Bowen Island Undercurrent November 8 2018

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THURSDAY NOVEMBER 8, 2018 VOL. 44, NO. 43

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REMEMBRANCE DAY ISSUE

On the centennial of the end of the First World War we remember those who have sacrificed in all conflicts in the hope of a better future

Welcoming Bowen’s new council BRONWYN BEAIRSTO EDITOR

In likely the best-catered meeting of the coming term, Bowen’s new council was sworn in at Cates Hill Chapel last Thursday. The inaugural council meeting featured no discussion of the official community plan or land use bylaws. Gary Ander became mayor of Bowen and the slate of councillors, Alison Morse, Michael Kaile, Maureen Nicholson, Sue Ellen Fast, David Hocking and Rob Wynen, took their oaths of office. Former mayor Murray Skeels addressed the new council and audience. He said that he saw this election as a vote of confidence as everyone who ran for re-election is returning to his or her councillor chair. “Your incoming council is strong and diverse,” he told the crowd. “They will reach decisions by governing together.” Ander then took the stage. “You’ve done a stellar job of leading basically a rookie bunch,” he told Skeels. “Now I get a well-oiled machine.” Acknowledging the close mayoral race (where his opponent, Melanie Mason got 49.9 per cent of the vote), Ander said he’d like to see Mason on committees and involved in the municipality in the coming four years. Ander also pointed to some of the key campaign issues that he plans on addressing, including the upcoming capital projects, rental housing, staffing shortages and transportation. “Bowen Island meet your new council,” he said. “I’m excited to get going.”

Michael Nicoll Yahgulanaas standing before his latest Haida Manga work, Carpe Fin. The six pannels of the piece were hung together for the first time last weekend at Terminal Creek Contemporary in Artisan Square. Photo: Len Gilday

See Carpe Fin before it leaves Bowen forever BRONWYN BEAIRSTO EDITOR

Art lovers have one chance to see local artist Michael Nicoll Yahgulanaas’s latest Haida Manga mural before it leaves for its permanent home at the Seattle Art Museum. The 12 square metres of intricate graphic narrative took 17 months to create with a 108-page Haida Manga

book coming out November 2019. The museum’s largest ever commission, the water colour and ink mural is on six panels of rare, Japanese, custom-made mulberry paper. “Everything that’s gone into it has been really thought out,” says Yahgulanaas, who even met with the chemist about the paper’s pigmentation. “I’m quite obsessive about it.”

“It is the latest, most complex and thoughtful piece to date,” he says. Carpe Fin is currently hanging in the Terminal Creek Contemporary exhibition space in Artisan Square as it awaits transportation to Seattle later this month. The work can be viewed until Nov. 25, by appointment only, though there will be a reception on Nov. 21 from 2 to 6 p.m.

Yahgulanaas, a prolific Haida artist and author, known for coining the Haida-Asian hybrid art form he calls Haida Manga, has had work in the Metropolitan Museum of Art, British Museum, Vancouver Art Gallery and Seattle Art Museum. His two previous Haida Manga murals include RED and War of the Blink. Continued on page 3


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