27 November, 12:00 GMT
Fine Photographs
Thursday 27 November, 12:00 GMT
Viewing exclusively at the Barley Mow Centre, W4 4PH
Friday 21 November 2pm - 7pm
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Monday 24 November 10am - 4pm
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Wednesday 26 November 10am - 4pm
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Front cover L. 204 - Richard Misrach (b.1949) Comfort Stations, Edwards Air Force Base, California, 1983
Opposite page L. 76 - W. Eugene Smith (1918-1978) Jazz Loft, 1957-1968
Inside back cover L. 245 - William Klein (1926-2022) Piccadilly Circus, London, 1983
Back Cover L. 203 - Wolfgang Tillmans (b.1968) Untitled [Police Helicopters], 1995
Austin Farahar
Head of Photographica and Fine Photographs
austin.farahar@chiswickauctions.co.uk
+44 (0)78 4334 8748
Mary Pelletier
Senior Sepcialist
mary.pelletier@chiswickauctions.co.uk
+44 (0)20 3343 0525
Macerola
Cataloguer
chiara.macerola@chiswickauctions.co.uk
+44 (0)20 3343 0525
Chiara
Daguerreian Unknown, c.1855
A Patriarch With His Male Heirs, c.1855
£200 - 300 2
Photographer Unknown (XIX)
Articles of Silver Glass, Barnard & Sons, c.1860
£400 - 600 3
Antoine François Jean Claudet (1797-1867)
Stereoscopic Portrait of John Reeves, 1852
£300 - 500
4
Guillaume Benjamin Duchenne de Boulogne (1806-1875)
The Mechanism of Human Facial Expression [Fig.63], c.1854-56
£2,000 - 3,000
Frederick Henry Evans (1853-1943)
Winchester Cathedral, Carved Head
from Screen, 1900
£400 - 600 6 §
Charlotte Cory (b.1956)
Cabinet of Curiosities ‘Photomelange’
£100 - 200 7
Dr. John Murray (1809-1898)
Ruins of Palace Front, Agra, 1850
£2,000 - 3,000 8
Dr. John Murray (1809-1898)
Landscape with Figures, likely the Lake at Nainital, c.1855
£400 - 600
Linnaeus Tripe (1822-1902)
82. Amerapoora Sebonktya Kyoung
£800 - 1,200
Henri Charles Emmanuel de Rostaing (1824-1885)
Riviére à Saumons à Duggery, c.1860
£800 - 1,200
Hugh Owen (1808-1897)
Mary Le Port Street and St. Peters
Church 1850-1855
£200 - 300
Photographer Unknown (XIX)
Nude, ca. 1880s
£200 - 300
Eugène Ducretet (1844-1915) & Others
Three Early X-Ray Photographs
£600 - 800
Photographer Unknown (XX) Nudes, 1930s
£700 - 900
Frederick Fiebig (active 1849-1853) Parthasarathy Temple, Madras, 1851
£400 - 600
Moritz Loewy (1833-1907) & Pierre-Henri Puiseux (1855-1928)
A Group of Plates from “Atlas Photographique de la Lune”, 1899-1910
£800 - 1,200
17
Palomar & Wilson Observatories, California
Celestial Views, c.1950
£600 -800
18
Photographer Unknown (XX)
Self-Portrait on the Moon
£80 - 120
19
Jacques-Henri Lartigue (1894-1986)
Route de Gaillon, 1912
£1,500 - 2,500
21
Edward Chambré Hardman (1898-1988)
A Memory of Avignon, 1926
£200 - 300
20
Czech Photography, 20th century
A Collection of Vintage Czech Photography, 1930s-1960s
£150 - 250
22 §
Cecil Beaton (1904-1980)
Nancy Beaton, Costume Study, c.1920s
£150 - 250
23
Ernest Bachrach (1899-1973)
Cecil Beaton, 1932
£200 - 300
24 §
Cecil Beaton (1904-1980)
Untitled, 1928
£300 - 500
Edward Steichen (1879-1973)
Untitled (Portrait),1906
£200 - 300
Jacques-Henri Lartigue (1894-1986)
Renée, Eden Roc, Cap d’Antibes, August 1931
£500 - 700
Leni Riefenstahl (1902-2003)
Untitled [Olympic Swimmer], c.1936
£600 - 800
Dorothy Wilding (1893-1976)
Curieuse, Ingneue, & Les Demoiselles, c.1920s
£200 - 300
József Pécsi (1889-1956)
Untitled [Nude], c.1925
£200 - 300
Maurice Tabard (1897 - 1984))
Untitled (Fashion Study), c.1930
£600 - 800
Jacques-Henri Lartigue (1894-1986)
Renée, Nice, February 1931
£500 - 700
Horst P. Horst (1906-1999)
Lisa (Fonssagrives-Penn), Hands with Flask & Flowers, c.1980
£2,000 - 3,000
33 §
Lala Meredith-Vula (b.1966)
Untitled [Self-Portrait], c.1990
£150 - 250
André Kertész (1894-1985)
Furrows, 1933
£1,500 - 2,500
35
PAJAMA (Paul Cadmus, Jared French, Margaret French)
George Tooker via Appia, 1949
£800 - 1,200
37
Barbara Morgan (1900-1992)
Light Drawing, 1940
£600 - 800 38 §
William Klein (1926-2022)
Revolving Murals, Milan, 1952
£800 - 1,200 39 §
Dorothy Bohm (1924-2023)
The Reichstag, Berlin, 2006
£600 - 800
36 §
Leni Riefenstahl (1902-2003)
Untitled [Olympia, Athens], c.1936
£600 - 800
Ralph Eugene Meatyard (1925-1972)
Untitled (Mask Hanging From Fence), c.1963
£1,500 - 2,500
Imre Kinszki (1901-1945)
Acer Campestres (Field Maple); Human Spittle; Gnat’s Wing; 1930s
£800 - 1,200
Willy Ronis (1910-2009)
Marie-Anne et Vincent, Seine et Marne, 1952
£1,000 - 2,000
45 §
Willy Ronis (1910-2009)
Boulevard Richard Lenoir, Paris, 1946
£800 - 1,200 46 §
Josef Sudek (1896-1976)
Untitled, 1956
Ralph Eugene Meatyard (1925-1972)
Untitled, c.1966
£1,500 - 2,500 44
Aaron Siskind (1903-1991)
Rome, 1963; Untitled, 1949
£1,000 - 2,000
£2,000 - 3,000 47
Gert Kreutschmann (b.1920)
Nude Studies, c.1960s
£400 - 600
Aaron Siskind (1903-1991)
Chicago 53, 1952; Gloucester 6, 1944
£1,000 - 2,000
Pierre Bizet (20th Century)
Aesop’s Fables: A Frog and an Ox
Jean Cocteau, 1960s
£200 - 300 50
Robert Doisneau (1912-1994)
Picasso, La Ligne de Chance, 1952
£800 - 1,200
Robert Doisneau (1912-1994)
Le Corbusier With His Dog Pinceau, c.1944
£150 - 250 52
John Hedgecoe (1932-2010)
Artists’ Portraits, c.1950s-1970s
£150 - 250
Alfred Stieglitz at Zabriskie Gallery, 1970s
An Archive of Promotional Prints
Produced by Zabriskie Gallery
£800 - 1,200
Barry McKinley (active 1960s-1980s)
Georgia O’Keeffe, c.1984
£250 - 350
Philippe Halsman (1906-1979)
Jean Cocteau, Poet Drawing, 1949
£300 - 500
Hiroji Kubota (b.1939)
André Kertész at Home, New York City, December 1984
£400 - 600
Andre Villers (b.1954)
Pablo Picasso in the La Californie
Studio, Cannes, 1956
£400 - 600
Horst P. Horst (1906-1999)
Male Nude, 1952
£1,000 - 1,500
Carlo Mollino (1905-1973)
Untitled (Model), c.1959
£1,000 - 2,000
Horst P. Horst (1906-1999)
Male Nude, 1952
£1,000 - 2,000 61
Wilhelm von Pluschow (1852-1930)
Male Nude, c.1900
£700 - 900
Pierre Molinier (1900-1976)
Untitled (Tied Legs), 1960s
£400 - 600
Herb Ritts (1952-2002)
Greg Louganis, Hollywood, 1985
£1,000 - 2,000
Sarah Moon (b.1941)
Nu [Olympus], c.1980
£800 - 1,200
Robert Doisneau (1912-1994)
Picasso, La Ligne de Chance, 1952
Vintage silver gelatin print, image/sheet size 27 x 19cm, titled, credited, numbered, and annotated in various hands with three Rapho Agency stamps verso.
