz icon Dianne Reeves and CPRD co-founder and poet, Schyleen Qualls and in October 2021, she premiered R.I.Power, an original work commissioned by the Colorado College Fine Arts Center in Colorado Springs. Her newest work, Sacred Spaces?, set to an original score by Adonis Rose, Director of the New Orleans Jazz Orchestra, premiered in September 2022 at the Denver Center for the Performing Arts

Cleo Parker Robinson continues to be dedicated to celebrating the complexities of human experience and potential through the Arts and Education Her life-long vision of “One Spirit, Many Voices” remains strong and steadfast, expanding to welcome, embrace, and sustain all people

Ms. Harris, choreographer, artist, teacher, and community activist, has created a significant body of work with a strong balance of technical prowess and gestural expression. Having trained under Cleo Parker Robinson, she danced professional for ten years with Cleo Parker Robinson Dance Ensemble before moving to Dallas

Black Dance Theater and a solo stint in New York and abroad. In October 1991, she relocated to Los Angeles, CA, founding her own award-nominated contemporary modern dance company In recognition of her dedication and commitment to underprivileged youth, Ms Harris received several awards from the Mayor of the City of Los Angeles for her teaching efforts within that community. Having served on faculty at various universities and studios nationwide, including Cal Arts (her alma mater), Cal State Los Angeles and Spelman College, she returned to Cleo Parker Robinson Dance in 2010 as Ensemble Rehearsal Director and became Associate Artistic Director in 2014 A number of her innovative works are part of the Cleo Parker Robinson Dance Ensemble's repertoire.

CLEO CLEOON

“PRISM: The Colors Within”

Choreographer: Cedric D. Hall (Cleo II Director)

Music Soundscapes: “Circlesong Five” Bobby McFerrin

Poem: “Prism” by Alexander Thomas / Performed by Cedric D Hall

Dancers: Lauren Slaughter*, Sadie Sandoval*, Melvin Sutton+, Kayla Massey+, Katie Carothers+, William Davis+, Adrian Dominguez+, Zinnia McKenna++, Jasmine Valencia++

“LOCKS, LIGHTS, OUT OF SIGHT”

I don't know how l am ever suppose to let you out of my sight I think about those children, how they woke up and had breakfast that morning, as they did all the mornings before: half-eaten Pop-Tarts and eggs in a coat of ketchup How they insisted on wearing their favorite shirt even though it was covered in stains -Clint Smith

Choreographer: Topaz von Wood-Fraser^

Music: Labrinth, David O’Dowda

Dancers: Members of the Cleo Parker Robinson Dance Youth Ensemble: Marisa Buck, Meneka Hecox, Amirah Byrd, Violet Sterling, Rhylee Dixon, Constanza Reyes Atencio

“Protea in BLOOM”

Live every day, creating and following a new path that takes you to yet another Until all the seeds you have planted grow with such veracity that you become undeniable. I am like the Protea flower - shape shifting, beautiful, resilient, and sweet. I am full, bright, and ready to BLOOM

Choreographer: Ralaya S Goshea

Music: “Experience” Daniel Hope, Virtuasi Italiani, Ludovico Einaudi “Room to Move for Cello Octet” Inbal Segev, “A Flat” Black Violin

Costume Design: Ralaya S Goshea

Soloist: Ralaya S Goshea

Dancers: Michael Battle, Caeli Blake, Corey Boatner, Katie Carothers+, Adrian Dominguez+, Jasmine Francisco, Devrae Jefferson*, Samiyah Lynnice, Gabriela Maduro, Kayla Massey+, Lamar D Rogers, Sadie Sandoval*, Lauren Slaughter*

“A BLACK MAN’S WALK: The unveiling of a Blackman prayer”

This piece invokes the question of how a black man stance is always questioned. He’s either a savior or a villain in this world we live in The first half of this work shows the view of a woman ’ s standpoint of a black man and how she has to protect him from the world that won’t understand him. The second half shows the stance of a black man in isolation having a conversation with the most high (God), he is in a constant pull between surrendering and moving forward when the world is against him

