Camerapixo Press Photography Magazine We inspire 212

DISCOVER PUBLISH INSPIRE

J. HELLER LINES

CAMERAPIXO PRESS IS AN INDEPENDENT INTERNATIONAL PUBLISHER WHO PUBLISHES SEVERAL THEMED PUBLICATIONS DEDICATED TO PHOTOGRAPHY AND VIDEO.

All our publications are presently available in English, as digital and printed editions. They present the portfolios of photographers, videographers from around the world, famous, less known, beginners. We promote, inspire, show the wide dimension of photography and video. They reach tens of thousands of readers from over 84 countries every month. In the past few years Camerapixo has build a very strong photo-video community. Our magazines are very unique, modern with great design and excellent print quality.

BEING PUBLISHED MATTERS!

Camerapixopress.com website is visited by over 80 thousand visitors worldwide each month. Access and connect with most inspiring photography, video and become part of the engaged, loyal photo-video community on the Web. When you want to reach photography audience, Camerapixo PRESS is your choice, reaching the broadest audience of photography and video enthusiasts.

LEGAL

All photographs published in the Camerapixo PRESS magazine and online on the official Camerapixo website, have been permitted by the author to be published and are protected under international copyright law. It is forbidden to copy them or resend in any other form without written permission from the author. All trademarks, graphic designs, logos, names and other data published in the magazine are protected by copyright and belong to their authors. The Editors will not refund, send back or publish any materials not requested. Camerapixo editors are not resposible for any commercial texts. All copyrights belong to authors of published photographs and always will be. Camerapixo press team is promoting photographers and videographers on many platforms, websites, social media networks. We have all rights to use photographs published in the magazine / official website to promote their authors and the magazine.

PHOTO BY ARTUR

CAMERAPIXOPRESS.COM

PUBLISHER

CONTRIBUTORS

Dear photographers,

Changes, changes, changes. They concern our daily lives and the world around us today. Before our eyes, our understanding and perception of the reality in which we live is changing. Many people have noticed that time has accelerated, the days are getting shorter. We lack time, we do not notice what is beautiful and real. Increasingly, people are closing themselves in virtual reality, which very quickly begins to develop. There was even a question whether artificial intelligence would take the work away from photographers. We are not able to answer this question. But we can stop time, we can not think about artificial intelligence, and we can take you on journeys that do not require a virtual world. How? We simply invite you to the next issue of our magazine, which will take you on another inspiring journey.

JOIN US AND PUBLISH!

ANETTA G. HELLER EXECUTIVE EDITOR

Hello our fellow photographers, readers, friends and feature members.

Since 2009 we publish photographers from all over the world. We undertook this task because it seems to us that photography is such a beautiful art that not only inspires, but also allows us to develop our perception, to see the world that we sometimes omit in our intricate everyday life. We invite photographers to publish, thanks to which you have the opportunity to travel into the unknown. Light leads us through darkness. Photography creates great opportunities for self-expression. Photography’s structure allows you to express your own emotions. It directs us to a new perception of the world, a better and more interesting world. Photography also expresses the sensitivity of the author. You are cordially invited to the latest issue. Let us travel together, let us illuminate the darkness together. Let’s admire the world presented through inspiring photographs. Sit comfortably in your chair. Share your impressions with others. Or maybe you want to publish your own photo magazine? We can help you with this. Ask us how.

ARTUR J. HELLER EDITOR-INCHIEF

CAMERAPIXO PHOTOVIDEO MAGAZINE is recognized around the world as one of the largest independent online photo-video magazines. Thanks to the variety of it’s publications and a diverse network of other journalists and media professionals makes it easy to start working as an independent contributor.

JACEK ŁABĘDZKI

The Camerapixo Press ID Card proved to be the perfect solution for me. For 9 years now I am the holder of the card and for 9 years I was on the first line of fire. Camerapixo Press ID Card is not just a pretty piece of plastic as some believe. This is also a sense of belonging to the group of outstanding photographers from around the world. Camerapixo Press ID Card gives me confidence in crisis situations, such as demonstrations and riots, where I often have to deal with the police and a hostile crowd of people. Knowing that I’m not an anonymous photographer but member of the Camerapixo gives me motivation to work better and with continuous improvement. It is also a commitment to follow the photojournalist Code of Ethics.

