27 October, 11:00
Prints & Multiples
Monday 27 October, 11:00
Viewing exclusively at the Barley Mow Centre, W4 4PH
Tuesday, 21 October 11:00 - 16:00
Wednesday, 22 October 11:00 - 16:00
Thursday, 23 October 11:00 - 16:00
Friday, 24 October 11:00 - 16:00
Saturday, 25 October 11:00 - 16:00
Sunday, 26 October 11:00 - 15:00
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Front cover L. 191 - David Hockney O.M. C.H. R.A. (British, b.1937) In the Dull Village
Opposite page L. 47 - Edward Bawden C.B.E. R.A. (British, 1903-1989) Billingsgate
Inside back cover L. 93 - Michael Heindorff (German, b.1949) Lobster
Back Cover L. 14 - Julian Trevelyan R.A. (British, 1910-1988) Chiswick Eyot
Head of Prints & Multiples
elizabeth.brinsdon@chiswickauctions.co.uk
+44 (0)20 3089 6860 Molly Gurney
Cataloguer
molly.gurney@chiswickauctions.co.uk
+44 (0)20 3062 4818
Elizabeth Brinsdon
Francisco de Goya (Spanish, 1746-1828)
Ya es Hora [Delteil 117; Harris 115]
£1,000 - 1,500
2
After Samuel Palmer (British, 1805-1881)
Moeris & Galatea [Lister 17]
£300 - 500 3
James McNeil Whistler (American, 1834-1903)
The Little Nude Model [Way 1890]
£1,500 - 2,000 4 §
Jean-François Millet (French, 1814-1875)
La Fileuse Auvergnate [Delteil 20]
£400 - 600
After Jean-François Millet (French, 1814-1875); Felix Bracquemond (French, 1833-1914)
Le Nouveau-Né
£500 - 700 6
James Ensor (Belgian, 1860-1949) Multiplication des Poissons
£700 - 1,000
Eric Gill (British, 1882-1940)
On My Bed By Night
£300 - 500 8
Eric Gill (British, 1882-1940)
Ibi Dabo Tibi; Girl Sleeping; Stay Me With Apples; My Love among the Lilies
£600 - 800
Gerald Leslie Brockhurst R.A. (British, 1890-1978)
Pepita [Wright 35]
£300 - 500
Christopher Richard Wynne Nevinson (British, 1889-1946)
Venice Night [Guichard 94]
£600 - 800
Clare Leighton (American, 1898-1989)
Hop Pickers
£600 - 800
Monica Poole (British, 1921-2003) Old Fence
£500 - 700
Julian Trevelyan R.A. (British, 1910-1988)
My Garden [Turner 315]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Chiswick Eyot [Turner 243]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Rowers [Turner 259]
£400 - 600
Julian Trevelyan R.A. (British, 1910-1988)
Interior [Turner 269]
£400 - 600
18
Julian Trevelyan R.A. (British, 1910-1988)
Chiswick Mall [Turner 281]
£600 -800
Robert Adams (British, 1917-1984)
Descending Forms
£400 - 600
19
Hans Arp (German/French, 1886-1966)
Masque-Oiseau
£400 - 600
21
Henry Moore R.A. (British, 1831-1895)
Thirteen Standing Figures [Cramer 41]
£600 - 800
22
Henry Moore R.A. (British, 1831-1895)
Elephant Skull XIII [Cramer 126]
£400 - 600
20
Hans Arp (German/French, 1886-1966)
Qu’est-Ce Que C’est Que Ca
£300 - 500
23
Henry Moore R.A. (British, 1831-1895)
Elephant Skull XVI [Cramer 129]
£400 - 600
24
Henry Moore R.A. (British, 1831-1895)
Mother and Child with Dark Background [Cramer 435]
£600 - 800
Sir Stanley Spencer R.A. (British, 1891-1959)
Shipbuilding on the Clyde - Burners
£700 - 1,000
Graham Sutherland O.M. C.H. (British, 1903-1980)
Bird Form [Tassi 104]
£500 - 700
Laurence Stephen Lowry R.A. (British 1887-1976)
The Lowrys (Self Portrait, The Artist’s Mother, The Artist’s Father)
£800 - 1,200
29
John Piper C.H. (British, 1903-1992)
Shadwell Park [Levinson 277]
£300 - 500
Laurence Stephen Lowry R.A. (British 1887-1976)
Level Crossing (Burton-upon-Trent)
£1,000 - 1,500
John Piper (British, 1903-1992) Harlaxton through the Gate [Levinson 275]
£500 - 700
John Piper (British, 1903-1992) Flintham Hall [Levinson 279]
£700 - 1,000
John Piper (British, 1903-1992)
Royal Holloway College [Levinson 272]
£1,200 - 1,800
33
John Piper (British, 1903-1992)
Wightwick Manor [Levinson 274]
£500 - 700 34
John Piper (British, 1903-1992)
Kirkmaiden [Levinson 252]
£500 - 700 35
John Piper (British, 1903-1992) Whithorn Priory [Levinson 248]
£800 - 1,200 36
Oskar Kokoschka (Austrian, 1886-1980)
Houses of Parliament II
£200 - 300
37
Oskar Kokoschka (Austrian, 1886-1980)
Tower Bridge I
£200 - 300
38
Oskar Kokoschka (Austrian, 1886-1980)
Tower Bridge III
£200 - 300
39
Oskar Kokoschka (Austrian, 1886-1980)
Port of London II
£200 - 300
40
Julian Trevelyan R.A. (British, 1910-1988)
Father Thames [Turner 220]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Richmond [Turner 226]
£300 - 500
44
Julian Trevelyan R.A. (British, 1910-1988)
Westminster [Turner 229]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Hammersmith Bridge [Turner 255]
£600 - 800
45
Julian Trevelyan R.A. (British, 1910-1988)
St James’ Park [Turner 234]
£300 - 500
46
Edward Bawden C.B.E. R.A. (British, 1903-1989)
The Queen’s Garden [Greenwood MG.174]
£500 - 700
Julian Trevelyan R.A. (British, 1910-1988)
Kensington Gardens [Turner 231]
£300 - 500
47
Edward Bawden C.B.E. R.A. (British, 1903-1989)
Billingsgate [Greenwood MG.077]
£2,000 - 3,000
48
Edward Bawden C.B.E. R.A. (British, 1903-1989)
Aesop’s Fables: The Daw in Borrowed Feathers [Greenwood MG.087]
£800 - 1,200
Julian Trevelyan R.A. (British, 1910-1988)
Hammersmith Bridge [Turner 255]
1972
signed, titled and inscribed Artist’s Proof in pencil aside from the edition of 65 etching and aquatint in colour on T.H. Saunders wove printed by Studio Prints, published by Leslie Waddington Prints Ltd., London framed
ARR
Dimensions: plate 47.5 x 35cm
£600 - 800
Reference
see Tate, London, accession number P01325 for another example of this edition
Literature
Silvie Turner 255
Julian Trevelyan: West London Printmaker
Few artists captured the Thames as vividly as Julian Trevelyan. From his studio at Durham Wharf in Hammersmith, where he lived and worked for more than fifty years, Trevelyan transformed everyday West London lifeits bridges, boats and working waterfront - into works full of imagination.
In 1935 Trevelyan bought Durham Wharf, a charming waterfront property on the Thames between Hammersmith and Chiswick. The property, which he later shared with his wife, fellow artist Mary Fedden, became his creative anchor for the next five decades, embedding him firmly within the cultural and industrial fabric of West London.
Inspired by his surroundings, The Thames, with its tides, houseboats and bridges become a recurring motif throughout his prints. In 1964, a large Kimber press was installed in Trevelyan’s studio. After an unidentified viral infection affected his speech, he turned with intensity to his printmaking practuce. This shift marked the beginning of one of the most productive periods of his career. The culmination of this lifelong engagement with the river came in the Thames Suite of 1969, twelve etchings that map the river’s journey from source to estuary. The series is both a technical tour de force and a deeply personal chronicle of the waterway that shaped his daily life.
Among his most celebrated later works is Hammersmith Bridge in 1972, in which Trevelyan instinctively distils the structure’s monumental form into a bold, graphic interpretation. Using a restrained yet vibrant palette, he captures not only the bridge’s physical presence but also its spirit as a symbol of West London life. The result is a work of striking freshness and vitality- a testament to Trevelyan’s enduring dialogue with the Thames.
