The Good Life FROM A SPRAWLING SONOMA ESTATE TO AN UNEXPECTED DESERT HAVEN
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Art of the Matter GALLERIST RAY AZOULAY’S MINIMALIST MALIBU RETREAT
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Contents
12 C PEOPLE
18
Who’s who behind the scenes of spring’s C Home—plus, a few of their favorite California places.
24
15 DOSSIER Lebreton gallery says hello to the Presidio Heights. Ralph Lauren Home’s new bedding collection takes a cue from L.A. In-demand artisans find a home at Linda Fahey’s new Pacifica boutique.
74
29 INSIDER The need-to-know tastemakers taking a bite out of the Golden State’s culinary scene. On the design hunt with Lauren Soloff in L.A.
42 CLEAN GETAWAY The rule-breaking designer of L.A. design haunt Obsolete, Ray Azoulay finds a separate peace in his Malibu hideaway—a place tailor-made for (stylish) quietude.
TOC 1
34 29
52
52 NATURAL ELEMENT On a remote hillside in Sonoma County, designer Paul Vincent Wiseman pays deft homage to traditional California farmhouse style.
60 LIGHTEN UP
42
66 HIGH DESERT In a town full of retro-inspired interiors, Lee Stanton and partner Israel Serna have put a refined, distinctive stamp on their own Palm Springs escape.
20
74 IN LIVING COLOR Surrounded by wall-to-wall works of emerging and iconic artists, Sydney Holland’s highly visual abode blends family living with a full house.
82 COLLAGE Howard Backen branches out.
ON OUR COVER RAY AZOULAY PHOTOGRAPHED AT HOME IN MALIBU BY SAM FROST.
WALLPAPER (P.18): COURTESY OF BRETT DESIGN. LAUREN SOLOFF (P.34) AND GRATITUDE (P.29): NICOLE LaMOTTE. YONDER SHOP (P.20): ELENA ZHUKIN. KITCHEN (P.24): TESSA NEUSTADT. SYDNEY HOLLAND (P.74): DIANA KOENIGSBERG. SONOMA (P.52): STEFANO SCATÀ
Southern California design firm Bonesteel Trout Hall infuses a sundrenched Newport Beach home with their coastal-meets-cool design.
South Coast Plaza
THE ART OF CALIFORNIA LIVING Assouline · Baccarat · Bloomingdale’s Home · Crate and Barrel Home Store · Diptyque · Emmo Home · Frette Hermès · Jo Malone London · The Land of Nod · LIULI Crystal Art · Macy’s Home Furniture Store Martin Lawrence Galleries · Mitchell Gold + Bob Williams · Monark Premium Appliance Co. · PBteen · Pottery Barn Pottery Barn Kids · RH · Sur La Table · Versace · West Elm · White Lilac · Williams-Sonoma · Z Gallerie partial listing Visit southcoastplaza.com/style for furniture and accessory details. San Diego FWY (405) at Bristol St., Costa Mesa, CA
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Contributing Photographers Christian Anwander, David Cameron, Francesco Carozzini, Roger Davies, Amanda Demme, Lisa Eisner,
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C People
Who’s who behind the scenes of this issue, plus their favorite California places
Sam Frost
C People 1 Andrea Stanford “I’ve been a forever fan of Ray Azoulay, and being able to feature his new home after following his work for so long was amazing,” says C Design & Interiors Editor Andrea Stanford of producing the cover story on Azoulay’s minimalist pad (“Clean Getaway,” p.42). “It was a perfect Malibu day; we were shooting with the ubertalented Sam Frost, and I had one of those moments when I had to remind myself I was actually working.” C SPOTS • Girls’ night in my favorite booth at Craig’s restaurant in West Hollywood • Concerts at The Forum in L.A. • Meadowood Spa in Napa Valley—I’ve always admired Howard Backen’s work and I’ve been lucky enough to see this property with him as my tour guide! (Collage, p.82.)
C 12 SPRING HOME 2017
Kerstin Czarra “The designers really nailed the modern Southern California spirit: effortless, chic and approachable,” says L.A.-based writer Kerstin Czarra of the Bonesteel Trout Hall-designed Newport Beach residence featured in “Lighten Up,” p.60. She also detailed Lee Stanton and Israel Serna’s Palm Springs getaway in “High Desert,” p.66. Czarra has held editorial posts at One Kings Lane and Martha Stewart Living. C SPOTS • The Runyon scramble at Hollywood’s Beachwood Cafe after a hike • Nickey Kehoe shop in L.A. for great gifts and endless inspiration • A negroni at the bar at Bestia in Downtown L.A.
Heidi Bonesteel, Michele Trout and Jill Hall “Through our use of unexpected materials, a clean-lined approach to the interiors and a well-curated art collection, we have created a fresh, light and casual home for this family with six young children,” says Michele Trout—one of three founders behind interiors firm Bonesteel Trout Hall—of designing the Newport Beach abode in “Lighten Up,” p.60. Together with partners Heidi Bonesteel and Jill Hall, Trout has collaborated on projects ranging from family compounds in Palm Springs to mountain retreats in Aspen. C SPOTS • Elyse Walker in Lido Marina Village in Newport Beach • Paseo Miramar Trail in Pacific Palisades on a full moon is an incredible evening hike • Garde Shop in L.A. for the most amazing objects, accessories and jewelry
Howard Backen “We wanted to use Meadowood’s existing tree as a focal point in our design, which is a feature you’ll see in some of our other projects—like Napa Valley Reserve’s big oak tree,” says Bay Area architect Howard Backen, who shares his California inspiration behind the resort in Collage, p.82. As founding partner of Backen, Gillam & Kroeger Architects, Backen has spent more than 20 years imagining high-profile projects spanning wineries to residences. C SPOTS • The Presidio of S.F. for eucalyptus forests, hiking trails and ocean views • S.F.’s Spruce restaurant • The body-temp outdoor pool at Solage Calistoga in Napa Valley
FROST: DOUG AITKEN. BONESTEEL, TROUT AND HALL: STEFANIE KEENAN. CZARRA: NICOLE LaMOTTE
“The simplicity, beauty and stillness of Ray Azoulay’s home floating on top of the Pacific Ocean was, to say it mildly, relaxing,” says photographer Sam Frost, who captured the minimalist Malibu digs in “Clean Getaway,” p.42. When he isn’t shooting for clients including Chanel, Architectural Digest, Elle Decor and Haute Living, Frost can be found “chasing down artists for portraits,” he says. C SPOTS • Malibu Creek State Park for its 100-yearold oaks • Noah Purifoy Foundation in Joshua Tree at sunset to have the desert’s silence alter my experience of art viewing • Venice Beach at dawn to feel my insignificance just steps from my door
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L O S
A N G E L E S
Farrow & Ball
From white ceramics by ERIC ROINESTAD to a DIMORE STUDIO hanging light fixture, the new CASA PERFECT showroom is a design lover’s dream.
Dossier (opener)
LAUREN COLEMAN
Miles Ahead David Alhadeff knew he’d have to radically switch up the concept of his design gallery and showroom The Future Perfect for the Los Angeles market. “If everything in L.A. is destination retail, then I thought, ‘Why don’t we do something cool?’” he explains. Enter Casa Perfect, the SoCal iteration of the tastemaking business Alhadeff founded in Williamsburg, Brooklyn, in 2003, and subsequently moved to Manhattan. (He also opened on Sacramento Street in San Francisco four years ago.)
In stark contrast to his other locations, Alhadeff has taken over a midcentury stunner in the Hollywood Hills for a by-appointmentonly “very private and very curated” experience. The 1957 post-andbeam house is indeed an ideal setting in which to advance The Future Perfect’s collaborative design universe, starting with Lisa Eisner’s line of organically shaped furniture hardware made with Commune, and outdoor planters by ceramist Jonathan Cross. “We want to enrich this space with what’s local, and then bring that back to our other stores,” Alhadeff says. 323-202-2025; thefutureperfect.com. • JESSICA RITZ SPRING HOME 2017 C 15
OJAI
FOR KEEPS
REBEKAH MILES Trout platter, $450, available at Nickey Kehoe, nickeykehoe.com.
