Spring 2022 Catalog

ONLINE AND INºPERSON CLASSES

SPRING2 0 2

APRIL ı JUNE

SPRING 2022 AT CCAE

This spring, we are o‹ering a mix of in-person and online classes in all departments. Classes will be marked wi the following icons: Online

In-Person at CCAE

O‹site

O‹site & Online

In-personclasseswilltakeplaceatCCA atalimitedstudentcapacity.Student enrolledinin-personspringclassesmus showproofoffullCOVID-19vaccinationtoa CCAEsta‹memberpriortoattendingcla Pleaseseeccae.org/in-person-classesfor updatedin-personclassguidelines.

Online classes will continue to be o‹er via Zoom. The Zoom link and information on how to join will be emailed to you.

Please also check your spam folder.

If you register 12 hours or less before the class begins or after the start da please contact zoom@ccae.org for the lin

Thank you for taking classes at CCAE! We look forward to seeing you this spring

WINTER CLASSES STILL ENROLLING M O N DAY

T U E S DAY

MARCH

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W E D N E S DAY

T H U R S DAY

F R I DAY

S AT U R DAY

S U N DAY

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SALVETE ROMANI: LATIN BEGINNER LEVEL 4

TEACHING YOURCHILDREN FINANCIAL LITERACY

DATENIGHT: BEGINNER RED WINE AND CHEESE TASTING WITH KIT PICKUP

CHINESE STEAMEDBAO

BBAO-WI22.01 12-3:30pm

GLUTENFREE MASALADOSA, IDLY,AND UTTAPAM

SRL4-WI22.01 5:30-7pm

KDFN-WI22.01 6-7pm

WINC-WI22.01 7-8:30pm

DOSA-WI22.01 12-2pm

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TAROTFOR BEGINNERS

MEXICAN TAMALES

BRIOCHE

GERMANCON º VERSATIONS ABOUTARTAND CULTURE: MUSEUMSBESUCHE IN BERLIN

WINTERFUNGI

RAVIOLI WORKSHOP

TRADITIONAL RUSSIANCUISINE

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NATURALWINE

IRISHWHISKEY& HISTORY

TARO-WI22.01 7:45-9:45pm

TAMA-WI22.01 6-9pm

BRIO-WI22.01 6-9pm

WFNG-WI22.01 3-5pm

RAVI-WI22.01 6-8:30pm

RSSN-WI22.01 2-4pm

GRMU-WI22.01 3-4:30pm

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MANTE TWOWAYS: TRADITIONAL AND VEGAN

MASTERINGPIES

PIES-WI22.01 6-9pm

ITALIAN FARMHOUSE DINNER

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MANT-WI22.01 6-8pm

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CAKE DECORATING

BTER-WI22.01 6-9pm

17

NATR-WI22.01 7-9pm

HFAM-WI22.01 6-8:30pm

IRIW-WI22.01 7-9pm

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ITALIAN:GIALLO &SPUMANTE: ADVANCED ITALIAN MYSTERIES CLUB

SECRETSOF BUYINGWINE

GLUTENFREE COOKING

ITGP-WI22.01 6-8pm

HTBW-WI22.01 7-9pm

GFCC-WI22.01 11am-1:30pm

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CatalogDirectory C L A S S C AT E G O R I E S

R E G I S T R AT IO N A N D G E N E R A L IN F O R M AT IO N

FOOD&WINE

www.ccae.org

Cooking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Phone: 617-547-6789 o L cation: 42 & 56 Brattle Street, Harvard Square Mailing d A dress: P.. O Box 913, Cambridge, MA 0238-913

Wine,Beer&Spirits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

. . . . . . . . . . . . . . . . . . . 1

BUSINESS&TECHNOLOGY ENGLISHASASECONDLANGUAGE

RE GISTE R ONLINE AT C CA E .ORG

LevelDescriptionsforESL&WorldLanguages . . . . . . . . . . 19

WORLDLANGUAGES

S PR I N G R E G IS T R AT IO N O P E N S

. . . . . . . . . . . 14

ESLSchedule . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

. . . . . . . . . . . . . . . . . . . . . . . . . 20

HUMANITIES

Wednesday, February 16, 20

ArtHistory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 History&ContemporaryIssues . . . . . . . . . . . . . . . . . . . . . . . . . 28

S PR I N G TE R M S TA R T S

Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Monday, April 4, 20

Writing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 Stage,Screen&More . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

OFFICE HOURS

VISUALARTS&CRAFTS

MondayT – hursday: 9am–8pm

Drawing&Painting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Friday: 9am–6pm

StudioSchool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Saturday–Sunday: 9am–3pm

Watercolor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

O–cehoursaresubjecttochange.

See ccae.org o f r more details

Printmaking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Multimedia&Photography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Jewelry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

H O L I D YA S

FiberArts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Patriots a D y – April 18, 20

Woodworking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Glass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Memorial a D y – May 30, 20

PERFORMINGARTS Theater . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

C O N N E C T WITH U S

Dance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

� a f cebookc . omt/ hecambridgecenter

Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

� instagramc . omc/ ambridgecenter

Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

� twitter.comc/ ambridgecenter

LIFE&WELLNESS Mind&Body . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

C L A S S FO R M AT

Lifestyle&Recreation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Classesmeetin-personatCCAE,onlineviaZoom,andO‹site.

SPECIALPROGRAMS BlacksmithHousePoetrySeries .

Online

Offsite

In-Person at CCAE

Offsite & Online

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IMPORTANTINFORMATION Policies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 ImageCredits,unlessotherwisenoted:©RomanaVysatova REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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Food & Wine “Itisamazingthatwecould preparefivedishesinatwo hourclassand . withsuch deliciousresults.”

—CLAUDIA W., THAI STREET FOOD

Vegetarian

Vegan

Ouronlineclassesareinteractive.Youarewelcometocookalonginourcookingclassbychoosingafeworalldishestocookorjustwat otherwisenoted.Foronlineclasses,youwillreceivealinkandrecipepacketoncetheclassisconfirmedtorun,whichmaybebetween3-7da classstarts.Ourin-personcookingclasseswilltakeplaceinthekitchenat56BrattleStreetatalimitedcapacity.

T H E CO S T O F T U I T I O N COV E R S A L L F O O D A N D B E V E R AG E S F E E S F O R I N - P E R S O N C L A S S E S .

COOKING BASIC CULINARY SKILLS AND TECHNIQUES

SAUCES: FUNDAMENTAL TECHNIQUES

Dagmar Smith | Chef, Graduate of Cambridge School of Culinary Art

Diane Manteca | Private Chef, Culinary Instructor

This class is for students who want to develop classic A well balanced sauce is a thing of beauty. Come cooking skills that will help them understand recipes as learn how delicious sauces can elevate an ordinar well as how to confidently improvise in the kitchen. The meal to an outstanding one. Chef Diane will impart class covers essential knife skills, cuts of meat, where to indispensable shop, and tips and techniques to prepare essential sauc kitchen equipment. The first two nights will emphasize learning from around how the world including a classic French Bechamel sauce to use knives e‹ectively. Each night of this hands- on cooking Figclass, and Chili Glaze, Chimichurri, Salsa Macha, Marinara, and a Port students will make a complete meal from appetizer to dessert.

Wine Reduction. We’ll pair the sauces with fish, chicken, pork and Recipes will include: BBQ braised chicken, carrot ginger soup, pasta, or use them as condiments. chocolate chip cookies, salsa, chili, shredded winter salad, C O Umany R S E C O D E : S AU C mu–ns, pan seared sirloin steak and much more.

Sec. 01: Wednesday, 6-9pm. May 25 | $95 COURSE CODE: BCST Sec. 01: 6 Tuesdays, 6-9pm. Begins Apr. 12 | $375

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ccae.org/classes/food-wine

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CAKE DECORATING Sandra Frezza | Certified Instructor, Sandra’s Sweet Sensations

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HOME MILLING AND BAKING WITH HERITAGE GRAINS

Learning the art of cake decoration is a wonderful wayAnne to Muskopf | @breadministry impress friends and family with gorgeous cakes for all Many people have come to grind their co‹ee beans occasions. Join award-winning cake decorator, Sandra fresh for every brew (or at least every bag). Freshly Frezza, to learn how to prepare icing, color, level, fill and frost a cake. milled our provides the same aromatic and We’ll start with di‹erent piping techniques including stars, rosettes, enhanced taste experience but is still catching on. In this clas shells, drop owers and leaves. Then you will decorate your own cake learn how to mill rye, einkorn, and emmer (farro) whole grains with a with guidance from Sandra. Bring a 6, 7 or 8 inch unfrosted single countertop home mill as well as the health benefits and unique layer cake to class and a box or cake carrier to transport your finished features of these grains. We will make rye brownies, einkorn pound cake. Icing and tools to use in class will be supplied. You’ll take home cake, and emmer chocolate chip cookies to showcase the variety o instructions and decorating tools including tips, bags, couplers and a avors and textures from di‹erent grains in this hands- on class w cake circle. grain from Cambridge’s Elmendorf Baking Supplies. This class is COURSE CODE: BTER suitable for those curious about milling their own our and also Sec. 01: Thursday, 6-9pm. Apr. 14 | $95 those who are just interested in learning how to bake with fre milled, local grain.

FLORAL BUTTERCREAM CUPCAKES DECORATING Sandra Frezza | Certified Instructor, Sandra’s Sweet Sensations

COURSE CODE: HEBA Sec. 02: Saturday, 1-3pm. May 7 | $75

SOURDOUGH BREAD WORKSHOP

What better way to welcome spring than with whimsical Kat Bayle | Owner, Shirley @shirleythepopup buttercream blossoms? In this class, you will learn a number of di‹erent oral buttercream designs. Icing and all tools Come join beginner and experienced sourdough needed in class will be supplied by the instructor. You will also receiveenthusiasts alike for a two part class on the wond and take home decorating tools including tips and bags. Please bring of naturally leavened bread. The first class will foc a 6-10 unfrosted cupcakes as well as a box or cupcake carrier to on the unique and vibrant element that di‹erentiates natur transport your decorated cupcakes. leavened bread from other yeasted breads: the starter. We will d what a starter is, how to create one, and most importantly how to COURSE CODE: CUPD for it. We’ll snack on crackers and cookies made from leftover sta Sec. 01: Thursday, 6-9pm. May 12 | $90 and everyone will go home with some of Kat’s very own starter to us in their own bread making adventures. In the following class, we wi CHINESE DESSERTS delve further into the process of bread making and the magic of fermentation. Kat will share her tried and true recipes for sour Jade Li | Cooking Instructor and Chef, @yucancook breads and there will be plenty of time for Q & A about the recipes wi Chinese desserts are not the sugary, sweet dishes a “health check up” on the status of everyone’s starter. If you’ve we have in mind when we think of traditional Western your starter, not to fear, a fresh starter will be given out if nee desserts. China has many traditional treats, but they C O U R S Eto CODE: SOUR do not appear on the table as a sweet finish after dinner. According Sec. 01: 2 Mondays, 6-8pm. May 16 & May 23 | $95 the traditional Chinese diet, sweets are generally made with less sugar and eaten at breakfast or as snacks with tea. In this class, we will make China’s most popular breakfast sweet treat, sesame seed balls, as well as sweet rice dumplings, and the delightfully soupy Chinese dessert, taro and sweet potato balls.

COURSE CODE: CHID Sec. 01: Saturday, 12-3pm. Apr. 30 | $80

FOOD TALK: HOMEMADE FLOUR Adrian Hale | Thousand Bites of Bread Join Adrian of Thousand Bites of Bread and learn about the history of our milling from the Neolithic period until the current time. You’ll learn about the anatomy of the whole grain and how they become di‹erent types of our including cake our, all purpose our, bread our, and more. You’ll learn about how to make decisions on our choices and how to read labels including nutrition and qualities. Adrian will also show you how to mill your our using her home equipment.

COURSE CODE: FLOR Sec. 01: Thursday, 6-7:30pm. Apr. 28 | $30

T H E C O S T O F T U I T I O N C OV E R S A L L F O O D A N D B E V E R AG E S F E E S FOR IN-PERSON CLASSES.

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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EDIBLE ART IN FOUR MEDIUMS: ISOMALT, GUM PASTE, CHOCOLATE, AND POTATO STARCH PAPER

VIETNAMESE STREET FOOD Ploy Khunisorn | Ploy’s Kitchen, ployskitchen.com

Embrace the light and delicate avors of Vietnamese cuisi known for its fresh herbs, vegetables, and dipping sauces.

Linda Khachadurian | Chipper Confections Sugar Art, Vietnamese dishes share common ingredients yet are @chipperconfections wonderfully diverse an account of the many di‹erent cooking Students will explore the various mediums with which techniques used in traditional Vietnamese cuisine. In this on one can craft edible art—sugar (isomalt), gum paste, we’ll make a caramelized meatball noodle salad bowl with fresh h chocolate, and potato starch paper. Studentsand will also sauce and Vietnamese curry with steamed jasmine ri dipping learn about and test out various techniques, such as casting and You can choose to make both dishes with chicken, pork, beef, or with sculpting, as well as various options for coloring edible art, which vegetarian substitute such as tofu. include edible luster dust, edible markers, colored cocoa butter, and COURSE CODE: VIET edible spray paint. Instructions regarding how to preserve and display Sec. 01: Saturday, 11am-1pm. Apr. 23 | $60 these pieces will also be provided.

C O U R S E C O D E : E DA R Sec. 01: Saturday, 1-4:30pm. Jun. 4 | $70

LAMINATED DOUGHS: CROISSANTS

INDIAN STREET FOOD: PURI AND CHAAT Pooja Bhatia | Chef, Entrepreneur, and Blogger, Varah Cook Club

Come learn how to recreate irresistible dishes fr Mumbai’s bustling food cart scene from the comfort Evelyn Schichner | Culinary Instructor of your own home. In this online interactive class, Come learn how to achieve perfect aky, buttery croissants we’ll make sweet tamarind chutney, cilantro chutney, pani puri wa with chef Evelyn Schichner. In this class we will make two and crunchy masala rice crispy mix. You’ll learn how to assemble bhe classic sweet croissants: almond and a decadent chocolate. puri, pani puri, sev puri and dahi papdi chaat. You are welcome to coo Evelyn will demonstrate proper techniques for rolling, shaping, and along in this online class or just watch and learn. The list of in baking laminated doughs. Understanding the fundamentalsneeded of including which puris and papdis to buy will be emailed to laminated dough will provide you with the skills and techniques to prior to the class along with the Zoom link. pursue other advanced pastry endeavors such as kouign amann, COURSE CODE: PURI danishes, and pu‹ pastry.

COURSE CODE: ICRC Sec. 01: Thursday, 6-9pm. May 5 | $85

ARCHITECTURE OF A SALAD

Sec. 01: Thursday, 6-8pm. May 19 | $65

CHINESE STEAMED BAO Jade Li | Cooking Instructor and Chef, @yucancook

Come see for yourself why steamed buns (Bao) are such a popular staple in Chinese cuisine. We will use tradition The most enjoyable salads have a few things in steamers to make plain, savory, and sweet Bao in a variety o common: contrasting texture, layered avors and shapes and sizes. We’ll make the yeasted dough from scratch and tu harmonious ingredients. This class presentsthem the into delicious sweet and savory steamed buns including t fundamentals to building a delicious salad using diverse, and healthy, and glass noodles bao, hanamaki spring onion and Sichuan pepper surprising ingredients. Recipes will include a kale salad, grilled bao, and red bean paste bao. You’ll learn di‹erent folding techniq cabbage salad, avocado egg salad, and goi ga, a Vietnamese salad. and how to steam them.

Sabrina Pashtan | Graduate of La Escuela de Cocina Luis Irizar

COURSE CODE: ARCS Sec. 01: Wednesday, 6-9pm. May 18 | $90

C O U R S E C O D E : B B AO Sec. 01: Saturday, 12-3:30pm. Jun. 18 | $100

THAI STREET FOOD

BARCELONA: DISCOVERING CATALONIAN FOOD

Ploy Khunisorn | Ploy’s Kitchen, ployskitchen.com

The sights, sounds, and avors of Thailand burst through its Luis de Haro | Spanish Cuisine Expert, Chef street food. Often called the street food capital of the world, Barcelona, the bustling metropolis nestled in the Span Bangkok’s signature cuisine o‹ers unique ingredients, cooking styles, and dish garnishes. Join Ploy, a native Thai, who will region of Catalonia, is known in culinary circles as the cap teach you how to make authentic recipes that Thai people cook in of the Mediterranean diet. Barcelona is famed for its awardwinning restaurants, yet Chef Luis will give us an intimat Thailand. In this fun interactive online class, we’ll make Thai spicy at the cuisine of a Barcelonian household in this class. We’ll be salad, chicken coconut soup ( Tom Kha Kai), chicken Pad Thai, and night with a Marcona almonds tapa and a glass of Catalonian cava buttery corn coconut for dessert.

Next, we’ll prepare pa amb tomaquet tomato and garlic bread, COURSE CODE: AROI butifarra amb mongetes (Catalan sausage with white beans), Sec. 01: Saturday, 11am-1:30pm. May 14 | $65 espinacas catalana (spinach with pine nuts and golden raisin) an Barcelona seafood fideuà. We’ll end the class by tasting - the quin sential Catalonian dessert, crema catalana.

COURSE CODE: BCEL Sec. 01: Friday, 6-9pm. Apr. 8 | $95

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SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

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SOUTHERN FRIED CHICKEN AND SIDE DISHES Shaun Charles | Culinary Instructor

Join us for an evening to celebrate the dish that h become synonymous with Southern comfort food: fried chicken. In addition to classic fried chicken, w make scallion buttermilk biscuits with honey butter, garlic ma potatoes, homemade gravy, lemon herb coleslaw, and a plum fruit cobbler. This is warm, hearty and comforting Southern fare at its greatest.

COURSE CODE: CHIC Sec. 01: Tuesday, 6-9pm. Jun. 7 | $95

ETHIOPIAN CUISINE Diane Manteca | Private Chef, Culinary Instructor

Ethiopia lies at the heart of the spice trade betw Portugal, India, and East Asia, lending the region a TAPAS AND PINTXOS deeply diverse spice profile. These spices were added to indigenous grains (such as te‹ and millet) and meat, which Luis de Haro | Spanish Cuisine Expert, Chef created the deliciously complex Ethiopian cuisine we know toda Pintxos, the hot new trend in Spanish tapas, are Chef Diane as she teaches you how to prepare an Ethiopian feast traditional bar snacks hailing from the Basque including the beloved Ethiopian bread, injera, as well as niter Country in Northern Spain. The name comes from the (spiced , doro wot (spicy chicken stew), and a classic African verb “to pierce” because they’re often served on small skewers onbutter) the curry.

Chef bar. Tapas are traditionally a single-food item whereas pintxos can be Diane will also give a bonus tutorial on how to create own berbere spice blend used in many Ethiopian dishes. a pile of di‹erent food items held together with a toothpick.

Colorful C Oeating URSE CODE: ETHI and elegant, these little bites pack a big avor punch. We’ll be 01: Wednesday, 6-9pm. Apr. 27 | $100 the seasonally inspired tapas and pintxos alongside Luis’Sec. authentic Sangria. Dish them up by the plateful at your next party and keep the beer, wine, and conversation owing!

C O U R S E C O D E : TA PX Sec. 01: Friday, 6-9pm. May 20 | $95

CULINARY EXPLORATIONS OF THE SEPHARDIC DIASPORA Sabrina Pashtan | Graduate of La Escuela de Cocina Luis Irizar

BEYOND BROWNIES: CANNABIS INFUSED FONDUE

Join us as we cook up some classic dishes from the Sephardic diaspora reaching from the Maghreb (Northern Africa) to the Levant ( Western Asia). We will learn how to make a classic hummus from scratch, a tomato and Melissa Smith | Cannabis Enthusiast, Attorney pepper base to cook both fish and egg dishes from North Africa The ultimate indulgence and the class you didn’t know you needed: cannabis infused fondue. This (chraime and shakshuka); a Yemenite hot sauce (schoug); and a yogurt atbread to scoop it all up with. class will teach you how to make traditional Swiss

C Orecreate U R S E C O D E : E XS D cheese fondue infused with a cannabis tincture that you can at home. We will dip fresh bread, tiny potatoes, cornichons, andSec. 01: Friday, 6-9pm. May 6 | $95 pickled onions in a cheese fondue of Gruyere, white wine, and cannabis-infused eau de vie. You must bring any amount of your own A TASTE OF FRANCE cannabis if you want to make your own infusions to take home. You Evelyn Schichner | Culinary Instructor must be 21+ to take this class. The class and venue are in compliance with MA cannabis laws; no cannabis may be bought or sold with the French cuisine needs no introduction. Simple, rich, and wit venue or on the property. Please note that the cannabis tinctures are an exquisite attention to detail, French cuisine has no d alcohol based. left its mark on almost every cuisine around the world. Co

CHEESE TASTING 101

join Chef Evely Schichner who will teach you how to prepare a delicious mixed vegetable tart baked with goat cheese, fish fille creamy shallots and white wine sauce, green risotto, and poached pear with chocolate ganache and roasted almonds. We’ll toast wi glass of French wine as we savor our dinner together.

Juliana Locke | Manager and Cheese Commander, Juliet Restaurant

COURSE CODE: FRNC

COURSE CODE: CFON Sec. 01: Saturday, 5-8pm. Apr. 23 | $95

01: Thursday, 6-9pm. Apr. 21 | $95 This class presents an overview of importantSec. factors in the cheesemaking process, popular styles, useful vocabulary, and why cheese is important. This class is great for beginners, but fun (and delicious) for everyone. The class will begin with a brief lecture followed by discussion and tasting.

COURSE CODE: CHEZ Sec. 01: Wednesday, 6-8pm. Apr. 20 | $75

YOU MAY ALSO BE INTERESTED IN FRENCH BOOK CLUB ON PAGE 22

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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HOT POT FEAST

HAND-PULLED NOODLES FROM SCRATCH

Jade Li | Cooking Instructor and Chef, @yucancook

Jade Li | Cooking Instructor and Chef, @yucancook

Come join us for an indulgent, avorful hot pot feast.

Across China, there are many ways to make noodles, Hot pot is a communal meal where diners sit around a but the distinct, toothsome chew from fresh simmering pot of soup at the center of the table with hand-pulled noodles cannot be beaten. Hand-pulled various raw ingredients sliced thinly such as meat, seafood, noodles, vegeta as the name suggests, are made with wheat dough that is bles, tofu, and starches. The raw ingredients are dipped intorolled the and stretched by hand into long strips and then cooked simmering liquid and then avored with individual dipping sauces. immediately You after pulling. Chef Jade will guide you through all of t will learn how to prepare a perfectly balanced soup base andessential dipping tips and techniques to create these comforting and sauces while learning all about this Chinese feast steeped craveable in tradition. noodles at home. We’ll load the noodles with avor by turning them into a savory Chinese beef stew and spicy vegetaria C O U R S E C O D E : H OT P Dan Dan noodles.

Sec. 01: Saturday, 12-3pm. Apr. 16 | $95

INDO-CHINESE COOKING: A HISTORIC FUSION OF TWO CULTURES Karishma Pradhan | Cooking Instructor, Chef, @homecookingcollective

COURSE CODE: NODL Sec. 01: Saturday, 12-3pm. May 21 | $95

INTRODUCTION TO SOUTH AFRICAN CUISINE Michael McComas | Gastronomic Adventurer

South Africa lies at the crossroads of the Atlanti Indo- Chinese food is a popular fusion of two cultures Indian Oceans, and the cuisine of the Cape reects pioneered by Chinese immigrants in Kolkata, India. traditions of the African, Indian, Malaysian, Dutch, an Through its rich past, Indo- Chinese cooking has Englishin populations that live there. In this class, we will make evolved into a distinctive cuisine in its own right. Join Karishma denningvleis, a Cape Malay lamb stew, served over geelrys, an exploring the history of this cuisine as we cook some of the most inuenced yellow rice, and a side of boereboontjies, or “farm loved Indo- Chinese dishes. We’ll make hot and sour soup, chiliIndianpaneer beans”.

For dessert, we will make malva pudding, a sweetened cake. deep( fried cubes of paneer coated in a spicy chili-soy- garlic sauce) , and hakka noodles (wok-style noodles with vegetables).

COURSE CODE: INCH Sec. 01: Saturday, 6-9pm. May 14 | $95

MEDITERRANEAN MEZE

C O U R S E C O D E : S OA F Sec. 01: Saturday, 5-8pm. Jun. 11 | $95

THE SOUFFLÉ: SAVORY AND SWEET Evelyn Schichner | Culinary Instructor

Sabrina Pashtan | Graduate of La Escuela de Cocina Luis Irizar

The sou†é has a reputation for being an intimidating dish reserved for only the mos Join us as we embrace the spring bounty of herbs talented culinary experts. Join Chef Evelyn and greens to create classic Meze from Greece and as she dispels these misconceptions and teaches you all the ti Turkey. We will learn how to make hortopita (a classic tricks to transform the humble egg into a show-stopping sou†e. We’ Greek pie with filo dough and greens), mercimek koftesi ( Turkish red be making both savory and sweet versions of the sou†e: broccoli an lentil balls), and two classic Greek dips, tzatziki and tirokafteri. cheddar and chocolate with grand marnier.

COURSE CODE: MEZE Sec. 01: Thursday, 6-9pm. Jun. 2 | $95

COURSE CODE: SOUF Sec. 01: Thursday, 6-9pm. May 26 | $85

MOMO: HIMALAYAN DUMPLINGS OF NEPAL Jenny Shrestha | Home Chef, Recipe Curator, @jenchaskitchen Momo,Nepalesedumplings,areoneofthe mostpopulardishesinNepal.JoinJenny Shrestha,ourNepalesechef,inthisonline classandlearnhowtomakeclassicMomo.You’lllearnhowtomakethe dumplingdough,sauce,andfilling(meat,vegetarianandveganoptions) allfromscratch.Jennywillalsodemonstratehowtofoldandshapethe Momo.Whilethedumplingssteam,we’lltalkaboutthecultureand historyofthispopularNepalesedumpling.Youarewelcometocook alonginthisonlineclassorjustwatchandlearn.Thelistofingredients neededwillbesentpriortotheclassalongwiththeZoomlink.

COURSE CODE: MOMO Sec. 01: Sunday, 4-6pm. May 15 | $60

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SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

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CHEESE, GENDER, MAGIC CCAE’scookingclasseso‹ermorethanjust technique.Checkoutourinterdisciplinary Juliana Locke | Manager and Cheese Commander, Juliet Restaurant classeswhichexplorehowfoodshapeshistory, This class presents a focused look at how issues of gender and gender-inected magical thinking culture,andsociety.

come into play in the history and production of cheese, from medieval to modern times. We’ll discuss how EXPLORING THE LIFE AND MUSIC OF cheesemaking led to accusations of witchcraft due to the “magic process of fermentation involved therein, as well as how mystica ARAM KHACHATURIAN THROUGH FOOD thought was used to make sense of alchemical processes in Linda Khachadurian | Chipper Confections Sugar Art, cheesemaking which we’ve only recently begun to understand. @chipperconfections Some general knowledge of cheese is recommended, but not Late 19th to mid 20th century classical composer, required. Lecture followed by discussion and tasting.

Aram Khachaturian, is one of the most renowned COURSE CODE: CHGM Armenian artists. In this class, we will learn about Sec. 01: Wednesday, 6-8pm. Jun. 1 | $75 his life and music, from his humble beginnings in Tbilisi, Georgia, to his meteoric rise as one of the most acclaimed composers in the former Soviet Union. As we explore his iconic compositions and HISTORY IN THE KITCHEN: QUICK BREADS career highlights, we will cook up various Armenian fusion dishes Chemical leavening agents, baking powder and he may have had during these periods, culminating with a baking soda, are taken for granted today, but their rum-infused banana bahklava, to represent his time spent with invention marked a liberatory turning point for fo Ernest Hemingway in Cuba during the 1960s. production and women’s domestic labor in the late 19th century.

