Tuesday, September 16, 2014

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THE

BROWN DAILY HERALD VOL. CXLIX, NO. 68

since 1891

TUESDAY, SEPTEMBER 16, 2014

Taubman to integrate with Watson Institute University’s public policy hub will continue to operate within expanding Watson Institute By MICHAEL DUBIN UNIVERSITY NEWS EDITOR

ORLANDO PARDO / HERALD

Writer and former Yale professor William Deresiewicz addresses students in McCormack Family Theater.

Deresiewicz lauds U.’s liberal arts tradition ‘Don’t Send Your Kid to the Ivy League’ author discusses the value of humanities in education By STEVEN MICHAEL SENIOR STAFF WRITER

Writer William Deresiewicz stoked controversy with his criticisms of elite education published in his book “Excellent Sheep: The Miseducation of the American Elite and the Way to a Meaningful Life” and excerpted in the New Republic under the title “Don’t Send Your Kid to the Ivy League” this summer. But in his lecture to a packed McCormack Family Theater Monday night, Deresiewicz spoke

instead about the value of a liberal arts education. Though the excerpted polemic from “Excellent Sheep” has received considerable attention, Deresiewicz said “half of the book is a positive message about what college can be.” The book’s title is based on a comment made by one of his students at Yale, where Deresiewicz formerly worked as an English professor. At the lecture, Deresiewicz read from the latter portion of his book, adding commentary as he went along. There is a “false dichotomy” between practical skills and a liberal arts education, Deresiewicz said. “Work that gives you a sense of purpose is the most practical thing in the world,” he said, adding that a liberal arts

education allows students to find jobs. Throughout his talk, Deresiewicz referred frequently to giants of literature — from Kafka to Dostoevsky to Austen — with the air of a former English professor. “I don’t care if you read the Great Books. I care if you read great books.” The sciences and the humanities look at similar issues from opposite perspectives, Deresiewicz said: While a scientist looks at the world objectively, a humanities scholar views the world through the lens of personal experience. He also discussed the intersection of sciences and humanities, explaining that both physicists » See DERESIEWICZ, page 2

See page 7 for Q&A

The Taubman Center for Public Policy and American Institutions will become a part of the Watson Institute for International Studies, administrators announced Monday. The integration of the two institutions will not take place immediately, but administrators and faculty members affiliated with each have begun the year-long process of working out the details of the merger, Watson Institute Director Richard Locke told The Herald. Locke announced the change in an email Monday afternoon. Though Locke expressed confidence that the merger would move forward, he cautioned that the proposal must still clear several administrative hurdles. Taubman will continue to exist as a distinct center under the umbrella of the Watson Institute, which also houses the Center for Latin American and Caribbean Studies, the BrownIndia Initiative and the China Initiative, among others, Locke said. “We already have a kind of tradition of having country- or regional-based centers where people do research or programming within Watson,” he said. The recognition that globalization has rendered national borders

less relevant in studying policy issues spurred the change, Locke said. “It just doesn’t make sense to have one center focused on domestic issues and one policy center focused on global issues when in fact the issues blur across boundaries.” Much of the best current policy scholarship takes a comparative perspective, he added. James Morone, who became director of the Taubman Center in July, named expanding the center’s focus on international policy issues as one of his priorities earlier this month. “The idea of separating domestic public policy and international public policy made sense in the 1980s when these centers were set up, but today it just doesn’t make sense anymore,” Morone said Monday. “Combining our focus, combining the two centers and thinking across domestic and international public policy is just much more powerful, and it’s much more contemporary.” Morone said he and Locke have discussed their mutual desire to put Brown’s “stamp on the study of public policy.” The Taubman Center will continue to conduct public opinion polling in Rhode Island. It will also still offer both undergraduate and master’s degrees in public policy, Locke said. But neither program will maintain the same structure, Morone said. Though changes are still in the preliminary planning stages, the undergraduate concentration will feature new tracks, including one in conjunction with the Swearer Center for Public » See TAUBMAN, page 6