BEVERLY HILLS
Night Vision
“Growing up, my grandma was into giving me these little ornate porcelain Limoges boxes from France,” says artist and Carpinteria native Rebekah Miles. “They were always in my mind, and I thought, I want to make things that feel like heirlooms, but new.” Working out of a studio in Ojai near the home she shares with her boyfriend and fellow ceramist Mark Churchill, the trained painter, Echo Park Craft Fair regular and Rodarte collaborator (she teamed with the designers for a series of original hand-painted book covers) creates illustrative, hand-built ceramic objects. Emblazoned with her own trademark iconography inspired by everything from an early-19th-century antique Mexican bingo set to books on native plants and wildflowers, each is poetically rendered in mason stains and colored slips worthy of preserving for years to come. R E B E KAH - M I L E S. FO R M AT.CO M
Influenced equally by a coastal Mediterranean aesthetic and Old Hollywood glamour, Ralph Lauren Home’s new bedding and textiles collection, Mulholland Drive, manifests a refined color palette of champagne, sand and opal in decorative gold beaded pillows, suede and raw silk shams, embroidered sateen sheets, and a silk jacquard throw with hand-knotted fringe—subtle shimmer woven throughout. Like everything Ralph Lauren does, the offering is an elegant and modern take on the traditional—what more could you ask for from a bedmate? 444 N. Rodeo Dr., B.H., 310-281-7200. RALPH LAURENH OME.COM
From left: WOVEN Pris Rug in Charcoal; Sima Rug, prices upon request.
WRITTEN BY KERSTIN CZARRA, MELISSA GOLDSTEIN AND JESSICA RITZ. REBEKAH MILES: RENE CORREA. MULLHOLAND DRIVE BEDDING COLLECTION: COURTESY OF RALPH LAUREN HOME. LEBRETON: MICHELLE ROSE
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Dossier (turn) WEST HOLLYWOOD
SOURCE MATERIAL Studio Woven, the new collection by venerable rug gallery Woven, was inspired by the company’s enviable inventory of antique and vintage styles. “We are creating modern designs that mix cultural references, materials and techniques,” says Sam Moradzadeh, creative director of the collection and principal of Woven. Moroccan tribal patterns and Bauhausesque blocks get a West Coast revamp via loose forms and shades of sand, sky and water. “California is a unique landscape,” says Christina Tullock, Woven’s design director. “You can create new beginnings. These styles harness that energy.” 8674 Melrose Ave., W.H., 310-652-6520. WOV E N . I S
RALPH LAUREN HOME Mulholland Drive bedding collection, $120$995.
SAN FRANCISCO
Artful Moves
New to Presidio Heights is the relocated Lebreton gallery, which has been in business since 1999 and maintains bases both in the Bay Area and the French Riviera. Owners Alain Lebreton and Karim Mehanna, who live in Monaco, curate artist-designed furniture and mid-20th-century ceramics, paintings, sculpture and works on paper by major European modern and postwar artists. Currently featured are the midcentury work of ceramist Suzanne Ramié from the legendary Madoura studio (Picasso’s clay crafters of choice), and other makers from Vallauris, France. 3307 Sacramento St., S.F., 415-291-8484. LEB RETONGALLERY.COM
Among the edited mix at LEBRETON is a pair of bronze figure sculptures and a candelabra by LYNN CHADWICK on a slate marquetry cabinet, c. 1975, by PIERRE-ELIE GARDETTE.
Serena & Lily
serenaandlily.com san franci s co | east ham pto n | los a n g eles | w estp ort | newport beach
Dossier
Trend
1 2 3
WALLDossier (bits) FLOWERS This spring, wall COVERINGS in BOLD FLORAL MOTIFS and large-scale FOLIAGE make it easy to GO GREEN
1. DE GOURNAY Earlham in special colorway. Price upon request, degournay .com; nickyrising.com. 2. BRUNSCHWIG & FILS Willow P8016155 from the D’Arts Collection. To the trade, price upon request, brunschwig.com. 3. NICOLETTE MAYER Blossom Fantasia in Slate. Price upon request, starkcarpet.com. 4. ROMO BLACK EDITION Herbaria in Obsidian from the Herbaria Wallcoverings collection. To the trade, $307/roll, thomaslavin.com. 5. WITCH AND WATCHMAN Folia Collection in Dark. $300/roll, witchandwatchman .com; walnutwallpaper.com. 6. KATIE LEEDE & CO. Tulipa in Sundried. To the trade, price upon request, katieleede .com; hollandandsherry.com. 7. BRETT DESIGN Rose and Dandelion. $158 retail per yard, brettdesigninc.com; harbingerla.com.
5
3: NICOLETTE MAYER. 7: COURTESY OF BRETT DESIGN
4
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CREDITS
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CUSTOM SHADES, BLINDS & DRAPERY
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The C List
YONDER SHOP + STUDIO tabletop offerings include the Illustrated dinner plate, $98, and porcelain and driftwood serveware, from $40.
PACIFICA
NATURAL INSTINCTS “I’m coming at it from a lot of different perspectives,” says artist and boutique owner Linda Fahey about curating her Pacifica design destination, Yonder Shop + Studio. “I want to find interesting things, but also fold them into being ontrend with the Bay Area and all the makers I know.” Among Fahey’s favorites are Giselle Hicks’ ceramics and Animal Handmade leather goods by Ava Goldberg. She also makes her own art in the space, including a series of porcelain snake sculptures commissioned by Esqueleto boutique in Oakland and Echo Park. 158 Reina Del Mar Ave., Pacifica, 650-303-9216. YO ND ERS H OP.COM
Dossier (bits) LAXSERIES Venice sofa with cantilevered end table, $4,500. Below: The modular Wedge sofa features sustainable wool and customizable integrated electrical ports and charging outlets, price upon request.
LOS ANGELES
Soft Landing
As founder and principal designer of MASHstudios—the design firm behind the creative offices of Pinterest, Uber and Yelp—Bernard Brucha noticed there was a bit of a hole in the market for flexible larger seating options. In response, Brucha’s team has unveiled a new sofa line through MASHstudios’ offshoot brand, LAXseries furniture company. With their thoughtful, fluid arrangements, the Point Dume, PCH and Wade sofas are well suited to the office, of course, but also translate perfectly to home environments. Made locally from natural and sustainably sourced materials, the welcoming yet tailored sofas are sold online, as well as by appointment at the firm’s new studio and showroom. “Everything is made contract-grade and intended to last. It’s not supposed to be a two-year sofa,” Brucha says. 2611 W. Exposition Blvd., L.A.; 310-313-4700. M ASHSTU DIOS .COM; LAXS ERIES .CO M
Multitalented photographer, art director and graphic designer Peggy Wong (peggywongstudio.com) was born in Hong Kong and grew up in locales ranging from Puerto Rico to Connecticut. Needless to say, her worldview is wide. The current S.F. resident, who collaborates with ad agencies and other innovative brands, says her top priority is “to keep myself interested in what I do creatively.” Here, her Bay Area musts: • THE PRESIDIO is my daily inspiration. I started hiking at a very young age and am very fortunate to be living in such close proximity to it. Not to be missed at the Presidio are Andy Goldsworthy’s Spire and Wood Line. presidio.gov. • AS QUOTED is my favorite neighborhood gem for grabbing coffee or a quick bite. I love their sparse and modern decor. I’m a minimalist at heart. eatasquoted.com. • OUTSTANDING IN THE FIELD dining event series is truly a culinary adventure. The last one I went to was at a secret sea cove in Santa Cruz. outstandinginthefield.com. • TIMBER COVE RESORT is my latest weekend find/getaway up the Sonoma coast. I stayed in the Ocean Suite with a double-wide redwood deck, complete with a Smeg fridge, fireplace and record player. timbercoveresort.com.
From above: The open-air dining event series OUTSTANDING IN THE FIELD in Santa Cruz. The view from the TIMBER COVE RESORT.