49
Edward Bawden C.B.E. R.A. (British, 1903-1989)
Aesop’s Fables: A Frog and an Ox [Greenwood MG.088]
£700 - 1,000
50
Edward Bawden C.B.E. R.A. (British, 1903-1989)
Aesop’s Fables: The Gnat and the Lion [Greenwood MG.090]
£800 - 1,200 51
Edward Bawden C.B.E. R.A. (British, 1903-1989)
Aesop’s Fables: Hares, Foxes & Eagles [Greenwood MG.092]
£700 - 1,000
53
Richard Bawden (British, 1936-2024)
Sasha
£200 - 300
52
Enid Marx (British, 1902-1998) Noah’s Ark £300 - 500
54
Mary Fedden R.A. (British, 1915-2012)
Cat and Fish
£300 - 500
55
Rachel Nicholson (British, b.1934) Cornish Harbour Scene
£300 - 500
56
Julian Trevelyan R.A. (British, 1910-1988) Spinnakers [Turner 247]
£400 - 600
Julian Trevelyan R.A. (British, 1910-1988)
The Lock-Keeper’s Cottage [Turner 309]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Farnham [Turner 216]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Stone Cutting [Turner 240]
£600 - 800 60
Julian Trevelyan R.A. (British, 1910-1988)
Amsterdam [Turner 304]
£600 - 800
61
Julian Trevelyan R.A. (British, 1910-1988)
Wallington, Clock Tower [Turner 317]
£300 - 500
62
Julian Trevelyan R.A. (British, 1910-1988)
Car [Turner 290]
£400 - 600
63
Julian Trevelyan R.A. (British, 1910-1988)
Construction [Turner 392]
£200 - 300
64
Jean-Gabriel Domergue (French, 1889-1962)
Monte Carlo
£600 - 800
65
Henri-Gabriel Ibels (French, 1867-1936)
Program for Mirâges and Les Fossiles
£300 - 500 66
Gino Severini (Italian, 1883-1966)
Nature-Morte au Pigeon
£400 - 600 67
Gino Severini (Italian, 1883-1966) Epilogue
£400 - 600 68
Marino Marini (Italian, 1901-1980)
Horses and Juggler
£500 - 700
69
Avigdor Arikha (Romanian, 1929-2010)
Sex Litografier Till Dvargen Av Par Lagerkvist
£300 - 500 70
John Piper C.H. (British, 1903-1992)
Kilpeck, Herefordshire: The Norman
South Door [Levinson 122]
£200 - 300
71
John Piper C.H. (British, 1903-1992)
Exton, Rutland: Monument by Grinling
Gibbons, 1686 [Levinson 126]
£300 - 500
72
John Piper C.H. (British, 1903-1992)
Gedney, Lincolnshire: a tower in the Fens [Levinson 139]
£300 - 500
John Piper C.H. (British, 1903-1992) Christ Church, Spitalfields London: by Nicholas Hawksmoor [Levinson 142]
£800 - 1,200
John Piper C.H. (British, 1903-1992) Three Somerset Towers [Levinson 236]
£600 - 800
John Piper C.H. (British, 1903-1992) Roof at Chambord [Levinson 221]
£600 - 800
Pablo Picasso (Spanish, 1881-1973) La Danse [Ramié 400]
£3,500 - 4,500 77
Pablo Picasso (Spanish, 1881-1973) Voyageur et nu au dogue dans l’atelier [Bloch 1434]
£1,000 - 1,500 78
Pablo Picasso (Spanish, 1881-1973) Couple: femme et homme-chien avec femme à la fleur [Bloch 2010]
£1,000 - 1,500
Pablo Picasso (Spanish, 1881-1973) Muerte del Toro [Baer 992]
£1,000 - 2,000
Pablo Picasso (Spanish, 1881-1973) Los Cabestros Retiran al Toro Manso [Baer 979]
£1,000 - 2,000
82
David Hockney O.M. C.H. R.A. (British b.1937)
Citando a Matar [Baer 989]
£1,000 - 2,000
Salvador Dali (Spanish, 1904-1989)
The Golden Age
£400 - 600 83
Salvador Dali (Spanish, 1904-1989)
El Arcabuz Produce Monstruous
£300 - 500
85
André Masson (French, 1896-1987)
Untitled
£200 - 300
84
Jean Cocteau (French, 1889-1963)
Tête en profil
£500 - 700
86
Julian Trevelyan R.A. (British, 1910-1988)
Arles [Turner 249]
£400 - 600
87
Julian Trevelyan R.A. (British, 1910-1988)
Avignon [Turner 250]
£300 - 500
88
Julian Trevelyan R.A. (British, 1910-1988)
Marseilles [Turner 312]
£500 - 700
89
Julian Trevelyan R.A. (British, 1910-1988)
Fontaine de Vaucluse [Turner 251]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Cannes [Turner 279]
£300 - 500
Julian Trevelyan R.A. (British, 1910-1988)
Mistral [Turner 299]
£400 - 600 92
Michael Heindorff (German, b.1949)
Trout
£300 - 500
93
Michael Heindorff (German, b.1949)
£300 - 500 94
Michael Heindorff (German, b.1949)
Parisian Market
£300 - 500 95
Michael Heindorff (German, b.1949)
English Landscapes Dashwood House (yellow house)
£300 - 500
96
Sir Kyffin Williams O.B.E. R.A. (British, 1918-2006)
Glanrafon
£200 - 300
Lobster
John Piper C.H. (British, 1903-1992) Redenhall, Norfolk: the Tower [Levinson 124]
£200 - 300 98
John Piper C.H. (British, 1903-1992)
St Nicholas, Liverpool: smoke-black dockland church [Levinson 136]
£300 - 500
101
John Piper C.H. (British, 1903-1992) Rudbaxton, Pembrokeshire: 17th Century Monument, 19th Century Furnishings [Levinson 131]
£300 - 500 102
John Piper C.H. (British, 1903-1992) Castlemartin [Levinson 259]
£500 - 700
John Piper C.H. (British, 1903-1992) Exeter College Chapel, Oxford [Levinson 269]
£1,000 - 1,500
100
John Piper C.H. (British, 1903-1992) Tickencote, Rutland: the Norman Chancel Arch [Levinson 130]
£500 - 700
John Piper C.H. (British, 1903-1992) South Lopham [Levinson 264]
£1,000 - 1,500 104
John Piper C.H. (British, 1903-1992) Harlaxton (Blue) [Levinson 270]
£600 - 800
105
John Piper C.H. (British, 1903-1992)
Waddesdon [Levinson 280]
£600 - 800
106
Stanley William Hayter (British, 1901-1988)
Bouleau [Black & Moorhead 387]
£200 - 300
107
Ken Kiff R.A. (British, 1935-2001) The Sun Shining Down on a Street
£300 - 500
109
Ernst Fuchs (Austrian, 1930-2015)
Beneath the Tree
£400 - 600
108
Alan Davie C.B.E. R.A. (Scottish, 1920-2014)
Magic Circles
£500 - 700
110
Anita Klein (British/Australian, b.1960)
Sharing the Armchair; Breakfast; Nige
Watches the World Cup; Nige in Sardinia; Bedtime Reading; and In Bed with the Flu
£500 - 700
111
Ralph Steadman (British, b.1936)
Untitled
£250 - 350
112
Norman Ackroyd C.B.E. R.A. (British, 1938-2024)
Wenlock Edge
£150 - 250
John Piper C.H. (British, 1903-1992)
Waddesdon [Levinson 280]
1977
signed and numbered 14/75 in pencil screenprint in colours on 300gsm Arches wove printed by Kelpra Studio, published by Marlborough Fine Art, London framed ARR
Dimensions: image 66 x 101cm
£600 - 800
Reference
see Tate, London, accession number P05472 for another example of this edition.
Literature
Levinson 280
John Piper is arguably one of the most versatile and influential British artists of the twentieth century. Celebrated as a painter, designer of stained-glass windows, and as a master printmaker, Piper’s practice was rooted in a profound engagement with the British landscape and its architectural heritage.
As a printmaker, he developed a distinctive visual language that balanced painterly freedom with structural precision. His prints reveal a deep command of texture and tone, translating his atmospheric line into lithographs and screenprints that evoke the patina of age, the drama of light, and the romantic melancholy of the English landscape.
The subject of this print, Waddesdon Manor, is emblematic of Piper’s enduring preoccupation with architectural grandeur and the layers of history embedded in the English countryside. The opulent French Renaissance-style château was built by Baron Ferdinand de Rothschild in the 1870s to house his impressive art collection and to host lavish parties. The manor represents a synthesis of art, architecture, lifestyle and collecting that resonated deeply with Piper’s sensibility. He depicted Waddesdon in two prints as well as in drawings of its surrounding locality, capturing both its ornate façade and its commanding presence within the Buckinghamshire landscape.
In Piper’s hands, Waddesdon becomes more than a portrait of a building, it is an emblem of the layered history, a vibrant and glowing testament to the enduring romance and imagination that define his vision of England.
