BusinessMirror May 20, 2015

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BusinessMirror

THREETIME ROTARY CLUB OF MANILA JOURNALISM AWARDEE 2006, 2010, 2012

U.N. MEDIA AWARD 2008

A broader look at today’s business TfridayNovember Wednesday, May18, 20,2014 2015Vol. Vol.1010No. No.40223

www.businessmirror.com.ph

P.  |     | 7 DAYS A WEEK

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HOUSE OKAYS ON FINAL READING FAIR COMPETITION ACT, CABOTAGE LAW AMENDMENTS

DOF, DTI harmonize Timta positions T HE Department of Finance (DOF) and the Department of Trade and Industry (DTI) have mended their conflicting positions on the proposed Tax Incentives Management and Transparency Act (Timta), with the submission of their joint version on Tuesday clearing the obstacles for the passage of the controversial measure.

INSIDE

EMAIL JOURNEY

Life

The divine shepherd

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EAR Lord, being mostly a shepherding people, Israel enjoyed thinking of the Lord as its divine “Shepherd.” The pious Jews expressed their trust in God’s providential care and protection by singing: “The Lord is my Shepherd, I shall want for nothing...I shall fear no evil” (Psalm 23:1.4) And the Lord did take care of His “flock” in all circumstances. In most cases, however, He entrusted the ordinary care of Israel to human “shepherds:” the political and religious leaders of His people. These were expected to be the symbols and instruments of the fatherly concern which the divine shepherd showed for His people at all times. Amen.

EXPLORING GOD’S WORD, FR. SAL PUTZU SDB, AND LOUIE M. LACSON Word&Life Publications • teacherlouie1965@yahoo.com

GUALBERTO C. MANLAGNIT’S GARDEN OF EARTHLY DELIGHTS »D4

BusinessMirror

Editor: Gerard S. Ramos • lifestylebusinessmirror@gmail.com

Wednesday, May 20, 2015

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A frustrating journey through today’s e-mail inbox B P M San Jose Mercury News

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FEW months back, apparently in a moment of spiritual weakness, I subscribed to a newsletter from DailyOM, a web site devoted to “Nurturing Mind Body & Spirit.” I soon learned that they’d be nurturing me through an incessant stream of e-mails with subject lines like “Creating a Garden Sanctuary” and “Drumming.” Realizing that I wasn’t ready to “Practice Surrender” via my Gmail inbox, I scrolled to the bottom of an e-mail in search of the 11 most beautiful letters in today’s English

language. Unsubscribe. For the next 10 minutes, I tried to shake the shackles of DailyOM. Pre-exit choices abounded: No, I don’t want to “share The Om” nor make DailyOM my homepage nor publish DailyOM on my web site. OK, OK, I’ll go back and sign on to change my password so I can then unsubscribe, if you insist. Ten minutes, which in modern-day e-mail-unsubscribing time is more like 37 hours. My DailyOM had become my DailyOMG! STOP!!! Like a bad pop song or an obnoxious pet video, junk e-mail continues to prove a cultural thorn in our collective side. Managing the deluge is hard enough, but companies messing with our heads while we’re trying to unhitch our

wagon and stop the inflow seems particularly cruel. I decided to explore the inner workings of what I call “The Unsubscribe”. A FUNNY GOOD-BYE FOR the next hour, I tried to break free of dozens of other e-mail subscriptions that over the years had somehow gotten stuck to my online shoe like a wad of digital gum. Most offenders offered a straightforward fix: a simple click or two let me know I was unsubscribed, even though in the back of my mind I worried that this was a dodgy ploy by the sender to verify my e-mail so they could sell it to 100 more marketeers.