WRITTEN BY JESSICA RITZ. YONDER SHOP + STUDIO: ELENA ZHUKIN. FURNITURE (2): COURTESY OF LAX FURNITURE. WONG: PEI KETRON. OUTSIDE SETTING (2): PEGGY WONG
PEGGY WONG
Lladro
As a special offer for C Home readers, receive a complimentary porcelain candle as a gift when you visit the Lladrรณ Boutique from now through April 31st. (While supplies last)
Lladrรณ Boutique Beverly Hills 234 North Rodeo Drive on Two Via Rodeo (310) 385-0690 beverlyhills-rd@us.lladro.com lladro.com
Dossier SAN FRANCISCO
String Theory Launched in August out of her S.F. home, Vera Claire’s online shop, Cosa Buena Buena, sells traditionally crafted, statement wares in collaboration with artisans in Mexico and South America. Offerings span new-for-spring naturally dyed pillowcases made by Zapotec weavers to stunning architectural telares (Spanish for wall hangings) made by hand over the course of two months by Daniela Justiniano in Valparaíso, Chile. LACOSA B U E N A.CO M
ARCADIA
EAST MEETS WEST
From left: COSA BUENA palm-leaf woven baskets, from $55. The Telar Los Placeres, made-to-order, from spun fleece and wool, blending indigenous technique with a modern silhouette.
LOS ANGELES
Muji, the minimalist Japanese cult brand, is growing its West Coast presence and debuting a new collection to celebrate: Found Muji China. Available at the new Westfield Santa Anita store, the homewares line is inspired by traditional Chinese objects—from delicate blue porcelain bowls to vintage-inspired wooden workbenches. 400 S. Baldwin Ave., Arcadia, 626-461-0150. M UJ I .CO M
Dossier (bits)
After discovering an antique letterpress in a relative’s basement, J.B. and Nic Taylor began a journey that would evolve into Thunderwing, a creative studio that’s designed stationery for style blogger Garance Doré and collaborated with TenOverSix. After launching the company in New York, the couple returned to L.A. last year (J.B. grew up there) for a personal and professional restart. “California still feels like the frontier,” says Nic. Find their latest creations—enchanting cards inspired by vintage Italian paper—at Nickey Kehoe. THU ND ERWING.COM
THUNDERWING for Nickey Kehoe stationery, $8.
MUJI large oak bench, $160.
Sea Change
Design maven Holly Hunt’s new outdoor furniture line, Moray, is aptly named after a marine denizen: Its shapes and textures not only mimic the ocean’s fluidity, but also its fascinating inhabitants. Eschewing traditional teak or wicker, the 25-piece collection features woven surfaces on bronze or silver metal frames. “Our goal was to create a more sophisticated design language for outdoor products,” says Hunt. H O L LY H U N T.CO M HOLLY HUNT Tortuga Lounge Chair, $4,200. Below: geometric Cachalot Drink Table, $2,160.
C 22 SPRING HOME 2017
WRITTEN BY KERSTIN CZARRA AND MELISSA GOLDSTEIN. COSA BUENA (2): JAY BARWELL AND NIKA KAISER. MUJI BENCH: COURTESY OF MUJI. THUNDERWING: JOSH SCHAEDEL
Press Play
Home at last.
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GROUNDPIECE SECTIONAL SOFA design by Antonio Citterio
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Dossier
From left: For her own kitchen renovation, AMBER LEWIS partnered with SIGNATURE KITCHEN SUITE appliances. The designer at home.
Spotlight
COUNTER CULTURE
From display-worthy ceramics to gilded flatware, the tastemaker shares her top picks from Shoppe by Amber Interiors
LOSTINE Large Fitler Handle Tray, $192.
MIX Master
CANVAS HOME Oslo Matte Gold Cutlery Set, $100.
Of-the-moment designer AMBER LEWIS sheds light on the California KITCHEN
Dossier (bits) shelves—elements in line with her current obsession: all things Australian design. “They’re straddling this line of nothing looking too new but everything looking clean and modern,” she notes. With all of her kitchen projects, Lewis takes advantage of the light and space that California affords, while still making the central hub of the home feel cozy—lately by adding warm tones such as dark forest green and blue-gray cabinetry. “I trust that people can start putting color in their
A Venice Beach project featuring contrasting dark-green cabinetry and marble countertops, and floating walnut shelves.
CREATIVE WOMEN Gray Ribs Hand Towel, $30.
SHELDON CERAMICS Silverlake Dinner Set in Satin Black, $142.
kitchens,” she laughs, adding that this trend isn’t limited to indoors: “A lot of my clients treat their outside like their inside, and build outdoor kitchens, too.” Along with home projects (she’s finishing up new builds from Ojai to Connecticut), she’s also growing her line of custom furnishings (think vintage rug-upholstered ottomans and white-oak coffee tables) at her newly expanded store, plotting a range of home accessories and bedding, and releasing her debut coffee-table tome, The California Eclectic. “Good things come to those who hustle,” says Lewis of her weighty workload. “And I’m a hustler.” amberinteriordesign.com. • LINDSAY KINDELON
LEWIS AND KITCHENS (2): TESSA NEUSTADT
Growing up between her parents’ houses in Malibu—her father’s clean-lined glass structure and her mother’s bohemian, textilefilled retreat—interiors whiz Amber Lewis wasn’t just traveling to opposite ends of the coastal enclave, but also the design spectrum. “My aesthetic is 100 percent my environment,” says the 35-year-old, whose way with blending disparate crisp and textured elements resulted in her quick-fire design-world ascent (and insatiable Pinterest following) upon launching her namesake firm in 2013. The designer claims an influential blog and more than 300,000 Instagram followers, and helms an e-commerce and Calabasas brick-andmortar, Shoppe by Amber Interiors, to boot. While her penchant for punchy, pinktinged interiors is what landed her on the map, Lewis has since shifted to a fresh, neutral palette. Nowhere is this more evident than in the newly transformed kitchen of the Calabasas home she shares with her husband and business partner, Mike, and their young daughter, Gwyneth. The space, which she dubs “eclectic modern farmhouse,” abounds with earthy materials including Calacatta marble, whitewashed wood, black limestone and rustic floating
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Dossier
HOMEWARD BOUND
The latest crop of design tomes set to grace California’s coffee tables this spring
VOILA! STUDIO’s tree house area with hand-painted walls and artwork all done in-house, alongside custom upholstery.
LOS ANGELES
HOW TO MAKE IT by Erin Austen Abbott
EARTH by Kathryn Masson (Rizzoli, $60).
(Chronicle Books, $25). Artisans
from across the country, including S.F.-based painter Jenny Pennywood and printmaker Gold Teeth Brooklyn from L.A., are profiled in this next-level DIY guide.
The architectural style of California’s original homes is showcased through 23 restored adobe properties from San Luis Obispo to Santa Barbara.
MAKER’S MARK Voila! Studio’s new expanded La Brea location allows for endless inspiration. “You can come with any idea and we’ll create it for you,” says owner Katrien Van Der Schueren. Indeed, the 6,500-square-foot space houses Voila!’s eclectic mix of art, interior design, custom furniture and framing along with whimsical lounge areas including a custom tree house. The multilevel warehouse also hosts dinners, screening parties and concerts with a full sensory effect. “Nothing’s more beautiful than a great party that offers a unique experience,” says Van Der Schueren. 749 N. La Brea Ave., L.A., 323-954-0418. VO I LAWO R L D.CO M ; VO I LA F RA M I N G ST U D I O.COM
Dossier (bits) BUILDING COMMUNITY: NEW APARTMENT
CHATEAU DES FLEURS by William Hefner
ARCHITECTURE by Michael Webb (Thames &
(Pointed Leaf Press, $125). Author
Hudson, $65). From
and architect William Hefner recounts the decade-long process to restore L.A.’s largest home, a 60,000-square-foot chateau in the heart of Bel Air.
his own Richard Neutradesigned apartment in L.A., author Michael Webb explores the architecture and anthropology of urban apartment development.
LOVE ADORNED Santa Monica candle by Lola James Harper, $50.
SANTA MONICA
It’s a Match TROUSDALE ESTATES: MIDCENTURY TO MODERN IN
THE SEASIDE HOUSE: LIVING ON THE
BEVERLY HILLS by Steven M. Price (Regan Arts, $75).
WATER by Nick Voulgaris III (Rizzoli, $55).
