
























7pm Oct 21
21
First Presbyterian Bryan 5pm Dec 9
Holy Cross Lutheran College Station
7pm Feb 24
First Presbyterian Bryan 5pm Apr 28
Holy Cross Lutheran College Station
Songs from the Homeland highlights a variety of folk songs familiar to people of all ages. It begins with Joseph Martin’s, The Awakening, and its powerful text, I dreamed a dream, a silent dream of a land not far away. This sets the stage for a musical review of familiar folk songs from the homeland that, musically, bring us to our new home, setting the stage for our March concert, Songs of the Traveler.
What Sweeter Music Can We Bring is designed to get you and your family in the Christmas spirit! The first half brings some of your favorite traditional and non-traditional Christmas pieces. The second half will feature a guest narrator reading one of your favorite Christmas stories, ‘Twas the Night Before Christmas, with traditional sing-along Christmas carols sprinkled throughout. Be sure to stick around for the end of the concert with your young ones because we may have a guest visitor all the way from the North Pole!
Songs of the Traveler is a continuation of our first concert and focuses more on the folk songs of America through the lens of Randall Thompson and Aaron Copland. The theme of journey and travel is continued but now through the vantage point of one who has arrived in America. A guest artist will perform the Ralph Vaughan Williams setting of Songs of the Traveler.
The Road Home focuses on the conclusion of one’s journey from the viewpoint of arriving at their new-found home all the way from the homeland, but also the end of one’s journey here on earth. This concept is epitomized through Schubert’s Mass in G and Faure’s Requiem. And we end the season with the beautiful setting of Stephen Paulus’s, The Road Home, the perfect piece to highlight the duality of two different journeys coming to a close.
bvchorale.org/concerts
This program made possible in part through Hotel Tax Revenue funded from the City of College Station through the Arts Council of Brazos Valley. This project is supported in part by an award from the National Endowment for the Arts, the Texas Commission for the Arts, the Eugene Edge Charitable Trust, and the Plass Arts Foundation. To nd out more about how National Endowment for the Arts grants impact individuals and communities, visit www.arts.gov.
The Chorale’s 55th Season follows the progression of the folksong from the homeland to the new land while also encapsulating the human experience and journey through song.fromthe Homeland highl
Marcelo Bussiki is the music director/conductor of the Brazos Valley Symphony Orchestra. He is also the Vice-Chancellor of Academic Affairs at Blinn College. He has had a passion for music since his early years. Born in Cuiaba, capital of Mato Grosso State in Brazil, Bussiki left home at age 14 to study at the Brazilian Conservatory of Music in Rio de Janeiro. He continued his conducting studies under Maestro Roberto Duarte at Rio de Janeiro Federal University. Upon graduation, he was named music director of the orchestra of the Federal University of Mato Grosso, a position he held for six years. Bussiki was awarded knighthood in the Ordem de Merito de Mato Grosso in recognition of his pioneering work in cultural expansion and musical education. He received the title of Oficial, the highest honor that the executive power can confer upon an artist in Brazil.
Bussiki came to the United States in 1992 under a scholarship from the Brazilian government and studied at the Moores School of Music at the University of Houston. From 1994-1996, he directed that university’s New Music Ensemble, developing an extensive repertoire of modern and contemporary music. He received a doctorate of musical arts in conducting from the University of Houston in 1998.
During his tenure with the Brazos Valley Symphony, Bussiki has been in demand as a guest conductor in Texas and out of state. In September, 2002, he returned to his native Brazil under sponsorship from the Brazilian National Bank in Rio de Janeiro to conduct 15 performances of Gaetano Donizetti’s opera Viva la Mama, as well as other symphony concerts in Rio de Janeiro and Brasilia. In October 2001, he conducted a premiere performance of the Organ Concerto by vanguard U. S. composer Lou Harrison, featuring organist John Walker and the Carnegie-Mellon Percussion Ensemble, in Pittsburgh, Pennsylvania. Dr. Bussiki conducts several concerts a year at the International Festival Institute at Round Top, Texas. He was conductor for the International Guitar Festival in 2005, 2006, and again in 2016. In 2014, Bussiki was awarded the “Artist of the Year” honor by The Arts Council.
