Salt Lake City Public Library Style Guide

CONTENTS 00 / VALUES 01 / SYMBOLS 02 / TYPOGRAPHY 03 / COLOR 04 / IMAGERY 05 / TEXTILES & TEXTURE 06 / INDEX

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ƶa a f œ ƶ f œ ⅻ v h œ œ ƶ v Qb h vQƶŊ ffi N v œ § aƶ f QN v Qⅻ00Ŋ v œ §ffi a ƶ f œ œ ffi Values ƶ ƶ bœ h œ h a ƶ Q ⅻ f §œ ƶv a ƶ f œ ⅻ v h œ œ ƶ v Qb h QƶŊ N 0.1 STATEMENTS / MISSION / CULTURE 0.2 VALUES / STRATEGIC PRIORITIES

a ƶN f ⅻ œ v § h Qƶ œ ƶv a b ffiƶ h N a f WE ARE THE CITY LIBRARY. WE WORK TOGETHER TO MAKE LIVES BETTER. We are inclusive.

We have the courage to be our authentic selves. We honor differences of thought, opinion, and world view because we believe that we are stronger together.

We believe that diversity in all its forms leads to connections and community that we can only create together.

We are open.

We cultivate a space for good where we can share differing opinions without judgment. We respect one another and the decisions we make collaboratively, realizing that mistakes, failures, and changes are part of what makes us better.

We are curious.

We are creative explorers who approach all we do with a learning mindset, and we strive for continual improvement in our personal and professional lives.

We are always looking for ways to pitch in and make the Library better.

We are playful.

We bring a spirit of fun to all that we do. Our collegiality and generosity inspire deeper connections with each other and our community. We see every day as an opportunity to inspire new ideas and make someone smile.

We are kind.

We care. We treat each other and those we serve with empathy and compassion, lifting each other up, and celebrating our successes together.

Together we are The City Library.

06

0.1 STATEMENTS / MISSION / CULTURE The City Library is a dynamic civic resource that promotes free and open access to information,

materials and services to all members of the community to advance knowledge, foster creativity,

encourage the exchange of ideas, build community and enhance the quality of life.

Inclusion & Belonging Arts & Creativity

Civic Engagement

Learning

Connection

and Exploration

and Community

Healthy Together

Critical Literacies Economic Success

07

0.2 VALUES / STRATEGIC PRIORITIES Learning and Social Connection/ Community underpin everything we do at The City Library.

We are not: Brash, Aggressive, Pessimistic, or Cheeky

We are: Welcoming, Curious, Dynamic, Inclusive, Sincere, and Trusted.

學 習 一 個 時 間

個新 語

言 一 字 在

個 時 間

01

習 新

Symbols

4.1 LOGO / VARIATIONS / CLEAR SPACE / IMPROPER USE 4.2 ICONOGRAPHY / LINE / FILL 4.3 WAY-FINDING / ARROWS / DEWEY DECIMAL

一 字 在 一

10

1.1 LOGO / VARIATIONS The City Library’s mark represents books, growth, and unlimited access to information. It supports

the architectural design of the main library. Horizontal and square versions of logo are acceptable.

Black and white logos are also available, but colored logos should be used predominately.

Preferred Clear Space

12

1.1 LOGO / CLEAR SPACE The “clear space” is a margin surrounding The City Library logo, that separates it from all other

graphic elements. It is based on the cap height of the ‘C’ in “The City Library” in each respective logo.

Double ‘C’ clear space or more is preferred. Just remember: ‘C’ for clear space.

NEVER stretch or morph the logo. It will become illegible, unrecognizable, and unprofessional

Do not separate the logotype from the mark in any way. Keep elements spaced and arranged as they are.

Do not add additional color to any part of the logo or change the color from any acceptable color variation.

Do not place the logo in a graphic shape, without clear space behind and around.

13

/ IMPROPER USE For visibility, impact, and overall integrity, it is important to retain a consistent use of the logo.

Do not alter the appearance in any way. Always reproduce the logo from the original artwork.

Examples of improper logo usage are illustrated above.

14

1.2 ICONOGRAPHY / LINE These twelve icons should be used in all necessary materials consistently.

Left column: Cafe / Meeting Room /

Bathroom / Art Gallery Middle column: A/V materials / World Languages / Collection /

Creative Lab / Computers Right column: Holds / Returns / Phone / Information

15

/ FILL The fill versions should be used to represent in use. For example if the icons are used on a directory, the

icons that are shown representing the floor you are ON, they should be the filled version. If you are looking at

icons for a floor you are not on, they should be the line versions.