With original homes by lauded architects, such as Cliff May and Wallace Neff, alongside more recent work by the likes of Marmol Radziner, this book celebrates the iconic hillside neighborhood of Trousdale.
Photographer Douglas Friedman perfectly captures the allure of waterfront living in this recent release, which includes beachside homes in La Jolla and Malibu.
When NYC-based cult-favorite shop Love Adorned first opened in L.A., longtime fans wondered how they would translate their East Coast merchandise mix to the sunny environs of Santa Monica. The answer is seamlessly. Along with its coveted inventory of vintage and modern jewels, the Westside locale also offers a custom candle crafted with French brand Lola James Harper with notes of fig tree and cedarwood. 2923 Main St., S.M., 310-450-2227. LOV E AD O R N E D.CO M
WRITTEN BY KERSTIN CZARRA AND ANDREA STANFORD. VOILA! STUDIO: MARCIA PRENTICE
ADOBE HOUSES: HOMES OF SUN AND
Hudson Grace
C E L E B R AT I N G
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WRITTEN BY JESSICA RITZ. DOUGLAS FRIEDMAN
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Bold Appetites
At the KEN FULKdesigned LEO’S OYSTER BAR in S.F., fun and escapist fantasy, along with delicious food and drink, are the orders of the day.
Behind each of the Golden State’s most double-tap worthy eateries, there’s a DESIGN STORY worth SAVORING. Here, the dish from tastemakers shaping CALIFORNIA’S restaurant landscape
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LEO'S OYSTER BAR, Ken Fulk
Tropical patterns, textures and color joyfully comingle at LEO’S OYSTER BAR.
“We all want interesting, beautiful, engaging experiences,” says Ken Fulk. And yet, leave it to the event-planning and interior-design whiz to also give people what they didn’t know they wanted. His collaboration with Anna Weinberg of Big Night Restaurant Group, Leo’s Oyster Bar, instantly became a hot spot in San Francisco’s Financial District when it opened in January 2016, garnering accolades from all corners. With an Instagramready wall of bold tropical floral wallpaper, a bar enveloped in onyx, brass and rich wood paneling, and other sumptuous dining-room details—plus the adjoining Tiki Lounge and The Hideaway lounge spaces—Leo’s offers “an intoxicating mix,” says Fulk. It’s the work of an optimistic storyteller who might love the drama of the past, but continues to look ahead. “We are forward thinking. I never think the best times were behind us.” Cheers to that. leossf.com; kenfulk.com.
HIGHLAND PARK
CAFE BIRDIE, Sally Breer and Jake Rodehuth-Harrison, ETC.etera A visual concept—based around the life of a fictional bon vivant character dreamed up by interior designer Sally Breer—got people talking about the charming Hotel Covell in Los Feliz. For Cafe Birdie, Breer and business partner Jake Rodehuth-Harrison again embraced a narrative-based process. “Birdie was a woman who was born in Cuba, emigrated to Miami and moved to New Orleans with her French husband,” Breer explains. The designer’s loose, Old World aesthetic incorporates a custom seafoam green from Portola Paints & Glazes, Simon LeComte of NewMade LA’s streamlined copper and acrylic lighting, and other details created by jack-of-all-trades ace Carlos Anthony Lopez. Up next: Oriel restaurant in Chinatown and Hotel Covell’s expansion, both with Covell owner and hospitality entrepreneur Dustin Lancaster. cafebirdiela.com; etcforshort.com.
SALLY BREER and JAKE RODEHUTHHARRISON’s interior design at CAFE BIRDIE in Highland Park transcends any specific time and place.
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LOQUITA, Doug Washington
LOQUITA mixes elements that reference Spain and Santa Barbara’s unique C 24 FALL HOME 2015 cultural heritage.
Sherry Villanueva’s vision has helped transform buzzy neighborhood the Funk Zone from a scrappy warehouse district to a must-visit destination in Santa Barbara, thanks to the stellar food and wine offerings she’s developed through Acme Hospitality. Given this community’s unorthodox history, it’s not surprising that the designer behind its most popular venues, Doug Washington, isn’t technically a trained restaurant architect or interior designer, but instead a successful restaurateur who hails from S.F. (Town Hall, Salt House, Anchor & Hope). The latest in Acme’s portfolio (The Lark, Les Marchands, Lucky Penny, Helena Avenue Bakery) is Loquita, a laid-back Spanish restaurant located on State Street, in a position that serves as a gateway of sorts to the buzzy Funk Zone neighborhood. Of his stylistic approach, Washington says, “You really feel Spain when you’re in Santa Barbara,” so he endeavored “to be light-handed with references.” Wall-mounted antique copper paella pans inside and the patio fireplace clad with 3,000 sardine tins keep the centuries-old dialogue between California and Spain going. loquitasb.com; Doug Washington, 415-533-5583.
WRITTEN BY JESSICA RITZ. LEO’S OYSTER BAR: DOUGLAS FRIEDMAN. CAFE BIRDIE: TESSA NEUSTADT. LOQUITA: ROB STARK
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SAN FRANCISCO
TARTINE MANUFACTORY, Charles Hemminger, Hemminger Architects “Many chefs and restaurateurs have a keen sense of design,” Charles Hemminger says. “It’s a misconception that interior designers and architects are in a vacuum. It’s a dialogue that goes on.” Through his work at places that land at the top of any S.F. food pilgrimage itinerary, such as State Bird Provisions, Outerlands and Cala, the architect knows how to translate culinary creatives’ visions into three dimensions. “The initial idea with Chad [Robertson] and Liz [Prueitt] was to create a workshop that’s an extension of the whole Heath project,” he says of Tartine Manufactory, a restaurant, bakery and cafe from the couple behind Tartine Bakery, set inside the Heath Ceramics complex—a project for which Hemminger’s firm collaborated with Commune Design. The challenge and opportunity was to “let people come in and see the production. They want to feel a part of the vibe of people working, the smells, the visuals.” To wit, at the center is the literal and figurative heart of the Manufactory operation: a giant oven. tartinemanufactory.com; Hemminger Architects, 415-378-7046.
Architect CHARLES HEMMINGER collaborated with COMMUNE to help bring the sights and smells of TARTINE MANUFACTORY to life.
West Hollywood’s DELILAH supper club interiors are the stuff of updated Art Deco dreams.
NEWPORT BEACH
GRATITUDE, Wendy Haworth
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Arguably no restaurant group better reflects the grain bowl-dominated times we’re living in than Love Serve Remember. CEO Lisa Bonbright brought Wendy Haworth on board to design the group’s Venice location of renowned vegan eatery Cafe Gratitude in 2012, and they’ve been together ever since, creating a sophisticated visual sense to go hand in hand with the restaurants’ plant-based menus. There’s “a vocabulary” that Haworth has established in approaching the interiors of sister restaurants (including the West Hollywood hot spot Gracias Madre): natural upholsteries, one-of-a-kind goods (macrame wall hangings, pottery) and earthy elements. Gratitude, a more upscale concept in Newport Beach, showcases Haworth’s preferred bright palette and the handmade components she sources (origami lighting fixtures by The California Workshop, Matthew Ward ceramic planters). Haworth’s other recent projects include neighborhood restaurant Winsome in Echo Park and the highly anticipated Felix on Abbot Kinney from chef Evan Funke, plus a forthcoming Gratitude in Beverly Hills. cafegratitude.com; wendyhaworthdesign.com.
WEST HOLLYWOOD
GRATITUDE’s interiors in Newport Beach bring an ideal mix of laid-back, breezy and sophisticated design, with one-of-a-kind components.
John Sofio is keenly aware of his weakness for Jazz Age fantasy, and the cliches that could come with it. “I wanted to avoid your typical Gatsbyesque room, and create a modern version of Art Deco today,” says Sofio about envisioning and constructing the deluxe Delilah supper club in West Hollywood. The founder of design-build firm Built, Inc. took an intensive field trip to a landmark that’s loaded with treasures and steeped in romantic lure: the Queen Mary in Long Beach. In addition to the famed ocean liner, Sofio drew inspiration from the compact bar swathed in green-hued stone at the Parker Palm Springs, and from as far away as Frank Lloyd Wright’s famed columns in the Johnson Wax Headquarters building in Wisconsin. To achieve Delilah’s contemporary polish, “every corner, every detail is pulled together,” he explains. It helps that Built, Inc. fabricated almost all the components in-house for Delilah—not to mention The Nice Guy, the new Peppermint Club and the other evocative rooms he’s shaped. delilahla.com; builtinc.com.
