
BOLD DESIGN TAKES ON FAMILY LIVING L.A.
BOLD DESIGN TAKES ON FAMILY LIVING L.A.
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Ihave recently embarked on a renovation project and have been spending more time than usual immersing myself in design, décor, and “vibe”—turns out mine is Scandinavian, maximalist, rock and roll chic with a big dash of cozy. When you are unearthing and choosing things for yourself versus “designing a space,” this is where the intersection of house and home marks a decided Y in the road. So much of what I see is beautiful; so many things take my breath away, but what is right for MY home?
The words are not, after all, interchangeable. Home is all about who you are, how you live, and what feeds your soul—that space where you spend so much of your time, your safe haven.
When you look up the words, the definitions say much the same: domicile, residence—that is, however, until you decide to use “home” as an adverb, when it means “deep, to the heart.”
In this issue there are some beautiful homes that bare their hearts and souls: a home in Russia that uses color and daring design to contrast the stark gray of the outside world; a home in Sag Harbor that itself becomes a work of art to reflect the passion of its owner and collector; and the hideaway where a high-profile chef cooks for his family in a retreat created just for them.
Homes are far more than merely beautiful. They present visitors with colors, textures, and objects that say something essential about whomever lives there. And they greet their owners with a sensation that seems to say, “Welcome—this is where you belong.” That is my mantra as I continue to reimagine my home.
Enjoy,
24 ART OF THE SHOW HOUSE
Fine art and fine design come together with inspiring results in this stunning show house.
30
PROSPECT AND REFUGE
A new home on the shores of Lake Superior celebrates its spectacular setting from every angle.
36
VIBRANT EXPRESSION
A playful approach to color, pattern, and art gives a Russian couple an energetic backdrop for their young family.
Family is the focus for the design of celebrity chef Ludo Lefebvre’s luxe yet laid-back California home. cover story
42
HAIL TO THE CHEF
SYLVIE ORENGA SVP, Marketing
rowing up, I loved going to the movies with my family: the sense of anticipation as we waited for the film to begin, the thrill of getting swept up in the drama and romance. It was the beginning of my lifetime love of cinema and part of why I am so pleased that Legend of Cambria—the beautiful film that weaves a fantastical origin story for our company—helps shape everything we do.
As someone who can trace my family’s roots back to the Middle Ages, I instinctively connect to Legend of Cambria’s setting—an epic time of warriors and kings. And, having grown up surrounded by the sea on the island of Corsica, I find the way the film captures water absolutely beguiling. This sense of awe at the beauty of nature is central to the film and, in turn, has become fundamental to all aspects of how we tell our story. Even when we are not referencing the movie directly, it remains a thematic touchstone. You might not find many sword fights here in the pages of Cambria Style. Our social media posts about our latest designs generally do not feature dragons breathing fire. Nevertheless, this magazine, our online presence, and many of the other ways we reach out to the public share the film’s desire to captivate and intrigue.
The creation of this unifying message is a testament to our leadership’s keen understanding of how important storytelling is to success. Judging from the response—more visitors online, more customers seeking out our product in stores—people are taking notice. And, like kids waiting for movie magic, they can’t wait to see what’s next.
The party continues online with trend reports, entertaining tips, fascinating lives, and more great design.
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*Black Rock Matte™ pp. 4, 6, 49, 60
Brittanicca™ pp. 15, 30–32, 34–35, 65
Brittanicca Gold™ p. 11
Brittanicca Gold Matte™ | p. 13
Charlestown™ p. 14
Clare™ | p. 20
Clovelly™ pp. 10, 16, 45
Ella™ | p. 54
Hermitage™ p. 43
Inverness Bronze™ | pp. 58–59
Ivybridge™ p. 66
*Kentucky Coal Matte™ | p. 56
*Mammoth Cave™ | p. 47
Mersey™ | pp. 51, 53
Portrush™ pp. 24, 50, 64
Rose Bay™ Cover, pp. 9, 37–39
Skara Brae™ | p. 17
Smithfield™ pp. 24, 64
Sutherland™ | p. 14
*Vail Village™ p. 22
White Cliff™ | pp. 12, 62
*Gensler product design consultant
Some individuals featured in this issue of Cambria Style were provided compensation and/or complimentary product.
Rich, warm tones are back in full force, but the best-dressed kitchens keep the look fresh and light by balancing wood finishes with plenty of white. Home builder JASON BLACK and his wife, interior designer Gretchen Black, took this approach to the kitchen of a new home in Louisville, Kentucky. “We painted the backs of the cabinet interiors white and incorporated glass into the doors,” says Gretchen. “All the white keeps the look light, and also emphasizes the texture of the stained oak.”
CONTRASTING MATERIALS CAN KEEP WOOD CABINETS FROM FEELING DARK AND DREARY. HERE, THE COPPER-ANDBROWN-VEINED CAMBRIA CLOVELLY ADDS A BRIGHT NOTE AND REPEATS THE PATTERN OF THE CABINETS’ WOOD GRAIN.
Luxurious but not over-the-top: It’s a surprisingly difficult line to walk, but designer MARCUS MOHON does so with grace. Perhaps that’s because he starts a project by thinking about how he wants his clients to feel: “I’ve always been very concerned with the warmth of a space,” he says. Mohon isn’t talking about temperature, but about the soothing effect a room can have. Here he relies on layers of contrasting textures—plush seating, sheer window panels, smooth Cambria Brittanicca Gold surfaces, and three-dimensional artwork—to achieve it.
A TIGHT PALETTE OF ROSE, TERRACOTTA, AND MERLOT—COMPLEMENTED BY LUMINOUS WHITES AND CREAMS—CREATES A SOFT AND SOOTHING EFFECT THAT TRANSITIONS BEAUTIFULLY FROM DAWN TO DUSK.
DENSE PATTERNS LIKE THIS TERRAZZO TILE NEED SIMPLE ELEMENTS TO PROVIDE BALANCE AND CONTRAST, LIKE THE PURE WHITE RELIEF OF CAMBRIA WHITE CLIFF ON THE VANITY COUNTERTOP.
“Anytime you remodel in an older space, you want to honor its style but bring new, purposeful life to it,” says designer MARIE FLANIGAN , who updated this circa-1970s bath with design partner MELANIE HAMEL . The pair took inspiration from the clean lines of midcentury style for the design of the vanity, but went all out with the floor-to-ceiling earth-tone terrazzo tiles. “I love to push the boundaries,” says Flanigan. For more on this celebrity home, see page 42.
Black cabinets have been having a moment. The finish can complement a wide range of design styles, including the look designer VANESSA DELEON wanted for her own space: “minimalism meets glamour.” Deleon knew that adding the gleam of warm metallic hardware and accents would help her create that nuanced look, and she was initially drawn to gold finishes. But, ultimately, “I decided copper and black would be more unique,” she says. Decision made, Deleon went big with the effect, even designing a black-trimmed copper range hood.
LUSTROUS ELEMENTS—METALLIC HARDWARE, A GLEAMING RANGE HOOD, A DIMENSIONAL COUNTERTOP CHOICE LIKE CAMBRIA BRITTANICCA GOLD—CAN ADD LIFE AND SPARKLE TO A SPACE WITH DARK CABINETS OR WALLS.
Copper cookware adds rich interest in an instant.
Today’s kitchens need to be efficient cooking spaces, of course, but they’re also prime gathering and entertaining centers. So, designers like MARY DIMICHINO take care to build in flexibility.