16

1.3 WAY-FINDING / ARROWS The above arrow is the exact arrow used on the stack ends at main.

There is also a 3D print capable file

that can 3D print extra arrows that fall off. The version below it is a minimal arrow used system wide on

stack ends. Always use either one of these arrow versions to retain consistency.

000s

500s

100s

600s

200s

700s

300s

800s

400s

400s

General Stuff

Plants & Animals

Thinking & Feeling

Science & Cooking

World Religions

Art, Sports & Play

Civic Engagement

Poems & Literature

World Languages

History & Geography

17

/ DEWEY DECIMAL These icons have primarily been used on shelf flags in children’s and adults across the system to

help way-find genres in the Dewey decimal system. Styrene flags with printed vinyl on the ends have been

the norm. This design is part of the Level 1 signage package, although each branch does not have them yet.

02

Type 2.1 HEADINGS / ACUMIN PRO EXTRA CONDENSED 2.2 WEB ALTERNATE / OSWALD 2.3 BODY COPY / ROBOTO FAMILY 2.4 SUPPORTING FONTS / BROTHERS

/ CUBANO / MARK MY WORDS / INTRO

Aa Acumin Pro Extra Condensed Medium

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890

20

2.1 HEADINGS / ACUMIN PRO EXTRA CONDENSED For print materials, signage, and wherever headings are needed, use Acumin Pro Extra Condensed, a

typekit font with a large family that is extremely close in form to Trade Gothic. It can be used for major

headlines, subheads, or for initial caps in body copy. Use all caps in most settings.

Aa Aa Aa Aa Acumin Light

Acumin Light Italic

Acumin Bold

Acumin Bold Italic

Aa Aa Oswald Regular

Oswald Regular Italic

Aa Aa Oswald Light

Oswald Bold Italic

21

2.2 WEB ALTERNATE / OSWALD If using Google Suite, where Acumin Pro is not available, use the typeface Oswald. This font is not as well

drawn an versatile in terms of language and glyphs, so only use when necessary. Do not use any

other fonts for branding materials than those specified.

Aa Roboto Regular

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1234567890

22

2.3 BODY COPY / ROBOTO FAMILY For body copy, headings, and text that needs to be clear and legible, use the Roboto Font Family.

This typeface is drawn very similar to the previous typeface used, trade gothic. It’s friendliness and legibility

is unmatched. This fon’t works great online, is available for G Suite. Use everywhere for readable text.

Aa Aa Roboto Light

Roboto Light Italic

Aa Aa Roboto Medium

Roboto Medium Italic

Aa Aa Roboto Bold

Roboto Bold Italic

The City Library is a dynamic civic resource that promotes free and open access to information, materials and services to all members of the community to advance knowledge, foster creativity, encourage the exchange of ideas, build community and enhance the quality of life.

Aa Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz

Aa

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq

Rr Ss Tt Uu Vv Ww Xx Yy Zz

1234567890

1234567890

Aa

Aa

Aa Bb Cc Dd Ee Ff Gg Hh

Aa Bb Cc Dd Ee Ff Gg Hh

Ii Jj Kk Ll Mm Nn Oo Pp

Ii Jj Kk Ll Mm Nn Oo Pp

Qq Rr Ss Tt Uu Vv Ww

Qq Rr Ss Tt Uu Vv Ww Xx

Xx Yy Zz 1234567890

Yy Zz 1234567890

24

2.4 SUPPORTING FONTS / BROTHERS / CUBANO / MARK MY WORDS /INTRO In some cases it may be appropriate to add an additional character fonts in a promotional material or display.

Brothers, Cubano, Mark My Words, and Intro are fonts that have been used frequently in the past.

To maintain brand identity limit the amount of supporting fonts to those shown, or other agreed upon fonts.

03

Color 3.1 SLCPL COLOR / ANALOGOUS PAIRS / HIERARCHY OF USE 3.2 PAIR #1 / GREEN & LIME / USING THE SYSTEM 3.3 PAIR #2 / BLUE & TEAL / USING THE SYSTEM 3.4 PAIR #3 / YELLOW & ORANGE / USING THE SYSTEM 3.5 PAIR #4 / PINK & VIOLET / USING THE SYSTEM 3.6 NEUTRALS / SUPPORT COLOR 3.7 MACRO & MICRO / SIGNAGE COLORING

PAIR #1

PAIR #2

PAIR #3

PAIR #4

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3.1 SLCPL COLOR / ANALOGOUS PAIRS Analogous palettes are best seen in nature. They evoke peace, healing, and growth. These color

relationships reinforce Our goal to be biophilic. Use Pair #1 primarily and wherever possible, Pair #2

secondary and supporting. Pair #3 is used for children’s materials, and Pair #4 should be used sparingly.