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LIFE

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EARTHLY DELIGHTS Art

BusinessMirror

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www.businessmirror.com.ph

House Committee on Ways and Means Chairman and Liberal Party (LP) Rep. Romero S. Quimbo of Marikina said Finance Secretary Cesar V. Purisima and Trade Secretary Gregory L. Domingo have signed their joint version of the Timta, which seeks to promote transparency and accountability in the grant and administration of tax incentives. The draft version of the bill, or “An Act Enhancing the Current Tax

System by Implementing Measures that Ensure Transparency in the Management and Accounting of Tax Incentives Granted to Government and Non-government Entities,” was finalized during a meeting presided by Timta author LP Rep. Ma. Leonor Gerona-Robredo of Camarines Sur between the DOF and the DTI on Monday. “I don’t want to preempt but we C  A

The CCP’s new 13 Artists named THE Cultural Center of the Philippines (CCP) has selected the awardees for the 2015 Thirteen Artists Awards (TAA). Now on its 16th year of conferment, 172 artists have been given recognition in the fields of painting, sculpture, mixed and multimedia and installation art. The 2015 Thirteen Artists awardees are Buen Abrigo, Martha Atienza, Zean Bajar Cabangis, Ernest Concepcion, Vermont Coronel Jr., Dexter Fernandez, Mark Andy Garcia, Nikki Luna, Hanna Pettyjohn, Mervy Pueblo, Mark Valenzuela, Alvin Zafra and Jeona Zoleta. The TAA was first conceived in 1970 as a curatorial guide for an exhibition organized by thenCCP Museum Director Roberto Chabet. His intent was to identify artists, who took the “chance and risk to restructure, restrengthen and renew art making and art thinking....” It was later adopted as a biennial award by Chabet’s successor, Raymundo Albano. This makes the TAA the oldest award program conferred by the CCP, two years ahead of the National Artist Award, which started in 1972. Since 2009 the TAA has been a triennial award. It is administered by the CCP Visual Arts and Museum Division (VAMD) under the Production and Exhibition Department. During the two-month nomination period (between October to December 2014), 41 nominations were received from museum directors, gallerists, independent curators, heads of art and cultural organizations and former TAA awardees. From the 69 artists nominated, 68 qualified and three artists did not submit their portfolios. This year’s panel of jurors included past TAA winners, namely Jaime de Guzman (1970), Mark Justiniani (1994), Julie Lluch (1990), Pam Yan-Santos (2009), with Boots Herrera, VAMD director, representing the CCP. Winners will receive a cash grant to defray cost of materials for producing new work for a group exhibition at the Bulwagang Juan Luna (Main Gallery). The exhibit opening on September 3 will be highlighted with the formal recognition of winners. This year’s exhibition will be curated by Jonathan Olazo and the trophy will be designed by Juan Alcazaren, both TAA awardees (1994 and 2000, respectively).

Gualberto C. Manlagnit’s garden of earthly delights B T G V titovaliente@yahoo.com Uya pa ako U naghahalat saimo sa Baybay Sisiran sagkod pa man (Here i am waiting for you at Baybay Sisiran till the end)

—F  B    I    G M

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S in those lines, the works of Gualberto Cea Manlagnit are pictures in transit. Even the quietest of scenes feel like something is about to happen, or someone is about to leave or has already left. The painter’s task then is to wait, and, as he waits, he conjures shapes primeval, images as old as the act of anticipating itself. The artist paints clouds, seas, mountains and flowers

and plants. His clouds and seas are part of works that seem to be simulating memories of configurations. At first glance, they look like abstractions. But, once you stand away, the images are really realistic renderings of clouds and mountains and seas. In a painting of clouds, two layers of white and dark gray are demarcated by a black swath. Red and yellow break out from the clouds with the lower layer closer to the mountains. The mood is quite somber. Can this be dawn or dusk? It really doesn’t matter; Manlagnit’s landscape or seascape invokes always an infinity, a space that offers no end. In a composition that covers black mountains and an equally black shore, a body of water is dysenteric green, while, above, clouds of various formations occur. The artist appears to contemplate the shading of the clouds, their shift from one form to many other forms. Assuring that these are clouds, indeed, and not phantasms, a cluster on the upper left is recognizably clouds as we know them to be. Below that, however, is a jarring cloudlike pattern with jagged lines moving upward. Manlagnit doesn’t wait when he paints flowers and plants. It seems these objects offer to the artist all their freedom, so that their colors and contours could be held captive. The proof of this conquest is in the manner by which the painter flattens the flowers, their hues the only vital signs, the only hope it seems for regeneration. The yellows and the reds in these works are pure energies arresting our field of vision. If these are leaves and flowers, then we are seeing them in their best tint. All courtesy of this artist, who never, as the poet Kristian Cordero explains, considered himself seriously as an artist. It doesn’t surprise those who know the artist if he mocks, in a bravely self-deprecating manner, his own art. That