“A kitchen usually has to function for at least two people cooking and cleaning up at the same time,” she says. To provide adequate work space, she installed a large island topped with Cambria Sutherland in this project, as well as a wine bar. “The island doubles as a dining table and provides adequate prep space,” says Dimichino.
TUCKING A WINE BAR INTO A CORNER ADDS ENTERTAINING APPEAL OUTSIDE OF THE MAIN FLOW OF FOOD-PREP TRAFFIC. THE CAMBRIA CHARLESTOWN DESIGN CONTRASTS SMARTLY WITH THE LIGHTER ISLAND COUNTER.
A pendant light with a woven shade is an easy way to add natural texture and interest.
Creating a strong indoor-outdoor connection is one of the surest paths to make a space feel at once fresh and nurturing. Designer
JACLYN PETERS did just that in this Canadian kitchen, bringing nature into her design with exposed wood beams, woven rattan stools, and the bold natural texture of Cambria Brittanicca on the countertops.
“Focusing on warmer tones and rich textures made everything feel very cozy,” says Jaclyn.
LIBERAL DOSES OF WHITE IN THE KITCHEN REFLECT LIGHT FROM THE GLASS DOORS, SEAMLESSLY LINKING THE SPACE WITH THE OUTDOOR LIVING AREAS. ACCENTS OF BLACK AND NATURAL WOOD AND RATTAN STRIKE A SOPHISTICATED, ORGANIC NOTE.
You can shape a space that is designed to stay organized—with a bit of strategy.
Just as an orderly office improves productivity, well-organized kitchen and laundry areas can help you accomplish chores with ease. But the key to preventing clutter from clustering later is establishing organizational systems while building or remodeling. Eric Price of Bearded Builders says that these systems change with each person, depending on how you plan to use the space.
And Ashley Dupert of Omorfia Designs notes that a good organizational plan can allow you to inhabit even the most hectic spaces in a more peaceful manner. She points out that when life seems to be moving quickly you’ll be glad to know where to reach for your next tool—rather than digging through random drawers. Price and Dupert shared plenty of helpful tips on shaping these spaces for maximum efficiency.
Laundry rooms are often the last to receive a refresh because they are perpetually in use, which is the reason why they are one of the spaces that need it the most. “Increase efficiency by tackling those high-traffic areas,” says Price, “It’s vital for quality of life to have well-functioning spaces you use daily.”
“If you’re going to be spending a few hours a week in a space, then why not make the space beautiful?” says Price. In this laundry room, he consolidated everything from appliances to storage behind cabinetry to create a sense of order. This, in turn, opened up new work space. Note how Price found room for a beautiful folding area—in Cambria Skara Brae—to the left of the washer/dryer closet.
Mapping out how you work can cut down on annoyances like hunting for tools in hard-to-reach places. Price explains that you can easily increase productivity in a laundry room by creating specific, properly stocked stations for each task.
“Maximize the space, no matter how small,” says Price. Even hard-to-reach nooks and crannies can be designated to store items you only use periodically. On a related note, don’t choose furnishings that appear attractive but will ultimately eat up space. “It’s essential to incorporate your taste without compromising function.”
PRO TIP: SHORT ON SPACE IN THE LAUNDRY AREA?
STACKING THE WASHER AND DRYER CUTS YOUR APPLIANCE FOOTPRINT IN HALF, CREATING ADDITIONAL ROOM FOR FOLDING, HANGING OR STORAGE.
Keeping things tidy need not be tedious. This kitchen’s organizational touches transform it into a playground where climbing ladders or playing hide-and-seek also help keep things looking sleek.
GO VERTICAL | Want a large island—like this one in Cambria Clovelly—but still need more room for storage? Look up. “Our client wanted a ladder,” Dupert says. “Now, she has complete and total access all the way up to the very top.”
CREATE HIDEAWAY WORK SPACE Dupert fashioned hidden storage for frequently used kitchen tools, e.g., a secret mixing station. “It gave her a place to be able to shut the doors on her creative area, without having to put it back in a cabinet.”
DESIGNATE SPACE If each tool has a spot, it’s easier to maintain organization, says Dupert. “We went through the kitchen, and we put sticky notes on every drawer and door to make a plan.”
ELEVATE STORAGE Find yourself constantly running out of room to put things away? Consider adding floor-to-ceiling cabinetry in lieu of uppers over a countertop. This streamlines the look, adds significantly more storage space, and invites you to add fun and functional rolling ladders to access it all.
“When you have a plan from the very beginning stages of a design,” says Dupert, “it removes all the guesswork.” That means not trying to add bells and whistles that require reorganization mid-renovation. “It allows you to make a home.”
A new breed of makers is creating elevated home goods rich in tradition and ingenuity.
By BOSIE CRAWFORD
Because each lamp is handcrafted in their Upstate New York studio, Stone and Sawyer cannot offer all of their signature finishes at any given time. Nevertheless, you’ll have a wide variety to choose from when it comes to pieces like this hilo lamp, shown here in delicious custom brûlee. stoneandsawyer.com
America has a long history of fine craftsmanship—and of placing value on using local materials for thoughtful designs. Now, no matter where you live, it’s easier than ever to find unique “local” home goods that showcase the best of American creativity, like the furnishings and accents we’re highlighting here. Take a closer look and you’ll find inspiring makers from all over this great country, working to put a fresh spin on vernacular styles. A metalworker in Charleston, South Carolina, translates a centuries-old blacksmithing practice for modern use, by substituting lighter carbon steel for classic cast iron; a Phoenix couple brings space-age style to an outdoor fireplace design; generations of the same family have grown the cotton for the minimalistchic textiles they create today. These craftspeople may hail from different states and cities, they may take different approaches to material and manufacturing, but they all share the same enterprising spirit. And it’s a spirit you can bring to your own home, as you create your own unique American style.