1

8

Library Green 368 C

3

2

Library Lime 381 C

7

3

Library Teal 319 C

4

A/V Blue 2925 C

1

5

Kids’ Yellow 7548 C

4

6

Kids’ Orange 1585 C

2

5

7

Accent Pink 205 C

8 6

Accent Violet 2593 C

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/ HIERARCHY OF USE The top three Library colors, Green, Lime, and Teal should be present in every design in some way. They

embody learning, growth, and connectedness. Use colors 4-8 in supporting roles, unless used to

represent a group. Example: Kids’ colors should be used predominately in kids’ areas and materials.

Monochrome Analogous 2 G-4 5535 C 183029 SW 6427

G-3 357 C 1D5632 SW 6734

G-2 356 C 007934 SW 6924

G-1 362 C C4E9D2D SW 6726

GREEN 368 C 77BC1F SW 6921

G+1 368 C 94C956 SW 6718

G+2 368 C B0D781 SW 6717

G+3 368 C E5F1D4 SW 6715

G+4 368 C F4F9ED SW 6427

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3.2 PAIR #1 / GREEN & LIME Primary Use: Logo, branded signage, use predominately in any design application desired. The colors can

be found in a CC library of brand assets. There is also a plug-in for adobe software that has the entire

palette found here:Communications Team/Brand Assets/03 Colors/ SLCPL_ExpandedColor_2017.ase

Analogous 1 Complimentary L-4 5747 C 3E441D SW 6426

L-3 581 C 655D20

L-2 391 C 9A9500 SW 6713

L-1 390 C B6BD00 SW 6706

LIME 381 C CFDB00 SW 6918

L+1 381 C DAE14D SW 6703

L+2 381 C E5E87E SW 6702

L+3 381 C F7F7D4 SW 6701

L+4 381 C FCFBED

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/ USING THE SYSTEM Use pantones for print materials, Hexadecimal for digital materials, and Sherwin Williams (SW) for paint.

Use the scale of tints and shades in designs and illustrations to add depth, variation and atmosphere.

Do not use any other colors. This color system is designed extensively enough to retain exclusivity.

Complimentary Analogous 2 B-4 296 C 071C2C SW 6176

B-3 540 C 003056 SW 6966

B-2 7686 C 1D4F90 SW 6797

B-1 285 C 0071CE

BLUE 2925 C 009BDE SW 6958

B+1 2925 C 5BADE5 SW 6957

B+2 2925 C 8BC1EB SW 6793

B+3 2925 C D9E9F8 SW 6799

B+4 2925 C F0F6FC SW 6798

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3.3 PAIR #2 / BLUE & TEAL Secondary Use: A/V materials, Teen, Computer Lab, Auditorium, The Plot, Tech League, and Wild Woods.

The colors can be found in a CC library of brand assets. There is also a plug-in that has the entire palette

found here:Communications Team/ Brand Assets/03 Colors/ SLCPL_ExpandedColor_2017.ase

Analogous 1 Monochrome T-4 5463 C 08262C

T-3 3165 C 004E59 SW 6489

T-2 7714 C 007580 SW 6768

T-1 7467 C 00A1AF SW 6767

TEAL 319 C 26CAD3 SW 6766

T+1 319 C 68D5DC SW 9045

T+2 319 C 94DFE4 SW 6765

T+3 319 C B9EAED SW 6750

T+4 319 C DCF4F5 SW 6749

33

/ USING THE SYSTEM Use pantones for print materials, Hexadecimal for digital materials, and Sherwin Williams (SW) for paint.

Use the scale of tints and shades in designs and illustrations to add depth, variation and atmosphere.

Do not use any other colors. This color system is designed extensively enough to retain exclusivity.