£800 - 1,200
The stamps to the verso of this print indicate that it is a vintage proof print once held at the Rapho Agency Archives in Paris. This image is one in a series of portraits from Doisneau’s 1952 visit to Picasso’s home in Vallauris, in which the artist wore a striped Breton shirt. The playful series proved so popular that this would become Picasso’s signature outfit -- forever wearing stripes in the popular imagination. The present image is a vertical format view of Picasso peering through the window panes of a wooden door, his hands pressed against the glass. The verso notes that this image made the cover of LIFE Magazine in December of 1969; but in fact, it was a slightly different view through the same door that made the cover of LIFE’s special double issue published in December 1968.
65 §
Thurston Hopkins (1913-2014)
In a London Club, Soho, 1950
£800 - 1,200
69 §
Bill Brandt (1904-1983)
Nude, Sussex Coast, 1979
£2,000 - 3,000
66 §
Willy Ronis (1910-2009)
Deena de Dos, Sceaux, 1955
£1,200 - 1,800
67 §
Bill Brandt (1904-1983)
London [Nude with Bent Elbow], 1952
£3,000 - 5,000
70 §
Norman Parkinson (1913-1990)
Pamela Minchin, Brighton Pier, 1938
£700 - 900
71
Lutz Kloss (attr.) Nude, 1920s
£200 - 300
68 §
Herbert List (1903-1975)
Olympieion, Athens, 1937
£800 - 1,200
72
Horst P. Horst (1906-1999)
Black Corset, New York, 1948
£2,000 - 3,000
Irving Penn (1917 - 2009)
Nude 132, 1949-1950
£8,000 - 12,000
Horst P. Horst (1906-1999)
Body Parts, Oyster Bay, NY, 1989
£1,500 - 2,500
Irving Penn (1917 - 2009)
Nude 141, 1949-1950
£8,000 - 12,000
W. Eugene Smith (1918-1978)
Jazz Loft, 1957-1968
£400 - 600 77
Arthur Leipzig (1918-2014)
Dodge Ball, 1950
£800 - 1,200
Hal Morey (20th Century)
Grand Central Station, New York, 1930
£100 - 200
Andreas Feininger (1906-1999)
Lower Manhattan From The Brooklyn
Bridge, 1940
£800 - 1,200
80
Ralph Steiner (1899-1986)
Saratoga Coal Company, 1929
£300 - 500
Arthur Leipzig (1918-2014)
Brooklyn Bridge, 1946
£800 - 1,200
Arthur Leipzig (1918-2014)
Divers, East River, 1948
£1,000 - 2,000
Barbara Morgan (1900-1992)
Martha Graham, El Penitente (Erick
Hawkins Solo, “El Flagellante”), 1940
£1,000 - 2,000
Arthur Leipzig (1918-2014)
Brooklyn Bridge, 1946
£1,000 - 2,000
Photobooth Portraits, 1930s-1960s
£250 350
Vivian Maier (1926-2009)
Untitled, 1954
£1,200 - 1,600
Ralph Steiner (1899-1986)
An Archive of Contact Prints & Correspondence, 1984
£1,500 - 2,500
88 §
Herbert List (1903-1975)
Poseidon/ Neptune, Sacro Bosco, Italy, 1952
£600 - 800
Todd Webb (1905-2000)
Fisherman’s Wife, Ibiza, 1951
£600 - 800
Clarence John Laughlin (1905-1985)
The Grappler, 1953
£600 - 800
Herb Quick (1925-2006)
Christie Machine Works, San Francisco, 1950
£200 - 300
Charles Gimpel (1913-1973)
A Pair of Vintage Exhibition Prints, 1961-1965
£250 - 350
Edward S. Curtis (1868-1952)
Henry-Wichita, Pl 656, from The North
American Indian (Vol. XIX), 1927
£200 - 300
Luigi Domenico Gismondi (1872-1946)
Amayra Portraits, Bolivia, c.1910-1920s
£600 - 800
Margaret Bourke-White (1904-1971)
In Old Age, Lansdale, Arkansas, 1937
£600 - 800
Ansel Adams (1902-1984)
Papago [Tohondo O’odham] Man, Tucson, Arizona, c.1953
£700 - 900
97
Carleton E. Watkins (1829-1916)
Down the Valley, Yosemite, Cathedral
Rocks, El Capitan, Yosemite, 1865/66
£800 - 1,200
101
Fay Godwin (1931-2005)
Suilven from Stac Pollaidh, Sutherland, 1981
£200 - 300
98
Koyo Okada (1895-1972)
Twelve Views of Mt Fuji, 1940s-1950s
£4,000 - 6,000 99
Fay Godwin (1931-2005)
Top Withens, 1977
£300 - 500
Don McCullin (b.1935)
Near Glastonbury, 1990s
£1,500 - 2,500
102
Lee Friedlander (b.1934)
Major General Henry W. Slocum, Napoleon Gun, and Stevens’ Fifth Maine Battery Marker, Gettysburg
National Park, from ‘The American Monuments’ series, 1979
£1,200 - 1,800
Mario Giacomelli (1925-2000)
Io non ho mani che mi accarezzino il volto [I have no hands to caress my face], 1961-1963
£2,000 - 3,000 104
Augusto Cantamessa (1927-2018)
Untitled, c.1948
£1,000 - 2,000
Mario Giacomelli (1925-2000)
Io non ho mani che mi accarezzino il
volto [I have no hands to caress my face], 1961
£1,000 - 2,000
Robert Doisneau (1912-1994)
Les Bouquinistes, Paris, 1950s
£1,500 - 2,500
Mario Giacomelli (1925-2000)
Io non ho mani che mi accarezzino il
volto [I have no hands to caress my face], 1961-1963
£1,000 - 2,000
Robert Doisneau (1912-1994)
Les Halles, Paris, c.1960
£800 - 1,200
107
Augusto Cantamessa (1927-2018)
Breve Orizzonte, 1956
£1,000 - 2,000
Mario Giacomelli (1925-2000)
Io non ho mani che mi accarezzino il volto [I have no hands to caress my face], 1961-1963
£2,000 - 3,000
111
Robert Doisneau (1912-1994)
Untitled, The Cabaret, c.1950s
£800 - 1,200
112
Marc Riboud (1923-2016)
Pilgrimage to Chartres, France, 1953
£300 - 500
Koyo Okada (1895-1972)
Twelve Views of Mt Fuji, 1940s-1950s
A unique and rare album, comprising 12 of Okada’s most iconic views of Mt Fuji, compiled c.1960, each image size approx. 22.5 x 28cm, tipped-in to cream album pages, each print with the photographer’s blindstamp lower image recto. Housed in a folio with textured blue cloth boards and tassle-tied binding, overall measuring 36 x 38.5cm, signed, titled, and stamped by the photographer in calligraphy on the title page.
