Boulder Weekly 04.11.2024

LIFE IN COLOR Joy Oladokun brightens the corners at Bluebird Music Festival P. 12

+ FEST

FOUNDER Q&A P. 13

That moment you

FIND CLASSES THAT FIT YOUR NEEDS.

Explore your passions. Reach your goals. Earn credit toward your degree. Own your journey. ce.colorado.edu • 303.492.5148

CONTENTS 04.11. 2024

06 12 COVER Bluebird Music Festival co-headliner Joy Oladokun

keeps the light on BY JEZY J. GRAY

13 MUSIC Three questions with Bluebird Music Festival founder Travis Albright BY JEZY J. GRAY

31 WEED Colorado companies are inflating THC percentages on their products BY WILL BRENDZA

DEPARTMENTS 04 OPINION Trains, plans and automobiles

09 NEWS

A public hearing on BoCo’s pesticide plans

11 MUSIC

Katie Pruitt gets real on Mantras

15 THEATER

Out of the Blue: harrowing, heartfelt and humorous

16 FILM

Civil War exposes uncomfortable American truths

BOULDER WEEKLY

17 SCREEN

Melissa Benoist talks politics and The Girls on the Bus

19 EVENTS Where to go and what to do

24

ASTROLOGY Restless seekers are never bored

24 SAVAGE LOVE

Crime and punishment

27 NIBBLES A guide to mindful dining

ONLINE ONLY OPINION

BoCo endangers volunteers with herbicide use: bit.ly/ WeedWarriorsBW

Hair Care Services Cut • Color • Balayage • Highlights Root Retouch • Blow Dry Style

OPINION

At Twig we take pride in creating a warm and welcoming atmosphere where everyone feels comfortable expressing their unique style.

THEATER

Monday-Friday 8a-8p Saturday 8a-6p Sunday Closed

Boulder needs your voice for Civic Area redesign: bit.ly/ civicareaBW

A Broomfield children’s theater fights for survival: bit.ly/BackstoryBW

1831 Pearl St Boulder, CO 303-447-0880 www.twighairsalon.com APRIL 11, 2024

3

COMMENTARY APRIL 11, 2024

Volume 31, Number 34 COVER CREDIT: Emily Nava PUBLISHER: Francis Zankowski

ED ITOR IAL EDITOR-IN-CHIEF: Shay Castle ARTS & CULTURE EDITOR: Jezy J. Gray REPORTERS: Kaylee Harter, Will Matuska FOOD EDITOR: John Lehndorff INTERN: Lauren Hill CONTRIBUTING WRITERS: Will Brendza, Rob Brezsny, Michael J. Casey, Dan Savage, Toni Tresca, Gregory Wakeman, Jim Charlier, Justin Criado, Kevin J. Krizek

SAL ES AN D M AR KETIN G MARKET DEVELOPMENT MANAGER: Kellie Robinson SENIOR ACCOUNT EXECUTIVE: Matthew Fischer ACCOUNT EXECUTIVES: Chris Allred, Holden Hauke SPECIAL PROJECTS MANAGER: Carter Ferryman MRS. BOULDER WEEKLY: Mari Nevar

PR OD U C TION CREATIVE DIRECTOR: Erik Wogen SENIOR GRAPHIC DESIGNER: Mark Goodman

C IR C U L ATION CIRCULATION MANAGER: Cal Winn CIRCULATION TEAM: Sue Butcher, Ken Rott, Chris Bauer

OPINION

THINKING TOO SMALL Colorado should embrace passenger rail, but the Front Range train is not the way to do it

BY JIM CHARLIER

C

olorado’s Front Range is positioned as the only feasible north-south corridor between the coasts where Amtrak’s three major long-distance routes (Southwest Chief, California Zephyr and Empire Builder) can be directly

4

APRIL 11, 2024

BU SIN ESS OFFIC E BOOKKEEPER/ACCOUNT EXECUTIVE: Austen Lopp FOUNDER / CEO: Stewart Sallo

linked. The Denver metro could become the nexus of a national passenger rail network, with significant economic, political and social benefits for all Coloradans.

We should not underestimate the significance of Colorado’s opportunity to become a hub in a future North American passenger rail network. Gov. Polis is right to highlight this as an urgent public policy initiative.

