V isual A rts & C
rafts
Bryan Ramey
PRINTMAKING INTRO TO INTAGLIO / DRYPOINT PRINTMAKING Louis Meola | Artist
Intaglio printing means printing ink from the incis marks in a plate or matrix. This is a course for beginning students seeking thorough exposure to intaglio printmaking without any of the nasty chemicals. We will g special attention to a broad array of intaglio applications: dr found objects, collage, and monoprint techniques. The intaglio l like no other in the sense that it becomes embedded in the fiber the soaked paper. The end result is a deep, rich, and unique mark. C O U R S E C O D E : I TG L Sec. 01: 8 Mondays, 6-8pm. Begins Apr. 4 | $285 No class Apr. 18 & May 3
BOSTON EN PLEIN AIR: WATERCOLOR LANDSCAPE PAINTING Bryan Ramey | Artist, artbyramey.com
INTRODUCTION TO RELIEF PRINTMAKING Laura Sheffield | Artist
Explorethevariedstylesofreliefprintmakinginth Hopper, Cezzan, Turner, Milford; all artists renowned sessions,focusingonlinoleumcut(linocut)with for their watercolor landscapes. The inherent ability detoursintoprintingwithfoundobjects,recyclabl to capture vivid colors and moods all within a small andtraditionalwoodcuts.Thisformofprintmaking,anancientcraf window of time on location is known pleinas air painting. In this class modern practitioners, willhelpyoulearnor ( refine)yourskillsinde we will paint on site at a location in Boston or Cambridge and look at aswellasimage-making,andleaveyouwithaportableprintmakingsk di‹erent methods and practices of painting foliage, ora, architecture, Wewill and possibly even people. The main focus of this intensive will be lookatcontemporaryandhistoricalartforinspiration,l block-cutting color and the use of brush techniques to build vivid landscapes as the techniques,andprintonavarietyofpapers.Inthefina old masters would have—as well as to find renewed life aftersession, a year of wewillalsotryalteringourprints,orusingthemincolla Reliefprintingcanbepursuedonasmallor ( verylarge)scaleandisa being shut away. So come paint, be social, and see the world around technique youcancontinueinyourhomestudiooronyourkitchen you with new eyes. Each section will visit a di‹erent location. The printmakingspaceatCCAEisspaciousandhasmanyofthe instructor will email you the meeting location before thetable. classOur starts. toolsyouneed.Alistofmaterialswillbeprovidedtostudents.
C O U R S E C O D E : WA PA Sec. 01: Saturday, 12-4pm. May 14 | $100 Sec. 02: Saturday, 12-4pm. Jun. 4 | $100
COURSE CODE: PRIR Sec. 01: 4 Wednesdays, 5:30-7:30pm. Begins May 4 | $145
ABSTRACT AND EXPERIMENTAL WATERCOLOR PAINTING
MONOTYPE PRINTMAKING THREE WAYS: INSPIRATION AND BASIC TECHNIQUES
YoAhn Han | Assistant Professor at MassArt, yoahnhan.com
Susan Rice and Laura Sheffield | Artists
Practice one of the most instantly-rewarding forms Using the uid and luminous medium of watercolor, printmaking: monotypes! The first session will featu students will explore abstract and experimental reduction monotypes, the use of monotype base, painting with creative exercises. The instructor will watercolor and water-soluble crayons, and the qualities of var introduce contemporary watercolor artists and discuss their printmaking techniques. Students will have a chance to work on their own projects papers. In the second session, we will experiment wit stencils, masks, and trace transfer monotypes. You can combine in a supportive environment using experimental approaches to these methods and others to create unique prints, employing mu painting. This class is appropriate for both beginners and those who pressings to build up layers on the same print. For the third sess have prior experience with watercolor. we will try chine collé, a form of collage, using lightweight papers an C O U R S E C O D E : WA A B the press to add richness, texture, and layers to your images. This Sec. 01: 7 Saturdays, 10am-12pm. Begins Apr. 9 | $240 class will include time to finish projects and discuss how monot printmaking can be continued at home without a press. Our studi uses exclusively non-toxic materials and some tools and supplie PAINTING THE LANDSCAPE provided or can be purchased on-site from CCAE. A list of supplies Anthony Riccardi | Artist and resources will be provided to enrolled students. Longtime Every landscape includes many complex shapes and textures. printmaking teacher Selma Bromberg will be a visiting artist a In this class, learn to develop your perceptions of five session, showing her recent work. di‹erent zones inside the landscape space: through, between, COURSE CODE: PRIM within, below, and above. Traveling through these zones, you will learn Sec. 01: 4 Fridays, 10am-1pm. Begins Apr. 29 | $185 the fundamentals of landscape painting techniques. We’ll also discuss various artists and their works to explore the many ways the landscape may be interpreted. Acrylic and watercolor paint media will be used; no oils, please. Class meets indoors. COURSE CODE: PLSC Sec. 01: 10 Wednesdays, 10am-12:30pm. Begins Apr. 6 | $355 REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789
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