PL | CRACOW, POLAND

Actually, by chance. In the past, my demanding job and long working hours did not give me any time for hobbies or interests. Once I found the time, I searched for an outlet to channel my creative restlessness. I fiddled around with a cheap camera we happened to have at home and took pictures of anything and everything that caught my eye. When people actually liked my photos, that motivated me to explore photography more.

When I was young, one of my aspirations was to become an architect. As might be expected, architectural photography was an inherent orientation.

There have been a couple of challenges, both quite as big. First, I had to find and develop my creative style. Second,

I felt intimidated by the remarkable work of other architectural photographers but eventually, international recognition has helped me overcome the lack of confidence I had in my work.

No, I’ve had no formal training. In the beginning, my husband, who is also a photographer, showed me how to use the camera and the basics of photography. From there on, I experimented a lot, studied the work of other photographers, read photography guides, and watched seminars on the internet. It’s been a long learning curve and I’m still learning.

Mostly on photowalks. I love modern architecture and geometry and there is a lot of that to be seen in the city. Having said that, I also find a lot of inspiration in urban decay and in the street.

What is the biggest challenge you’ve had to overcome in your photographic career?

How did you start with photography?

Have you had formal training in photography?

ANNA WACKER Special Guest

I am a fine art photographer, so taking a good shot is for me just half the work done. The other half is post-production. Depending on the concept I have in mind, I can spend anything from a couple of hours to a few days in post.

I plan to travel to other German cities with notable architecture. My dream would be to travel abroad, like to Dubai, New York, Tokyo, Barcelona etc and just get lost in all that amazing architecture.

Definitely my Tamron SP 24-70mm F2.8 Di VC USD. As an architecture photographer, it covers most of my requirements.

Photography is an essential part of my life. I can’t imagine my life without it. It has helped me see things from different perspectives and has changed me as a person. I have also got to know a lot of wonderful photographers in the photography community and have become great friends with them. I discuss photography with them and exchange opinions. I would hate to lose that connection.

MAN ON EARTH BERLIN, GERMANY

THE BIERPINSEL (OR BEER BRUSH, AS IT IS UNOFFICIALLY KNOWN) IS A 47-METER-HIGH BUILDING IN BERLIN, BUILT IN 1976. IT IS NOTED FOR ITS FUTURISTIC ARCHITECTURE AND IS PART OF THE POP ART MOVEMENT. THE MAN IN THE REFLECTION GAVE ME THE IDEA FOR THE TITLE.

© ANNA WACKER

PHOTOJOURNALISM AND DOCUMENTARY PHOTOGRAPHY JOIN OUR TEAM AND BECOME A CAMERAPIXO CERTIFIED PHOTOJOURNALIST

DECAPOD HAMBURG, GERMANY

AN ARTISTIC VISION OF A MODERN RESIDENTIAL BUILDING IN HAFENCITY, HAMBURG. THE UNDULATING LINES REMIND ME OF A TEN-LEGGED SEA CREATURE, HENCE THE TITLE.

© ANNA WACKER

THERE IS ALWAYS MORE THAN ONE PERSPECTIVE TO A STORY OR A PICTURE. A COMPOSITE OF THE FASCINATING BUILDING IN BERLIN WHICH OWES ITS NAME TO THE SOCIAL POLITICIAN AND WOMEN’S RIGHTS CAMPAIGNER MARIE ELISABETH LÜDERS. ALONGSIDE THE PARLIAMENTARY LIBRARY AND SPECIALIST SCIENTIFIC SERVICE PROVIDERS IT ALSO ACCOMMODATES A WALL MEMORIAL OPEN TO THE PUBLIC.

© ANNA WACKER

URBAN WAVES III BERLIN, GERMANY

A SIDE SHOT OF THE IMPRESSIVE AND UNIQUE SHELL-HAUS IN BERLIN, GERMANY. IT WAS BUILT IN 1930-31 AND TAKES ITS NAME FROM THE OIL COMPANY, ROYAL DUTCH SHELL. AT THE TIME THE BUILDING WAS NOTED FOR ITS MODERNIST DESIGN, FOR ITS STRIKING WAVE-LIKE FACADE, AND FOR BEING ONE OF THE FIRST STEEL-FRAMED HIGH-RISE BUILDINGS IN BERLIN.