Welcome to the 42nd year of the Brazos Valley Symphony Orchestra (BVSO). This season will dazzle you with seven concerts.
We are excited to announce BVSO’s recently hired dynamite team of Executive Director, Sandra Castanon and Communications Director, Joe Cook. Together with Music Director, Marcelo Bussiki and 20+ Brazos Valley Symphony Society (BVSS) board members, we are creating an unparalleled season musically, financially, and socially. Before each concert at 4:00 pm we have a reception with cash bar, snacks, and opportunities to mingle with all of us who love good music. After each concert, Tom Kenney of Napa Flats has promised us reserved tables and some free appetizers after our concerts. It is a chance for Maestro Bussiki to host our guest musicians for dinner, and to go around thanking the many BVSO supporters.
Thanks to Gaines West and his team, the BVSO Endowment has now surpassed $2 million dollars in cash and pledges, providing the most important leverage an orchestra can have. In addition, we have a number of concert sponsors this year. They include Friends Association of the Symphony Orchestra (FASO), the Clearfield Family, the Rhea Trust, Amarillo National Bank, Don and Becky Russell, the Ham Family, Dreamers Land & Minerals, Inc., and several grants we have secured.
Tonight’s program features International and Chopin award-winning Spanish pianist Martin Garcia playing Beethoven’s iconic “Emperor Piano Concerto.” The concert also features Mozart’s lively “Marriage of Figaro” overture and Tchaikovsky’s powerful “Symphony No. 5.” The entire concert is sponsored by FASO as a memorial to Jeannie Miller, a long-time symphony activist whose work, finances, and heart made us love BVSO more. We honor her life, her partnership with her late husband Creighton---another BVSO lover--and commitment to great music.
With future concerts “Illuminations and Glory,” “Carmen,” “Pictures at an Exhibition,” our annual Holiday concert, “Hungarian Dances,” and an historic “Music of the Knights” (Paul McCartney, Andrew Lloyd Weber, and Elton John) we guarantee a spectacular year of great music from the BVSO. Hope to see you many times.
Sincerely,
Cathy LovingMartín García García (born in Gijón, 1996) is considered, at 26 years old, one of the pianists with the greatest international projection. In 2023, he has performed around 80 concerts worldwide (in America, Asia, and Europe), a year that marked his debut in Korea, Mexico, and Brazil. He has also visited Japan, the United States, Canada, Poland, Italy, Spain, Portugal, Belgium, Lithuania, and Luxembourg to give remarkable recitals and perform alongside prestigious orchestras such as the NHK Symphony Orchestra, Seoul Philharmonic Orchestra, Hamburg Symphoniker, Warsaw Philharmonic Orchestra, Lithuanian National Symphony Orchestra, and the Brasilia Orchestra. It’s worth noting that the Spanish artist also gave over 70 performances across America, Asia, and Europe in 2022, achieving significant milestones like his debut at Carnegie Hall in New York and a successful tour in Japan with 25,000 attendees across 14 performances. García García has received major global recognitions, including first prize at the 2021 Cleveland International Piano Competition and third place at the 2021 International Chopin Piano Competition. He released his debut album “Chopin and His Master” in 2022, a production done by the artist himself.
Martín García García has appeared in important venues across Europe, America, and Asia, receiving highly positive reviews from figures like Vladimir Krainev, Dmitri Alexeev, Arcadi
Volodos, Dimitri Bashkirov, Joaquín Achúcarro, and Tatiana Copeland (niece of Sergei Rachmaninoff). The Spanish pianist has won first prizes in numerous international and national piano competitions, with his victory at the 2021 Cleveland International Piano Competition and his third place at the 2021 International Chopin Piano Competition being particularly noteworthy.