116
Norman Ackroyd C.B.E. R.A. (British, 1938-2024)
Lakeside Winter
£150 - 200
Donald Teskey (Irish, b.1956)
Fractured Shoreline I
£700 - 1,000
John Piper C.H. (British, 1903-1992) Courthouse, Long Crendon, Buckinghamshire [Levinson 285]
£400 - 600
117
John Piper C.H. (British, 1903-1992)
Stones and Bones III, V, and VIII [Levinson 291, 294, 297]
£600 - 800
John Piper C.H. (British, 1903-1992)
Willington Dovecote, Bedfordshire [Levinson 286]
£400 - 600
118
John Piper C.H. (British, 1903-1992)
Radcliffe Camera [Levinson 326]
£700 - 1,000 119
John Piper C.H. (British, 1903-1992) Huish-Episcopi [Levinson 382]
£800 - 1,200
120
John Piper C.H. (British, 1903-1992) Stansfield [Levinson 385]
£1,000 - 1,500
Sir Terry Frost R.A. (British, 1915-2003) Lilac and Red Tolcarne [Kemp 191]
£800 - 1,200
125
Sandra Blow R.A. (British, 1925-2006) Side Effect
£800 - 1,200
Sir Terry Frost R.A. (British, 1915-2003) Two Loves of Tredavoe [Kemp 200]
£500 - 700
Sandra Blow R.A. (British, 1925-2006) Inside Story
£800 - 1,200
Sandra Blow R.A. (British, 1925-2006) Split Second
£800 - 1,200
126
Sandra Blow R.A. (British, 1925-2006) Through and Beyond
£800 - 1,200
127
Philip Sutton R.A. (British, b.1928) Samoa
£250 - 350
128
Gillian Ayres C.B.E. R.A. (British, 1930-2018)
Crystal Fields
£200 - 300
Craigie Aitchison R.A. (British, 1926-2009)
Still Life with Bird Vase
£600 - 800
Bruce McLean (Scottish, b.1944)
£300 - 500
John Hoyland R.A. (British, 1934-2011)
Red, Black on Grey
£200 - 300
John Hoyland R.A. (British, 1934-2011) Green, Orange, Pink
£200 - 300 133
John Hoyland R.A. (British, 1934-2011)
£200 - 300
John Hoyland R.A. (British, 1934-2011)
£200 - 300
John Hoyland R.A. (British, 1934-2011) Sanur
£400 - 600
John Hoyland R.A. (British, 1934-2011)
The Gnome
£300 - 500
Hot Slick
Grey Blue
Brown Black on Pink
Seal
John Hoyland R.A. (British, 1934-2011)
Warrior Universe
£400 - 600 138
John Hoyland R.A. (British, 1934-2011)
Life and Love
£400 - 600 139
William Crozier (Scottish, 1930-2011) Verona Garden
£400 - 600 140
William Crozier (Scottish, 1930-2011) Labyrinth
£400 - 600
141
Stephen Chambers R.A. (British, b.1960)
Untitled (Figures)
£300 - 500
142
Stephen Chambers R.A. (British, b.1960)
Untitled (Women)
£300 - 500
143
Stephen Chambers R.A. (British, b.1960)
Untitled (Horse)
£300 - 500
144
Stephen Chambers R.A. (British, b.1960)
Man, Woman, Coastline
£300 - 500
145
Colin Self (British, b.1941)
Prelude to 1000 Temporary Objects of our Time
£600 - 800
146
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Constable Fitzpatrick and Kate Kelly
£800 - 1,200
147
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 1
£200 - 300
149
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 3
£200 - 300
148
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 2
£200 - 300
150
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 7
£200 - 300
151
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 9
£200 - 300
152
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 12
£200 - 300
153
Sir Sidney Nolan C.B.E. R.A. (Australian, 1917-1992)
Print 15
£200 - 300
154
Max Ernst (German, 1891-1976)
Sea and Sun
£300 - 500
155
Ana Maria Pacheco (Brazilian b.1943) King and Queen I and This Time They Came to stay
£300 - 500
157
Albert Irvin O.B.E R.A (British, 1922-2015)
Holyrood
£500 - 700
158
Albert Irvin O.B.E R.A (British, 1922-2015)
Octavia
£500 - 700
159
Albert Irvin O.B.E R.A (British, 1922-2015)
Concordia III
£300 - 500
156
Pierre Alechinsky (Belgian, b.1927) Untitled
£300 - 500
160
Albert Irvin O.B.E R.A (British, 1922-2015)
Concordia II
£300 - 500
161
Albert Irvin O.B.E R.A (British, 1922-2015)
Angel
£300 - 500
162
Albert Irvin O.B.E R.A (British, 1922-2015)
Trinity I
£600 - 800
163
Albert Irvin O.B.E R.A (British, 1922-2015)
Trinity 2
£600 - 800
165
Kate Whiteford O.B.E. (British, b.1952)
Double Chevron and Spiral
£200 - 300
164
Albert Irvin O.B.E R.A (British, 1922-2015)
Sangora
£300 - 500
166
Piero Dorazio (Italian, 1927-2005)
Logos de Lignes
£300 - 500
167
Piero Dorazio (Italian, 1927-2005)
Untitled
£200 - 300
168
Piero Dorazio (Italian, 1927-2005)
XXII
£300 - 500
169
Piero Dorazio (Italian, 1927-2005)
Slit II
£200 - 300
170
Piero Dorazio (Italian, 1927-2005)
Untitled XXVI
£300 - 500
171
Piero Dorazio (Italian, 1927-2005)
Untitled
£400 - 600
172
Antoni Tàpies (Spanish, 1923-2012)
Chaussures sur chaise
£600 - 800
173
Antoni Tàpies (Spanish, 1923-2012)
Chaise et pied
£600 - 800
174
Antoni Tàpies (Spanish, 1923-2012)
Variation sur un theme Musical VII
£600 - 800
175
Sir Howard Hodgkin C.H. C.B.E. (British, 1932-2017)
Indian View H
£600 - 800
176
Sir Howard Hodgkin C.H. C.B.E. (British, 1932-2017)
Welcome (Winter Sports)
£600 - 800
177
Sir Howard Hodgkin C.H. C.B.E. (British, 1932-2017)
Summer
£2,500 - 3,500
178
Sir Howard Hodgkin C.H. C.B.E. (British, 1932-2017)
Ice
£1,000 - 1,500
181
Patrick Caulfield R.A. (British, 1936-2005)
Portrait of a Frenchman
£1,500 - 2,000
182
Patrick Caulfield R.A. (British, 1936-2005)
Crying to the walls: My God! My God! Will she relent?
£400 - 600
179
Gordon House (British, 1932-2004)
Dial Set Three, Dial Set Four and Dial
Set Five
£200 - 300
180
Gordon House (British, 1932-2004)
Red Matrices, Grey Matrices, Orange Matrices
£300 - 500
183
Patrick Caulfield R.A. (British, 1936-2005)
Along a Twilighted Sky
£300 - 500
184
Patrick Caulfield R.A. (British, 1936-2005)
Ah! This life is so everyday
£400 - 600
185
Patrick Caulfield R.A. (British, 1936-2005)
Sausage
£700 - 1,000
186
Patrick Caulfield R.A. (British, 1936-2005)
Big Sausage
£500 - 700
187
Gerald Laing (British, 1936-2011) Francine
£2,000 - 3,000
189
Allen Jones (British, b.1937) Icarus
£400 - 600
188
Gerald Laing (British, 1936-2011) Starlet
£1,200 - 1,800
190
Patrick Procktor R.A. (British, 1936-2003)
Still Life
£200 - 300
191
David Hockney O.M. C.H. R.A. (British, b.1937)
In the Dull Village [MC Tokyo 54]
£3,000 - 5,000
192
David Hockney O.M. C.H. R.A. (British, b.1937)
Illustrations for Fourteen Poems by C P Cavafy
£2,000 - 3,000
David Hockney O.M. C.H. R.A.
(British, b.1937)
In the Dull Village [MC Tokyo 54] 1966
signed, dated and numbered 48/75 in pencil etching and aquatint on Crisbrook handmade wove from Illustrations for Fourteen Poems from C. P. Cavafy printed and published by Editions Alecto, London framed
ARR
Dimensions: plate 34.7 x 23cm
£3,000 - 5,000
Provenance
Editions Alecto, where purchased by present owner.
Reference
see Tate Britain, London, accession number P77570 and Museum of Modern Art, New York, accession number 45.1967.8 for other examples of this edition.
Literature MC Tokyo 54
Hockney’s Illustrations for Fourteen Poems from C.P. Cavafy comprises fourteen etchings, each paired with a poem by the Greek poet Constantine P. Cavafy (1863–1933). Each image captures the tone, atmosphere, and characters of its corresponding poem. Widely regarded as the most distinguished Greek poet of the 20th century, Cavafy explored numerous themes in his work, though he is best known for his homoerotic poetry- much of which is believed to be autobiographical. His verses evoke tender, sensual encounters between men, a subject that resonated deeply with Hockney’s own experience as a young gay artist.
