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ThursdaySeptember 18, 2014 Vol.22, 10 No. 40 Vol. 10 No. 348 Tuesday, 2015
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Palace softens stand vs tweaking of tax regime C M
ANG CERTAIN NEXT ADMIN WILL ACCEPT HIS NAIA PLAN
The three virtues
THE LIVING WATER, CAROLE AND LOUIE M. LACSON
Word&Life Publications • teacherlouie1965@yahoo.com
Editor: Gerard S. Ramos • lifestylebusinessmirror@gmail.com
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ALACAÑANG has softened its stand on the proposals to alter the country’s incometax regime, apparently giving in to mounting lobbying for a “holistic reform” that will include viable options for filling the resulting revenue gap.
WHAT DOES YOUR FRONT DOOR SAY ABOUT YOU? EAR Lord, thank You for knowing that Mary, Your blessed Mother, lived the three virtues of humility, obedience and faithfulness. We are happy that the value of these virtues, she learned them from her parents, Saint Joachim and Saint Anne. During the Annunciation, she immediately said yes to God. Throughout her life, she sought God’s will in everything, and obeyed no matter how difficult and how painful. Thus, God took her body and soul to heaven on the feast of Our Lady of the Assumption. Lord, make us humble, obedient and faithful like Mary. Amen.
HOUSANDS of laws remain applicable in the Philippines, many of which could already be considered antiquated. Currently, lawmakers are looking at amending or repealing some outdated laws, especially those that are disadvantageous to a particular sector of Philippine society. For one, lawmakers are pushing for an increase in the threshold for taxable parcel to as much as $1,000, or P44,000, from P10,000. The public clamored for amendments to the Tariff and Customs Code of the Philippines following the decision of the Bureau of Customs to randomly open and tax balikbayan boxes. Party-list Reps. Neri Colmenares and Carlos Isagani Zarate of Bayan Muna also filed a bill that seeks to repeal Article 247 of the Revised Penal Code. The punishment for a husband who would kill his wife after catching her having sex with another man, the two lawmakers said, was too lenient.
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ONGLOMERATE San Miguel Corp. (SMC) is confident that the next administration will accept its unsolicited proposal to build a third runway in the Ninoy Aquino International Airport (Naia). SMC President Ramon S. Ang told reporters that he will still push for the third runway, which will cost about P50 billion, to the Department of Transportation and Communications (DOTC). A design of the proposed third runway is already finished and can be presented to officials, he said. “I will give that plan to those who believe in the project. I will still push for it and I’m sure the next administration will do it,” Ang told reporters at the sidelines of the company’s listing of its new series of preferred shares at the Philippine Stock Exchange. SMC has been proposing the said plan to the government since last year; but it encountered opposition in the DOTC. According to his proposed design, the new runway, which will have a length of 3,400 meters and is 45 meters wide, will be parallel to the current main runway. It will have its own passenger terminal building and will cater to domestic and low-cost airlines. Much of the P50 billion, he said, will be for the acquisition of right-of-way by the government, which may include the warehouse of the SM group. Only P7 billion will be allotted for the construction. “If the government was able to secure the right-of-way at the back, I will place a budget of P50,000 per square meter,” Ang said. The third runway will have its own exit at the South Luzon Expressway by constructing a flyover, which, Ang said, will be offered free of charge to the users. “I will place it in unsolicited project bid to the next administration if this current administration will not accept,” he said. Ang did not give further details on its unsolicited bid since it may be subjected to a Swiss challenge if given the go signal. The new facility will have add another 50 takeoffs and landings per hour at the Naia, or higher than the 42
Life
WHEN ‘THIRTEEN’IS A LUCKY NUMBER »D4
BusinessMirror
Tuesday, September 22, 2015
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Palace Spokesman Edwin Lacierda on Monday referred to Finance Secretary Cesar V. Purisima a request for a reaction to the latest group to weigh in on the issue—the Tax Management Association of the Philippines (TMAP). The group backed proposals to cut individual and corporate income-tax rates tagged among the highest in the region. Purisima replied: “We are open to a holistic reform, which will include an adjustment of the rates and brackets—doing otherwise
is not the fiscally responsible way since it can hurt our people [in the] long run if we go down the slippery slope of populist policies.” It was the first time in days that the Executive branch explicitly cited the proposals to cut the tax rates and/ or adjust to inflation—as suggested by Sen. Juan Edgardo Angara—the brackets comprising the taxable incomes, with the Palace holding out the hope these will be included in holistic reforms. S “T ,” A
SPECIAL REPORT What does your front door say about you?
