Carlos Manuel Gasparotto

RICHARD WM HUDSON

b. 1980

RICHARD WM HUDSON

b. 1980

Richard WM Hudson has been working as a mixed media artist since a very young age. Gaining awards at school for his art to then having his work acquired by the Victoria and Albert Museum at the early age of 16. As well as art , Richard has worked as a Film Production Designer, having completed a BA in Theatre Design at Central St Martins and an MA in Film Production Design at the National Film School.

For the past 8 yeas, Richard has been living and working in the Yorkshire Dales National Park, being greatly influenced by its outstanding natural beauty, and its natural resource for foraged materials. Richards art is created around his intuitive reaction to his subconscious feelings that are then transformed into mixed media art works.

RICHARD WM HUDSON

“My art forms are derived from my subconscious, a material reaction to my surroundings, a Requiem, harking back to indigenous peoples’ spiritual practices and nature’s own destructive power.”

‘Tribal’ Collection £650 each Kiln pitt fired, hand coiled terracotta, bees waxes & pigments £1,250 Black grogged, kiln fired, hand coiled ceramic. Oxidised copper & varnish. £1,850 Kiln fired, hand coiled grogged white ceramic, acrylic medium

£2,250 Black Grogged, kiln fired, hand coiled ceramic

Various tribal pots available. Please contact us for further information.

‘Requiem’ Collection (Medium) £1,800 Carbonated, carved ‘Poplar’ tree branch, Bees Waxes.

PETROC SESTI

b. 1973, London. PETROC SESTI

b. 1973, London.

Petroc Sesti is a British artist, born in London where he currently lives and works. Sesti’s work pushes the boundaries of art and science and goes beyond both. He is particularly interested in themes such as motion, chaos, light, and the void, exploring in particular the ever-changing relationships between artwork, the environment and the viewer.

His work speaks to the global wealth of symbolism associated with moving water, clouds and the fluid environment, as seen in the Chinese philosophical notions of Qi, the force that makes up and binds together all the things in the universe, paradoxically at once everything and nothing. This relates to his ongoing fascination with movement and the Void, as seen across his entire practice. His passion for science and cosmology fuel his enquiry into how to contain and display raw energy states and notions of the sublime. This manifests in a broad spectrum of artworks and mediums, be it through complex mechanical pieces, made in collaboration with some of the world’s leaders in earth and space observation or replicating solar flares by detonating gunpowder on paper. His work has been exhibited internationally in private and public collections including the Louis Vuitton Foundation in Paris, the 13th Manifesta Biennale in France, and represented Great Britain at the 9th Shanghai Biennale. Other exhibitions and collections of note include the Qatar Foundation, the ICA London and the New Shanghai Museum Of Contemporary Art. His work is held worldwide in a number of permanent collections including: MONA Museum Tasmania, the Kistefos Museum Norway, the Boghossian Foundation Brussels, YUZI Museum China, Rockefeller Collection New York, Rem Koolhaas’s Qatar Foundation HQ, Manhattan Loft Gardens Stratford International London, and Norman Foster’s Yacht Club Monaco.

PETROC SESTI

A Sci-fi Sublime And I have felt…a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels. All thinking things, all objects of all thought, And rolls through all things. Extract from ‘Tintern Abbey’, William Wordworth, 1798

Vortexes POA Literal form permanently installed at Prince Albert of Monaco’s new yacht club designed by Norman Foster

Various sizes available. Custom made. Please contact us for further information.. Vortexes Hydrasphere lemos collection Hydra

LEE YONG SOON

b. 1957, Korea

LEE YONG SOON

b. 1957, Korea

Lee Yong Soon’s (b.1957) Moon Jars are a very close contemporary rendering of the ancient vases of the Joseon dynasty. Fascinated from a young age by pottery, Lee Yong Soon is self taught, and even sold his wedding ring to finance his emerging career. Abiding to his close ties with tradition, his studio is located deep in the Korean mountains; he uses the same clay, found in mountain caves, which was used in the royal kilns from the 14th Century onwards. His distinctive bright white glaze is made with pine ash from the mountain trees, and has a soft, luminescent glow.

LEE YONG SOON

“This type of globular porcelain jar is known as a moon jar (dal hang-ari). Its white color suggests the confucian virtues of purity, honesty, and modesty, and the form was thought to represent the fertility and embracing, gentle quality of women”

Moon Jars, 2018 46x46x46 £10,000 White porcelain Moon Jars, 2019 50x44x44cm £10,000 White porcelain