When Hockney created this portfolio in 1966, homosexuality was still illegal in the UK. Reflecting on that time, he remarked: “I was aware that it was illegal, but I didn’t really think much about that at the time. I was living in a bohemian world, where we just did what we pleased. I wasn’t speaking for anybody else. I was defending my way of living.” This body of work stands as one of his earliest and most candid expressions of queer identity.
The series was partly inspired by a trip to Beirut, which Hockney saw as a contemporary to Cavafy’s Alexandria. This image however draws upon his own circle and experiences in 1960s London and was based on two of Hockney’s friends in his Notting Hill flat. Two men lie together in bed, naked from the waist up and loosely covered by a sheet; the figure on the left appears to sleep while his lover gazes softly toward him. The scene is quiet and unguarded. The figures do not acknowledge the viewer or the artist, heightening the sense of intimacy and privacy. Rendered in Hockney’s characteristically fine line, the image conveys tenderness without sentimentality. In doing so, it grants a quiet dignity to a subject that, in 1960s Britain, remained both private and profoundly political.
193
David Hockney O.M. C.H. R.A. (British, b.1937)
The Cook
£250 - 350
194
David Hockney O.M. C.H. R.A. (British, b.1937)
XIV Olympic Winter Games, Sarajevo
£1,000 - 1,500
195
David Hockney O.M. C.H. R.A. (British, b.1937)
A Bounce for Bradford
£150 - 250
197
David Hockney O.M. C.H. R.A. (British, b.1937)
Montcalm Interior at 7 O’Clock
£100 - 200
196
David Hockney O.M. C.H. R.A. (British, b.1937)
Fiesta’88
£100 - 200
198
David Hockney O.M. C.H. R.A. (British, b.1937)
Remember You Cannot Look at The
Sun or Death For Very Long
£300 - 500
199
Sir Peter Blake C.B.E. R.A. (British, b.1932)
Leo 139
£200 - 300
200
Sir Peter Blake C.B.E. R.A. (British, b.1932)
A Walk in the Tuileries Garden
£300 - 500
201
Sir Peter Blake C.B.E. R.A. (British, b.1932)
Wink
£600 - 800
205
Sir Peter Blake C.B.E. R.A. (British, b.1932)
Circus II
£600 - 800
202
Sir Peter Blake C.B.E. R.A. (British, b.1932)
Elvis
£400 - 600
203
Sir Peter Blake C.B.E. R.A. (British, b.1932)
Vichy: A Convention of Comic Book
Characters
£400 - 600
206
Sir Eduardo Paolozzi C.B.E. R.A. (British, 1924-2005)
Ponti
£400 - 600
204
Sir Peter Blake C.B.E. R.A. (British, b.1932)
The Beatles
£400 - 600
207
Sir Eduardo Paolozzi C.B.E. R.A. (British, 1924-2005)
The Artist as Hephaestus
£300 - 500
208
Richard Hamilton C.H. (British, 1922-2011)
The Solomon R. Guggenheim [Verlag 60]
£2,000 - 3,000
209
Richard Hamilton C.H. (British, 1922-2011)
Polaroid Portrait Stephen Buckley
23.11.80
£1,200 - 1,800
213
Sol LeWitt (American 1928-2007)
Five Pointed Star with Colored Bands
£1,000 - 2,000
210
Richard Hamilton C.H. (British, 1922-2011)
Polaroid Portrait Ron Kitaj 29.10.1969
£1,200 - 1,800
211
David Nash O.B.E. R.A. (British, b.1945)
Charred Cross Column
£500 - 700
212
Victor Vasarely (Hungarian/French, 1906-1997)
Sauzon (Belle Île, Brittany)
£700 - 1,000
214
Sol LeWitt (American 1928-2007)
Open Cube in Color on Color
£1,000 - 1,500
215
Kenneth Martin O.B.E. (British, 1905-1984)
Chance and Order IV
£300 - 500
216
Richard Tuttle (American, b.1941)
Stacked Color Drawings (I, VIII, IV, VII)
£400 - 600
217
Josef Albers (German, 1888-1976)
Formulation Articulation (two prints)
£300 - 500
218
After Josef Albers (German, 1888-1976)
Homage to the Square
£600 - 800
221
After Josef Albers (German, 1888-1976)
Happiness-Glee; I Love Love; Innocence; Children Playing; Everyday Happiness; Innocent Love; Love; Lovely Life; Happy Holiday; Infant Response to Love
£1,500 - 2,500
222
Various Artists
Fig-1 50 Projects in 50 Weeks
£2,500 - 3,500
219
After Josef Albers (German, 1888-1976)
Homage to the Square
£400 - 600
220
After Josef Albers (German, 1888-1976)
White Line Squares
£400 - 600
223
Patrick Hughes (British, b.1939) Leaf Art
£200 - 300
224
Claes Oldenburg (Swedish/American, 1929-2022)
NYC Pretzel
£300 - 500
£400 - 600 226
£7,000 - 9,000
227
228
£500 - 700
229
£600 - 800 230
£800 - 1,200
231
£200 - 300
£600 - 800
232
£200 - 300
Marina Abramović (Serbian b.1946)
The Silver Nose
Ai Weiwei (Chinese, b.1957)
Kui Hua Zi
Gerhard Richter (German, b.1932)
Abstraktes Bild
Ed Ruscha (American, b.1937)
Actual Size
Julian Opie (British, b.1958)
Woman Taking Off a Man’s Shirt
Julian Opie (British, b.1958)
Ruth Smoking (Twenty Six Portraits)
Julian Opie (British, b.1958)
Standing People
Julian Opie (British, b.1958)
Cardigan
£200 - 300
£200 - 300
£200 - 300
£600 - 800
£200 - 300
£300 - 500
Julian Opie (British, b.1958) Headphones
Julian Opie (British, b.1958) Jacket
Julian Opie (British, b.1958) Plastic Bag
Julian Opie (British, b.1958) Backpack
237
Chris Ofili C.B.E. (British, b.1968) Untitled
Martin Creed (British, b.1968)
Work No. 233
Damien Hirst (British, b.1965) Ho Ho Ho
£500 - 700
Damien Hirst (British, b.1965) La Muerte De Dios (two works)
£400 - 600
241
Damien Hirst (British, b.1965)
Rainbow Heart (small) [H7-4]
£400 - 600
245
Dame Tracey Emin D.B.E. R.A. (British, B.1963)
Insane Reflection
£1,500 - 2,500
242
Damien Hirst (British, b.1965)
Rainbow Butterfly (small) [H7-2]
£400 - 600
243
Damien Hirst (British, b.1965)
Butterfly Heart (Large) [H7-3]
£1,000 - 1,500
244
Dame Tracey Emin D.B.E. R.A. (British, B.1963)
The Stain
£300 - 500
246
Christo
Dame Tracey Emin D.B.E. R.A. (British, B.1963)
The New Is I Love You
£300 - 500
247
Jonathan Horowitz (American, b.1966)
Pillow Talk Prints: Dumb & Dumber
£500 - 700
248
Jonathan Horowitz (American, b.1966)
Pillow Talk Prints: Has Been & Never Was
£500 - 700
100% Art Plate
£100 - 200
£800 - 1,200
- 1,200 253
£500 - 700
£600 - 800
300
Sir Grayson Perry C.B.E. R.A. (British, b.1960)
Sir Grayson Perry C.B.E. R.A. (British, b.1960) Piggy Bank
Various Artists Hommage À Domberger
Various Artists M.M.S. #1 (Much. More. Shit.)
Poppy Jones (British, b.1985) Mark
Tom Hammick (British, b.1963) Prefab
£200 -
Tom Hammick (British, b.1963) Burning Bush
£200 - 300 256
Takashi Murakami (Japanese, b.1962) Cosmos
£700 - 1,000
Dame Tracey Emin D.B.E. R.A. (British, B.1963)
Insane Reflection
2006 signed, dated, titled and numbered 113/200 in pencil screenprint on cotton with handstitched detail published by Counter Editions, Margate unframed
ARR
Dimensions: sheet 28 x 38cm
£1,500 - 2,500
Provenance
This lot is presented within original publisher’s packaging.
Insane Reflection depicts a kneeling female figure, her hands clamped protectively over a visibly pregnant belly. The figure’s face is notably absent, replaced by an empty space of anonymity, while before her sits a platter or other ambiguous domestic object suggesting ritual and offering.
As a woman artist whose practice is deeply entwined with autobiography, Insane Reflection can be read as an imagined self-portrait of an alternative life. The kneeling, maternal figure may represent a version of Emin who followed a different path- one defined by motherhood rather than artistic devotion.