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T’S amazing what a fresh coat of paint can do to brighten up the interior of a home. So why not open up your front door to bold and exciting colors, too? A well-chosen front door color can make a strong first impression. Paint colors for the front door can alter the way you feel about your home. And it’s one of the most costeffective ways to spiff up. This year, bold and confident shades are gaining popularity as homeowners are becoming more optimistic about the future and, in turn, want to stand out from the crowd. A yellow door can be the ultimate statement, say the color experts we consulted. A bold yellow works great for an energetic young family or anyone with a zest for life and fashion. “It can take a leap of faith to paint your entry door yellow, so in turn your door will tell the story of you and your home’s daring personal style,” says Nathan Fischer, Ace Hardware national design expert based in Laguna Beach, California. An orange shade or a joyful color like berry can help achieve this effect, too. “Finding the perfect color for your entry door is probably the easiest and most cost-effective way to add instant character to your home,” Fischer says. “Unfortunately, most people miss out on this opportunity to express themselves.” Many homeowners can wind up with the most common colors: beige or brown. “Their home may have come with this color already, or because of all the choices, it ends up being the easiest route,” Fischer adds. Amy Fix of Oakville, Missouri, had her husband paint their front door red. “Actually, it’s more like a candy-cane red,” Fix says. “When we first moved into
the home the front door and the shutters were black. Nothing popped.” Now, the red splash of color is like the lipstick on her house. Real-estate surveys show that homebuyers say they prefer doors that are white or red. The next most popular colors are shades of brown and black in Saint Louis. Blue and green follow right behind. Colleen Lawler of Coldwell Banker Gundaker works with homebuyers, and front doors are often the topic of discussion during a showing. “If I walk up to a white door, I’m going to see an engineer’s house. Everything is going to look tidy and everything is in its place,” Lawler says. White works great if you are going for a simple, clean and updated look. A home that is well-decorated and artistic, with a mix of exterior materials, will look great with a white door. This can add a simple but stylized appearance. When Lawler shows a home with a red door, her clients either love it, or really don’t like it at all. “A red door is a welcoming site,” Lawler says. The majority of homebuyers she works with like red shades. “Black is formal,” Lawler adds. It’s usually not objectionable to buyers, but at the same time it does not leave an impression. Fischer agrees. “Black is classic and so sophisticated. You can never go wrong with a black entry door. It goes with any style of home and gives an established feel that can work with modern or more traditional homes.” Lawler says when she walks through a blue or green door, she’s walking into a house where the homeowner may have a creative or artistic side, or the homeowners could be outgoing. Natalie Turner, Lowe’s spokesman, says consumers are breaking away from traditional door colors and transitioning to expressive and independent shades like a teal or a welcoming green. Even a softer approach with a light blue provides a fresh look.
And for all you purple lovers, painting a door a purple shade will let your guests know that you don’t take things too seriously. It’s an attention-grabbing color that brings in glamour, fashion and just plain fun. COLOR CHOICES FROM THE EXPERTS COLOR experts from Lowe’s and Coldwell Banker Gundaker offered these paint color suggestions. ■ Red brick home: A great way to complement the warm color of a red brick home is to look opposite the color wheel with an elegant dusty blue green. ■ Peach brick home with white siding: Analogous colors (colors next to each other on the color wheel) bring a no-fail approach for a successful color scheme. A terra cotta used on the front door and also incorporated into large planters can bring a cohesive restful effect to the peachy-color brick. ■ Gray siding home with black shutters: Make a statement with a fresh yellow or play it safe and sophisticated with a rich red. ■ White vinyl siding: Choose a really rich red, if you want your home to say, “I’m here.” ■ Tan brick home: Paint the door black. These two colors would be a house that Ralph Lauren would call home. ■ Forest green and gold brick home: Here’s your chance to achieve a gorgeous earth tone by painting the front door yellow. A yellow shade will tie in with the gold and green. ■ Dark brown brick home: Choose a light tan for the front door. The contrast will draw attention to your entryway, making the door the focal point of your home. ■ Cream brick home: Forest green on the front door will give the house a bit of a twist, and it won’t look like others on the street. PREPARING THE FRONT DOOR FOR PAINT 1. Remove the door and all of the hardware.