In the latter competition, he also received the special award from the Warsaw Philharmonic National Orchestra for the best concerto performance. He graduated from the Reina Sofía School of Music, where he studied for a decade under Professor Galina Eguiazarova, and was honored by Her Majesty Queen Sofía with the recognition of being the Most Outstanding Student of her chair. He also holds a Master’s in Piano from the Mannes School of Music in New York, where he studied with the renowned pianist Jerome Rose for 3 years. Martín García García began his piano studies at the age of 5 with teachers Natalia Mazoun and Ilyà Goldfarb. Before turning 12, he had already been recognized in numerous competitions such as the Piano Junior Barcelona in 2005, the Antón García Abril in Teruel in 2006, the Santa Cecilia Prize in Segovia in 2006, the Ciudad de San Sebastián in 2008, the Rotary International in Moscow in 2008, and the Permanent Competition of Spanish Youth Musicians in Alcalá de Henares in 2008.
The year 2022 marked an extraordinary turning point in his career, with over 70 concerts worldwide, performing in iconic venues like Carnegie Hall in New York, Suntory Hall in Tokyo, and the National Auditorium of Music in Madrid. Additionally, he released his first album “Chopin and His Master” in 2022, a production by the artist himself, recorded in the Fazioli piano factory’s hall in Sacile, Italy. The album includes works by Bach, Chopin, Liszt, and Scriabin, reflecting the repertoire developed during the 21/22 season. The album is available on digital platforms and physically in Japan (Nippon Arts).
Martín García García, who holds a strong sense of responsibility and a commitment to serving humanity, approaches each concert with a profound purpose. Regardless of the venue’s size or the audience, he believes that there is a profound content to offer to each person who has chosen to come and listen.
This concert was sponsored by The Friends Association of Symphony Orchestra in loving memory of Jeannie Miller
The Brazos Valley symphony socieTy graTefully acknowledges granT, TrusT, and communiTy supporT from:
The Clearfield Family
Eugene Edge, III Charitable Trust
The Ham Family Trust
Gilbert & Thyra Plass Charitable Trust
Plass Arts Foundation
Union Pacific
Rea Charitable Trust
Nina Astin Winkler Charitable Trust
This program made possible in part through Hotel Tax Revenue funded from the City of College Station through The Arts Council. This project is also supported in part by an award from the National Endowment for the Arts.
in-kind supporT and serVices from:
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart was born in Salzburg, Austria, on January 27, 1756; he died in Vienna, Austria on December 5, 1791. He conducted the premiere of his opera, Le nozze di Figaro, at the Burgtheater in Vienna on May 1, 1786.
Our concert opens with an energetic overture to one of Mozart’s most successful operas. It is obvious from the music that the opera is a comedy in which lovers are united and each character gets his just desserts in the end. Librettist Lorenzo da Ponte based the story on a French play by Pierre Beaumarchais, which was controversial at the time because it ridiculed the aristocracy, and its heroes are servants.
Piano Concerto no.5 (“Emperor”) in E-flat major, Op.73
Ludwig Van Beethoven
Allegro
Adagio
Rondo
Ludwig van Beethoven was born in Bonn, Germany; he was baptized on December 16, 1770, and this date is typically given as his birthday (he might have been born days earlier). Pianist Friedrich Schneider played the premiere of Beethoven’s Fifth Piano Concerto at the Gewandhaus in Leipzig, Germany on November 28, 1811. Beethoven’s pupil, Carl Czerny, was the soloist of the concerto’s first performance in Vienna on February 12, 1812.
The “fortepiano” of Beethoven’s time was still rather delicate and brittle-sounding in comparison to the big, strong concert grand piano we know today. Beethoven stretched the expressive limits of the instrument as both a performer and a composer. To some extent this was due to deafness; he
pounded harder as the music became more difficult for him to hear. He would order instruments built to withstand this treatment. But that is not the whole story. He explored the entire range of the instrument, in terms of both notes and dynamics, and some of his piano music called for pitches beyond what was available on many keyboards of his time. Thus, the sturdy keyboard part of his Fifth Concerto holds its own against the orchestra’s larger forces even when played on a period instrument.