© ANNA WACKER

STORMY SEAS HAMBURG, GERMANY

MY VISION OF HAMBURG’S FAMOUS CONCERT HALL, THE ELBPHILHARMONIE, WHOSE ROOF RESEMBLES WAVES OF A STORMY SEA.

DRIPPING ICING ON A CAKE WAS THE FIRST THING THAT CAME TO MIND WHEN I SAW THESE MODERN BUILDINGS IN HAFENCITY, HAMBURG.

BEER BRUSH BERLIN, GERMANY

A LOW ANGLE SHOT OF THE BIERPINSEL (OR BEER BRUSH, AS IT IS UNOFFICIALLY KNOWN), A 47-METER-HIGH BUILDING IN BERLIN, BUILT IN 1976. IT IS NOTED FOR ITS FUTURISTIC ARCHITECTURE AND IS PART OF THE POP ART MOVEMENT.

© ANNA WACKER

© ANNA WACKER

ICING HAMBURG, GERMANY

THIS FASCINATING BUILDING IN BERLIN, INAUGURATED IN 2003, OWES ITS NAME TO THE SOCIAL

AND WOMEN’S RIGHTS CAMPAIGNER

LÜDERS. I WAS VERY LUCKY WHEN A FILM/TV CREW PASSED THE BUILDING WHILE SHOOTING.

GEOMETRIC THOUGHTS BERLIN, GERMANY

ABSTRACT DEPICTION OF THE UNIQUE MUSEUM OF ARCHITECTURAL DRAWING OF THE TSCHOBAN FOUNDATION, IN BERLIN, GERMANY. THE BUILDING HAS BEEN PURPOSELY ISOLATED FROM ITS NATURAL SCENE TO GIVE IT AN UNREAL APPEARANCE AND ACHIEVE THE STORY I HAD IN MIND.

© ANNA WACKER

FILM CREW BERLIN, GERMANY

POLITICIAN

MARIE ELISABETH

PEACOCK BLUES HAMBURG, GERMANY

SIA LOW ANGLE SHOT OF THE CEILING OF THE ATRIUM OF A MODERN CITY HOTEL. THE RECTANGULAR SEGMENTS OF THE DESIGN, AND THEIR COLOUR, REMIND ME OF PEACOCK FEATHERS.

IT WAS THE MIDDLE OF A HOT SUMMER’S DAY WITH BRIGHT LIGHT WHICH FORMED INTERESTING SHADOWS IN THE ARCADE OF A HOTEL. I MANAGED TO CATCH A YOUNG GIRL IN THE FIRST TRIANGLE OF LIGHT, AS SHE WAS RUNNING TOWARDS THE POOL.

ART IN ART HAMBURG, GERMANY

AN ABSTRACT DEPICTION OF ONE OF THE THREE BUILDINGS OF THE HAMBURGER KUNSTHALLE, AN ART GALLERY AND MUSEUM OF THE FREE AND HANSEATIC CITY OF HAMBURG, GERMANY. IT IS ONE OF THE LARGEST ART MUSEUMS IN THE COUNTRY. I FIND THAT THE BUILDING ITSELF IS AN IMPRESSIVE EXAMPLE OF MODERN ARCHITECTURAL ART.

© ANNA WACKER

HURRY, HURRY, LITTLE GIRL RHODES, GREECE

© ANNA WACKER

© ANNA WACKER

CUBES AND PYRAMIDS

BERLIN, GERMANY

A TRAVELLER IS CROSSING THE OLD MOLTKE BRIDGE (MOLTKEBRÜCKE) IN BERLIN PASSING BY “THE CUBE”, AN IMPOSING CUBE-SHAPED GLASS BUILDING NEXT TO THE CENTRAL TRAIN STATION.