Emin’s choice of materials is equally significant. She uses screenprint on cotton with a handstitched red flower drifting in the upper corner. The use of cotton, embroidery, and printmaking situates the work within a lineage of women’s crafts, traditions historically dismissed as domestic or decorative rather than intellectual or monumental. The cotton fabric evokes domestic settings- a pillowcase, dish towel, or remnant of dressmaking material-objects tied to the private invisible labour of women. By employing such humble materials within the context of fine art, Emin challenges the entrenched hierarchies that separate craft from art, and domestic work from professional practice.
While the work engages deeply with notions of the feminine and the handmade, Emin herself does not physically stitch or print the edition. Instead, the piece is executed by anonymous craftspeople, a detail that both mirrors and subverts the structure of the traditional artist’s studio.
In Insane Reflection, Emin merges the languages of fine art and craft, public persona and private reflection. The work stands as both a meditation on the female condition and a critique of the systems that define what is considered “serious” art. Through its modest materials and emotionally charged imagery, it encapsulates Emin’s ongoing negotiation of identity, authorship, and the gendered boundaries of artistic production.
Takashi Murakami (Japanese, b.1962)
I Don’t Know, I Know
£700 - 1,000
258
Invader (French, b.1969)
3D Little Big Space
£600 - 800
259
Invader (French, b.1969)
6 Cubes (Orange & Blue)
£4,000 - 5,000
261
Invader (French, b.1969)
6 Cubes (Red & Yellow)
£4,000 - 5,000
260
Invader (French, b.1969)
6 Cubes (Blue & Yellow)
£4,000 - 5,000
262
Invader (French, b.1969)
6 Cubes (Orange & Yellow)
£4,000 - 5,000
263
Invader (French, b.1969)
Rubik Camouflage [NVDR1-2]
£1,200 - 1,800
264
Invader (French, b.1969)
Rubik Shot Red Marilyn [NVDR1-4]
£2,000 - 3,000
Invader (French, b.1969)
Space Files (Red)
£5,000 - 7,000 266
Banksy (British, b.1974)
Di-faced tenner
£600 - 800 267
Banksy (British, b.1974)
Visit Historic Palestine Poster
£300 - 500 268
Banksy (British, b.1974)
GDP Flower Thrower
£1,000 - 1,500
269
Banksy (British, b.1974)
GDP Crisis as Usual
£1,000 - 2,000 270
Banksy (British, b.1974)
Welcome Mat
£1,000 - 1,500 271
Robert Del Naja (British, b.1965)
The New System Listens to You
£300 - 500
272
D*Face and Ben Eine
(British, b.1973 and British, b.1970)
New York Sauce
£500 - 700
273
Martin Whatson (Norwegian, b. 1984) En Pointe
£700 - 1,000
277
Mr Brainwash (French, b.1966)
25 Years of Teenage Cancer Trust
(Royal Albert Hall)
£300 - 500
274
Mr Brainwash (French, b.1966) Anarchy Soldier
£1,000 - 2,000
275
Mr Brainwash (French, b.1966) Ameri-can dream
£800 - 1,200
279
Endless (British Contemporary)
Chapel Glitter (Green)
£1,000 - 2,000
280
JR (French, b.1983)
JR au Louvre, 29 Mars 2019, 19h45 © Pyramide, architecte I. M. Pei, musée du Louvre, Paris, France
£400 - 600
276
Mr Brainwash (French, b.1966)
Long Live The King
£800 - 1,200
281
JR (French, b.1983)
Ballet, Palais Royal, Paris, France
£700 - 1,000
STIK (British, b.1979)
Standing Figure (Grey)
£500 - 700
STIK (British, b.1979)
Holding Hands the complete suite of five
£400 - 600
STIK (British, b.1979)
Standing Figure (Orange)
£500 - 700
STIK (British, b.1979)
Holding Hands (red)
£300 - 500
STIK (British, b.1979) Holding Hands
£1,500 - 2,000
STIK (British, b.1979) Stamp (Arms Down)
£400 - 600
STIK (British, b.1979) Stamp (Arms Up)
£400 - 600
STIK (British, b.1979) Stamp (Arms Up) and Stamp (Arm Up, Arm Down)
£800 - 1,200
290
Shepard Fairey (American, b. 1970)
C’mon Everybody
£400 - 600
294
The Connor Brothers (British, b.1968)
Real Excitement (The Honeymoon is Over)
£1,000 - 1,500
291
Charles Fazzino (American, b.1955) Your Ticket to Broadway
£300 - 500
295
The Connor Brothers (British, b.1968) The Truth Will Set You Free
£400 - 600
292
Stan Lee (American, 1922-2018) Captain America #193 - Madbomb
£500 - 700
293
Stan Lee (American, 1922-2018) Wolverine #145 - Still The Best At What He Does
£500 - 700
296
The Connor Brothers (British, b.1968) Those Who Say it Cannot Be Done Should Not Interrupt Those of Us Who Are Doing It
£1,500 - 2,000
297
The Connor Brothers (British, b.1968) I Don’t Want to Belong to Any Club That Would Have Me as a Member (Blue)
£700 - 1,000
The Connor Brothers (British, b.1968) All She Wanted was to be Someone’s Most Precious Person
£800 - 1,200
The Connor Brothers (British, b.1968) Just Look At What We Do When We Work Together (Marcus Rashford)
£300 - 500
The Connor Brothers (British, b.1968) Show Me an Ex and I’ll Show You a Why
£400 - 600
The Connor Brothers (British, b.1968) Desperate Times Call For Desperate Measures
£400 - 600 302
The Connor Brothers (British, b.1968)
My Relationship With Whiskey is On the Rocks
£400 - 600 303
Chris Levine (Canadian, b.1960) Lightness of Being (Freedom Edition)
£1,500 - 2,500 304
Bob Dylan (American, b.1941) Two Sisters
£600 - 800
305
Dylan (American, b.1941) Grande Avore Beachfront
£1,000 - 1,500
Bob
306
£800 - 1,200
307
£800 - 1,200
308
£3,000 - 5,000
309
£700 - 1,000
310
311
312
313
£800 - 1,200
£700 - 1,000
Bob Dylan (American, b.1941)
Lighthouse in Maine
£1,200 - 1,800
Bob Dylan (American, b.1941)
Man on a Bridge
Bob Dylan (American, b.1941)
Woman in Red Lion Pub
Bob Dylan (American, b.1941)
Joshua Tree, Sunrise
Bob Dylan (American, b.1941)
It Ain’t Me Babe
Bob Dylan (American, b.1941)
Shanghai
Bob Dylan (American, b.1941)
Cactus
£800 - 1,200
Bob Dylan (American, b.1941)
Endless Highway and The Beaten
Path Book
315
£1,000 - 1,500
£300 - 500 316
£500 - 700 317
£400 - 600 318
£400 - 600 319
£400 - 600
320
321
£600
£300 - 500
James McQueen (British, b.1977)
Stupid Crazy Love
Joe Webb (British, b.1976)
Giant Leap
Daniel Arsham (American, b.1980)
Cassette Player FR-07
Daniel Arsham (American, b.1980)
Hollow Figure
David Shrigley O.B.E. (British b.1968)
Fire Extinguisher
David Shrigley O.B.E. (British b.1968) Learn to Draw
David Shrigley O.B.E. (British b.1968)
My Artwork is Terrible and I am a Very Bad Person
David Shrigley O.B.E. (British b.1968) White Elephant
- 800
322
David Shrigley O.B.E. (British b.1968)
Leap Into the Void
£700 - 1,000
323
David Shrigley O.B.E. (British b.1968)
Thank You for Keeping Still
£1,000 - 2,000
324
Chiho Aoshima (Japanese, b.1974)
Yuyake Chan Miss Sunset
£350 - 450
325
Yoshitomo Nara (Japanese, b.1959)
Too Young To Die
£700 - 1,000
326
Yoshitomo Nara (Japanese, b.1959)
Marching on a Butterbur Leaf
£300 - 500
327
Ayako Rokkaku (Japanese, b.1982)
Untitled
£600 - 800
328
Juno Calypso (British, b.1989)
Untitled (Art Car Boot Fair 2024)
£200 - 300
329
Oli Epp (British, b.1994)
You Spin Me Right Round
£400 - 600
330
Caroline Walker (British, b.1982) Study for Nurture
£400 - 600
331
Werner Bronkhorst (South African, b.2001)
Get Served
£300 - 500
332
Werner Bronkhorst (South African, b.2001)
The Champions 2025
£300 - 500
1. BEFORE THE SALE
1.1 Agent for the seller
Unless otherwise agreed, Chiswick Auctions Ltd, hereafter referred to as CA LTD acts as agent for the seller. The contract for sale of the property is therefore made between the Seller and the Buyer.
1.2 Definitions
For the purposes of the current Terms and Conditions, the Seller shall be defined as the owner of the Goods. It is implied that the Seller is the legitimate owner and is authorised to sell the Lot.
The Bidder is any registered person participating in the auction, and the Buyer is the successful Bidder for a particular Lot.
