Architecture Portfolio _ Canyue Wang

王 灿玥

Canyue Wang PORTFOLIO Bachelor of Arts in Architecture Collection of Undergraduate Works Miami University 2021-2023 Apply for Bartlett School of Architecture MArch Architectural Design

“I am not interested in the middle road—maybe because everyone’s on it.

Rationality belongs to the cool observer. But because of its very nature, it pretends to be the last word. That cannot be, because the last word must always remain with the future.”

CONTENTS

- Louise Nevelson

01| Timber Tower in the City Mixed-Used Building| Fall 2022

02| One to Infinity Border Community Center| Fall 2023

03| Lakeshore Library Art Library| Spring 2023

04| Miami University Museum Expansion & Renovation| Fall 2023 Mirror Shadow XI 1985 - Louise Nevelson

01 Timber Tower In the City ‘Timber Tower’ 621 North Avenue, NE / Atlanta / GA / The United State / Aug-Dec, 2022 Instructor: Murali Paranandi Individual Work

“Building a house is a cultural phenomenon; its form and organization are significantly influenced by the cultural context to which it belongs,” says Amos.

At present, timber has emerged as a potential alternative to traditional building materials such as steel and concrete, primarily due to its environmental benefits.

With increasing urbanization and population density, there’s a need to continue constructing more houses. Architects face the significant challenge in the future of addressing global housing needs while mitigating climate change conflicts.

Timber offers hope in this regard. In the United States, 48% of greenhouse gases are related to the construction industry. One cubic meter of timber can absorb one ton of carbon dioxide, timber is the only natural resource that can be used for construction, offering a medium for carbon storage and emission reduction.

This project focuses on promoting community engagement, aiming to create a landmark of eco-friendly urban living. By leveraging the site’s location, a multifunctional activity space is designed to actively attract visitors and local community participation. The extensive use of timber is a distinctive feature of the design, injecting warmth and joy into the community atmosphere. By fostering a sustainable, people-centered environment, the project is dedicated to redefining urban living and inspiring deeper human connections.

SITE ANALYSIS

FUNCTION LAYOUT

MASSING

Stort Stay Housing Service/Cafe

Original Cube

Subtracted Cube to Crafting Expansive Space

Subtracted Cube to Create Outdoor Space

Create Courtyard Space

Craftinng Outdoor Platform /Green Space

Visual Connection with Timber Bridge

Stort Stay Housing

Lobby Gym/Swimming Reading/Gallery Recreation Bakery Market/Retail Underground Subway Bus

N

ARTS AND CULTURE COMMUNITY

STRUCTURE

Skin

The Art Center MARTA Station, located in downtown Atlanta, is renowned for its concentration of galleries, theaters, and museums. Surrounded by lush greenery, the area forms a natural plaza, attracting 6 million visitors annually. Due to the high traffic flow at this transportation hub, numerous events, including art exhibitions and band performances, occur, fostering community interaction through a people-centered approach.

Beam: 18” x 18” Column : 24” x 24” Wall Thickness: 8” Floor Thickness: 6 13/16” 72” x 60 Maxxon Enkasonic HP Acoustic Underlayment: 3/8” Gypcrete Thickness: 2” Total: 9.875”

Colunm

Level

Core

The structure employs the Lever System, marking the first wood-frame high-rise design to gain building approval in the United States. The timber columns are spaced 20 feet apart, and the framework’s structural system comprises glulam (glued laminated timber) columns and Cross-Laminated Timber (CLT) for both floor and ceiling panels. Additionally, it features a CLT rocking wall core system.

CONCEPT SKETCH

FIRST LEVEL PLAN

N 0

25’

50’

SECOND FLOOR PLAN

SHORT STAY HOUSING PLAN

1

2

3

Open to Below

4

5

7

6

8

N 0

HOTEL ROOM TYPE

15’

30’

9

10

1 - Timber Bridge 2 - Public Space 3 - Outdoor Space 4 - Recreation Area 5 - Lobby 6 - Food Retail 7 - Restroom 8 - Storage 9 - Commercial Kitchen 10 - Open To Below

2- Bedroom Unit 4 Occupants 1400 SQF

N 0

20’

40’

1- Bedroom Unit 2 Occupants 650 SQF

Studio Unit 1 Occupants 500 SQF

SECTION

310’-0’’

310’-0’’

226’-0’’

128’-0’’ 114’-0’’

46’-0’’ 66’-0’’

28’-0’’

0

30’

60’

N

0

30’

60’

N

WALL SECTION

3D PERSPECTIVE VIEWS

Exterior Glazing

Level 3 EL. 46’-0’’ Glulam Beam Exterior Glazing Storefront Glass

Top of Conc.

View of Food Retail Store at First Level

19’-6’’ Exterior Glazing

View from Second Level Outside Space

CLT Floor Panel

Conc. Paver Level 2 EL. 28’-0’’ Conc. Paver 46’-0’’

Glulam Beam Conc. Column

Exterior Glazing

Exterior Glazing

26’-0’’

Guard Rail Post @ 6’-0’’ Conc. Paver

View of First Level Entrance Lobby

View of Timber Bridge

View of First Level Recreation Area

View of Third Level Relaxation Space

8’’ Conc.