The pianist sets the piece in motion with cadenza-like scales, arpeggios, and flourishes; chords in the orchestra add punctuation. This Allegro (fast movement) is one of the longest first movements Beethoven ever wrote, yet constant thematic development and the interplay between the piano and orchestra keep it interesting. The lyrical Adagio (slow movement) begins with a hymn-like theme played on muted strings in a low range. It is in the key of B major, quite a distance tonally from E-flat major. A new rhythm in the piano, played over a pedal point held by the horn parts, ushers in the lively and expansive Rondo. Just before the end, the timpani engage in a duet with the piano.
There has been some speculation over the years about why this concerto is called “the Emperor.” Scholars believe that Beethoven did not have any particular emperor in mind. Any admiration he might have once had for emperors probably evaporated when the French army under Napoleon, which had already invaded Vienna in 1805, marched upon the city for the second time in 1809, while Beethoven was working on this concerto. The nickname was apparently given to the concerto much later, but it seems to fit the majestic character of the piece itself.
Andante—Allegro con anima
Andante cantabile con alcuna licenza
Valse. Allegro moderato (A major, 266 bars)
Finale. Andante maestoso–Allegro vivace
Pyotr Ilyich Tchaikovsky was born in Votkinsk, Russia on May 7,1840 and he died in Saint Petersburg, Russia on November 6, 1893. He conducted the premiere of his Symphony no. 5 with the Saint Petersburg Philharmonic Society at the Mariinsky Theater on November 17, 1888.
Tchaikovsky had the idea of composing a symphony in the spring of 1888, and even thought of a program on the concept of fate, or resignation. After several sketches, he seemed to have abandoned the program, and by August 1888 he had completed the work. He dedicated it to Theodor Avé-Lallemant, a noted musician and music teacher in Hamburg, Germany, he had met during a conducting tour.
The Symphony No. 5 is a cyclical work, in which the main theme appears in each of the four movements, thus unifying the whole. The low strings and winds state this somber theme in the slow introduction. A more animated version of this motif gives way to a multitude of thematic ideas. Some in the audience may recognize the slow, plaintive horn melody in the second movement, introduced by the horn. The main theme intrudes twice, but the lyricism resumes each time. The third movement, a waltz, illustrates the composer’s flair for instrumental color. One of its themes has a zig-zag motion. The main theme occurs at the end of the third movement.
The fourth movement brings the Symphony to its climax. Like the first movement, it begins with a slow instruction. However, whereas the overarching main theme is in E minor in the first movement, after some dramatic development it is eventually transformed into a triumphal march in E major in the Finale.
979-696-8594
122 Walton Dr College Station, TX 77840
aggiedentist@hotmail.com
Violin I
Javier Chaparro
Creighton Miller Concertmaster Chair
Erika Elder
Yi Ching Fong
Naomi Frausto
Letty Fuentes
Edward Ji
Jarred Kennedy
Kristin Mortenson
Chris Walters
Yuan Wu
Violin II
Adam Mikeal Principal
Laura Callon
Darbi Green
Jonathan Griffin
Natalie Mann
Sarah Mukadassi
Lucina Reyes
James Robertson
Viola
Luis Perez Principal
Paul Duston
John Holguin
Sam Lee
Omeed Manshouri
Carlo Mauricio
Cello
Jane McCormick Principal
Cony Knight
Tom Lawshae
Elizabeth Lee
Andrew Nguyen
Bass
Gaven Krase Principal
Sabrina Behrens
Ray Fisher
Christian Harvey
Andy Moritz
Flute
Penny Zent Principal
Jessica Borski-Owens
Nami Kimura
Oboe
Rebecca FairweatherHaskins Principal
Amy Burgus
Clarinet
Jill Stewart Principal
Mark Arritola
Bassoon
Eric Miller Principal
Sascha Plotkin
Horn
Mary McNeel Principal
Sarah Au
Paul Blackstone
Ben Carroll
Esteban Garcia
Trumpet
Phil Scoles Principal
Phil Holland
Trombone
Steven Vogel Principal
Ramiro Cortez
Bass Trombone
Michael Johnson Principal
Tuba
Larry Campbell Principal
Timpani
Todd Quinlan Principal
If the symphony is important to you today, help make sure it continues for their tomorrow. When you include the Brazos Valley Symphony Orchestra in your estate plans, you provide a foundation for great symphonic music to continue in the Brazos Valley for the next generation.