Wren + Cooper specializes in crafting fine, contemporary hardwood pieces—following in the longtime furnituremaking traditions of their home in beautiful Bucks County, Pennsylvania. So even though this Geometric Fluted Mirror offers a copper sheen, it is made of thick, solid maple into which deep fluting is carved before its metallic finish is applied. wrenandcooper.com
Wüd is the creation of Brooklyn couple Corey and Keren Springer. When not raising their children, they’re crafting furniture like this Jasper Dresser in brown white oak—its metal and resin accents make sure the piece offers style as well as storage. wudfurniture.com
Founded with the goal of preserving American manufacturing and design, Schoolhouse goes midcentury with this Jack Chair in Windowpane Plaid. It’s a faithful reproduction of a classic—from its wood frame to its plush upholstery— discovered while antiquing. schoolhouse.com
In 2011, Shinola set out to bring more high-quality manufacturing to Detroit. This led to them creating watches and fine leather goods, like this Shinola Sibley Large Satchel, which is roomy enough to fit a 15-inch laptop and offers handles and a shoulder strap, both adjustable. shinola.com
The Urban Electric Co. has set itself a tall order—fusing elevated design and craftsmanship to create a product that is sustainable. The results include this timeless Jennifer Wall sconce, with its tulip-shaped cup cradling a pillow of softly glowing glass. urbanelectric.com
With its timeless pattern of blues and grays available in dimensions up to 9 feet by 12 feet, the Alden-Medallion Slate Blue Woven Area Rug by Capel can add a touch of Americanmade class to rooms of various sizes. capelrugs.com
These White Ash Baskets from Schoolhouse are not merely handmade in the USA, but they are also primarily constructed from Appalachian Ash harvested in Maine, Vermont, and New Hampshire. Hardy and handsome, the baskets come in handy for everything from loading up laundry to tidying up toys. schoolhouse.com
Inspired by American blacksmith designs of centuries past and designed in collaboration with a renowned Charleston, South Carolina blacksmith, each piece of the Carbon Steel Forged Farmhouse Set from Smithey is handcrafted in the USA. Both the skillet and roasters offer performance that rivals cast iron but are lighter in weight; they are sure to become go-to cooking tools. smithey.com
When it comes to a glass-topped coffee table, everything ends up on display. Fortunately, the negative space is all part of the design when it comes to Croft House Palmas Coffee Table (OVL), which is made in Los Angeles—all the way down to the unusual tongue-depressor-like curves of its sturdy industrial steel legs. crofthouse.com
Modfire founders Brandon Williams and Marty Young may have grown up in Chicago, but today they craft their unique fireplaces in Phoenix. With design that nods to futuristic 1960s rocketships and industrial-age smokestacks, the Modfire would be a perfect fit in the home of the Jetsons. This model is available in either wood-burning or propane, but the company offers six others, ranging from petite to robust. modfire.com
Designer and ceramist Katie Mudd is based in Portland, Oregon. She makes each of her pieces by hand and focuses on sourcing materials from small, local businesses in the Pacific Northwest to ensure that her products—such as this Natural Stoneware Hanging Planter—are long-lasting, high quality, and have a reduced carbon footprint. madetrade.com
When they come from Cambria, even the most practical accessories can be sublime design statements. That’s certainly true of this Long Board with Metal Handles. Whether serving up cheese and charcuterie or ferrying a pile of presents, the dancing pattern of Cambria’s Vail Village brings festive energy to any setting. shop.cambriausa.com
Though the solid-wood panels that make up its body are classic Wren + Cooper, this Fluted Chair sports a plethora of materials. The rear cushion—with its down-filled bolster—wraps over the back and attaches with straps. Meanwhile, saddle leather covers the armrests, and the base is made of lacquered steel with handmade solid-brass feet. wrenandcooper.com
Brooklynite Virginia Sin’s work has been featured from fab museums to acclaimed restaurants, and now her Doline Vase—in Speckled and Terracotta—can appear on your windowsill. The shape is inspired by the town of Matera in southern Italy, where life blooms in cave-like homes around winding roads. virginiasin.com
Keep sensitive surfaces safe in style with a little help from this Hex Trivet Set In Gris from Slash Objects. In addition to feeling good about not ruining your dining room table, you can feel good about the fact that they are made in the USA of post-consumer recycled rubber. Wash with soapy water and pat dry. slashobjects.com
Grow House Grow prints its wallpaper in New York, but to inspire the fluffy flora of this St. Helena print, the company looked across the Atlantic—to the historic home-in-exile of Napoleon Bonaparte. In fact, this colorway was named for the Longwood House, where he spent his final days. growhousegrow.com
Duluth Pack has been proudly made in the USA since 1882. The Weekender Duffel makes a perfect carry-along bag, whether you’re heading out to the country or leaving on a jet plane. With rugged canvas, reinforced leather, and padded handle, this duffel bag is sure to handle easily and appear effortless. duluthpack.com
The farm that produces the cotton batting of Red Land Cotton’s Ticking Stripe Classic Quilt has been in the Yeager family for three generations. Manufactured in Waco, Texas, the quilts are lightweight, durable, and easily laundered in a home washing machine. The beautifully simple print is charcoal stripe on natural background. redlandcotton.com
Why use carpet made of tiles? Because it’s completely customizable for any size room, and when the time comes, it’s easier to replace one worn tile than a whole floor. These Flor Tiles—in a design called Gatsby that’s an apt name for their Art Deco look—are shown here in Spice/Gold, but are also available in other colorways, including Flint/Gold, Bone/Silver, and Turquoise/Silver. flor.com
The inaugural Galerie House of Art & Design in Sag Harbor, New York, celebrates creativity from floor to ceiling.
MAKING THE KITCHEN COUNT
“Every room in the Galerie House of Art & Design had its own unique, vibrant energy. We knew we had to be on par when designing the kitchen,” explains Bob Bakes, head of design at Bakes & Kropp. He chose Cambria for all surfaces in the kitchen—appreciating the simplicity of Smithfield for the island and Portrush for the fullheight backsplash and perimeter, with its navy and gray veins that artfully play off the blue cabinetry.
Designer Dwyer
Derrig’s lacquered pantry continues what Kropp calls the kitchen’s “earth-tone blue.” Here, the usually cool shade offers a sense of warmth that helps it partner with brass hardware and wood.
A swimmer’s legs on Cristina Canale’s Merghulo float high above the show house’s grand foyer.
But it is U.K. artist Jim Lambie’s unforgettable art installation in the form of a staircase—a waterfall of red, pink, black, silver, and white—that makes the major statement in this entryway by designer Nicole Fuller. Gold vases by artist Jaimal Odedra add to the sense of royal welcome.
The eclectic lettering of “providence” by Jack Pierson sets the tone for this mix-and-match office from designer Jeff Lincoln. Unique silvergelatin photographs by Andy Warhol and an untitled abstract by James Brooks are among the host of hangings and objets d’art waiting to inspire anyone sitting down at the desk.
The paths in this pair of digital artworks by David Hockney appropriately wend their way toward wallpaper alive with leaves and flowers. Meanwhile, a lapis buffet makes an impressive pedestal for Barry Flanagan’s playful bronze Small Horse in this bedroom by designer Richard Mishaan.
Bernar Venet’s Indeterminate Lines sculpture series consists of spiraling rolls of steel that represent the battle of wills between the artist and his medium.
Above the bed, a neoclassical mirror by Piero Fornasetti catches the reflection of another work of art, Ultimos Dias by Cuban artist Alexandre Arrechea, in this deep blue bedroom designed by
Brazilian artist Amelia Toledo’s Série Horizontes hovers like the red heart of this junior bedroom, in which designer Rayman Boozer largely sought to capture the blues of the Mediterranean. Tying the warm tones of the artwork with the room’s cooler palette is a pillow made from vintage Hermès scarf by Aline Honoré called Au Coeur dela Vie
An architect creates a lake house designed to accentuate Superior views.
By BOSIE CRAWFORD
Photography by ALYSSA LEE
When architect Christopher Strom was planning this retreat on the north shore of Lake Superior, he faced an essential decision. “There’s a debate about—when you site a house on the shore—do you want to look right out to the horizon line because it’s almost like the ocean?” Strom says. “Or do you site your house so that you can see down the shoreline, which can add some more depth?” Fortunately, he noticed waves crashing dramatically against a craggy formation offshore and realized he could point the house toward the horizon, while still achieving depth by aligning it with this rock. “It really gives you something to focus the house on,” says Strom. From there, the layout became largely concentrated on maximizing the view. “When you arrive in the house,” says Strom, “you can step down to the kitchen. Then the island is situated over another step, so it’s counter height on one side and bar height on the other side. Step down once more, and the living room is sunken. So the idea is, when you step in the door, you have this view over the furniture and out to these ten-foot doors to the rock,” Strom says.
Because the North Shore tends to be rugged, the homeowners wanted the interior to have a sense of refinement—an escape from the ruggedness outside.
To preserve the lake
from the second
Strom carefully articulated this upper window. It was cut away like the aperture to a camera, so that when you look through it, the window has a focusing effect.
