BY DES I GN MAGAZI NE - TR E NDS 2022 JAMES HAR DIE
JAMES HARDIE + PRESTON LANE
Rethink What Is Possible Architects Nathanael Preston and Daniel Lane of Melbourne and Hobart architecture firm, Preston Lane have been exploring new architectural facade concepts using Hardie™ Fine Texture Cladding and its supporting range of junction and corner accessories. Their speculative project, ZigZag House, creates a striking form and proposes an arresting addition to a Melbourne laneway. Zig-Zag House reimagines what is possible with Hardie™ Fine Texture Cladding.
“The experimental nature of this collaboration prompted us to think about Hardie™ Fine Texture Cladding differently,” Preston explains. “What we discovered is that the lightweight, user-friendly panels can be used to create some new and really interesting concepts.” Using 600mm wide Hardie™ Fine Texture Cladding panels arranged at 90 degrees with internal and external corner junctions, Preston Lane created the concertina facade concept. Their design proposes a contemporary two-storey residential extension to complement an Edwardian Terrace in Melbourne. “We thought a flat facade could look austere," Lane says. "But with the fine texture finish and this folding form, it appears dynamic and captures great shadows as the sun moves across it.” Elegantly framed by a custom ridge cap, the folding facade incorporates an integrated glazing unit that would frame views of the neighbourhood. The lightweight cladding wrapping the upper storey ensures floor area is maximised and the ground level can exploit large, open spans. From the ground floor, the social rooms are designed to open onto a sunny courtyard. “An ambition of every project we work on is to establish a strong relationship with the outside,” Preston says. “Generally, older houses have small windows and
70 | By Design 2022
poor outdoor connections so it’s something we’re always trying to remedy in contemporary architecture.” The idea to include a central courtyard brings a nature-focused outlook while ensuring the interior feels expansive and has ample daylight and airflow. “In places like Melbourne and Hobart it can get quite cold so to be sat inside and still feel like you’re part of the outside is critical,” Lane explains. “Integrating architecture and landscape helps to strengthen that connection.” The relationship between the interior and exterior as well as adjacent rooms has been carefully considered in the design of Zig-Zag House. “Getting those relationships between spaces is something we work hard to achieve,” Lane says. “We play with scale and material finish to achieve balance and ensure spaces feel open and connected and not vacant.” The dining room is a good example; it is designed to be open to the kitchen inside and the herb garden outside. “There’s a built-in banquette seat that the dining table pushes against,” Preston explains. “You can sit there with the sun on your back, with garden between you and the laneway, and you can reach out and snip off your basil for your bolognese or your thyme for your chicken.”