For more information, contact the Executive Director, Sandra Castañon, at 979-696-6100 or sandra@bvso.org
Thank you to our Corporate Sponsors!
Dreamers Land & Minerals, Inc
Please be sure to let all our corporate sponsors know that you value their support of the Brazos Valley Symphony Orchestra.
Ryan Becker, Secretary
John Bohnsack, Past President
Blanche Brick
Marcelo Bussiki, Music Director
Pierce Cantrell
Sandra Castanon, Executive Director
Benton Cocanougher, 1st Vice President
Mike Connor
Mildred Davis
Blaine Decker, President Elect
Sandy Farris, FASO President
Jonathan Griffin, Orchestra Representative
Don Hellriegel, Treasurer
Chuck Herman
Sue Lee, 2nd Vice President
Cathy Loving, President
Adam Mikeal, Orchestra Representative
Elizabeth Natsios
Kathy Payne
Matt Prochaska
Gaines West
Penny Zent, Orchestra Chair
For the past 39 years, an auxiliary organization called FASO (Friends Association of the Symphony Orchestra) has provided the volunteer hours required to promote and stage the exciting Brazos Valley Symphony Orchestra concerts you enjoy each season.
We invite you to become a member of FASO this year to help increase educational opportunities and appreciation for classical music in the Brazos Valley. Membership applications may be found on the symphony website: bvso.org/faso/
Follow us on Facebook at @faso2021
Sandy Farris - President
Becky Hall - President-Elect
Sue Lee - Past President
Sinead Dunne - 1st Vice President
Jennifer Wood - 2nd Vice President
Julie Flores - 3rd Vice President
Beth Pennebaker - Secretary
Anne Prescott - Treasurer
Karen Melvin, Julia Beazer, Kathy Brewer - Members-at-Large
Alice Hoelscher - TASO Representative
John and Venessa Ruth
Don Hellriegel
Sue Lee
Jim Singleton
Stephanie Sale
Marcelo Bussiki
Benton Cocanougher
Jerry Gaston
Becky and B. Don Russell
Andrew and Sarah Spellman
Betty Aycock
James Heilman and Nan
Reichel-Heilman
Brent Maxwell and Patricia
Burchfield
Tom and Sally McKnight
H. Thomas Reed
Satterfield Group
Debe and Scott Shafer
Terry and Carrie Thigpin
Pierce Cantrell
Stephanie Wells
Matthew and Amy Faulkner
Joe and Loretta Foster
Leigh and Melissa Gathings
Amanda Green
Michael and Carolyn Hall
Joe Ham and Penelope
Kosztolnyik
Jessica Lane
Jerry and Cathy Loving
Patricia McDermott
Spiros Vellas
Leslie Woods
At Derby Day 2023, the following generous donors contributed to the “Fund a Season” for the 2023-2024 Season
In late 2015, the Brazos Valley Symphony Society’s Board of Directors created an Endowment Committee and tasked them with the {seemingly} outrageous goal of raising one million dollars! Once that goal was met in an astonishingly short period of time the Board charged our Endowment Committee to take our permanent endowment funding level to THREE million dollars! Well guess what? We are closing in on that goal too! Our Endowment Committee has announced we have just cleared the two-million-dollar mark and the end is in sight!