The revival of interest in intercity passenger rail service, amplified by $8 billion in federal cash, represents an opportunity for states and cities that are prepared to advance worthy corridors and projects. Unfortunately, Colorado has fallen behind the peloton in this race. Much of the money available to the U.S. Department of Transportation (USDOT) by Congress has been claimed by corridors that were already in the pipeline and were

supported by multi-city, multi-state intergovernmental agreements, service plans and design concepts.

Colorado has for three decades been mired in the “study phase” of passenger rail development. This has enabled Colorado’s Department of Transportation (CDOT) and the state’s elected officials to continue pouring money into endless expansion of highways, freeways and airports. The time has come to move beyond studies.

Here are some suggested principles to guide the effort:

INTERCITY NETWORK

The U.S. will develop a passenger rail network linking its major cities — our version of the Paris to Madrid to Barcelona, Berlin to Hanover to Amsterdam, or Tokyo to Fukushima to Sendai corridors. This was the original

As Boulder County’s only independently owned newspaper, Boulder Weekly is dedicated to illuminating truth, advancing justice and protecting the First Amendment through ethical, no-holdsbarred journalism and thought-provoking opinion writing. Free every Thursday since 1993, the Weekly also offers the county’s most comprehensive arts and entertainment coverage. Read the print version, or visit boulderweekly.com. Boulder Weekly does not accept unsolicited editorial submissions. If you’re interested in writing for the paper, please send queries to: editorial@boulderweekly.com. Any materials sent to Boulder Weekly become the property of the newspaper.

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BOULDER WEEKLY

OPINION idea behind our Interstate Highway System: Once a trunk is built, the branches will follow. Amtrak’s Northeast Corridor (Washington, D.C. to New York to Boston) continues to spawn connecting passenger rail lines in the Northeastern and Mid-Atlantic states.

That’s not only a workable plan, it’s an exciting vision.

And our big idea is a train to Craig?

Colorado’s vision is too small, too parochial.

Even the line CDOT has proposed from Pueblo to Fort Collins through Denver, Boulder, Longmont and Loveland is a misfire. We should be talking about Denver as a major passenger rail hub with spokes to Houston/ Dallas, Albuquerque/Santa Fe, Cheyenne/Billings and Omaha/ Chicago, with connections to Phoenix/ Tucson, Southern California and Spokane/Seattle. Commuter rail links to smaller cities can come later, but that’s not where we should start.

TRAIN TO BOULDER

Gov. Polis envisions the Front Range rail as the way to correct RTD’s failure to build a train from Denver to Boulder.

There is no question Boulder and Longmont have a legitimate beef with

BOULDER WEEKLY

RTD. And it would be great to board a train at Union Station and go to Boulder. But the national passenger rail initiative is not the way to make that happen.

The projects moving forward in USDOT’s revitalized passenger rail program are the result of coordinated, multi-state efforts that have been in the works for years. An example is the collaboration between Illinois, Wisconsin and Minnesota on a line connecting Chicago to Minneapolis. (In an interesting parallel, Madison, the “Boulder of Wisconsin,” has complained that it’s not on the proposed line. Amtrak has responded politely by adding a dottedline, side connection to Madison.)

The political reality is there is no faster way to kill a passenger rail program in Colorado than to have it be seen by voters as an attempt to pay for a train to Boulder.

TO THE MOUNTAINS

Many Coloradans (and visitors) would love to ride trains into our mountains for a ski weekend or a summer vacation.

Some have had the experience of riding trains in Austria or Switzerland, with gorgeous views and great on-board service, arriving in quaint mountain vil-

lages where cars are not allowed. But the costs of building mountain rail lines in Colorado are off the scale of feasibility, at least in the near term.

Whether or not rail service to the Colorado mountains will ever happen is an interesting topic to debate. But that is not where we start and clearly is not a national priority.

AVOIDING PITFALLS

Another reality we should embrace is that U.S. states and cities have been lousy at building modern rail projects.

Over budget and behind schedule with ridership below forecast has been the norm, not the exception. Two egregious examples are Honolulu Rail (100% over budget, a decade late) and California High Speed Rail (200% over budget, over a decade late… so far).

Passenger rail lines are high-risk mega-projects that require sophisticated planning, design and project management. We can learn from our peers in Europe, especially the major infrastructure entities (Eurostar, SNCF, Deutsch Bahn, Trenitalia, Renfe, etc.).

And there are lessons to learn from Brightline, which has delivered a major intercity rail corridor in Florida on a tight schedule and budget.