This open concept seems anchored by the kitchen’s upper wall of Cambria Brittanicca, which the eye follows down to the counters and across the ample island. “We like to play with surfaces that don’t stop, either on a horizontal or vertical plane. It makes the area that you’re working on feel more sculptural,” says Strom. “Cambria was a really beautiful touch,” he says, noting that—by accentuating its continuity—the material echoes the way that “the shoreline is carved.”
However, the clean lines of the North Shore retreat’s interior largely stand in contrast to the exterior wilderness. “You have this view, but you’re in this really refined space,” Strom notes. He sees the lighting chosen by the homeowner as a continuation of this conversation between organic exterior and
Cladding this alcove in Cambria visually connects it to the kitchen, while still keeping it away from food prep—perfect for mixing cocktails.
ordered interior. “Especially with the chandeliers and the crystal over the island, I think they were again going back to that idea of having something really refined in this rugged landscape.”
The interior boasts further contrasts: “There’s this architectural concept called ‘prospect and refuge,’” Strom explains. “If you’re in the main living space, you have prospect: a sense of commanding the view and owning your domain. But you also, intuitively as a human, want refuge.” Strom created this by STEP ASIDE
The main area may be a wide-open space with glass on both sides, but the homeowners can retreat upstairs for a sense of privacy.
Though the kitchen, dining, and living room areas are meant to flow together, the combination of steps and sizable built-ins help delineate each space.
tucking away second floor rooms in space defined by the roof. “There’s something about occupying a roof that gives that floor a completely different character than the floor below it,” he says. “When you come up into the second floor, it is sheltered and quiet and has these sloped ceilings, so that you feel it’s protected.”
And though such builds often evolve far from their initial inspirations, this one stayed true.
“What was fun about the way that the project was completed is that we held fast to a strong idea from the very beginning,” Strom recalls. “The impression we had when we visited the site for the very first time with the homeowner was so strong. That memory of being there when the waves were crashing on that rock was enough to carry us through the whole design and construction process.”
LYNX designer Svetlana Ryseva creates a lively abode for a young family in Tyumen, Russia.
By TATE GUNNERSON
Photography by SERGEY KRASYUK
Shipping delays, out-of-stock pieces, impossibly tight deadlines: Dealing with unexpected challenges is just part of the gig for interior designer Svetlana Ryseva of STUDIO LYNX in Tyumen, the second-largest city in the Russian Federation after Moscow and, located in Siberia, one of the most remote in the country.
Accustomed to curveballs, she took it in stride when her clients told her late in the design process that they wanted to combine three apartments rather than two as originally planned. After all, with a third baby on the way, the young family simply needed more space. In contrast to many of her clients, Ryseva’s clients provided very little direction about the design, requesting only durable yet beautiful vinyl flooring—a must for a family with young children and a frisky feline. Having so much freedom “may seem easy at first glance, however, it is difficult, because you have nothing to start from,” she explains.
LIVELY LIVING
in
a
a
ITEMS THAT ARE MORE ART-LIKE CAN BRING INTERIOR DESIGN TO THE NEXT LEVEL.
SEEING RED
Elegant pendant lights from Norr11 illuminate a round table from Mogg in the open dining area, where a shelving unit with integrated lighting coordinates with the barstools from Mobliberica.
Having worked with the family on their country house, however, the designer had some familiarity with how they liked to live, and she believes most people want similar things from their interiors. “They want to be among immersive installations,” she explains, “to play the main part in the unfolding scenes.”
Ryseva quickly modified her plans, creating a split layout, the primary suite separated from the children’s rooms by a long hallway. A light-filled space for the family to congregate, the center of the sprawling home features an open great room with an entire wall of floor-to-ceiling windows overlooking neighboring high-rises.
Inspired by a photograph of a parrot and colorful pieces by contemporary Ghanaian-born artist Amoako Boafo, she dotted the interiors with vibrant punches of color that perfectly suit her clients. “They are open, cheerful people, with an active social position,” she says, noting it’s an unusual palette for Tyumen, “where it is
usually dull and lacks a lot of contrast outside the window for almost seven months of the year.”
The walls in the entry are painted in blue and pink, for example, and colorful pottery pops against the built-in oak-veneered shelving in the living area, where a shapely sofa chaise and contemporary lounge chairs surround an electric fireplace underneath a bank of kelly-green cabinetry. “Color adds mood and playfulness,” she says.
The same shade enlivens the upper cabinets in the kitchen, a Mondrian-like space accented
Adding texture and visual interest, Cambria’s stunning yet durable Rose Bay quartz countertop holds its own against the bright-green-and-yellow cabinetry in the open kitchen.
A floral wall covering by Eijffinger creates a lovely backdrop for a bed from La Redoute and a table from IKEA. The jute bedspread is from Zara Home, and the throw pillow is from ferm LIVING.
Displayed atop a table from La Redoute, a vase from Barcelona Design coordinates with the blue accent wall, patterned area rug, and artwork by Varya Shchuka in the young son’s room.
GOOD NEIGHBORS
In the open living room, a contemporary sofa by Calia Italia anchors a comfy seating area around an electric fireplace by Real Flame.
by graphic black-and-white Cambria Rose Bay countertops, which Ryseva discovered in a local design shop. “It has a wow factor—exactly what I needed,” she says. “I wanted to give the project an impulse and energy for many years to come.”
Indeed, for the nearby dining area, she designed a custom oak-veneered shelving unit accented with red piping that resembles a series of paperclips, each punctuated with an illuminated globe. “Items that are more art-like
can bring interior design to the next level,” she explains. Its curves are echoed in the sculptural metal dining table base and chairs, which are covered head to toe in velvet.
While well-appointed with everything a young family needs, the interior also has ample space between pieces, evoking the feeling of a sculpture garden or modern art gallery.
Rendered in boisterous colors and dynamic fabrics, the curated selection of bespoke
furnishings and objets d’art checks all the right boxes for the owners, and Ryseva is equally pleased with the results. “All the things play their own parts, without overpowering the others,” she says, noting that the space “fully reflects their personalities.” The way Ryseva sees it, that’s what design is all about.
A smart renovation turns a 1970s architectural gem into an updated, California-cool retreat for celebrity restaurateur Ludo Lefebvre and his family.
By THOMAS CONNORS Photography by JULIE SOEFER
For some, house hunting is a strategic operation: Buyers set their sights on a neighborhood and start the search with a long wish list in mind. For others, the procedure is relaxed—more “a guest room would be nice” than “a threecar garage is a must.” For Krissy Lefebvre and her husband Ludo (the award-winning chef, restaurateur, and TV personality), the process lay somewhere in between. “We wanted to move,” Krissy explains, “but didn’t know where or what we wanted.”
The couple’s hunt led them to the hills of Encino, California, where they discovered a ’70s-era home designed by architect Johannes van Tilburg, a pioneer in mixed-use
A sunken bar area beckons guests to the living room, while an expansive sofa seats a growing family in the family room.
The home’s sunny Spanish style is evident in the classic tiles, exposed beams, textured walls, and piquant pendants that line the entryway.
urban design and community planning. The house offered a touch of Spanish flavor and a beautiful view of the Santa Monica mountains. “It really felt like we were on vacation as soon as we walked in the front door,” Krissy says. “And it’s nice to get away from the bustle of Los Angeles and the restaurant industry.”
They also appreciated that the layout wasn’t entirely open plan. “With our kids getting older, we knew we wanted separate spaces,” Krissy explains. “So now we have what we call the ‘adult’ living room—there’s no television—and then we have the family room with the TV and a big U-shaped couch where we can all get comfy.”
