Tuesday, November 11, 2014

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THE

BROWN DAILY HERALD vol. cxlix, no. 107

since 1891

TUESDAY, NOVEMBER 11, 2014

R.I. prepares for third U. sees second-largest early decision pool numbers for marijuana dispensary Application PLME remain constant as Following 2006 legalization, number of patients registered grows to over 9,000 By MEHER ALI STAFF WRITER

The Summit Medical Compassion Center, Rhode Island’s third and final medical marijuana dispensary, will soon open for use by registered patients in the state. Though the Providence Journal reported last week that the center would open Nov. 10, Terence Fracassa, Summit’s legal counsel, confirmed that the actual opening date remains to be decided but is tentatively slated for the end of next week. “It was just a miscommunication,” Fracassa explained. Delays and setbacks are nothing new for Rhode Island’s dispensaries. As Napoleon Brito, Summit’s general manager, put it, they’ve had their share of “growing pains.” Rhode Island legislators approved the medical marijuana law in 2006, and three dispensaries — ­ the

METRO

maximum number allowed by R.I. law ­— were approved in 2011. But the program was suspended for a year by Gov. Lincoln Chafee ’75 P’14 P’17 over concerns that state employees could be prosecuted under federal law prohibiting marijuana distribution. After revisions were made to the medical cannabis law to lessen this risk, Rhode Island’s first dispensary, the Thomas C. Slater Compassion Center, opened in April 2013. Greenleaf Compassionate Care Center in Portsmouth opened about six weeks later. “There were all sorts of setbacks, and it took us four years to do it, but since we’ve been open it has been smooth sailing,” said Seth Bock, Greenleaf ’s founder and CEO, of the lengthy process of opening the business. According to the Rhode Island Department of Health, the number of registered patients in the state has been growing rapidly, jumping from 6,720 to 9,668 patients in the past 11 months alone. RIDOH figures show that the number of patients currently using Slater and Greenleaf far exceeds the original projections for each dispensary, with 4,781 patients at Slater and 1,647 at Greenleaf. » See DISPENSARY, page 3

overall pool dips slightly from last year By STEVEN MICHAEL SENIOR STAFF WRITER

The University received 3,016 applications for admission to the class of 2019 under its binding early decision program, a 2 percent dip from last year’s record high, said Dean of Admission Jim Miller ’73. Though smaller than last year’s pool of 3,088 early decision applicants, the number of students vying for early admittance this year is the second-largest in University history. International applicants made up 17 percent of the applicant pool, a 2 percentage point jump from last cycle. Miller attributed the rise in international applicants to “a significant amount of international recruitment” by the Admission Office, but he cautioned against drawing sweeping conclusions based on the relatively small size of the early decision applicant pool. “I long ago stopped using early decision to predict regular decision,” he said. Minority students accounted for 33 percent of the early applicant pool, equivalent to last year’s percentage, Miller said. Early applications for the Program

Source: Office of Admission EMMA JERZYK / HERALD

in Liberal Medical Education were up slightly to 410, from 406 in last year’s early decision cycle, Miller said. Early applications for the Brown | RISD Dual Degree Program dropped to 59, down 23 percent from 77 applications

last year. But Miller said dual-degree applicants still make up roughly 2 percent of the applicant pool. The number of early decision applicants to the dual-degree program has fluctuated in the past. » See ADMISSION, page 2

occurred when Garland received an invitation to play a recital in San Francisco while he was still at the conservatory, and Loewy volunteered to accompany him. Independently, Garland has performed across the country with the Boston Lyric Opera, the Boston Baroque and Rufus Wainwright at the New York City Opera in 2009. According to his website, Garland has won a slew of competitions, including the Washington International Music Competition and the Opera Columbus Competition. In February 2013, he released his fourth CD, “American Portraits,” with Loewy. Loewy started playing piano when she was six years old and continued throughout high school for every choir and musical she could find. Arriving at the State University of New York at Binghamton, Loewy recalled, she firmly believed she wanted to major in chemistry until she received a terrible grade on her first midterm. From then on, Loewy took classes across the music, psychology, theater and literature departments, finally turning her focus to music and earning a bachelor of arts in the subject. Loewy continued on to receive a masters in accompanying from the University of Cincinnati, where she has taught since 1976, she said. Loewy’s work has carried her all » See RECITAL, page 2

speaks as part of Trans Week

Andrew Garland, Donna Loewy present collaborative, modern music production By GABRIELLE DEE SENIOR STAFF WRITER

The babble of approximately 20 audience members faded as baritone Andrew Garland, teaching associate for the music department, and accompanying pianist Donna Loewy set foot on stage to perform “American Portraits,” a recital featuring a repertoire of 20th- and 21st-century songs, Monday night. The perforated walls of the Grant Recital Hall resounded with Garland’s impossibly long phrases, ranging from a whispered pianissimo to a booming forte. Loewy’s piano responded accordingly, transitioning between a quiet hum and crashing chords in a matter of seconds. “A Reverie,” a selection from Senior Lecturer in Music Paul Phillips’ “Battle Pieces,” expressed thundering excitement that was as apparent in the reverberating music as it was on the performers’ faces. After each song, Garland and Loewy seemed to wake from a trance, their furrowed brows giving way to proud smiles at

inside

ARTS & CULTURE

SADIE HOPE-GUND / HERALD

Monday’s performance in Grant Recital Hall included primarily American compositions from the 20th and 21st centuries. the audience’s applause. The baritone Garland has played the piano since before junior high school, and he began singing with his school’s chorus during that period. When he began at the University of Massachusetts at Amherst, Garland recalled, he did not know he wanted to pursue music, but he auditioned for the chorus to continue singing as an extracurricular. As soon as his audition ended, Garland said his professor immediately accepted him into the group and insisted that he take voice lessons.

At 8 a.m. the next morning Garland received a call at his dorm from the director, asking again: “Did you sign up for voice lessons?” “In one half-hour of voice lessons I made more progress than I did in 11 years of piano,” said Garland, who graduated with a degree in mass-music education and voice performance. To further his musical career, Garland pursued his masters at the Cincinnati College-Conservatory of Music, where he met his coach Loewy, who is an accompying pianist. Their first professional engagement together

Metro

Commentary

Roundup: Winners talk transitions, Healey writes op-ed, pundits discuss runoff elections

Thayer Street will soon welcome new restaurant, replacing Thayer Street Cleansers and Launderers

Grapengeter-Rudnick ’17: We should properly recognize WWII veterans

Mills ’15: People use Mason jars only for aesthetic purposes, as opposed to their intended usage

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Professor brings ‘American Portraits’ to Grant Recital Hall Ryka Aoki

Professor of English and gender studies discusses storytelling, advocacy in intimate talk By GABRIELLA REYES CONTRIBUTING WRITER

Ryka Aoki, an esteemed trans writer and professor of English at Santa Monica College and of gender studies at Antioch University, addressed a small group of students in an intimate talk at the Brown/RISD Hillel Monday evening. Aoki’s lecture was the keynote address for this year’s Trans Week. Stories and biographies emerged as recurring motifs throughout her talk. Aoki discussed the difficulty of determining what to include in her biography, tying that challenge to something larger: the struggles trans people face in achieving autonomy over telling their » See TRANS WEEK, page 4

ARTS & CULTURE

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