THE FACADE OF AN EXTRAORDINARY BUILDING IN BERLIN, THE RENOWNED SHELL-HAUS. IT WAS BUILT IN 1930-31 AND TAKES ITS NAME FROM THE OIL COMPANY, ROYAL DUTCH SHELL. AT THE TIME THE BUILDING WAS NOTED FOR ITS MODERNIST DESIGN, FOR ITS STRIKING WAVE-LIKE FACADE, AND FOR BEING ONE OF THE FIRST STEEL-FRAMED HIGH-RISE BUILDINGS IN BERLIN. IN RETROSPECT IT IS REGARDED AS ARCHITECT FAHRENKAMP’S MASTERPIECE AND ONE OF THE MOST SIGNIFICANT OFFICE BLOCK DESIGNS OF THE WEIMAR REPUBLIC.

ENCOUNTER

BERLIN, GERMANY

THIS FASCINATING BUILDING, INAUGURATED IN 2003, OWES ITS NAME TO THE SOCIAL POLITICIAN AND WOMEN’S RIGHTS CAMPAIGNER MARIE ELISABETH LÜDERS. ALONGSIDE THE PARLIAMENTARY LIBRARY AND SPECIALIST SCIENTIFIC SERVICE PROVIDERS IT ALSO ACCOMMODATES A WALL MEMORIAL OPEN TO THE PUBLIC.

© ANNA WACKER

URBAN WAVES IV BERLIN, GERMANY

APPLYING SCIENCE HAMBURG, GERMANY

THE INTERESTING EXTERIOR OF HAW HAMBURG FROM ANOTHER PERSPECTIVE. THE HAMBURG UNIVERSITY OF APPLIED SCIENCES IS A HIGHER EDUCATION AND APPLIED RESEARCH INSTITUTION.

ERUPTION BERLIN, GERMANY

CLOSE-UP SHOT OF BERLIN’S TEMPODROM, A MULTI-PURPOSE VENUE WITH A STUNNING ARCHITECTURAL DESIGN. FAILING MAN BERLIN, GERMANY

THE FAILINGS OF MAN. THE PORTICO IS WHAT IS LEFT OF THE ANHALTER BAHNHOF (ANHALTER TRAIN STATION) IN BERLIN AFTER BEING HEAVILY BOMBED IN WW2.

© ANNA WACKER

© ANNA WACKER

© ANNA WACKER

© ANNA WACKER

© ANNA WACKER

HARLEQUIN YEARS HAMBURG, GERMANY

ABSTRACT SHOT OF THE REAR SIDE OF THE IMPRESSIVE BUILDING COMPLEX THAT HOUSES THE MINISTRY OF URBAN DEVELOPMENT AND HOUSING IN WILHELMSBURG

BOX OF CRAYONS HAMBURG,

GERMANY

ABSTRACT SHOT OF THE COLOURFUL FACADE OF THE BUILDING THAT HOUSES THE MINISTRY FOR URBAN DEVELOPMENT AND ENVIRONMENT IN HAMBURG, GERMANY. BASED ON ITS EXTERIOR, WE CAN HOPE THAT THE MINISTRY WILL ADD MORE COLOUR TO THE CITY AND ENVIRONS. THE SHAPES AND MULTIPLE COLOURS REMIND ME OF A BOX OF CRAYONS, HENCE THE TITLE.

URBAN WAVES HAMBURG, GERMANY

LOW ANGLE SHOT TAKEN OF THE EXTERIOR OF A KNOWN HOTEL IN THE CITY CENTRE OF HAMBURG. THE CURVED BALCONIES REMIND ONE OF WAVES LIT BY MOONLIGHT.

© ANNA WACKER

SYMBIOSIS HAMBURG, GERMANY

THE REFLECTIONS OF OLD ARCHITECTURE AND CLOUDS ON THE GLASS FACADE OF A MODERN OFFICE BUILDING MAKE THIS IMAGE LOOK SURREAL. I ALWAYS FIND IT FASCINATING HOW OLD CITY ARCHITECTURE HAS ENTERED INTO A KIND OF SYMBIOSIS WITH THE NEW, OR VICE VERSA.