The Lot means the item(s) put up for sale by CA Ltd and to which the present Terms and Conditions apply.
1.3 Catalogue descriptions
Any representation in any catalogue or otherwise as to the origin, date, age, attribution, authenticity or estimated selling price of any lot is a statement of opinion only. Such statements do not constitute a representation warranty or assumption of liability by CA Ltd in relation to the Lot. Any prospective Buyer should satisfy themselves prior to the sale as to the reliability of the catalogue description.
The absence of mention related to prior restorations in the catalogue descriptions does not imply that the good is exempt thereof.
Photographs of any Lot provided by CA Ltd are for indicative purposes only and are not deemed to be a precise representation of the said Lot.
The Buyer is advised to seek independent expert advice in order to be assured of the authenticity and true state of the good.
1.4 Inspection
Prior to auction, prospective purchasers are strongly advised to personally examine any property in which they are interested to satisfy themselves in relation to matters which may concern them.
1.5
Condition report
CA Ltd may issue a Condition Report on request prior to the sale.
This Condition Report is for identification purposes only and cannot be considered as giving a precise account of the Lot’s true state. Thus, some imperfections and faults may not be accounted for in the Condition Report. As aforementioned, and in the absence of any contractual value of the Condition report, it is the Buyer’s sole duty to inspect in person the Lot in order to be assured of its true condition and CA Ltd shall not be responsible for assertions within the Condition Report hereto.
1.6 Electricals
All electrical items are sold as seen and CA Ltd offers no guarantee as to the working condition of such items or their safety.
It is the Buyer’s duty to take necessary steps to be assured that the Lot is safe for normal use.
1.7
Estimates
Estimates are based on various factors inherent to the situation of the market at the time of the sale, as well as considerations such as the condition, rarity, or quality of the item etc. Estimates are only indicative and represent the opinion of CA Ltd. Estimates provided by CA Ltd cannot constitute a guarantee as to the value of the good. Subsequently, goods may sell at prices lower or higher than the provided estimates.
1.8 Reserves
Many Lots are offered subject to a reserve, which is the confidential minimum sale price. The reserve will never exceed the low estimate printed in the catalogue. CA Ltd may open the bidding on any Lot below the reserve by placing a bid on behalf of the seller, and may in their discretion continue to bid up to the reserve price. This can be achieved by bidding in response to other bidders or alternatively by placing consecutive bids.
1.9 Registration to the sale
New bidders will need to register prior to the sale. It is strongly advised bidders register at least 24 hours before the sale. Registration thereafter shall be at the auctioneer’s entire discretion.
International bidders may be required to register 48 hours before the sale and to submit bank details.
A deposit may be requested prior to each sale.
Failure to register shall result in the impossibility for the bidder to purchase a Lot.
1.10 Proof of identity
Bidders not previously known to CA Ltd will be required to provide:
• Official proof of identity in the form of a passport or photocard driving licence. No other forms of ID are acceptable.
• Proof of address of main residence. Only official documents showing name and address will be accepted.
• Both landline and mobile telephone numbers
• A bank reference for foreign bidders may be requested
• Corporate clients will have to provide a certificate of incorporation prior to the auction, along with the representative’s ID in accordance with the above mentioned requirements for proof of identity.
Any Bidder that does not match the provided identity for registration may not purchase during the sale.
2. DURING THE SALE
2.1 Attendance at auction
Attending the auction in person is recommended.
CA Ltd has the right at their absolute discretion to refuse participation in any auction, to reject any bid, and to refuse admission to the premises.
Bidders are not obliged to be present in person at the auction.
Absentee bidders shall be required to make necessary arrangements with CA Ltd prior to the sale.
2.2 Personal bidding
Bidders attending the auction in person shall be required to collect a unique bidding paddle prior to bidding in the sale.
2.3 Commission bids
CA Ltd will use reasonable efforts to carry out Commission bids received by them prior to the sale for the convenience of clients who are not present at the auction in person. Execution of Commission bids is a free service provided to help clients and CA Ltd does not accept liability for any failure to execute a Commission bid or for errors and omissions in connection with it.
Commission bids shall be executed at the lowest possible price, subject to competing bids and reserves. Although CA Ltd will endeavour to inform Buyers, it is the Buyer’s responsibility to check if they have been successful in purchasing a Lot.
In the event of multiple commission bids set at the same price, the first registered commission bid will take priority.
2.4 Telephone bids
If a bidder is not able to attend in person an auction, CA Ltd will use reasonable efforts to contact prospective Buyers who make arrangements prior to commencement of the sale to bid by telephone. CA Ltd cannot be held responsible in the event of issues affecting connectivity, resulting in the loss of a chance of purchasing the Lot for the Bidder.
2.5 Internet bids
Some sales may be available to internet bidding, as well as personal attendance. In this event, CA Ltd shall not be held responsible for issues affecting connection. In addition to having our own in-house online bidding platform, some sales are also offered with online live bidding by third party platforms, CA Ltd is not responsible for any issues that may arise during registration or untilising said platforms. CA ltd encourages prospective bidders to bid directly with Chiswick Live or via traditional direct in-house means wherever possible.
2.6 Bidding on behalf of someone
A Buyer may bid by proxy. In this event, proof of identity of both the Buyer and the proxy must be communicated to CA Ltd prior to the sale. A copy of the mandate shall also be required.
2.7 Bidding on an item
Bid incrementation is at the auctioneer’s entire discretion.
2.8 Video transmission
For the purpose of the sale, Lots may be displayed on video during the auction. In the event of transmission issues, CA Ltd shall not be held responsible for any subsequent outcome.
2.9 Online-only auctions
Some auctions may only be available to bidders via an online platform sale. In this event, Buyers have a 14 day period from the receipt of goods to withdraw from the sale, in accordance with EU Consumer Law. This returns policy relates only to lots where physical viewing of lots prior to sale is not offered by CA Ltd.
2.10 Dispute resolution during the auction
Any dispute shall be settled at the auctioneer’s absolute discretion. Under no circumstances will a sale be cancelled after the fall of the hammer, except at the auctioneer’s entire discretion.
3. CONTRACT FORMATION AND EFFECTS
3.1 Contract of sale
The contract of sale is between the Buyer and the Seller.
The Buyer shall be the bidder at the highest price at the fall of the hammer. The sale is deemed complete once the auctioneer announces its completion by the fall of the hammer and the contract shall be binding thereafter between the Buyer and the Seller and CA Ltd.
When a Buyer purchases multiple Lots, each Lot is the subject of a separate contract of sale.
3.2 Transfer of property
Property of the goods shall pass to the Buyer only once CA Ltd has received full payment for the goods, this includes the price at the fall of the hammer as well as Buyer’s premium, relevant taxes, and costs in relation to shipping.
3.3 Transfer of risks
Purchased Lots shall be at the Buyer’s risk in all respects from the fall of the hammer, and neither CA Ltd nor their agents shall be responsible for any loss or damage of any kind, whether caused by negligence or otherwise.
3.4 Cancellation of the sale
At the fall of the hammer, the contract is formed between the Buyer and CA Ltd and is binding thereafter. Under no circumstances can the Buyer cancel the sale.
CA Ltd may at its entire discretion, during or after the auction, cancel the sale of the Lot or reoffer and resell the Lot if it becomes aware of any error or dispute of any nature, whether or not title has passed to the Buyer, and up to a period of 6 months after the said sale.
Grounds for cancellation under the present section shall include but not be limited to any dispute relating to the attribution or provenance of the Lot, ownership and title, fraud or deceit, lack of relevant licences or certificates, any subsequent changes in domestic or international legislations restricting the sale of export of goods etc.
In the event of internet-only auctions (where are no offered advanced physical viewing times), the Buyer shall have a 14 day right to retract, after receipt of the Lot, under EU Consumer Law.
Public auctions are not covered by this right to retract.
4. AFTER THE SALE
4.1 Payment
All purchased lots must be paid for on the day of the auction. Commission bids must be paid for no later than the day after the auction. Payment must be made by cash, debit, credit card or bank transfer. We do not accept cheques. We do not currently accept American Express.
CA ltd adheres strictly to current anti-money laundering regulations and reserves the right to refuse payment or cancel the sale of any lot, should suspicion or evidence of regulation infringement arise. The 2020 guidelines reference ‘Art Works’, but are as yet to be fully defined. As such, CA Ltd reserves the right to adapt buying/selling rules at any time, in order to maintain compliance.
Cash payments shall not be receivable for amounts over €10,000, regardless of the payment being for one or multiple Lots. As of 2020, new directives also extend to other forms of payment where the amount is in excess of €10,000 and this may require further information sharing covering both buyers and sellers.
Should it encounter contravention of said regulations, or is unable to bring buyers/sellers into line with said regulations through advice and support, CA ltd reserves the right to cancel any lot transaction and offer said lots to underbidders and where applicable will notify the relevant authority of the suspected contravention if deemed intentional.