CAMBRIA SURFACES MEAN THE KITCHEN COUNTERS HAVE THE DURABILITY NECESSARY FOR A HARD-WORKING CHEF’S KITCHEN.
To perfect the home’s décor, the couple turned to Houston-based Marie Flanigan Interiors. Their team was determined to respect the original character of the home, so they started with a light touch—deploying new finishes to give the interiors a fresh look.
But the designers’ work wasn’t all cosmetic. They reconfigured the primary bathroom—giving it a dark, sophisticated look by partnering rich, walnut cabinetry and a vanity featuring Cambria’s darkly alluring Mammoth Cave.
The team also installed a towering custom bookcase in the dining room to accommodate the couple’s ample library.
As one might expect in the home of a celebrated chef, special attention went to the kitchen. While relatively compact, the space has been expertly orchestrated to meet the needs of a culinary maestro. Since the area did not accommodate an island, the designers added a peninsula that provides needed additional work space. Plus, allnew, rift-cut oak cabinets offer plenty of storage.
“One of the most important considerations when designing Chef Ludo’s kitchen was choosing the appropriate surface for him to work on,” says project lead designer Melanie Hamel.
Thus, the countertops—as well as the full-height backsplash and stove hood—are crafted from
It’s not the sprawling kitchen one might expect, but Cambria’s Clovelly helps keep the room feeling bright when
The custom cookbookcrammed dining room bookcase has been stained a dark hue to match most of the home’s woodwork.
Cambria Clovelly. Its light, creamy color is warm yet crisp—with light veining dancing across it, adding visual interest. “Using Cambria means that the countertops, hood, and backsplash will have the durability necessary for a family that spends so much time making food and memories in the kitchen,” adds Hamel.
From the moment he began cooking in this kitchen, something about the way the space is hidden away from the rest of the house felt right to Chef Ludo.
“I’m in big restaurant kitchens all the time,” he says, “so when I am cooking at home, I want a separate space. I don’t want to feel like I’ve got an audience.” And though he appreciates the enhanced counter space, the new appliances, and the deeper sink, it seems like the most important perk of all is how the kitchen allows Ludo to feel—even if only briefly—like a private chef.
A Midtown mecca for over 25 years, Caviar Russe adds a moody new lounge to its Madison Avenue digs.
By THOMAS CONNORS
There was a time when restaurants tried to cater to all tastes, with everything from steaks and chops to pasta and seafood on the same menu. That formula worked fine until diners realized most kitchens weren’t capable of turning out an authentic bucatini all’Amatriciana and a proper cassoulet with equal authority. And once we grew more appreciative of cuisines from around the world, we weren’t about to go just anywhere for pad thai.
Sleek and darkly alluring, the intimate space is meant to do double duty. Patrons who simply want to pop in for a glass of bubbly and some oysters will feel right at home, as will those who are ready to make a night of it, pausing to enjoy an aperitif before heading upstairs to the main dining room for dinner. “We see it as a sort of living room, where you can hang out before dinner,” suggests Panchernikov. “And it also allows customers who may just be in the mood for a martini and a little something to eat, a whole new reason to visit.”
THE NIGHT IS YOUNG
Tables set with Bernardaud porcelain and Christofle flatware beneath colorful murals make for a fanciful and fancy ambience in the main dining room.
Of course, there have always been restaurants that stuck to what they did best and kept to a tight menu. Back in the 1970s, French chef Jacques Pépin opened a lunch spot on New York’s Fifth Avenue that offered soup, soup, soup. La Potagerie, as it was called, was tailored to expense-accountdeprived office workers with limited time for a midday meal. Think food truck minus a gas tank. Just blocks away from Pépin’s long-gone La Potagerie (and a world away from a ladle) Caviar
Russe occupies an exalted position in the universe of specialty restaurants. While no new kid on the block—it has had a home at 838 Madison Avenue since 1997—this Michelin-starred destination is keeping up with the times, expanding its operation with a new street-level raw bar and cocktail lounge. “We were looking to create a more approachable space but with the same level of service and fine dining one experiences upstairs,” says Edgar Panchernikov, head of operations.
In addition to providing sturgeon roe fans a snug spot in which to indulge, the new space includes a dedicated retail area where they can snag some eggs to go, fresh from Caviar Russe’s small batch farm in Germany. The fish are raised on an all-natural, nonGMO diet.
A beautiful blue banquette and mirrored wall in the new raw-bar lounge (top). Mother-of-pearl plates and utensils are among the precious accoutrements available for purchase.
GOING UP
A staircase with Cambria’s inky, white-veined Mersey design artfully guides visitors between lower and upper levels. SETTLE IN
Plenty of niche restaurants have appeared in recent years, focusing on everything from breakfast cereal to broth. Time will tell if they endure. But ice-cold vodka, champagne brut, shigoku oysters, and a little spoonful of beluga aren’t going away anytime soon— not as long as Caviar Russe is in the game.
TAGLIATELLE WITH BROWN BUTTER SAGE SAUCE
Serves 2–4
INGREDIENTS
Salt and freshly ground black pepper
1 lb. homemade tagliatelle
(See Classic Homemade Pasta recipe below, right)
2 Tbsp. butter
30 fresh sage leaves
1 c. freshly grated
Parmigiano-Reggiano
Walnuts to taste
DIRECTIONS
Bring a pot of salted water to a boil. Cook pasta until it’s tender but not quite done. Place butter in a saucepan, lower heat to medium, and add sage. Cook until the butter turns nut-brown and the sage shrivels. Turn heat to minimum. When the pasta is nearly done, scoop out 1 c. pasta water. Drain pasta, add it to the butter-sage mixture, and raise heat to medium. Add ¾ c. of the water and stir. Cook about 30 seconds. Stir in cheese. Sauce will become creamy. Thin with a little more of the pasta water, if necessary. Season liberally with salt and pepper to taste, and serve immediately, passing more cheese at the table. Optional: Sprinkle with a handful of walnuts for added texture.
Serves 4
INGREDIENTS
2 c. packed tender young basil leaves
¼ c. pine nuts
1 tsp. salt
2 plump garlic cloves, peeled and crushed
½ c. extra-virgin olive oil, or more to taste
½ c. freshly grated
Parmigiano-Reggiano
Salt to taste
½ pound small potatoes, peeled and sliced about ¼-inch thick
¼ pound tender young green beans, cut into 1-inch lengths
1 pound trenette (or other long, thin pasta)
DIRECTIONS
Make pesto: Add basil, pine nuts, salt, and garlic to food processor. Pulse until mixture is coarse and grainy. With the motor running, add oil in a slow, steady stream. Add cheese. Process just enough to mix well. If sauce is too dry, add more oil. Taste. Add more cheese or salt, if desired. Bring 6 quarts water to rolling boil. Add potato slices and at least 2 Tbsp. salt. Cook at least 5 minutes, until potatoes have started to soften. Add green beans, and continue boiling 5 minutes. Add pasta and stir. Start testing. When pasta, potatoes, and beans are tender, drain and turn immediately into preheated bowl. Add pesto. Mix thoroughly. Serve immediately.