Choroegrapher: Melvin Sutton+

Poem: “When a Black Man Walks” by Neiel Israel

Music: “I Couldn’t Hear Nobody Pray” Wiley College Choir

Dancers: William Davis+, Kayla Massey+, Davry Ratcliffe^, Domonique Willis^ Jasmine Valencia++

“CONTAGION”

Choreographer: Jasmine Francisco

Music: “Everyday People” Sly & The Family Stone “Asé“ Eric Holm Vile Value” Blessed Initiative “Bardo Thodol” Demdike Stare

Dancers: Michael Battle, Caeli Blake, Corey Boatner, Ralaya S Goshea, Samiyah Lynnice, Gabriela Maduro, Lamar D. Rogers, Lauren Slaughter*

“HALLWAY HAZE”

Choreographer: Corey Boatner

Music: “Swing Swift” Ahn Trio

Dancers: The Cleo Parker Robinson Dance Youth Ensemble: Amirah Byrd, Marisa Buck, Rylee Dixon, Ximalma Gonzales-Robinson, Meneka Hecox, Carlen Holmes Bella Lockhart, Eloise Peoples, Constanza Reyes Atencio, Violet Sterling

“HEART CRY IN THE MIRROR”

A piece about struggling to find your inner-beauty

Choreographer: William Davis+

Music: “Heart Cry” Drehz “Girl In the Mirror” Zakes Bantwini ft. Skye Wanda

Dancers: Katie Carothers+, William Davis+, Gabriela Maduro, Zinnia McKenna++, Davry Ratcliffe^, Jasmine Valencia++

“FINDINGSofSELFExcerptfrom:UndiscoveredShadowsIFind”

Self-discoveryisalifelongjourneythatinvolvesexploringthedepthsofourownbeing, understandingouremotions,desires,strengths,andweaknesses However,amidstthisjourneyof self-discovery,thereareoftenshadowsthatremainundiscovered-aspectsofourselvesthatwemay notevenbeawareof Theseundiscoveredshadowscanholdvaluableinsightsintoourtruenature andcanhelpusgrowandevolveasindividuals Exploringtheundiscoveredshadowswithin ourselvesisacourageousandtransformativeprocessthatcanleadtoprofoundself-discoveryand personalgrowth.Byshiningalightonthesehiddenaspectsofourbeing,wecangainadeeper understandingofwhoweare,healpastwounds,andalignourselvesmorecloselywithourtrue desiresandpurpose.Embracingourundiscoveredshadowscanleadtoamoreauthenticand fulfillinglife,whereweareabletoliveinalignmentwithourtrueselves

Choreographer:MichaelBattle

PoetryBernard:“HoneyBee”VelasquezspokenbyRalayaS.Goshea

Music:“Gawdhour”from“Up”byOhbliv“Blackbird”from“NinaWithStrings”by NinaSimone“CanYouHearTheMusic”from“Oppenheimer(OriginalMotion PictureSoundtrack)”byLudwigGoransson

Dancers:MichaelBattle,AdrianDominguez+,DevraeJefferson*

“SUMMER STREET”

Choreographer: Corey Boatner

Music: “Prizewinning” Julianna Barwick

Dancers: Caeli Blake, Jasmine Francisco, Samiyah Lynnice, Martez McKinzy^ John Roberts^, Lamar D. Rogers, Topaz von Wood-Fraser^

・ INTERMISSION ・ PROGRAMSELECTION,CASTING,ANDORDERARESUBJECTTOCHANGEWITHOUTPRIORNOTICE. AUDIOAND/ORVIDEORECORDINGOFANYTYPEISNOTPERMITTED.
*APPRENTICETOTHECLEOPARKERROBINSONDANCEENSEMBLE +CLEOII ++APPRENTICETOCLEOII ^GUESTARTIST PHOTOS:MARTHAWIRTH
W RG JUNE 14 & 15 Juneteenth Juneteenth 2024 CLEO PARKER ROBINSON DANCE SAVE-THE-DATES! FREE! JULY 27 · BENEDICT PARK 4 PROGRAMS · 6 WEEKS INTERNATIONAL SUMMER DANCE INSTITUTE SEPTEMBER 14 & 15 ELLIE CAULKINS OPERA HOUSE AUGUST 1 & 4

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