£4,000 - 6,000
Provenance
Private Collection
Japanese photographer Koyo Okada (1895–1972) was born in present-day Tokamachi, Niigata Prefecture, into a family of painters and calligraphers. Initially, he trained in law at Tokyo’s Waseda University, though the trajectory of his career was altered during a 1916 visit to Oshino Village near Mount Fuji. Okada was so moved by the majestic beauty of the mountain landscape that he began to document it with his camera. ‘Fujiko-san’, as he affectionately referred to the mountain, became his lifelong subject, and his images came to define the visual expression of Japan’s most sacred mountain.
Okada opened his first photo studio in Tokyo in 1925, and by the 1930s his landscape photography had gained national attention. In 1923, he documented the Great Kanto Earthquake for the International Red Cross, publishing Kanto Daishinsai Kinen Shashin-cho (Memorial Photographic Album of the Great Kanto Earthquake).
During the 1930s, he also travelled to Japan’s new national parks, producing luminous images that brought him international recognition.
In 1940, Okada founded the Mount Fuji Photography Association, serving as its first chairman. Although he lost his negatives and equipment during World War II, he resumed photographing Mount Fuji with renewed devotion. From the 1950s onward, his Tokyo atelier, first in Shibuya and later at his home in Kichijoji, Musashino City became the centre of his activity. At Kichijoji he built a small studio and a “Fujimidai” (Fuji-viewing platform) from which he photographed the mountain under changing skies. His studio also trained younger photographers, including Shirahata Shiro, and produced large-format prints, postcards, and photobooks in collaboration with Tokyo publishers such as Heibonsha, Tomondo, and the Social Thought Research Group.
During the postwar economic boom, Okada developed a long relationship with Fuji Bank of Japan, which began using his Mt. Fuji photographs for its calendars in 1950. His images soon appeared in bank branches across the country, and framed prints were distributed as commemorative gifts for new branch openings and special customers. Fuji Bank’s use of his photographs helped make Mt. Fuji a national symbol of stability and beauty in the post-war era. By the 1960s, Okada’s Fuji landscapes were widely published and exhibited. His 1935 photograph Spring by the Lake became the basis for the reverse of Japan’s 1,000-yen note, and more than twenty of his works appeared on postage stamps. His prints were collected internationally, including by the Museum of Modern Art in New York. In 2004, the Koyo Okada Photo Art Museum was established in Oshino, Yamanashi Prefecture, to preserve his archive.
The present album, compiled by Okada himself, is a showcase of Mount Fuji through the seasons, and highlights the serene, balanced, and deeply spiritual sensibilities of his practice. As he noted later in life, he was always in pursuit of documenting the mountain’s perfection: “No matter how many years I photograph her, I still cannot capture her as I see her in my heart.”
Slim Aarons (1916-2006)
Prado Visitors, Madrid, 1954
£400 - 600
Marc Riboud (1923-2016)
Jardin du Luxembourg, Paris, 1985
£300 - 500
Bruce Davidson (b.1933)
Brooklyn Gang, New York, 1959
£600 - 800 116 §
Willy Ronis (1910-2009)
Café Rue des Cascades, 1948
£800 - 1,200
Robert Doisneau (1912-1994)
Le Vigneron, Vouvray, 1950s
£800 - 1,200 118
Willy Ronis (1910-2009)
Vincent Asleep, Paris, 1946
£1,000 - 1,500
Robert Doisneau (1912-1994)
Sidney Bechet, 1950s
£800 - 1,200 120
Robert Doisneau (1912-1994)
Brutalist Art, Bar, 1950s
£800 - 1,200
121 §
Willy Ronis (1910-2009)
Nauplie, Greece, 1980
£1,200 - 1,800
122 §
Robert Doisneau (1912-1994)
Card Players & Paris, 1950s
£1,000 - 1,500
123 §
Willy Ronis (1910-2009)
Chez Maxe, Joinville, 1947
£1,200 - 1,800
125
Robert Capa (1913-1954)
World War II Vintage Press Prints, 1943
£600 - 800
126 §
Philip Jones Griffiths (1936-2008)
The Battle For Saigon, 1968
£500 -700
127
Robert Capa (1913-1954)
World War II Vintage Press Prints, 1943
£600 - 800
124
Erich Salomon (1886-1944)
Meeting of Benito Mussolini, Dr. Heinrich Bruning, Dr. Julius Curtius & Count Dino Grendi, Rome 1931
£300 - 500
128
Joe Rosenthal (1911-2006)
Raising the Flag at Iwo Jima, 145
£800 - 1,200
129
Philippe Halsman (1906-1979)
Winston Churchill, 1951
£200 - 300
130 §
Wolfgang Suschitzky (1912-2016)
East End, London, c.1938
£300 - 500
133 §
Colin Jones (1936-2021)
Kings Cross [One of the Last Steam
Engines to Arrive at Kings Cross], 1962
£400 - 600
134 §
John Davies (b.1949)
Agecroft Power Station, Salford, 1983
£2,500 - 3,500
131
John Hedgecoe (1932-2010)
Queen Elizabeth II [Postage Stamp
Sitting], 1966
£150 - 250
132
Wolfgang Suschitzky (1912-2016)
The Matinee Queue Outside Wyndham’s
Theatre, London, c.1936
£200 - 300
135 §
Bill Brandt (1904-1983)
Halifax, 1937
£1,500 - 2,500
136 §
Colin Jones (1936-2021)
Liverpool Docks [Dockers Collecting for a Colleague Who is Sick], 1963
£300 - 500
137
Homer Sykes (b.1949)
Cartwheels, Elephant & Castle, London, c.1975
£300 - 500
Wolfgang Suschitzky (1912-2016)
Bishop’s Bridge Road, Near Paddington, 1935
£300 - 500
141 §
Fay Godwin (1931-2005)
Tree with Sheep, Alcomden, 1977
£300 - 500
Fay Godwin (1931-2005) Flooded Tree, Derwentwater, 1981
£300 - 500 140 §
John Davies (b.1949)
Monkwearmouth Colliery, Sunderland, County Durham, 1983
£500 - 700
Wolfgang Suschitzky (1912-2016)
Cambridge Circus from 84 Charing Cross Road, c.1936
£300 - 500 143
Graham Smith (b.1947)
I Thought I Saw Liz Taylor and Bob Mitchum in the Back Room of the Commercial, South Bank, Middlesbrough, 1984
£2,000 - 3,000
Bill Brandt (1904-1983)
Misty Evening in Sheffield, c.1933
£1,500 - 2,500
Graham Smith (b.1947)
I Thought I Saw Liz Taylor and Bob Mitchum in the Back Room of the Commercial, South Bank, Middlesbrough, 1984
Silver gelatin print, printed late 1980s/ early 1990s, image size 31 x 40.5cm, sheet size, 38.5 x 47.5cm, signed, titled, dated, and inscribed by the photographer in pencil verso.