FRESH RAVIOLI WITH NUTMEG & MARJORAM
Serves 2–4
INGREDIENTS
1 lb. Classic Homemade Pasta (see recipe below, right)
Extra-virgin olive oil
Nutmeg
Fresh marjoram
For the ravioli filling
20 oz. fresh ricotta cheese
4 oz. freshly grated
Parmigiano-Reggiano
¼ tsp. nutmeg
2 tsp. lemon juice
Kosher salt and freshly ground black pepper
DIRECTIONS
Lay a clean kitchen towel or a triple layer of lint-free paper towels on a rimmed baking sheet. Spread ricotta evenly over surface of towels. Top with a second clean kitchen towel or triple layer of paper towels. Press with hands or a second rimmed baking sheet. Let rest 5 minutes. Transfer ricotta to a medium bowl (it should come right off the towels). Add cheese, nutmeg, and lemon juice to ricotta. Season with salt and pepper and stir. Meanwhile, divide dough into four even sections. Work one section at a time, leaving remaining sections wrapped in plastic. Run dough through pasta machine until the sheet is just under 1/16 inch thick (typically second-to-last setting). Cut sheet in half to create 2 pieces of dough roughly 15 inches long and 5 inches
across. If using a ravioli mold: Place first sheet of dough over metal mold base. Gently, evenly press plastic mold down to make depressions in dough. Fill each depression with 1 Tbsp. filling. Rap mold to remove any air bubbles. Place second sheet of dough over surface and pat down. Run rolling pin over dough until ridges beneath become visible. Flip the mold over and gently peel it away. If ravioli remain stuck, rap the edge of the mold on table. If ravioli do not separate easily, use a fluted ravioli cutter to complete perforation. Cover ravioli with towel to prevent drying. Repeat with remaining dough and continue to freezing or boiling. If working by hand: Fold first sheet along its midline to make a light crease and re-open. Place 6 Tbsp. filling a half-inch apart along length of lower half. Moisten upper half with a wetted pastry brush and fold over, pressing down to remove air bubbles and create a seal around filling. Using fluted ravioli cutter or kitchen knife, cut between filling for 6 even squares. Cover ravioli with towel to prevent drying. Repeat with remaining dough. If freezing: Place ravioli on a parchment-lined rimmed baking sheet and freeze completely. Transfer to a freezer bag and store in freezer for up to 2 months. Frozen ravioli can be cooked straight from frozen (add 30 seconds to cooking time).
To cook: Bring a pot of salted water to a boil. Cook ravioli for 3 minutes, or until they float. Reserve ½ c. of pasta water before draining. Return ravioli and reserved pasta water to pot. Add ¼ c. olive oil. Cook on high heat, stirring gently until oil and pasta water emulsify into a creamy sauce, about 1 minute. Serve immediately, drizzling with more extra-virgin olive oil at the table. Sprinkle with fresh nutmeg and marjoram.
Editor’s Tip: This sauce is also delicious with store-bought ravioli.
ANOTHER HELPING?
For the Classic Homemade Pasta recipe we used in these dishes, and a bonus Mediterranean Gnocchi dish, visit us online.
LESLEE MILLER, CERTIFIED SOMMELIER OF AMUSÉE, SERVES INSPIRED PAIRINGS FOR THIS PASTA
TAGLIATELLE WITH BROWN BUTTER SAGE SAUCE
This savory and cozy dish deserves to be paired with a perfectly weighted, unctuous red. Try Agriverde Piane di Maggio. This stupendously delicious Montepulciano from Abruzzo, Italy, is backed by black cherry, raspberry, and licorice. A delicious combo!
PESTO PASTA WITH POTATOES & GREEN BEANS I love matching pesto with a grape like Vermentino to bring out its freshness. Enrico Santini’s Vermention/ Sauvignon Blanc blend from Bolgheri, Italy, is one of my all-time favorites. Flavors of sage, intertwined with notes of green apple and pear, help make sure that the pesto pops, while also enhancing the snappy flavor of those green beans.
FRESH RAVIOLI WITH NUTMEG & MARJORAM
A meticulously grown wine like Peter Zemmer’s Rollhütt Pinot Noir is just the fit for a spiced ravioli. Grown at a higher elevation, this refreshing gem is loaded with aromas of fresh rose petal and seductive violet to captivate the senses. Meanwhile, notes of cherry, strawberry, raspberry, and a touch of cola also please the palate.
NOTHING SAYS CELEBRATION LIKE SOMETHING SPARKLING, SO RAISE A GLASS TO CHAMPAGNE WISHES AND CAVIAR DREAMS!
By PAUL HAGEN AND LESLEE MILLER
HENKE
Though champagne has become synonymous with any sparkling white wine you’d use to toast the New Year, actual champagne is produced in the Champagne region of France from particular grapes using a specific method. Italian prosecco is similarly controlled; Spanish cava, less so. But sommelier Leslee Miller says a sparkling white wine can be delicious whatever the name—whether Brut Nature (the driest) or Doux (sweet).
Drinking champagne in celebration dates back to the royal courts of the 1700s. But Miller reminds us not to forget the food. “Sparkling wines are best with food,” she explains—especially one that shares champagne’s reputation for decadence: caviar.
“I have a Russian girlfriend who taught me how to enjoy caviar: on a club cracker, with a smear of French butter, topped with caviar—the absolute best,” she says. Miller also recommends trying champagne and caviar with anything fried, salty or creamy—especially fried chicken or potato chips.
Read on for more tips on enjoying champagne—with caviar, in cocktails, and beyond.
When opening champagne, the primary goal is safety. “There’s 80 pounds of pressure behind this cork,” Miller says. Keep your hand on the cork and point it away from people. Remove the foil, rest the bottle on a solid surface for leverage and twist open the cage. “This is where you’re going to start to have some issues with pressure,” says Miller, who recommends turning the bottle rather than the cork, so it releases with more of a sigh than a bang. But what of sabrage, the technique where one uses a sharp blade to sever the neck of the bottle? “Not recommended if you do not know what you are doing,” warns Miller.
A few more terms that might tickle your nose.
CUVÉE
“Cuvée just means ‘blend,’” Wilson explains. “It can be a blend of the same grape from different parts of the wine estate or a blend of grapes. Champagne was the first region to actually blend grapes.”
FOUNTAINS
Not to be confused with towers, these tiered punch bowls pump out bubbly in a hurry, but can also swiftly leave your beverage flat. “I’m not really a fan,” says Miller, calling champagne fountains “a waste of a good bubble.”
TINY BUBBLES
Do “Tiny Bubbles” really make you feel fine? Yes! “The finer the mousse (the bubble in sparkling wine), the finer the bubbly,” attests Wilson. “Secondary fermentation that happens in some sparkling wine making styles—like champagne—produces a very fine bubble.”
TOWERS
You’ve seen them on film and TV: Someone fills the uppermost in a glittering pyramid of glasses, and as it overflows, champagne cascades down to fill tier after tier of other glasses below. But does it really work? “They do work!” insists Miller. “I’ve put on a lot of them for events and my own parties. General tip: stack carefully—and you do go through a ton more bubbly than you anticipate.”
WITH RUSSIAN OSETRA CAVIAR
Pair this with a blanc de noir from Champagne, France. The depth and layered mouthfeel of Osetra deserves a sparkling wine from Champagne made only of black grapes for more texture! Jean Laurent Champagne Brut Blanc de Noirs is ideal.
WITH WHITE STURGEON CAVIAR
Try a sip of something like Steenberg Sparkling Sauvignon Blanc from South Africa; the clean lines of both are outstanding together.
WITH TROUT CAVIAR
I love this with a blanc de blanc sparkling (made entirely of the white grape, chardonnay). Try Oregon’s sparkling Blanc de Blanc from Argyle winery.
THIRSTY FOR MORE?