FULL MOONS AND CRESCENTS HAMBURG, GERMANY

LOW ANGLE VIEW OF SKYSCRAPERS AND THEIR REFLECTIONS ON

A GLASS FACADE AGAINST A NIGHT SKY.

SPY IN THE FOG HAMBURG, GERMANY

THIS IMAGE COULD WELL BE A SCENE FROM A SPY THRILLER. A MYSTERIOUS WOMAN DRESSED IN BLACK IS WALKING CAUTIOUSLY AROUND A STREET CORNER. BUT SHE IS STARTLED WHEN A CAR WAITING IN THE DARK, SUDDENLY TURNS ON ITS HEADLIGHTS. SOMEBODY HAS BEEN SURVEILLING HER. SHE IS MADE... WHAT HAPPENS NEXT? ACCORDING TO THE PLOT, SHE ESCAPES BY RUNNING UP THE METAL STAIRCASE, QUICKLY CROSSES THE BRIDGE AND DISAPPEARS ONCE AGAIN IN THE OBSCURITY OF NIGHTFALL AND FOG.

© ANNA WACKER

© ANNA WACKER

© ANNA WACKER

CITY OF WATER HAMBURG, GERMANY

THIS IMAGE SHOWS NEO-GOTHIC BUILDINGS AND BRIDGES IN A CANAL IN SPEICHERSTADT (WAREHOUSE DISTRICT) IN HAMBURG, GERMANY. HAMBURG IS A CITY OF WATER. IT HAS MORE BRIDGES THAN ANY OTHER CITY IN THE WORLD AND MORE CANALS THAN AMSTERDAM AND VENICE COMBINED. THE FIGURE HAS BEEN PUT SOMEWHERE AROUND 2300 TO OVER 2500—MORE THAN LONDON, AMSTERDAM AND VENICE PUT TOGETHER.

© ANNA WACKER

WORLDWIDE PHOTOGRAPHY

PHOTOJOURNALISM AND DOCUMENTARY PHOTOGRAPHY JOIN OUR TEAM AND BECOME A CAMERAPIXO CERTIFIED PHOTOJOURNALIST

© ANNA WACKER

© NDRZEJ MUCKA

IN-HOUSE MACRO SERIES

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK © HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK ©

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK © HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK © HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© HENK LANGERAK

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI

DOMINIKA HEJDUK

© KRZYSZTOF ASZTEMBORSKI

DOMINIKA HEJDUK

DOMINIKA HEJDUK

© KRZYSZTOF ASZTEMBORSKI

DOMINIKA HEJDUK

© KRZYSZTOF ASZTEMBORSKI

© KRZYSZTOF ASZTEMBORSKI RADUNKA

© KRZYSZTOF ASZTEMBORSKI RADUNKA

© KRZYSZTOF ASZTEMBORSKI

ELISS SVOBODOVÁ

© KRZYSZTOF ASZTEMBORSKI TEREZA FEŠÁRKOVÁ

© KRZYSZTOF ASZTEMBORSKI

KRISTYNA TEMNA

© KRZYSZTOF ASZTEMBORSKI KRISTYNA TEMNA

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

© ANTONIO CISARI

PHOTOJOURNALISM

© ANTONIO CISARI

© BADE FUWA

© BADE FUWA

NEBUCHADNEZZAR

© BADE FUWA IT’S A WOMAN’S WORLD

PHOTOJOURNALISM

© BADE FUWA

© BADE FUWA

POTIPHAR’S WIFE

PHOTOJOURNALISM

© BADE FUWA

© BADE FUWA

PHOTOJOURNALISM

© BADE FUWA

© BADE FUWA

HYBRID BEAUTY II

© BADE FUWA

HYBRID BEAUTY III

© BADE FUWA

SOUNDS OUTSIDE THE WINDOW

© BADE FUWA

HYBRID BEAUTY IV

A DIFFERENT LOOK AT BARCELONA

Born in Barcelona, living in Barcelona. Photography has been a hobby since the 13 years of age, with some interruptions. As Elie Cohen Gewerc says: “Free time is a part of life that remains after fulfilling everything and everyone. Time without obligations or expectations. It is the second opportunity for my inner and true being to flourish. There are people with talents and aspirations who do not express themselves because they have to work. Free time offers them the opportunity to do so.” Barcelona is my city and my project is the street photography. I don’t have any goal to achieve with my photography, except my own pleasure and a psychological interest.