COURSE CODE: ARKH Baking became quicker, more e–cient, and predictable. While there Sec. 01: Friday, 6-9pm. Apr. 22 | $65 has been a return to naturally leavened products in recent yea and a demonization of “chemicals,” these indispensable baking agents have a fascinating yet overlooked history. In this class, w FOOD WRITING WORKSHOP focus on these two underappreciated leavening agents by making Michael Floreak | Food Writer—Edible Boston, Boston Globe lemony squash quickbread, a banana miso buckwheat quick bread Great food writing has the power to feed our using locally sourced buckwheat, and an irish soda bread. While ou senses, minds, and souls. Writing about food treats are baking, Courcelle will give a short lecture on the h of baking soda and baking powder, specifically relating to the begins with a passion for eating or cooking, but it history of women’s liberation from the finicky nature of yeast. also takes skill and practice. In this 7 week course, you will have the opportunity to build skills as you try your hand at several C Ogenres U R S E C Oof DE: QBLL food writing — reviews, personal essays/memoir, interviews,Sec. 01: Saturday, 11am-2pm. Jun. 11 | $85 recipes, and food travel, among them. You will also explore food photography and social media, and learn about writing pitches to HISTORY OF BEER IN AMERICA: editors. Whether your goal is to become the next Smitten Kitchen or Anthony Bourdain, or simply to improve your social mediaTALK game, & TASTING you will get a chance to sample food writing genres, maybe Kris Butler | Exam-Certified Beer Judge discover new loves, and hone your writing skills.

Beer has been part of American culture since the COURSE CODE: FWRI pilgrims first diverted the Mayower because they Sec. 01: 7 Mondays, 6-7:30pm. Begins Apr. 25 | $200 ran out of it. We will survey the evolution of the No class May 30 or June 6. beverage in the US, including the major characters, the laws, the available ingredients and processes, how it was purchased and consumed and by whom. We’ll explore the hop farms of Madison County, NY, the German-language- only brewer’s meetings in Boston, the era of beer barons, the first widely- distributed styl invented in America, the start of a complicated distribution s Prohibition, temperance maps and much more—all while tasting revived historic examples.

COURSE CODE: HBAM Sec. 01: Wednesday, 7-9pm. Apr. 13 | $55

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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SECRETS OF SPICE Jenny Shrestha | Home Chef, Recipe Curator, @jenchaskitchen Comeexplorethealluringworldofspicewith Nepalesechef,JennyShrestha.Jennywill discusshowtoelevatedishesthroughthe perfectbalanceofspiceandtheculturalandfamilialsignificanceof thesesmallbutmightypowerhousesofavor.Theclasswillhighlight manydi‹erenttypesofspices,includingavarietyofpeppers,di‹erent typesofsalt,mangopowder,nigellaseeds,andmore.You’lllearnabout theiruniqueavorprofiles,howtoincorporatethemintofoodand drinks,andevenhowtomaketurmericpowderfromfreshturmeric.

COURSE CODE: SPIC Sec. 01: Saturday, 3-4:30pm. Apr. 23 | $50

SAVORY SPRINGTIME SOUPS Dagmar Smith | Chef, Graduate of Cambridge School of Culinary Art Springtime soups are lighter and fresher than their winter cousins. In this class we will learn how to make a rich and avorful vegetable stock and use lots of fresh herbs and early spring vegetables to make green pea and mint, creamy asparagus, lemony chicken and orzo, veggie and tofu miso, and silky fennel and leek soup. We’ll also bake a quick focaccia to accompany our meal.

These are recipes you will turn to again and again.

C O U R S E C O D E : SV S P Sec. 01: Thursday, 6-9pm. May 12 | $95

TURKISH KITCHEN Didem Hosgel | Chef and Owner, tastefulsini.com

DINNER IN CHINATOWN

Turkish cuisine is full of texture, avors, and aroma. Join Chef Elliot Savitzky | Culinary Instructor, Chinatown Expert Didem, our native Turkish chef, who will be teaching you how to make homemade staple meals with her intuitive knowledge Let’sspendtheafternoongettingtoknowthebestofBost of Turkish cuisines and her cooking experience working with Chef Ana Chinatown.Wewillvisitmanydi‹erentlocationsandretai Sortun at Sofra and Oleana restaurant. We’ll make fish on bread with establishmentsduringthetoursuchasdimsum,BBQ,Pho,hot rhubarb spoon salad, green couscous salad with lemon vinaigrette, pot,noodleshops,aswellasrestaurantsofvariouscuisines.Wewi and zucchini and feta borek. alsostopbybakeries,bubbleteashops,herbalmedicineshops,live

poultrymarkets,grocerystoresandaginsengcoop.Duringthelast stop,we’llenjoyadeliciousdimsumtogether.We’lltalkaboutth andhowtoorder,soyoucancomebackandenjoyChinatownonyour own.Pleaseseethesectiondescriptionforthemeetingpoint.Tuit COOKING FROM TUSCANY includesthecostofdinner,taxes,andtip.Theinstructorwillsen welcomeinformationpackageviaemailonedaypriortotheclass.

Diane Manteca | Private Chef, Culinary Instructor areaskedtofollowMassachusettsStateGuidelinesr Join Chef Diane to replicate famous dishes fromStudents the social iconic city of Florence and the rural, rolling hills of distancingandtowearamaskthroughouttheclass.

COURSE CODE: TKHC Sec. 01: Thursday, 6-9pm. Apr. 14 | $100

COURSE CODE: CHTN Tuscany. We’ll make a classic Fennel, Radicchio and Sec. 01: Sunday, 4:30-8:30pm. Jun. 5 | $85 Fava Beans Salad, Montalcino Chicken with Figs and Chestnuts, Semolina Baked Gnocchi, and Piselli alla Montaputi (peas and pancetta). We’ll finish out the night with a Tuscan tradition: Cantucci VEGETARIAN PROTEIN Biscotti from Siena dipped in Vin Santo.

Diane Manteca | Private Chef, Culinary Instructor COURSE CODE: TUSC

Lookingtoaddmorequick,satisfying vegetarianstaplestoyourmealrotation?J ChefDianetolearnthesecretsofmaking deliciousgrainandlegumebasedmealsthatwilllastyouthroug theweek.Onthemenu:ItalianFarroRisottowithCharredTomatoe Want to arrange a private cooking CoconutCurriedRedLentilStew,WildMushroomRagoutwithTe‹ Polenta,NorthAfricanMillet,andChickpeaandVegetableStew. class? Visit ccae.org/about/rentals

Sec. 01: Wednesday, 6-9pm. Jun. 15 | $95

Private Cooking Classes

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oremailinfo@ccae.org.

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

COURSE CODE: VEPR Sec. 01: Wednesday, 6-9pm. May 11 | $90

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FERMENTATION WORKSHOP: MISO, AMAZAKE, AND SHIO KOJI

ine

WINETASTING: A BEGINNER’S SAMPLER John Fiola | Diploma WSET, Certified Wine Educator

Uncertain as to the di‹erence between Chardonnay and Chenin Blanc, Chianti and Cabernet, Burgundy and Baross Fermentedfoodsarerichinprobiotic Join us to learn how to distinguish between wine styles, gr bacteriaandenzymesthathelpmaintain varieties, and regions. We’ll discuss how to buy wine at all price p intestinalora,improvethedigestivesystem, how to taste wine to get the most out of every glass, what makes a andenhancetheimmunesystem.Somearealsorichinprebiotics New World wine di‹erent from the same type of wine produced in thankstoamoldknownaskoji.JoinNorah,ourfermentationexpert, France or Italy, and the best food pairings for di‹erent wine style whowillguideyouthroughtheprocessofmakingthreeshort-termkoji C OURSE CODE: WSAM ferments:shiokoji,miso,andamazake.Norahwillexplainaboutthe Sec. 2 Fridays, 7-9pm. Apr. 22 & Apr. 29 | $155 scienceandhistoryofkojiandtheirdi‹erentapplications.

You01: are welcometopickoneortwooralltomakealongorjustwatchand learn.Thelistofingredientsneededwillbeemailedtoyoupriortothe DELICIOUS AND DIVINE: classalongwiththeZoomlink.

Norah Ylang | Fermentationist, Educator, @fermentsbynorah

C O U R S E C O D E : V F SY Sec. 01: Saturday, 3-5pm. Apr. 23 | $60

CHOCOLATE AND WINE PAIRING

Victoria Kichuk | Professional Chocophile, cocoabeantown.com

What do Casanova, Montezuma, and Mozart all have in common? A love of chocolate! And what goes best with chocolate? Wine! Join us for this extravaganza exploring the Joe Capatosto | Sales & Account Manager, Counter Culture Coffee history of romance and chocolate and why this decadent treat ma Making the perfect cup of co‹ee is no accident. Join your heart utter and your spirits y. Learn how to match your favori Joe Capatosto, an authorized Specialty Co‹ee chocolates with the correct varietals and sample some delici Association Instructor in Brewing Science and and Barista chocolate pairings from around the world.

Skills, from Counter Culture Co‹ee as they lead an immersive home CO URSE CODE: DIVN brewing class. You’ll learn about what factors most a‹ect the Sec.brewing 01: Friday, 7-8:30pm. Apr. 15 | $70 process, why they matter, and will then apply this knowledge with hands- on practice across multiple brewing methods. Attendees will CHARDONNAY IS NOT A BAD GRAPE leave with helpful tips on how to thoughtfully taste and store co‹ee, tried-and-true brewing recipes, and solid advice for troubleshooting Marie-Louise Friedland | Sommelier while brewing at home. In addition to class instruction you’ll receive a The Chardonnay grape has a love for being oaked, 12oz. bag of a Limited Release Counter Culture Co‹ee. but that does not mean that all Chardonnay becom COURSE CODE: COFF a abby, buttery mess. Chablis has a penchant for Sec. 01: Saturday, 10am-12pm. May 14 | $65 delivering some of the best and tartest styles of Chardonnay a there are producers that integrate oak thoughtfully and e–ci produce the most memorable bottles of wine. In this class, we will about just how fabulous Chardonnay can be, which regions to turn you don’t like them heavily oaked, and regions that make lean and Chardonnay. Let’s give Chardonnay the love it deserves!

HOME BREW COFFEE WORKSHOP

WINE, BEER & SPIRITS

NON-ALCOHOLIC CANNABIS LIBATIONS Melissa Smith | Cannabis Enthusiast, Attorney

COURSE CODE: CHRD Sec. 01: Saturday, 7-9pm. Apr. 9 | $99

Come discover a di‹erent way to unwind on Saturday nights and learn about the benefits of cannabis INTRODUCTION TO FRENCH RED WINE infused beverages in a safe, educational, hands-John on Fiola | Diploma WSET, Certified Wine Educator environment. You’ll learn techniques for making cannabis tinctures which we’ll use to mix creative beverages. If you choose to make your Even to the most accomplished wine consumer, French wine own infusions to take home you must bring your own cannabis. Small can be mysterious and daunting in its complexity. We also tend to think of French wine as being highly sophisticated vials will be provided to take the tinctures made in class home. You therefore very expensive. Join sommelier, John Fiola, as he breaks must be 21+ to take this class. The class and venue are in compliance down the critical role French grapes and wine making techniques with MA cannabis laws; no cannabis may be bought or sold with the played around the world and how to choose an outstanding, venue or on the property. a‹ordable French red. We will explore several regions of wine from COURSE CODE: CANB Burgundy and Bordeaux to the Loire, Rhone Valleys and beyond while Sec. 01: Saturday, 5-8pm. Apr. 30 | $65 discussing the grape varietals, climates of these regions, and Fr winemaking techniques that have shaped the entire wine indus

MIXING WITH WINE

Dagmar Smith | Chef, Graduate of Cambridge School of Culinary Art

C O U R S E C O D E : F WA A Sec. 01: Friday, 7-9pm. May 13 | $99

You don’t need high-proof and expensive spirits to mix up show-stopping cocktails. In this class we’ll make delicious wine cocktails using sparkling and still wines, as well as fruits, juices and other spirits. The cocktails will include a classic sparkling T H E C O S T O F T U I T I O N C OV E R S wine cocktail, a wine Mojito, a strawberry Frosé, and more.

A L L F O O D A N D B E V E R AG E S F E E S C O U R S E C O D E : H WC K Sec. 01: Friday, 7-8:30pm. Jun. 3 | $90

FOR IN-PERSON CLASSES.

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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SPARKLING WINE John Fiola | Diploma WSET, Certified Wine Educator

The world of Champagne and sparkling wine is undoubtedly daunting and intimidating. We think of this category of wine as one to reserve for special occasions, yet this elegant and delicious wine deserves a regular spot on your table, celebration or not. Join sommelier, John Fiola, and learn about this timeless and classy style of wine. John will demystify the world of sparkling wines and explore how they are made, the di‹erent regions and styles where they are produced, and how to taste them.

C O U R S E C O D E : S PA R Sec. 01: Friday, 7-9pm. May 27 | $99

FERMENTING DIVERSITY WITH WINE Marie-Louise Friedland | Sommelier It’s time to get the consumer power into the hands of folks that deserve it. How can we, as consumers, support diversity in the wine industry? This class will cover how to shop, drink, and scope out wines that are committed to equitable representation and progressive farming practices. Many of the winemakers highlighted in this class use natural fermentation winemaking techniques, making this class a great way to learn more about this momentous and popular viticultural method.

COURSE CODE: FERD Sec. 01: Saturday, 7-9pm. May 7 | $99

CONSUMER CONUNDRUMS IN THE BEER AISLE Kris Butler | Exam-Certified Beer Judge

COCKTAILS OF BOSTON

Brian Hoefling | Author of The Cocktail Seminars, Founder of the Do you wonder if the beer you’re buying is made by a Herzog Cocktail School giant brewery posing as an independent? Do you The cocktail was first defined in print in 1806, and care about whether your beer dollar is supporting a Boston has been at the forefront of the mixed drink sustainable business, a climate/carbon sensitive brewery, a company movement ever since. You’ll learn the histories of that encourages and supports the careers of people underrepresent significant recipes originating in or otherwise tied to th ed in the industry? If so, this class will cover how to be a moredozen careful and there will be hands- on demonstrations of the Ward Eight and t consumer while still getting the most amazing beer in your belly!

We Periodista, two drinks which are respectively emblematic of the will taste several examples while we learn. old and new cocktail cultures. We’ll also discuss the broader cu COURSE CODE: CCBR context, and the contributions of Boston and Bostonians to t Sec. 01: Sunday, 3-5pm. Jun. 5 | $90 drinking arts, from the hospital magnate who invented the hous cocktail list to the “Ice King” who brought chilled drinks to the Come prepared to hear popular legends addressed—some - support CRAFT COCKTAILS 101 ed, some dispensed with—and to get definitive answers about the Drexel Axeloons | Bartender & Cocktail Educator cocktails, books, and barware that can really call Boston home.

In this hands- on craft cocktails crash course we C Owill URSE CODE: CBOS learn how to build, stir, and shake up craft cocktails Sec. 01: Saturday, 7-9pm. Apr. 16 | $99 using straightforward techniques. We’ll be making cocktails with tequila, vodka, and american whiskey that you can tailor to suit your prefered palate. You’ll come away from the class confident ASIAN WHISKY TASTING in mixing up some cocktails at home and how to appropriately stock Paulo Pereira | Business Development Manager, Hotaling & Co. your bar at home.

Japanese whisky is the most well-known and beloved Asian whisky.

C O U R S E C O D E : M I XO Other Asian countries, such as Taiwan, are also producing Sec. 01: Friday, 7-9pm. May 13 | $99 lesser known yet exceptional, award-winning spirits. This class centers around the history of whisky production in and how its unique climate and distillations processes produ TIKI COCKTAILS of the finest whisky in the world. You will taste and compare sever Drexel Axeloons | Bartender & Cocktail Educator whiskys from premier producers such as Nikka and Kavalan and come Let’stalkTiki—thepolynesianthemedcocktail away with a greater appreciation for this truly fascinating spir movementwithover-the-topgarnishes,amboyantC O U R S E C O D E : J B R N glassware,andacomplicatedhistory.Thisclasswill Sec. 01: Friday, 7-9pm. May 6 | $110 teachyouaboutthemust-haveingredientsforyourtikibarathomeand howtomixupthesetropicaltreatswhilehashingoutthemessyhistory ofcolonialism&rumandhowitallgotmixedupintoatikidrinkculture.

COURSE CODE: TIKI Sec. 01: Friday, 7-9pm. Jun. 10 | $99 10

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

YOU MAY ALSO BE INTERESTED IN BOSTON BY CENTURY: HOW HISTORIC PLACES TELL THE TALE ON PAGE 29

Business & Technology

“Coveredsubjectswerevery wellorganizedandexplained clearly.Founditveryusefuland enlightening.”

—CANAN U., ESTATE PLANNING

MEDICARE 101

OPTIMIZING SOCIAL SECURITY

Elaine Miller | Regional SHINE Program Director, Minuteman Senior

Sophie Kulas | Financial Professional

Are you eligible for Medicare? Do you know the costs-of Medi What do you know about Social Security? This class care and the types of services it covers? Do you know when addresses important questions such as: When to enroll to prevent permanent premium increase penalties? should you claim? What if you are self- employed? Is We will cover these topics as they apply to Medicare Part A (hospital Social Security going bankrupt? When should your spouse claim? Can coverage), Part B (medical coverage), Part C (Medicare Advantage)your , children get benefits? Can you get benefits from your ex? What and Part D (drug coverage). We’ll discuss how having employer- spon about dependents with disabilities? How will your pension impa sored insurance coverage after retirement impacts your Medicare you? Come learn about all of these and more from Social Security choices and whether you should consider enrolling in a Medigap Analyst, Sophie Kulas. Students will receive a complimentary Soci supplemental insurance plan.

Security analysis to optimize their benefits.

COURSE CODE: ABCD Sec. 01: Thursday, 6-8pm. Apr. 28 | $60

COURSE CODE: OPSS Sec. 01: Tuesday, 6-7pm. Jun. 14 | $50

ccae.org/classes/business-technology

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Business & T

echnology

INTRODUCTION TO EXCEL: PART 1

OVERVIEW OF INVESTMENT CONCEPTS

Karen Carone | Manager of Data and Analytics

Rod Laurenz | Financial Advisor, laurenzfinancial.com

This is an intensive introduction to Excel for people who want Don’t know the di‹erence between a stock and a bond? to be able to use this spreadsheet program e‹ectively in Confused about mutual funds and your 401k? We’ll clarify the home or o–ce procedures. You will learn to enter and edit basic information you need to know about investing, how to data, use basic calculations, apply formatting, and design and ensure use you’re properly diversified, and why all your money shouldn’ simple spreadsheets. Participants can expect to take awaybe with in your them bank account. You’ll learn the most important concept spreadsheets that they have designed that may be put to work need to make investment decisions and how to avoid common pitfa immediately in their o–ce or home. Students need to know howCto OURSE CODE: OOIC download files from your email. If not, please take basic windowSec. skills 01: 2 Thursdays, 6-7:30pm. May 12 & May 19 | $75 before this class. Please have your Mac or PC with Excel 20 7 or newer installed.

COURSE CODE: EXPC Sec. 01: 3 Wednesdays, 6-7:30pm. Begins Jun. 1 | $145

ESSENTIAL TOOLS FOR FINDING, BUYING, AND KEEPING A HOME

COMPUTER SECURITY FOR HOME AND SMALL BUSINESS USERS Vadim Droznin | CEO Q.E.D. Systems, Inc.

This class is intended to educate students about the l IoT (Internet of Things) security practices. It starts with a basic introduction about past and current computer an Ken Sazama | Realtor, Sazama Real Estate network threats. You will learn how to defend and protect your h Whether it’s a condo or a single-family house, learn to be and an business computers, networks, mobile devices, and other IoT informed buyer and knowledgeably hire trade professionals against cyber threats. We will discuss protection against Virus to maintain or improve the property. We’ll discuss how Malware, to Ransomware, SPAM, and others. Students will learn how to critically examine and compare properties, review essential create questions complex passwords and protect their personal Wi-Fi and to ask the seller/agent, and outline the purchasing timeline important and action data. items. You’ll learn about the home inspection process, how to C Ochoose URSE CODE: CSEC a building contractor, and the importance of clear contracts Sec.when 01: Wednesday, 6-8pm. May 4 | $60 engaging their services for your new home.

COURSE CODE: FBKH Sec. 01: 2 Wednesdays, 6:30-8pm. Apr. 20 & Apr. 27 | $75

SPENDING, SAVING, AND BUDGETING: DEVELOPING HEALTHY MONEY HABITS

FINANCIAL PLANNING WORKSHOP

Jimmy Becker | MBA, Yale School of Management

This class is for anyone who wants to learn to save more, spend less, and improve your financial decision-making skil Money is rarely taught at home or in schools. Some people You will learn how to develop healthy and sustainable can work hard to make money for an entire career but still spending and saving strategies, create and sustain a budget, sa retire broke. Maybe we do not have much money because we retirement, mix love and money, determine how much insurance you do not know much about it. This workshop will help you manage your need, and how financial institutions operate. personal finance. We’ll cover various topics including cash ow, debt C OURSE CODE: SSAB management, financial strategies, contingency plans, and retirement Sec. 01: Saturday, 2-4pm. Apr. 23 | $60 plans.

Sophie Kulas | Financial Professional

COURSE CODE: FNNC Sec. 01: 6 Tuesdays, 6-7:30pm. Begins May 3 | $120

FINANCIAL PLANNING DURING RETIREMENT Jimmy Becker | MBA, Yale School of Management

RETIRING WELL IN A LOW RATE ENVIRONMENT Rod Laurenz | Financial Advisor, laurenzfinancial.com

This class will discuss strategies, investments, and pro This class is for anyone already retired or planning to do soto in help you achieve your retirement goals at a time when traditional advice may leave you short. Whether you’re the next few years. You will learn about investment strategy preparing for retirement or already living o‹ of your savings, you’l and determining how much risk to take, which assets to draw ideas that are helpful to novices and experienced investors a down first, the importance of minimizing fees, Social Security claiming Topics include asset allocation, alternative investments, t strategies, the role of annuities, a safe level of spending, reverse mortgages, Medicare surcharges, and whether long-term care and how to implement your plans and avoid common mistakes. insurance makes sense.

COURSE CODE: REWE

COURSE CODE: FPRE Sec. 01: Saturday, 11am-1pm. Apr. 23 | $60

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SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

Sec. 01: Tuesday, 6-7:30pm. Apr. 19 | $65

Business & T

echnology

BASIC WINDOWS SKILLS Marjorie Wein | Wize Guides

You may feel comfortable writing a quick email or searching for a great restaurant but still be mystified by the many ot things your computer can do. This class will provide a firm foundation for people new to computers including learning how t manage files and folders, mastering the basics to keep your comput secure and healthy, working with email attachments, and knowin what to do when your kids won’t help you anymore. Students must us their own laptops.

COURSE CODE: WNDO Sec. 01: 2 Thursdays, 3:30-5:30pm. Apr. 21 & Apr. 28 | $99

TRADING EQUITY OPTIONS Craig Forman | MBA, Professional Trader

Trading in equity options has exploded in recent years due low commissions, excellent free trading tools, and the emergence of weekly options. We’ll explain how options work, SMALL BUSINESS ESSENTIALS: how to trade them, and how to use them to control risk and enhan returns. You will learn strategies for naked options, option sp 20 THINGS YOU NEED TO KNOW and stock/option combinations. We will also explore risk manageme Joe Carreiro | Small Business Consultant volatility, and adjustments. For beginning and seasoned invest want You know you have a great product; how do you turn it into a to add options to their trading toolset. successful business? Success in small business is about C O U Rthe S E C O D E : T R WO small and large decisions you make. Choosing the type of Sec. 01: 4 Wednesdays, 6-8pm. Begins May 4 | $150 entity you should be, opening bank accounts, keeping track of income and expenses, employees, payroll, and taxes: we’ll make sense of it all.

Join us to learn the ins and outs of starting a business and, if you have already started, how to get yourself on the right track.

C O U R S E C O D E : S B QA Sec. 01: 2 Wednesdays, 6-8pm. May 11 & May 18 | $85

INTRODUCTION TO SKETCHUP Steven Santosuosso | Interior Designer

Discounted Parking for CCAE Students

We offer discounted parking SketchUp is a free 3D digital modeling program used by architects, interior designers, product designers, and with validation at the sculptural artists. 3D rendering can be used for interior Charles Hotel Garage and design, product visualization, and even 3D printing. We will learn the University Place Garage. fundamental concepts and techniques, including modeling, inferenc ing, and styling, to create 3D models of both real life objects and the Charles Square Garage construction of a 3D birdhouse.

COURSE CODE: SKUP Sec. 01: 2 Saturdays, 1-5pm. Begins May 7 | $120

HOW TO USE YOUR APPLE DEVICE Marjorie Wein | Wize Guides

Before 3 : 0 pm: First two hours discounted $ 1 per hour.

3 : 0 pm- 1 am, Monday through Friday: Purchase a $ 6 sticker at the CCAE Registration Desk. You will affix it your parking ticket in lieu of further payment.

University Place Garage

You have an iPhone or iPad, now use it to its full potential.

Before 4 pm, Monday through Friday: Learn how to set up WiFi networks, install and organize apps, < 1 hr = $ 5 set up email, and take, edit, and send photos. You’ll learn some of the hidden features that will make using your Apple device 1 - 5 hrs = $ 1 0 more pleasant and productive. Please have your iPhone 6 or newer You must exit by 2 am. and/or iPad Air or newer ready to use.

COURSE CODE: SMRT Sec. 01: 3 Thursdays, 3:30-5:30pm. Begins Jun. 2 | $135

Free parking in Harvard Square on Sundays!

YOU MAY ALSO BE INTERESTED IN SMARTPHONE VIDEO STORYTELLING WORKSHOP ON PAGE 41 REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

13

English as a Second Language

“MyteacherAndrea[Aptecker] isamazing!Shehasmanyideas forimprovingourEnglishskills.

Shealwaysprovidesfuntopics andexercisestoimproveour pronunciationandfrequency.”

—YUKO M., ESL INTERMEDIATE/ADVANCED: INSIDE & OUTSIDE: ENGLISH FLUENCY PRACTICE

CCAEo‹ersin-personandonlineclassesatbeginner,intermediate,andadvancedlevelstaughtbyhighly-trainedandexperiencedins Communicative,learner-orientedteachingmethodsandthemulticulturalatmospherefacilitatesnotonlylanguagelearning,bu fromallovertheworld.Ouronlineclassescanbejoinedfromeverywhere,allowingustowelcomebackstudentswholefttheBostonar di‹erenttimezones.WeusetheCommonEuropeanFrameworkofReferenceCEFR) ( toassessstudentsandestablishlearninggoals.Tofindthe attendourfreeonlinepersonalassessmentdays(p.15)orcontactFrancescaFerrarisatlanguages@ccae.org.Pleaseseep.19forleveldescri visitccae.org/classes/eslforourmostup-to-datelanguageclasses.

ENGLISH INTEGRATED SKILLS CLASSES Our integrated skills classes help students improve reading, writing, ESL INTERMEDIATE LEVEL listening, and speaking skills. At every level, students learn to interact John O’Donnell | ESL Instructor in increasingly complex ways, from everyday to professional English.

These classes require the purchase of a textbook.

ESL BEGINNER LEVELS 1 & 2 Sandy Middleton | ESL Instructor COURSE CODE: EBEG Sec. 01: 8 Weeks, Tuesdays & Thursdays, 11am-12:30pm.