Analogous 2 Analogous 1 Y-4 7554 C 4C3D2A

Y-3 1395 C 9C5F16 SW 6377

Y-2 145 C D57E00 SW 6678

Y-1 130 C F7A800 SW 6904

YELLOW 7548 C FFC700 SW 6905

Y+1 7548 C FFD123

Y+2 7548 C FFDC68 SW 9018

Y+3 7548 C FFF2CD SW 9015

Y+4 7548 C FFF9EB SW 7106

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3.4 PAIR #3 / YELLOW & ORANGE Use: Kids’ materials, HUM, Hives, Works well for display posters as they are complimentary to Pair

#2. The colors can be found in a CC library of brand assets. There is also a plug-in that can be found

here:Communications Team/ Brand Assets/03 Colors/ SLCPL_ExpandedColor_2017.ase

Analogous 1 Monochrome O-4 175 C 6E3528

O-3 174 C 9A3820 SW 7599

O-2 1525 C BD4700 SW 6622

O-1 166 C E75300 SW 6884

ORANGE 1585 C FF6C0C SW 6886

O+1 1585 C FF894D

O+2 1585 C FDAD7B SW 6640

O+3 1585 C FFE3D1 SW 6653

O+4 1585 C FFF3EC

35

/ USING THE SYSTEM Use pantones for print materials, Hexadecimal for digital materials, and Sherwin Williams (SW) for paint.

Use the scale of tints and shades in designs and illustrations to add depth, variation and atmosphere.

Do not use any other colors. This color system is designed extensively enough to retain exclusivity.

Analogous 1 Monochrome P-4 Black 6 C 111820 SW 7577

P-3 7421 C 6A1B32 SW 6566

P-2 7426 C A90F3D

P-1 7636 C C51A4A SW 6843

PINK 205 C E7417A SW 6855

P+1 205 C EF6F93 SW 6591

P+2 205 C F695AD

P+3 205 C FEDBE2 SW 6590

P+4 205 C FEF0F3 SW 6309

36

3.5 PAIR #4 / PINK & VIOLET Use Sparingly: Accents in Children’s.

Works well for display posters as they are complimentary to

Pair #1. The colors can be found in a CC library of brand assets.

There is also a plug-in found here:

Communications Team/ Brand Assets/03 Colors/ SLCPL_ExpandedColor_2017.ase

Complimentary Analogous 2 V-4 5255 C 1F1933

V-3 2627 C 3E1151 SW 6559

V-2 2623 C 622066 SW 6839

V-1 259 C 712177

VIOLET 2593 C 873299 SW 6981

V+1 2593 C 9F5DAD SW 9068

V+2 2593 C B884C1 SW 6821

V+3 2593 C E7D5EA SW 6820

V+4 2593 C F5EEF6 SW 6007

37

/ USING THE SYSTEM Use pantones for print materials, Hexadecimal for digital materials, and Sherwin Williams (SW) for paint.

Use the scale of tints and shades in designs and illustrations to add depth, variation and atmosphere.

Do not use any other colors. This color system is designed extensively enough to retain exclusivity.

Yellow Neutrals + TAN Yellow Neutrals 1 G4 Black 6C 101820 SW 6990

G3 Black 7C 3D3935 SW 7069

G2 Cool Gray 7C 98989A

G1 Cool Gray 4C BBBBBB

Tan 156 C F1BC7C

WG 4 Warm Gray 4C SW 7506

WG 3 Warm Gray 3C SW 7036

WG 2 Warm Gray 2C SW 7568

WG 1 Warm Gray 1C SW 7562

38

3.6 NEUTRALS / COLOR Use: General paint call outs.

Support color in illustrations, when branded paint is too colorful. These

neutral paint call outs were most recently used in Chapman. The tan is supporting when doing flat

illustrations like in wild woods. Use sparingly, only to support other colors, and fill in gaps.

Macro Coloring Micro Coloring

Kids’ Nonfiction

39

3.7 MACRO & MICRO / SIGNAGE COLORING Macro and Micro refers to the coloring of a sign. MACRO should be used in way-finding signage like

genre signs. It should be a bright full color wash with reverse text, meant to be seen from far away.

MICRO is meant to be read close up and should be light backgrounds with colorful graphics and text.

04

Imagery 4.1 ILLUSTRATIONS / LINE / FLAT 4.2 DUOTONES / PHOTOGRAPHY / ETCHINGS 4.3 TRIOTONES / ETCHINGS 4.4 PATTERNS / VECTOR 4.5 ICX / SLCPL IMAGE COLLECTION 4.6 THEMES / DOG-EARED ‘TAG’

Kids’ Picture Books Flat

42

4.1 ILLUSTRATIONS / FLAT Flat vector illustrations should be bright, and not too geometric.

The line work should be slightly

organic. When people are used, be inclusive and represent a variety of nationalities. Use analogous or

complimentary palettes within each item. Be sure to change every color to one from the SLCPL palette.