Admins urge ‘transformative Fall theater lineup pushes genre limits conversations’ across campus Sock and Buskin, PW

By SOPHIE YAN STAFF WRITER

inside

As the semester kicks off, the University is promoting “Transformative Conversations@Brown,” a project launched by administrators in February and sponsored by the Office of Institutional Diversity. The project “strives to provide opportunities and spaces to engage respectfully and thoughtfully with each other across our differences,” according to a Sept. 2 email sent to all students, staff members and faculty members. “Transformative Conversations” currently comprises a website that will serve as a platform to list any course,

performance, conversation or event that the organizer considers a transformative conversation. The website currently features several listings of courses and events happening on campus, including the Gaza teach-in that occurred last week, two courses — AFRI 0090: “Introduction to Africana Studies” and MES 0155: “Cultures of the Contemporary Middle East” — and a Theater Arts and Performance Studies series titled “Shapeshifting: Conflicts and Conversations in Play.” “Through the umbrella of ‘Transformative Conversations,’ we hope to be able to get the word out in a broader way about these opportunities for engagement,” said Liza Cariaga-Lo, associate provost for academic development and diversity and head of the Office of Institutional Diversity. She added that in the future, the Office of Institutional » See TRANSFORM, page 3

shows exhibit new works, classic shows with contemporary twists By GABRIELLE DEE SENIOR STAFF WRITER

Drawing from both the canonical and the avant-garde, this season’s theater lineup will explore the transcendental power of relationships and art’s ability to grapple with timeless issues of identity. Sock and Buskin will begin the season with a twisted, Occupy Wall Streetesque version of the classic musical horror “Sweeney Todd.” Directed by Curt Columbus, artistic director of Trinity Repertory Company, this rendition of the play reveals the debauchery of the upper class as narrated through political protesters, said cast member and PW

ARTS & CULTURE

University News

Commentary

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Ingber ’15: The NFL must ensure players set good examples for its fans

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weather

Hoping to open lines of discourse throughout Brown, project includes online platform

board member Skylar Fox ’15. Driven by a combination of fear and humor, “Sweeney Todd” promises to resonate with audiences’ most basic emotions, Fox said. The show will run Sept. 25 to 26 and Oct. 2 to 5 in Leeds Theater. Also from Sock and Buskin, “Hype Hero” will play in Stuart Theater Oct. 30 to Nov. 2 and Nov. 6 to 9. Written by Dominic Taylor MFA’95, “Hype Hero” imagines a world in which corporations eradicate debt — with the small condition of lifelong servitude. “It’s a wild, absurd comedic play that looks at the intersections of race and class,” Fox said. Sock and Buskin will round off the semester with a final deviation from convention in “Heist Play,” written and directed by Fox and scheduled to run Dec. 4 to 7. The play depicts the lives of characters in heist movies outside the context of the heist, and examines the relationship between the creative self and its work, Fox said. “It’s like ‘Ocean’s Eleven’ continued for another three years after the story ended and got really, really

tragic.” Production Workshop is taking this semester’s audiences on sojourns to small-town suburbia, the searing lights of a game show stage and a party in a futuristic world. Isabel Diawara ’17 kicked off PW’s season with “Going Somewhere: A Game Show,” which ran from Sept. 10 to 13. Diawara wrote, directed and acted in the show, seeking to highlight “escapism as a coping mechanism,” she said. PW will continue its repertoire with “Almost, Maine,” directed by Marli Scharlin ’16. Set against a quaint backdrop, the play relays neither groundbreaking epiphanies nor revolutionary theories but rather the simple relationships that define life, Scharlin said. Currently in the thick of the audition process, Scharlin said she aims to make audiences see past the play’s magical realism. “Almost, Maine” will run from Sept. 19 to 22, and “may or may not contain a strip scene,” Scharlin said. » See THEATER, page 3 t o d ay

tomorrow

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