Begins Apr. 12 | $290

COURSE CODE: ENI1 Sec. 01: 8 Weeks, Tuesdays & Thursdays, 11am-12:30pm. Begins Apr. 12 | $290 Sec. 2: 8 Weeks, Tuesdays & Thursdays, 7-8:30pm. Begins Apr. 12 | $290

ESL HIGH INTERMEDIATE/ADVANCED Liz Ging | ESL Instructor COURSE CODE: ENHA Sec. 01: 8 Weeks, Tuesdays & Thursdays, 9:30am-11am. Begins Apr. 12 | $290

ESL BEGINNER LEVELS 3 & 4 John O'Donnell, Rosa Lopez | ESL Instructors COURSE CODE: ENBE Sec. 01: 8 Weeks, Mondays & Wednesdays, 7-8:30pm. Begins Apr. 11 | $290 | Jon O'Donnell No class Apr. 18 & May 30 Sec. 02: 9 Saturdays, 10am-12pm. Begins Apr. 16 | $220 | Rosa Lopez No class May 28

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ENGLISH SPECIFIC SKILLS CLASSES BEGINNER – CEFR A2

CONVERSATION Katy Doughty, Sandy Middleton | ESL Instructors

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Free Personal Online Assessment Days Needhelpwithfindingtherightclassforyou?

RegisterforoneofourfreeonlineassessmentsonZoom.

Thursday,Marchpm 8-6 ,13 Tuesday,Aprilam 1 -9 ,5

Contact Francesca Ferraris at languages@ccae.org o 6 1 7 - 5 4 7 - 6 7 8 9 ext. 1 2 for any questions.

Gain confidence and develop your English speaking skills in this conversation class for high beginning and low intermedi ate level students. Reinforce your basic knowledge ofINSIDE English, & OUTSIDE: develop uency with the past tenses, acquire new vocabulary,ENGLISH and FLUENCY PRACTICE practice correct pronunciation. This class will provide a friendly, safe Andrea Aptecker | Actor, Public Speaking Expert, Playwright classroom environment where you can practice with lively activities Join Andrea every week in this intermediate level how to speak comfortably and confidently in everyday English.

English class for weekly vocabulary, speaking, COURSE CODE: ENCB listening, and pronunciation practice. On Mondays we Sec. 01: 8 Weeks, Tuesdays & Thursdays, 9:15am-10:45am. Begins will meet on Zoom for lessons, discussions, and general English Apr. 12 | $290 | Sandy Middleton practice. On Wednesdays, we will meet OUTSIDE the center at 42 Sec. 02: 8 Saturdays, 10am-12pm. Begins Apr. 16 | $195 | Katy Doughty Brattle Street in Cambridge to take walks through Cambridge, v No class May 28 some of the hidden gems and tourist attractions, and practice o conversation and vocabulary skills.

VOCABULARY TRAINING

COURSE CODE: ENIO Sec. 01: 8 Weeks, Mondays & Wednesdays, 11:15am-12:45pm.

Begins Apr. 11 | $290 In this class for high beginner or low intermediate students, No class Apr. 18 & May 30 we will work on acquiring, memorizing and using new Meeting point for Wednesdays: CCAE Courtyard at 42 Brattle Street.

Liz Ging | ESL Instructor

vocabulary. Fun activities will introduce and reinforce the new vocabulary across a broad spectrum of topics, such as everyday routines, work situations, current events, etc. StudentsESL will have a lot BOOK CLUB of opportunities to increase their vocabulary by practicing with Joanne Nicklas | ESL Instructor reading, writing exercises, conversations, and small presentations.

The tradition of book clubs in the US dates back to COURSE CODE: EVBE the early 19th century in New England, and there are Sec. 01: 8 Weeks, Tuesdays & Thursdays, 5:30-7pm. Begins Apr. 12 | $290 more than 5 million book club members in the US today. CCAE is happy to introduce English students to this tradi meeting regularly to read and discuss a book, its themes, charact INTERMEDIATE – CEFR B1 and related subjects. This term we'llThe be reading Round House by Louise Erdrich, a native American novelist returning, as in so man her previous books, to the North Dakota reservation of her Ojib people. A savage attack on a native woman has her son, years after CONVERSATION and well into his adulthood, still dealing with the repercuss Katy Doughty, Sandy Middleton | ESL Instructors wondering if true justice can ever exist.

This class is for intermediate-level students who want to COURSE CODE: BOCL improve their pronunciation, vocabulary, and grammar while Sec. 01: 5 Wednesdays, 5:30-7pm. Begins Apr. 13 (meets bi-weekly) | $90 developing their conversational skills. Activities will include open discussions, debates, and presentations.

COURSE CODE: ENCI Sec. 01: 8 Weeks, Tuesdays & Thursdays, 1-2:30pm. Begins Apr. 12 | $290 | Sandy Middleton Sec. 02: 8 Saturdays, 1-3pm. Begins Apr. 16 | $195 | Katy Doughty No class May 28

INTENSIVE VOCABULARY AND LISTENING TRAINING Andrea Aptecker | Actor, Public Speaking Expert, Playwright

Inthisfunclass,wewilllearnnewvocabularyand improvespeaking,listening,andpronunciationskills withavarietyofmaterialfromnewspapers,podcasts, TVsegments,andmore.Therewillbetestsandclassactivitieseachweek toenforcethenewvocabulary.Forintermediateandadvancedstudents.

C O U R S E C O D E : E I VA Sec. 01: 8 Weeks, Mondays & Wednesdays, 9:15am-10:45am. Begins Apr. 11 | $290 No class Apr. 18 & May 30 REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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ACCENT IMPROVEMENT WORKSHOP

READ, DISCUSS, DEBATE!

Elaine Crowder | Ph.D., Applied Linguistics

Andrea Aptecker | Actor, Public Speaking Expert

Sec. 01: Saturday & Sunday, 9:30am-12:30pm. Jun. 11 & 12 | $105

COURSE CODE: ERDD Sec. 01: 8 Weeks, Tuesdays & Thursdays, 9:30am-11am. Begins Apr. 12 | $290

Improve your accent and acquire a communication edge in This class is for advanced ESL students who want to improve business that enhances professional relationships. Learn their to vocabulary, comprehension, cultural understandi hear and correct accented speech sounds that contribute speaking to confidence in a fun class based on reading and misunderstood speech. After reviewing why certain sounds are discussion. so Students will read newspaper and magazine article troublesome, we will practice universally di–cult sounds, using cartoons, a blog entries, excerpts from stories, and more. The readin technique that builds new habits of speech. Please bring a recording will be followed by questions, discussions, and individual or gro device to class, $35 for class materials, and a willingness to practice! presentations and debates. All presentations and debates wi discussed and evaluated.

COURSE CODE: ABET

WRITING Joanne Nicklas | ESL Instructor

CONVERSATIONAL FLUENCY AND

This class is for intermediate-level students (CEFR Levels B1-B2) who want to improve their general writing skills.GRAMMAR REVIEW Steven Bloomberg | Communications Skills Developer Students will learn about di‹erent sentence patterns, paragraph structure, and correct punctuation. During the class, Learn to develop your uency and increase your confidence. students will practice informal and formal writing for personal, casual, We’ll cover less common grammar that is often overlooked and also professional-related purposes. Students will be prompted andto increase confidence by reviewing grammar topics you’ve produce a wide range of writing genres including emails, cover letters, come across before. We’ll learn new vocabulary and expressions whi and short essays. listening to online presentations and participating in conve COURSE CODE: ENWI Sec. 01: 8 Weeks, Tuesdays & Thursdays, 7-8:30pm. Begins Apr. 12 | $290

ADVANCED – CEFR B2-C1

EARLY BIRD ENGLISH PRACTICE Andrea Aptecker | Actor, Public Speaking Expert, Playwright

This is a great opportunity to ask questions and clear - up uncert ties. Bring a notebook and take notes! Grammar topics for review include hypothetical language, modal verb review, present time, p time, prepositions, adverbs, and more.

COURSE CODE: ENGR Sec. 01: 7 Weeks, Tuesdays & Thursdays, 6:30-8:30pm.

Begins Apr. 12 | $315

WRITING & GRAMMAR

John O’Donnell | ESL Instructor Start your day o‹ right with some English exercises before IfyouhaveagoodcommandofEnglish,butfindthatyour you go to work, or, if you join us from another time zone, finish your day with this refreshing and fun class. You will practicewritingneedshelp,thisistheclassforyou.Wefocuson vocabularyandwordforms,grammar,punctuationand conversation, listening, pronunciation, and reading with new activities practice.Verbtenses,sentencestructure,paragraphbuildingan each class. essaydevelopmentareallpartofthecurriculum.Studentswillh COURSE CODE: ENEB lotofopportunitiestopracticeexpressingthemselvesinwritt Sec. 01: 9 Weeks, Tuesdays & Thursdays, 8:15am-9:15am.

English.Inthisclass,allmajorformsofwritingwillbecovered,incl Begins Apr. 12 | $220 letters(businessandpersonal),journals,essaysandotherforms studentsfindhelpful.Thisclassisgreatforanyhighintermediat advancedstudentwhowantstoimprovetheirwrittenEnglishan especiallyrecommendedforstudentspreparingfortheTOEFL. C O U R S E C O D E : E N WA Sec. 01: 9 Saturdays, 1-3pm. Begins Apr. 9 | $220 No class May 28

MAKE IT CLEAR: INTONATION AND SOUNDS (PHONEMES) Steven Bloomberg | Communications Skills Developer

This class is all about intonation. The most import part of English pronunciation is intonation. Inton is the contrast between higher-sounding parts of speech and lower-sounding parts of speech. Often, when people don’t understand what you say, it has to do with intonation. Get English intonation under control, and greatly diminish the fre with which you experience this problem. And, with enough practice, you might even be able to eliminate this problem. During this cour you’ll also learn how to pronounce sounds (phonemes) that are di–cult for you.

COURSE CODE: ENIP Sec. 01: 5 Saturdays, 9:30am-12pm. Begins Apr. 9 | $200 16

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

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PICK UP THE PACE: SMOOTH ENGLISH TALKING Steven Bloomberg | Communications Skills Developer Learn how you can practice English pronunciation and speech to sound more natural, uent, and faster.

With step-by-step guided practice activities, you’ll find out how you can increase your natural speech quality and pick up the pace of your speaking. This course centers around conversational contractions, standard contractions, connected speech, and the all-important schwa neutral vowel.

COURSE CODE: ENPP Sec. 01: 4 Saturdays, 9:30am-12pm. Begins May 14 | $160 No class May 28

PROFESSIONAL DEVELOPMENT BUSINESS ENGLISH Liz Ging | ESL Instructor

EFFECTIVE BUSINESS EMAIL AND PRECISE

IfyouareahighintermediatetoadvancedESLstudentwhois PUNCTUATION interestedinlearninghowtonavigatetheEnglish-speaking workplace,thenthisistheclassforyou!Thisclasscovers a Bloomberg | Communications Skills Developer Steven rangeofbusinesstopics,suchasprofessionalintroductions,meetings, Improve your business professional emails and telephoneconversations,writingbusinesslettersandemails,etc.We become more confident and competent writers.

Pres willdiscussexamplesoftypicalworkplacesituations,whilepracticing ent your emails for corrections, improvements, and businessvocabulary,speaking,reading,andwritingskills. editing. Make your writing more concise, clear, direct, and to the po COURSE CODE: BEGL We’ll work to correct grammar and errors so that you can write wit Sec. 01: 8 Weeks, Tuesdays & Thursdays, 7:30-9pm. Begins Apr. 12 | $290 greater confidence. As a group, we’ll talk about your email writing how to make it better. We’ll review and answer your questions abo English punctuation, as well. Your writing samples will be 50 to 250 KEYS TO AMERICAN COMMUNICATION words. Requirements: Bring short emails to class for review. Come CULTURE prepared to write one email during the class.

Steven Bloomberg | Communications Skills Developer

COURSE CODE: ENBU

Sec. 01: 5 Fridays, 1-3pm. Begins Apr. 22 | $150 Optimize your professional communication in the States by developing a greater understanding of American culture.

Participate in short presentations and dialogs in order to DEVELOPING STORIES FOR INTERVIEWS, communicate more e‹ectively with American work colleagues in the WORK AND BUSINESS States or wherever you are located. Share experiences, observations, problems, and how you believe you would like to adapt so thatSteven you canBloomberg | Communications Skills Developer maximize your professional success as an English language speaker.

Practice telling stories for work interviews and Topics include getting to the point, directness, tactful language, business professional purposes. Improve your abilit agreeing and disagreeing, information presentation, assertiveness, to market your experience, skills, and knowledge at expressiveness, and more. employment interviews and in business situations. Find the rig COURSE CODE: ENCC words to talk about your contributions and learn how to promot Sec. 01: 6 Wednesdays, 7-9:30pm. Begins Apr. 20 | $240 work. Develop confidence to speak e‹ectively about what you can do for a prospective employer, your current employer, or clients and customers. Learn to use practical cultural adaptations for you story-telling when speaking to American companies, leadership, o clients and customers.

Looking for the Consider a CCAE perfect gift? Gift Certificate!

COURSE CODE: ENIN Sec. 01: 5 Fridays, 6-9pm. Begins Apr. 22 | $240

Purchase gift certificates online, over the phone, or in person. Visit ccae.org/gift- certificates for more details.

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

17

Foranonlineselfassessment,visit ccae.org/languagelevels, or contact Francesca Ferraris at languages@ccae. org or 617-547-6789 ext..2 1

Tuesday,April, 5 am 1 -9

Thursday,March, 1 3 pm 8-6

Need help finding the right class for you? Register for one of our free online assessments on Zoom:

FREE PERSONAL ASSESSMENT DAYS ON ZOOM

DAYTIME

EVENING

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ENIO: Inside & Outside: English Fluency Practice 8Weeks,Mondays&Wednesdays,1:5am-12:45pm.BeginsApr.1|$290 ENEB: Early Bird English Practice 9Weeks,Tuesdays&Thursdays,8:15-9am.BeginsApr.12|$20 ERDD: Advanced Conversation: Read, Discuss, Debate!

8Weeks,Tuesdays&Thursdays,9:30-1am.BeginsApr.12|$290

ENCB: Conversation for Beginners 8Weeks,Tuesdays&Thursdays,9:15-04am.BeginsApr.12|$290

ENI1: Intermediate 1 Integrated Skills 8Weeks,Tuesdays&Thursdays,9:15-04am.BeginsApr.12|$290

ENCI: Intermediate Conversation 8Weeks,Tuesdays&Thursdays,1-2:30pm.BeginsApr.12|$290

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

BEGL: Business English 8Weeks,Tuesdays&Thursdays,7:30-9pm.BeginsApr.12|$290 ENCC: Keys to American Comunication Culture 6Wednesdays,7-9:20pm.BeginsApr.20|$240 ENBU: Effective Business Email and Precise Punctuation 5Fridays,1-3pm.BeginsApr.2|$150

ENI1: Intermediate 1 Integrated Skills 8Weeks,Tuesdays&Thursdays,7-8:30pm.BeginsApr.12|$290

ENWI: Intermediate Writing 8Weeks,Tuesdays&Thursdays,7-8:30pm.BeginsApr.12.8|$290

BOCL: ESL Book Club 5Wednesdays,5:30-7pm.BeginsApr.13(meetsbi-weekly)|$90

ENPP: Pick Up the Pace: Smooth English Talking 4Saturdays,9:30am-12pm.BeginsMay14|$160

ENIP: Make it Clear: Intonation and Sound (Phonemes) 5Saturdays,9:30am-12pm.BeginsApr.9|$20

ABET: Accent Improvement Workshop Saturday&Sunday,9:30am-12:30pm.Jun.1&2|$105

ENGLISH AS A SECOND LANGUAGE (ESL) Visitccae.org tolearnmoreabouttheclasses,theinstructors,

SPRING: APRIL ı JUNE aclass.Emailusat languages@ccae.org or call 617-547-6789

andyourlevel.Letusansweryourquestionsandhelpyouchoose

CCAEo‹ersafinancialassistance,o‹ %05 tuition,toqualifyingadults ofallages.Somerestrictionsapply.Seeccae.org/about/scholarships fordetails.Ifyouhaveanyquestions,pleasecontactourStudent ServicesCoordinatoratinfo@ccae.org.

NEED A SCHOLARSHIP?

ENCB: Conversation for Beginners 8Saturdays,10am-12pm.BeginsApr.16|$195

ENCI: Intermediate Conversation 8Saturdays,1-3pm.BeginsApr.16|$195

ENWA: Writing & Grammar 9Saturdays,1-3pm.BeginsApr.16|$20

ENBE: Beginner Levels 3 & 4: Integrated Skills 9Saturdays,10am-12pm.BeginsApr.16|$20

ENIN: Developing Stories for Interviews, Work and Business 5Fridays,6-9pm.BeginsApr.2|$240

ENGR: Conversational Fluency and Grammar Review 7Weeks,Tuesdays&Thursdays,6:30-8pm.BeginsApr.12|$315

EVBE: Vocabulary Training 8Weeks,Tuesdays&Thursdays,5:30-7pm.BeginsApr.12|$290

ENBE: Beginner Levels 3 & 4 : Integrated Skills 8Weeks,Mondays&Wednesdays,7-8:30pm.BeginsApr.1|$290

ENHA: High Intermediate/Advanced Integrated Skills 8Weeks,Tuesdays&Thursdays,9:30-1am.BeginsApr.12|$290

EIVA: Intensive Vocabulary and Listening Training 8Weeks,Mondays&Wednesdays,9:15-04am.BeginsApr.1|$290

ONLINE CLASSES

EBEG: Beginner Levels 1 & 2 : Integrated Skills 8Weeks,Tuesdays&Thursdays,1am-12:30.BeginsApr.12|$290

IN-PERSON CLASSES

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COMMON EUROPEAN FRAMEWORK OF REFERENCE (CEFR) LANGUAGELEVELS CCAELEVEL

CEFRLEVEL

Beginner Level1

A1

Beginner Level2

Beginner Level3

LISTENING

READING

SPEAKING

WRITING

Identifyfamiliar PointoutfamiliarAsk&answer Write a short, words&very names,words& simplequestions. simplepostcard Ihavenoor basicphrases simplesentences, Interactinasimple &fillinformswith littleprevious concerningmyself, suchason waywithrepetition personaldetails. knowledgeof friends,family,& posters, notes or in &slowspeech.Use thelanguage. surroundingswhencatalogues. simplephrases Iwouldliketo.. peoplespeakslowly & sentences to &clearly. describefamiliar people.

A2

Understand Readveryshort, Communicatein Write short notes, phrases & the simpletexts&find routinetasks& messages& Ihaveachieved highestfrequency specificinformation socialinteractions. personal letters mostofthe vocabularyrelated ineverydaymaterial Useaseries relating to Beginner goalsofA1.

Level4 toareasofmost suchasmenus, ofphrases& immediateneeds.

Iwouldliketo.. immediatepersonal advertisements, sentences to relevance.Catch & short personal describefamily, Beginner Conversation themainpoint letters. educational in short, clear, background& simplemessages& presentwork. announcements.

B1

Low Intermediate

Understandthe UnderstandtextsHandletravel Writesimpletexts mainpointsofclear withhighfrequency, situations,enter onfamiliaror Ihaveachieved speech,&themain everyday,orjobunpreparedinto personal topics, point in radio or relatedlanguage. conversationon suchasletters Intermediatemostofthe goalsofA2.

TVprogramson Understandthe familiartopics,& describingpersonal connect phrases, experiencesand IntermediateIwouldliketo.. currentevents,ordescriptionof topicsofpersonal events,feelings& givereasons& impressions.

Conversation orprofessional wishes in personal opinions,describe & interest. letters. plotsofbooksor films.

B2

High Intermediate Advanced

Advanced

Understand extendedspeech Ihaveachieved &lectures&follow mostofthe evencomplex goalsofB1. linesofargument.

Iwouldliketo.. Understandmost TVnews&current a‹airsprograms.

C1

Readarticles& Interactwithuency Write on a wide reportsabout &spontaneity& rangeofsubjects, contemporary explainaviewpoint essayofsupport problemsinwhich &advantages& or against a topic, the writers adopt disadvantagesof as well as personal particularattitudes variousoptions. letters highlighting orviewpoints.

Takeanactivepart the personal Understand indiscussions. significanceof contemporary events. literaryprose.

Understand Understandlong Uselanguage extendedspeech &complexfactual exibly&e‹ectively Ihaveachieved evenwhenitisnot&literarytexts, forsocial& mostofthe clearlystructured appreciating & professional goalsofB2. when relationships distinctionsof purposes.Present Iwouldliketo.. areonlyimplied style.Understand clear, detailed & not signaled specialized articles descriptionsof explicitly.Follow & longer technical complexsubjects, televisionprograms instructions. integratingsub&filmswithouttoo themes. muche‹ort.

Writeabout complexsubjectsin aletter,anessayor areport,underlining what I consider tobethesalient issues.Selectstyle appropriate to the readerinmind.

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

19

World Languages

“Thelearningpacewasexcellent.

Ithoughtthelessonswerewell guided,takingtimetoallowthe classtoaskquestions.”

—BETH N., GERMAN BEGINNER LEVEL 1

CCAEo‹ersin-personandonlineclassesinmanylanguagestaughtbyhighlytrainedandexperiencedinstructors.WeusetheCommonEurop ofReferenceCEFR) ( toassessstudentsandestablishlearninggoals(p.19).Pleasevisitccae.org/language-levelsforaself-assessment,leve andourmostup-to-datelanguageo‹erings.PleasetakeadvantageofourPersonalAssessmentDays(p.21).Foranyquestionsaboutaspecificla orlevel,youcanalsoemaillanguages@ccae.orgorcallFrancescaFerrarisat617.54 89ext.12.Manylanguageclassesrequirethepurchaseofa textbook.Foronlineclasses,werecommendpurchasingthebookbeforeattendingthefirstclass.

AMERICAN SIGN LANGUAGE

GRAMÁTICA INTENSIVA

Colleen McGilpin | American Sign Language Instructor

Katia Costa-Bancroft | M.A., Portuguese Language Education

Learnthebasicsofsignlanguageasafirststeptodeveloping In this class, we will focus on the conjugation of mos receptiveandexpressiveskills.Youwilllearncommonlyused common verbs in indicative and subjunctive forms, a signs,thebasicgrammaticalrulesofAmericanSignLanguage, well as prepositions, and syntax related to “con andinformationaboutthedeaf.Theseclassesrequiretheadditional cordância verbal”. This class is for high beginner/low intermediat purchaseofatextbook.

(CEFR A2 and above) speakers of Portuguese who would like to boost their general knowledge and grammar skills.

BEGINNER LEVEL 1 COURSE CODE: ASB1 Sec. 01: 9 Mondays, 6:30-7:30pm. Begins Apr. 4 | $170 No class Apr. 18 & May 30

COURSE CODE: BPGR Sec. 01: 5 Thursdays, 7:30-9pm. Begins Apr. 28 | $140

BEGINNER LEVEL 2

CONVERSATIONS ON BRAZILIAN LITERATURE

COURSE CODE: ASB2 Sec. 01: 9 Mondays, 7:45-8:45pm. Begins Apr. 4 | $170 No Class Apr. 18 & May 30

João Copertino Pereira | Native Speaker

This class will be an exploration of Brazilian lite We will read short stories and a novella by eminent BRAZILIAN PORTUGUESE Brazilian writers exploring questions of desire, nationality, race, and love. Students of all levels of Portuguese João Copertino Pereira, Katia Costa-Bancroft, Allan Oliveira | Native Speakers welcome as long as they are prepared to immerse into the language Students will be asked to read texts prior to class.

Portuguese, the native language of Brazil, is spoken - by approxi C O Uin RSE CODE: BPLI mately 180 million people around the world, including one million Sec. 01: 5 Tuesdays, 6-7:30pm. Begins Apr. 26 | $155 Massachusetts! This series of engaging classes emphasizes spoken production and interaction.

BEGINNER LEVEL 1 COURSE CODE: BPB1 Sec. 01: 8 Mondays, 6-7:30pm. Begins Apr. 4 | $255 | João Copertino Pereira No class Apr. 18 & May 31

BEGINNER LEVEL 2 COURSE CODE: BPB2 Sec. 01: 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | $255 | Allan Oliveira

PORTUGUESE FOR SPANISH SPEAKERS Katia Costa-Bancroft | M.A., Portuguese Language Education

Portuguese and Spanish are both Romance languages, closely related in vocabulary and grammar. For speakers of Spanish, it can be a challenge to study Portuguese because of this close linguistic relationship. This class is for advance native speakers of Spanish who would like a quick, solid introdu to Brazilian Portuguese.

I N T E R M E D I AT E C O N V E R S AT I O N COURSE CODE: BPSP Expand your vocabulary and uency in this relaxed and fun Sec. 01: 9 Tuesdays, 7:30-9pm. Begins Apr. 5 | $255 class for students who have at least 60 hours of instruction (or equivalent). We will practice to express ourselves comfortably, discuss current events, and engage fully in the cultural context of Brazilian Portuguese.

COURSE CODE: BPIC Sec. 01: 9 Wednesdays, 7:30-9pm. Begins Apr. 6 | $255 | Katia Costa-Bancroft

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ccae.org/classes/world-languages

W orld L

CHINESE

MODERN HEBREW

Jin Cooper | Native Speaker and Author, Notes from Harvard

Dalia Mendel | Native Speaker

anguages

Mandarin Chinese has more native speakers than anyThe other o–cial language of the state of Israel, Hebrew is a Semitic lan language. As Mandarin’s popularity increases among guage that belongs to the Afro-Asian language family. Hebrew is the language learners, give yourself an advantage with anonly Canaanite language still spoken, and the only truly succes experienced and enthusiastic instructor. example of a revived dead language. Modern Hebrew is spoken by approximately 10 million people around the world.

BEGINNER LEVEL 1

COURSE CODE: CMB1 Sec. 01: 9 Thursdays, 6-7:30pm. Begins Apr. 7 | $255

BEGINNER LEVEL 2 COURSE CODE: CMB2 Sec. 01: 9 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $255

BEGINNER LEVEL 4 COURSE CODE: CMB4 Sec. 01: 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | $255

BEGINNER LEVEL 2

COURSE CODE: MHB2 Sec. 01: 6 Tuesdays, 7-8:30pm. Begins May 3 | $170 No class May 24

ANCIENT GREEK Emilio Saavedra | Hellenist

I N T E R M E D I AT E T HEO GO NY , G R E E K M Y T H , A N D T H E A N C I E N T This level is for students who have at least 60 hours of classroom time GRE E K L ANGUAGE in the language within the last 2 years, can identify the mainThe points ofof blood from Saturn’s castration created the ash tre drops clear standard speech, and can read texts that consist mainly of high nymphs well before the Olympians had been born, according to frequency language. At this level, students will learn whatHesiod’s to say to Theogony. This text was written in the epic dialect of Ancie show appreciation, to invite friends for social gathering or confer Greek but this course will centre around selected English tra ences, and to request permission or help. This is to prepare students of the work. During the course, the treatment of this text and th for entering into conversation on topics that are likely to arise in will lead to a discussion of many elements of Ancient Orphic Hymns everyday life, while asking students to write simple, connected text on culture, and language. Students will learn the al Greek society, familiar or personal topics describing experiences and impressions. the names of the gods, some rudiments of the Epic and Attic dialect COURSE CODE: CMIN Sec. 01: 9 Thursdays, 7:45-9:15pm. Begins Apr. 7 | $255

LATIN

and some elements of epic recitation. This is a course geared tow absolute beginner students of Ancient Greek as well-as those r ing to the language after a long hiatus.

C O U R S E C O D E : AG T H Sec. 01: 9 Wednesdays, 7-8:30pm. Begins Apr. 6 | $255

MEANDER AND SCAMANDER: A DE E P E R DI V E I NTO ANCI E NT GR E E K M YTH SALVETE ROMANI H I STO RY AND LANGUAGE This discussion based class aims to dive deeper into the cultu Joan Brunetta | MA in Medieval Studies, University of York text of Greek myth and explore some of Magna Graecia’s lesser known Have you always been interested in Latin but never had a chance to myths and historical figures such as Pelops, Lycaon, and - Hippo study it? Although Latin is rarely taught nowadays, it remained the cleides. The course will be based on English translations of the language of international communication in Europe well into the 18th of Homer and Herodotus with some brief discussions of the origina century. Latin gives access not only to Classical texts but also to more Greek where clarity is needed. This course is suitable for those than 10 years of texts written in Europe and North Africa since the have taken Theogony, Greek Myth, and the Ancient Greek Language fall of the Roman Empire. In this class, students will work on devel or those that have a firm grasp on the Greek alphabet and moderat oping a core Latin vocabulary and understanding the basics of Latin knowledge of Greek mythology as related in Hesiod’s Theogony. grammar, with a focus on Latin’s linguistic connections to English.