Chapman Kids’ Room Flat

People Getty Artists: Tasiania / nadia_bormotova / shtonado

The Plot Line Illustration

44

4.1 ILLUSTRATIONS / LINE Line illustrations should be monoline, meaning every line used is the same width or thickness.

Use blocks of color to add the illustrations, but leave most of the space blank, so the background

shows through. For a crafty look, slightly skew the color block behind the line work.

Line Icon Getty Artists: Darijashka / pressureUA

Take N Make Line Illustrations

46

4.2 DUOTONES / PHOTOGRAPHY Duotones are a quick way to make bright on brand imagery, that has a strong, easily identifiable look

and feel. Use analogous pairs, or monochrome palettes to create.

Gradient swatch plug-ins to use

located here: /Users/Chose/Google Drive/Communications Team/ Design Assets/Color

MAL

ERIES

47

/ ETCHINGS

These unique illustrations render well as duotones, and are vector based, so they work well in large

format prints. They have the complexity of a photograph with the clarity of a vector illustration.

They are historic, which gives them an air of credibility, but can also be whimsical and fantastic.

48

4.3 TRIOTONES / ETCHINGS Because etchings are have so much clarity, they offer themselves well to triotones. These use three colors

rather than two and offer more depth and detail than a duotone. Always use analogous colors in a triotone.

They look best when zoomed in with enough space to see the nuances of the mid-tone color.

§ Q Ŋ ffi œ v ffi ƶ f b œh f ⅻQ a N Q œh v f ƶ œ h ƶ Ŋ § Q ffi§ œ v 4.4 PATTERNS / VECTOR Patterns can be geometric, organic, or made up from letter form or line icons. Always use the color system

when creating patterns, and add them to the ICX when possible.

Use to convey values, and enhance

moods. Stripes, topography, and letter forms are frequently used.

49

STEP 1 / DOWNLOAD Find an item on Getty images, or wherever you get your stock images.

STEP 2 / DESIGN / BRAND Open item in illustrator and use the SLCPL expanded color update 2017 to change the colors and style of design to fit within The City Library’s brand.

STEP 3 / ADD TO CC LIBRARY Click and drag item into CC Library Graphic at download

STEP 4 / RE-NAME ICX_IllustrationType_Color_Title_Tags (Flat, Line, ) (Pink) (WildWoods) Tags: People, Diversity, Dessert, Crafts, Digital, StoryTime, Childrens etc.

STEP 5 / SAVE A PNG Once your file is renamed in the CC Library, double click to open it, export for screens, save to the image collection folder: Communications Team/Design Assets/ Templates/Google Slides Templates/ SLCPL Image Collection Graphic After SLCPL Recoloring

50

4.5 ICX / SLCPL IMAGE COLLECTION The SLCPL Image Collection is a creative cloud library of branded, vector assets that can be re-used

by designers and staff alike. This streamlines the process of content creation, and gives an easy, legal

way to get high quality, on branded imagery. Make saving assets into the ICX a part of your design work-flow.

#SLCPL

#SLCPL

PICKS

PICKS

Yellow Kids’

#SLCPL

PICKS

Lime Teens

#SLCPL

PICKS

All other colors Adults

51

4.6 THEMES / DOG-EARED’ TAG’ The dog ear tag was started to help distinguish display signage from events’ promotional posters. The

tags are color coded for age group, but in adults green, blue or pink tags may be used to contrast well with the

design. This theme can also be used elsewhere in the brand, like this very guide used it to mark new sections.

05

Textiles & Texture 5.1 SHELVING / SPACE SAVER INTERNATIONAL 5.2 CARPET / ADULT / KIDS’ 5.3 TEXTILES / HENRICKSON BUTLER FURNITURE 5.4 UPHOLSTERY / UTAH CORRECTIONS FACILITY 5.5 TEXTURE / BIOPHILIA 5.6 CONTACTS / BUSINESS CARDS

FLEXIBILITY

Casters installed on small shelving units in a children’s area allow staff to reconfigure the space as needed for class sessions and other special events. Custom end panels integrate with the library's interior design.

54

5.1 SHELVING / SPACE SAVER INTERNATIONAL Most Shelving system-wide is in a light wood color, with the exception of Chapman and Marmalade. New

shelves should be wood, short to keep eye-lines open, and on roller castors if possible. Arch Nexus was

also used in Children’s new shelving renovation in 2018, with custom paper insert panels.