. Payments made by someone other than the registered Buyer shall not be accepted.
Title will not pass to the Buyer until CA Ltd has received all amounts due to them in cleared funds even if the Lot has been released to the Buyer.
4.2 Buyer’s Premium
The Buyer will pay CA Ltd a premium of 26% on the hammer price plus VAT on that premium on the first £500,000 and 12% plus VAT on the balance thereafter. A Buyer’s Premium of 21% plus VAT is charged on Wine & Spirits Lots.
The VAT payable varies by symbol as below:
No Symbol: The standard rate of VAT is charged on the premium under the Auctioneers Margin Scheme in accordance with Art. 333 of 2006/112/EC. Standard UK VAT will be charged on the buyers’ premium and invoiced on an inclusive basis.
†: Normal VAT rules apply and the standard rate of VAT will be charged on both hammer price and premium.
*: These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on the invoice.
If you are re-exporting a * lot outside of the UK, you must use Chiswick Auctions Ltd TA Shipper.
4.3 Online Bidding Surcharges
Customers bidding through Chiswick Live are liable for a 1% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.
Customers bidding through the third-party auction platform thesaleroom.com are liable for a 4.95% surcharge on the hammer price,plus VAT. This is in addition to the Buyer’s Premium.
Customers bidding through the third-party auction platforms: Invaluable.com, Artsy.net or Liveauctioneers.com are liable for a 5% surcharge on the hammer price, plus VAT. This is in addition to the Buyer’s Premium.
4.4 Taxes
VAT is payable on the buyer’s premium, and for some lots, VAT is payable on the hammer price. The successful bidder will be responsible to ascertain and pay any applicable taxes including VAT, sales tax or any equivalent tax arising on sale of a particular lot.
W.e.f. 1st January 2021 (Post Brexit), Private individual buyers based outside UK will now be charged VAT at the applicable rate and will not be able to claim a VAT refund.
Trade clients based outside UK and who arrange for their own shipping can get the VAT refunded if all the below conditions are met:
1. Have registered to bid with an address outside of the UK
2. Provide immediate proof of export out of the UK within 90 days from the date of the auction Please note, we charge an administrative fee of £35 per invoice to check export documents and arranging VAT refunds. VAT refunds will be done to the original method of payment used by the buyer.
No VAT will be refunded where the total VAT on an invoice is under £70.
Trade clients based outside UK and who arrange shipping with our recommended shipper JGM Shipping can get the VAT taken off the invoice prior to making payment. In order to do this, you must email katy.mcevoy@ chiswickauctions.co.uk a confirmation of shipping with JGM Shipping. If you cancel or change the shipping with our recommended shipper, we will issue a revised invoice charging all applicable taxes.
4.5 Artist Resale Rights / Droit de Suite
Lots marked with ‘ARR’ may be subject to a levy.
Droit de Suite is a royalty payable to a qualifying artist or to the artist’s heir each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a cumulative sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to Lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single Lot is the sterling equivalent of €12,500. Royalties for Droit de Suite are as follows:
• From 0 to €50,000 4%
• From €50,000.01 to €200,000 3%
• From €200,000.01 to €350,000 1%
• From €350,000.01 to €500,000 0.5%
• Exceeding €500,000 0.25%
4.6 Remedies for non-payment
If the Buyer fails to make full payment in cleared funds within the time required as aforementioned, CA Ltd shall be entitled to exercise any one or more of the following rights or remedies additional to such other rights or remedies available:
• To cancel the sale
• To resell the Lot on such terms by auction or otherwise entirely at CA Ltd’s discretion. The Buyer will be liable for all costs including legal fees incurred in the sale and will remain liable for any shortfall arising upon sale.
• To offset against any sums which CA Ltd may owe the Buyer the outstanding sums unpaid by the said Buyer
• Where the Buyer owes sums to CA Ltd in respect of different transactions, to discretionary apply any sum paid by the Buyer for discharge of any owed sums.
• To refuse entry to the Buyer at any future auction and/or reject any future bids by the Buyer and/or seek a deposit from the Buyer entirely in the discretion of CA Ltd.
• To exercise a lien over the Buyer’s property in the possession of CA Ltd as collateral for any outstanding sums owed and to exercise all the rights and remedies of a person holding security over any such property, whether by way of pledge, security interest or in any other way to the extent permitted by Law.
• To commence legal proceedings for the recovery of the total amount due together with interest, legal fees and costs.
• To take such other action as is permissible by Law and in the discretion of CA Ltd.
4.7 Collection
Purchased Lots can be collected from the auction room after the sale has ended or between 10am and 6pm up until close of business on the Friday following the sale. Special arrangements may be made for collection on Saturday at CA Ltd’s discretion. Any delay in collection must be communicated clearly to CA Ltd in advance of the collection deadline and CA Ltd reserves the right to impose charges thereafter at its utter discretion (see 4.7).
4.8 Storage
CA Ltd offers a discretionary 14 days free storage on purchased and unsold Lots from the date of the sale. Thereafter Lots not collected shall incur storage charges of £5.00 per lot, per day or part thereof for smalls and pictures (defined as anything that can be handled by one person) and £10.00 per lot, per day for furniture and other larger lots. CA Ltd shall be entitled to retain said Lots until all sums due have been paid to CA Ltd. If any lot remains uncollected 21 days after the sale, storage charges shall thereafter be £10/£20 (smalls/larger items) per day and CA Ltd shall, in accordance with the Law, have the right to sell the purchased Lot to recover payment of storage charges outstanding. Any balance proceeds of sale received after payment of all sums outstanding and due to CA Ltd shall be held for the account of the Buyer.
4.9 Shipping
Any shipping costs that may arise subsequent to the sale shall be at the Buyer’s expense. Such costs may include but not limited to postage, import and export permits where required and any other licence necessary for goods to be shipped outside of the European Union.
CA Ltd does not offer insurance for shipping. However, CA Ltd may arrange insurance upon the Buyer’s request and at the Buyer’s expense.
CA Ltd cannot be held responsible for any damages that may be incurred to goods prior to the fall of the hammer.
4.10 Loss or Damage
CA Ltd does not accept liability for loss or damage occurring to Lots after the sale. CA Ltd will use reasonable efforts when handling Lots, but shall not be responsible for any loss or damages that may occur whilst the said Lot is in any third party’s care.
4.11 Cultural Goods import and export restrictions
Cultural goods may be subject to import and export restrictions. Under EU Regulations related to the trade of cultural goods, export licences may be required for export outside of the European Union if the item’s value exceeds the EU threshold. Under UK Law, a licence may also be required for intra-EU trade.
Licenses are issued by Arts Council England and it is the Buyer’s duty to obtain them. Some countries restrict the import of specific cultural goods. For example, the United States prohibits the import of pre-Columbian monumental or architectural sculpture or murals, as well as any cultural goods in provenance from some countries subject to armed conflicts.
The Buyer must verify local legislation prior to the sale in order to be assured that import or export is possible.
4.12 CITES
Import and export restrictions
Certain endangered species are listed in the CITES Convention. Listed specimens and any parts or products thereof are subject to issuance of an export permit when leaving the European Union.
Appendix I species, are also subject to issuance of a prior import permit from the country in which the goods are to be imported. Such permits are necessary before applying for export permits and it is the Buyer’s duty to initiate the proceedings with the relevant authority.
The Buyer must be aware that certain countries prohibit the import of some species or any parts or products derived thereof. For example, the United States prohibit all import of African elephant ivory, and any item containing parts that may merely resemble African elephant ivory must be accompanied by relevant documentation stating it is not the latter.
Worked items that are dated before 1947 are exempt from import restrictions for intra-EU trade and shall not require export licences.
Please be aware that all Lots marked with the symbol λ are subject to CITES regulations.
4.13 Limitation of liability regarding CITES export licenses
Where licences are required for importing or exporting outside of the European Union, it is the Buyer’s duty to obtain them.
CA Ltd cannot be held responsible if the Buyer’s application for an export permit is unsuccessful. Subsequently, in the event of failure thereof, CA Ltd shall not permit cancellation or rescission of the sale.
4.14 Warranties
CA Ltd does not provide the Buyer with warranties relating to any Lot, unless required by Law.
4.15 Authenticity warranty
In the event of a Lot being sold as authentic under the catalogue description and the Buyer provides evidence in the form of a written report by a recognised expert or test results that the said Lot is not authentic, CA Ltd will refund the purchase price.
The Buyer shall give notice to CA Ltd within 28 days from knowledge or any event giving reasons for suspecting that the item is not authentic, and within one year of the said sale. Any claim thereafter shall not be receivable. For the purposes of the present paragraph, authenticity shall be defined as the state of a Lot that is genuine and not a forgery or a copy.