These last eight years, since our 2015 Board caught the vision for a permanent endowment fund, have seen unexpected changes we could have never imagined, but the music played on, and we never stopped believing in the treasure that is the BVSO! Preserving that treasure is OUR gift to future generations – and today we are literally on the precipice of reaching that goal.
Join us in our FINAL push forward to the finish line! There are many ways that you can support BVSO’s Endowment campaign. Please contact the BVSO office today to find out which one works best for you!
Gaines West Co-Chair BVSO Endowment Committee Cindy Craigen Co-Chair BVSO Endowment CommitteeFor more information on how you can play a crucial role in the future of the BVSO please contact the BVSO Office at: 979-696-6100 or office@bvso.org
A strong endowment ensures that there is an enduring source of funding for immediate and future needs of this Brazos Valley treasure—the BVSO. Endowments grow over time to create a legacy of education, culture, and artistic development as they extend the impact of the donor’s generosity beyond a lifetime. The investment income from the BVSO Permanent Endowment will provide a foundation for great symphonic music to continue in the Brazos Valley for the next generation and beyond.
FOUNDERS
$100,000+
Diamond $50,000 - $99,999
Platinum $25,000 - $49,999
Gold $10,000 - $24,999
Silver $5,000 - $9,999
Bronze $1,000 - $4,999
Friend up to $999
pledged or received as of September 29, 2023
Founders ($100,000+)
Ruth Clearfield Memorial Fund
Larry & Mary Koeninger
Bert & Mary Loudon
Gary & Lynn Martin
Creighton & Jeannie Miller
Bookman & Florence Peters
Rose P. VanArsdel
Diamond ($50,000 - $99,999)
Anonymous
Carolyn McDaniel
Ward & Diane Wells
Platinum ($25,000 - $49,999)
In Memory of Evelyn & Fred Anderholm
Tracy & Tamara Carter
Penelope Kosztolnyik & Joe Ham
Stephanie Sale & Jim Singleton
Susan & Gaines West
Linda & Dick Witherite
Anonymous
Nancy E. & Mark Browning
Maestro Marcelo Bussiki
Carol & Pierce Cantrell
Chrissie & Jay Granberry
Lorraine & Chuck Hermann
The Coulter & Lily Rush Hoppess Foundation, Inc.
Jan & Bill Johnson
Anonymous
Cathy & Jerry Loving
Joann Monroe
John & Carol Nichols
Joyce Nies & Peter Witt
Valerie & David Woodcock
Rodney & Penny Zent
Don & Pat Allen Rice
David & Joanne Claridge
Bonnie & Otway Denny
Linda & Paul Parrish
Ellen & Penrod Thornton
Elizabeth & Bill Ward
BRONZE ($1,000 - $4,999)
Steven & Lisa Aldrich
Bob & Dorothy Anderson
Althea Bair-Sutherland
Briaud Financial Advisors
Jo Berg
Robert & Blanche Brick
Taylor & Cindy Craigen
Cydney Collier Donnell
John & Naomi Fackler
Warren & Mary Finch
Jan Folse
Jennifer Fredericks
Stephen A. Fulling
Phil & Zo Granberry
Gary & Judy Hart
Gary & Judy Hart
In Memory of Jeannie Miller
Edward E. & Ruth Anne Hazen
Alice & Clifford Hoelscher