1

1

Flor House Pet Frog

2

Flor In The Deep Surf

2

3

Flor House Pet Grasshopper

4

3

Flor Sew What Chalk

5

4 5

Flor House Pet Siamese

6 6

Interface Transformation Moss Garden

7 7

56

5.2 CARPET / ADULT Carpet inserts should create place, movement, or both. Use rectangle shapes like those in the logo.

Flor In The Deep Kiwi

1

1

Flor House Pet Tabby Cat

2

Flor House Pet Canary

2

3

8

Flor Lilting Berry

4

3

Flor Jump Jive Cream

5

4 5

Flor Fedora Chartreuse

6 6

Interface Transformation Moss Garden

7 7

Flor In The Deep Sunny

8

Flor In The Deep Pink

58

5.2 CARPET / KIDS’ Carpet inserts should create place, movement, or both. Use rectangle shapes like those in the logo.

1

DesignTex Beguiled By The Wild Hummingbird 3495-402

1

2

Tree Frog 3495-501

5

2

3

Fawn 3495-101

4

Brown Bear 3495-102

3 6

5

Tiger 3495-702

6

Canary 3495-701

4

7 7

DesignTex Diffuse Amber 6787V-202

8 10

8

Tide 6787V-403

9

Peridot 6787V-502

10 9

60

5.3 TEXTILES / ACADIA-LEAFETTE & DESIGN TEX Joann has handles all our furniture needs the past few years and will be able to tell you specific textile call

outs used in the past, including all the textiles used in the marmalade branch.

DesignTex Leap Tide Pool 3600-402

Plywood

Price Category 2 Wicker 8R05

Price Category 2 Squash 8R07

Price Category 2 Loden 8R24

egory 2

egory 2

egory 2 ple

Twist

Twist

Price Category 5 Olive Green Dark 14A42

egory 5

Price Category 5 Emerald Cobalt Blue 14A38 14A48

Price Category 5 Yellow Dark Orange 14A39 14A40

Price Category 5 Ultramarine Olive Green Dark 14A47 14A42

Hopsak

Price Category 5 Terra OchreCotta Dark 14A49 14A50

Finish

Base

Hopsak

Blueberry Loden 8R22 8R24

Price&Category 2 Wood Veneer

Solid Laminate

Price Category CategoryTop Price 22 Squash Copper 8R07 8R08

Twist

Trivalent Chrome 47

Base Finish

Modular Components

Base Finish

Black BK

Base

Base Finish

Price Category 5 Emerald Metallic Black 14A38 Silver MS BK

Ebony White ENMJ Price Category 2 Tin Graphite Sepia 8R14 8R16 8R18

Price Category 5 Sepia Grey Blue Dark Cobalt BlueDark Orange 14A30 14A26 14A48 14A40

Black BK

Price Category 2 Turquoise Price Category 5 8R25 Crimson Pink Dark Dark Orange 14A43 14A46 14A40

Warm Walnut DE

Trivalent Chrome 47 Category 2 Price Turquoise Periwinkle Nutmeg 8R25 8R21 8R06

Black Umber BU

Light Ash AV Category Price Category 22 Price Magenta Nutmeg Cayenne Sepia 8R11 8R06 8R09 8R18

Base Finish Price Category 5 Cobalt Blue Metallic Silver 14A48 MS

Lounge Chair & Ottoman Plywood

Price Category 5 Olive Green Dark Black Trivalent 14A42 Chrome BK 47

Lounge Chair & Ottoman Plywood

Price Price Category Category 55 Olive Green Dark Raw Ultramarine Umber Dark Ochre Dark Dark 14A42 14A22 14A47 14A50

Metallic Silver MS

Trivalent Chrome 47

Price Price Category Category 55 Emerald Grey Blue Dark Cobalt Blue Yellow Dark 14A38 14A26 14A48 14A39

Price Category 2 Loden Price Category 5 8R24 Terra Crimson Dark Dark OchreCotta Dark 14A49 14A44 14A50

Price Category 2 Green Apple Price Price Category Category 55 8R23 Crimson Yellow OrangeDark 14A43 14A39 14A40

Natural Maple UL

Light Ash AV

Finish

Price Price Category Category 22 Squash Blueberry Bayou Loden 8R07 8R22 8R20 8R24