5. ANTIQUITIES AND TRIBAL ART
5.1 Import and export restrictions and regulations
Archaeological goods over 100 years of age, unless covered by exemption of limited scientific interest, will require an EU Licence for export to a third country, regardless of their value. It is recommended that the Buyer contact the Export Licensing Unit at Arts Council England in order to be assured the good is or not of limited archaeological or scientific interest.
Archaeological goods found on United-Kingdom soil or in UK territorial waters over 50 years of age shall require a UK Licence regardless of their value and regardless of the export destination. Other archaeological objects regardless of their origin will require an Individual Licence or OGEL depending on their value. Both European-Union and UK Licences may be required simultaneously for some items. It is the Buyer’s duty to undertake the necessary steps. CA Ltd cannot be held responsible and the sale cannot be cancelled in the event of failure to obtain the relevant licences.
6. JEWELLERY
6.1 Gemstone treatment and estimates
Many gemstones on the market have been treated so as to augment their appearance, in a reversible or
permanent manner. Treatments under the present section may be but not limited to:
• Heat treatment to enhance sapphires and rubies’ clarity and colour
• Oil and resin treatments for emeralds applied in different ways, to enhance clarity of the stone
• Staining
• Irradiation
• Coating
Estimates provided by CA Ltd are deemed to be based on the fact that the gemstone may have been subject to any type of treatment in the past. CA Ltd shall not be responsible in the absence of mention thereof. A certificate may be issued by a laboratory, providing with detailed information on the condition of the gemstone and any treatment applied thereto. The Buyer must be aware that different laboratories have different approaches as to the degree or type of treatment for a particular gemstone.
If a certificate accompanies the Lot, the Buyer must be aware that it is merely a statement of the laboratory’s opinion and in no way can CA Ltd be held responsible for any mentions therein. Such certificates are deemed to be delivered with the Lot for informative purposes only.
6.2 Estimated weights
If a stone’s exact weight appears within the body of the description, the stone has been un-mounted and weighed by CA Ltd. If the weight of a stone is stated to be approximate, the stone has been assessed by CA Ltd within its setting, and the defined weight is a statement of opinion only. This information is given as a guide and bidders should satisfy themselves with regard to this information as to its accuracy.
6.3 Signatures
‘A diamond ring, by X’: When the maker’s name appears in the title, in Chiswick Auctions’ opinion the piece is by that maker.
‘A diamond ring, signed X’: Has a signature that, in Chiswick Auctions’ opinion, is authentic but may contain gemstones that are not original, or the piece may have been altered.
‘A diamond ring, mounted by X’: Has been created by the jeweller, in Chiswick Auctions’ opinion, but using stones or designs supplied by the client.
‘Maker’s mark for X’: Has a maker’s mark which in Chiswick Auctions’ opinion is authentic. Some items may include parts or products derived from endangered species, such as ivory or coral. Such items may be subject to import or export restrictions. See section on CITES regulations for more details.
7. CLOCKS AND WATCHES
All Lots are sold as seen. Clocks and watches are therefore not deemed to be sold in working condition. Absence of reference thereof in the description does not imply that the Lot is in good condition and without defects, or has been subject to repair or restoration.
CA Ltd makes no representation or warranty that any clock or watch is in working order. As clocks and watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which the Buyer is solely responsible, may be necessary.
Most clocks and watches are likely to have been repaired in the past, and as a result may include parts that are not original thereto.
The United-States restrict the importation of watches such as Rolex, Frank Muller or Corum. Such models can only be imported personally by the Buyer and CA Ltd cannot assist with shipping thereof.
Some watches may include leather straps derived from endangered species. Buyers may be required to obtain appropriate permits for import or export purposes in accordance with CITES regulations.
CA Ltd acts in compliance with such legislations and shall take necessary steps where required. Subsequently, watches may be deemed sold without their straps.
8.1 Upholstered furniture after 1950
According to The Furniture and Furnishings (Fire Safety) Regulations 1988, furniture that was upholstered after the 1st of January 1950 is subject to restrictions in the United-Kingdom. Exempt upholstered furniture that does not meet such requirements is deemed sold for purely aesthetic purposes. CA Ltd shall not be responsible for later alterations to the furniture, making it unfit for sale.
9. GLOSSARY OF PICTURE CATALOGUING TERMS
Any Statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserve the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.
1 JMW Turner: In our opinion a work by the artist. When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
2 Attributed to JMW Turner: In our opinion probably a work by the artist, but less certainly as to the authorship expressed than in the preceding category.
3 Studio of JMW Turner: In our opinion probably a work by an unknown hand in the studio of the artist, which may or may not have been executed under the artist’s direction.
4 Circle of JMW Turner: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist and of the period, but not necessarily his pupil.
5 Style of; Follower of JMW Turner: In our opinion a work by a painter working in the artist’s style, but not necessarily his pupil.
6 Manner of JMW Turner: In our opinion a work in the style of the artist and of a later date.
7 After JMW Turner: In our opinion a copy (of any date) of a known work of the artist.
8 The term ‘signed’ and/or ‘dated’ and/or ‘inscribed’ means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
9 The term ‘with signature’ and/or ‘with date’ and/or ‘with inscription’ means that in our opinion the signature and/or date and/or inscription have been added by another hand than that of the artist.
10 Pictures are framed unless otherwise stated.
10. ASIAN ARTS
10.1 Import and export restrictions
When dealing with Asian Arts and more specifically with items made of exotic wood (e.g. all species of rosewood) or elephant ivory, the Buyer must be aware of import and export restrictions in accordance with CITES Regulations. As aforementioned in the Section relating to such matters, import and export permits or re-export certificates may be required. Verification letters will be required for re-export of worked Rhinoceros items.
10.2 Fine Chinese Paintings
Current scholarship in the field of Chinese Paintings and Calligraphy does not permit unqualified statements as to the authorship or date of execution. The limited right of rescission contained in the present terms and conditions does not apply to Chinese paintings.
Notwithstanding, if within 28 days of the sale of any such Lot, the original purchaser gives written notice to CA Ltd that the Lot is a forgery and within fourteen days after giving such notice, the original purchaser returns the lot to us in the same condition as at the time of sale and demonstrates to our satisfaction that the lot is a forgery, CA Ltd will rescind the sale and refund the purchase price received. For this purpose, a ‘forgery’ is defined as a work created with the intent to deceive.
11. BOOKS AND MANUSCRIPTS
Books and manuscripts sold as incomplete are not subject to returns. Printed books may be returned for a full refund only if they prove to be defective in text or illustration. This shall not apply to the absence of blanks, half titles or advertisements, to un-named books or to books sold under the heading of ‘binding’ or ‘bindings’.
12. WINES AND SPIRITS
In accordance with agreed standards in the trade, estimates shall be deemed to have taken into account the fill level. For the purposes of the present Terms and Conditions, the ‘Fill Level’ refers to the space between the base of the cork and the liquid in the bottle. Fill levels may vary with age or depending on the condition of the wine or spirit. Lack of mention thereof in the description is not a representation of an ‘acceptable’ fill level from CA Ltd. CA Ltd offers no guarantee as to suitability for drinking of the wine or spirit. The Buyer must be aware of the risk that the taste of a wine or spirit may be altered due to factors such as age, storage conditions, oxidation, etc.
13. COPYRIGHT
CA Ltd shall own the copyright on all images, illustrations and written material produced by or for CA Ltd relating to a Lot, including catalogue contents. Such copyright shall remain at all times the property of CA Ltd. Neither the Buyer nor anyone else shall use the above-mentioned materials without the prior written consent of CA Ltd. Some Lots may be subject to copyright protection, CA Ltd does not guarantee said Lots are free thereof.
14. DATA PROTECTION
The Buyer agrees that personal information transmitted to CA Ltd may be disclosed exclusively for the purposes of business, or as required by Law. CA Ltd shall not use personal information for any other purpose without the Buyer’s prior consent.
CA Ltd never sell, lend or trade in personal data provided by any Bidder.
15.
SEVERABILITY
Whenever and to the extent that any provisions of these terms would or might contravene the provision of any relevant legislation, such provision is to take effect only in so far as it may do so without contravening such legislation and the legality, validity and enforceability of any of the remaining provisions are not in any way to be affected or impaired as a result.
16. AMENDMENTS
The current Terms and Conditions may be amended, verbally or in writing, prior to the sale.
17. LAW AND JURISDICTION
The rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction and any matters related to any of the foregoing shall be governed by and interpreted in accordance with the Law of England and Wales.
For the benefit of CA Ltd all bidders and sellers agree that the Courts of England are to have exclusive jurisdiction to settle all disputes arising in connection with all aspects of all matters or transactions to which these Conditions of Sale and Authorship warranty relate or apply.
All parties agree that CA Ltd shall retain the right to bring proceedings in any court other than the Courts of England.
