The Brown Daily Herald Wednesday, A pril 2, 2008
Volume CXLIII, No. 43
Wing hopes to fly as new BioMed dean
U. admits 13.3 percent, setting a new record
C o m e to g e th e r
By Joanna Wohlmuth Senior Staff Writer
Cancer studies potential target for Alpert gift By George Miller Senior Staff Writer
Incoming Dean of Medicine and Biological Sciences Edward Wing formally introduced himself to the Brown community Monday, saying he plans to continue the rapid rise in recent years of the medical school and other programs. “Our programs have risen like rockets,” Wing said, speaking at a press conference in the Maddock Alumni Center. He was introduced by President Ruth Simmons and Provost David Kertzer ’69 P’95 P’98, who chose Wing from a list of five names selected by an advisory search committee. Simmons praised Wing for the “breadth of experience and expertise that will make him effective” in the Division of Biology and Medicine, saying he was well-acquainted with the National Institutes of Health — the primary source of funding for medical research at Brown — and with federal funding processes. Wing came to Brown from the University of Pittsburgh 10 years ago as a professor and chair of the Department of Medicine, a position he will leave July 1 when he takes over from the current BioMed dean, Eli Adashi. He will also give up his physicianin-chief positions at the Miriam Hospital and Rhode Island Hospital, along with his other positions at Brown’s affiliated hospitals. He told The Herald he will shift roles in July, becoming no longer connected to the hospitals, but representing all aspects of the division, which includes, as Simmons described it, everything from introductory biology classes to its assorted doctoral programs. Associate Professor of Medicine Stephen Gregory is Wing’s research partner and has known him for 20 years, ever since Wing recruited him first to Pittsburgh and then to Brown. Though his primary responsibilities have since drifted toward the administrative, Wing “absolutely turned around research” at Brown, Gregory said. He said he has seen research growing in the Jewelry District during his time here. “Ed Wing had a lot to do with that,” he said. Gregory watched from his office in the Jewelry District as the building at 70 Ship St., once the home of the Spiedel watch band company, was turned over to Brown and became the home of molecular medicine labs. Gregory worked with Wing on researching the immune defenses of the liver — which clears most of the bacteria entering the bloodstream — in responding to the bacterium Listeria, using that pathogen as a model. continued on page 6
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HIGHER ED
No Boys allowed Harvard sets aside specific women-only gym hours, irking some
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Felipe Luciano opened Latino History Month with an impassioned speech.
The University set a record low admission rate of 13.3 percent Monday, admitting 2,187 applicants through regular decision. The increase in the number of applicants made this year’s admissions process the most competitive the University has ever seen, said Dean of Admission James Miller ’73. A total of 20,604 applications were read for regular and early decision admissions slots, an 8 percent increase over last year’s pool of 19,059. “This was the most difficult year to be admitted in history, statistically,” Miller said. Among those applicants beating the odds was Sydney Ember, who was visiting relatives in Connecticut over her high school’s spring break when she tried to log on to the admissions Web site around 5:15 p.m. on Monday night. “I could not figure out the Brown Web site,” Ember said. “I spent 20
minutes thinking I had the wrong password.” After locating the proper page, the senior at the Harvard-Westlake School in North Hollywood, Calif., learned of her admission to the class of 2012. “I’m really excited,” she said. “I’m pretty sure about (attending) Brown.” Between 12,000 and 14,000 applicants logged onto the site on Tuesday night, Miller said. The rest are expected to go on over the next few days or wait until the official letter comes in the mail. Though the University admitted around 2,700 students — 555 of them through early decision — it expects about 1,500 students will matriculate, Miller said. The CIS Help Desk had staff on hand to help applicants who had trouble using the admissions site. “Right when the decisions are released people are panicking because they can’t continued on page 6
See Campus News, page 5
Int’l Affairs funds 14 UTRAs for this summer said. “They helped fund these 14 awards, which made it possible for us to make further awards in non-international competition,” she said. “The idea is that there are a lot of good international programs that are already taking place,” said Director of International Affairs Vasuki Nesiah. “This is one of those examples.” The stipend provided to international UTRA recipients has increased by $500 — to $3,500 — because of the increasing cost of
By Jenna Stark Senior Staff Writer
The number of international Undergraduate Teaching and Research Awards has increased for this summer, with the Office of International Affairs funding 14 new stipends for foreign research. Overall, 238 UTRAs have been granted for this summer — a 20 percent increase from years past. The International Affairs funding enabled both the creation of the new awards and helped the general expansion of the program, Dean of the College Katherine Bergeron
continued on page 4
Chris Bennett / Herald File Photo
The Office of Admission read a total of 20,604 applications, 8 percent more than last year, for this year’s applicant pool.
Haynes ’85 explains Dylan film ‘I’m Not There’ at RISD By Cameron Lee Staff Writer
Todd Haynes ’85 didn’t “aim to educate or give a primer to (Bob) Dylan for people” in “I’m Not There,” his film about the many personalities of Dylan. “I wanted to preserve the genuine weirdness of Bob Dylan,” Haynes told an audience at the RISD auditorium Monday night. “We forget how weird (his) stuff is and how radical it was at the time.” The screened film, which refers to everything from Federico Fellini’s “8 1/2” to Billy the Kid, uses six different actors to portray six different aspects of Dylan’s life. These characters include such disparate examples as a young black boy who calls himself Woody Guthrie, an adult male who goes from protest singer to gospel singer and an older
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CAMPUS NEWS
man called Billy the Kid living in a Though he knew it would be diftown in the Wild West. The charac- ficult to obtain the rights to make ters and their storylines are intercut, a movie about Dylan, he said he creating a mosaic of Dylan’s life as enjoyed developing the story so a whole. much he didn’t care if the movie Cate Blanchett was nominated was actually made. for the Best Supporting Actress OsDylan’s son Jesse acted as a car and won the Golden Globe for liaison between Haynes and Bob Best Supporting Actress for her por- Dylan, and the elder Dylan approved trayal of Jude, Haynes’ script a portrait of via Jesse. “(Bob ARTS & CULTURE Bob Dylan in Dylan) gave me the 1960s. everything, basiFollowing the screening, Haynes cally. ... I had a tremendous amount answered questions from the au- of freedom,” Haynes said. “There redience, primarily about “I’m Not ally were no creative guideposts.” There.” In response to an audience memThe roots for the film came from ber who said he felt the film was “a his days in high school listening series of cliches,” Haynes said he to Dylan, Haynes said, but he did intentionally used genres from the not come up with the idea until he biopic tradition for the film. He said rediscovered Dylan while writing that while not every genre would be the script for “Far From Heaven.” to every audience member’s liking,
UC-What? The Herald poll shows many students are unaware of or uninterested in UCS’s work
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he hoped that people could latch onto some of the stories. Haynes also said he used icons such as Billy the Kid, Arthur Rimbaud and Woody Guthrie intentionally in the film. “I wanted to honor and characterize the specific literary and cultural influences that defined parts of (Dylan),” he said. The Billy the Kid story accounted for Dylan’s work that reflects an identification with outlaw ideology, Haynes said. When asked about his use of voiceover in “I’m Not There,” in light of the disdain it often receives, Haynes said he loves the technique. “I think even the cheesiest voiceover immediately situates you,” he said. “It’s a device. All of filmmaking is a device.” Haynes said he did not think of continued on page 4
tomorrow’s weather We’re about as likely to get rain as your friend in high school is to get into Brown. Ouch.
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