But we cannot go to the voters in Colorado without direct and realistic answers to questions about how we intend to avoid the pitfalls that the public now associates with major rail projects.

BOTTOM LINE

Developing a passenger rail program will be a complex endeavor that will help us meet economic and climate goals. To succeed, Colorado will need to be clear-headed and surefooted.

We need a compelling, long-term vision. We need strategic partners.

We need to anticipate and dodge the pitfalls.

The risks are big, but the potential benefits are enormous.

Jim Charlier has been a transportation planner for over five decades. He held senior management positions at two state DOTs and has provided consulting services to many of Colorado’s cities and towns. He has worked on rail and rail-related projects in Orlando, Phoenix, Honolulu, Redmond, Portland, Santa Fe and Houston. Jim lives in Denver.

This opinion does not necessarily reflect the views of Boulder Weekly.

APRIL 11, 2024

5

OPINION

DON’T ITERATE: INNOVATE Boulder should stop repeating past transportation mistakes

BY KEVIN J. KRIZEK

T

he Boulder Chamber of Commerce recently hosted a quarterly lunch for roughly 60 people invested in transport safety. At the event, I experienced a profound sense of déjà vu, as I’ve attended similar gatherings around the U.S. for decades.

Among the participants including transport professionals, elected officials and citizens, there is a recurring theme: Advocate for improved conveniences for walkers, transit users and cyclists. A collective wisdom persists that if we allocate more resources to these ways of traveling, we’ll change people’s behavior.

Rarely do I hear talk about making matters more costly for car users.

That’s a political taboo and has been for decades. But until the political will changes, the costs of past practices will continue to mount: more fatal crashes on our roads (~70 million global deaths since the invention of the car), more resource-intensive travel and widening disparities between who gets access to what.

Most transport discussions orbit around minor adjustments to an existing system. Incremental steps amount to temporary fixes or slight gains. They fail to address how the underlying issues of our transport system are more profound than many of us realize. Incrementalism allows politicians to maintain the status quo. It’s easier that way.

The sole city council member present at the Chamber lunch, Ryan Schuchard, emphasized the need to overhaul how we do transport planning and how Boulder can fundamentally reevaluate and redesign its transport ethos.

That’s good, because the core issue that we continue to sidestep is our collective acquiescence to making cars — and increasingly, larger and larger 6

APRIL 11, 2024

cars — convenient to use, even for short trips.

A needed conversation starts when we critically examine our relationship with cars — their size, their necessity and how our urban planning practices roll out the red carpet for them. Policy and corporate interests cater to this paradigm.

We’ll finally gain traction when we focus conversations on subsidies for parking and roads, the proliferation of oversized vehicles, a fascination with electric cars despite their mixed benefits and resistance to reducing car-centric infrastructure.

MODERNIZE DIALOGUE

For too long, politicians have balked at such measures due to short-term pushback, ignoring long-term benefits. We can challenge leaders to courageously pivot towards tangible, bold actions that do more with less.

It’s time to modernize transport dialogue. Let’s focus on accessibility and how easy it is to get what we want and need with other modes of travel. Put in place new rules into city code and make new policies to guide new practices for how we engineer traffic, manage parking and moderate travel. Take actions that allow for some car conveniences while greatly enhancing the conveniences of alternatives, including much smaller versions of cars.

Reduce the subsidies given to cars, especially big cars. Recognize how parking and space on the roads is given away. Bring into view how city budgets fund different streets projects mostly to make driving easier, cheaper and faster.

Simultaneously, let’s make it safer and cheaper for residents to use other transportation options.

Subsidize better and smarter forms of transport so that users of more sustainable modes pay substantially less.

to prevent the past seven decades’ mistakes.

We can set immediate and threeyear targets to reshape our community’s use patterns. It’s time to innovate, not iterate.

Drawing inspiration from the ideas that Schuchard presented at the Chamber of Commerce, here’s where we should go: Design for micro-mobility, including bikes, scooters, cargo-bikes and much smaller cars. Implement a Cambridge, Massachusetts-style ordinance to standardize road designs that, by default, allow for full implementation of a network that supports people of all ages and abilities, including much smaller vehicles. Prioritize safety and accessibility; stop focusing on vehicle throughput and delay. Rethink how we use parking lanes and streets for people instead of only vehicles; invite various uses rather than crowding them out. Celebrate shop pop-ups, in-street dining and more dynamic parking pricing. Make improvements faster and overcome backlash that is formed by old-school thinking.