£2,000 - 3,000
Literature
Kismaric, S. British Photography from the Thatcher Years, 1991. New York: MoMA & HN Abrams, 1991, illustrated pl.27]
Provenance
Acquired directly from the photographer by the present owner, 1995
“For the last ten years I have photographed in Middlesbrough, nowhere else. Like my parents I was born and brought up in the town. My father, mother, stepfather, and their friends are all good drinkers, and they have always used the same few pubs, which we consider to be the best in Middlesbrough. They are used by those who live on the edge, whose future is the next good time, the next good drink. It’s never clear to me why I photograph in these pubs. It might be that I’m using the camera as a way of looking at friends, family, people from their past and, in turn, my background. The truth might be that the camera is just an extension of my drinking arm.” -- Graham Smith, quoted in British Photography from the Thatcher Years, MoMA exhibition catalogue, published 1991 [p.49]
145
Peter Mitchell (b.1943)
Memento Mori [Portfolio], 19731978
£3,000 - 4,000
146 §
Tony Ray-Jones (1941-1972) Mablethorpe, 1967
£1,500 - 2,000
147 §
Peter Mitchell (b.1943)
Ghost Train Ride, Woodhouse Moor, Leeds, Spring 1986
£200 - 300
149
Alan Delaney (b.1958)
Smithfield Market, 1998; Butlers Wharf, 1987
£300 - 500
148 §
Robert Doisneau (1912-1994)
Un Enlèvement à, Abbotsbury, 1961
£1,000 - 2,000
150 §
Peter Mitchell (b.1943)
ABC [Aerated Bread Company],
Camden Road, London, 1979
£400 - 600
151 §
Martin Parr (b.1952) Tenby, Wales, 2018
£250 - 350
152
Constantine Manos (1934-2025)
Daytona Beach, Florida, 1997 [American Color 2]
£300 - 500
153 §
Martin Parr (b.1952)
Margate, Kent, 1986
£250 - 350 154
Homer Sykes (b.1949)
On the Road Again, Gallup, New Mexico, 1971
£300 - 500
155
Tom Bamberger (b.1948) Man at the Diner, 1988
£100 - 200
156 §
Robert Dowling (b.1946)
Dowling (b.1946)
Sub-Title: Chevy Belle Air, Santa Monica, California, 1987
£400 - 600
157 §
Ernst Haas (1921-1986)
Route 66, Albuquerque, New Mexico, 1969
£2,500 - 3,500
158
Leon Levinstein (1910-1988) Man in Suit, Woman in Fur Coat, 1954
£1,000 - 2,000
159
Garry Winogrand (1928-1984)
Untitled, from Women are Beautiful, 1968
£600 - 800
160
Philippe Halsman (1906-1979)
Marilyn Monroe, The True Marilyn, Triple Portrait, 1954
£400 - 600
161
Bruce Davidson (b.1933)
Circus Performers, Behind the Scenes, 1958
£600 - 800
162
Bob Willoughby (1927-2009)
Audrey Hepburn at Paramount Studios, 1953
£250 - 350
163 §
Terry O’Neill (1938-2019)
Jean Shrimpton and Terence Stamp, London, 1963
£1,000 - 2,000
165 §
Terry O’Neill (1938-2019)
Faye Dunaway, Hollywood, 1977
£4,000 - 6,000
166
Andre de Dienes (1913-1985)
Marilyn With a Bow in Her Hair, c.1945
£300 - 500
167
Bert Stern (1929-2013)
Marylin Monroe, Crucifix II, 1962
£600 - 900
164
Ron Galella (1931-2022)
Hollywood Stars in New York, 1968-1993
£5,000 - 7,000
168
Andre de Dienes (1913-1985)
Marilyn Monroe at Sunset, c.1946
£200 - 300
169
Bob Willoughby (1927-2009)
Audrey Hepburn at Paramount
Studios [Close-up], 1953
£250 - 350
170 §
Noel Chanan (b.1939)
Portrait of Ted Hughes (1930-1998),
1979
£200 - 300
173
Arthur Tress (b.1940)
Father and His Two Children, c.1980
£500 - 700
174
Mario Carnicelli (b.1937)
42nd Street at Night, New York, 1966;
Parking Lot, Los Angeles, 1967
£150 - 250
171
Andre de Dienes (1913-1985)
Marilyn on the Beach, 1949
£300 - 500
172 §
Robert Dowling (b.1946)
Yellow Ford Convertible, 1987
£400 - 600
175 §
Marc Riboud (1923-2016)
Children of Bab-el-Oued Celebrate Independence, Algiers, 2 July, 1962
£300 - 500
176 §
Marc Riboud (1923-2016)
Pope Paul VI, Italy, 1963
£300 - 500
177 §
Marc Riboud (1923-2016)
Celebration for Independence, Algiers, 2 July, 1962
£300 - 500
178
W. Eugene Smith (1918-1978)
Country Doctor, 1948
£400 - 600
181
W. Eugene Smith (1918-1978)
Ku Klux Klan Meeting, North Carolina, 1951
£250 - 350
182
Paul Fusco (1930-2020)
Children’s Home, Minsk, Belarus, 1997 [Chernobyl Legacy]
£250 - 350
179 §
Bert Hardy (1913-1995)
Head to Head, Latuko Wrestling, 1952
£400 - 600
183 §
Marc Riboud (1923-2016)
Photograph of Pol Pot & His Victims, Phnom Penh, Cambodia, 1981
£300 - 500
180
David Douglas Duncan (1916-2018)
Labourer, Trinidad, 1941
£400 - 600
184
Hiroji Kubota (b.1939)
Young Nuns, Tameit Taw Convent, Sagaing, Myanmar, 1978
£400 - 600
185 §
Marc Riboud (1923-2016)
Hue, Vietnam, 1968
£300 - 500
186 §
Marc Riboud (1923-2016) Mongolian Interior, 1965
£300 - 500
187
Steve Schapiro (1934-2022)
Robert Kennedy, Berkeley, California, 1966
£1,000 - 1,500
189
Raul Corrales (1925-2006)
The Crowd during Fidel Castro’s trip to South America, 1959
£800 - 1,200
190
Miguel Rio Branco (b.1946)
Untitled, 1989
£800 - 1,200
191
W. Eugene Smith (1918-1978) Haiti, c.1958
£1,000 - 2,000
188
Micha Bar-Am (b.1930)
Jerusalem & the West Bank, 19671980s
£400 - 600
192 §
Bruno Barbey (1941-2020)
In the House of Fela Ransome
Anikulap Kuti, Lagos, Nigeria, 1977
£600 - 800
193
Joel Sternfeld (b.1944)
Garden Roof, City Hall, Chicago, May
2005
£3,000 - 5,000
194
Constantine Manos (1934-2025)
New Orleans, Louisiana, 2000
[American Color 2]
£300 - 500
195
