Monday, September 17, 2012

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daily herald the Brown

vol. cxxii, no. 67

INSIDE

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Online learning CS professor debuts online option for intro course .

monday, september 17, 2012

Online class program draws mixed reactions By Eli Okun Senior Staff Writer

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Career fair

The Herald previews Wednesday’s career fair

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Fall concert Indie and dubstep groups moshed on Simmons Quad today

tomorrow

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Brown community members expressed a mixture of excitement and wariness in response to the University’s announcement that it will commence two online education pilot projects next year. Many lauded the decision, first announced Sept. 5 in an email from Dean of the College Katherine Bergeron, as an appropriate modernization and expansion of access to higher education, but some voiced concern that the courses could represent shoddy imitations of the classroom experience. Next summer, the University will offer a few for-credit courses online only for Brown summer session students. The University will also join the online course platform Coursera, which offers free, not-for-credit classes to hundreds of thousands of

people around the globe. “I think it’s very much in line with the kind of philosophy that we had with the New Curriculum and that Brown has sort of been a leader in,” said Ira Magaziner ’69 P’06 P’07 P’10, an architect of the University’s distinctive curriculum. Expanding access would, he added, put “more educational control in the hands of students.” Professor of Comparative Literature Arnold Weinstein, whose class COLT 1420T: “The Fiction of Relationship” will be one of the first three Brown classes offered on Coursera, considered the development in the context of the broader timeline of higher education, noting that in medieval universities, only professors were allowed access to libraries and books. “This is part of that same trajectory or story / / Online page 5

since 1891

Emily Gilbert / Herald

Los Angeles-based artist TOKiMONSTA took the stage at BCA’s annual Fall Concert, which also featured music by Titus Andronicus and Area 6.

Nude art series addresses body image, sex Paterno ’50 By Katie cusumano Senior Staff Writer

Many of us have witnessed the Naked Donut Run, been invited to a naked party or seen the ubiquitous FemSex and MSex posters. Discussions about sexuality and the body are not hard to come by at Brown. But “Nudity in the Upspace,” a series of workshops and performances designed by Becca Wolinsky ’14 and Camila Pacheco-Fores ’14, took this dialogue one step further. The series invited the audience to “normalize nudity” and remove the stigma in a safe, comfortable and collaborative space, Wolinsky said.

feature

The week featured an array of events including yoga, body painting and scenes from Shakespeare’s “Much Ado About Nothing,” all conducted entirely in the nude. Naked manifesto At the beginning of each performance, Wolinsky and Pacheco-Fores explained the safe space guidelines for the event, all while disrobing. “What is said here stays here, but what is learned here leaves here,” they repeated. Cast members and coordinators then participated in a “talk-back” with the audience after the performance Thursday. The performers discussed the power dynamics of being clothed

versus being naked. Though the cast all performed in the nude, audience members were not obligated to remove their clothes. “We wanted to play with the idea of being hidden versus being exposed,” Pacheco-Fores said, referring to the selection of scenes from “Much Ado About Nothing.” Props master Gabe Lozada ’15 said Friday night’s performance was the “linchpin” of the week, as it discussed “every facet of what it means to have a body.” The devised performance piece featured cast members giving deeply personal testimonials about their bodies, adolescent experiences and sexual encounters. Some were comical — Vincent Tomasino ’14 demanded,

“God, why did you put hair in my asshole?” — though the repeated chorus, “How can anyone feel beautiful if they all carry such ugly scars?” was more profound. While the topics involved sex, the performance itself was not at all sexual — instead, it was supposed to appreciate bodies and how they work, Lozada said. It was written and produced by the seven performers, said Gabrielle Sclafani ’14, a cast member. “The piece on Friday night was basically our manifesto for the week,” Pacheco-Fores said. Born without clothes Wolinsky entered the Production Workshop’s fall lottery last spring. / / Nudity page 2 Though she

‘Dr. Faustus’ revived under big-city lights By Lee bernstein contributing writer

Original cast and crew members from last October’s production of “Dr. Faustus Lights the Lights” came together for a little summer fun in New York City, reviving the Production Workshop show at the 3LD Art and Technology Center for 10 performances in July. The idea to bring a revamped version of Faustus to downtown Manhattan came to fruition through the efforts of Director Abby Colella ’12, composer Deepali Gupta ’12 and actor Ned Riseley ’12, who “had connections in New York theater,” said Jessie Medofer ’14, production manager for the show. Taking inspiration from an earlier PW production of “Hair” that traveled to the Empire State years earlier, the production team began raising funds in early June.

arts & culture

Courtesy of Jessie Medofer

Students adapted last year’s production of “Dr. Faustus Lights the Lights” to the New York City stage, adding new set and music elements.

The group used the online platform Kickstarter to raise money, stage manager Jenny Gorelick ’14 said. The initial goal of raising $3,000 was exceeded with the production raising a total of $4,541, according to the production’s Kickstarter page. The production also received help from the Somerled Charitable Foundation and Fractured Atlas, nonprofit organizations dedicated to assisting arts programs, said Alexis Aurigemma ’13, an actress in the show. The show was the brainchild of Colella, Gupta and Zachary Segel ’13, who composed music for the show. Gupta and Segel took an unfinished Gertrude Stein text and revamped it by writing original electronic music pieces to create a “part concert, part immersive funhouse, part light show, part dance party, part Stein slam,” according to their Kickstarter website. With the addition of both the new 3LD white studio space as well as some new cast members, the production team / / Theater page 3 reworked the

will stay in U.’s Hall of Fame By austin cole staff writer

Joe Paterno ’50 will remain in the Brown Athletic Hall of Fame, according to a statement from the Hall’s Board of Directors released Sept. 13. The decision came about two months after the University announced Paterno’s place in the Hall was under review by the board following the release of a report examining Pennsylvania State University’s response to allegations of child abuse against former assistant football coach Jerry Sandusky. In a statement to the press, independent investigator Louis Freeh said Paterno and three high-ranking Penn State administrators “never demonstrated, through actions or words, any concern for the safety and well-being of Sandusky’s victims until after Sandusky’s arrest.” The board wrote in its statement that in its choice “not to remove Paterno from the list of Brown’s Hall of Fame athletes, the Board of Directors did not intend to diminish the tragic events that occurred at Penn State toward the end of Coach Paterno’s career. It sought, rather, to acknowledge the recognition of the achievements for which it elected Paterno to the Hall of Fame nearly 35 years ago.” Paterno was inducted into the Hall of Fame in 1978. Earlier this year, the athletics department removed his name from the first-year male athlete award. The Howard D. Williams ’17/Joseph V. Paterno ’50 Football Coaching Chair was also renamed in the past year, though for reasons unrelated to the Penn State sexual abuse scandal.


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Monday, September 17, 2012 by The Brown Daily Herald - Issuu