BEGINNER LEVEL 1 COURSE CODE: SRLA Sec. 01: 9 Wednesdays, 5:30-7pm. Begins Apr. 6 | $255

C O U R S E C O D E : AG M S Sec. 01: 9 Thursdays, 6:30-8pm. Begins Apr. 7 | $255

BEGINNER LEVEL 3 COURSE CODE: SRL3 Sec. 01: 9 Mondays, 5:30-7pm. Begins Apr. 4 | $255 No class Apr. 18 & May 30

Free Personal Online Assessment Days

Need help with finding the right class for you? Register for one of our free online assessment days on Zoom for Spanish, I N T E R M E D I AT E L E V E L 1 Students of our beginner level classes will haveFrench, become Italian and German. well-acquainted with the poet Martial—now it’s time to meet some Tuesday,Marchpm 8-6 ,2 other Roman poets and writers! This first level of our Intermediate classes will continue focusing on acquiring the most commonly used Thursday, March am 1 -9 ,42 grammar in Latin literature while working on our reading skills by dip For an online selfassessment, visit ccae.org/ language-level ping into selections from Caesar, Catullus, and others. This class is for students who have completed our Latin Beginner Level 4 class.Contact Francesca Ferraris at languages@ccae.org or 6 1 7 5 4 7 - 6 8 9 ext. 1 2 for more details.

COURSE CODE: SRLI Sec. 01: 9 Tuesdays, 5:30-7pm. Begins Apr. 5 | $255

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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anguages

FRENCH

Á LIVRE OUVERT: FRENCH BOOK CLUB

Flora Beucher | Native Speaker

Michel L’Huillier | Native Speaker

Neha Coureil | French Instructor

Nousnousrassemblerons,viaZoom,deuxfoispar moispourunediscussionouverteautourd’unlivre languefrançaise.Nousdéfinironslesmotsdi–ciles, French is the o–cial language of 29 countries. It has a long history puis soulignerons as an international language of literature and scientific standards and lesthèmesessentielspourvoircommentces thèmesfontéchoàdesévénementsrécentsoutouchentdessujets is a primary or second language of many international organizations. importants denotreviepersonnelle.

La Vie Devant Soi n'estpasunlivre French has been called one of the three most useful languages for mais plutôtunegrenadedégoupillée,unelettred'amourécriteaula business by Bloomberg Businessweek. Join their ranks in this series amme.Publiéen1975souslepseudonymed'EmileAjar,ceroman of engaging classes, emphasizing spoken production and interaction. permetàRomainGaryd'obtenirpourlasecondefoislePrixGoncourt BEGINNER LEVEL 1 l'undesprixlesplusconvoitésdelalittératurefrançaise.Romain COURSE CODE: FRB1 refuseleprixGoncourtetréussitàcacherjusqu'àsamortsadoub Sec. 1: 9 Tuesdays, 5-6:30pm. Begins Apr. 5 | $255 | Mélanie Huguet identité,jouissantainsid'unelibertécréatricenouvellesans BEGINNER LEVEL 2 Découvrons ensemble à Paris, Momo, un Maghrébin musulman de 10 COURSE CODE: FRB2 ans, élevé dans un foyer clandestin pour enfants, la plupart enfan Sec. 01: 7 Thursdays, 10:30am-12pm. Begins Apr. 21 | $225 | Neha de prostituées, par madame Rosa, une vieille femme juive, rescapée Coureil des camps de la mort, prostituée à la retraite. Ce resumé très suc devrait vous donner envie de refermer ce livre immédiatement: p BEGINNER LEVEL 3 COURSE CODE: FRB3 titution, racisme, antisémitisme sont au coeur de ce récit. Ne le f Sec. 01: 8 Mondays, 6-7:30pm. Begins Apr. 4 | $230 | Mélanie Huguet pas! Écrit à la première personne par Momo, cet enfant de dix ans No class Apr. 18 & May 30 sans éducation, ce roman explose toutes les règles de syntaxe et d thographe de la langue française. Emile Ajar utilise sans contra REFRESHER BEGINNER LEVEL 1º3 avec This class is designed to thoroughly review the content ofgourmandise toutes les figures de style imaginables pour do Beginner Level 1-3. It is for students who have completed Frenchvoix à Momo: zeugme, anacoluthe, ellipse.. et le résultat, malgré la sévérité des sujets abordés, est à mourir de rire.

Beginner level 3 or equivalent in the past and would like to revisit and Mélanie Huguet | Native Speaker

Ce livre practice the basics of French with the goal to regain some uency and est adapté au cinéma en 197 avec, dans le rôle de madame get ready for a potential trip to a French speaking country. Rosa, Simone Signoret qui obtient le César de la meilleure actri l'équivalent français de l'Oscar. Le film obtient en 1978 l'Oscar du COURSE CODE: FRBB meilleur film étranger à Hollywood. En 20 un film italien, " La Vita Sec. 01: 9 Wednesdays, 11am-12:30pm. Begins Apr. 6 | $280 | davanti a sé", transpose la situation en Italie avec Sophia Loren Flora Beucher nant, magistralement elle aussi, madame Rosa. Découvrons ensembl No class Apr. 20 pourquoi cet immense succès littéraire et cinématographique to BEGINNER LEVEL 4 tant de gens si profondément. Required Labook: Vie Devant Soiby COURSE CODE: FRB4 Romain Gary.

Sec. 01: 8 Tuesdays, 5-6:30pm. Begins Apr. 19 | $230 | Neha Coureil

L O W I N T E R M E D I AT E COURSE CODE: FRLI Sec. 01: 8 Wednesdays, 5-6:30pm. Begins Apr. 20 | $230 | Neha Coureil

COURSE CODE: FRBC Sec. 01: 5 Tuesdays, 5-6:30pm. Begins Apr. 12 (meets bi-weekly) | $150

PRONUNCIATION PRACTICE B E G I N N E R C O N V E R S AT I O N This class is for students who have completed our - fourMélanie begin Huguet | Native Speaker ner levels or the equivalent and are comfortable using the present This class will improve students’ pronunciation and hel and have some knowledge of passé composé and imparfait. Reinforce facilitate the comprehension of spoken language. It will c your basic knowledge of the structure of French, develop uency the vowels and letters that are mispronounced by Englis with the past tenses, acquire new vocabulary, learn about culture, and speakers such as “R” and “U,” as well the nasal vowels and sounds t practice with lively activities and conversations. are combinations of letters and vowels. We will also go over the COURSE CODE: FRCB consonants that are not pronounced at the end of words. The cla Sec. 01: 8 Mondays, 11am-12:30pm. Begins Apr. 4 | $230 | Mélanie Huguet aims for the development of perfect French pronunciation by havi No class Apr. 18 & May 30 fun practicing. This class is for students who took at least 30 hour Sec. 02: 9 Wednesdays, 5-6:30pm. Begins Apr. 6 | $255 | Mélanie Huguet French (CEFR A2 and above).

I N T E R M E D I AT E C O N V E R S AT I O N COURSE CODE: FPRO You are pretty comfortable in everyday situations and in ap Sec. 01: 4 Wednesdays, 2:30-4pm. Begins Apr. 20 | $115 plying your solid knowledge of the basics of French. Now it’s time to practice expressing yourself in more complex situations, voice opin ions and share points of views with your classmates, increase your vocabulary, and engage fully in the cultural context of French.

COURSE CODE: FRIC Sec. 01: 9 Mondays, 7:45-9:15pm. Begins Apr. 4 | $255 | Flora Beucher No class Apr. 18 & May 30

22

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

Support Lifelong Learning

To learn more about how you can support CCAE' s programs, See page 5 1 or visit ccae.org/support.

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GERMAN Petra Bittner, Francesca Ferraris | Native Speakers

anguages

GERMAN CONVERSATION ABOUT LITERATURE: GRIMMS MÄRCHEN

The German language boasts about 120 million native Petra Bittner | Native Speaker speakers. It is the most widely spoken native language in the WerwarendieBrüderGrimm?WassindMärchenund European Union. The German-speaking countries are ranked woherkommensie?SindMärchengutfürKinder?In fifth in terms of annual publication of new books, with one tenth of all diesemKursbeantwortenwirdieseFragenundlesen books (including e-books) in the world being published in German dreinichtsobekannteMärchenDer ( Froschkönig,Rumpelstilzchen,Frau language. Count yourself among its learners in this series of engaging Holle)Kö. nnenwirheutenochetwasvonMärchenlernen?Thisclassis classes, emphasizing spoken production and interaction. All classes recommendedforstudentswithanintermediatelevelCEFR ( B1.) are taught by highly educated and experienced native speakers, C O U R S E C O D E : G R G R representing a variety of cultures and accents.

BEGINNER LEVEL 1 COURSE CODE: GRB1 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | $255 | Petra Bittner

BEGINNER LEVEL 3 COURSE CODE: GRB3 Sec. 01: 9 Wednesdays, 7:15-8:45pm. Begins Apr. 6 | $255 | Petra Bittner

Sec. 01: 4 Thursdays, 3-4:30pm. Begins May 12 | $115

DEUTSCHER ONLINE STAMMTISCH: ENCOUNTERS IN GERMAN Petra Bittner | Native Speaker

Sprechen Sie gern Deutsch? Möchten Sie gern Menschen aus Deutschland tre‹en? Möchten Sie HIGH BEGINNER THROUGH SHORT STORIES sich gern mit Menschen aus Deutschland - unterh This class is for students who have completed our - German Be alten? Wir tre‹en uns alle zwei Wochen und sprechen über - verschie ginner Level 4, have a solid knowledge of basic structures of German dene Themen: Hobbys, Deutschland, Reisen, Kunst etc. Unsere and would like to apply and practice this knowledge inspired by short Gruppe besteht aus Muttersprachlern und Deutschlernenden. D stories about everyday situations. Along the way, you will learn some Angebot richtet sich an fortgeschrittene Lernende. grammar, pick up new vocabulary, improve your speaking, writing OURSE CODE: DEUS and reading skills and deepen your understanding of GermanCculture.

Sec. 01: 5 Mondays, 2-3:30pm. Begins Apr. 11 (meets bi-weekly) | $40 Required book: Karneval in Köln (ISBN: 978-14973624 7).

COURSE CODE: GEST Sec. 01: 9 Thursdays, 6-7:30pm. Begins Apr. 7 | $255 | Petra Bittner

POLISH

B E G I N N E R C O N V E R S AT I O N Edward Mitukiewicz | Native Speaker This class is for students who have completed our four - beginner lev els or the equivalent and are comfortable with using the present tense Polish is a West-Slavic language, the o–cial language of Poland, and and have some knowledge of Präteritum und Perfekt. Reinforceone your of the o–cial languages of the European Union. After numerous basic knowledge of the structure of German, develop uency with theof emigration since the beginning of the nineteenth- cent waves past tenses, acquire new vocabulary, learn about culture, and practice around 10 million people speak Polish around the world in additio with lively activities and conversations. to the approximately 38 million speakers who reside in Poland. One of the largest Diaspora communities is located in the US where COURSE CODE: GRBC Polish is spoken by 3.5 million people. Join them with a patient and Sec. 01: 9 Wednesdays, 5:30-7pm. Begins Apr. 6 | $255 | Petra Bittner experienced instructor who can guide you through this unique an A D VA N C E D R E A D I N G A N D C O N V E R S AT I O N interesting language.

COURSE CODE: GRRC Sec. 01: 9 Wednesdays, 6-7:30pm. Begins Apr. 6 | $255 | Francesca Ferraris

SPRING IN GERMAN: DER FRÜHLING KOMMT Petra Bittner | Native Speaker

BEGINNER LEVEL 1 COURSE CODE: PLB1 Sec. 01: 9 Mondays, 5-6:30pm. Begins Apr. 4 | $255 No class Apr. 18 & May 30

BEGINNER LEVEL 3

COURSE CODE: PLB3 Sec. 01: 9 Mondays, 7-8:30pm. Begins Apr. 4 | $255 DieTagewerdenwiederlänger,derSchneeschmilzt No class Apr. 18 & May 30 unddieBlumenbeginnenzublühen.Endlichistwieder

Frühling!WasmachendieDeutschenimFrühling?

Frühjahrskuren,Frühjahrsputz,Sonnetanken?WelcheFestefeiernsie?

WirlesenunterschiedlicheTexteGedichte, ( Lieder,etc)undsprechen überBräucheundVeranstaltungenindieserJahreszeit.Thisclassis recommendedforstudentswithanintermediatelevelCEFR ( B1).

COURSE CODE: GRFR Sec. 01: 4 Thursdays, 3-4:30pm. Begins Apr. 7 | $115

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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anguages

ITALIAN Maria Grazia Lolla, Federica P | Native Speakers

CINE-CITTÀ — PINOCCHIO: ITALIAN LITERATURE INTO FILM

Italian is spoken as native language by approximately 85 million Maria Grazia Lolla | Native Speaker, Ph.D., University of Cambridge people in Europe, Africa, the Americas, and Australia. Throughout the Oneofthemosttranslatedbooksinthe Le world, world it is the fifth most studied foreign language. Taught by experi avventure di Pinocchio,bytheFlorentinewriter,Carlo enced and educated instructors, these classes emphasize building Lorenzini,betterknownasCollodi,originatedin vocabulary, solidifying grammar, and improving spoken interaction. nineteenth-centuryItaly.Thestoryofawoodenpuppetwhobecamea BEGINNER LEVEL 1 boyhasbeenthesubjectofcountlessretellings.Themostinuent COURSE CODE: ITB1 faristhe1940cartoonadaptationbyWaltDisneywhichgave Sec. 01: 8 Thursdays, 9:15-10:45am. Begins Apr. 7 | $255 | Federica P internationalcurrencytoabookthatresonatedquitedi‹eren No class Apr. 21 nativenineteenth-centuryItaliancontext.Disney’sinterpret cantlydepartsfromCollodi’soriginal.Sodoesthelatestfilmada BEGINNER LEVEL 2 byItaliandirectorMatteoGarroneandsodidthemusicalinterpr COURSE CODE: ITB2 o‹eredbyItalianrockstar,EdoardoBennato.Wewilldedicatethefir Sec. 01: 9 Mondays, 5-6:30pm. Begins Apr. 4 | $255 | Federica P classtoCollodi’sbookandthesecondtosomeofthemostmemorab No class Apr. 18 & May 30 interpretationsofthestoryofPinocchio.Studentsofalllevels BEGINNER LEVEL 3 arewelcomeaslongastheyarepreparedtoimmerseintothelangua COURSE CODE: ITB1 Werecommendwatchingthemoviebeforeclass.Studentsofalllevel Sec. 01: 8 Thursdays, 11am-12:30pm. Begins Apr. 7 | $255 | Federica P ofItalianarewelcomeaslongastheyarepreparedtoimmerseintot No class Apr. 21 language.Werecommendwatchingthemoviebeforeclass.

L O W I N T E R M E D I AT E COURSE CODE: ITIL Sec. 01: 4 Weeks, Tuesdays & Thursdays, 4:30-6pm. Begins Apr. 5 | $230 | Maria Grazia Lolla No class Apr. 12 & 14

COURSE CODE: CICI Sec. 01: 2 Wednesdays, 6-8pm. Apr. 6 & 20 | $75

APERITIVO LETTERARIO:

B E G I N N E R C O N V E R S AT I O N ITALIAN BOOK CLUB This class is for students who have completed our four Elena Lorithe | Native Speaker beginner levels or the equivalent and are comfortable with using present tense and have some knowledge of passato prossimo and Do you love Italy and all Italian things? Do you like the idea imperfetto. Reinforce your basic knowledge of the structure of Italian, knowing more about the country’s literature, history, an develop uency with the past tenses, acquire new vocabulary, learnculture? Then this Italian book club is perfect for you. Com about culture, and practice with lively activities and conversations. to share some classic literature, novels, and contemporary fict Please note this class might require the purchase of a textbook. a glass of wine, the Italian type, of course! Intermediate Level (B1) in Italian required. Every term a new book. Required book for the first COURSE CODE: ITBC meeting: Il barone rampante by Italo Calvino.

Sec. 01: 9 Tuesdays, 11am-12:30pm. Begins Apr. 5 | $280 | Federica P No class Apr. 19

DUE CHIACCHIERE E UN CAFFÈ: ADVANCED ITALIAN CONVERSATION Federica P | Native Speaker

COURSE CODE: APLI Sec. 01: 2 Fridays, 6-7:30pm. May 6 & Jun. 3 | $60

DIAMOCI DELLE ARIE! L’ITALIANO ATTRAVERSO L’OPERA

Maria Felicita Fichera | Native Speaker Immaginadiesseresedutoalbardiunapiazzaitaliana,immagina dibereiltuoca‹èedigustareuncornettomentrechiacchieriin Un percorso che analizza l'inuenza della - dram italianoconlepersoneseduteaitavolivicini.Immaginadi maturgia di William Shakespeare sul mondo del immergertinellaculturaenellostiledivitaitalianianchesoloperun melodramma italiano attraverso Capuleti e Montecchi giornoallasettimana.Thisclassisrecommendedforadvancedstudents. di Bellini e le tre grandi OpereMacbeth, Verdiane: Otello e Falstaff.

C O U R S E C O D E : I TC C Sec. 01: 9 Tuesdays, 9:15am-10:45am. Begins Apr. 5 | $280 No class Apr. 19

Recommended for intermediate and advanced level (B1 and above).

COURSE CODE: ITSH Sec. 01: 4 Mondays, 6-7:30pm. Begins Apr. 25 | $115

LETTURA E CONVERSAZIONE IN ITALIANO Pasquale G. Tatò | Native Speaker and Professional Linguist Thisisanadvancedclassforstudentswhohavehadthe equivalentoftwoyearsofcollege-levelItalianandhave acquiredbasicreading,speaking,andlisteningskillsinthe Italianlanguage.Abook,typicallyacollectionofshortstories,willbe readinclassanddiscussedfromthestandpointofbothformand content.Theclassroomdiscussionwillalsobethebasis - forconversa tionandoccasionalgrammarreview.Additionally,theinstructormay introduceotherItalian-languagematerials,suchasnewspaperarticles, grammaticalexercises,well-knownItalianshortpoems,aswellas topicsofcurrentrelevanceforclassroomdiscussionandconversation.

COURSE CODE: LETT Sec. 01: 8 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $255 24

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

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JAPANESE

KOREAN

Tomoko Takagi | Native Speaker

Jungah Lee, Soe Young Lee | Native Speakers

anguages

Japanese is spoken by more than 125 million people around the Korean belongs to the Ural-Altaic family of languages and is spoken world—primarily by the inhabitants of Japan, but also by populations by approximately 10 million people in South Korea, North Korea, of Japanese origin in Hawaii, as well as in North and South America.

China, Japan, and the US. Due to Korea’s increasing economic and Nearly 4 million people around the world study Japanese. Japanese political importance in North-East Asia, Korean is growing increa is an agglutinative language whose origins are not clearlypopular established. around the world as a foreign language. The “Korean Wave” The writing system consists of two syllabaries—Hiragana - and has Kataka become an inuential global phenomenon since the start of t na—and the Chinese Kanji characters.

21st century, heavily impacting the contemporary cultures, music, film, and television industries, and behavioural aspects of var BEGINNER LEVEL 1 people throughout the world.

COURSE CODE: JPB1 Sec. 01: 9 Mondays, 7:15-8:45pm. Begins Apr. 4 | $255 No class Apr. 18 & May 30

BEGINNER LEVEL 2 COURSE CODE: JPB2 Sec. 01: 9 Mondays, 5:30-7pm. Begins Apr. 4 | $255 No class Apr. 18 & May 30

BEGINNER LEVEL 4 COURSE CODE: JPB4 Sec. 01: 9 Tuesdays, 6:15-7:45pm. Begins Apr. 5 | $255

BEGINNER LEVEL 1 C O U R S E C O D E : KO B 1 Sec. 01: 9 Thursdays, 7-8:30pm. Begins Apr. 7 | $255 | Jungah Lee

BEGINNER LEVEL 3 C O U R S E C O D E : KO B 3 Sec. 01: 9 Mondays, 7:45-9:15pm. Begins Apr. 4 | $255 | Soe Young Lee No class Apr. 18 & May 30

RUSSIAN

B E G I N N E R C O N V E R S AT I O N Katya Maher | Native Speaker This class is designed to thoroughly review beginner level Japanese (Beginner Level 1-4 or equivalent), exercise those learnings Russian is the largest native language in Europe, with 14 million under practical situations and practice with lively-and interactive activ native speakers in Russia, Ukraine, and Belarus, and is also wide ities. It is for students who have completed Beginner Levelken 1-4 classes in Central Asia. Russian is the eighth most spoken language i or equivalent, who have learned Hiragana, Katakana, and have someby number of native speakers and the seventh by total numb world knowledge of basic conjugations of verbs (masu-form, te-form and of speakers. Our experienced instructor, Katya Maher, will make you short form) and adjectives et al. familiar with how to read and write the Cyrillic alphabet and ev COURSE CODE: JPBC Sec. 01: 9 Wednesdays, 6:15-7:45pm. Begins Apr. 6 | $255

HARU (SPRING) IN JAPAN: THE SEASON OF SAKURA Tomoko Takagi | Native Speaker

else you need to communicate in this language.

BEGINNER LEVEL 1

COURSE CODE: RUB1 Sec. 01: 9 Thursdays, 7:45-9:15pm. Begins Apr. 7 | $255

BEGINNER LEVEL 2 COURSE CODE: RUB2 Sec. 01: 9 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $255

Spring (‘haru’ in Japanese) is generally from March to BEGINNER LEVEL 3 May in Japan, and is considered to be the season of COURSE CODE: RUB3 meeting and parting since, for example, entrance and Sec. 01: 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | $255 graduation ceremonies in schools are held in March Sakura’ and April. ‘ I N T E R M E D I AT E C O N V E R S AT I O N A N D G R A M M A R cherry ( blossoms), which is one of the national owers in Japan, is the COURSE CODE: RUIC special symbol of the season. In this class, we are going to see Sec. 01: 9 Thursdays, 6-7:30pm. Begins Apr. 7 | $255 Japanese traditional seasonal events, foods etc. in spring. We will feel spring through Japanese songs, poetries, novels, mangas, TV shows and movies featuring Sakura blossoms. Let’s talk about one of the most beautiful seasons in Japan! This class is for students who have completed Beginner Level 2 class or equivalent/higher, have learned hiragana, katakana, and have some knowledge of basic conjugations of verbs (masu-form etc.).

COURSE CODE: HARU Sec. 01: Saturday, 2-4pm. Apr. 23 | $50

¿Necesita una beca?

CCAE ofrece una ayuda de beca, el 5 0 % de descuento en la matrícula, a los adultos de cualquier e Si el tamaño de hogar es uno y tiene un ingreso anual de menos de $ 3 2 , 0 , usted es elegible para aplicar. A medida que aumenta el tamaño del hogar, aumenta su elegibilidad de ingreso.

Puede descargar directrices y un formulario deccae.org/about/scholarships. solicitud en También puede obtener lo mismo mediante el envío de un correo electrónico a morgan. hansen@ccae.org.

Las becas se otorgan de forma continua. Por favor, póngase en contacto con la oficina de registro para verifica Estudiantes de tiempo completo en las instituciones que otorgan títulos no son elegibles. Se aplican ot

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

25

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anguages

SPANISH

I N T E R M E D I AT E C O N V E R S AT I O N You are pretty comfortable in everyday situations and in applying your solid knowledge of the basics of Spanish. Now it’s time to practice expressing yourself in more complex situations, to vo Spoken in Europe, the Americas, Africa, and Asia, Spanish has the opinions, and share points of views with your classmates, to incr second largest number of native speakers in the world. It is also the your vocabulary and engage fully in the cultural context of Spanis second most studied language in the world and the third most used OURSE CODE: SPCO language on the internet. Make Spanish your second languageCwith Sec. 01: 9 Tuesdays, 5:30-7pm. Begins Apr. 5 | $255 | Luz Elena Zuluaga our first-rate instructors.

Carlos Cruz, Martha de la Vega, Luis Carlos Lopez, Luz Elena Zuluaga | Native Speakers

BEGINNER LEVEL 1 COURSE CODE: SPB1

Sec. 01: 9 Mondays, 6-7:30pm. Begins Apr. 4 | $255 | Luis Carlos Lopez No class Apr. 18 & May 30 Sec. 02: 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | $280 | Carlos Cruz

SPANISH ADVANCED READING AND CONVERSATION: LAS MUJERES DEL BOOM Martha de la Vega | Native Speaker

El Boom Latinoamericano (entre 1960 y 1970 ) fue un movimiento literario muy importante que hizo que l literatura latinoamericana traspasara fronte BEGINNER LEVEL 2 una generación que miraba a Europa como referente cultural, logr COURSE CODE: SPB2 que Latinoamérica sintiera confianza en sí misma. Cuando pensamos Sec. 01: 9 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $280 | Carlos Cruz en el Boom latinoamericano, pensamos en grandes autores, principalmente cuatro, principalmente hombres. Los nombres que Sec. 02: 9 Thursdays, 5:30-7pm. Begins Apr. 7 | $255 | Luz Elena Zuluaga casi nunca figuran en los recuentos del boom son los nombres de la mujeres. Ellas nunca gozaron de la misma fama. Desde hace BEGINNER LEVEL 3 relativamente poco se habla más de ellas. En esta clase leeremos COURSE CODE: SPB3 cuentos y fragmentos de algunas de las autoras de esta época. Est Sec. 01: 9 Mondays, 6-7:30pm. Begins Apr. 4 | $255 | textos serán la base para comentar, conversar mucho e intercambi Martha de la Vega opiniones. Practicaremos la comprensión de lectura y la conver No class Apr. 18 & May 31 sación. También veremos un par de videos cortos relevantes al t REFRESHER BEGINNER LEVEL 2 & 3 Esta clase es recomendada para estudiantes avanzados, es deci This class is designed to thoroughly review theestudiantes content de niveles B2 y C1. of Beginner Level 1-3. It is designed for students who ThisclassisrecommendedforadvancedstudentsCEFR ( B2andabove). have completed Spanish Beginner Level 3 or equivalent in the past CO U R S Ethe CODE: SARC and would like to revisit and practice the basics of Spanish with Sec. 01: 5 Wednesdays, 6pm-7:30pm. Begins Apr. 20 | $140 goal to get ready for Beginner Level 4.

COURSE CODE: SPRE Sec. 01: 9 Tuesdays, 11am-12:30pm. Begins Apr. 5 | $255 | Luz Elena Zuluaga

No class May 11

ADVANCED SPANISH CONVERSATIONS IN

HIGH BEGINNER THROUGH SHORT STORIES THE COURTYARD This class is for students who have completed our Spanish Beginner Level 4, have a solid knowledge of Jose Lopez Espinosa | Native Speaker, M.A., Spanish Literature and Linguistcs basic structures of Spanish and would like to apply and practice this Polish and practice your Spanish through engaging knowledge inspired by short stories of various topics. Along the way, conversations conducted in our courtyard at 56 you will learn some grammar, pick up new vocabulary, improve your speaking, writing and reading skills and deepen your understanding of Brattle Street. Topics will include news from the Spanish speaking world and issues that will prompt fun - and ente Spanish in context. RequiredSpanish book: Short Stories for ing conversations. This class is recommended for advanced stude Beginners: 20 Captivating Short Stories (ISBN: 1983 07 93) (CEFR B2 and above). Class will meet in the Courtyard of 56 Brattle COURSE CODE:SPST Street. Please note that class will be conducted inside the bu 9 Tuesdays, 6-7:30pm. Begins Apr. 5 | Luis Carlos Lopez case of inclement weather.