I have always been attracted to the plastic arts. I like painting, cinema, comics, photography... When I was a teenager, I used to paint in oils, but I gave it up due to lack of time. Then I became interested in photography; I got my first SLR camera as a child and started to take photos mostly on landscapes. Later on I used the camera to photograph my friends. After a few years in analog photography, in 2010 I switched to digital photography with a Nikon D90. Then I started my Barcelona urban photography project.

In 2022 I replaced the camera with a new Nikon Z5.

I’m autodidact. When I was young I was obsessed with photographic technique and I read many John Hedgecoe and Michael Freeman books. It is necessary to master the technique in order to be able to forget about the technique and concentrate only on creativity.

A lot. Not just photographers. But to name a few, I adore the works of Elliott Erwitt, Diane Arbus, Ernst Haas, Cartier Bresson, Brassaï, Helen Levitt, Català – Roca, Eugeni Forcano, Harry Gruyaert, Saul Leiter, Martin Parr, Garry Winogrand, Alex Webb...

What's in my backpack?

How did you start with photography?

Who is your favourite artist? Have you had formal training in photography?

“The decisive moment”, or the second when all of the compositional elements of a scene come into harmony; a second before or a second later the scene would no longer be the same. I love the beauty of some special moments that do not exist any more, I try to stop them and show that they were not that simple as it may look like watching them flying by in reality. In street photography, the best quality of an image is immediacy, as if the skin that protects the viewer from the scene, is being taken away.

To take my photos I need people, lots of people; the downtown is the ideal setting. Perhaps the core motivation behind street photography is to capture the energy entrapped in or released at any given fleeting moment. Despite the planning of where I want to go, my street photographs are usually more spontaneous and unplanned than well prepared, 95 % of the times it’s spontaneous, it’s impossible to stage the moments in the streets.

I got my first SLR camera, a Nikon FE, as a child and started to take photos mostly on landscapes. Later on I used a camera to photograph my friends. After a few years in analog photography, in 2010 I switched to digital photography with a Nikon D90. Then I started my Barcelona urban photography project. In 2022 I replaced the camera with a new Nikon Z5.

Watch a lot of classical painting and classical photographers and be attentive to everything that surrounds us, the small details.

What genre would you most like to experiment in?

How do you decide on locations & subjects?

What type of cameras do you shoot with?

What advice do you have for individuals interested in pursuing a career in photography?

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

WORLDWIDE PHOTOGRAPHY

PHOTOJOURNALISM

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME.

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

© JOSEP REVERENDO

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE.

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

© JOSEP REVERENDO

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME.

© JOSEP REVERENDO

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

© JOSEP REVERENDO

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME.

© JOSEP REVERENDO

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME

© JOSEP REVERENDO

I AM INTERESTED IN THE STREET AS A STAGE FOR LIFE, AS A HUMAN EXPRESSION AND AS A LIVING AND CHANGING SPECTACLE.

© JOSEP REVERENDO

IN MY IMAGES THE HUMAN ANECDOTE IS THE PROTAGONIST, BUT THE CITY AND ITS STREETS ALSO PLAY A PROMINENT ROLE. ARCHITECTURE IS THE DECORATION THAT PROVIDES AN EASILY RECOGNIZABLE LOCATION.

© JOSEP REVERENDO

“THE DECISIVE MOMENT,” OR THE SECOND WHEN ALL OF THE COMPOSITIONAL ELEMENTS OF A SCENE COME INTO HARMONY; A SECOND BEFORE OR A SECOND LATER THE SCENE WOULD NO LONGER BE THE SAME

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

PHOTOJOURNALISM

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

© DIEGO CROTTI

REPORTAGE

FIBA BASKETBALL WORLD CUP

© GELE SERGE

FRENCH TEAM, PARIS, FRANCE

CLOUDY DAY, LOFOTEN, NORWAY

© GELE SERGE

BACK COVER PHOTO

© ELLEN KIEVIT-VAN DEN DOEL