2. Sanding and priming may be needed for old wooden doors. Scrape off any peeling pieces and use grit paper to sand down the old paint until the surface of the door feels even all over. If the door has cracks, repair them by dabbing small amounts of caulk into the cracks and working the caulk in with a putty knife. Let the caulk dry, then sand the repaired spots until they’re smooth. 3. Vacuum away extra dust, and wipe the door with a tack cloth. Dampen the cloth with mineral spirits to remove stubborn dust. 4. Apply paint and primer in a dust-free area so that no particles ruin the door surface. Brush on a single coat of primer with a wide paintbrush, covering the front and all side edges of the door. Primer prevents the door from absorbing moisture and helps smooth out its texture. Once the primer has dried on the front of the door, flip the door over to prime the back. If the primer drips or goes on chunky, lightly sand the surface to smooth it out. 5. Once the primer has dried completely, stir your paint. Paint the door from the top down, using a wide brush for corners or crevices and a small roller for flat panels. Make long strokes with the brush, and clean any visible lines on the front door with a dry cloth. Just as with the primer, let each side of the door dry before turning it over to work on the other side. (Fischer says his preference is to paint both the outside and inside the same color. However, if the color on the outside doesn’t work with the inside décor, then it is best to paint the inside of the door either black or white.) Add at least two coats of paint to the door, using three or more if you want to increase color saturation. 6. Let your front door dry before reinstallation. Once the paint no longer feels tacky to the touch, replace all hardware. ■
Amaia introduces townhouse development AFTER launching multiple projects at different sites across the country, Amaia Land (www. amaialand.com) introduces a townhouse amaialand.com development that is the latest addition to their portfolio of product lines. Amaia Series makes it possible for families to live in a townhouse community and enjoy the benefits of city living. The first sector of Amaia Series Novaliches features 286 units of four-series and six-series house models, lots size ranging from 50 to 143 square meters. Future residents can savor life and relish the suburban ambiance with facilities that includes a village pavilion, swimming pool, basketball court, children’s play area, landscaped gardens and jogging loop.
Situated in Barangay San Agustin, Novaliches, Quezon City, Amaia Series is accessible via key entry points: North Luzon Expressway through Malinta exit, and Mindanao Avenue, from Caloocan through Camarin and Zabarte Road, and from Edsa via Commonwealth Avenue. Amaia Series Novaliches is, likewise, close to business and commercial establishments. Just a short ride away from the community are Ayala Fairview Terraces, SM City Fairview, SM City Novaliches, Puregold Susano and Nova Plaza Mall—all accessible through various transportation modes such as buses, jeepneys and tricycles. Growing families will appreciate the development’s proximity to learning
institutions, such as Saint Luke’s School, La Consolacion College and Urduja Elementary School, among others, making it a perfect place to raise their children. Security and quality are not compromised, as the project will be constructed by the MDC Build Plus and will be managed by Ayala Property Management Corp. Round-the-clock security, and guarded entrance and exits will keep families from worrying. Acquiring a home in Amaia Series Novaliches is easy on the pocket with prices starting P2.4 million, and with various payment options available. Potential homeowners can choose from cash or deferred payments, and through bank or inhouse financing.
AMAIA Series Novaliches, the newest townhouse development of Amaia Land, is a great addition the brand’s growing portfolio of product lines.