H I G H B E G I N N E R L O W I N T E R M E D I AT E COURSE CODE: SPCP This class is for students who completed our 4 Beginner Sec. 01: 5 Fridays, 6-7:30pm. Begins May 6 | $150 Levels or equivalent (approx. 50 hours of instruction). Students will continue to work on their speaking skills, review and apply basic grammar including the past tense. The goal of this class is to gain confidence and be able to transition to a Beginner Conversation class at the end of the term.

COURSE CODE: SPHB Sec. 01: 9 Mondays, 6-7:30pm. Begins Apr. 4 | $255 | Luz Elena Zuluaga No class Apr. 18 & May 30

L O W I N T E R M E D I AT E COURSE CODE: SPLI 9 Wednesdays, 6:30-7pm. Begins Apr. 6 | $255 | Luz Elena Zuluaga

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Humanities

“BestclassIhavetaken.

Excellentreadingsandparticipati bystudentsencouraged.”

—MARY L., SELF EXPLORATION THROUGH LITERATURE

ART HISTORY COSTUMES IN FILM Lena Borovci | Costume Designer, lenaborovci.com

VISUAL POLITICS OF THE HUDSON RIVER SCHOOL

Throughtheircreations,costumedesignershaveleft Kate Petterson | Museum Educator lastingimpressionsoncinemaaudiencesfromtheearly Considered America’s first art movement, the daysofHollywood.MarilynMonroemadehistorywithher 19th- century Hudson River School is defined by performancein Gentlemen Prefer Blondes (1953)onaccountofthe sweeping landscape paintings. How do these famouspinkdresswithabigbowinthebackdesignedbyWilliam images capture the power and social relationships of the time? W Travilla.HubertdeGivenchyimmortalizedthe“LittleBlackDress” will explore themes of expansionism, manifest destiny, and remova withasingleopeningsceneshowingAudreyHepburn Breakfast in of indigenous people from ancestral lands to better understan at Tiffany’s (196).Meanwhile,Dorothy’srubyslipperswornbyJudy visual politics at play. This class also examines the creation of Garlandareamongstthemostvaluable The items Wizard ofof Oz national parks and the legacy of these artworks in the 20th and (193)memorabilia!Inthisclass,wewilltakeacloselookatsomeof 21st centuries. themostmemorablemomentsofcostumesinfilm,andtheroleof C Ofocusing URSE CODE: HUDS thedesignertobringcharacterstolifethroughcostumes, Sec. 01: 4 Thursdays, 7-8:30pm. Begins Apr. 7 | $130 onclassicmomentsfromfilmfavoritesandtheuntoldstories ofthe creativetalentworkingbehindthescenestodressthestars.

COURSE CODE: COFM Sec. 01: Wednesday, 6-7:30pm. May 18 | $48

25 DUTCH AND FLEMISH ARTISTS YOU SHOULD KNOW

SOME ARTISTS YOU SHOULD KNOW FROM ITALY AND THE NETHERLANDS IN THE 17TH CENTURY

Amy Golahny | Professor of Art History Emerita, Lycoming College

ThiscourseexploresItalianandDutchartists whosepaintingsarerepresentedinmuseumsinthe UnitedStates.TheartistswillincludeGuercino, Joinusforanin-depthexplorationof25DutchandFlemish Caravaggio,HendrickGoltzius,PieterLastman,Hendrickter artistsyoushouldknow,fromJanvanEyckin-thefif Brugghen, teenth-centurythroughRenéMagritteinthetwentiethcenGerbrandvandenEeckhout,AertdeGelderandothers.

Famousandsuccessfulintheirlifetime,theirnamesmaybeless tury.AdditionalartistsincludedinthecourseareRembrandt, Vermeer,Rubens,vanGogh,Mondrian,andmanyotherimportantfamiliarbuttheirpaintingsarefascinating.Wherepossible,examp oftheirworkinnearbymuseumswillbediscussedindepth.

DutchandFlemishpainters.Wewillalsodiscussmajormovements ofartandtheartists’relationshipswiththehistorical and COUR S E social CODE: ITNE backgroundoftheirtime.Ateachsession,wewillviewworksSec. by 01: 4 Tuesdays, 3-5pm. Begins Apr. 5 | $145 threeorfourartistsandlearninterestingfactsabouttheirlives,the characteristicsoftheirart,andtheircontributionstoarthistory.

Susan Glassman | Ph.D., English, University of Rhode Island

C O U R S E C O D E : D FA R Sec. 01: 7 Fridays, 2-3:30pm. Begins Apr. 8 | $265

ccae.org/classes/humanities

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HISTORY & CONTEMPORARY ISSUES THE HISTORY OF MODERN BALKAN STATE IDENTITIES AND CONFLICTS 1912 – 1992

THE AMERICAN TWO-PARTY SYSTEM: A HISTORY Brian Bixby | Ph.D. in History, UMass Amherst

The United States has usually been dominated by tw political parties. Major political figures such as bastard of Nevis, Alexander Hamilton, and “Old Rough Anatole Sykley | Local Historian, Independent Scholar and Ready” Andrew Jackson helped shape the system, while Abe The Balkans are a multi-national and multi- ethnic Lincoln and “Give ’em hell” Harry Truman overcame turmoil that region which have borne witness to many important threatened to destroy the major parties. In this class, we’ll e world historical events. World powers, neighboring how the two-party system has been shaped since the early days of countries, and empires have been interested in the fates and the Republic, how the system ourishes, what happens when it falls outcomes of matters in Serbia, Croatia, Bosnia and Herzegovina, apart, and why third-party challengers are rarely long-lived or Slovenia, Albania, Kosovo, and North Macedonia. Why have these significant. Handouts and bibliography provided. relatively small states been the cause of so much tensionCand O U Rinterest S E C O D E : AT P S from empires such as Austria-Hungary and the Ottoman Empire?Sec. Why 01: 6 Wednesdays, 3-5pm. Begins Apr. 6 | $190 has Russia, in its Imperial, Communist, and post- Communist eras, always been interested in outcomes in this region? Why didn’t the federated nation of Yugoslavia, created so hopefully in 192 outFOUR of the HUNDRED SOULS: THE RISE OF ashes of World War I, not survive the century? In what way was this AMERICAN SLAVE SOCIETY IN REAL TIME region vital to Nazi plans for domination of Europe, but instead proved Joshua Frank | Local Educator to become the worst nightmare for the Nazis themselves as the resistance movements fought back with such daring and courage?

In this four-session course, we will explore the What were the fundamental causes that forced Yugoslavia in the meteoric rise of American chattel slavery from 19 0s to break up into the smaller Balkan states we know today and 16 9- 861 through economic, historical, legal, why was the breakup so violent? History does not give up answers to political, religious and scientific lenses provided Four in the book these questions easily, in part because the region’s complicated past Hundred Souls, edited by Ibram Kendi and Keisha Blain. We will then is not well understood. Join us for a series of lecture and discussion apply these lenses to increase our understanding of the curren to understand the reasons for the decades of violence that have polarized historical moment. Required racially Four Hundred book: repeatedly erupted in this region since 19 2, and to explore whether Souls: A Community History of African America, 1619-2019 (edited by the Balkans have finally achieved the peaceable status- quo that the Ibram X. Kendi and Keisha N. Blain) many peoples of this region have long sought and waited for. C O U R S E C O D E : 4 0 0 S COURSE CODE: BALK Sec. 01: 8 Tuesdays, 3-5pm. Begins Apr. 5 | $250

Sec. 01: 4 Wednesdays, 6-8pm. Begins Apr. 6 | $130

WHITE PEOPLE CHALLENGING RACISM: MOVING FROM TALK TO ACTION — PART 1 Cory Allen, Margaret Bad Warrior | Co-facilitators While this five-session workshop welcomes participants of all identities, its focus is on racism as a system that White people created, maintain and condone—and White people have a responsibility to dismantle. The workshop will take participants beyond the headlines to impart an antiracist world view that will infuse every aspect of participants’ lives, when hearts are open to it. In this small online group setting you will: examine the role of White people in dismantling racism, becoming antiracist, and building an equitable society; We will also explore the impact of White privilege and how being unaware of that advantage helps perpetuate racism; write about your own racial awareness journey; enhance your understanding and capacity for action through discussion of short readings, videos, and other materials; share everyday racism-related situations where you may not have e‹ectively responded and, using role plays, work out e‹ective ways to challenge racism; and develop a specific plan for challenging racism in the workplace, an organization, or in the community, while being encouraged to find other people in your life who can provide support and serve as an accountability partner in implementing your plan. Please note: Attendance at all sessions and completion of all assignments are required. Each participant will receive a phone call from one of the facilitators prior to the start of this program to review the commitment and class requirements.

COURSE CODE: WPCR Sec. 01: 5 Tuesdays, 6-8pm. Begins Apr. 5 | $150 No class Apr. 19

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STANDING ON THE SHOULDERS OF GIANTS: FEMINIST ACTIVISTS AND AMERICAN PROGRESS Emily Frank | Ed.D., Harvard Graduate School of Education Joshua Frank | Local Educator

Starting from a foundation provided in Four the book Hundred Souls, edited by Ibram Kendi and Keisha Blain, we will explore how American feminist activis often considered radical in their time, have helped make the Un States more inclusive and equitable over time. We will then use context to consider the role of women as political actors in our polarized historical moment. Required Four Hundred book: Souls: A Community History of African America, 1619-2019 (edited by Ibram X. Kendi and Keisha N. Blain) C O U R S E C O D E : FA A M Sec. 01: 4 Wednesdays, 6-8pm. Begins May 4 | $130

PUBLIC ART AND PUBLIC MEMORY: THE HISTORY OF PURPOSES AND PROBLEMS OF PUBLIC MONUMENTS Anatole Sykley | Local Historian, Independent Scholar

BOSTON BY CENTURY: HOW HISTORIC PLACES TELL THE TALE Elizabeth Merrick | Author

This online class explores Boston’s history a cent Since the Black Lives Matter movement has become at a time, inspired by historic buildings and other a part of our social dialogue, a re-assessment about sites that help tell the story. This exploration w public monuments has surfaced. In the U.S., statues highlight key aspects of the 17th to 19th centuries through illust related to the American Civil War have triggered public contemplation talks, discussion, and some optional readings. And because Bost about their meaning. In other countries, statues of colonial era leaders history is central to U.S. history, we’ll find implications that re and slave owners have been taken down or defaced. In Boston, a and wide. statue commemorating the Emancipation of Slavery—thought to be C OU RSE CODE: BOCE uncontroversial for a century—has suddenly been removed. Yet public Sec. 01: 3 Wednesdays, 5:30-7pm. Begins May 11 | $80 monuments and memorials have been with us since ancient times.

What is their purpose? Are they statements of public consent, or are these sanctioned messages for the public to take note of? Are familiar SHOWING UP RIGHT: POWER AND IDENTITY historical monuments we know only being questioned today, or has VOLUNTEERS — PART 2 there always been controversy with our public memorials? IsFOR the era of placing memorials in a public place to make a statement no longer Laurie Rothstein | Cambridge Volunteers appropriate when society seems so fragmented and divided on many Showing Up Right is a workshop on identity and issues? What is the purpose of a permanent memorial when ideas and power dynamics grounded in your specific contexts. values in society can and do change over the generations, sometimes In this two hour session, hosted by Canopy Equity radically? This seminar will review the history of public memorials— Coaching, we will build awareness of our own personal and social starting from ancient times, and then focus on the profusion of public identities, examine ways that privilege and marginalization sh memorial building in the 19th and 20th century, and then reect on the and engage with real-life scenarios to equip our tool-kit to int 21st century responses we have witnessed to public memorials, past, inequities. Prerequisite: Showing Up Right Part 1 or other similar present and proposed. training.

C O U R S E C O D E : PA P M Sec. 01: 6 Mondays, 3-5pm. Begins Apr. 11 | $190 No class Apr. 18

MAKING THE PEACE: PEACE CONFERENCES AND TREATIES, 1648 – PRESENT Brian Bixby | Ph.D. in History, UMass Amherst

COURSE CODE: VLN2 Sec. 01: Friday, 12-1:30pm. Apr. 1 | Free

VOLUNTEER IN CAMBRIDGE: FIND YOUR MISSION Laurie Rothstein | Cambridge Volunteers

Lookingatcurrentandyear-roundvolunteeropportuniti Winning the war is one thing, winning the peace is thisworkshopo‹ersparticipantsachancetoreceive ind another. And much more than territory can be involved. How peace is made can a‹ect international alizedguidance,learnfromeachother’sexperiences,and hear directlyfromlocalnonprofitagenciesaboutavailablevolu law, the balance of power, human rights, and the possibilities of future positions. workshopisledbyCambridgeVolunteersDirector wars. We’ll look at selected conferences and treaties, starting withThe the LaurieRothsteininpartnershipwithagencyvolunteermanager Peace of Westphalia at the end of the Thirty Years’ War in 1648, often COURSE CODE: VLNT hailed as the beginning of modern diplomacy. Notes and a - bibliogra Sec. 01: Thursday, 4-5:30pm. May 19 | Free phy will be supplied.

C O U R S E C O D E : P E AC Sec. 01: 6 Thursdays, 3-5pm. Begins Apr. 21 | $190

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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LITERATURE AN AMERICAN SHORT STORY SAMPLER Susan Glassman | Ph.D., English, University of Rhode Island Join us in reading a sample of short story - master pieces by both well-known and lesser-known American writers. The stories we will discuss include landmark works by Ernest Hemingway, Tennessee Williams, Sherwood Anderson, Ring Lardner, and other interesting writers who demon strate skill in characterizing the human spirit and the social values of the time in which they were writing. We will analyze themes, charac ters, settings, symbolism, and style, as well as look at contemporary interpretations. You may find wonderful short stories that you don’t already know.

COURSE CODE: AMSS Sec. 01: 8 Tuesdays, 10:30am-11:45am. Begins Apr. 5 | $260 Sec. 02: 8 Tuesdays, 2-3:15pm. Begins Apr. 5 | $260

BETRAYAL

ALICE MUNRO: THE LOVE OF A GOOD WOMAN Petra Bittner | Literature Instructor

The Canadian short story writer, Alice Munro, who won the Nobel Prize in Literature, has been describe as revolutionizing the architecture of short sto Perhaps the central theme of human history isHer stories have been said to embed more than announce, reveal betrayal and its mirror image, self-betrayal. This more than parade. The stories of this collection deal with Munr perennial theme is to be echoed through many cal themes: secrets, love, betrayal, and ordinary lives. In this cla literary forms including the Bible, Shakespeare, and fiction/we’ll non-fiction read and discuss one short story a week. For our first meeti bestseller lists. Through critical reading and vigorous discussion, we“Cortes Island”. Please please read: Theobtain: Love of a Good will explore Henry James’ The Beast in the Jungle; Albert Camus’ The Woman by Alice Munro (ISBN: 978-03 57 638) Fall; Harold Pinter’s Betrayal; John Le Carre’s The Spy Who Came in COURSE CODE: MURO From the Cold; and the foundation Genesis narrative of Adam and Eve. Gershon Weisenberg | Asst.Professor, Northeastern University (RET)

COURSE CODE: BETR Sec. 01: 10 Tuesdays, 11am-12:30pm. Begins Apr. 5 | $280

ON STILL MAULED BUT CONSTRUCTIVE LIVES: PRISON WRITING BY PEOPLE OF COLOR AND THE WRITING OF CORRECTIONAL

Sec. 02: 6 Wednesdays, 2-3:30pm. Begins May 4 | $170

SELECTED MODERN FICTION FROM SOUTH ASIA Margery Sabin | Lorraine Chiu Wang Professor of English Emerita

Some of the most compelling modern and contem porary literature has come from South Asia, formerly Ravi Shankar | Professor, Author, Correctional: A Memoir known as British India. We will read three gripping novels that open a window into South Asia and its dramatic int As we collectively reckon with mass incarceration, with the West: E.M. Forster (an English author) A Passage , to India this course examines prison memoirs as a lens into (1924), Amitav The , Shadow Lines carceral spaces that keep certain people in and the Ghosh (born in post- colonial India) (198 ), and Mohsin Hamid (an American- educated Pakistani author), public out. Pushcart Prize winner, Dr. Ravi Shankar will delve into writing his memoir, Correctional: A Memoir, then lead a discussion of The Reluctant Fundamentalist (20 7). No prior knowledge of South Asia is required or expected. prison memoirs by Americans of color, including Austin Reed, Assata Shakur, Jimmy Santiago Baca, and more. These texts will - be ap C O U R S E C O D E : S OA S proached as literary artifacts that shed light on the prison industrial Sec. 01: 8 Thursdays, 10:30am-12pm. Begins Apr. 7 | $250 complex.

C O U R S E C O D E : JA I L Sec. 01: 8 Tuesdays, 5:30-7:30pm. Begins Apr. 5 | $250

SELF-EXPLORATION THROUGH LITERATURE Jane Katims | M.Ed, Author, Dancing on a Slippery Floor and Until Now

The trials and triumphs of certain fictional chara as well as the compelling voices of certain memoir ists and essayists, seem as real as those of our friends and adversaries. The authors write with insight and in about human emotions. We’ll use contemporary works as points of departure, as we ask ourselves: What are our feelings and attitu about the story characters, memoirists, and essayists? What do o Consider a CCAE emotional responses reveal about ourselves and the wider wor Please buy or locate the following These books: Precious Days by Ann Gift Certificate!

Patchett, Varieties of Exile by Mavis Gallant, and Angle on the Roofby Purchase gift certificates online, over the phone, or in Russell Banks.

Looking for the perfect gift?

person. Visit ccae.org/gift- certificates for more details.

COURSE CODE: WTSE

Sec. 01: 8 Wednesdays, 12-1:30pm. Begins Apr. 6 | $260 30

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

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BLACKSMITH HOUSE POETRY SERIES: SPRING 2022 All February readings will take place online via Zoom on Mondays at 7:15pm. All readings from March through May will take place in person at 56 Brattle Street on Mondays at 8pm. Admission is $3.

Visit ccae.org/blacksmithpoetry for more information.

Founded in 1973, the awardwinning Blacksmith House Poetry Series features established and emerging writers of poetry and fiction.

The series is named after the Blacksmith House at 56 Brattle Street, site of the village smithy and spreading chestnut tree of Longfellow’s 1839 poem “The Village Blacksmith.”

Andrea Cohen Director Ron Spaletta & Daniel Grover Assistants to the Director Gail Mazur Founding Director

February 21

April 4

Matthew Olzmann reads from his newest poetry collection, Constellation Route, with Donika Kelly , author of The Renunciations.

Robert Pinsky reads new poems and from his most recent collection, At the Foundling Hospital.

February 28

April 11

Lesle Lewisreads from Rainy Days on the Farm, with Joan Kane , whose most recent book is Milk Black Carbon.

GailMazur whose , mostrecentbookLand’s is End, New & Selected Poems, reads with VincentKatz author , of Broadway for Paul.

March 14

April 25

Tom Sleighreads from The King’s Touch, with Alan Shapiro , author of Proceed to Check Out.

Dara Barrois/Dixon (formerly Dara Wier) reads from her new collection, Tolstoy Killed Anna Karenina, with Dennis Nurkse , author of A Country of Strangers.

March 21 Linda Gregerson reads from her new collection, Canopy, with Roger Reeves , whose new book is Best Barbarian.

March 28

May 2 Michael Collier reads from The Missing Mountain: New and Selected Poems, with Nicky Beer , author of Real Phonies and Genuine Fakes.

The Blacksmith House Poetry Series is funded in part by Cambridge Arts Council and Massachusetts Cultural Council. We appreciate our donors’ support of Cambridge Center for Adult Education and local cultural programming.

Jenny Barber reads from her new book, Future readings will be The Sliding Boat Our Bodies Made, with Joshua Weiner , author/translator most announced online at recentlyFlight of and Metamorphosis: ccae.org/blacksmithpoetry.

Poems of Nelly Sachs (a bilingual edition). Stay tuned!

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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WRITING NONFICTION

MEMORIES, STORIES, REFLECTIONS: AN ONGOING PROJECT IN LIFE STORY WRITING Kendall Dudley | kendalldudley.com

INVITATION TO MEMOIR Beverly Simon | Writer

Looking for a way to make a fresh start or take your memoir writing to a new level? This class will focus on writing pra as we delve into memory and recurring themes. Writing from stillness, we’ll seek the depth of our expression. We’ll read our aloud and respond with kind attention. Come to energize your wri talk about aspects of style, and engage in supportive feedback. C for the sake of writing and for the inspiration to be found in the company of other writers.

Join us to write those stories you’ve forgotten about C O and U R S E C O D E : H O LY Sec. 01: 6 Fridays, 10am-12pm. Begins Apr. 8 | $180 suddenly long to finish. We’ll find voices, tempos, and characters while using objects, photos, food, and all of the senses to remember, build, and write. You’ll challenge the rules of FICTION writing while remembering discipline and propriety! You’ll learn how to add dramatic tools to scenes and characters that brighten your memory and feed your imagination. We set you up to thrive through SCIENCE FICTION AND FANTASY the support of classmates and the opportunity to contribute to our WORKSHOP next book of writings.

C O U R S E C O D E : AU TO Sec. 01: 8 Tuesdays, 1-3pm. Begins Apr. 5 | $265

WRITING

Michael McComas | Clarion graduate and founder of The Mechanics Writ

Explore the process of developing character- driven stories set in the fantastic other worlds of your imagination. We will look at the interplay of charac setting, plot, and science in creating fiction that conveys ideas through storytelling. At the beginning of the class, we will read a Kendall Dudley | kendalldudley.com discuss published genre fiction, while the second half will be dev You may think of yourself as a memoirist, non-fiction writer, to workshopping student fiction. short story writer, poet, journal keeper, blogger, or novelist.

What if you dropped the boundaries between types and C O U R S E C O D E : S F F W Sec. 01: 8 Tuesdays, 7-9pm. Begins Apr. 5 | $265 styles of writing? What themes, content, imagery, knowledge bases, energy, and degrees of personal involvement might emerge? Are you looking for a fresh perspective on how to evolve your writing life? We’ll FLASH FICTION WORKSHOP: experiment with breaking molds and crossover writing, accessing new themes and imagery, and seeing what forms may be opened to you. WRITING VERY SHORT STORIES Valerie Lute | Writer COURSE CODE: MOLD

REIMAGINING THE WRITING YOU ARE TO DO: NEW SHOES FOR WRITERS

Sec. 01: Saturday, 10am-1pm. May 7 | $100

Also called short-short stories, sudden fiction, an micro-fiction, these quick stories are usually less than one-thousand words, perfect for fitting into ou WRITING FROM YOUR OWN EXPERIENCE busy lives. They are not just faster to read but often faster to w Mopsy Strange Kennedy | Book Reviewer, The Improper Bostonian lending themselves to experimentation, risk-taking, and discov things about yourself as a writer. Whether you’re a rookie jus We concentrate on two related genres using the firstnew person. starting to dabble in fiction or you’re an experienced writer exc Nonfiction articles such as the “Lives” and “Modern Love” columns in The New York Times and “Connections” in the try a new genre, this class o‹ers something for everyone. Each week Boston Globe Sunday Magazine make use of the writer’s own self, we will look at examples from the wide world of ash fiction, discuss the elements of storytelling in a small space, and o‹er supporti though the topic may be an external one. BooksIntoxicated such as feedback

by My Illness by Anatole Broyard use fiction techniques to tell a story on each other’s work. that is nevertheless the writer’s own. We’ll emphasize scenes, COURSE CODE: FL AS dialogue, and the use of pungent and telling detail.

Sec. 01: 8 Wednesdays, 6:30-8:30pm. Begins Apr. 6 | $265 COURSE CODE: WREP Sec. 01: 10 Wednesdays, 10am-11:30am. Begins Apr. 6 | $270 Sec. 02: 10 Thursdays, 3:15-4:45pm. Begins Apr. 7 | $270

INTRODUCTION TO CREATIVE WRITING Thomas Meek | Writer

LIVING STORIES

Leap into creative writing with in- class writing assignments and take-home prompts to help trigger Don Gervich | Ed.D., Editor/Writing Coach, editorboston.com the creative process. Reading assignments of the masters—Hemingway, O’Connor, and Salinger to name a few—and What makes a story vibrant and unique? We discover this as contemporary literature will illustrate craft, style, and tec we share our newest writing. Come to this class to experiment elements. with styles and subjects—either fiction or memoir. We’ll learn This participatory and supportive environment is de to help the student find their inner voice. Be prepared to share how to create vivid characters who connect with zinging dialogue; work andin provide constructive feedback. Beginners are welcomed infuse our scenes with detail, drama, and depth; and discover tales our family and work, humor and turbulence, mistakes and joy. AsCwe OURSE CODE: ICRW practice, we’ll travel together through the mystique of storytelling.

Sec. 01: 8 Mondays, 5:45-7:45pm. Begins Apr. 11 | $265 Beginning and advanced writers are welcome.

No class Apr. 18 & May 30 C O U R S E C O D E : LV S T Sec. 01: 8 Thursdays, 6-7:30pm. Begins Apr. 7 | $245 32

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WRITING WORKSHOP: LINKED SHORT STORIES Rosalie Davis | M.L.A. in Humanities, Harvard University The linked story collection is an enduring American genre, from Hemingway’sIn Our Time to Jhumpa Lahiri’s Interpreter of Maladies. O‹ering an open, intuitive form to build a composite work of discrete narratives, these “novels in stories” tend to unfold chronologically and are strongly linked to a place. This intermediate workshop is for prose writers familiar with the basic elements of short fiction and story collections.

C O U R S E C O D E : S H OT Sec. 01: 8 Mondays, 6-7:30pm. Begins Apr. 4 | $250 No class Apr. 18

DEVELOPING AUTHENTIC CHARACTERS Jane Katims | M.Ed, Author, Dancing on a Slippery Floor and Until Now

POETRY

Thewritingofastory,novel,ormemoiroftenbegins withthecreationofauthenticcharacters,oneswho WRITING THE UNSPEAKABLE: A POETRY arebelievableandcompelling.Howdothese charactersmove?Howdotheyspeak?Aretheyshownalone?Ifnot, WORKSHOP ON GRIEF AND TRAUMA howdotheyoperateinrelationtoothercharacters?Exercisesand Frannieof Lindsay discussionswillpropelusintoourwriting.We’llexploreaspects craft | Author, The Snow’s Wife (i.e.point-of-view,narrativestructure,andvividdetail)thatcontribute Writingto honestly about grief and trauma is a little like e‹ectivestorywriting.Pleasebuyorlocatethefollowing These books: performing surgery. You can’t be squeamish, nor will the Precious Days byAnnPatchett, Varieties of Exile byMavisGallant,and patient survive surgical amboyance. You must take a deep Angels on the Roof byRussellBanks.Supplementaryessaysand breath, roll up your sleeves, scrub in. In this workshop, we will exam storieswillbeprovidedbytheinstructor. disturbing events dispassionately. We will name things, and in do so cultivate simple candor. We will become familiar with the inst COURSE CODE: CRCH ments—aesthetic and instinctual, rather than hyperbolic or a Sec. 01: 8 Tuesdays, 11:30am-1:30pm. Begins Apr. 5 | $265 needed to write plain-spoken, accessible poems about those tou subjects that leave us changed.

INTRODUCTION TO WRITING CHILDREN’S BOOKS

COURSE CODE: RAIN Sec. 01: 8 Fridays, 6-9pm. Begins Apr. 8 | $280

Lee Gjertsen Malone | Journalist, Editor, and Author

LEARNING FROM TRACY K. SMITH: Have you always wanted to write a children’s book? Join Lee Gjertsen Malone, author of middle- grade The novels, Last Boy A POETRY WRITING WORKSHOP At St. Edith’s and Camp Shady Crook (both published by Tom Daley | Educator Simon & Schuster), to learn the ins and outs of writing books for kids of all ages, including a look at the di‹erent types of children’s books; Tracy K. Smith’s poetry builds on a sharp intelligence how to develop the right voice for a kid’s story; and various strategies underlying an imaginative thrust into subjects r for tackling plot. The class will include both reading and writing from anthropology to the human heart. Participant exercises and an opportunity to get valuable feedback on your canwork. bring poems on any subject. Optional exercises, based on Smith’ poetry, include building a poem around a series of questions; writ COURSE CODE: TYKE personal poem in the voice of a person you learn about through an Sec. 01: 2 Tuesdays, 7:45-9:45pm. Apr. 26 & May 3 | $100 article in a scientific journal; ruminating about outer space; a conveying the power of Duende as demonstrated by performers.