Let’s empower our elected officials to scrap old-school rules based on oldschool mentality. Help them build back better for micro-mobility, based on new thinking that incentives innovation.

Existing codes built on existing mindsets lock us in.

Take, for example, CU Boulder’s plans for a parking garage next to its new hotel and conference center, and plans to “improve the efficiency” of a surface lot near Boulder High School to get more parking spaces.

Creating more parking so close to our community’s activity centers jeopardizes other ways to access nearby destinations. It runs counter to stated public goals of addressing climate change (e.g., embodied carbon). It squanders an opportunity to revamp a new culture of providing access Communities around the world have already reckoned with the high costs of automobility. The time is now for Boulder to leverage new pathways and stop repeating misses of the past.

Kevin J. Krizek is a professor of environmental design at CU Boulder and a former senior advisor in the Office of the Under Secretary for Economic Growth, Energy and the Environment (U.S. Department of State). He is the author of Advanced Introduction to Urban Transport Planning, available online and in local bookstores.

This opinion does not necessarily reflect the views of Boulder Weekly.

HIGH-IMPACT, LOW-COST

It’s necessary and politically courageous to redirect funding and planning to remedy this disparity. Focus on high-impact, low-cost strategies that don’t rely heavily on construction. Redesign street space for a robust network of compact mobility options, like bikes and mini-vehicles, BOULDER WEEKLY

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NEWS

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including 16,000 households spending more than half their income on rent, according to a county press release.

Boulder County currently has about 7,400 affordable rentals and homes, but it estimates it needs to more than double that number to meet today’s needs.

Housing needs include managing the growing number of people experiencing homelessness. The most recent pointin-time count recorded over 800 homeless people in Boulder County.

Local news at a glance

BY WILL MATUSKA EXTREME WIND, XCEL SHUTOFFS LEAVE THOUSANDS WITHOUT ELECTRICITY

Xcel Energy proactively shut off power for the first time in Colorado history because of high wildfire risk over the weekend, leaving thousands without power for multiple days.

The utility “de-energized” more than 600 miles of power lines Saturday afternoon, impacting about 55,000 customers in Boulder, Gilpin, Larimer, Douglas, Broomfield and Jefferson counties. Xcel estimated 100,000 more were without electricity at the height of the storm because of high winds damaging infrastructure.

As of 8 a.m. Monday morning, 49,000 customers were still without power. The outage continued to impact nearly 850 customers as of Wednesday afternoon, according to Xcel’s website.

Many customers were blindsided by the shutoffs. Local business owners voiced frustrations at a Boulder Chamber of Commerce forum with Xcel on Monday morning, citing poor, late or nonexistent communication about the planned outages.

Hosea Rosenberg’s restaurant, Blackbelly, was without power until midday on Monday. He first heard about the outage from an employee, and didn’t receive any communication from the utility about when electricity would turn back on.

“We have $50-$60,000 worth of food in our building that is under refrigeration. And if you know food code, you have about four hours to save your products or you have to throw it all away,” he said. “That big of a loss to us would essentially put us out of business forever.”

Rosenberg was able to salvage some product, but without power he was “just watching our food die.”

Other business owners voiced similar problems, especially with Xcel’s notifi8

APRIL 11, 2024

cation process. George Karakehian, owner of Art Source International, said the lack of communication was “awful.”

“I’ve been downtown in business for 45 years,” he said, “but the handling of this event is the worst handling of any disaster or near disaster in history down here.”

Robert Kenney, president of Xcel Energy Colorado, said there’s an “opportunity to improve” the timeliness of customer notification up to the industry standard of 72 to 96 hours in advance. But he stood by his company’s decision.

“This is a public safety decision that we do not take lightly,” he said during the forum. “I am heartened to note that we did not have any ignitions and we did not see any wildfires. I ultimately believe that, despite the challenges that were created, that it was ultimately the best decision to avoid a catastrophic wildfire from happening.”

Xcel Energy is facing nearly 300 lawsuits stemming from the Marshall Fire, but Kenney said that this event was “very different” from the most destructive fire in Colorado history.

“We continue to maintain that our equipment didn’t start the Marshall Fire.

And so we made this decision not as a litigation risk mitigation; this was a public safety mitigation to avoid a fire.”

