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East Wing 1. Ronda Sharpe Everything is still connected – Dilly bag large 2018, plastic fencing mesh, 86 x 33 x 13cm Everything is still connected – Dilly bag small 2018, plastic fencing mesh, 76 x 33 x 10cm Everything is still connected – Eel trap 2018, plastic fencing mesh, 21 x 107 x 24cm Everything is still connected – Coolamon basket (data cables) 2018, data cables, metal wire, plastic tape, 12 x 32 x 46cm Everything is still connected – Coolamon basket (with natural fibres) 2018, homemade spun wool, natural fibres, string, data and miscellaneous electrical cables, metal wire, plastic tape, 10 x 26 x 48cm Everything is still connected – Collecting basket (data cables) 2018, data cables, metal wire, plastic tape, 12 x 32 x 46cm Everything is still connected – Fishing basket (fairy lights) 2018, fairy lights, wire, metal wire, plastic fencing mesh, 70 x 47 x 23cm Everything is connected – Coolamon 2017, data cables, wire, natural ochre, 40 x 24 x 12cm Everything is connected – Basket hanging 2017, data cables, wire, natural ochre, 22 x 25 x 22cm

17. Annie Macindoe A familiar feeling… 2018, two-channel video installation, infinite loop, dimensions variable

7. Sancintya Simpson

9. Kevina-Jo Smith

10. Jimmy Nuttall

11. Mathew McAlpine

15. Sundari Carmody

In fields of cane 2018, two-channel HD video, 6 minutes Sugar cane 2018, watercolour and gouache on handmade paper, 46 x 86cm Plantation 2018, watercolour and gouache on handmade paper, 46 x 86cm

Adorn them (no.2) 2017, mixed media, 160 x 150cm Adorn them (no.4) 2017, mixed media, 137 x 150cm

Mutual love and support 2017, two-channel digital video looped, edition 1/2, 16:33 minutes

The colonial frame (deconstructing the James Stirling portrait frame) 2017, cast plaster, binder an acrylic frame, 120 x 100cm The colonial frame (deflating the James Stirling portrait frame) 2018, cast acrylic paint, dimensions variable

white white (summer and winter solstice) 2017, neon light, electrical components, 70 x 100cm One: all that we can see 2017, neon, paint, electrical components, 40 x 40cm Hora Somni: for Vera Rubin 2017, cast black concrete with Papaver Somniferum seeds, 10 x 35cm

Winner Sponsor

Principal Sponsor

Special Commendation Sponsor

18. Kenneth Lambert

5. Tjukupati James (Pitjantjatjara, Ngaanyatjarra language groups) Liru 2018, acrylic on canvas, 121 x 91cm

Transcending the dust of the world 2018, acrylic on linen, 122 x 92cm The blue of my kingdom iv 2017, acrylic on primed polyester, 122 x 92cm The blue of my kingdom iii 2017, acrylic on primed polyester, 122 x 92cm

6. Hailey Atkins

2. Caroline Gasteen

3. Will Nolan

4. Anne Stevens

Plantin’ seeds 2018, oil on board, 38 x 28cm Mother #1 2018, oil on board, 38 x 28cm What to do with pictures 2017–18, oil on board, 40 x 25cm

DIOR 2018, chromogenic print, di-bond, edition 1/3, 90 x 72cm FLESH 2018, chromogenic print, di-bond, edition 2/3, 90 x 72cm WATCH 2018, chromogenic print, di-bond, edition 1/3, 90 x 72cm

Shifting 2018, ink, turpentine suspension on paper, timber and fixtures, 210 x 100 x 10cm

Data portrait 01 (Wynton Lambert) 2018, single-channel video, edition 1/3, 10 minutes

14. Nancy Constandelia Hold on 2018, handmade papier mache, clay, wire, acrylic, timber, 170 x 200cm Yellow bush bucket 2018, papier mache, found object, painted rope, timber, 55 x 50cm

Commendations and People’s Choice Award Sponsor

365:4 (Storm coming) 2017, oil and crayon on aluminium, 240 x 240cm

8. Kannitha Ly Moments of morph 2018, unfired clay, 1.5 x 250 x 100cm

12. Marakit Santiago

16. Priscilla Beck

Original sin 2018, acrylic, oil, pyrography, pen, 9ct gold leaf, pen and paint markings by Maella Pearl, aged 4, and Santiago Pearl, aged 2, on found cardboard, 148 x 218cm

On days like these, we can see how time passes. Or we can see how time doesn’t pass, but it is only that the world moves. The world moves away from the sun. Dust is blown off the page again 2018, performative installation with charcoal, dimensions variable

13. Eileen Giles (Ngaanyatjarra language group) Minyma Tjukurla 2017, acrylic on canvas, 101 x 76cm

Major Sponsors

19. Gregory Carosi

Co-Sponsors Jeremy Ferrier Landscape Architect // Morgans Financial Limited // Furnware // Drs John and Jane Scott // JSA Creative Judge’s Accommodation Sponsor Art Series Hotels - The Johnson


Foyer and West Wing Gravel adorned biggy 2017, stoneware, glaze, pearlescent and platinum lustre, 62 x 40cm Knuckle duster antler vessel (Too embellished for its own good) 2018, stoneware, terracotta, glaze, gold and pearlescent lustre, 64 x 24cm Floating blue crackle vessel with orange and platinum chunks 2018, stoneware, glaze, platinum and pearlescent lustre, 36 x 24cm

27. Harriet Body 25. Rebecca Selleck

While Evonne was aware that her colouring was a comfort to the pale colonisers, this depiction was but further evidence of their disgracefully Eurocentric values 2018, mixed media on lasercut panels and frame with 3D printed embellishments, 54 x 54cm

Air space 2017/18, gesso and embroidered cotton thread on cotton canvas, 102 x 173cm

Cow in the wattle 2018, found cow skin rug, dead wattle trees, found objects, steel, electronics, padding, 245 x 240cm (diameter)

22. Laura Kennedy

People’s Choice Award Sponsored by Rob Whiteley of Madison Cleaning Services

Please provide your email address for your entry to be valid and also for you to go into the draw to win a prize.