Stephen Shore (b.1947)
Sutter Street and Crestline Road, Fort Worth, Texas, June 3, 1976
£4,000 - 6,000
197
Kenro Izu b.1949
Druk #2 Bhutan 2002
£600 - 800
196
Mark De Fraeye (b.1949)
Roemenië, 1980
£150 - 250
198
Stephen Shore (b.1947)
Foothill Road, Beverly Hills, California, September 10, 1974
£3,000 - 5,000
199
Todd Hido (b.1968)
House Hunting #2024, 1997
£1,500 - 2,500
200
Richard Misrach (b.1949)
Skull and Storm, 1986
£700 - 900
201
Todd Hido (b.1968)
House Hunting #1731, 1996
£1,500 - 2,500
202
Stephen Shore (b.1947)
Cal. 177, Desert Center, California, 1976
£4,000 - 6,000
205
Spencer Tunick (b.1967)
Elizabeth under the Manhattan
Bridge, 1993
£500 - 700
206
Larry Clark (b.1943)
Untitled (from Teenage Lust), 1968
£3,000 - 5,000
203 §
Wolfgang Tillmans (b.1968)
Untitled [Police Helicopters], 1995
£3,000 - 5,000
204
Richard Misrach (b.1949)
Comfort Stations, Edwards Air Force
Base, California, 1983
£800 - 1,200
207
Henry Wessel (1942-2018)
Waikiki, 1979
£800 - 1,200
208
Trevor Ashby (b.1944)
British Coastal Landscape Studies, 1990s
£2,000 - 3,000
209
Harry Callahan (1912-1999)
Chicago, c.1950
£5,000 - 7,000
210
David Muench (b.1936)
American Landscapes, 1960s
£400 - 600
213 §
Sarah Moon (b.1941)
Le Petit Chaperon Rouge (Little Red Riding Hood), 1983
£800 - 1,200 214
Norman Parkinson (1913-1990)
Wenda in Coat by Sybill Connolly, 1954
£1,200 - 1,800
211 §
Sarah Moon (b.1941)
Cacharel, 1984
£800 - 1,200
215
Richard Avedon (1923-2004)
Suzy Parker in a Dior costume for Harper’s Bazaar, 1950s
£200 - 300
212
Judith Joy Ross (b.1946)
Untitled [from Easton Portraits], 1989
£2,000 - 3,000
216
Norman Parkinson (1913-1990)
Wenda in a Simpson’s Suit, Peabody Trust
Buildings, Fulham Road, London, 1949
£1,200 - 1,800
217 §
Sarah Moon (b.1941)
British Vogue, late 1980s
£800 - 1,200
218 §
Sarah Moon (b.1941)
Vogue Italie, 1984
£800 - 1,200
219
Irving Penn (1917 - 2009)
Jean Giono, Manosque, 1957
£1,200 - 1,800
221
Sarah Moon (b.1941)
Vogue Italie, 1984
£800 - 1,200
220 §
William Klein (1926-2022)
Smoke + Veil, Vogue, Paris, 1958
£800 - 1,200
222
William Klein (1926-2022)
Hat + Five Roses, Paris, 1956
£800 - 1,200
223
Terence Donovan (1936-1996)
Cindy Crawford for British Vogue, 1988
£1,500 - 2,500
224
Helmut Newton (1920-2004)
Helmut Newton, Sumo, 1999
£2,000 - 3,000
225
Horst P. Horst (1906-1999)
Calvin Klein Fashion, New York, 1983
£4,000 - 6,000 226 §
Sam Haskins (1926-2009)
November Girl, 1966
£1,000 - 2,000
229
Horst P. Horst (1906-1999)
Bergdorf Goodman Fashion
Advertisement, 1935
£1,500 - 2,500
230 §
Alice Springs (1923-2021)
Helmut Newton, 1990s
£200 - 300
227 §
Helmut Newton (1920-2004)
Karl Lagerfeld, c.1975
£1,000 - 2,000
228 §
William Klein (1926-2022)
Nina + Simone, Piazza di Spagna, Vogue, Rome, 1960
£800 - 1,200
231
Guy Bourdin (1928-1991)
Fashion Print, c.1980s
£100 - 200
232 §
David Bailey (b.1938)
Portraits of Catherine Bailey, 1988-1990
£800 - 1,200
233
Andy Warhol (1928 - 1987)
Nude Male Model, 1977
£4,000 - 6,000
234 §
David Bailey (b.1938)
Catherine Bailey and Angie Hill, 1986
£600 - 800
235
Pierre Houles (1945-1986)
Jean-Michel Basquiat, 1982
£400 - 600
237
David McCabe (1940-2021)
Andy Warhol, The Factory, New York, 1964
£300 - 500
238
Joel-Peter Witkin (b.1939)
Choice of Outfits for the Agonies of Mary, San Francisco, 1984
£1,200 - 1,600
236 §
Sam Haskins (1926-2009)
Cowboy Kate, 1963
£1,000 - 2,000
239 §
William Klein (1926-2022)
Bal du cinéma fantastique au Rex, Paris, 1982
£800 - 1,200
240
Joel-Peter Witkin (b.1939)
The Sins of Joan Miró, 1981
£1,200 - 1,600
241 §
David Bailey (b.1938)
Catherine Bailey, 1989
£600 - 800
245 §
William Klein (1926-2022)
Piccadilly Circus, London, 1983
£1,500 - 2,500
242
Irving Penn (1917 - 2009)
Fish Bones on a Plate, New York, 21
October 1993
£5,000 - 7,000
243 §
David Bailey (b.1938)
Catherine Bailey and Angie Hill, 1986
£600 - 800
244 §
Lewis Morley (1925-2013)
Studio Wall [My First Australian Studio], 1972
£300 - 500
246 §
John Stoddart (b.1959)
Frankie goes to Hollywood, 1982
£400 - 600
247
Elliott Erwitt (1928-2023)
Nudist Wedding, Kent, 1984
£1,500 - 2,500
248 §
Nicolas Tikhomiroff (1927-2016)
Tikhomiroff (1927-2016)
Sub-Title: Orson Welles on the set of Chimes at Midnight, 1964
£300 - 500
249
Elliott Erwitt (1928-2023)
Untitled, Bridgehampton, New York, 1990
£1,500 - 2,500
250
Bob Willoughby (1927-2009)
Frank Sinatra on the Set of “Marriage on the Rocks”, 1965
£300 - 500
251
Dennis Stock (1928-2010)
James Dean, 1955
£300 - 500
252
Don Hunstein (1928-2017)
Thelonious Monk, 1963
£300 - 500
253 §
Tom Murray (b.1943)
The Beatles’ Mad Day Out, 1968
£1,500 - 2,500
254 §
Norman Parkinson (1913-1990)
“With the Beatles” Special Edition, 2016
£250 - 350
255 §
Tom Murray (b.1943)
The Beatles’ Mad Day Out, 1968
£1,500 - 2,500
256
Don Hunstein (1928-2017)
Bob Dylan and Suze Rotolo [The Freewheelin’ Bob Dylan Album Cover], 1963
£300 - 500
257
Andre de Dienes (1913-1985)
Marilyn Monroe [Blue], c.1945
£300 - 500
258
Don Hunstein (1928-2017)
Bob Dylan, Carnegie Hall, New York, 1963
£300 - 500
261
Gered Mankowitz (b.1946)
Mick Jagger “Live”, 1965
£1,000 - 2,000
259
Homer Sykes (b.1949)