The combination of dry vegetation and high winds (gusts up to 90 miles per hour) justified the shutoff last weekend because a potentially downed power line could ignite a rapidly spreading fire, Kenney said. Xcel has de-energized in other states as a “tool of last resort.”

De-energizing will continue to be a strategy the company uses in

Colorado when extreme winds are coupled with low fuel moisture, Kenney said, but won’t necessarily be used every time there are high winds.

Instead of automatically restoring electricity to impacted power lines, which is Xcel’s standard practice, the company inspected each area before re-energizing for safety reasons, meaning power outages lasted longer, according to a press release.

Boulder City Manager Nuria RiveraVandermyde said police attended more than 200 calls during the first 12 hours of the outage. Despite Xcel saying it would exclude “critical care facilities” from the shutdown, Frasier Meadows, a senior living community with 500 people, lost power. So did Boulder Community Health’s Foothills Hospital.

COUNTY CREATES NEW HOUSING DEPARTMENT

The Boulder County Commissioners announced on April 4 that the housing and human services department (HHS) will split into two. A new housing department will focus on housing and homelessness, and include Boulder County Housing Authority (BCHA), and the other solely on human services such as food and financial assistance.

The change won’t result in staff changes. A new housing director will be hired internally to lead the housing department and BCHA, the county said.

The new consolidated housing department will create a more focused approach to address housing challenges in an area with over 28,000 cost-burdened households (who spend more than 30% of their income on housing),

ASSESSMENT: REGION NEEDS 216K NEW HOMES BY 2033

Over 500,000 new units are required to meet 2050 regional housing needs, according to preliminary findings from a regional assessment.

The assessment, led by the Denver Regional Council of Governments (DRCOG) that includes Boulder County and some cities within it, aims to outline both the scale and barriers to address the region’s housing needs.

According to a presentation at an April 3 DRCOG Board work session, short-term needs include adding 216,000 new units by 2033. More than half need to be affordable to households earning under 60% of the area median income (AMI), roughly $75,240 for a family of four in Boulder.

The assessment started last September and it is still in the development phase, but its complete findings will be published in June.

IN OTHER NEWS...

• The City of Lafayette is launching

another e-bike rebate program following the success of last year’s program. The standard rebate is $300, and the income-qualified rebate is $600. The application is open for Lafayette residents through May 5. Learn more and apply: bit.ly/ lafayette_rebate • A dead calf found in Grand County on April 2 is the result of the first wolf-related livestock death since the animal’s reintroduction in December 2023. According to Colorado Parks and Wildlife, the livestock producer is eligible for fair market value compensation from the state.

BOULDER WEEKLY

NEWS

GOV’T WATCH What your local officials are up to

BY KAYLEE HARTER BOULDER CITY COUNCIL

At the April 18 meeting, council will: • Vote on a number of items, including: • Transferring property at 925-933 Marine St. to the nonprofit Emergency Family Assistance Association (EFAA). EFAA has leased the space since 1981 for use as permanently affordable emergency transitional housing for families.

• Authorizing Flatirons Habitat for Humanity to build 12 permanently affordable homes at 4475 North Broadway as part of the Ponderosa Community Stabilization Project.

• Settling a lawsuit with Joslynn Montoya and the Colorado Cross-Disability Coalition (CCDC) for $75,000. CCDC and Montoya, who is deaf, filed the lawsuit in 2023, claiming the city had violated her rights under the Americans with Disabilities Act and discriminated against her when police didn’t provide a sign language interpreter during an interaction at a domestic violence shelter and ultimately removed her children from her custody.

• Hold a public hearing and vote on the city’s 2024 energy conservation code. Among the biggest changes from the 2020 code is the require-

ment for most new construction and major renovations to have all electric equipment and appliances.

Some exceptions would be permitted, such as natural gas appliances in commercial kitchens.

• Hear an update and recommendations for next steps on Boulder Social Streets, a project that aims to “reimagine downtown streets as welcoming spaces to gather, attend events and connect.”

ICYMI: Council set its priorities for the next two years at its retreat April 3 and 4. Council’s 11 priorities included homelessness programs, economic development, increasing council member pay and updating the Boulder Valley Comprehensive Plan, the Daily Camera reports.

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During the week of April 15, commissioners will: • Hold a public hearing on the new Integrated Weed Management Plan (3 p.m., April 16). The proposed plan would reduce herbicide use by 50% by 2030 and eliminate aerial spraying by helicopter, though it would allow for some aerial spraying by drone. Climate action groups have opposed the plan and say they want the county to eliminate all herbicide use on public lands. A final vote is scheduled for May 21.