WRITING FOR CHILDREN: WORKSHOP Lee Gjertsen Malone | Journalist, Editor, and Author

COURSE CODE: TKSP Sec. 01: 7 Tuesdays, 5:30-7:30pm. Begins Apr. 19 | $230

Are you working on a children’s book? Are you ready to take the next steps? Join Lee Gjertsen Malone for A THOUSAND PETALS: a six-week intensive workshop where you’ll have the HAIKU FOR A SPRING AFTERNOON opportunity to hone your work, improve your writing skills, get valuable feedback, and meet other “kid” literature writers.

Jeanne Martin | Ed. D., Teacher Poet and Retreat Leader COURSE CODE: TYKE Sec. 02: 6 Mondays, 7:45-9:45pm. Begins Apr. 25 | $210 No class May 30

Haiku is a short poem that connects us deeply with the natural world and with each other. This worksh will focus on the buds, blossoms, and owers that come to us in the spring. We will learn about the haiku’s history, fo and structure; read many spring haiku, famous and not so famous; and try our hands at writing haiku with a focus on owers and plants o springtime season. Easy and fun writing prompts will be used in thi supportive and participatory workshop.

COURSE CODE: BUDS Sec. 01: Sunday, 1-4pm. May 22 | $110 REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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STICKING THE LANDING: INTERMEDIATE POETRY WORKSHOP

STAGE, SCREEN & MORE

Ralph Pennel | M.F.A. Creative Writing

FILM Where we enter into poetry is rarely where we end up CLUB DISCUSSION staying, so it’s time to take it to the next level!

In this Thomas Meek | Writer course, we will spend the term creating and revising In this four-week session, you’ll watch two films each week new work as we develop our truest voices. We will hone our craft by and join classmates for a lively discussion led by Tom Meek reading and studying a variety of poets and exposing ourselves to a Cambridge Day film editor and member of the Boston Society wide range of styles and aesthetics in order to best cultivate our of Film Critics. Two films will be assigned each week (assignments wil emerging poetic identities. This class focuses heavily on revision and be given out before the first meeting). Films will be selected from how to revisit the initial creative impulse where our poems began. what’s available on Amazon (may require rental) and Netix - (member COURSE CODE: STIK ship). Selections will ideally be one recently released film, and on Sec. 01: 8 Thursdays, 7:30-8:30pm. Begins Apr. 7 | $130 related film (by filmmaker, theme, social issue, etc.). Cinephiles and casual viewers are welcomed alike.

ESSAY

COURSE CODE: PICS Sec. 01: 4 Wednesdays, 5:30-7:30pm. Begins Apr. 13 | $100

WRITING THE PERSONAL ESSAY Sarah Duffett | Writer

YOU MAY ALSO BE INTERESTED IN COSTUMES IN FILM ON PAGE 27

In this eight-week course, we will explore creative personal essays. By examining works by masters of the genre, we will discuss what it takes to create a compelling personal narrative. Throughout the course, you will work on your essay and hone your skills as a close reader through an PLAYWRIGHTS’ WORKSHOP in- class workshop. By the end of the course, you’ll be well on your way Peter Littlefield | Stage Director, Writer, and Dramaturg to telling your story. Readings will include works by James Baldwin, Alexander Chee, and Esmé Weijun Wang, among others.

You get an idea for a play. Now, how do you build it into a narrative? Moments grow into scenes. The movement of C O U R S E C O D E : E S AY scenes becomes a language in itself. The story is secondary Sec. 01: 8 Wednesdays, 3-4:30pm. Begins Apr. 6 | $160 to something more elusive: a dramatic world recognizable from our lives. We are here to support you, whether you’re just beginning or ESSAYS FOR PRACTICAL PURPOSES writing a full-length play. We will read work, discuss problems, and u exercises to trigger observation and imagination.

Jamie Rose Valera | Art Historian and Researcher

C O U R S E C O D E : P LW R Why write? Perhaps you have an essay due for a 01: 10 Thursdays, 7-9pm. Begins Apr. 7 | $270 course, a cover letter for a job application, orSec. a desire to journal. The primary reason to write is so that you can formulate and organize a well-informed, coherent, and sophisti INTRODUCTION TO SCREENWRITING FOR cated set of ideas. Ideas change the world, especially when they are MOVIES, TV, THEATER, AND MULTIMEDIA written and read by those after you. Through various prompts, we will sharpen your writing, researching, and critical thinking skills, so that | Screenwriter, baitshop.org Andrew Osborne you may apply it to any aspect of your life that requires writing Whether you want to create movies, TV shows, plays, video (including, but not limited to, academic essays). games, comic books, or web videos, come learn the basics of COURSE CODE: IDEA scriptwriting in a supportive environment while you wor Sec. 01: 8 Wednesdays, 1-2:45pm. Begins Apr. 6 | $160 towards the first, second, or even final draft of a solid “spec” scri We’ll explore the three-act structure, industry-standard forma character, and dialogue, as well as tips for surviving-in the ente PERSONAL ESSAY: TELLING YOUR STORIES ment business and building your own audience.

Katie Kalahan | Writer COURSE CODE: REEN

What are your stories that stick with you, begging Sec.to 01: 8 Mondays, 7-9pm. Begins Apr. 11 | $200 be explored in writing? While personal essays can No Class Apr. 18 & May 30 take many shapes, most are: written from life, have an “I” narrator who becomes a character in the narrative, and seek to answer burning questions. In this course, students will read and write personal essays, respond to others’ writing, develop writing practices, and explore narrative patterns that support and mirror the essay’s meaning. New writers welcome.

To learn more about how you can C O U R S E C O D E : TO I L Sec. 01: 8 Wednesdays, 6-7:45pm. Begins Apr. 13 | $160

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Support Lifelong Learning

support CCAE' s programs, See page 5 1 or visit ccae.org/support.

Visual Arts & Crafts

“Thiswasafantasticclass andIreallyenjoyedRachel’s [DeLuca]instructionand feedback.Shedidagreatjob guidingourgroup,especially aswerepresentedmany differentlevelsofexperience —STUDENT, BEGINNER ABSTRACT PAINTING

Manyofourartclassesrequirestudentstopurchasematerials.Alinktothesupplylistcanbefoundintheclassdescriptiononou

DRAWING AND PAINTING ANATOMY FOR ARTISTS

BEGINNER DRAWING

Mark Lefkowitz | Certified Medical Illustrator

Jeremy Durling | Artist, jeremydurling.com

Sec. 01: 9 Wednesdays, 7:45-9:45pm. Begins Apr. 6 | $310

COURSE CODE: DRBA Sec. 01: 8 Thursdays, 5:30-7:30pm. Begins Apr. 14 | $345

The ability to draw, paint or sculpt the human form is greatlyA carefully planned series of exercises will introduce th enhanced if the artist truly understands the anatomic beginner to the following elements of observational dra structures under the skin that produce the form. We will utilize perspective, composition, light values, and contour. Stud a skeleton and anatomy atlases to learn about skeletal elements, will begin by deep learning how to accurately measure and observe obj and superficial muscle layers, and vasculature. We will set up and poses the world around them. Classes will include instructor de with a live model and apply what we’ve learned. Prior drawingtions and exercises in contour drawing, tonal drawing, and gestu experience is strongly recommended, particularly from a livedrawing model. with plenty of time to practice in class and receive feed from the instructor.

C O U R S E C O D E : D N AT

BEGINNER ABSTRACT PAINTING Rachel DeLuca | Painter

BOTANICAL DRAWING

Sean Dunstan-Halliday | Artist Abstract art covers a vast amount of di‹erent art-making styles and strategies. This beginner-level class will helpTaking you yourinspirationfromthehistoricaltraditionofbo focus on the wide world of abstract painting and allow you toillustration,learntodrawbotanicalspecimensinawider practice examining, discussing, and creating your own abstract drawingmedia,includinggraphite,penandink,coloredpencil, artworks. Each class will introduce you to a particular style andand watercolor we will pencil.Youwillexplorecompositionandpersonalst study famous historical or contemporary works as examples. Classes asyouexecutecarefullyobservedperceptualdrawings.Theinstruct will also cover basic acrylic techniques. There are many di‹erent willsupply ways someplants,butyoualsowillbeaskedtobringinspecime to think of and paint an abstract picture, so this class will C Obegin U R S E with C O D E : B OT D exercises based on shape, color, and composition.

Sec. 01: 7 Thursdays, 6-8pm. Begins Apr. 7 | $230

COURSE CODE: ABSB Sec. 01: 8 Tuesdays, 6:30-9:30pm. Begins Apr. 5 | $360

ccae.org/classes/visual-arts

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CCAE Studio School offers a group of coordinated classes that focuses on perceptual drawing and oil painting. We are interes students develop skills that enable them to record and interpret, analyze and express. We are geared towards painting an stressing the importance of spatial relationships and careful observation. ccae.

For more org/studioinformation, school.visit

INTENSIVE DRAWING BOOT CAMP Brett Gamache | Artist & Art Instructor, brettgamache.com

PAINTING FOUNDATIONS: STILL LIFE AND LANDSCAPE (STUDIO SCHOOL)

In this bootcamp, participants will experience six hours of Durling | Artist, jeremydurling.com Jeremy intensive drawing. The instructor will guide you through You will be guided through a series of foundational color drawing fundamentals and thorough observation. Beginning experiments involving personal still life setups. These with rudimentary exercises of “seeing” and “recording,” you will move will then be applied to simplifying landscapes while work through carefully prescribed steps to the point where you can from a photograph. Learn the fundamentals of oil painting in this produce quality drawings with your newly acquired skills. We will work intensive, structured developmental painting program. We’ll s with live models most of the time. visual language elements such as composition, observational C O U R S E C O D E : B O OT measurement, values, space, and mark-making. In addition, we’ll uti Sec. 01: Sunday, 10am-4pm. Apr. 10 | $185 a series of limited palettes to build strength and understan Sec. 02: Sunday, 10am-4pm. Jun. 5 | $185 color theory and color mixing. Oil paint is the preferred medium, bu students who are comfortable using acrylic or gouache are welco to do so.

DRAWING WITH THE FIGURE Jeremy Durling | Artist, jeremydurling.com

COURSE CODE: PFPH Sec. 01: 9 Tuesdays, 9am-12:30pm. Begins Apr. 12 | $430

This course will explore figurative drawing as an artistic practice. We will begin with a study of construction and PAINTING THE INTERIOR: proportion and move into capturing a sense of gesture and light. All classes will be held with a live nude model. Appropriate for INTERIOR LIGHT (STUDIO SCHOOL) both the advanced artist or the beginner.

Jeremy Durling | Artist, jeremydurling.com

COURSE CODE: DRFH Sec. 01: 9 Wednesdays, 5:30-7:30pm. Begins Apr. 13 | $345

This class will explore the complex subject of painting an interior space. We will work one step at a time from a combination of direct observation, photo reference, and invention. We will begin with drawing and color studies and use t STUDIO SCHOOL DRAWING to inform a larger final painting. Our goal is to better understan Jeremy Durling, Nicholas Mancini | Artists to capture light and perspective in this complicated environm This drawing class will use the figure as a basis - for under be paired with Painting through the Window for a 2-part course. standing basic drawing elements such as line, form in space, Experience in drawing and painting in oil or acrylic is required. Oi spatial relationships, light and dark, gesture, and composition. is the preferred medium, but students who are comfortable using Beginners will be welcomed and continuing students will also be are welcome to do so. acrylic challenged. Some classes might also include interior drawing, still life, COURSE CODE: PINT and landscape.

COURSE CODE: IDRW Sec. 02: 9 Mondays, 10am-1pm. Begins Apr. 4 | $425 Nicholas Mancini Sec. 01: 9 Wednesdays, 2-5pm. Begins Apr. 13 | $425 Jeremy Durling No class Apr. 18 & May 30

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Sec. 01: 5 Thursdays, 9am-12:30pm. Begins Apr. 14 | $285

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Jeremy Durling

DRAWING IN BARS Bryan Ramey | Artist, artbyramey.com

Comesketchwithusatadi‹erentCambridgepubevery week.Studentswilldrawelementsofthescenewith portablemediumsoftheirchoice.Yourchargeistodraw fromreallifeoutsideofthestudio,andtocapturethetone,ge andmovementaroundyou.Theendgoalistoimproveyour drawingabilityandtobecomemorecomfortabledrawinginpubli Allskilllevelsanddrawingstylesarewelcome.Drinkingisopt Drawingisnot.BYOmaterials.

COURSE CODE: DBAR Sec. 01: 6 Wednesdays, 7-9pm. Begins Apr. 6 | $180

DRAWING THE LANDSCAPE IN COLOR Gillian Frazier | Artist, gillianfrazier.com

This is an opportunity to improve your skills in order t draw the landscape. You will work from reference photos PAINTING FROM LIFE: THE FIGURE & and from nature when drawing. You will be introduced to THE PORTRAIT (STUDIO SCHOOL) basic drawing concepts through di‹erent weekly assignments including shape, line, atmospheric perspective, and color wit Jeremy Durling | Artist, jeremydurling.com assignments and instructor demonstrations. Various mediu This class will focus on accurate observation and structural be explored such as pencils, colored pencils, oil pastels, past understanding of both the portrait and the human figure. We and mixed media. will seek to translate these complex subjects to their simplest COURSE CODE: DLAN terms and methodically build our painting from a foundation of simple Sec. 01: 7 Tuesdays, 5:30-7:30pm. Begins Apr. 5 | $200 but essential color relationships. We will work with a nude live model from direct observation.

COURSE CODE: PLFP Sec. 01: 9 Tuesdays, 1pm-5pm. Begins Apr. 12 | $600 Sec. 02: 9 Wednesdays, 9am-1pm. Begins Apr. 13 | $600

METAMORPHIC DRAWING

YoAhn Han | Assistant Professor at MassArt, yoahnhan.com

Movebeyondthefundamentalsandbreakoutofyour comfortzonebyexploringobservationalandabstract PAINTING THROUGH THE WINDOW: conceptswithnon-traditionaldrawingmethods.

Experi mentwithwetanddrymediaonpaperwhilechallengingform, THE LIGHT OUTSIDE (STUDIO SCHOOL) shape,composition,andspecialrelationships.Demonstrations Jeremy Durling | Artist, jeremydurling.com critiques,andvirtualgalleryvisitsbringyourworktoamore This class will study the beautiful and expansive intriguinglevel.Thisclassisdesignedforstudentsthatwan space we see while gazing through a window. continuetorefinetheirskillsinthemediumandrefreshthei Students will work from home to find a subject understandingofconcepts.Thefirsthalfofthisclassfocuseson anywhere from a familiar landscape to the light streaming into a drawing andmovesintowetmediumsofthestudents’choice. beloved room. We will use drawing and color studies to experiment COURSE CODE: MEMD with ways of seeing this space, and these studies will inform a larger Sec. 01: 8 Mondays, 6-8pm. Begins Apr. 4 | $220 final painting. Can be taken independently or as a second part to No class Apr. 18 & May 30 Painting the Interior. Experience with drawing and painting in oil or acrylic is required. Oil paint is the preferred medium, but students who PORTRAIT DRAWING (ON THE RIGHT SIDE are comfortable using acrylic are welcome to do so.

COURSE CODE: PWLO Sec. 01: 5 Thursdays, 9am-12:30pm. Begins May 19 | $285

OF THE BRAIN)

Eric Bornstein | Artist, M.L.A., Harvard

A portrait is more than a face. Based in part from the book, Drawing on the Right Side of the Brain, by Betty Edwards, the curriculum systematically introduces vi perceptual drawing skills to help organize visual informati Brett Gamache | Artist & Art Instructor, brettgamache.com capture the essence of your subjects. Classes will focus on gaining a familiarity with useful drawing strategies, materi Join us for a plein air landscape painting class along the issues of composition, and the attainment of the right ambia North Shore’s seacoast with locations including Gloucester, Rockport, and Ipswich. Topics covered include: setting up, to render e‹ective works. Please bring medium/soft pure graphi pencil and vine charcoal and 18” x 24” white drawing pad to first beginning a painting, composition, mixing color, creating space, and class.

There will be a live model in the class. capturing light. Students are asked to bring materials (paints, brushes, portable easel, canvas) as well as a mask. Oil painting is the preferred COURSE CODE: PDRB medium, some painting experience is required. This class will meet Sec. 01: 8 Thursdays, 7:45-9:45pm. Begins Apr. 7 | $315 in-person outdoors.

PAINTING OUTDOORS ON THE NORTH SHORE (STUDIO SCHOOL)

COURSE CODE: PONS Sec. 01: 5 Fridays, 9:30am-1:30pm. Begins May 13 | $315

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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DRAWING AND PAINTING CAT AND DOG PORTRAITS

BEGINNER OIL PAINTING Jeremy Durling | Artist, jeremydurling.com

Join us for an introduction to the materials and mechani oil painting as well as the fundamentals of visual langua Portrait drawing and painting enhances and supports deep You will learn about composition, drawing, values, and colo seeing into another living being. This process bridges our while working from still-life and other projects. No experience is di‹erences and can create enhanced intimacy with non-hu necessary. man species. In this class, we will focus on painting and drawing C O U R S E C O D E : PA P P portraits of special cats and dogs in our lives, so we can celebrate 01: 8 Mondays, their faces and names to help tell their stories whetherSec. they are still 6-9pm. Begins Apr. 11 | $390 No class Apr. 18 & May 30 with us or passed on. We will also create a Facebook group and have an online exhibit of our works.

Eric Bornstein | Artist, M.L.A., Harvard

COURSE CODE: PETP Sec. 01: 9 Tuesdays, 5:30-7:30pm. Begins Apr. 5 | $250

CAN’T DRAW? WHO SAYS? Ellen Stutman | Artist, ellenstutman.com

WATERCOLOR BOTANICAL WATERCOLORS:

PAINTING THE FLOWER Designed for the “drawing challenged,” this class will help you move past your inhibitions and teach you some basic Adam Adkison | Artist, adamadkison.com techniques of drawing. We’ll focus on learning to really see The fragile beauty of owers and the vibrancy of and how to translate visuals down on paper. The emphasis will be on watercolors go hand in hand. In this class, the the process and not the result in this non-judgmental classroom instructor will guide you through painting severa environment. types of owers from start to finish. He will provide color mixing, COURSE CODE: WHOS brushwork, and step-by-step instructions. He will also share tip Sec. 01: 10 Tuesdays, 5:30-7:30pm. Begins Apr. 5 | $305 tricks for watercolor that you can use for a lifetime. Explore the details of nature in color, light, and form. All levels from beginne advanced are welcome. Tuition includes a $15 materials fee to cover INTERMEDIATE/ADVANCED ABSTRACT ART: the cost of owers.

PAINTING AND MIXED MEDIA Rachel DeLuca | Painter

C O U R S E C O D E : WA F L Sec. 01: 6 Thursdays, 10am-12pm. Begins Apr. 7 | $190

In this workshop, students will learn to develop their own artistic voice through exercises in abstract WATERCOLOR thinking. Classes will introduce you to contemporary Anthony Riccardi, Bryan Ramey | Artists artists working all over the globe as well as artists throughout history.

Watercolor is a translucent medium that sinks into the We will begin with a series of guided projects using acrylic paints and a sheet of paper, releasing the light from the surface. mixed media. Students will also be able to explore individual projects Watercolor dries fast, enabling one to work quickly with and develop skills to speak about their work. Students should have freshness the fun taken one of the following prerequisites prior to enrolling: Beginnerand spontaneity. In this class, we will address mentals of watercolor painting, with an emphasis on exploration Abstract Painting, Abstract Art: Contemporary Approaches, or personal expression.

Painting Abstract Art: All Levels Part One. COURSE CODE: ABSI Sec. 01: 8 Thursdays, 6:30-9:30pm. Begins Apr. 7 | $360

PAINTING THE FIGURE WITH COLOR David Andrus | Artist, davidandrus.weebly.com

C O U R S E C O D E : WAT E Sec. 01: 10 Wednesdays, 1-3pm. Begins Apr. 6 | $290 Anthony Riccardi Sec. 02: 8 Thursdays, 5:30-7:30pm. Begins Apr. 7 | $290 Bryan Ramey

AQUA EFFIGIES: THE PORTRAIT IN WATERCOLOR

Bryan Ramey | Artist, artbyramey.com This class will focus on the use of vibrant color to create In this workshop, we will explore the portrait in-the inspi dynamic oil paintings from the live model that go beyond just al medium of watercolor. We will discuss how to approach the copying. We will work with an increasing awareness of form and structure as well as looking at examples of past and present portrait, including proportions and structure of the he artists for inspiration. Please bring a canvas to the firstinstructor class. Some will explain how he approaches watercolor by breaki down color choices, compositions, and values of light/shadow in figure drawing experience would be helpful. order to construct a solid foundation for the painting. The inst C O U R S E C O D E : PA I O will demonstrate how to put a portrait together from start t Sec. 01: 10 Fridays, 6-9pm. Begins Apr. 8 | $415 using both realistic and abstract techniques. We will finish th everyone working through a portrait from planning to completio Basic watercolor experience is recommended but not required.

C O U R S E C O D E : WA P P Sec. 01: Saturday, 10am-2pm. Apr. 30 | $120 Sec. 02: Saturday, 10am-2pm. Jun. 11 | $120

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Bryan Ramey

PRINTMAKING INTRO TO INTAGLIO / DRYPOINT PRINTMAKING Louis Meola | Artist

Intaglio printing means printing ink from the incis marks in a plate or matrix. This is a course for beginning students seeking thorough exposure to intaglio printmaking without any of the nasty chemicals. We will g special attention to a broad array of intaglio applications: dr found objects, collage, and monoprint techniques. The intaglio l like no other in the sense that it becomes embedded in the fiber the soaked paper. The end result is a deep, rich, and unique mark.

C O U R S E C O D E : I TG L Sec. 01: 8 Mondays, 6-8pm. Begins Apr. 4 | $285 No class Apr. 18 & May 3

BOSTON EN PLEIN AIR: WATERCOLOR LANDSCAPE PAINTING Bryan Ramey | Artist, artbyramey.com

INTRODUCTION TO RELIEF PRINTMAKING Laura Sheffield | Artist

Explorethevariedstylesofreliefprintmakinginth Hopper, Cezzan, Turner, Milford; all artists renowned sessions,focusingonlinoleumcut(linocut)with for their watercolor landscapes. The inherent ability detoursintoprintingwithfoundobjects,recyclabl to capture vivid colors and moods all within a small andtraditionalwoodcuts.Thisformofprintmaking,anancientcraf window of time on location is known pleinas air painting. In this class modern practitioners, willhelpyoulearnor ( refine)yourskillsinde we will paint on site at a location in Boston or Cambridge and look at aswellasimage-making,andleaveyouwithaportableprintmakingsk di‹erent methods and practices of painting foliage, ora, architecture, Wewill and possibly even people. The main focus of this intensive will be lookatcontemporaryandhistoricalartforinspiration,l block-cutting color and the use of brush techniques to build vivid landscapes as the techniques,andprintonavarietyofpapers.Inthefina old masters would have—as well as to find renewed life aftersession, a year of wewillalsotryalteringourprints,orusingthemincolla Reliefprintingcanbepursuedonasmallor ( verylarge)scaleandisa being shut away. So come paint, be social, and see the world around technique youcancontinueinyourhomestudiooronyourkitchen you with new eyes. Each section will visit a di‹erent location.

The printmakingspaceatCCAEisspaciousandhasmanyofthe instructor will email you the meeting location before thetable. classOur starts. toolsyouneed.Alistofmaterialswillbeprovidedtostudents.

C O U R S E C O D E : WA PA Sec. 01: Saturday, 12-4pm. May 14 | $100 Sec. 02: Saturday, 12-4pm. Jun. 4 | $100

COURSE CODE: PRIR Sec. 01: 4 Wednesdays, 5:30-7:30pm. Begins May 4 | $145

ABSTRACT AND EXPERIMENTAL WATERCOLOR PAINTING

MONOTYPE PRINTMAKING THREE WAYS: INSPIRATION AND BASIC TECHNIQUES

YoAhn Han | Assistant Professor at MassArt, yoahnhan.com

Susan Rice and Laura Sheffield | Artists

Practice one of the most instantly-rewarding forms Using the uid and luminous medium of watercolor, printmaking: monotypes! The first session will featu students will explore abstract and experimental reduction monotypes, the use of monotype base, painting with creative exercises. The instructor will watercolor and water-soluble crayons, and the qualities of var introduce contemporary watercolor artists and discuss their printmaking techniques. Students will have a chance to work on their own projects papers. In the second session, we will experiment wit stencils, masks, and trace transfer monotypes. You can combine in a supportive environment using experimental approaches to these methods and others to create unique prints, employing mu painting. This class is appropriate for both beginners and those who pressings to build up layers on the same print. For the third sess have prior experience with watercolor. we will try chine collé, a form of collage, using lightweight papers an C O U R S E C O D E : WA A B the press to add richness, texture, and layers to your images. This Sec. 01: 7 Saturdays, 10am-12pm. Begins Apr. 9 | $240 class will include time to finish projects and discuss how monot printmaking can be continued at home without a press. Our studi uses exclusively non-toxic materials and some tools and supplie PAINTING THE LANDSCAPE provided or can be purchased on-site from CCAE. A list of supplies Anthony Riccardi | Artist and resources will be provided to enrolled students. Longtime Every landscape includes many complex shapes and textures. printmaking teacher Selma Bromberg will be a visiting artist a In this class, learn to develop your perceptions of five session, showing her recent work. di‹erent zones inside the landscape space: through, between, COURSE CODE: PRIM within, below, and above. Traveling through these zones, you will learn Sec. 01: 4 Fridays, 10am-1pm. Begins Apr. 29 | $185 the fundamentals of landscape painting techniques. We’ll also discuss various artists and their works to explore the many ways the landscape may be interpreted. Acrylic and watercolor paint media will be used; no oils, please. Class meets indoors.

COURSE CODE: PLSC Sec. 01: 10 Wednesdays, 10am-12:30pm. Begins Apr. 6 | $355 REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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WHITELINE WOODBLOCK: THE PROVINCETOWN PRINT

INTRO TO ADOBE ILLUSTRATOR Natalia Slattery | Artist, nataliaslattery.com

Adobe Illustrator is a powerful tool for creating v illustrations that can be used in a myriad of ways. In This print technique originated in Provincetown, circa this class, students will learn the basics of Illus 19 5. It is a simple method which uses easily through demonstrations and the hands- on experience of creatin accessible materials. Students will bring a simple logo. We will also discuss the principles of logo design and look at 5”x7” image, drawing, or design to the first class, which will then be examples for inspiration. This class is geared toward Illustrat copied onto a woodblock. Prints are created by transferring the beginners, but students who are looking to grow or refresh their drawing, then carving and inking the block. The shapes are outlined in are also welcome! white, rather than the black lines often seen in woodblock prints.

O UaR S E C O D E : A D I L Colorful prints are created using just one wood block! ThisCis Sec. up 01:your Wednesday, 6-9pm. Apr. 27 | $80 transportable technique which does not require a press. Pack watercolors, board, and carving device and get started!

Marianne deVaux | Artist

COURSE CODE: PRWL Sec. 01: 2 Thursdays, 1-5pm. Apr. 7 & Apr. 14 | $120

INTRO TO ADOBE INDESIGN Natalia Slattery | Artist, nataliaslattery.com

Whether you are printing yers for an event or creating social media graphics for your business, Adobe InDesign allows creators to easily work with Natalia Slattery | Artist, nataliaslattery.com both images and text. In this class, students will learn the bas Screen printing, or silkscreen as it’s sometimes called, is a InDesign through demonstrations and the hands- on experience of versatile print process perfect for both bold designs and soft designing an event yer. This class is geared toward InDesign painterly prints. In this class, students will learn the basics of beginners, but students who are looking to grow or refresh their screen printing at home, including using various forms of resist, are also welcome! printing on fabric, and creating a DIY exposure unit for making detailed COURSE CODE: ADIN stencils from printed transparencies. Over the course of 8 weeks, Sec.and 01: Wednesday, 6-9pm. May 18 | $80 students will find inspiration in contemporary printmakers learn through demonstration, hands- on work time, and opportunities for feedback from the class.