The Rolling Stones Rehearsing at the ICA London, 1971
£300 - 500
262 §
Cornel Lucas (1920-2012)
Katharine Hepburn on the Set of
“The Iron Petticoat”, 1956
£400 - 600
263
Tony Grylla (b.1941)
John Lennon and Yoko Ono, Bed
Sitting, Amsterdam, 1968
£400 - 600
260
Andre de Dienes (1913-1985)
Marilyn Monroe in Los Angeles, c.1953
£200 - 300
264
John Haynes (b.1937)
Samuel Beckett, 1973
£400 - 600
265
Alberto Korda (1928-2001)
Guerillero Heroico, Habana [Che Guevara], 1960
£600 - 800
266
Dennis Stock (1928-2010)
Marilyn Monroe on the Set of Désirée, 1954
£800 - 1,200
269 §
Robert Dowling (b.1946)
Pink Floyd’s A Momentary Lapse of Reason, 1987
£800 - 1,200
270 §
Sheila Rock (active c.1970-)
Debbie Harry, Holland Park, London, 1977
£250 - 350
267
Roy Schatt (1909-2002)
Malcolm X, 1964
£700 -900
271
Seydou Keïta (1921-2001)
Untitled [Two Women on Vespa], c.1952-1955
£4,000 - 6,000
268 §
David Bailey (b.1938)
Mick Jagger Goats Head Soup, 1973
£2,500 - 3,500
272
Lorna Simpson (b.1960)
‘Cliff’, 2016
£1,000 - 2,000
273
Seydou Keïta (1921-2001)
Three Women Wearing ‘Grand
Dakar’ Dresses and ‘A La de Gaulle’ Headscarves, 1956-1957
£1,200 - 1,600 274 §
Michael Kenna (b.1953)
The Rouge, Study 94, Dearborn, Michigan, 1995
277
Bruce Rae (b.1946)
Untitled [Lily], c.2017
£200 - 300
£600 - 800 275
Robert Mapplethorpe (1946 - 1989) Flower, 1983
£7,000 - 9,000
276 §
Michael Kenna (b.1953)
The Rouge, Study 66, Dearborn, Michigan, 1994
£600 - 800
278
Judith McMillan (b.1945)
Magnolia Soulangeana, 2000
£200 - 300
279
Bruce Rae (b. 1946) Still Lives, various dates
£1,200 - 1,800
280
Bruce Rae (b.1946)
Still Lives, 1990s
£200 - 300
281 §
Michael Kenna (b.1953)
Sheltered Cove, Tojimbo, Honshu, Japan, 2002
£800 - 1,200
285 §
Sebastião Salgado (1944-2025)
Cambodia, 1990
£4,000 - 6,000
282 §
Albert Watson (b.1942)
Flower Seller, Maroc, 1989
£1,200 - 1,800
283
Steve McCurry (b.1950)
Afghan Girl (Sharbat Gula), 1984
£8,000 - 12,000
284
Peter Beard (1938-2020)
Peter Beard [Baby Sumo], Taschen, 20006
£1,000 - 2,000
286 §
Nick Brandt (b.1966)
Windswept Lion, Serengeti, 2002
£2,000 - 3,000
287 §
Robert Dowling (b.1946)
‘Kite’, Piha, New Zealand, 1984
£400 - 600
288 §
Nick Brandt (b.1964)
Elephant Exodus I, Amboseli, 2001
£2,500 - 3,500
289 §
Mark Power (b.1959)
Krzyzowka, Poland, 2004
£600 - 800
290
Steve McCurry (b.1950)
Man in Bamiyan Mosque, 2006
£1,800 - 2,200
291 §
Mark Power (b.1959)
Milik, Poland, 2004
£600 - 800
292 §
Nadav Kander (b.1961)
Kurchatov I [Scientific Research Facility], Kazakhstan, 2011
£2,000 - 3,000
293 §
Richard Mosse (b.1980)
Better The Devil You Know, North
Kivu, Eastern Congo, February 2010
£8,000 - 12,000
294 §
Nadav Kander (b.1961)
C-4 Graveyard at Kurchatov, 2011
£2,000 - 3,000
295 §
Angus Boulton (b.1964)
Nedlitz, Potsdam, 1998
£600 - 800
296 §
Andreas Gursky (b.1955)
Paris, Montparnasse, 1993
£1,200 - 1,800
297
Miguel Soler-Roig (b.1961)
Room within a Room, from The Ruin of Memory, 2014
£1,000 - 2,000
298
Richard Misrach (b.1949)
Number 5384 from I-phone studies
£400 - 600
299
Jason Larkin (b.1979)
Admi Recycles off a Rubbish Dump, on a Mine Dump, Turffontein, Johannesburg, 2010
£1,000 - 2,000
301 §
Brian Griffin (1948-2024)
Charles Woods, Writer, 1979
£250 - 350
300 §
Aneta Grzeszykowska ( b.1974)
Negative Book #05, 2013
£600 - 800
302 §
Peter Mitchell (b.1943) Rave On, 1983
£400 - 600
303 §
Peter Kennard (b.1949)
Photomontages 1973-1991 [Portfolio]
£2,000 - 3,000
304 §
Vasantha Yogananthan (b.1985)
Mareecha Magic Trick, 2018
£800 - 1,200
Mikhael Subotsky (b.1981)
Joseph Dlamini (in home), Matsho Tsmombeni Squatter Camp, South Africa, 2005
£4,000 - 6,000
306 § Marcus Coates (b.1968)
The Trip, The Amazon, 2010
£200 - 400
307
Joel-Peter Witkin (b.1939)
The Arrival of Eve, 1996
£2,000 - 2,500
308
Sadik Kwaish Alfraji (b.1960)
Ali’s Boat Diary 3 [Page 6], 2015
£2,000 - 3,000
309
Jim Dine (b.1935)
Hand And Crow #1, 1996
£1,000 - 1,500
310
Milton H. Greene (1922-1985) Eyes, c.1947
£500 - 700
311
Hiroshi Sugimoto (b.1948)
Time Exposed, 1989-1991
£800 - 1,200
312
Edward Maxey Mapplethorpe (b.1960)
Untitled, 1988
£1,500 - 2,500
313 §
Guy Bourdin (1928-2001)
French Vogue, May 1977
£6,000 - 8,000
314 §
Antonio Lopez (1943-1988)
Pat Cleveland and Grace Jones, Paris, April 1975
£1,000 - 2,000
315 §
Vanessa Beecroft (Italian, b.1969)
Performances, VB 36.330 AL, 2000
£300 - 500
316 §
Antonio Lopez (1943-1987)
Jerry Hall, 1970s
£1,500 - 2,500
317 §
Juergen Teller (b.1964)
Stephanie Seymour reclining on Jeff Koons’ “Puppy”, Connecticut, 2000
£1,000 - 2,000
318
David Lachapelle (b.1963)
Commercial Photo Shoot, New York, 1997
£1,500 - 2,500
319
Barry Lategan (1935-2024)
Marie Helvin Wearing Kansai
Yamamoto for British Vogue, Osterley, 1971
£200 - 300
320
George Barris (1922 - 2016)
Marilyn Monroe on the Beach, Venice, 1962
£1,000 - 1,500
Guy Bourdin (1928-2001)
French Vogue, May 1977
Chromogenic print, printed later, flush-mounted to acrylic, image size 61 x 90cm, sheet size 80 x 109.5cm, edition 2/18. Archivally mounted and framed, frame size 84.5 x 113.7cm, with estate label, signed and editioned ‘2/18’ in ink by Samuel Bourdin, and Pace/MacGill gallery label affixed to frame verso.