Michael J. King &
Robin L. Altholz
Randi & Averyt Knapp
Celebrating Virginia & Russell Mays
Karen Kubena
Sue Lee
Claire & John Lillie
Marti Marberry & Thomas Roraff
John & Leslie Miller
Andrew & Elizabeth Natsios
Carol Parzen
Joyce Perkins in Memory of Richard C. Perkins
Rhonda Raphael
Sheran Riley
Dave & Lou Ellen Ruesink
Becky & B. Don Russell
Carol & Mark Sadoski
Thomas Sadoski & Amanda Seyfried
In Honor of Carol & Mark Sadoski
Jack Skinner
Sara Alpern Anonymous
Kenneth & Kathi Appelt
Pat & Sarah Ashburn
Karen Bachman
Carol & Doug Biggs
Brett & Alisa Boatner
Robert C. Borden
Leonard L. Bowden
Scott Ball & Janice Bradshaw
Lorence & Zora Bravenec
Karen Buck & Porscha Buck
Jack & Mary Campbell
Irwin & Claudia Carroll
Dara & Judith Childs
Charlotte Christman
Robert H. Clearfield
Franco & Sandra da Conturbia
Olga & Brett Cooke
Marian & Gus Cothran
The Dangott Family Trust
Mr. David Dellwo & Mrs. Nancy Inglis
Ronald & Barbara Douglas
Billie Elmendorf
John Fackler
In Memory of Jeannie & Creighton Miller
Ann Fancher
Chris & Sandra Farris
Anonymous
Rainer & Tammy Fink
Jack & Anita Friedman
Ivy V. Geiger
Don & Rosemary Green
Lisa Halperin & Jonathan Coopersmith
Anonymous
General Joe G. Hanover
W.T. (Bill) Harper
Susan & Rodney Hill
Susan Irza Anonymous
Myong & Pedro Ledesma
Robert & Candace Leslie
Karon & Glenn Mathews
David & Jeanette McMahon
In Memory of Tom Roraff
Dr. & Mrs. Glenn Miller
Jane Miller
Jeannie Miller
In Memory of Tom Roraff
Leon & Junett Noack
In Memory of Tom Roraff
Dr. Ozden Ochoa
Mohsen & Terri Pourahmadi
Matthew & Merrilee Prochaska
The Quackenbush Kids
Thomas & Liana Rike
In Memory of Tom Roraff
Larry & Jean Ringer
The Family of Arthur & Rosalie Roraff
In Memory of Tom Roraff
Mary Frances Ross
Schade Family
Jay & Barbara Schleppenbach
In Memory of Tom Roraff
Timothy Seubert
Mary Sherwood
In Memory of Tom Roraff
Matt & Toni Straley
In Memory of Tom Roraff
Barbara & Emil Straube
Connie Swing Surrency
Mrs. Dwayne (Carol) Suter
Mrs. Ann W. Thompson
Milton Thompson
Margaret E. Touchstone
Victor & Jo Ann Treat
Harvey & Sandy Tucker
Randy & Mary Ulery
Brad & Pat Vinson
Tom Vogel & Barbara Gastel
Barbara Buffington Walker
Bob Warden & Eva Read-Warden
Doris & Rand Watson
Anne & Thomas Wehrly
Ann Wiatt
Mary Jane Wiggins
Lima & Joe Williams
Dr. Arthur V. Wolfe
Dr. & Mrs. Grant Wolfe
William & Mary Young
Gaines & Susan West
In Memory of Jeannie Miller
The Brazos Valley Symphony Society is most grateful to the individuals who, by their monetary commitment or through other unique forms of support, make possible the continued growth of the Brazos Valley Symphony Orchestra’s many outstanding artists, programs and services. Listed below are those individuals that have made gifts or pledges to the Symphony through the ANNUAL FUND DRIVE as of September 29, 2023 for the Orchestra’s 42nd season.