White 91

Price Category Category 222 Price Price Category Squash Copper Poppy Wicker 8R07 8R08 8R10 8R05

Price Price Category Category 22 Chamois Periwinkle Turquoise Green Apple 8R04 8R21 8R25 8R23

White MJ

Price Category Category 22 Price Chamois Nutmeg Cayenne Birch 8R04 8R06 8R09 8R17

Swoop Tables

Wood & Veneer

Warm Walnut DE Price Price Category Category 22 Shale Coffee WickerBean 8R15 8R19 8R05

Swoop Seating

Light Ash AV Price Price Category Category 22 Graphite Birch Sepia 8R16 8R17 8R18

Lounge Chair & Ottoman Lounge Chair & Ottoman Modular Components Modular Components Plywood Plywood Base Finish Base Finish

Price Category 5 Ochre Dark 14A50

egory 5 ark

Price Price Category Category 22 Turquoise Green Apple 8R25 8R23

Price Category Category 22 Price Chamois Nutmeg 8R04 8R06

outs used in the past, including all the textiles used in the marmalade branch.

Hopsak

Price PriceCategory Category22 Coffee WickerBean 8R19 8R05

Lounge Chair & Ottoman Fully Upholstered & Plywood

PriceCategory Category22 Price Birch Sepia 8R17 8R18

Lounge Chair & Ottoman Lounge Chair & Ottoman Plywood Fully Upholstered Wood&&Plywood Veneer

5

unge Chair & Ottoman pholstered & Plywood

Joann has handles all our furniture needs the past few years and will be able to tell you specific textile call

Swoop Seating

5.3 FURNITURE / SWOOP

op Seating

Trivalent Chrome

Metallic Silver

Black

3 Price Category 5 Ultramarine Dark Black Trivalent 14A47 Chrome BK 47

Price Category 5 Ultramarine Dark Raw Umber Sienna Terra Cotta Dark 14A47 14A22 14A41 14A49

Price Category 2 Blueberry Price Category 5 8R22 Terra Violet Crimson Cotta Dark Dark Dark 14A49 14A45 14A44

Light Brown Walnut 2U

Metallic Silver MS Category 2 Price Blueberry Bayou Copper 8R22 8R20 8R08

Natural Maple UL Category Price Price Category 22 CopperBean Garnet Poppy Coffee 8R08 8R12 8R10 8R19

White 91 Category 2 Price Iceberg Shale Coffee Bean 8R13 8R15 8R19

Price Category 5 Grey Blue Dark Metallic 14A26 Silver MS

Price Price Category Category 55 Black Grey SepiaBlue DarkDark Crimson 14A20 14A26 14A30 14A43

Price Category 2 Periwinkle Price Category 5 8R21 Crimson Pink Dark Dark 14A43 14A46

Aged Cherry ED

Black BK Category 2 Price Periwinkle Cayenne 8R21 8R09

Warm Walnut DE Category Price Category 22 Price Magenta Cayenne Graphite 8R11 8R09 8R16

Black Umber BU Category Price Category 22 Price Tin Graphite 8R14 8R16 Price Category 2 Iceberg Shale 8R13 8R15

Price Category 5 Raw Umber Dark Black 14A22 BK

Price Category 5 Raw Umber Dark Sienna Crimson Dark Dark 14A22 14A41 14A44

Price Category 2 Bayou Price Price Category Category 55 8R20 Crimson Violet Dark Dark Dark 14A44 14A45

Walnut on Cherry UX

Price Category 2 Bayou Poppy 8R20 8R10

Light Brown Walnut Price Category Price Category 22 2U Shale Garnet Poppy 8R15 8R12 8R10

Price Category 5 Sepia Dark 14A30

Price Category 5 Sepia BlackDark DarkDark Pink 14A30 14A20 14A46

Price Category 5 Pink Dark Dark 14A46

Medium Red Walnut EK

Price Category 2 Magenta 8R11

Aged Cherry ED Category 2 Price Tin Magenta 8R14 8R11

Price Category 2 Tin 8R14

BK BK Swoop Lounge Furniture is available47in a varietyMSof textiles, laminates, Swoop Tables and veneers. The materials shown here reflect only a portion of the Swoop Seating textiles available. Visit hermanmiller.com/materials to see our complete Top textile andSolid materials offering.