ROYAL CHAMPAGNE COCKTAIL
Serves 1
INGREDIENTS
1 Tbsp. Grand Marnier
1 Tbsp. brandy
5 oz. chilled champagne or other sparkling wine
1 orange twist
PREPARATION
To make the orange twist:
Working from the stem end to the bottom, use a small knife to cut a ½-inch wide strip of the outer orange skin, incorporating as little of the white pith as possible (because the white pith is bitter). Now, hold the strip, pith side up, and twist the ends in opposite directions.
Run the twist around the rim of the flute. Set orange strip aside for garnish.
Pour the Grand Marnier and brandy into the champagne flute. Slowly add chilled champagne. Gently drop the orange twist onto the top of the cocktail for garnish.
Serve immediately.
Check out
The History of Champagne at CambriaUSA.com /Style
BLOOD ORANGE CHAMPAGNE MULE
Serves 1
INGREDIENTS
Juice of ½ a
BLACKBERRY LAVENDER CHAMPAGNE COCKTAIL
Serves
2 oz. chilled ginger beer
Chilled champagne for topping
PREPARATION
In a glass, combine the blood orange juice, lime juice, and vodka. Add the ginger beer and top with champagne. Garnish with blood orange slices and fresh mint. Drink!
Boil blackberries, maple
and vodka, mashing gently until berries break down (about 5 minutes). Add lavender flowers (removing stems if fresh) and boil 1 minute. Remove from heat. Optional: Allow to steep from 1 hour to 2 days in the fridge. To serve: Pour 1 Tbsp. blackberry sauce into each champagne flute, add a stem of fresh lavender, and top with chilled champagne.
STYLE + DESIGN
KITCHEN PG 9: Rose Bay countertop by Cambria, CambriaUSA.com
No. 1 Cozy and Bright
KITCHEN PG 10: Clovelly countertops by Cambria, CambriaUSA.com. Appliances by GE Café Design series, cafeappliances.com Backsplash tile in Snow by Riad, riadtile.com
Barstools and custom cabinetry from Century Entertainment and Furnishings, centuryliving.com. Faucet in brushed brass by Moen, moen.com Pure White paint by Sherwin-Williams, sherwin-williams.com Sink by Elkay, elkay.com
No. 2 Lush Layers
BREAKFAST ROOM PG 11: Breakfast table in Brittanicca Gold by Cambria,
CambriaUSA.com. Cascade Rug from Madison Lily, madisonlily.com. Antique breakfast chairs covered in faux vinyl from Holly Hunt, hollyhunt.com. Tailored pleat drapery featuring sheer wool blend in Cloud, and Acero hardware in brass from the Shade Store, theshadestore.com Bubbles artwork by Josh Sperling, perrotin.com
BATHROOM PG 12: Venice aggregate
terrazzo tile walls and floors in Marble, Yellow, and Alabaster Pink by Concrete Collaborative, concrete-collaborative.com. Rhine vanity by Pottery Barn, potterybarn.com. White Cliff countertops by Cambria, CambriaUSA.com. Sink and shower faucets by Rohl, houseofrohl.com. Lighting by Millennium Lighting, millenniumlighting.com. Mirror by Duravit, duravit.us. Steam shower by Mr. Steam, mrsteam.com.
No. 4 Dark and Dramatic
KITCHEN PG 13: Refrigerator by True Residential, true-residential.com.
Dacor microwave from AJ Madison, ajmadison.com Oven by LaCornue, lacornueusa.com. Copper range hood by Amore Design, amoredesignfactory.com
Brittanicca Gold Matte countertops by Cambria, CambriaUSA.com. Counter stools by Worlds Away, worlds-away.com Sink by Signature Hardware, signaturehardware.com. Sink faucet and pot filler by Brizo, brizo.com King Edison Trio Pendant by Lightology, lightology.com Dinette chairs by Room & Board, roomandboard.com Illuminated rock from Brazil. Gold elephant candle from Thompson Ferrier, thompsonferrier.com
5 Made for Entertaining
KITCHEN BAR PG 14: Charlestown perimeter countertops by Cambria, CambriaUSA.com. Sutherland island countertop by Cambria, CambriaUSA.com
Cabinets with Meridian door style, hand-painted white with walnut accents by Bakes & Kropp Fine Cabinetry, bakesandkropp.com Armac Martin Bakes Collection hardware in polished nickel. Appliances by Viking, vikingrange.com
Utilitaire Globe Shade Pendant by Restoration Hardware, rh.com. 1940s French Barrelback Counter Stools by Restoration Hardware, rh.com
KITCHEN PG 15: Custom cabinetry by Kroeker Cabinets, kroekercabinets.ca
Hardware by Top Knobs, topknobs.com Brittanicca countertops by Cambria, CambriaUSA.com Wicker counter stools by Palecek, palecek.com. Wall paint in White Dove OC-17 by Benjamin Moore, benjaminmoore.com Cabinetry paint in Silver Satin OC-26 by Benjamin Moore, benjaminmoore.com. Flooring by Steinbach’s Flooring Canada, steinbachsflooringcanada.ca
Pendant lights by Circa Lighting, circalighting.com
KITCHEN PG 16: Countertops in Clovelly by Cambria, CambriaUSA.com Ladder Kitchen Cabinetry, range hood, and ladder all custom from Helmut Cabinetry USA, helmutcabinetry.com. Appliances are Café Series from GE, cafeappliances.com. Faucet from the Litze Collection by Brizo, brizo.com Built-in coffee maker from Miele, mieleusa.com
Backsplash tile in Snow from the Tongue in Chic collection by AlysEdwards Tile & Stone, alysedwards.com
LAUNDRY ROOM PG 17: Countertops in Skara Brae by Cambria, CambriaUSA.com. Appliances by Electrolux, electrolux.com Cabinetry in Alder wood with Slate finish by Fieldstone Cabinetry, fieldstonecabinetry. com. Hillmont Pull Hardware in Brushed Satin Nickel by Top Knobs, topknobs.com
Made with Pride
PG 18: The family-farmed fields of Red Land Cotton, redlandcotton.com Fireplaces being crafted by Modfire, modfire.com. Handscrafted lamps by Stone and Sawyer, stoneandsawyer.com
PG 19: Hilo Lamp by Stone and Sawyer, stoneandsawyer.com. Jack Chair in Windowpane Plaid by Schoolhouse, schoolhouse.com. Sibley Large Satchel by Shinola, shinola.com. Jasper Dresser by Wüd, wudfurniture.com. Fluted Mirror by Wren + Cooper, wrenandcooper.com
PG 20: Bathroom design by Ronen Lev, ronenlev.com. Jennifer wall sconce by The Urban Electric Co., urbanelectric.com. Countertop in Clare by Cambria, CambriaUSA.com White Ash Baskets by Schoolhouse, schoolhouse.com. Carbon Steel Forged Farmhouse Set from Smithey, smithey.com
PG 21: Alden-Medallion Slate Blue Woven Palmas Coffee Table (OVL) by Croft House, crofthouse.com Area Rug by Capel, capelrugs.com. Natural Stoneware Hanging Planter by Katie Mudd from Made Trade, madetrade.com. Wood-burning outdoor fireplace by Modfire, modfire.com
PG 22: Long Board with Metal Handles featuring Cambria Vail Village, shop.CambriaUSA.com. Ticking Stripe Classic Quilt by Red Land Cotton, redlandcotton.com Fluted Chair by Wren + Cooper, wrenandcooper.com
PG 23: St. Helena wallpaper in Longwood by Grow House Grow, growhousegrow.com Weekender Duffel by Duluth Pack, duluthpack.com. Hex Trivet Set in Gris by Slash Objects, slashobjects.com. Gatsby Carpet Tiles in Spice/Gold from Flor, flor.com.