INTRODUCTION TO SCREENPRINTING

COURSE CODE: SLKS Sec. 01: 8 Tuesdays, 7:45-9:45pm. Begins Apr. 5 | $230

INTRO TO ADOBE PHOTOSHOP: DIGITAL COLLAGE Natalia Slattery | Artist, nataliaslattery.com

MULTIMEDIA & PHOTOGRAPHY MASTERING THE DIGITAL CAMERA Randall Warniers | Photographer, warniers.net

In this class, students will learn how to collage together images from di‹erent sources to create creative works of digital art. Students will lear basics of Adobe Photoshop through demonstrations, examples, and hands- on practice. This class is geared toward Photoshop beginne but students who are looking to grow or refresh their Photosho are also welcome!

COURSE CODE: ADPH The variety of menus, buttons, and settings on a digital Sec. 01: 2 Wednesdays, 6-8pm. Apr. 6 & Apr. 13 | $80 camera can be intimidating. This hands- on, interactive four-hour class will cover the fundamentals of camera operation and help you turn your digital camera from a confusing SMARTPHONE VIDEO STORYTELLING obstacle into a creative image-making machine. Camera required!

This class is designed for beginning to intermediate photographers, but WORKSHOP: BETTER HOME MOVIES anyone can attend and get value out of the class exercises.

Bob Glover | Emmy Winning Producer, Executive Coach

COURSE CODE: MDPC Sec. 01: Sunday, 9am-1pm. Apr. 10 | $200

Areyouthefamilydocumentarian?Areyoutiredof watchingterrible,boringhomevideos?Shakyvideos withterriblesound.Uglyvideowithnopoint.Have morefun.Createbettermovies.Learnhowtouseyoursmartphonet MIXED MEDIA COLLAGE tellastorythatwillengageandentertainyouraudience.There Natalia Slattery | Artist, nataliaslattery.com partstotheworkshop.Eachis3.5hourslongpresentedon-consecu This eight-week workshop is an introduction to the world of tiveSundays.

Duringthefirstdayoftheworkshopyouwilllearnhowt collage and mixed-media art-making. Collage is one of the capturethebestvideoandaudioyoursmartphonecandeliver.Yo most accessible and freeing artistic mediums. With a creative instructorwillhelpyouidentifyyourstoryandgiveyoustorytel eye, nearly anything in your home can become a material for thatwillelevateyourstorytelling.Bytheendofthesessionyou expression. In this class, we will look to collage artists throughout identifythemovieyouwanttocreate.Norestfortheweary!Duringt history and the world around us for inspiration. Through in- class timebetweenclassesyouwillrecordthevideoandaudioyouneed demonstrations, students will learn a myriad of collage techniques, makethatmovie.Theseconddayiswheretherubbermeetstheroad including cut-paper, 3-D collage, and creating collagraphs for You’lllearnhowtoedityourmovie.Ifyoudothework,bytheendofthe press-free printmaking. seconddayyouwillhavecreateda“homemovie”worthwatching.

C O U R S E C O D E : M I XC Sec. 01: 8 Tuesdays, 5:30-7:30pm. Begins Apr. 5 | $230

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SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

COURSE CODE: VIDH Sec. 01: 2 Saturdays, 1:30-5pm. Begins Apr. 9 | $145

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SMARTPHONE VIDEO STORYTELLING WORKSHOP: NON-PROFIT & BUSINESS STORYTELLING Bob Glover | Emmy Winning Producer, Executive Coach Does your business, nonprofit, or club need a video?

A good story engages volunteers and compels donors to support your organization. But where do those stories hide? How can you find them? How do you tell them e‹ectively? Learn how to use your smartphone to tell your organiza tion’s or business’s story. There are two parts to the workshop. Each is 3.5 hours long presented on consecutive Sundays. During the first day of the workshop you will learn how to capture the best video and audio your smartphone can deliver. Your instructor will help you identify your story and give you storytelling tips that will elevate your narrative. By the end of the session you will identify the story that you want to create. No rest for the weary! During the time between classes you will capture the video and audio you need to tell that story. The second day is where the rubber meets the road. You’ll learn how to edit your story. If you do the work, by the end of the second day you will have created an engaging story for your program.

COURSE CODE: VIDN Sec. 01: 2 Saturdays, 9:30am-12:30pm. Begins Apr. 9 | $145

BEGINNING JEWELRY: STERLING SILVER BAND RING Laurie Savage | Metalsmith

JEWELRY BEGINNING JEWELRY Laura Jaklitsch | Metalsmith, laurajaklitsch.com

Beginning jewelry making students will learn the fundam techniques for designing and fabricating a sterling silv textured band ring. Students will learn how to texture, fi form, solder, sand, and polish the ring. All materials will be provid including sterling silver, copper (for practicing techniques), saw blades, solder, and sandpaper. A materials fee of $40 is payable to the instructor on the day of the class.

O U R Slearn E CODE: JEWR In this multi-week class, beginning jewelry studentsCwill Sec. 01: Friday, 5:30-9:30pm. May 6 | $85 to design and fabricate their own handcrafted jewelry.

Students will learn how to texture, file, form, solder, sand, and polish as they make di‹erent projects, which may include a ring, ADVANCED STUDIO JEWELRY bangles, and bezel-setting a stone. All materials will be provided.

Laurieday Savage | Metalsmith There is a $50 materials fee payable to the instructor on the first of class.

If you have taken ten or more intermediate/advanced-leve

jewelry classes or have a similar experience, join us to po your skills to the highest level. You’ll enjoy open studi which to create the jewelry of your own design with direction fro instructor. There is no materials fee; please bring the material INTERMEDIATE JEWELRY intend to use. Enrollment in this class is allowed only with per from the instructor; email us your request at info@ccae.org and Laura Jaklitsch | Metalsmith, laurajaklitsch.com include your experience. The instructor will reply to you directl For students who have completed our multi-week COURSE CODE: JEBE Sec. 01: 8 Tuesdays, 6-9pm. Begins Apr. 5 | $365

Beginning Jewelry class, or have taken 3 or more C O U R S E C O D E : J E WA 01: 8 Wednesdays, 6-9pm. Begins Apr. 6 | $365 single-session beginner jewelry classes, joinSec. us to further your design and fabrication skills. You will undertake more challenging projects while learning how to customize them, these may BEGINNING JEWELRY: BANGLE BRACELETS include a hollow ring project, prong setting, and tube setting a stone.

Laurie Savage | Metalsmith All materials will be provided and there is a $50 materials fee payable to the instructor on the first day of class.

Beginning jewelry making students can continue learnin

COURSE CODE: JWIN Sec. 01: 8 Thursdays, 6-9pm. Begins Apr. 7 | $365

this workshop which focuses on creating a set of 3 textured bangle bracelets, one each in sterling silver, bronze, and copper. Students will learn to further develop their fabricat including measurement, texturing, filing, forming, soldering, and tumbler finishing. All materials will be provided, including ster silver, bronze, and copper (in di‹erent shaped wires), saw blades, solder, and sandpaper. A materials fee of $40 is payable to the - instru tor on the day of the class.

COURSE CODE: JEBB Sec. 01: Friday, 5:30-9:30pm. May 20 | $85

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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BEGINNING JEWELRY: STERLING SILVER PENDANT WITH BEZEL-SET STONE Laurie Savage | Metalsmith Beginningjewelry-makingstudentscancontinuelearninginthis workshopwhichfocusesoncreatingasterlingsilverpendant withabezel-setcabochonstone.Studentswilldeveloptheir fabricationskills,includingdrilling,sawing,piercing,filing,multiple solderingtechniques,makingjumprings,satinfinishing,andsettingthe stone.Allmaterialswillbeprovided:sterlingsilversheetandwire,copper for ( practice)cabochon , stone,sawblades,solder,andsandpaper.A materialsfeeofis 04$ payabletotheinstructoronthedayoftheclass.

COURSE CODE: JEPD Sec. 01: Friday, 5:30-9:30pm. Jun. 3 | $85

ENAMELING Heather Wang | Artist

Enamelingistheprocessoffusingcolorfulglassontometal.

Inthisopenstudio,youwillhaveaccesstokilntime,along with TIE-DYE WORKSHOP SHIBORI guidancefromtheinstructor.Studentsshouldbringprojects Lena Borovci | Costume Designer, lenaborovci.com theyareworkingon,asthisworkshopisintendedforstudentswith Join us foranintroductoryworkshopexploringthebasicsofshibori! jewelryexperience.Ourstudiousesunleadedenamelonly,and the kiln Shibori isatraditionalJapaneseresistdyetechniquethatuses issuitableforjewelryscaleitemsonly.Thereisa$25materials fee oftextilemanipulationmethodstoproducedi‹erentpatternswh payabletotheinstructorfortheenamelcolorsand - otherconsum fabric immersedinindigodye.Experimentwithtying,folding,stitchin ables,butpleasebringmetalsandothermaterialsyouintend tois use. compressing,andtwistingfabrictocreateyourownuniqueshibori COURSE CODE: ENAM masterpiece.

Sec. 01: Saturday, 10am-4:30pm. Apr. 16 | $105 Sec. 02: Saturday, 10am-4:30pm. May 14 | $105

OPEN STUDIO METALSMITHING AND JEWELRY Laurie Savage | Metalsmith

COURSE CODE: SHIB Sec. 01: Saturday, 10am-2pm.

May 7 | $105

Sec. 02: Wednesday, 5-7pm.

Jun. 8 | $52

If you are or have been a metalsmithing or a jewelry student, join us to work independently on projects of your own design with direction from the instructor. Intermediate-level experience is required. Please bring the materials you intend to use. If you have any questions, please email info@ccae.org before the first class and we will have the instructor reply to you directly.GLASS SCULPTURE:

GLASS

COURSE CODE: OPMT Sec. 01: Saturday, 10am-4pm.

Sec. 02: Saturday, 10am-4pm.

Sec. 03: Saturday, 10am-4pm.

Sec. 04: Saturday, 10am-4pm.

Sec. 05: Saturday, 10am-4pm.

Apr. 9 | $105 Apr. 23 | $105 May 14 | $105 May 21 | $105 Jun. 11 | $105

FIBER ARTS KNITTING FOR BEGINNERS Instructor: Sarah Guerin Certified Master Knitter

LIGHT AND COLORS

Michel L’Huillier | Stained Glass and Fusing Artist

Create a low relief mold made with ceramic fiber (a soft material easily cut or torn) on top of which 3 layers of glass (8” x 1 ”) will be kiln-fired at 150 °. The glass sheets will become one solid piece and take the imprint of the texture and the sha the fiber pieces exactly like you handcrafted it. You will have the option to bring colors to your project by cutting colored pieces fusible glass. Your instructor will fire your creation in his own k $135.0 materials fee per student is included in the tuition. Your glas creation will be returned to you ready to be displayed in a sturd custom wooden frame. No previous glass experience is necessary.

C O U R S E C O D E : G S LC Sec. 01: Sunday, 10am-12pm. May 22 | $125

As an introduction to knitting, we will cover casting on and o‹ STAINED as well as the only two stitches in knitting: knit and purl. Once GLASS DESIGN comfortable with these new skills we will move ontoMichel knitting in | Stained Glass and Fusing Artist L’Huillier the round and shaping techniques with increasing and decreasing Usingthecopperfoilmethod,createastainedglasspanelup ( stitches. We will also discuss the di‹erence between various fibers tosquare 5.1 feet)Learn . todevelopyourideasintoquick and how to choose wisely for each project. With your newly acquired sketchesandthenintoafull-scaledesign.Fromthere,playwi skills you will be able to whip up birthday and holiday gifts for shapes,colors,andtexturestobringyourdesigntolife.Learntocut everyone you know as well as special projects for yourself. glassaccurately,foil,andsolder.Classtuitionincludesamateri

COURSE CODE: BKNT Sec. 01: 8 Wednesdays, 5:30-7:30pm Begins April 6 $260

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SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

C O U R S E C O D E : S TG A Sec. 01: 4 Sundays, 10am-4:30pm. Begins Apr. 10 | $355

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GLASS FUSING: SUSHI SET Michel L’Huillier | Stained Glass and Fusing Artist

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INTRODUCTION TO WOODWORKING: BUILD A BOX

In this 3 hour workshop, you will learn the basicsDana of Farmer | Woodworking Instructor glass fusing while having fun playing with glass Carl Spagnoli | Woodworker shapes, colors, and textures. First, through a series of Become familiar with typical woodworking tools and the fun exercises, you will learn how to use glass powders, frits, and basics of joinery and construction techniques by buildin stringers. Then, you’ll design and create your own sushi set: a big square plate or long channel plate, 2 individual dishes 6” x 6”, and one foundational shape from which most furniture and struct small dipping sauce dish 3” x 3”. A $125 materials fee is included in are constructed: a box! We will discuss di‹erent types of wood and whatfor factors go into your choice of material. We will also discuss the tuition. Additional dishes can be made for $25 extra; big plates $5 extra, payable to the instructor during class. Please note:di‹erent types of joints, and both the structural and aesthet students must wear closed-toed shoes; safety glasses willyou be may want to use one joint method over another. Students sho plan spending around $50 on materials. provided. Your instructor will fire your pieces in his own kiln.

Theyon will be available at CCAE within two weeks.

COURSE CODE: GFSS Sec. 01: Sunday, 1-4pm. Apr. 10 | $245

WOODWORKING

C O U R S E C O D E : W K BX Sec. 01: 8 Mondays, 6-9pm. Begins Apr. 4 | $325 | Dana Farmer No class Apr. 18 & May 30 Sec. 02: 8 Wednesdays, 6-9pm Begins Apr. 6 $325 | Carl Spagnoli

WOODWORKING OPEN SHOP Carl Spagnoli | Woodworker

In this open shop, students have time and space to complet modest projects of their choosing under the guidance of a WOOD CARVING WITH SMALL TOOLS instructor. Refine your knowledge about tools, woods, join and tool sharpening with both hand tools and a range of power to Dan Paret | Woodworker, planesimplebox.com Students should plan on spending $50- 1 on materials depending Wood carving is a relaxing, meditative endeavor. Once you on the scope of their projects. It is recommended that student gain a bit of facility with the tools and an understanding of taken an Introduction to Woodworking class at CCAE, or have how wood is likely to respond, your carving space will become previous woodworking experience. a place of refuge and escape. Our approach will be relaxed, the mood C O U R S E C O D E : W KC A quiet and encouraging. Through a series of demonstrations and Sec. 01: 10 Fridays, 6-9pm. Begins Apr. 8 | $370 discussions, you will be introduced to a variety of wood carving techniques and styles, all of which can be carved with a modest set of small wood carving tools. Each class will include a demonstration, WOODWORKING: INDEPENDENT WORKSHOP time for beginning the work, and for asking questions. Between Dan hone Paret | Woodworker, planesimplebox.com classes, you will have an opportunity to finish the project and your skills. We will share our work and the instructor will answer In an environment with equal parts seriousness a questions before moving on to the next carving project. levity, we will work independently on projects of ou own choosing. Working alongside like-minded people COURSE CODE: HTDC we will share the joys, challenges, setbacks, and little victori Sec. 01: 7 Tuesdays, 6:30-8:30pm. Begins Apr. 26 | $220 making wood objects. The instructor in this workshop will parti as a maker in addition to supervising the shop environment. He w answer questions, share insights, and provide guidance, but most will be teaching by example while other makers take full charge of their own projects. Please note that only a limited selection machine tools will also be available for use, which will be discus during the first class. All skill levels are welcome as long as you prepared to work independently.

COURSE CODE: WKIW Sec. 01: 7 Wednesdays, 2-5pm. Begins Apr. 27 | $300

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

43

Performing Arts

“Instructor[AmyKucharik] wasencouragingand madeitafunexperience!”

—CHRISTINA, INTRODUCTION TO UKULELE

Allmusicstudentsmustprovidetheirowninstruments.Studentswillneedtorentaninstrumentiftheydonotownone.

THEATER ACTING WORKSHOP: THE BASICS

CONTINUING ACTING WORKSHOP

Dewayne Nelson | Actor on Stage, Film & TV

Dewayne Nelson | Actor on Stage, Film & TV

C O U R S E C O D E : AC T 1 Sec. 01: 10 Wednesdays, 7:30-9:30pm. Begins Apr. 6 | $260

C O U R S E C O D E : AC T 2 Sec. 01: 9 Saturdays, 11:30am-1:30pm. Begins Apr. 9 | $250

Explore the basics of acting for stage and film. We will work Explore the next level of acting for stage and film. We will wor with scripts from contemporary plays and films, connecting with scripts from contemporary plays and films, connecting our e‹orts to the work of living playwrights and film directors. our e‹orts to the work of living playwrights and film direct We will use theater games and improvisation, having fun while Wetaking will use theater games and improvisation to have fun while ta chances. We will cover the audition process, what casting companies chances. We will cover the audition process, what casting compani seek in an actor, and practical tips about the industry andseek how to inget an actor, and practical tips about the industry and how t work as an actor. work as an actor.

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ccae.org/classes/performing-arts

P erforming

PLAY PRODUCTION: ACTING WORK WORKSHOP

A rts

DANCE

Dewayne Nelson | Actor on Stage, Film & TV

This advanced acting course focuses on “live BALLET WITH RONNIE theatrical performances.” Through rigorous Ronnie Thomas | Dancer rehearsals, students will learn how to work with a This class teaches students to transform onesel director as an ensemble member in a production. In addition, students layered response of frequency to music and fine tune will perform two plays for a live audience. This ten-week course is best proper form through movement while practicing utilized for students who have taken acting 1 and 2. The class awareness of clean lines that are produced from first and fifth requirement would include one contemporary monologue for the positions front, back, and side to side. This Class will consist of first- class auditions. work, Center work, and Stretching while communicating the techn C O U R S E C O D E : AC T 3 biomechanics of Classical Ballet, Artistry, and Musicality in de Sec. 01: 10 Thursdays, 7-9pm. Begins Apr. 7 | $260 Please wear comfortable dance clothing and ballet slippers. St shoes are not acceptable.

STAND UP COMEDY WRITING AND PERFORMANCE Joshua Filipowski | Comedy Instructor

COURSE CODE: BALE Sec. 01: 8 Mondays, 5:30-7pm. Begins Apr. 4 | $185 No class Apr. 18 & May 30

Have you ever thought about trying stand-up comedy? Or do MYSTIQUE-OLOGY: HIP-HOP CLASS you want to take your stand-up and comedy writing to the next level? This workshop will help you find your inner Ronnie Thomas | Dancer comedic voice, whittle down to find the funny, or punch up what This class presents a stylistic class baseline of already is. Students will also be given several opportunities outsidecontemporary of hip hop. With the infused principles of class to perform.

Voguing, Polyrhythmics, and theatre. This unique constellation of artistic forces aligns itself to create new a COURSE CODE: IMPR dance dialogues. Mystique- ology is a play on words that spawns from Sec. 01: 6 Mondays, 5:30-7pm. Begins Apr. 4 | $160 the MIDT company name and model. The parsing of Mystique is the No class Apr. 18 unknown aspects of you, yourself in body, and its usage through movement. It involves honing the skill of transforming-and shape EXPLORING VOICEOVERS WORKSHOP ing as a layered response of frequency to music.

Nancy Halpin | Voice Talent & V.O. Producer COURSE CODE: HHOP Sec. 01: 8 Mondays, 7:30-8:30pm. Begins Apr. 4 | $170 Have you been told you have a great speaking voice? Have No class Apr. 18 & May 30 you wondered how to monetize it working in voice- over, but don’t know how to begin? Join us to learn essential strategies for pursuing the craft of voice- over. You’ll get candid, insider tips on DANCES FOR A ROMANTIC OCCASION working as a VO actor. We’ll discuss VO acting techniques, making Jim Spellman | Dancer great VO demos, setting up your home studio, and marketing

strategies. You’ll have an opportunity to perform a commercial and getbeginning class provides the foundation of moving to This professional feedback in a nurturing, fun, no-pressure environment. music in partnership. We will learn basic dance components You’ll leave the workshop with an action- oriented game plan! timings, rhythms, key foot patterns, and essential leadin following techniques. Dances taught will include Foxtrot, Waltz, COURSE CODE: OICE Merengue, Cha Cha, Swing, and American Tango.

Sec. 01: Saturday, 2-4 pm. Apr. 30 | $50 C O U R S E C O D E : DA B A Sec. 01: 2 Fridays, 6-8pm. Mar. 4 & Mar. 11 | $110

ADULT TAP DANCE LESSONS Jai Underhill | Tap Dancer Everyone can tap dance, all you need are tap shoes, a oor, and some tap steps and rhythms to practice and play with.

C O U R S E C O D E : TA P S Sec. 01: 8 Saturdays, 10am-11am. Begins Apr. 9 | $185

Looking for the Consider a CCAE perfect gift? Gift Certificate!

Purchase gift certificates online, over the phone, or in person. Visit ccae.org/gift- certificates for more details

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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P erforming

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MUSIC MUSIC APPRECIATION

THE TCHAIKOVSKY BALLETS Michael Frank | Ph.D. Cornell University P.I. Tchaikovsky [1840-1 93] may reasonably be called the greatest of all ballet composers. Certainly he, almost single-handedly, changed the nature of ballet scores from merely functional background music, designed to facilitate and support dancing, to an art form deserving of serious attention in its own right. In this course, we’ll consider his three great full-length ballet scores—Swan Lake, Sleeping Beauty, and The Nutcracker—focusing mainly on the superb music but also noting the INSTANT GUITAR FOR ADVANCED BEGINNERS way various choreographers have used it for dancing.

Chris Brenne | Musician & Composer, B.A. Berklee College of Music

COURSE CODE: SLEP Sec. 01: 8 Wednesdays, 5:30-7:30pm. Begins Apr. 13 | $260

This is a continuing guitar class on steroids! We’ll make u practice methods that will get faster and better resul without taxing your valuable time, while exploring the THE 45S ERA: WHEN SINGLES RULED! transitions between chords and tricks that will help you nav song. We’ll cover all the basic chords, strums, and even some 1955-1989 fingerpicking and melody/leads! We will also talk about and practi Gregory Leschishin | Facilitator some of the techniques that musicians use to make a song come This class discusses and illustrates how popalive! music of The digital PDF file of the book is included in the fee. the 1950s through the 1980s became hits. The COURSE CODE: GTB2 charts were determined by airplay and sales Sec. 01: 8 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $255 calculated by methods that only a few people had control over.

Hundreds of songs were released by many independent record labels INSTRUMENTAL UKULELE EARLY EVENING seeking the opportunity to snag a hit. Cash Box Magazine was one of the prominent music publications that Dick Clark, Solid Gold, and Anne KuRick | anneku.com Dees’ Weekly Top 40 used to count down the hits. Students will This group class will be catered to your skill level participate in a weekly musical scavenger hunt and be encouraged to share their memories as well as selected songs. Relive and rediscover Whether you’re a beginner or more advanced player, whether you’re self-taught or have taken one or mor your 45 collections in this fun class! ukulele classes, you will benefit from this in-person class, to see COURSE CODE: ER AS hear others as you play. You will learn how to read tablature more Sec. 01: 6 Thursdays, 6-7:30pm. Begins Apr. 14 | $170 e‹ectively and play the ukulele with the correct fingering and techniques. Bespoke exercises will be handed out at the beginn class to warm up for a song or instrumental piece which can be approached in di‹erent ways. We will explore a range of repertoire STRINGS including but not limited to classical, pop, country, rock, and folk Prerequisite: Know how to tune your ukulele and read chord diagr

INSTANT GUITAR FOR BEGINNERS Chris Brenne | Musician & Composer, B.A. Berklee College of Music

COURSE CODE: INUK Sec. 01: 8 Tuesdays, 6-7:30pm. Begins Apr. 5 | $225 Sec. 02: 8 Tuesdays, 7:45-9:15pm. Begins Apr. 5 | $225

This is a guitar class for beginners on steroids! We’ll use innovative practice methods to get faster and better results INTRODUCTION TO UKULELE without taxing your valuable time. Anyone can buy a chord Amy Kucharik | amykucharik.com book, look up songs on YouTube, or download a tab, but this class will show you how to make use of these resources. We’ll focus on how to The approachable ukulele, more popular than ever, is the put a chord progression together with rhythm and expression in order instrument of choice for great-sounding, portable music. to play songs using strumming and some fingerpicking. You’ll walk outYou’ll learn the basics quickly so you can start playing so of the first lesson having started playing your first song! Students you love right away. Simple chords will have you sounding great afte must bring their own guitar or rent one. just one class, and you’ll soon have a repertoire ranging from Tin Alley ukulele classics to current pop hits. You will learn trick COURSE CODE: GTB1 hunting down ukulele song chord charts online and adapting th Sec. 01: 8 Tuesdays, 6-7:30pm. Begins Apr. 5 | $255 your own strumming and singing pleasure! No prior experience is necessary; bring your own uke.

Individual Lessons 46

Want to arrange one-on-one individual music lessons?

Email us at info@ccae.org.

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

COURSE CODE: UKE1 Sec. 01: 8 Thursdays, 6-7:30pm. Begins Apr. 7 | $225

P erforming

A rts

CONTINUING UKULELE Amy Kucharik | amykucharik.com You’ve learned several basic chords and strumming; what’s next? In this continuing class, elevate your skills to the next level. Learn how to play barre chords uidly, strum interesting rhythms in a variety of genres, and enhance your strumming with percussive techniques. Learn to play and sing a wide variety of songs and know which strum patterns to use. We’ll investigate how to make intros and outros sound cool and pave the way for exploring fingerstyle uke.

COURSE CODE: UKE2 Sec. 01: 8 Thursdays, 7:45-9:15pm. Begins Apr. 7 | $225

PIANO

INSTANT PIANO FOR HOPELESSLY BUSY PEOPLE Deborah Gruber | B.M., M.M., easypianostyles.com

WOODWIND

BEGINNER RECORDER

Learn all the basic chords to play any pop song in one John Tyson | Performer, Teacher, Renaissonics.com afternoon! You’ll learn how to construct major, minor, and The recorder is the most widely played instrument in the seventh chords; practice and memorize chords; transpose a world. Its enchanting tone and the huge repertoire of ear song into your key, play a song by ear, and accompany yourself classical, popular, and world music styles written for it m singing. It is essential to know the notes on the piano and have a basic popular with amateurs and professionals alike. Its ergonomic de knowledge of the treble clef. You can download a free brochure on allows players with no previous experience to instantly discov Debbie’s website, EasyPianoStyles.com, under the “Free Music” tab great variety of sounds and creative possibilities. Come discov which teaches you the basics of music notation. easy the basic recorder technique is while exploring a wide vari solo and ensemble repertoire. Instruments will be available fo COURSE CODE: INPI purchase from the instructor.

Sec. 01: Saturday, 10am-1pm. May 7 | $90

PIANO: BEGINNER LEVEL 1 Penrose Allphin | Composer Do you have a piano or keyboard at home but you don’t know how to play? Do you want to play your favorite songs on the piano? During these unprecedented home-bound times, how about making some piano music at home! Online piano classes will teach you how to read music, how to play both hands together, and how to learn a new song more quickly. Join us to master the basics of beginner-level piano playing. Requirement: you must have a keyboard or piano at home.

COURSE CODE: PNO1 Sec. 01: 9 Mondays, 6-7pm. Begins Apr. 4 | $270 No class Apr. 18 COURSE CODE: PNO2 Sec. 01: 8 Mondays, 7:15-8:15pm. Begins Apr. 4 | $270 No class Apr. 18

COURSE CODE: RECD Sec. 01: 8 Thursdays, 4:45-6:15pm. Begins Apr. 14 | $250

RECORDER ENSEMBLE John Tyson | Performer, Teacher, Renaissonics.com

A Chamber Ensemble for all sizes of recorders. Open to Intermediate and Advanced players with ensemble experi ence. Repertoire includes Renaissance, Baroque, - contempo rary, popular, and world music styles. Come join the fun!