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WHEN ‘THIRTEEN’ IS A LUCKY NUMBER D4 Tuesday, September 22, 2015
Art
BusinessMirror
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UNTITLED by Nona Garcia, a winner of the Thirteen Artists Awards back in
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HAT’S your favorite number? The number 13 is considered an unlucky number to such extent that a word was coined in 1911 and subsequently added to the lexicon, describing its numerical fear as a specifically recognized phobia: Triskaidekaphobia. But for many who have won the triennial Thirteen Artists Awards, given by the Cultural Center of the Philippines (CCP), the number is benevolent. The winners are most lucky for the number has opened a world of plums and possibilities. This comes as no surprise for we can count giants among them. Let me count the ways or personages. At least one National Artist was a recipient back in the earliest days when the awards were started in 1970. He signs his name BenCab, a shortened form of Benedicto Cabrera, who needs no introduction in the local art scene. While BenCab is perhaps the most formidable winner, artistically and also due to having high marks in the secondary or auction market, a few others can also claim rivalry to the throne, but their number is limited. Who are the other awardees of the honorific? And if your name isn’t in this art power list, will you weep and heave and shout bloody murder? Along with BenCab, the original 1970 winners were Angelito Antonio, Virgilio Aviado, Eduardo Castrillo, Lamberto Hechanova and Antonio Austria, among others. Two years later, Danilo Dalena, Ofelia GelvezonTequi, Alfredo Liongoren, Sofronio Y. Mendoza, Justin Nuyda, Romulo Olazo, Mario Parial and Ibarra de la Rosa joined the list. In 1974 this was expanded for Ely
Gajo, Fernando Modesto, Tony Perez, Rodolfo Samonte and Nestor Vinluan. It was destiny for the few as they were joined by Gus Albor, Santiago Bose, Liao Lianben, Impy Pilapil and Hermenigildo Tecson in 1976. In the years since then, the Thirteen Artists Awards has added over a hundred names to its roster, each name lending its luster to the honorific and never subtracting from its power. They include (in no apparent order) Leeroy New, Ernest Concepcion, Ronald Ventura, Jose John Santos III, Onib Olmedo, Poklong Anading, Mideo Cruz, Kiko Escora, Jonathan Olazo, Emmanuel Garibay, Julie Lluch Dalena, Cesare Syjuco, RM de Leon, Roy Veneracion, Roberto Feleo, Jose Tence Ruiz, Alfredo Esquillo Jr., Wire Tuazon, Ringo Bunoan, Luis “Junyee” Yee, Nona Garcia, Kawayan de Guia, Lyra Garcellano, Mac Valdezco, Geraldine Javier, Alwin Reamillo, Charlie Co and many others too artistic to mention. At the risk of sounding funny and perhaps in the spirit of inclusion, we should compile a list next time called “The most powerless personages in the Philippines art scene”—to finally include none of the winners but this humble and readerless art critic who happens to own a few pieces by Thirteen Artists awardees, available for viewing at the eponymous Samito.net, a cloud repository of our private art collection.
made a distinction between what we now call “zombie formalism” and revolutionizing art. He also made a connection between the Thirteen Artists and the Thirteen Moderns, a group of artists who rebelled against the then-accepted dogma of academic art and made inroads to modernism. Both the Thirteen Moderns and the recipients of the Thirteen Artists Awards are viewed to have sought in their time and space the chance and risk to restructure, restrengthen and renew art-making and art-thinking that lend viability to Philippine art. Thus, the Thirteen Artists Awards has honored deserving artists without regularity or pattern, and always subject to constant revision. In other words, its chaos is its virtue, and this seemingly explains the fabric of its roster. In such a free and open-ended context, the awards are sustained to this day to mark the comings and goings of contemporary Philippine art, and to update its modernizing potential. The awards are important as milestones and measures of assessment. In 2009 the awards were reestablished as triennial events from the original biennial. According to recent literature from the CCP Visual Arts and Museum Division, what has characterized “the work of the awardees, then and now, is a fresh visual language, innovative solutions to artistic problems, and sustained creative output.”