Place the number corresponding to the artist whose work you liked best in the box.

Vote here

People’s Choice Award!

20. Luke O’Connor

23. Rebecca Gallo Way down 2018, found lead weights, air drying clay, mild steel, fishing line, steel wire, 204 x 98cm Limber 2018, offcuts and discards provided by Parramatta Artists Studios artists, mild steel, fishing line, ratchet strap, steel wire, 240 x 240cm

32. Henry Jock Walker

33. Min Wong

Billy and Rocky surfboards (Billy/Ric board, Rocky/Kim board) 2018, acrylic inside surfboards, leg ropes and acrylic wall painting, 250 x 250 x 6cm overall, collaboration with Scott Pyle, glassed by The Ding King Borrowed wetsuits (Illawarra) 2018, found wetsuit stretched, each 20 x 25 x 3cm

Too fit to quit 2017, neon, 60 x 200cm Massaging ascending, descending, and transverse colon 2017, digital print on mirror stainless steel, 100 x 100cm Japanese ham sandwich 2017, digitally printed denim, machined brass, gold chain link, steel, leather, paint, 230 x 115cm

8 September—4 November 2018

30. Kim Leutwyler T. Chick McClure 2017, oil on canvas, 102 x 76cm

31. Jackson Farley 28. Sophie Penkethman Burn out 2018, digital video, sound, edition 1/5 + AP, 4:30 minutes, sound Duncan Brown

21. Louise Gresswell Fractured (red) 2018, oil, canvas, staples on board, 32 x 23cm Fractured (purple) 2018, oil, staples on board, 32 x 23cm Fractured (grey) 2018, oil on board, 34.5 x 24.5cm Fractured (purple and yellow) 2018, oil on board, 45 x 27cm Fractured (hot pink) 2018, oil on board, 39 x 26cm Fractured (hidden orange) 2018, oil on board, 30 x 22cm Fractured (yellow) 2018, oil on board, 38 x 24.5cm Fractured (blue) 2018, oil on board, 37 x 28cm

29. Chris Twiney 24. Kelly Austin Stilled composition 26 2017, ceramic, porcelain, glaze, timber, acrylic paint, 20 x 60 x 30cm Stilled composition 32 2017, ceramic, porcelain, glaze, timber, acrylic paint, 65 x 50 x 28cm Stilled composition 35 2017, ceramic, porcelain, glaze, timber, acrylic paint, 30 x 40 x 30cm Stilled composition 36 2017, ceramic, porcelain, glaze, timber, acrylic paint, 65 x 50 x 28cm

26. Ellie Chalmers-Robinson Silt 2017, oil and acrylic on linen, 93 x 65cm The scrub 2017, oil and acrylic on linen, 66 x 41cm

February 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm March 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm April 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm May 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm June 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm July 2018, 2018, acrylic paint on magazine, 28.5 x 21.5cm

Dip(dick) – God, Kev, Damo, Steve ’n’ Steve 2018, UV ink prints on clear Perspex, matte board, diptych, each 90 x 77cm The divinity of masculinity pt. II 2018, UV ink prints on clear Perspex, matte board, 134 x 102cm

35. Nick Santoro 34. Parallel Park DEUCE 2016–17, single-channel video, sound, 3:53 minutes Eyes on the prize 2018, locker, socks, bras, panties, skirt, shorts, tennis balls, towels and shoes, dimensions variable

In a room of tea and tears 2018, acrylic on galvanised steel, Styrofoam, fridge interior, zinc, found toys and hardware, beer bottle and stubby holder, 60 x 60cm Call the truck-stop girls...From the holy world 2018, acrylic on board with acrylic and pumice on timber frame, Ventolin puffer, iPhone cord, SIM card and train set figurine, 63.5 x 48cm Kerry 2018, acrylic on denim jacket, earphones, MCA rotation/breaks sheet, fake Yeezy shoes, denim, balancing toy bird, acrylic on board, wig, latex mask, sunglasses, donut, takeaway coffee cup, plastic stage hands, fabric, dimensions variable Pop-up store montage 2018, acrylic on board with hand painted timber frame, 62 x 67cm

2 George Street, Brisbane | Free entry artmuseum.qut.edu.au | 07 3138 5370 Tues–Fri 10am–5pm, Sat & Sun 12pm–4pm

#thechurchie2018 #qutartmuseum © QUT 2018 CRICOS No. 00213J. Produced by QUT Precincts. Information correct at time of printing, subject to change without notice.

'the churchie' 2018 Exhibition Catalogue  

the churchie national emerging art prize exhibition catalogue - 2018

'the churchie' 2018 Exhibition Catalogue  

the churchie national emerging art prize exhibition catalogue - 2018

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