The evolution of pyramiding and the ‘unwitting’ partners

doesn’t diminish his art; such act even underscores his own human vision of who we are before nature and other creations. Manlagnit was a raconteur, a poet, a composer, a politician. Born on July 28, 1938, Manlagnit passed away on May 16, giving us artworks that bear no titles. In a sense, the artist has given us what he treasured most as an activist: freedom. We are now free, tremblingly perhaps, to confront the vision, these commodities of aesthetics and name them. There are two works that he left and they need no labels. One is in monochrome green, save for a yellow where the pistil should be. The petals are green but that is not the unusual thing about this work. It is the seed, a bean, at the side of the flower/plant. The result is both witty and mystical as the artist illustrates without drama the story of growth. Naif only in technique, Manlagnit outdid himself in a triptych—crude only in form, but not in content. He had the three panels connected by metal hinges. The first panel shows two figures, which I read as Adam and Eve. Two naked figures are in a massive garden that reaches up to the sky in all its greenness. An orange and red center has a globe floating above crags. At the uppermost portion of this middle earth is what looks like a page turned, signifying a story being told. On the right side uppermost floats a cloud and the figure of an old God, referenced and borrowed from ancient paintings of Genesis. The old God extends his hand, but no man is there to receive it. Look down, another circle, a body of land, carries the black figure of the devil. In this story of creation, everyone waits. In the meditation of Manlagnit, the origin of faith is in the premonition, the expectation that the world will always be alright. n

Int’l reviews say ‘PHL Pavilion’ a must-see at Venice Biennale 2015 AT least four international reviews have chosen the Philippine Pavilion as a must-see national pavilion at the 56th International Art Exhibition of the Venice Biennale. The Philippine Pavilion— exhibiting Patrick D. Flores’s curatorial proposal, Tie A String Around The World, featuring the works of Manuel Conde and Carlos Francisco (for the film Genghis Khan), Jose Tence Ruiz (for the installation Shoal) and Manny Montelibano (for the multichannel video A Dashed State)—is making an impact in the world’s most prestigious contemporary art exhibition. Art Radar, an editorially independent online news source on contemporary art across Asia; fine arts auction house Christie’s; ArtsHub, Australia’s leading portal for professionals working within the arts; and a-n The Artists Information Company, all included the Philippine Pavilion in their list of must-see national pavilions at the Venice Biennale 2015. In selecting the Philippine Pavilion as part of its “10 Pavilions to See at the 56th Venice Biennale”, Art Radar said “the Pavilion offers a reflection on the world

today and its changing configurations— the volatile meanings of territory, country, nation, border, patrimony, nature, freedom, limit and the ‘present passing.’” Christie’s, in its pick of the pavilions, says that, if one does not have time to visit all national pavilions at the 2015 Venice Biennale, the Philippine Pavilion is among its choice of must-see pavilions. London-based artist and curator Pippa Koszerek made the “10 Must-See National Pavilions” list for a-n, a nonprofit organization that seeks to stimulate contemporary visual-arts practice and affirm the value of artists in society. Koszerek included the Philippine Pavilion on the list and takes note of the country’s comeback after a 51-year hiatus. She said “the exhibition spans this gap, bringing together three generations of practitioners. Taking Manuel Conde and Carlos Francisco’s 1950s feature Genghis Khan as a starting point and curatorial reference, the exhibition also introduces work from Jose Tence Ruiz and Manny Montelibano, who both explore socioeconomic issues of sea nations, global politics and the volatility of borders through installation and film, respectively.” Meanwhile, ArtsHub cites

the Philippine Pavilion as among “The Best of the Venice Biennale 2015,” saying that “the Philippines has made a great comeback to the Biennale, after 50 years of absence.” Sen. Loren Legarda, the prime mover behind the Philippines’s comeback to the Venice Biennale, said “the attention the Philippine Pavilion has been receiving proves the readiness of the country’s curators and artists to be part of the global contemporary art scene.” “We have a robust history of Philippine art and a lively contemporary art scene. Philippine contemporary art is vibrant and attuned to global developments. What it needs is a sustained effort to provide platforms so that it could further widen its perspective and interact more briskly with surrounding impulses,” Legarda added. The Philippines’s return to the Venice Biennale, 51 years after its first participation in 1964, was made possible through the joint effort of the National Commission for Culture and theArts, the Department of Foreign Affairs and the Office of Senator Loren Legarda, and with the support of the Department of Tourism and the Tourism Promotions Board of the Philippines.

