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Cinema Technology Magazine - June 2023 (Vol. 36 No. 02)

Page 46

GREEN SHOOTS

AIM: To describe what the Low-Carbon Modular Cinema is, how it works, what the benefits are and what makes up the structure of the walls

Peter Knight, Commissioning Editor, CT Magazine CT: You’ve both been in the industry for a long time, but please

the UK and Ireland most recently on the new Regent cinema in

introduce yourselves to our readers who may not know you.

Redcar and a multi-use venue in Blyth due to open in 2024.

Stefanie Fischer: During my career as an Architect I’ve built up a

In 2008 I set up Regional Screen Scotland, an organisation

reputation for my work in the independent cinema sector in the

that advocates for cinema provision in Scotland and runs the

UK. I’ve led projects for cinemas including the Depot Lewes,

mobile cinema Screen Machine that tours the Scottish Highlands.

Campbeltown Picturehouse and Newlyn Filmhouse, Rio Dalston,

I was Director of the organisation until 2014, when I was appointed

Broadway Nottingham, Exeter Picture House, Cine Lumiere,

as Project Manager for the Centenary Project at Campbeltown

Norwich Cinema City, Scala Cinema and Arts Centre Prestatyn

Picturehouse, which included the restoration of the historic

and Kino Hawkhurst. I currently provide cinema consultancy

cinema.

services through Philip Meadowcroft Architects. Some current and recent projects include a refurbishment of Regal Wadebridge

CT: Tell us about this latest collaborative project - the Low-

for WTW Scott Cinemas and an appraisal for Shrewsbury Council

Carbon Modular Cinema. How and why has this concept come

on the inclusion of a 4-screen boutique cinema within a

about? How long have you been working on it?

repurposed shopping centre.

Stefanie: In the years preceding the digital transition, I carried

Ron Inglis: I have undertaken cinema consultancy projects over

out a research project, together with Ron, on the potential for

many years for numerous organisations and agencies including

digital distribution and exhibition, coupled with modular

the UK Film Council and the BFI. I have been employed as a

construction, to open up new viable models of cinema in

research and cinema development consultant on projects across

underserved rural and small town areas.

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Visualisation showcasing the common core of front of house including entrance foyer, ticketing facilities and F&B


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