Spandrel Beam Dowels@12’’ Face of Conc.

Site Paving

Cont. 3 X 3/8 Conc.Column

Level 1 EL. 0’-0’’

EXTERIOR VIEW

View of First Level Entrance Lobby

PHYSICAL MODEL

View of Third Level Recreation Area

02 One to Infinity ‘One to Infinity’ 7 S Sasabe Rd, Tucson / AZ / / The United State/ Mexico / Nov-Dec, 2023 Instructor: Diane Fellowd Individual Work

Architecture should not appear as an enclosure but rather as a form of dialogue. The initial design goal of this project was to find a convergence point between the United States and Mexico. The design is inspired by the symbol of infinity, which represents no bounderies.

The presence of this building aims to offer more possibilities for both countries and migrants, embodying hope for a shared future vision.

The architectural form starts with the shape of the infinity symbol, not dividing the space along the horizontal border between the US and Mexico, but instead, creating two space of mutual areas on the vertical plane.

At the middle of this infinite loop is the road. This design creating a bridge between cultures, promotes communication between the two countries.

By incorporating the infinity symbol into the architecture, the building becomes a physical manifestation of endless possibilities and a barrier-free future. This concept not only blurs the lines of borders but also redefines how spaces can connect people and ideas across nations.

SITE ANALYSIS

GENERATE LOGIC

One

Fence Divides Two Spaces

Urban Aerial View of Phoenix

Emotional

Physical

SEPARATION

UNION

I-10 Highway View

Social

Political

A Place Belongs To Both Sides

Infinity

Sunset View of Tucson

MASSING Sonoran Desert Landscape

U.S-Mexico Border Fence

Define Occupy Area

Define Building Footprint

Conceptual Infinity Mass

Adjust To Grade

Link Two Structures

Reversed Tilt

Define Roof Slope

Border Fance Control Room

Add Exterior Ramp

Site Location View

AERIAL VIEW

EXPLODED AXONOMETRIC

CIRCULATION AND FUNCTION

Visa Check/Security Visitor’s Experience U.S Visitor Circulation

Mexico Visitor Circulation

Building Function Color Code

FLOOR PLAN / SITE CONTENTS

INTERIOR VIEWS

23 24 25 1

26

2

3 4

5

6

Interior View of First Level Coffee Shop

Interior View of Second Level Library

Second Floor Plan

14 7

15

19

16

20 17

8

21 18

9

10 11

Interior View from First Level Lobby

22

Interior View from First Level Recreation Area

12

13

1 - Border Control Room 2 - Waiting Area 3- Muti-Purpose Room 4- Library 5- Ramp 6- Outdoor Space 7- Public Space 8- Visa Checkpoint 9- Lobby 10- Consulting Room 11- Staff Oiffce 12 - Information Desk 13- Lobby

14 - Storage 15 - Security Room 16- Maker Space 17- Car Visa Check 18- Open to Below 19- Information Desk 20- Visa Checkpoint 21- Visa Checkpoint 22- Coffee Shop 23- Lobby 24- Staff Oiffce 25- Staff Catering 26- Staff Lounge

N 0

20’

40’

Exterior View from Outside Ramp

Interior View of First Level Public Space

PERSPECTIVE SECTION

Lobby View from U.S Side

VIEW from Outdoor Plaza

Lobby View from Mexico Side

03 Lakeshore Library ‘Lakeshore Library” 10020 Mounds Beach Road / Brookville/ IN / The United State / Jan-May, 2023 Instructor: Terry Welker Individual Work

In the fast-paced world of today, there’s a need for a building that can slow down the rhythm of life. The building is located by a lake, allowing everyone to slow down their usual rhythm, showing the quietness of a different life from the city. The architectural form is inspired by the sculptures of Henry Moore, adopting organic forms that symbolize fluidity and interconnectivity. The outdoor spaces directly face the lake and natural landscape, changing from dawn to dusk with the seasons. Unique relationships between each space and the natural landscape are established, determining how wind and light pass through and enter the building. From the outside, it appears as a piece of marble, pure and solid; but inside, it offers a wealth of sensations and experiences. Upon entering the space, one begins to feel the light, breeze, and sounds. After these sensations, a unique spiritual connection between each person and nature is formed.

SITE ANALYSIS

INSPIRATION ARTIST

Henry Moore 30 July 1898 – 31 August 1986

Henry Moore, a renowned British sculptor, is celebrated for his abstract sculptures, drawing inspiration from natural landscapes and the human body. His work, characterized by organic forms and a deep understanding of spatial dynamics, offers valuable insights into integrating art with architecture. Moore’s sculptures challenge architects to think about the relationship between space and form, encouraging designs that blend seamlessly with their surroundings. His influence extends beyond sculpture, prompting architects to create environments that foster a sense of unity and interaction between the structure and the natural world.