ART

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RAIL INSPIRATION BusinessMirror E1 | Wednesday, May 20, 2015 Editor: Tet Andolong

THE outside view of the train station

AN INSPIRATION FOR FUTURE

RAIL TRANSPORT STATIONS

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PIONEERING GROWTH

IN THE SOUTH

B R R R

OMMUTING in Metro Manila is definitely a horrific and hellish experience, wherein people must bear with a lot of inconveniences, resulting in the loss of productivity, time and mobility. Although the government has been saying it is doing its best to resolve commuters’ woes, it will take a lot of years before it can provide the public with the so-called blissful commuting experience.

THE perspective of garden and open space

SANTA Rosa Business Park

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THE ARTIST’S perspective of open space

Elizelle David, a BS Architecture graduate of De La Salle University (DLSU)-College of Saint Benilde, developed her thesis based on the current condition of country’s rail networks. She hopes her study, which was part of the recent thesis exhibit in DLSU, can inspire the government to develop a more rationalized transport system in the future. From her daily inputs in riding the Metro Rail Transit, she decided to develop a topic thesis that could serve as guide for transit stations. “From the start, I wanted my thesis topic to be something I’m really passionate about and, at the same time, something that would be relative to the issues of society. The inspiration for it came from my experience as a commuter, our planning classes in school and the unrealized potential of our transit networks. I heard about the proposal for the MRT Line 7 while researching and thought of the idea of planning an exemplar transit station as a guide for future models,” David told the BusinessMirror. In the existing train system, David lamented the lack of maintenance that leads to broken train units and delays, uncontrolled congestion

2014 BS Architecture graduate Elizelle David

at the stations and outdated ticketing systems. Furthermore, David said the government still has to confront even bigger concerns regarding the surrounding transit environment such as insufficient pedestrian facilities (such as sidewalks, shaded walkways and lighting fi xtures), sprawling vendors and disjointed developments. “The lack of connectivity to other transportation modes also contribute to the aggravation of everyday commuters and the unattractiveness of using public transportation,” David added. To address these issues, David’s thesis utilized the concept of “transit-

oriented development,” a planning strategy developed by Peter Calthorpe, which she integrated into the local context and merged with additional design strategies. The result is a pedestrian-oriented, mixed-use environment around the train station that creates a welcoming and uplifting experience for commuters and members of the community. She said the design output aims to provide convenience to commuters using three elements—workability, connectivity and inclusivity. Walkability is manifested through the implementation of adequate walkways, provision of canopies, vegetation and lamp posts, short block sizes and layouts, strategic placement of retail and public amenities, and perceived safety and security through design. David said connectivity comes in the form of an urban design innovation called the “transit plaza,” which are transport nodes that serve as formal loading and unloading points of different forms of public transportation (buses, jeeps, sidecars and tricycles) placed within proximity of the transit station. She said this will form a cohesive transit network that provides a comfortable and organized

transfer from one mode to another. Moreover, it is also expressed by the implementation of the accessibility law for disabled persons, and the promotion of cycling as a sustainable means of travel. “My thesis was designed not just for the high-income or low-income population but for all socioeconomic levels,” she said. Given the chance, she would like to submit her thesis to government sectors and private developers so that they would become aware of the importance of the public transit systems and provide ideas on how to build around these networks and harvest their potential. She shared her gratitude to her alma mater for stressing the six core values that guide her in life. “As Benildeans, we were taught to always exercise the six core values in all that we do. For my thesis, I can say that I applied two out of the six: social responsibility, through the inclusion of all social classes; and sense of nationhood, through the integration of local elements and the provision of a better and sustainable transit environment for all Filipinos,” David pointed out.