£6,000 - 8,000
321 §
Rankin (b.1966)
Marie, 2008
£800 - 1,200 322
Albert Watson (b.1942)
Elaine, from the Twelve Portfolio, 1977
£400 - 600 323
John Swannell (b.1946)
The Fashion Collection Portfolio, 1986
£200 - 300
324
Albert Watson (b.1942)
Lisa Cooper, from the Twelve Portfolio, 1977
£400 - 600
325
John Swannell (b.1946)
Flamingo, 1981
£400 - 600 326
Gerard Malanga (b.1943)
The Portable Secret Museum, 1995
£800 - 1,200
Catherine Bailey & Model, 1991
£1,000 - 2,000 328
Kishin Shinoyama (1940–2024)
Untitled [Nude], c.1970
£1,000 - 2,000
329
Duane Michals (b.1932)
Exhibition Archive Collection, 1999-
2000
£1,000 - 2,000
Lee Friedlander (b.1934) Nude, 1979
£1,500 - 2,500
John Stoddart (b.1957)
Daniel Craig, London, 2002
£200 - 300
John Stoddart (b.1957)
Arnold Schwarzenegger, Cigar, 1988
£200 - 300
Brigitte Lacombe (b.1950)
Nicole Kidman, 2003
£500 - 700
Herb Ritts (1952-2002)
Nicole Kidman, Culver City, 1999
£3,000 - 5,000
David Bailey (b.1938)
Bailey by Bailey [A Pair of SelfPortraits], 1957 & 1990
£300 - 500
Marina Abramović (b.1946)
Hands as Energy Receivers, 2014
£600 - 800
337
Youssef Nabil (b. 1972
Tracey Emin (Sleeping), London, 2006
£2,000 - 3,000
Annelies Štrba (b.1947)
Sonja with Samuel-Maria, 1994
£300 - 500
Corinne Day (1962-2010)
Tara at Party, Brick Lane, 1997
£400 - 600
Isaac Julien (b.1960)
Autoportrait Parlour (Lessons of the Hour), 2019
£800 - 1,200 341
Sarah Dobai (b.1960)
Door, 1997
£200 - 300
Araya Rasdjarmrearnsook (b.1957)
The Treachery of the Moon, 2012
£1,000 - 2,000
Astrid Klein (b.1951)
Wendemoral [Morality of the Turning Point], 1985
£800 - 1,200
Indre Serptyte (b.1983)
14 Baznycios Street, Lentvaris, 2009, from Former NKVD - MVD - MGB - KGB Buildings
£800 - 1,200
Sebastiaan Bremer (b.1970)
Castle, Kitchen, 2001
£600 - 800
§
Michael Landy R.A. (b.1963)
Appropriation I, 1990
£1,000 - 2,000
§
Rankin (b.1966)
Eyescape - Jerry, 2007
£600 - 800 348
Olivia Parker (b.1941)
A Group of Five Surreal Collages, 1989
£600 - 800
349
Hugh Mangum (active 1897-1922)
Untitled #10, Glass Plate Negative, Southern United States, c.1897-1922
£250 - 350
Joel Meyerowitz (b.1938)
Cézanne’s Objects: Pitcher, 2011
£400 - 600
§
Sarah Jones (b.1959)
The Rose Gardens [Display: II] (III), 203
£300 - 500
352
Julius Shulman (1909-2010)
Dome House, Los Angeles, Bernard Judge
Architect, 1962
£1,800 - 2,200
Jacqueline Hassink (1966-2018)
Funda-in 1 [Subtemple of Tofuku-ji], Southeast Kyoto, 2008
£2,500 - 3,500
Julius Shulman (1909-2010)
Case Study House #22, Los Angeles, Pierre Koenig Architect, 1960
£700 - 900
Eamonn Doyle (b.1969)
Untitled (from the i Series), 2014
£1,000 - 2,000
Julius Shulman (1909-2010)
Case Study House #21, Pierre Koenig, Architect, 1958
£1,200 - 1,800
Eamonn Doyle (b.1969)
Untitled (from the i Series), 2014
£1,000 - 2,000 356 §
Eamonn Doyle (b.1969)
Untitled (from the i Series), 2014
£1,000 - 2,000
David Bailey (b.1938)
Jack Nicholson, 1984
£1,500 - 2,500 360
Ofer Wolberger (b.1976)
James Dean’s Last Stop, Lost Hills, CA, 2008
£600 - 800
361
Tamas Dezso (b.1978)
Ciprian, The Bear Dancer [near Salatruc, East Romania], 2013
£1,000 - 2,000
362
Andres Serrano (b.1950) Klanswoman [Grand Klaliff - Knights of the Ku Klux Klan], 1990
£4,000 - 6,000
365 §
Adam Fuss (b.1961) Untitled, 1990
£1,200 - 1,800
366 §
Chris Levine (b.1960) Lightness of Being (Freedom Edition), 2021
£1,500 - 2,500
363 §
Jorma Puranen (b.1951) Shadows, Reflections, and All That Sort of Thing #48, 2009
£1,800 - 2,200
367 §
Adam Fuss (b.1961) Untitled (Mask), 2004
£1,200 - 1,800 368
Antoine Schneck (b.1963) Le Carmagnole, 2012
£200 - 300
364 §
Richard Learoyd (b.1966) Agnes, 2011
£12,000 - 18,000
369
Derry Moore (b.1937) Interior of Faluknuma Palace, Hyderabad, 1976
£200 - 300
1. BEFORE THE SALE
1.1 Agent for the seller
Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.
