SINCE 1891
THE BROWN DAILY HERALD WEDNESDAY, MARCH 18, 2015
VOLUME CL, ISSUE 39
WWW.BROWNDAILYHERALD.COM
Yeasayer completes Spring Weekend lineup Racial controversy over poem Experimental indie band ends conference early Yeasayer to energize Spring Weekend concert with experimental vibe
Poem using text of Michael Brown’s autopsy report provokes anger at “Interrupt” conference
By ZACK BU SENIOR STAFF WRITER
Yeasayer, an experimental indie rock band, will open Friday’s Spring Weekend concert, Brown Concert Ag e n c y a n nounced on its blog Tuesday. Though BCA released the rest of the lineup Monday night, it withheld the name of the final performer until Tuesday due to contract negotiations. “We had one little thing to tweak with the contract to confirm them,” said Danny Sobor ’15, publicity manager for BCA. “The timing didn’t work out perfectly but we got the contract ironed out and they are totally down, booked to play.” Yeasayer has collaborated with some of the biggest names in the experimental arena in recent years. In 2008, the band toured with MGMT as well as Beck, who won multiple Grammy Awards this year. After dropping their second album, they appeared in major music festivals, including Coachella. The band also made appearances
By ANDREW DECK CONTRIBUTING WRITER
REVIEW
Speakers specializing in poetry, fine arts and literary studies gathered at the Perry and Marty Granoff Center for the Creative Arts this weekend to explore the impact of digital culture at the third “Interrupt” conference. But these conversations were largely displaced by controversy over poet Kenneth Goldsmith’s performance of a poem that uses text from Michael Brown’s autopsy report. The conference focused in part on “uncreative writing” — the poetic style pioneered by Goldsmith, who attended the Rhode Island School of Design, teaches poetics and poetic practice at Penn and was named the Museum of Modern Art’s first Poet Laureate. With the unprecedented number of texts available in the digital age, Goldsmith focuses on refashioning preexisting texts instead of creating
ARTS & CULTURE
COURTESY OF WIKIMEDIA COMMONS
Yeasayer’s constant effort to integrate different music genres including pop, rock and electronic keeps their music sounding fresh. on major entertainment shows in- Next Top Model,” “The Good Wife” cluding Conan O’Brien’s late-night and the 2012 hit film“Pitch Perfect.” talk show and Late Night with Jimmy Yeasayer is part of a growing group Fallon. Their music has been featured of contemporary musicians who blur in multiple television and film pro- the lines between music genres. ductions, such as “90210,” “America’s » See YEASAYER, page 3
new ones. During his Friday night performance entitled “The Body of Michael Brown,” Goldsmith used the preexisting text of Michael Brown’s autopsy report. Goldsmith projected an image of Brown’s high school graduation photo and recited the autopsy report with only slight alterations, changing the order of the text and translating the medical vocabulary into layperson’s terms. He detailed explicit images from the report, notably the entry and exit wounds of the bullets, and ended the piece with the autopsy’s description of Brown’s genitals as “unremarkable.” Many audience members and other performers felt “profoundly uncomfortable” following Goldsmith’s performance, said co-organizer Francesca Capone GS, who is studying literary arts. Two other scheduled performers expressed reluctance to present, and so organizers decided to end the event early, Capone said. Many conference attendees criticized Goldsmith, a white male, for appropriating a black body for his poetry, thereby aestheticizing racial violence. “As much as 20th century art and literature would like to promote the » See INTERRUPT, page 2
Panelists unpack public Sweet deal at Ratty delights students gelato master perception of military Italian offers workshop to Participants aim to facilitate advanced understanding of military among millenials By CASSANDRA COLE CONTRIBUTING WRITER
Why do the best soldiers in the world keep losing? Four speakers grappled with this question, posed by James Fallows in his recent Atlantic article “The Tragedy of the American Military,” at a panel Tuesday at the Watson Institute for International Studies. A crowd of about 50 community members from Brown and the U.S. Naval War College — which has an ROTC partnership with the University — filled the Joukowsky Forum for the panel, entitled “In and Out of Uniform: Civil-Military Relations Reconsidered.” Panelists presented a wide range of perspectives on Fallows’ assertion that American civilians’ lack of deeper understanding of the military leads to limited oversight and accountability for the armed forces.
INSIDE
Lindsay Cohn, assistant professor of national security affairs at the Naval War College, dissected Fallows’ argument that the military is dangerously isolated, partisan and unrepresentative of the U.S. population. While the military is indeed partisan, she said, Fallows’ other claims are largely untrue. Addressing the issue of partisanship, Cohn noted that only the officer corps are largely Republican, while the enlisted corps are much more diverse. Contrary to popular belief and Fallows’ argument, the poorest 20 percent of the U.S. population is “the only quintile that is underrepresented in the military,” Cohn said, adding that “people with family ties to the military, who are also more likely to be Republican, are no more likely to feel that the wars were worth fighting.” The relationship between civilians and the armed forces is more complicated than it may seem, she said. Lauren Sukin ’16 told The Herald she was particularly interested in Cohn’s claim “that people from the South and people in poverty aren’t » See MILITARY, page 3
accompany on-campus film festival By GRACE YOON SENIOR STAFF WRITER
In collaboration with the Department of Italian Studies and Brown’s second annual Il Cinema Ritrovato on Tour film festival, Brown Dining Services hosted a demonstration of gelato preparation — including a tasting of each flavor — in the Sharpe Refectory Bakeshop Monday and Tuesday afternoons. Owners of Il Gelatauro in Bologna, Gianni Figliomeni P’18 and Angela Lorenz ’87 P’18, came to campus to offer students a sample of their famous gelato. The icy treats were made in the afternoon and distributed at the Perry and Marty Granoff Center for the Creative Arts prior to the Il Cinema Ritrovato film screenings on both days. Lorenz began planning their involvement in the event last September, when she was asked by Massimo Riva,
ARTS & CULTURE
SAM KASE / HERALD
Gianni Figliomeni P’18, co-owner of Il Gelatauro in Bologna, visited Brown to hold a demonstration and tasting session at the Ratty Bakeshop. professor and chair of the Department of Italian Studies, to import the gelatos that she and Figliomeni have made for Bologna’s Il Cinema Ritrovato for the past four years. Riva, along with students participating in the Brown in Bologna program, had the chance
to taste their gelatos over the summer, which inspired the idea, Lorenz added. Faithful to its name — “cinema rediscovered” — the festival mainly celebrates films from more than 100 years ago, as well as films from the ’50s » See GELATO, page 3
WEATHER
WEDNESDAY, MARCH 18, 2015
SPORTS Baseball strikes out against URI Tuesday, crushing team’s hopes for second win of the season
UNIVERSITY NEWS Staff member stuck in smoking elevator in Health Services before police respond
COMMENTARY Rotenberg ’17: Students must place facts before narratives in sexual assault cases
COMMENTARY Kenyon GS: Americans should not patrol patriotism by strictly controlling use of the flag
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