WRITTEN BY JESSICA RITZ. TARTINE MANUFACTORY: ANGIE SILVY. GRATITUDE: NICOLE LaMOTTE. DELILAH: ELIZABETH DANIELS
DELILAH, John Sofio, Built, Inc.
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Lauren Soloff lounges on a perfectly worn MICHEL DUCAROY leather sofa from the 1970s at the Window vintage gallery on Melrose Avenue. The showstopping GAETANO PESCE sculpture nearby makes an impression.
Basic Instincts While some interior designers forever hunt for their next major opportunity, “I keep things intentionally small,” says Lauren Soloff (laurensoloff.com), whose roster of creative L.A.-based clients look to her for a refined take on bohemia at home and in the office. Soloff trusts her training, but most importantly, relies on intuition: “Whether I like something or not, I always have a gut reaction.” Here, the style spy shares some of her L.A. haunts.
WRITTEN BY JESSICA RITZ. NICOLE LaMOTTE
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ART & DESIGN
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C&S NURSERY
InsiderNICKY (bits) RISING LTD PORTOLA PAINTS & GLAZES “I like that they’re local, and the enthusiasm they have for color and paint. They’ll really work with you,” Soloff says of Portola Paints & Glazes, founded by brothers Casey and Jamie Davis. Her choice colors lately include White Cliffs, Newton’s Indigo, In the Navy and Dust Ruffle. 8213 W. Third St., L.A., 323-655-2211; portolapaints.com. From above: PORTOLA PAINTS’ Dust Ruffle. In the Navy.
From left: Soloff stops to smell the rosemary. Inspecting an evergreen perennial. A truckload of green goods.
“I’m doing a job that’s a little bit of a departure from my more earth-toned work,” Soloff explains, so Nicky Rising LTD next to the Pacific Design Center has been an important find. The Melrose Avenue showroom “has allowed me to explore pattern, color and texture,” including de Gournay wallpapers. Thanks to owner Rising’s sensibility, everything in the space is “passed through an amazing filter.” 8625 Melrose Ave., W.H., 310-289-1385; nickyrising.com.
The textile-happy environs of NICKY RISING are ideal for perusing whimsical swatches from the likes of DE GOURNAY and UTOPIA GOODS (below).
WRITTEN BY JESSICA RITZ. C&S NURSERY (3) AND THE WINDOW (2): NICOLE LAMOTTE. PORTOLA PAINTS: JAMIE DAVIS. AMSTERDAM MODERN: SAM ZACHRICH
At C&S Nursery located at the base of Baldwin Hills, Soloff gravitates toward wilder, less-tamed selections, stepping away from colorful flowering plants and instead looking at crawling ivy leaves, among others. “I’m craving to learn more about landscape design,” she says. 3615 Hauser Blvd., L.A., 323-296-6657; csnursery.com.
THE WINDOW Picking through unexpected treasures—a pair of textured, heavyweight candlesticks of mysterious origin, a set of deepseated Michel Ducaroy leather sofas from the 1970s, a bold chair built out of repurposed moose antlers—Soloff is in her element at The Window, Lorca Cohen and Greg Wooten’s wildly eclectic vintage gallery. “That Gaetano Pesce sculpture is bonkers,” she says, pointing to a surrealistic cast latex piece by the famed Italian designer. 6825 Melrose Ave., L.A., 323-939-6909; windowthe.com.
Soloff looks at carved wood pieces by Orcas Island, Wash.-based sculptor ALEPH GEDDIS (left) and admires a pair of vintage candlesticks at THE WINDOW.
Insider (bits) A vignette at AMSTERDAM MODERN features a CEES BRAAKMAN Japanese series credenza.
Rockport leather strap pull and Isla brass Geode knobs and faucet from WATERWORKS.
WATERWORKS
AMSTERDAM MODERN “One or two pieces from there really does the trick,” Soloff says of Amsterdam Modern, which stocks its deep inventory of Dutch wares on Glendale Boulevard adjacent to Downtown L.A. “It’s a great resource.” 134 Glendale Blvd., L.A., 213-221-7380; amsterdammodern.com.
The relatively new Waterworks showroom on Melrose Place beautifully presents the brand’s “fresh take on the traditional well-built bathroom. There’s also something unique and distinct about Waterworks’ lines and silhouettes,” Soloff notes. 8431 Melrose Pl., W.H., 310-2895211; waterworks.com.
C 37 SPRING HOME 2017
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Welcome Home West Coast interiors can’t be pigeonholed into a single, geographically designated aesthetic (à la French chateau or Tuscan villa). There are as many ways to manifest inspiration from Californian surroundings as there are styles that represent the Golden State, from modern barn to bohemian beach to wine-country retreat, to name but a few. This issue of C Home is a perfect example of the ways in which locale, architecture and personal taste comingle to create one-of-a-kind homes. Take the Malibu dwelling of gallerist and ultimate cool guy Ray Azoulay: Sparingly designed with curated art and furniture, it’s anything but typical “seaside style” (not a shell in sight!). And it is the mix of family-friendly fun and highbrow art that sets the stage for lighthearted living in Sydney Holland’s L.A. home. From the moment you walk in the door, you know you are in for a good time. Or consider the Paul Vincent Wiseman-designed wine-country getaway for the deWilde family in Sonoma; I’m not sure there’s a better setting in which to relax and entertain. There is much in this spring issue that celebrates living life on the West Coast in style—however you choose to express it in your own surrounds.
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Founder’s Letter
The low profile of Ray Azoulay’s oval EERO SAARINEN dining table works seamlessly with the idyllic Malibu view, “Clean Getaway,” p.42.
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RAY AZOULAY kicks back on his VLADIMIR KAGAN sofa. Photographs Megumi (left) and Keisuke by LORETTA LUX hang above on the wall.
GETAWAY The rule-breaking owner of L.A. design haunt OBSOLETE, RAY AZOULAY finds a separate peace in his MALIBU hideaway —a place TAILOR-MADE for (stylish) quietude SAM FROST Written by MELISSA GOLDSTEIN Photography by
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“When rugs have a pattern, they often talk too much,” says Azoulay, who proudly sourced the rug in his living room from Overstock.com. Opposite the sofa sits a pair of sheepskincovered armchairs from France. Above: The bedroom features 1930s English basswood batten salvaged from the renovation of Lincoln Center’s Alice Tully Hall.
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The facade of Ray Azoulay’s Malibu abode is, by his own admission, “an awful textured green.” The antiquarian behind the rarefied Culver City design showroom Obsolete, whose clients include Diane Keaton, Ellen DeGeneres and Takashi Murakami, made a conscious decision to leave the offending celadon hue intact when he moved into the house in June. “Houses in Malibu all do something to say, ‘Here I am,’ and I didn’t want to do that yet,” he says, answering the door in a gray roll-neck cashmere sweater, charcoal twill pants and white Rick Owens high-tops, capped off with a Supreme hat emblazoned with the face of Felix the Cat. “I like that it remains so innocuous; it reminds me of cool places in [Manhattan’s] East Village, where the storefront is X, and you go in and it’s something completely different.” Inside Azoulay’s shoebox-shaped digs, pristine wood floors coated in crisp white boat paint are populated with a select group of clean-lined furniture—slouching sheepskin-covered
Feature (tbd) Above: Paintings by TIMOTHY CUMMINGS flank the bed, dressed with an African textile, c. 1910. A BLACKMAN CRUZ lamp sits on the nightstand. Below: Upstairs, a photo by PAOLO VENTURA hangs above ALVAR AALTO’s Lounge Chair No. 44.
chairs from France, an Eero Saarinen oval dining table, a ’70s-era curvilinear Vladimir Kagan sofa upholstered in powder-blue wool—chosen specifically for their low profiles so as not to detract from the swathe of glinting Pacific, visible just outside. Max Richter’s ambient neoclassical album Sleep hums in the background, intermingling with the crashing of the waves. “Just when you think it’s not going to come, it does,” says Azoulay, an obsessive swimmer (“it’s more therapy than exercise”) of the reassuringly constant sound of the ocean’s advance and retreat. The Long Island native, who has lived in Los Angeles since 1999 (when he left a post in New York as director of menswear design at Liz Claiborne to decamp to Venice to be with his then-boyfriend), moved here from a loft in Marina del Rey—“there was a homeowner’s association there,” he explains wryly. Azoulay is clearly not the sort of person to be governed by others’ rules and regulations. “A lot of people build
A vintage MATHIEU MATÉGOT daybed and JEAN PROUVÉ Compas Desk and leather chair share space with a photograph by ROBERT AND SHANA PARKEHARRISON and a painting by GORAN DJUROVIC on the upstairs landing. “He’s a real painter,” says Azoulay.