Moore’s legacy is a testament to the power of art in shaping human-centric and environmentally attuned spaces.

CURVE CRAFT

DESIGN ENVELOPE Plan Envelope

Elevation Envelope

Rotate 90°

Rotate 180°

Delete and Drag Trim and Simplify

Choose and Pick

“Large Interior Form”

Curve Analysis

Copy and Move

Define Plan Layout

Define Roof Slope

MASSING

Original Cube

N 0

150’

300’

Create Outdoor Space

Apply Lines to Mass

Apply Plan Layout

Apply Roof Layout

FLOOR FLOORPLAN/ PLAN SITE / SITECONTENTS CONTENTS

1

2 9

10

11

3

8

4 12

13

5 14 6

15

7

1 - Reading Aera 2 - Library Stack 3 - Reading Area 4 - Open to Below 5 - Restroom 6 - Storage 7 - Staff Office 8 - Outside Space 9 - Library Stack 10 - Vestibule 11 - Information Desk 12 - Cafe 13 - Lobby 14 - Sculpture Garden 15 - Storage

Second Level Plan

Ground Level Plan

N 0

10’

20’

N 0

10’

20’

SECTION

47’-0’’

FLOOR PLAN/ SITE CONTENTS

22’-0’’ 12’-0’’ 0’-0’’

0

8’

16’

N

ELEVATION AND SECTION

FACADE CONNECTION DETAIL

2’’

4mm Aluminum Panels

Aluminum Rivets

0

15’

30’

N

0

15’

N

30’

4mm Aluminum Reveal

8’’ Steel Column

2’’

4mm Aluminum Panels

8’’ Steel Column

4mm Aluminum

Site Paving

Silicone Seal Backer Rod 4mm Aluminum

N 0

8’

16’

View of Ground Level Lobby

View of Second Level Reading Space

View of Ground Level Sulpture Garden and Entrance

PHYSICAL MODEL

View of Second Level Exterior Space

View of East Entrance to Lobby

View of West Entrance

View of Main Entrance and Coffee Shop

04 Miami University Art Museum

Expansion & Renovation ‘Art Museum” 801 S Patterson Ave/ Oxford / OH / / The United State / Mar-Dec, 2023 Collaborative Architect: Craig Hartman Team Member: Frank Michel Group Work

The Miami University Art Museum, built in 1978 by Walter Netsch of SOM, building structure evolved from the filed theory. The primary task of this project is renovation and expansion, taking into account various aspects such as the existing building’s structure, geometric form, and function. Field surveys of the surrounding environment and terrain are conducted, and potential designs are planned based on personnel needs and budget analysis. The design goal is to better celebrate the diversity of art, engaging in dialogue with visitors through visual culture. It aims to strengthen the connection between the Miami University museum and the campus. “ Making the Museum A Destination”.

SITE PLAN AND MASSING

FIELD THEORY EVOLUTION

5 8

8 5

Fibonacci Sequence

3

=0.618=

1 2

2

1

3

Golden Ratio

Existing Site Plan

Existing Massing Model

Existing Roof Plan

Proposed Renovation and Expansion Site Plan

Proposed Renovation and Expansion Massing

Proposed Renovation and Expansion Roof Plan

FLOOR PLAN

12 7 1

2

14 8

6 3

21

15 13

5 9

4

20

10

16

11

22

17

18

19

23

24

25

28

27 1- Auditorium 2- Gallery 1 3- Main Entrance 4- Entrance Plaza 5- Cafe 6- Locker 7- Gallery 2 8- Classroom 9- Restroom 10- Catering 11- Support Room 12- Gallery 3 13- Class Room 14- Paint Room 15- Clean Room 16- Wood Shop View of Gallery 3

17- Loading 18- Fumigation Room 19- Custodial 20- Video Gallery 21- Gallery 4 22- Sculpture Garden 23- High-Bay Space 24- Addition Entrance 25- Storage 26- Locker 27- Storage 28- Copy Room 29- Staff Office 30- Open Work Sapce 31- Conference Rooms 32- Staff Lounge

29 26

30

31

32

0

10’

20’

N

ELEVATION

0

15’

30’

0

15’

30’

N

N

View of Sculpture Garden

View of Entrance Plaza

View of Gallery 1

OTHER WORKS

Gear Life _Fall 2022 Individual Work_ARC 301

Instructor: Murali Paranandi

Architectural Forms in Void _Spring 2023 Individual Work_ARC 302 Instructor: Terry Welker Inspiration Artist: Louise Nevelson

Panoramic Birdblind _Spring 2023 Individual Work_ARC 302 Instructor: Terry Welker

The Self: Opting _Fall 2023 Individual Work_ARC 402 Instructor: Diane Fellowd

Geometric Plaza _Spring 2022 Individual Work_ARC 202 Instructor: J. E. Elliott

Branchscape Vista_Spring 2023 Individual Work_ARC 302 Instructor: Terry Welker