Premier Circle ($10,000+)
The Clearfield Family
The Ham Family Trust
Friends Association of the Symphony Orchestra
Dreamers Land & Minerals, Inc
Maestro’s Circle ($5,000-$9,999)
Becky & B. Don Russell
Concertmaster’s Circle ($2,500-$4,999)
Gaines & Susan West*
Benton Cocanougher*
Orchestra Circle ($1,000-$2,499)
Bob & Dorothy Anderson
Laura De Asarta
Pat & Sarah Ashburn
Donnie & Laura Becker
Anonymous*
Pierce Cantrell*
In Memory of Carol Cantrell
Mike & Sheila Connor*
Blaine & Hannah Decker*
Philip & Kay Goodwin
Don Hellriegel*
Chuck Hermann & Lorraine Eden*
Sue Lee*
Jerry & Cathy Loving*
Jo Monroe
Andrew & Elizabeth Natsios*
John & Carol Nichols
Karen & Michael Pilant
Joyce Perkins
Dean & Dorothy Wichern
Grant & Wendy Wolfe
Rod & Penny Zent*
Michael J. King & Robin L. Altholz
Paul Boatright
Zou & Boyd Cherry
Tom & Lynda Henry
Jane Flaherty
Claude & Joanna Gibson
Albert & Mary Loudon
Fred & Cheryl Anderholm
Fuller & Gloria Bazer
Ryan & Kari Becker*
Robert & Blanche Brick*
David & Joanne Claridge
Ernest & Billie Elmendorf
David Dellwo & Nancy Inglis
Rand & Doris Watson
Peter Witt & Joyce Nies
Ann Wiatt
David & Valerie Woodcock
Ward & Diane Wells
Dick & Linda Witherite
The Estate of Arthur Wolfe
Gary & Judy Hart
Rodger Koppa
Randy & Kathy Payne*
Dave & Lou Ellen Ruesink
Mark & Carol Sadoski
Robert & Katherine Thomas
Tom Vogel & Barbara Gastel
Betty Aycock
Mark & Nancy Browning
Jared Datzman
Paul & Kathy de Figueiredo
Kim Feldman
Clifford & Alice Hoelscher
James Kracht
Andreas Kronenberg
Billy & Mary Jo Lay
John & Claire Lillie
In Memory of Bookman Peters
Werner Rose
Charles & Cindy Still
Shirley Watts
Thomas & Anne Wehrly
Karan Wester
George & Jan Woodward
In Memory of Victor Treat
Robert LeJeune Matthew & Merrilee Prochaska*
* Symphony Society Board Member
presents 41st Season . . .
SUNDAYS at 5:00pm in the Sanctuary of First Presbyterian Church
October 8, 2023
D’ACCORD
Dominique McCormick, soprano
Keith Weber, piano
March 3, 2024
Dr. Sarah Burke & Todd Quinlan, percussion
November 12, 2023
HARPBEATS
Harp Ensemble, University of North Texas
April 21, 2024
Chris Hoffman, piano
FREE admission. FREE parking. Reception follows concert.
FIRST PRESBYTERIAN CHURCH
1100 Carter Creek Pkwy, Bryan Texas
www.fpcbryan.org/concerts-on-carter-creek 979.823.8073 | music@fpcbryan.org
Find “Concerts on Carter Creek” on Facebook
Improving
Rudder Theatre
Oct 15, 2023 | 5pm
Concert Sponsor: FASO, in memory of Jeannie Miller Mozart, Beethoven, Tchaikovsky
Rudder Theatre
Nov 5, 2023 | 5pm
Concert Sponsor: The Clearfield Family Bach, Britten, Vivaldi
Christ Church
Dec 10, 2023 | 5pm
Concert Sponsor: Becky and B. Don Russell
Your holiday favorites! What better way to get into the holiday spirit!
Rudder Auditorium
Feb 18, 2024 | 5pm
Debussy, Ravel, Villa Lobos, Mussorgsky
Rudder Theatre
Mar 24, 2024 | 5pm
Concert Sponsor: The Ham Family Trust Brahms, Nino Rota
Rudder Auditorium
Apr 27, 2024 | 7pm
Concert Sponsor: Dreamers Land & Minerals, Inc.
Celebrating the music of Sir Andrew Lloyd Webber, Sir Elton John, and Sir Paul McCartney
Rudder Theatre
Jan 21, 2024 | 5pm
Concert Sponsor: The Rea Charitable Trust
Manuel de Falla, Joaquin
Rodrigo, Georges Bizet