1.2 Definitions
For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot.
The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot.
The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.
1.3 Catalogue descriptions
Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.
The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof.
Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot.
The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.
1.4 Inspection
Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.
1.5
Condition report
CA Ltd may issue a Condition Report on request prior to the sale.
This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.
1.6 Electricals
All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.
It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.
1.7
Estimates
Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.
1.8 Reserves
Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.
1.9 Registration to the sale
New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.
International bidders may be required to register 48 hours before the sale and to submit bank details.
A deposit may be requested prior to each sale.
Failure to register shall result in the impossibility for the bidder to purchase a Lot.
1.10 Proof of identity
Bidders not previously known to CA Ltd will be required to provide:
• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.
• Proof of address of main residence. Only official documents showing name and address will be accepted.
• Both landline and mobile telephone numbers
• A bank reference for foreign bidders may be requested
• Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the above mentioned requirements for proof of identity.
Any Bidder that does not match the provided identity for registration may not purchase during the sale.
2. DURING THE SALE
2.1 Attendance at auction
Attending the auction in person is recommended.
CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.
Bidders are not obliged to be present in person at the auction.
Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.
2.2 Personal bidding
Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.
2.3 Commission bids
CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.
Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot.
In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.
2.4 Telephone bids
If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone. CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.
2.5 Internet bids
Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or untilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.
2.6 Bidding on behalf of someone
A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.
2.7 Bidding on an item
Bid incrementation is at the auctioneer’s entire discretion.
2.8 Video transmission
For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.
2.9 Online-only auctions
Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.
2.10 Dispute resolution during the auction
Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.
3. CONTRACT FORMATION AND EFFECTS
3.1 Contract of sale
The contract of sale is between the Buyer and the Seller.
The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd.
When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.
3.2 Transfer of property
Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.
3.3 Transfer of risks
Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.
3.4 Cancellation of the sale
At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale.
CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.
Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.
In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law.
Public auctions are not covered by this right to retract.
4. AFTER THE SALE
4.1 Payment
All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.
CA ltd adheres strictly to current anti-money laundering regulations and reserves the right to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.
Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.
Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.
. Payments made by someone other than the registered Buyer shall not be accepted.
Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.
4.2 Buyer’s Premium
The Buyer will pay CA Ltd a premium of 26% on the hammer price plus VAT on that premium on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.
The VAT payable varies by symbol as below:
No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis.
†: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.
*: These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.
If you are re-exporting a * lot outside of the UK, you must use Chiswick Auctions Ltd TA Shipper.
4.3 Online Bidding Surcharges
Customers bidding through Chiswick Live are liable for a 1% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.
Customers bidding through the third-party auction platform thesaleroom.com are liable for a 4.95% surcharge on the hammer price,plus VAT. This is in addition to the Buyer’s Premium.
Customers bidding through the third-party auction platforms: Invaluable.com, Artsy.net or Liveauctioneers.com are liable for a 5% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.
4.4 Taxes
VAT is payable on the buyer’s premium, and for some lots, VAT is payable on the hammer price. The successful bidder will be responsible to ascertain and pay any applicable taxes including VAT, sales tax or any equivalent tax arising on sale of a particular lot.
W.e.f. 1st January 2021 (Post Brexit), Private individual buyers based outside UK will now be charged VAT at the applicable rate and will not be able to claim a VAT refund.
Trade clients based outside UK and who arrange for their own shipping can get the VAT refunded if all the below conditions are met:
1. Have registered to bid with an address outside of the UK
2. Provide immediate proof of export out of the UK within 90 days from the date of the auction Please note, we charge an administrative fee of £35 per invoice to check export documents and arranging VAT refunds. VAT refunds will be done to the original method of payment used by the buyer.
No VAT will be refunded where the total VAT on an invoice is under £70.
Trade clients based outside UK and who arrange shipping with our recommended shipper JGM Shipping can get the VAT taken off the invoice prior to making payment. In order to do this, you must email katy.mcevoy@ chiswickauctions.co.uk a confirmation of shipping with JGM Shipping. If you cancel or change the shipping with our recommended shipper, we will issue a revised invoice charging all applicable taxes.
4.5 Artist Resale Rights / Droit de Suite
Lots marked with ‘ARR’ may be subject to a levy.
Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500. Royalties for Droit de Suite are as follows:
• From 0 to €50,000 4%
• From €50,000.01 to €200,000 3%
• From €200,000.01 to €350,000 1%
• From €350,000.01 to €500,000 0.5%
• Exceeding €500,000 0.25%
4.6 Remedies for non-payment
If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:
• To cancel the sale
• To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.
• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer
• Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionary apply any sum paid by the Buyer for discharge of any owed sums.
• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd.
• To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law.
• To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.
• To take such other action as is permissible by Law and in the discretion of CA Ltd.
4.7 Collection
Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).
4.8 Storage
CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.
4.9 Shipping
Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.
CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.
CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.
4.10 Loss or Damage
CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.
4.11 Cultural Goods import and export restrictions
Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.
Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.
The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.
4.12 CITES
Import and export restrictions
Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.
Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.
The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.
Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.
Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.
4.13 Limitation of liability regarding CITES export licenses
Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.
CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.
4.14 Warranties
CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.
4.15 Authenticity warranty
In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.
The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.
5. ANTIQUITIES AND TRIBAL ART
5.1 Import and export restrictions and regulations
Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value. It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.
Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value. Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.
6. JEWELLERY
6.1 Gemstone treatment and estimates
Many gemstones on the market have been treated so as to augment their appearance, in a reversible or
permanent manner. Treatments under the present section may be but not limited to:
• Heat treatment to enhance sapphires and rubies’ clarity and colour
• Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone
• Staining
• Irradiation
• Coating
Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.
If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.
6.2
Estimated weights
If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.
6.3 Signatures
‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.
‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.
‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.
‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.
7. CLOCKS AND WATCHES
All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.
CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.
Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.
The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.
Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.
CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.
8.1 Upholstered furniture after 1950
According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom. Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.
9. GLOSSARY OF PICTURE CATALOGUING TERMS
Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.
3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.
4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.
5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.
6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.
7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.
8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.
10 Pictures are framed unless otherwise stated.
10. ASIAN ARTS
10.1 Import and export restrictions
When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required. Verification letters will be required for re-export of worked Rhinoceros items.
10.2 Fine Chinese Paintings
Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.
Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.
11. BOOKS AND MANUSCRIPTS
Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.
12. WINES AND SPIRITS
In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level. For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.
13. COPYRIGHT
CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above-mentioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.
14. DATA PROTECTION
The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.
CA Ltd never sell, lend or trade in personal data provided by any Bidder.
15.
SEVERABILITY
Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.
16. AMENDMENTS
The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.
17. LAW AND JURISDICTION
The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.
For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.
All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.