COURSE CODE: RECE Sec. 01: 8 Thursdays, 6:20-7:50pm. Begins Apr. 14 | $250

VOICE VOICE WORKSHOP

CCAE offers a scholarship Need a assistance—5 0 % off tuition.

Scholarship?

Some restrictions apply.

Jane Eichkern | Co-Instructor, Singer Marie Kurfirtova | Co-Instructor, Pianist

Learn to sing in a supportive environment, and discover that you can make music. This class is open to beginners as well as students of all levels. Disc You can download guidelines and an application form at proper posture, breathing, and relaxation techniques that inc ccae.org/about/scholarships. If you have any questions your confidence and boost your performance. Practice singing in a please contact our Student Services Coordinator at group, and receive individual feedback on your voice. small

info@ccae.org.

COURSE CODE: TUNE Sec. 01: 8 Fridays, 6-7:30pm. Begins Apr. 15 | $260

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

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Life & Wellness “Eric[Bornstein]isagreat instructor!Ilikedthewayhe explainedyogaposesusing visualizationsofenergyandlight.”

—LENA B., YOGA FOR A BETTER BACK

MIND & BODY YOGA FOR A BETTER BACK Eric Bornstein | Kripalu-Certified Yoga Instructor, M.L.A., Harvard

FULL BODY MASSAGE TECHNIQUES WITH A PARTNER

This posture sequencing guides you through poses (asanas) Eric Bornstein | Kripalu-Certified Yoga Instructor, M.L.A., Harvard in a mindful ow designed to source all our movement from Bring a friend or significant other to learn basic Esalen/ our deep strength and discover the beauty in our movement.

Swedish massage strokes through lecture, discussion, We will practice strategies to lengthen stubborn hamstrings and hips, demonstration, and supervised practice. The Saturday cla eliminate pain and compression in your lower back and neck, and takes more time to cover the worksheet on massage strokes for t create opening and exibility in your upper back and shoulders. back and uses an extended syllabus that includes legs and feet Careful attention is shown to our awareness of proper posture and participant can look forward to a 90-minute massage. Each pair breathing (pranayama) while in transitions and in stillness. Please bring should bring 2 pillows, 2 sheets or large towels, and a squeezed bott your yoga mat. of oil. Wear loose, comfortable clothing to be able to massage the C O U R S E C O D E : BYO G entire back. Women should wear a low-back bathing suit or halter/ Sec. 01: 8 Wednesdays, 5:15-6:30pm. Begins Apr. 6 | $145 bathing suit top that opens in the back.

GENTLE YOGA Eric Bornstein | Kripalu-Certified Yoga Instructor, M.L.A., Harvard

COURSE CODE: MARB Sec. 01: Friday, 6:45-9:45pm. Apr. 15 | $135 (per pair) Sec. 02: Saturday, 10am-3:30pm. Apr. 16 | $150 (per pair)

Thisclassisintendedforthosewantingagentleapproachto IMPROVE YOUR IMMUNE SYSTEM AND asana(physicalyoga)practice.Youcanexpecttolearnbasic yogaposes,pranayama(breathing),andmeditation.Wewillpay CLEAR YOUR MIND WITH IRON KIM MOVING attentiontoalignment,breath,andstillnessofmind.Comeasyouare.

COURSE CODE: GENY Sec. 01: 8 Thursdays, 12:15-1:15pm. Begins Apr. 7 | $130

MEDITATION METHODS Seanne Sullivan | Instructor

In this course, you will learn three sets of meditat movements that strengthen your immune system, A BRIEF INTRODUCTION TO CHINESE decrease stress, and increase energy. The-time-test ed sequences, which come from a 150 -year old line of traditional MEDICINE CONCEPT martial arts, harmonize the Yin and Yang of the body by opening the Francis Lin | Health Coach energy meridians. This, in turn, immediately increases internal a Traditional Chinese Medicine ( TCM) has been gaining external body strength. In addition to strengthening and balan acceptance worldwide, however, many still find it upper, middle, and lower body, the movements prepare the practi mysterious and hard to understand. In this class, we for stationary meditation. Participants will also lea tioner will demystify the TCM concept and philosophy, explain what isand Qi, sitting meditation technique.

YinYang, 5 Elements, the Chinese circadian rhythm, and learn how COURSE CODE: MODO TCM can help improve health.

C O U R S E C O D E : TC M 1 Sec. 01: Thursday, 4-6 pm. May 5 | $50

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Sec. 01: 8 Thursdays, 7-8:15pm. Begins Apr. 7 | $160

ccae.org/classes/life-wellness

L ife & W

QI FLOW: WOOD ELEMENT Leda Elliot | Tai Chi Master

ellness

LIFESTYLE & RECREATION

QiFlow is a soothing and gentle exercise program that interweaves TaiChi, QiGong, and Breath-work into BEGINNER BIRD WATCHING one seasonal ow and incorporates the ancient Neil Hayward | Author, Vice President, Brookline Bird Club Chinese theory of the 5 Elements. Spring is the time for renewal and

growth. It is a period that is associated with the Wood Element andBird the watching or birding is the most popular outdoor spor And for good reason—it’s great exercise and gives you a energy system of the liver. The exercises in this seasonal ow unique insight into the natural world around us. In this combine QiGong + TaiChi movements that help promote energy ow we’ll learn how to identify some of the many resident and migrato in the liver system and also promote regeneration by releasing tension birds of New England. We’ll also talk about topography (the anatomy blocked in ligaments and tendons. It is the perfect time to release of birds), feather molt, evolution of birds, their songs and their blockages and renew our life energy. migration. Plus, how to choose binoculars and where you can go to COURSE CODE: QIFL use them. The course is three evening Zoom meetings and a morning Sec. 01: 8 Wednesdays, 7-8pm. Begins Apr. 13 | $165 spent birding at Mount Auburn Cemetery (or other local birding hotspot depending on possible Covid-related closures) where w TAI CHI FOR BEGINNERS practice our new skills.

Sang Claxton | Tai Chi Instructor

COURSE CODE: BRDB

Sec. Originally one of the ancient Chinese martial arts, Tai Chi is 01: 3 Wednesdays, 5:30-7:30pm. Begins Apr. 6 | $175 practiced today primarily as a method of exercise that cultivates physical and mental harmony in movement. Its In-Person Field Trip to Mount Auburn Cemetery: Saturday, 7-10am. Apr. 23 slow, uid forms—based on the Chinese principle of yin and yang—and its emphasis on relaxed, e‹ortless movement makes it ideal for people of all ages. You will learn the first section of the ADVANCED BIRDWATCHING: traditional Yang-style of long-form Tai Chi. Wear loose, comfortable SPRING MIGRATION clothes and soft, at shoes.

Neil Hayward | Author, Vice President, Brookline Bird Club C O U R S E C O D E : TAC H

Mount Auburn Cemetery is one of the best places to see spring migration in the northeast. Every year, millions of songbirds return from the southern US, Central and South TAROT FOR BEGINNERS America. Mount Auburn Cemetery is a popular place to rest and refu Sally Cragin | Fitchburg City Councillor, At-Large before the next leg. These birds have breeding on their minds, and they’re busy practicing their songs. In this class we’ll focus on This hands- on workshop includes the history of this unique Tanagers, Flycatchers, Vireos, Orioles and Thrushes. Many art form and its practices. Students will learn theWarblers, rudiments of of these are hard to see, and knowing their songs (“birding by ear”) w the four suits, the significance of the numbers, and the significantly interpretation of “Major Arcana” cards. Discussion is encouraged, and increase your appreciation of migration. The course two evenings Zoom meetings and a morning spent birding at Mount we will practice some simple readings, and then move on to more Auburn Cemetery (or other local birding hotspot depending on complex readings. We use the Rider-Waite deck, designed by Pamela possible Covid-related closures) where we’ll practice our new s Colman-Smith for in- class readings. Appropriate for beginners, and Sec. 01: 8 Tuesdays, 6-7pm. Begins Apr. 5 | $165

those wishing to practice and improve their abilities.

C O U R S E C O D E : TA R O Sec. 01: Monday, 7:45-9:45pm. Jun. 20 | $50

THE ALEXANDER TECHNIQUE: PRINCIPLES FOR IMPROVING POSTURE AND RELIEVING PAIN Jill Geiger | Certified Teacher of the Alexander Technique

COURSE CODE: BRSP

Sec. 01: 2 Mondays, 5:30-7:30pm.

Apr. 25 & May 2 | $115 In-Person Field Trip to Mount Auburn Cemetery: Sunday, 7-10am. May 8

LEARN BIRDSONGS Neil Hayward | Author, Vice President, Brookline Bird Club

Ever wanted to know what the birds are that you hear arou

Interested in improving your posture, moving with ease, and your home and local travels? This class will give you the to to be able to do just that. We’ll be reviewing local specie reducing sti‹ness, pain and tension? Since 190 , the principles of the Alexander Technique have enabled use some graphic illustrations and mnemonics to help remember sounds. individuals of all ages to reduce tension and stress, improve the We’ll also examine why birds use songs and understand the di‹erences between contact calls, alarm calls, songs, and ight ca performance of all of life’s activities, and experience lasting relief from It’s a lot chronic pain. In this class, you’ll experience how they can be applied to more intricate than you might imagine, and this class w everyday activities to help you feel, move and look better. hopefully open your eyes and ears to what’s around you. The course i two-afternoon Zoom meetings and a morning spent birding at Mount COURSE CODE: TECH Auburn Cemetery (or other local birding hotspot depending on Sec. 01: 2 Wednesdays, 7:30-8:30pm. Apr. 20 & Apr. 27 | $100 possible Covid-related closures) where we’ll practice our new s COURSE CODE: BSNG

Sec. 01: 2 Thursdays, 5:15-7:15pm.

May 12 & 19 | $130 In-Person Field Trip to Mount Auburn Cemetery: Sunday 9am-12pm. May 22

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

49

L ife & W

ellness

MINDFULNESS AND CREATIVITY Jhilam Sanyal | Artist Pablo Picasso once said, “Art washes away from the soul the dust of everyday life.” Art and creativity as a practice of coping with stress and creating more happiness in our lives is accessible to all regardless of skill or experience. In this course, we will learn multiple forms of creative activities for relaxation, dealing with emotions, and expressing gratitude. Exercises will focus on art and creativity as a process, rather than a finished product or the technical aspects of art. We will engage in multiple forms of creativity such as drawing, painting, collage, mandalas, and journaling. No art experience required.

COURSE CODE: MDCR Sec. 01: 3 Saturdays, 10am-12pm. Begins May 7 | $120

MINDFULNESS AND INTUITIVE ART Jhilam Sanyal | Artist

INTRODUCTION TO CARD MAGIC

Art as a mindfulness practice and the act of intuitively John Bach | Magician painting or drawing is a practice accessible to all regardless Ever wanted to amaze family and friends by performing of art experience or skill. This class will introduce mindfulness incredible magic tricks anytime, anywhere, with just an practices utilizing art for stress relief, establishing a connection withdeck of playing cards? Now you can, even if you’ve ordinary your heart and innate creativity, and incorporating creative practice never touched a deck of cards in your life. In this class, you’ll lear into your daily life. The class will focus on mindfulness and art as repertoire of dazzling tricks, many requiring no special skill, as w process rather than a finished product or the technical aspects of art. of-hand techniques and professional tips for makin basic sleightActivities will include guided meditations and instructor led exercises magic more powerful and entertaining. to aid the student in discovering their own, unique natural creativity.

C O U R S E C O D E : M AG I Students will also have the opportunity to use their own art supplies Sec. 01: 4 Thursdays, 7:30-9pm. Begins May 5 | $150 and experiment with mediums of their choice. No art experience required.

COURSE CODE: MDIA Sec. 01: Saturday, 10am-12pm. Apr. 16 | $50

THE ART OF RELATIONSHIP Lauren Mackler | laurenmackler.com

Tired of conict with your partner, failed - relation ships, or feeling like you’re “settling” for less tha your ideal partnership? Do you repeat the same Cass School of Floral Design relationship patterns over and over again without understa Discover the essential elements and principles of oral In this eye- opening evening designed for couples and single or design while creating three di‹erent styles of arrangements. divorced individuals, world-renowned coach, CNN relationship ex You will learn how to achieve long-lasting freshnessand andbestselling author Solemate: of Master the Art of Aloneness & select the perfect containers and owers for the look you want to Your Life, Lauren Mackler, presents a pathway to conscious Transform achieve. Seasonal owers, foliage, and themes will be emphasized.

A partnership.

She demystifies the hidden drivers of romantic che materials fee of $65 (cash or check only) is payable in the first class. try, why relationships either thrive or die, and practical tool Class will be held at the Cass School of Floral Design, 531 Mt. Auburn creating a healthy and fulfilling partnership or marriage.

St., Watertown.

FLOWER ARRANGING

COURSE CODE: FCAB Sec. 01: 3 Mondays, 6:30-8pm. Begins Mar. 28 | $100

OUTDOOR TENNIS WORKSHOP Victor Gonzalez | USPTR Certified Instructor

COURSE CODE: AREL Sec. 01: Saturday, 10am-11:15am. Jun. 11 | $55

THE ART OF HEALTHY BOUNDARIES Lauren Mackler | laurenmackler.com

Many people think that boundaries mean saying “no.”

Up your game! Each session of these tennis workshops for While it’s important to be able to say no, knowing new and continuing students will focus on the basic tennis what you need is equally as important. Boundaries strokes: forehand, backhand, volley, and overhead/serve. are a tool for letting others know what’s important to you, and c Through drills, exercises, and actual games, we will sharpen your skills, healthy and joyful relationships with others. In thi to sharing knowledge of rules, and strategies for a comprehensive tennis event, world-renowned coach, psychotherapist, CNN commentator, experience. Bring a racquet, a can of balls, tennis shoes, and and author of internationalSolemate: bestseller Master the Art of comfortable sportswear. Class meets outdoors in the western Aloneness & Transform Your Life, Lauren Mackler, addresses the suburbs. Directions to the T-accessible courts will be emailed to types of boundaries for di‹erent settings and situati various registered students. Please reserve following weeks for rain dates. how to e‹ectively communicate boundaries in ways that strengt

COURSE CODE: OUTT Sec. 01: 4 Sundays, 3-4:30pm. Begins May 1 | $110

50

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

versus diminish relationships with others.

COURSE CODE: HBOU Sec. 01: Saturday, 10am-11:15am. Apr. 23 | $55

SupportCCAEwithaGiftToday!

CCAE is a much loved and respected non-profit institution with a rich and storied h However,tuition revenue covers only a part of our expenses.

A gift to CCAE will: •;

Fund scholarships for deserving, underresourced students;

•;

Maintain our two beautiful historic buildings in Harvard Square;

•;

Sustain our many free community events, including Conversations on the Edge, which presents renowned and respected panelists to explore controversial and pressing local issues with our community

•;

Ensure CCAE’s continuing vitality as it pursues its 150-year-long mission; . and so much more!

Do not underestimate the significant impact your gift will make, no matter the amou Make a gift today at ccae.org/support/donate.

JOIN THE SPREADING CHESTNUT TREE SOCIETY WITH AN ANNUAL GIFT OF $1,0 OR MORE! This giving circle not only has the greatest impact but also grants exclusive access to VIP ticketing access to special events, and priority reservations for classes by advance registration!

Seeallofthebenefits ccae. atorg/support/ spreading-chestnut-tree-society , orcontactMary-CatherineDeibelat ext.

9876- 45 1 or 031 marycatherine.deibel@ccae.org.

Serving the Cambridge community since 1882

thecoop.com REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

51

Proud to support the Cambridge Center for Adult Education We applaud your commitment to providing experiential, lifelong, innovative learning for adults in the community.

CambridgeTrust.com Member FDIC

Is a proud sponsor of Cambridge Center for Adult Education

52

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

Your Home. Your Dream.

Our passion for over 37 years.

FEATURING: HENRIETTA'S TABLE NOIR HARVARD SQUARE CAMBRIDGE, MA 617.864.1200 WWW.CHARLESHOTEL.COM

MYRA & AMY Myra Von Turkovich 617.834.0838 Myra@LeadingEdgeAgents.com Amy Tillotson 301.802.3284 Amy@LeadingEdgeAgents.com

INSTAGRAM: @CHARLESHOTEL @HENRIETTASTABLE @NOIRCAMBRIDGE

Lauren Holleran Team Cambridge + Somerville Combining the visual beauty of real estate with powerful data analysis to achieve outstanding results.

www.laurenholleran.com

REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

53

photography by Sabrina Cole Quinn

Recycled Paper Printing, Inc. Design complete design services for both print and web

Printing digital, offset and large format

Mailing mailing, kitting, fulfillment

Online Storefronts branded online storefronts for automated ordering

Promotional Materials promotional and trade show materials

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617-876-8286 www.shconstruction.com

I never let my schooling interfere with my education.

-Grant Allen

24 Irving Street Cambridge, MA 02138 617.547.4600 irvinghouse.com

Friendly accommodations in the heart of Cambridge Rates Include: Delicious Breakfast Wireless Internet Off Street parking Books to take with you

June SUNDAY

“Irving House is proud to support the Cambridge Center for Adult Education” 54

SEE CCAE.ORG FOR UPDATED SCHEDULES & INFORMATION

12

We are are proudWe to We are Wesupport are Weproud to We are are the We are proud to We are proud to support the proud to We are We are proud to Cambridge proud to support the support the Cambridge proud to support the proud to proud to support the support the Cambridge Center Cambridge Center support the Cambridge support the support the Cambridge Cambridge Center for Adult Center for Adult Center Cambridge Cambridge Cambridge Center for Adult Center for Adult Education.

Education. for Adult Center Center Center for Adult Education. for Adult Education.

Education. for Adult for Adult Education. for Adult Education.

Education.

Education.

(855) 886-4824 | firstrepublic.com

(855) 886-4824 | firstrepublic.com

Education.

Member FDIC

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Member FDIC (855) (855) 886-4824 886-4824 || firstrepublic.com firstrepublic.com | firstrepublic.com FDIC (855) 886-4824Member (855) 886-4824 | firstrepublic.com Member Member FDIC FDIC

(855) 886-4824 | firstrepublic.com Member FDIC Member| FDIC (855) 886-4824 firstrepublic.com (855) 886-4824 | firstrepublic.com

Member FDIC REGISTER ONLINE AT CCAE.ORG OR CALL 617.547.6789

55

BOARD OF DIRECTORS AND STAFF Board of Directors Christian Nolen Chair David Lehman Vice Chair Lidija Polutnik Treasurer Louise M. Go‹ Vice President JaneAnn Fisher Vice President Melissa Smith Secretary Kris Butler Brian Carey Philip Crutchfield Mark N. Dolny Molly N. Downer Lauren Holleran Brian Kelley Dewayne Nelson Dan Paret Jonathan H. Poorvu David Rooks Jennifer Serowick Denise Simmons Damon Smith Nan Soule Mark Stanek Board of Visitors Diane Carson Chair Sharman Altshuler Tina Bentley Hilary Burling Iris Chandler Patricia Chappell Elizabeth Coxe & David Forney Susan Eldredge Mead Sandra & Toby Fairbank Mary Ella Feinleib Michael Goldman Don & Dotty Gonson Hormoz Goodarzy & Elaheh Kheirandish John Herron, Jr. Patricia Jacoby Jane Katims Jenny Littlefield Bill & LuAnn Polk Mary Power Katie Salter Jeannie & Matey Smith Fredericka Stevenson David & Patricia Straus E.V. Sweeney Pamela Willis

Board and staff as of January 21, 2022

Sta‹ Linda Burton Executive Director

CORPORATE SPONSORS $10,000+

Program Sta‹ Michelle Baxter Program Director, Humanities & Performing Arts Hannah Brantley Program Director, Food & Wine and Business & Technology Francesca Ferraris Program Director, Languages

$5,000+

Bryan Ramey Program Director, Visual Arts & History Lena Borovci Program and Marketing Associate Development Sta‹ Mary-Catherine Deibel Development Director

Your Neighbors at 40, 44, and 48 Brattle Street

$2,500+

Marketing Sta‹ Shannon Fitzgerald Senior Marketing Manager Customer Service & Communications Lauren Darien Student Services Coordinator

$1,000+

Gabija Vaisvilaite Assistant Student Services Coordinator Registration Sta‹ Patricia Estrela Robert Philipps Delfine Masongo Penrose Allphin Finance & Operations Tavia Malone Director of Finance & Administration Jessica Wright Business Manager

Recycled Paper Printing, Inc.

GRANT PARTNERS

Michael Schultz Logistics Coordinator Brattle House 42 Brattle Street 617-547-6789 Ext. 101

Amelia Peabody Charitable Fund

Blacksmith House 56 Brattle Street 617-547-6789 Ext. 104

56

Sponsorships and partnerships as of January 21, 2022

Policies

ONLINE CLASSES

OnlineclassestakeplaceonZoom.Ifyou areunsureifyouareabletouseZoomor Registerearly! ifyourcameraandmicrophonework,we CCAEreservestherighttocancelclassesduetolowenrollmentorother recommendtestingitoutbyjoiningate considerations.Webegincancellingclasseswithlowenrollmentupto10days beforeyourclassstartsat beforeaclassisscheduledtostart,soregisterasearlyaspossibleinmeeting orderto zoom. us/ test. reserveyourseatandhelpitmeettheminimumenrollment.

TheZoomlinkandinformationonhowto joinwillbeemailedtoyou.Pleasealsoch An$8registrationfeeischargedforanyclasswhosetuitionexceeds$25.Only yourspamfolder.Ifyouregisterwithin12 oneregistrationfeeischargedperpersonperterm.Theregistrationfee isnot hours beforetheclassbeginsoraftert refundableifyouwithdrawfromaclass.ThefeeisrefundedifCCAEcancelsyour firstdate,pleasecontactzoom@ccae.org classorifchangestotheclassschedulepreventyoufromattending.This does for thelink. notapplytoindividualclassesrescheduledduetoinclementweatherorother significantfactorsbeyondCCAE’scontrol.

Registrationfees

Technicalsupport

Studentsmaycontactourregistration at617-5489ext.1,orzoom@ccae.

Ifyouwithdrawsevendaysormorebeforethestartdateofaclass,wewillissue orgfortechnicalassistance.Supportwi youaclasscredit(validfor18monthsfromthedateofissuance).Ifyouprefer,weavailableduringallunderwayclasses.C willrefundtheclasstuitionminusa$10processingfee.Allrefundrequests must ccae. orgbe forup-to-dateo–cehours. submittedwithin90daysofpurchase.Withdrawalsfromclassesandeventsunder $25areonlyeligibleforaclasscredit;norefundsaregiven.

Withdrawingfromaclass

Studentexpectationsforonlineclas

Classes Ifyouwithdrawsixdaysorlessfromthestartdateofaclass,wedonotissue class willtakeplaceonZoom.Donotshar the Zoommeetinginvitationandlinkwit creditsorrefunds. anyonewhoisnotregisteredfortheclass

Transferringtoanotherclass

Classeswilltakeplaceatthetimeth Forclassesthatarethreesessionsorlonger,contacttheregistration o–cebefore scheduled.

Wecannotproviderecorded thesecondmeetingoftheclassinordertotransfer.Forone-andtwo-session classesifyouarenotabletoattendth classes,youmustcontactusatleastfivebusinessdaysbeforethestart ofthe class atthetimescheduled. class.Forallcooking,wine,beer,orspiritclasses,youmustcontactusatleastfive businessdaysbeforethestartoftheclass.Ifthereisadi‹erenceinprice, weregistration will One isforoneperson.Ifyoua issueaclasscreditortherewillbearemainingbalancetobepaid.Refunds are not planning toinviteyourspouse,partner,o given. friendtoattendthisonlineclasswit

Cancellationorschedulechange

pleasesignupforanadditionalseat.

Informanyoneinyourhouseholdthatyou CCAEreservestherighttocancelclassesduetolowenrollmentorother willbeinaclass;ifyourcameraand/or considerations.Webegincancellingclasseswithlowenrollmentupto10days microphone areon,theywillbeseenand/or beforeaclassisscheduledtostart.Ifwecancelyourclass,youwillreceive a heard. coursecreditgoodfor18monthsfromdateofissueor,uponyourrequest,a refund.Pleasecallourregistrationo–cetorequestarefund.Allrefundrequests mustbesubmittedwithin30daysofclasscancellation.IfCCAEchangesthe Forthesecurityofourinstructorsand students, pleasedonotrecordtheclas classschedulebeforetheclassbeginssuchthatyouareunabletoattend, you Please mayreceivearefundoraclasscredituponrequestifyoucontactusbefore the donottakephotosoftheclass without the withdrawaldeadline.Thisdoesnotapplytoindividualclassesrescheduled due topermissionoftheinstruc theotherstudents. inclementweather,othersignificantfactorsbeyondCCAE’scontrol.

Typographicalerrors

INºPERSON CLASSES

CCAEreservestherighttocorrectthelistedpriceofaclassorothererrorsdueto Studentsenrolledinin-personwinter misprints. classesmustshowproofoffullCOVID-19 vaccinationtoaCCAEsta‹memberpriort Photos attendingtheirfirstclass.Oursta‹is10% Wemayoccasionallytakepicturesofstudentsinourclassesforuseinpromotional vaccinated.Masksarerequiredbasedon materials.Yourenrollmentinaclassindicatesyourapproval.

CityofCambridgePublicHealthDepartme Guidelines.Pleasecheckourwebsitefor Viewafulllistofouronlineandin-personclasspoliciesat updatestothesepolicies.

ccae.org/about/policies.

ViewParkinginformationonPage13 57

Cambridge Center for Adult Education P. O. Box 9 1 3 Cambridge, MA 02 38-91 3

MEET

HANNAH BRANTLEY

OUR FOOD & WINE AND BUSINESS & TECHNOLOGY DIRECTOR

NONºPROFIT ORG U . S P O S TA G E PA I D BROCKTON, MA PERMIT NO. 402

WHAT DOES THE ART OF COOKING MEAN TO YOU? One of the things I love about cooking is that it takes something very utilitarian and quotidian—i.e., eating—and turns it into a sensory experience that can be equally as inspiring as other forms of art such as painting and film. Cooking involves composing complementary— and sometimes surprising—elements, similar to the way a pianist composes

For the business and technology department, I am hoping to provide more classes to educate and support small business owners, such as classes on SEO, social media, and making smart financial decisions as a small business owner.

IS THERE A CHEF OR SPECIFIC CUISINE THAT BEST REPRESENTS WHO YOU ARE AND WHY?

different notes to create a song or the

I am endlessly fascinated by Nordic

way a painter combines different colors

cuisine,

to create a painting.

fermentation. There is a restaurant

Cooking is essentially taking things that exist independently of one another and putting them together to create something greater than the sum of its parts.

WHAT ARE SOME OF THE IDEAS THAT YOU WISH TO MAKE HAPPEN FOR THE COOKING AND BUSINESS DEPARTMENTS AT CCAE? For the cooking department, I am

particularly

their

use

of

in the Faroe Islands, called Koks, run by chef Poul Andrias Ziska, that I find incredibly inspiring. However, if I had to choose a food that I swoon over for its sheer craveability, it would be Ma Po Tofu or some sort of soupy Chinese noodle dish with an unreasonable amount of sichuan pepper.

WHAT IS YOUR FAVORITE FOOD IN THE ENTIRE WORLD AND WHY?

excited about incorporating classes that

Bread. It never ceases to amaze me that

touch on historical and contemporary

three ingredients can create something

issues and making the program more

so magical and versatile.

interdisciplinary. For example, we are introducing a class on food writing that will be cross listed in both the cooking department and the writing department.

HarvardSquare 42BrattleStreet CambridgeMA02138 T (617) 547-6789 Einfo@ccae.org

 thecambridgecenter  @cambridgecenter  @cambridgecenter  ccae.org