HERE is a place, south of Metro Manila, where a complete lifestyle can be enjoyed in the middle of open fields and verdant greens. Set in the lion city of the South,— as Santa Rosa, Laguna is a pioneering 400-hectare, self-sustaining network of mixed-use communities. Greenfield City, dubbed as the “city within a park,” is a development by Greenfield Development Corp. (GDC). It has helped shape the Santa Rosa landscape by seamlessly merging commercial spaces, residential parks, industrial zones and business districts. In 1991 the early groundwork began. “The company has always endeavored to create value for its developments through road linkages,” said lawyer Duane AX Santos, GDC general manager and executive vice president. Thus, it unlocked its properties through major infrastructure developments and interchanges, with the Mamplasan, Cabuyao and Southwoods exits put in place. “Not only were we creating value for our real estate, we helped diversify the roads and increase mobility in the south,” Santos added. It was a game-changer when Paseo, the pioneer outlet shopping mall, was opened in 1998 as part of the design plan. As a lifestyle hub, more families saw the value of driving down to Laguna. Just a few minutes away from

Tagaytay, it became a must-see pit stop before heading farther south. As more establishments were set-up, “the country’s first outlet mall” quickly became a weekend destination for urban dwellers looking for bargain finds and good food. Aside from Paseo, industrial zones and residential parks were also developed. The city center’s unique design puts a premium on open spaces and offers a refuge for those looking for a refreshing shift of scenery outside the urban jungle. “This city is patterned after a parkliving concept where much of the space is devoted to lush greens,” Santos explained. “We wanted those who work and reside here to experience suburban bliss with wide open spaces, parks, playgrounds and tree-lined roads.” These developments have become synonymous to Santa Rosa, Laguna, itself and have set the bar for other developers who followed suit. With a keen vision to build sustainable development, Santos affirmed that the company saw such potential in the land early on. This city-park complex is a first of its kind in Santa Rosa, and has definitely helped redefine living in the suburbs. “This project has added value to the land since it started in the late 1990s and has contributed significantly to the growth of Santa Rosa,” Santos concluded.

CBRE Philippines cited inAsia Pacific Property Awards F

OR the fourth consecutive year, CBRE Philippines has kept its winning streak by bagging several awards in the recently concluded Asia Pacific Property Awards (APPA) in Kuala Lumpur. CBRE won the five-star Best Lettings Agency Philippines, five-star Best Real Estate Agency Marketing Philippines, five-star Best Real Estate Agency Philippines and Highly Commended Property Consultancy Philippines. Furthermore, CBRE Philippines garnered two regional nominations for Best Lettings Agency and Best Real Estate

Agency Marketing for Juan Luna, competing with representatives from other countries in the Asia-Pacific region. If CBRE wins the award, it will then compete in the international level of the awards, together with the highest-scoring winners from Europe, Africa, Canada, the US, Central and South America, the Caribbean and Arabia to find the ultimate “World’s Best” in each category in December. The awards are conferred by the renowned International Property Awards (IPA), a London-based organization that has been recognizing outstanding firms,

projects and services in the global residential and commercial real-estate industry for almost 20 years. Among local real-estate firms, CBRE Philippines is the most awarded in the IPA, with two international awards garnered in 2013: World’s Best Lettings Agency and World’s Best Property Consultancy web site. It is also the sole Philippine company, in the history of the awards, to have won in the international level of competitions for two consecutive years. “We are proud to be recognized once more as one of the best real-estate companies,”

explained Rick Santos, CBRE Philippines chairman, founder and CEO. “We have been in the industry for more than 20 years and have centered our business around people, platform and performance. We have always placed quality of service at the forefront, and our employees ensure that we provide our clients with only the best experience possible. These awards are testament to CBRE Philippines’s long-term dedication and belief in the Philippine real-estate market as a destination for international investors and outsourcing companies.”