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A devoted cineaste, Azoulay spends much quality time in the upstairs screening room. Opposite: “I didn’t bring a lot of my art to this house because it wasn’t calling for it,” says Azoulay. “This [the ocean] is more artful to me.”
A verdigris copper bust, c. 1870, sits at the foot of the stairs; it was originally installed at a library in Philadelphia. Opposite, from top: A chair designed by REI KAWAKUBO takes pride of place in the pristine white kitchen. Above a set of JOSEF ALBERS nesting tables, a painting by SAGE VAUGHN. “I bought this sculpture of a schoolboy in Amsterdam because he made me laugh,” says Azoulay of the figure standing watch on his balcony.
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houses for this idea, this theory,” he says. “I really built this house for me.” Rather than outfit a guest room for outof-towners, or a dining space for hypothetical dinner parties, he installed a sleek upstairs screening room (he is an avowed cinephile) and a kitchen whose counter space is readily compromised by the bell-jar display of an exploded dolphin skull from Paris taxidermy shop Deyrolle. A vintage Mathieu Matégot daybed at the top of the stairs is triangulated so that he can lie down, read, and still see the view. Above it, a black-and-white photograph by Robert and Shana ParkeHarrison—artists he represents through the fine-art arm of Obsolete, Slete Gallery—depicts an anonymous man picking his way through a gauntlet of tires. “It’s me, moving through the world,” he says. “I’m happily single, and I’m just kind of, like, balancing.” Lest you worry he doesn’t get out enough, Azoulay’s typical day includes a swim in one of several preferred pools across town, weeknight drinks
Feature (tbd) at his adopted “$50 million living room on the ocean” (aka Soho House’s Little Beach House Malibu) and trips back and forth to the store. “Obsolete is this constantly moving world of curating and changing and doing…we’re less motivated by sales and more motivated by a culture,” he says of the shop, renowned for its idiosyncratic inventory spanning the 17th century to
the 21st, whose curiosities range from a 1900-era marble bust to a 19th-century artist model, amassed during frequent trips to Britain, France, Italy and Germany. “I’m fortunate to work with a group of guys who share all of that. There’s no titles or meetings, we’re just discussing things when we want to discuss them…It’s a really good life.” obsoleteinc.com. •
On a remote hillside in SONOMA County, DESIGNER PAUL VINCENT WISEMAN pays deft homage to traditional California FARMHOUSE style
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ELEMENT STEFANO SCATÀ Portraiture by AUBRIE PICK Written by DIANE DORRANS SAEKS
Photography by
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A fountain on the north terrace was improvised from an old winemaking funnel above a centuries-old wellhead. Opposite: A ROSE TARLOW Oppede wood and iron four-poster bed adds sculpture and grace in an airy guest bedroom.
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In a sunny corner of the great room, four paintings by TEDDY MILLINGTON-DRAKE hang near a large sofa upholstered with DURALEE fabric in a beige and topaz striĂŠ pattern.
From top: The native oak trees provide shade for guests to dine on the north terrace. Weathered teak chairs and table are from the Kelso collection by MUNDER SKILES. The open kitchen takes its cues from the sturdy California farmhouse tradition—welcoming wine-tasting, cooking and gathering.
Surrounded by wild woodlands fragrant with ancient oaks, cypress and manzanitas, Katherine and David deWilde’s elegant board-and-batten weekend house looks as if it has weathered many fine seasons and sheltered generations. The residence, an example of classic California farmhouse vernacular architecture, was completed in 2011. As the beloved weekend retreat of the deWildes and their children, grandchildren and
multitudes of family friends, it’s beginning a new era. The four-bedroom main house, which surrounds a courtyard, was originally built by Reiter Fine Home Building, and is sited on a gentle slope to capture allday sun. Located about a one-hour drive north of San Francisco, the property is surrounded by Chardonnay vineyards. “I loved the simplicity and rustic charm of the house on sight, and even before we
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had closed escrow, I started planning new tennis courts, a bocce court, hiking trails through the woodlands, and my ‘field of dreams’ for Wiffle ball,” says Katherine, a bank executive. The family worked with interior designer Paul Vincent Wiseman to reimagine the interiors, plan expanded guest accommodations (including an adult bunk room), and reconfigure the wine cellar. Architecture design firm Charlie Bar-
The central courtyard of the house is shaded by handsome old olive trees. At right, the sheltered terrace of the great room (right) offers tranquil views of the garden and pool. The clay walking figure is by California sculptor STEPHEN DE STAEBLER. Katherine worked with MARTA FRY and TODD COLE to design the garden.
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nett Associates was enlisted to reposition the central entry to create a favorite new sunroom/study, a place for late-night card games. The house and additional guesthouses and barn now meander like a cluster of impromptu farm buildings among the olive and oak trees. “Country houses and barns in California were always practical, sturdy and unpretentious, and built to have a close and respectful connection with the land,” says Wiseman, who grew up on a farm in
the Sacramento River Delta. “The ‘farmhouse’ concept was our starting point for redesigning the deWildes’ house. It has straightforward pale gray locally quarried stone fireplaces, terra cotta-tinted concrete floors, hand-plastered walls, and handsome timbers, all very natural and low-key.” The updated furnishings conjure a clean-lined traditional feeling punctuated by modern statements. Softly colored textured linen, and hemp and Moroccan rugs in hand-dyed tones are
scattered throughout. “We escape from summer fog in the city and, surrounded by family, we play games and explore the woodland. It’s the perfect setting to renew the psyche,” says Katherine. “David and I love it most when our children and grandchildren invite hordes of friends—we can sleep 30. There’s volleyball in the pool; we play bocce for hours in the shade of an orange trumpet vine; and after dinner, we gather around the fire pit and recount our wins and discoveries and adventures.” •
A STEPHEN DE STAEBLER bronze figure greets guests at the entrance. The bench is an 18th-century piece, sourced by LUCCA ANTIQUES. Opposite, clockwise from top left: A newly added bunkhouse features generously sized bunks for guests. A bedroom overlooking the garden comprises vintage leather safari chairs found on a trip to London. The master bathroom, elegant in its simplicity. DAVID AND KATHERINE DEWILDE.
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LIGHTEN UP Feature
Southern California design firm BONESTEEL TROUT HALL infuses a sun-drenched NEWPORT BEACH (tbd)home with their COASTALMEETS-COOL DESIGN
KARYN R. MILLET KERSTIN CZARRA
Photography by Written by
Steel beams were painted white to play off the warmth of the walnut ceiling. The rug is from SILK ROAD ORIENTAL RUG and the tables are from THE FUTURE PERFECT. The FLEXFORM sofa is a cozy spot with an array of GARDE throw pillows. A c. 1958-1960 painting by movie studio artist EDGAR O. KIECHLE sits atop a custom sideboard by BONESTEEL TROUT HALL. Opposite: A three-story rope-art installation by L.A. artist MEGAN GECKLER was commissioned by the owners and is set against a textured brick wall and highlights the glass, walnut and steel stairwell with open treads.
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A traditional exterior fits the tone of the neighborhood and playfully juxtaposes the more modern interior. The patio furniture is by DAVID SUTHERLAND with PERENNIALSÂ fabric.