Laminate

Black

veneers. The materials andshown veneers. here Thereflect materials only andshown aveneers. portion here The of& Veneer reflect the materials only shown a portion here of reflect the only a portion of the Wood Lounge Chair & Ottoman Modular Components Light Ash Warmcomplete Walnut Ebony to see our complete les available. Visit hermanmiller.com/materials textiles available. Visit hermanmiller.com/materials textiles to see available. our complete Visit hermanmiller.com/materials to see our AV EN Plywood DE Base Finish Materials le and materials offering. textile and materials offering. textile and materials offering.

Base Finish

5

62 Price Category 5 Sienna 14A41

Price Category 5 Sienna Violet Dark 14A41 14A45

Price Category 5 Violet Dark 14A45

Dark Brown Walnut 40

Price Category 2 Garnet 8R12

Walnut on Cherry UX Category 2 Price Iceberg Garnet 8R13 8R12

Price Category 2 Iceberg 8R13

Price Category 5 Black 14A20

Price Category 5 Black 14A20

Ebony EN

Medium Red Walnut EK

Dark Brown Wa 40

1

OLY 120 Dove

1

2

OLY 185 Slate

3 2

3

OLY 145 Deep Violet

4

OLY 365 Purple Velvet

4

5 5

OLY 300 Tahiti

6

OLY 375 Tropic

6

7 10

OLY 160 Regimental Blue

8 7

9

OLY 310 Honeydew

9

OLY 320 Pumpkin

10 8

64

5.4 UPHOLSTER / UTAH CORRECTIONS FACILITY The chairs and couches at the main library get recovered as needed through a work program at the jail.

The coverings are usually specified as Olympus vinyl, but it is possible to provide your own fabric.

OLY 345 Cornsilk

Brick Wood 1 Greenery

Stone 2

Glass

Stone

Metal Wood 2

Canvas

Acrylic

Water

66

5.5 TEXTURES / BIOPHILIA Create a nature derived environment.

Use earthy textures, and materials like canvas, greenery, stone, and

woodgrain. Include the sound of water. Use biomorphic forms and patterns like waves, and other natural

analogues. Use varying intensities of light and shadow using glass and silvery metal elements.

67

5.6 CONTACTS / BUSINESS CARDS

06

Index 6.1 KIDS’ / MAIN / CHAPMAN 6.2 TEEN / MAIN 6.3 ADULT / MAIN / CHAPMAN / SWEET / SPRAGUE

70

6.1 KIDS’ / COLOR The Kids’ palette is a Sunrise.

Think new beginnings, discovery, fresh,, optimism, loud, but soft.

Pre-Readers

Primary color, easiest color to see

Early Elementary Secondary colors, more complex.

Tweens

Colors transition into Teen Palette.

1

Children’s Yellow 7548 C

2

Children’s Orange 1585 C

3

3

Accent Pink 205 C

4

1

Children’s Yellow +3 7548 C

5

5

Library Lime 381 C

6

Library Teal 319 C

2 4

6

71

6.1 KIDS’ / HIERARCHY OF USE Use Pair #3 predominately, yellow and orange palettes. Use pinks and limes as accents, and turquoise if

needed to support, or make more biophilic areas like Main’s Wild Woods room.

HORROR HORROR

#SLCPL

PICKS

NO VAMPIRES

72

6.2 TEENS / COLOR The Teen’s palette is Twilight.

Think transformation, moody, complex, mischievous, edgy, cool.

A/V Blues

Add emphasis on teen digital literacy.

Complimentary Colors

Represent self-discovery, opposition, rebellion, angst.

Limes

Transition Teens into adult palette.

1

Library Lime 381 C

2

Accent Violet 2593 C

3

3

A/V Blue 2925 C

4

1

A/V Blue -1 285 C

5

5

Library Teal 319 C

6

Accent Violet -4 5255 C

2 4

6

73

6.2 TEENS / HIERARCHY OF USE Use Lime and Violet predominately, with A/V blue accents. Use tints and shades of each of these to support,

as well as Library Teal. The addition of the A/V blue emphasizes teen’s digital literacy.

74

6.3 ADULTS / COLOR The Adult palette is biophilic.

Greens and blues, nature, growth.

1

Library Green 368 C

6

2

Library Lime 381 C

3

3

Library Teal 319 C

4

1

Library Lime +4 381 C

5

5

A/V Blue 2925 C

6

A/V Blue 285 C

2 4

75

6.3 ADULTS / HIERARCHY OF USE Use Library Green, Lime, and Teal predominately with tints and shades of tints supporting. A/V blue is also

used particularly in A/V materials or with the computer lab, and tech classes.