Art of the Show House
KITCHEN PG 24: Cabinets with Meridian door style by Bakes & Kropp Fine Cabinetry, bakesandkropp.com. Cabinetry paint in Saint Clair Blue Signature finish from Paint Factory
with glass panel accents by Architectural Glass Effects, arcglasseffects.com Hardware in Bakes collection antique brass by Armac Martin, armacmartin.co.uk. Island and perimeter countertops in Smithfield by Cambria, CambriaUSA.com. Backsplash in Portrush by Cambria, CambriaUSA.com Sink and faucet by Kohler, us.kohler.com
Professional Dual Fuel Hybrid Range by Fisher & Paykel, fisherpaykel.com. Custom range hood by Bakes & Kropp Fine Cabinetry, bakesandkropp.com
FOYER PG 26: Stairway design by Jim Lambie. Rug by The Rug Company, therugcompany.com. Gold vases by Jaimal Odedra. Artwork by Cristina Canale.
OFFICE AND BEDROOM PG 27: Top: Lamps by Elisa Uberti, Oscar Toralasco, and Peter Lane, peterlaneclay.com. Sculptures by Alex Hagentorn, alexhagentorn.com
Silver-gelatin photographs by Andy Warhol. Rugs from Stark Carpet, starkcarpet.com, The Rug Company, therugcompany.com, and Carine Boxy, carineboxy.be. Bottom right: Cabinet from Maison Gerard, maisongerard.com. Wallpaper by Fromental, fromental.co.uk. Rug from Stark Carpet, starkcarpet.com. Artworks from Kasmin Gallery, kasmingallery.com
JUNIOR SUITE PG 28: Dossel bed by Florense, florense.com.br. Linens and pillow from Tribute Goods, tributegoods.com Nightstands from Serena & Lily, serenaandlily.com. Robinson chandelier from Apartment 48, apartment48.com Kimono wall covering from Arte, arte.international.com. Bibi table lamps from Circa Lighting, circalighting.com
GUEST BEDROOM AND LANDSCAPE PG 29: Headboard by Jordan Mozer,
jordanmozer.com. Bedding and drapery by de Le Cuona, delecuona.com with custom fabrication by Susan Lind Chastain, susanchastain.com. Rug by Fort Street Studio, fortstreetstudio.com. Lamps by Circa Lighting, circalighting.com. Landscape by Landscape Details, landscapedetails.com
Outdoor artworks by Saint Clair Cemin and Bernar Venet from Kasmin Gallery, kasmingallery.com
KITCHEN PG 30: CornuFé series range by LaCornue of France, lacornueusa.com. Refrigerator and wine storage by Sub-Zero, subzero-wolf.com. Sink by Galley, thegalley.com. Decorative hardware and faucets by Waterworks, waterworks.com Countertops in Brittanicca by Cambria, CambriaUSA.com. Pendant light by Restoration Hardware, rh.com
LIVING ROOM PGS 36, 37, 40, AND 41: Sofa from Calia Italia, caliaitalia.com Coffee table from Norr11, norr11.com. Side chairs and rug from La Redoute Interiors, laredoute. com. Side table from &Tradition, andtradition. com. Electric fireplace from Real Flame, realflame.com
DINING ROOM PG 38: Barstools from Mobliberica, mobliberica.com. Dining table by Mogg, mogg.it. Pendant lights from Norr11, norr11.com. Wall clock from Vitra, vitra.com. Candlesticks from &Tradition, andtradition.com.
KITCHEN PG 39: Rose Bay countertops by Cambria, CambriaUSA.com. Appliances by Miele, mieleusa.com
BEDROOMS PG 41: Table from IKEA, ikea.com Bed from La Redoute Interiors, laredoute.com. Bedspread and rug from Zara Home, zarahome.com. Pendant lamp from Umage, umage.com. Wallpaper from Eijffinger, eijffinger.com. Desk, chair, and rug
from La Redoute Interiors, laredoute.com Desk lamp, IKEA, ikea.com Digital wall art by Varya Shchuka, behance.net. Vase from Barcelona Designs, barcelona-designs.com
DINING ROOM PGS 42 AND 46: Table from Restoration Hardware, rh.com Chairs from Gabby Home, gabbyhome.com
SUNKEN BAR PG 44: Sheer drapery from The Shade Store, theshadestore.com
Bar cart from Williams Sonoma Home, williams-sonoma.com.
FAMILY ROOM PG 44: Sofa from Blu Dot, bludot.com. Natural fiber rug and pillows from Williams Sonoma, williams-sonoma.com
KITCHEN PG 45: Countertops in Clovelly by Cambria, CambriaUSA.com
BEDROOM AND BATHROOM PG 47: Nightstands, lamps, rug, chairs, and light fixture from Williams Sonoma Home, william-sonoma.com. Bedding from Amber
Bubbles & Roe
BAR PG 50: Bar countertop outer perimeter in Portrush by Cambria, CambriaUSA.com. Bar countertop inner perimeter in Mersey by Cambria, CambriaUSA.com
DINING AREA AND LOUNGE PGS 52-53: Porcelain table settings by Bernardaud, bernardaud.com. Flatware by Christofle, christofle.com. Mother-of-pearl plates and utensils from Caviar Russe, caviarrusse.com Tabletop and stairway in Mersey by Cambria, CambriaUSA.com
KITCHEN PG 54: Countertop in Ella by Cambria, CambriaUSA.com
PG 55: Mason Stoneware Dinner Plates from Pottery Barn, potterybarn.com
PG 56: Countertop in Kentucky Coal by Cambria, CambriaUSA.com. Ripple Plate in Charcoal from Urban Oasis, urbanoasis.com
Levi Side Plates from Anthropologie, anthropologie.com. Vintage tumbled Italian flatware from Pottery Barn, potterybarn.com
Belgian Thick Linen Pacific Placemat in Militaire Grey from The Foundry Home Goods, thefoundryhomegoods.com
Interiors, shoppe.amberinteriordesign.com
Drapery and shades from The Shade Store, theshadestore.com Tub from Victoria + Albert, vandabaths.com. Faucets in matte black finish, and sinks from Rohl, houseofrohl.com. Mirror from Duravit, duravit.us. Countertops in Mammoth Cave from Cambria, CambriaUSA.com Wall and floor tile from Clé Tile, cletile.com
Sheer drapery from The Shade Store, theshadestore.com Hardware in ash gray finish from Top Knobs, topknobs.com
A Toast to Bubbly
KITCHEN PG 58: Countertop in Inverness Bronze by Cambria, CambriaUSA.com
Rose and Gray Champagne Coupe Stemware by Estelle, estellecoloredglass.com
Eve Coupe Cocktail Glass from CB2, cb2.com Wolcott Optic Coupe glass from Crate and Barrel, crateandbarrel.com.
PG 59: Countertop in Inverness Bronze by Cambria, CambriaUSA.com. Vintage Found Hotel Silver Cheese Knives from Pottery Barn, potterybarn.com. Vintage caviar spoons.
PG 60: Eve Coupe Cocktail Glass from CB2, cb2.com. Vintage Cocktail Glass. Bohemia Claudia Crystal Flute 7oz., ebay.com PG 61: Kaipara harbour oysters from New Zealand.