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The airy kitchen and dining area are open to the family’s main living area. A LINDSEY ADELMAN sculptural branch fixture floats above the dining table with JOSEPH JEUP leather chairs with outdoor fabric. The dining-room rug is from SILK ROAD ORIENTAL RUG. The stools are HARBINGER. Below: The owners have a passion for contemporary art and have long worked with consultant ANNE MENNEALY to source unique pieces. In the sleek entry, a lightbox by L.A. artist SHANA LUTKER welcomes guests.
Pacific Palisades-based designers Heidi Bonesteel, Michele Trout and Jill Hall are known for their stylistic mastery of laid-back glamour. Born and raised in Southern California, the designers’ spaces balance relaxed airiness with unexpected, modern touches for results imbued with seemingly effortless cool—not unlike the women themselves. (They’re those girlfriends who know the right surf spots, farmers markets, and buzzy city restaurants and boutiques.) “Our office is a tree house with ocean views, so nature really inspires us,” says Bonesteel. “But we’re 10 miles from downtown, so there’s that urban culture influence, too.” Bonesteel and Trout drew upon their signature aesthetic for their most recent project: a luminous Newport Beach home for a family of eight. A dynamic couple with six children under the age of 10, the clients have collaborated with the designers for years. “We’ve done homes for them in Aspen, in Michigan and here in Southern California,” says Trout. “We’ve grown up together.” The home’s decidedly traditional exterior belies the bold, beautiful design inside. “They like us to create something
Feature (tbd) different every time,” Bonesteel says. While pushing boundaries was essential, the space is at its core a bustling family hub. “The design has to perform,” says Trout. “With six kids, it’s a very active house. We get that, as we lead that life as well.”
Just minutes from the beach and wrapped inside a greenway, the house takes full advantage of the California sunshine with towering steel-framed windows in every room. “They are super affected by light,” says Bonesteel of her clients. “We weren’t allowed to cover the windows at all. The curtains take up only a quarter-inch on either side.” Industrial elements recur throughout, from steel railings to plastered brick walls. “The materials are raw and beautiful, not really fancied up a lot,” Trout says. “The decorating is almost like a backdrop to the nature and the architecture itself.” Form and function were fundamental when curating the home’s furniture and accessories, too. “The design has more of an androgynous beat to it,” says Trout, “which is part of making the house work for kids. There’s not a lot of extra things. The only furniture is what you actually need.”
Left: The owner’s home office has custom brass and walnut built-ins that house a collection of machine parts. The walls are upholstered in grayish blue flannel, while Heidi Bonesteel designed the midcentury desk with a return that has shallow bookshelves in front. The chandelier is APPARATUS, and the armchair is from DESIGN WITHIN REACH. Right: A Jean Cocteau book sits on a slim TWENTIETH table in the master bedroom. Bottom right: The bar in the family room is custom. The bar stools are from MCGUIRE. The lighting is from APPARATUS. A bit of pattern comes courtesy of CONCEPT STUDIO floor tile. A glass wall in the background helps reflect light in the recessed space. Below: Set against floor-toceiling steel-framed windows, the breakfast nook’s EERO SAARINEN table and chairs can withstand lots of child’s play. The fabric on the chairs is from KNOLL. The vase is from LOVE ADORNED. The pendant is THE URBAN ELECTRIC CO.
Because the clients favor a tight color palette (“There’s actually only one shade of blue they like,” jokes Trout), personality and punch come courtesy of bold midcentury lines, dramatic lighting and graphic Moroccan tile. And then there’s the art. Like their relationship with Bonesteel Trout Hall, the clients have long worked with Lake Forest-based art consultant Anne Mennealy, who loves to showcase California artists. “They’re always open to the unexpected,” says Mennealy. “They love artwork that ‘owns’ the room.” Two such high-impact examples: a three-story twisted-rope installation along the stairs and a wall sculpture composed of romance novels that spell “Forever.” It seems the family bond as well as the design union grows stronger with each home. “They both care; they will stand up for what they like,” says Bonesteel. “That’s a great relationship.” •
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Above: In the tranquil master bedroom, a veneer chevron wallpaper by PHILLIP JEFFRIES adds subtle sheen. Sheer linen drapery lets in lots of natural light. The bed is by HOLLY HUNT. A pair of DAVID WHEELER vases were made into lamps. The linens are SOCIETY LIMONTA. The accent pillows are from ROSEMARY HALLGARTEN and COMMUNE DESIGN. Below: A considerable blank space, the designers created a warm and witty family hub in a recessed basement area. Finishes include cork wall coverings, a brick covering behind the romance-novel art piece by JOHN SALVEST and dramatic black beams along the ceiling. The sectional and pillows are by FLEXFORM. The rug is from MERIDA.
HIGH DESERT HANH NGUYEN Written by KERSTIN CZARRA Photography by
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In a town full of RETRO-INSPIRED interiors, LEE STANTON and partner ISRAEL SERNA have put a refined, distinctive stamp on their own PALM SPRINGS ESCAPE
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In the dining area, an English table is juxtaposed with leather and metal chairs from France. A French industrial lamp, c. 1920, highlights the Swedish sculptural glass art on the table beside an oil painting from Belgium. Opposite: As a nod to LEE STANTON’s family of haberdashers, the guest bedroom features a framed collage of his grandfather’s fabric designs and ties, along with a sculpture of a mounted leather jacket. A painting of a Parisian night scene hangs above a postmaster’s desk from France.
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Clockwise from above: An ebonized English table in the living room is juxtaposed with mossy-green midcentury chairs designed by GORDON RUSSELL. Clusters of mounted intaglios are housed in antique Belgian glass domes. A collection of 19th-century charcoal pieces line the wall in the master bedroom, which is designed to feel like an artist’s loft. Linens from DEBORAH SHARPE dress the bed, while a set of industrial carts serve as nightstands. In the kitchen, ceramic flooring is placed on the wall to look like wood. Glassware and dark brown French pottery grace the shelves.
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You won’t find a Lucite console, bright shag rug or chrome lounger at Lee Stanton’s desert home. And it’s no accident. The Los Angeles-based antiquarian and president of the La Cienega Design Quarter dreamed up a weekend home (he also has a residence in Laguna Beach and recently embarked on a new project in Montecito) in collaboration with his partner, Israel Serna, that defies the prevailing Palm Springs look. “The goal was to not look like the rest,” says Stanton. Instead he and Serna filled the Indian Canyon home with Belgian and French furniture, oil and charcoal artwork, and patinaed leather and linen fabrics, pulling from his incredible collection of
eclectic and fine period pieces (highly sought after by boldface-name interior designers). “We wanted to embrace midcentury lines from a raw point of view,” Stanton says. “The sky, sand, cactus and the majestic mountains, it’s so natural. To me…chrome, bright colors and stark white don’t relate to the landscape.” The home, designed by Charles Dubois in the 1960s, sits on a cul-de-sac backed by a greenbelt and the San Joaquin mountain range. “The views, the straight lines of the architecture and the layout are perfect for a home away from home,” says Stanton. “We feel a connection to the desert and the mountains with their ever-changing colors.”
The interiors unfold in a charming flow of open rooms, with architectural details that have been preserved and reinvigorated thanks to Stanton’s expert mix of European antiques, industrial pieces and artwork—ranging from flea-market finds to selections from his West Hollywood showroom. “I love to showcase antiques in modern settings,” says Stanton. “It’s unconventional and it allows you to see them in a different way.” The 19th- and 20th-century pieces pop among warm, modern woods and muted artisanal pottery. Rich finishes and subtle textures convey a layered warmth without disturbing the space’s clean lines (a Sydney Harbour paint, for example, is
The living room rug is by RIOS CLEMENTI. A chesterfield sofa, c. early 1900s, sits opposite midcentury modern chairs. A workshop cabinet is juxtaposed with an industrial mold on the wall. An antique blown-glass perfumery globe rests on a 19th-century raw oak pedestal. The oil painting on the easel is a Paris fleamarket find.