CBRE Philippines has been instrumental in bringing in and servicing the largest institutional investors to the country, such as HSBC, Accenture, Wells Fargo and Bank of America, while working closely with the country’s established developers, such as SM, Ayala Land, Megaworld and Century Properties. The APPA is part of the long-established IPA. Judging is carried out through a process involving a panel of over 70 experts covering every aspect of the property industry. The IPA is the world’s largest and richest

property competition with 98 countries participating. The awards are open to residential and commercial property professionals and celebrate the highest levels of achievement by companies operating in all sectors of the property and real-estate industry. World’s Best Awards is given out to the most exceptional estate agencies, lettings agencies and property consultancies, as well as the best industry web sites and marketing campaigns. Judging is chaired by three active members of the House of Lords in UK Parliament—Lord Caithness, Lord Best and Lord Courtown. Rizal Raoul Reyes

PROPERTY

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Conclusion

OWEVER deceptive the schemes may be, the head of direct sellers in the country said there are clear-cut ways to distinguish legitimate direct-selling companies from pyramiding firms; and one of the central rules involves the payment of a sizable registration fee. “DSAP’s [Direct Sellers Association of the Philippines] definition of registration fee is that the invested amount, whether there is a product or not, as long as the investment is a requirement to participate in the business, the entire amount is considered the registration fee,” Joey Sarmiento, head of DSAP, said partly in Filipino. Sarmiento explained that some shady firms ask for hefty up-front

PESO EXCHANGE RATES n US 44.4550

investment to sell products, say P10,000, but assures the participant that he or she will receive P8,000 worth of products. No matter the worth of the products, Sarmiento said, as long as there is a requirement to pay a substantial fee in order to participate, the operation is already doubtful. “The objective of legitimate companies is to sell products so the fee should be small, around P200 only, to avail themselves of a catalogue of the products. You encourage people to sign up so they can sell the products so the barrier to entry should be low. You make it easy for them to sign up,” Sarmiento said. The DSAP head said the costly participation fee is usually used to fund the recruitment bonus to existing members. C  A

A LAWSUIT, filed on behalf of Flights Beer Bar near Los Angeles International Airport in California, says Manny Pacquiao, seen here addressing his fans—with Ilocos Sur Gov. Luis “Chavit” Singson in the background—upon his return from the US last week, and his promoter’s actions were “nothing but a cash-grab.” AP

THAI GOVT TO HOLD REFERENDUM ON NEW CONSTITUTION

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ANGKOK—Thailand’s government agreed on Tuesday to hold a public referendum on the newly drafted constitution, the prime minister and junta leader said, indicating that the decision could delay a general election. The move to amend the interim charter to allow the referendum comes after calls by several sides, including the charter’s drafters, for the public to be able to vote on whether they approve of the constitution. The military abolished an earlier constitution after it took over power S “N C,” A

FRAUD OF THE CENTURY?

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AS VEGAS—Boxing fans across the country and their lawyers are calling the hyped-up fight between Manny Pacquiao and Floyd Mayweather Jr. a fraud and want their money back, and then some. At least 32 class-action lawsuits allege Pacquiao should have disclosed a shoulder injury to boxing fans before the fight, which Mayweather won in a unanimous decision after 12 lackluster rounds that most fans thought didn’t live up to the hype. Fight of the century? More like fraud of the century, the lawsuits contend. “The fight was not great, not entertaining, not electrifying. It was boring, slow and lackluster,” according to a lawsuit filed in Texas alleging racketeering, a claim usually reserved

for organized crime. A lawsuit, filed on behalf of Flights Beer Bar near Los Angeles International Airport in California, said Pacquiao and his promoter’s actions were, “nothing but a cash-grab.” The bar paid $2,600 to broadcast the fight. As for that grabbed cash, the fighters are each expected to earn more than $100 million, Mayweather more than Pacquiao, and HBO and Showtime broke records raking in more than $400 million from 4.4 million paying to watch the pay-per-view broadcast. Those 4.4 million paid up to $100 each to watch the fight, and the lawsuits are seeking their money back. It isn’t as easy as showing a receipt and demanding a refund, though. A S “F,” A

n JAPAN 0.3705 n UK 69.5943 n HK 5.7359 n CHINA 7.1652 n SINGAPORE 33.4651 n AUSTRALIA 35.6096 n EU 50.3008 n SAUDI ARABIA 11.8547 Source: BSP (19 May 2015)


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