UNENDING QUEST FOR GLORY BUT speaking of the majestic lineup, the Thirteen Artists Awards began as a curatorial project for a group art exhibition at the CCP Museum under the direction of its founding curator Roberto “Bobby” Chabet (1937-2013). In a written document, Chabet
GUIDELINES WHO are qualified for nomination to the Thirteen Artists Awards? Nominated artists must be less than 40 years old and must be Filipino citizens who possess oeuvres or bodies of works characterized by artistic integrity, innovation and forcefulness. Artists must
2003. COLLECTION: SAMITO.NET
be responsive to contemporary realities while giving evidence of sustained artistic activity demonstrated by a track record of individual exhibitions and group shows. They must also show engagement with contemporary visual art forms including, but not limited to, painting, sculpture, multimedia, installation, performance art, photography, printmaking and digital imaging. Nominations can originate from art councils, art groups, heads and deans of art schools, museum and gallery curators and directors, art critics, and past Thirteen Artists Awardees. Such may submit a maximum of three nominations each. The board of judges, called the Selection Committee, will be comprised of four past awardees and the head of the CCP Visual Arts and Museum Division. Prizes include a cash grant to defray cost of materials for producing new works for a group exhibit at the CCP Main Gallery, a trophy designed by a past awardee, and free participation in the CCP’s program of fora, lectures, workshops and other activities. However, the submission of nomination forms for the next round is still too early. Wait three more years and perhaps your time might come to be lucky. ■
RANDALF DILLA MURAL EXHIBIT AT HIRAYA GALLERY
BEARING in our mind and heart the words of the philosopher George Santayana (“Those who do not remember the past are condemned to repeat it”), Hiraya Gallery (www.hiraya.com) www.hiraya.com) commissioned a young www.hiraya.com Filipino artist named Randalf Dilla, a Fine Arts graduate of Feati University, to create the conscience-raising mural Salvaged Memories, Salvaged Lives depicting the atrocities perpetrated by the martial law regime (1972-1986). Together with the second mural #WHATNOW #WHATNOW, this mural will be exhibited at the Hiraya Gallery. Dubbed Tyranny of Hindsight Hindsight, the exhibit opens to the public on September 23. At the amazing young age of 28 (at the time of the artwork’s execution) Dilla had obviously not been born during the martial law regime. Dilla researched assiduously and distilled the wealth of materials into a few selected but significant elements. The title of the 8'x18.5' mural Salvaged Memories, Salvaged Lives features the word “salvaged”, a curious word about which the Urban Dictionary has remarked: “In the Philippines, ‘to salvage’ means ‘to kill’ that person, which is the opposite meaning of the word, which is ‘to save.’” What can one say? Only in the Philippines. Dilla’s second mural, #WHATNOW #WHATNOW, measuring 8'x17', was conceived with a raging and overwhelming emotional temper, a vision whirling with conflicts between institutions despite the dictum of the separation of Church and State. Alas, it is a disturbing portrait of a country in a perpetual state of upheaval and turmoil, pathetically left behind by other Asian countries, while governed by grandstanding leaders heedless of the people’s plight. In his 1935 inaugural address as president of the Commonwealth of the Philippines, Manuel L. Quezon delivered a statement that, now in retrospect, sounds portentously prophetic: “I would prefer a country run like hell by Filipinos, than a country run like heaven by the Americans.” Has the wish finally come true? Tyranny of Hindsight runs until October 30 at the Hiraya
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THORNY HEART I by Julie Lluch Dalena, a winner of the Thirteen Artists Awards back in 1990. COLLECTION:
When ‘Thirteen’ is a lucky number
Marrying a rapist, the 301-day rule for widows and other obsolete laws
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Second of three parts
Iloilo hosts Apec disaster-management forum
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HE two-day Asia-Pacific Economic Cooperation (Apec) 9th Senior Disaster Management Officials’ Forum (SDMOF) hosted by the government, through the National Disaster Risk Reduction and Management Council (NDRRMC), will start on Tuesday in Iloilo City. The forum will discuss various disasterrisk reduction and management (DRRM) topics and the sharing of best practices of the various Apec member-economies. Experts on DRRM coming from interna-
PESO EXCHANGE RATES ■ US 46.4930
tional agencies, such as the Asean Centre for Humanitarian Assistance and Disaster Management and the United Nations International Strategy for Disaster Reduction, are scheduled to present studies and recommendations at the forum. The theme of the SDMOF is “Whole-ofEconomy Approach: A Paradigm Shift to Adapt to the New Normal.” This is in cognizance of the fact that climate change does not recognize national boundaries, or political or economic affiliations.
NDRRMC Executive Director and Civil Defense Administrator Undersecretary Alexander P. Pama reiterated President Aquino’s call for unity and cooperation in facing the mounting challenges of disasters. “There really is a need for an inter-economy cooperation in dealing with disasters to ensure sustainable economic growth in the AsiaPacific region, and promote a holistic, comprehensive, integrated and proactive approach as a new paradigm in addressing disasters and managing risks,” Pama said. Rene Acosta
■ JAPAN 0.3876 ■ UK 72.222 ■ HK 5.9994 ■ CHINA 7.3053 ■ SINGAPORE 33.1785 ■ AUSTRALIA 33.5957 ■ EU 52.5231 ■ SAUDI ARABIA 12.4014 Source: BSP (21 September 2015)