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In the guest bedroom, a pair of English midcentury chairs and an ebonized wood table create a serene sitting area. The mirrors were created from industrial metal pieces. The paintings are by English artist MALCOLM CHANDLER. Opposite, clockwise from top left: In the master bedroom, an early-20th-century metal chest is joined by wood and metal chairs from France. The painting above is a likeness of Napoleon on a Greek godlike figure. An 18th-century Italian wardrobe sits next to a French ebonized table, midcentury German vase, and charcoal portrait. The well-edited entry showcases the home’s use of raw metals and woods to mimic the surrounding landscape. A c. 1920s French bench sits below a painting by an unknown Belgian artist. An ornate candelabra sits atop a tree-trunk base.
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THE WEEKENDERS
Feature (tbd) When Lee Stanton and Israel Serna aren’t lounging in their desert getaway, they frequent their favorite spots in town. applied to resemble a Venetian plaster). The guest bedroom is inspired by Stanton’s relatives, who were haberdashers. “It started with a painting I found in Paris, this debonair gentleman,” he says. “I added a quilt made of various suiting fabrics and dressed the bed in cotton stripes and gray flannel blanket.” One of Stanton and Serna’s favorite rooms to spend time in is the den, a cool cocoon in which to nap, read, work or play games. With their days filled with hikes, shopping for vintage finds, and cocktails or lunch at favorite spots including The Parker Palm Springs and Tyler’s Burgers, the pair is thrilled to hide away here on a hot afternoon. Of course, solitude is a rare thing in these surrounds: “We see our friends more here than in L.A.,” says Stanton. “You’ll run into people in the supermarket and say, ‘Let’s have dinner tonight.’”
STAYCATION STYLE We like to dine at boutique hotels like Purple Palm Restaurant and Bar at the Colony Palms Hotel, The Parker Palm Springs or SO•PA at L’Horizon Hotel and Spa. It makes us feel like we are truly away. LOCAL HANGTIME Coffee at Joey’s Palm Springs, lunch at Tyler’s Burgers, and dinner at Workshop Kitchen + Bar should be on every visitor’s list. TREASURE HUNTING Palm Springs has some of the most one-of-a-kind vintage shops. You’ll find some fantastic things at The Shops at Thirteen Forty Five and Hedge. Both are very well edited.
In SYDNEY HOLLAND’s living room, a built-in bookcase houses coffee-table books, objets d’art and collectibles: a petite JEFF KOONS balloon dog, ELISABETH WEINSTOCK boxing gloves and DAN COLEN M&M sculptures.
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ING COLOR vv Surrounded by the wall-to-wall works of EMERGING and ICONIC artists, SYDNEY HOLLAND’s highly visual abode blends FAMILY LIVING with a full house Photography by
ROGER DAVIES Portraiture by DIANA KOENIGSBERG Written by MELISSA GOLDSTEIN
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YOSHITOMO NARA’s Untitled (Eye Patch) hangs over the fireplace, and a pair of custom teal suede swivel chairs beckon in the downstairs sitting room. One of Holland’s favorite pieces, by CYPRIEN GAILLARD, is visible in the hall. Below: Wearing a vintage dress from LILY ET CIE, Holland sits with her brood in daughter Alexandra’s room. Opposite: Works by RETNA and WES LANG line the hallway, which is dotted with BOWLES AND LINARES glass light fixtures and Turkish and Moroccan vintage rugs from J.H. MINASSIAN & CO.
MAKEUP: KERRY MALOUF. HAIR: MARILEE ALBIN. NAILS: BARBARA WARNER NAILS USING CHANEL LA VERNES. STYLIST: MICHELLE MONTIEL
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“If we didn’t have a backyard, it would be a problem,” says Sydney Holland, sipping a sparkling water in the living room of her expansive Mediterranean-style home while her 1-year-old twin sons, Liam and Harrison, eat breakfast with their nannies in the kitchen (her 3-year-old daughter, Alexandra, is due home at any moment). The pronouncement follows introductions to Lucien Smith’s rain painting 7th Heaven 2, which hangs on the far wall, and the petite Jeff Koons balloon dog and Dan Colen M&M sculptures installed in her built-in bookcase: “I’m always worried they’re just going to come in here and take a marker to it all,” she says of her brood, with a laugh. Of course, Holland does have a backyard—complete with a manicured lawn, a pool, a limestone Buddha bust, a custom oak pergola hung with Indonesian lanterns, and an array of James Perse outdoor furniture. But from the marker-free looks of things inside, her offspring have inherited a respect for the finer things from their mother, an avid collector and patron (she recently underwrote the Museum
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Pendants by NATASHA BARADARAN hang amid works by ANDY WARHOL. Below: The master bathroom features heated statuary marble floors and vintage hand-blown crystal lighting from Germany. Opposite from top: Holland’s expansive walk-in closet, lit by JEAN DE MERRY’s signature chandelier. A lineup of JAMES PERSE chaise chairs sit poolside.
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of Contemporary Art, Los Angeles’ Doug Aitken exhibition) in addition to being a film producer (whose credits include The Seventh Fire, a documentary about Native American gang culture on which Natalie Portman is also a producer), co-owner of jewelry line Huckleberry LTD, and founder of an eponymous foundation dedicated to supporting at-risk youth and their families. (She also has a passion for flipping houses on the side.) Holland made her way here in August 2014, after selling her Beverly Hills residence to actor Jennifer Lawrence. She was looking for a “more livable,” familyfriendly abode, and found it on a quiet cul-de-sac in a gated community off of Mulholland Drive. She enlisted a longtime collaborator, decorator Tracie Butler, for the project. “We have the same appreciation for aesthetics—we’ve always connected,” says Butler, who has worked on five residences with Holland. The results blend California bohemian moments with all-out modern glamour (think pervasive natural crystals and geodes crossed with vintage Persian rugs, mirrored velvet ottomans and custom Louis Vuitton luggage furniture). It’s ultimately a backdrop for Holland’s museumworthy art collection, which covers every surface of the 8,000-plus-square-foot digs: from the checkerboard limestone-floored entryway, where Tracey Emin’s Trust Yourself light sculpture shares space with Wes Lang’s Perfect From Now On and John Baldessari’s portrait of Karl Lagerfeld; to the dining room, furnished with a Jean de Merry chandelier and Chris Levine’s holographic portrait of Queen Elizabeth II, Lightness of Being, Marilyn Minter’s Deluge and Ed Ruscha’s That Was Then This Is Now. Even her children’s rooms are outfitted with works by Ruscha, Paul Rusconi, Yoshitomo Nara and Urs Fischer. Her latest conquest, a quartet of colordrenched Beatles portraits by Richard Avedon, has yet to be hung—she rushes over to her office to offer a sneak preview. As she lifts one of the frames aloft to showcase it in all its glory, she considers the method behind her obsession—she may not have a “type,” per se, but there is a definite strategy at play: “I buy what I like—I don’t ever buy for an investment,” she says, as she reverently returns it to its box. “I buy art to keep it.” •
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Clockwise from above: WES LANG’s Perfect From Now On hangs in the dining room. An opaque glass globe light with handmade metal butterflies by JANE HALLWORTH for Blackman Cruz is suspended over Holland’s bed. ANDY WARHOL Polaroids on display in the entry.
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Clockwise from top: TRACEY EMIN’s Trust Yourself is installed over the front door. Holland, wearing Gucci, stands in front of ED RUSCHA’s That Was Then This Is Now. CHRIS LEVINE’s holographic portrait of Queen Elizabeth II is installed in the dining room, and flanked by solid brass table lamps from HUDSON NEW YORK. They sit on a French oak and antique bronze cabinet from JEAN DE MERRY.
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LAUDED DESIGNERS SHARE THEIR CALIFORNIA MOOD Designed by HOWARD BACKEN and his team at Backen, Gillam & Kroeger Architects, THE MEADOWOOD SPA pays homage to the unique Napa terrain, one that the noted architect knows intimately having designed several residential and commercial projects in the area throughout his career.
HOWARD BACKEN “The oak tree at The Meadowood Spa is iconic. Whenever something like that exists, we use it as the starting point of where to enter. You’ll notice a similar tree feature at the Solage resort, as well as the big oak tree at The Napa Valley Reserve. The Meadowood Spa reflects and respects the landscape: simple, rustic-modern structures with a natural essence and flow. It’s truly special and awakens all of the senses.”
C 82 SPRING HOME 2017
ADRIAN GREGORUTTI
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