• Hold a public hearing and vote on the Sherwood Creek Restoration project (9 a.m., April 18) The project, located just north of Nederland, aims to restore ecological function to a portion of the creek that is currently impacted by historic mining activities.

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Dee-o-Gee

is the one stop shop for Grooming and Do it yourself dog wash and retail focussing on the health of your pets.

We sell Holistic pet food, supplements.

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elcome to Dee-O-Gee Longmont, where pets take the spotlight in a haven designed for their happiness. Nestled in Longmont, our store thrives as a vibrant paradise for pet enthusiasts.

Committed to enriching pets’ lives, we offer a carefully curated selection of premium products, from wholesome foods to trendy accessories and engaging toys. We also specialize in grooming all breeds and have a DIY for those shy pups.

More than just a store, Dee-O-Gee Longmont fosters a

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At Dee-O-Gee Longmont, our philosophy revolves around pet well-being and joy. We’re dedicated to being a trusted partner in every pet’s journey to a fulfilling life. Join us in celebrating the love and happiness pets bring to our lives and please bring in your pooch!

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MUSIC

GET REAL Katie Pruitt journeys from self sabotage to self compassion on sophomore album

BY JUSTIN CRIADO

K

atie Pruitt wears her heart on her sleeve, and you can hear it beat in her music. Even after releasing two deeply personal records, the 30-year-old singer-songwriter from Atlanta is still trying to find the balance of “sharing and oversharing,” she says.

“It’s a trial-and-error process for me, figuring out how much of my personal life do I really want to share,” says Pruitt, who now calls Nashville home.

On 2020 debut Expectations, Katie Pruitt’s second LP, Mantras, was released April 5.

Pruitt works through her experiCourtesy: Rounder Records ence of coming out as a lesbian as a Catholic school student in the con- ture folksy Americana laced with Pruitt’s servative South in songs like “Loving trademark vulnerability. The title Her” and “It’s Always Been You.” It’s a Mantras is a reference to Pruitt’s pracheavy-hitting album, especially for a tice of leaving loving notes and repeatyoung musician introducing herself to ing positive affirmations in the mirror to the world. herself. Then there was writing music, “The first record I shared a fucking lot her long-held, go-to means of release, of it, but it came at the expense of the coupled with the power of therapy. relationship with my family and all these “They both kind of fed each other in things,” Pruitt says. ways,” she says. “The songwriting is On Mantras, her sophomore record always an extension of my life. It’s an released last week via Rounder outlet for what’s going on in my life, but Records, Pruitt navigates her recent I do feel like the therapy helped me mental health journey that started with open up the floodgates to talk about “self-sabotage” and ended in “self-comthat. Before, I would just stop myself passion.” before I could even start. Therapy was “I was trying to find that balance this a catalyst for me being able to express time around,” Pruitt continues. “But I what’s really going on in my life.” can’t help it, I just end up talking about Pruitt says her live performances what’s happening in my life, which at offer a similar experience. The idea is this time was going through some men- to create a space “for people to feel tal health issues. There’s a lot of breakwhat they need to feel” and perhaps up songs on the album, too. Honestly, learn something about themselves in writing about that is hard, but it was the process. healing in a lot of ways, too.”

“I do want people to walk away from the shows feeling like they see their life reflected in some ways,” Pruitt adds.

‘SOMETIMES YOU’RE She’ll be offering this opportunity for DANCING, AND SOMETIMES reflection in Boulder on April 13 at the YOU CRY’ Fox Theatre with Jack Van Cleaf — Previously released singles “Worst the final show of a four-night Colorado Case Scenario,” “All My Friends” and run through Colorado Springs, Denver “White Lies, White Jesus and You” feaBOULDER WEEKLY

and Fort Collins. Don’t worry, “it’s a rock show,” Pruitt confirms. But it’s OK if you feel like shedding a tear or two.

“I want people to have fucking fun,” she says. “I want people to dance and party, but also there are songs that might make you cry, so there’s a little of both. But that’s life, right? The ebb and flow. Sometimes you’re dancing, and sometimes you cry.”

‘TURN THE PRESSURE INTO A PLAYGROUND’

Now that Mantras is officially out in the world, Pruitt says she’s feeling “relieved” more than anything, as she paces around the parking lot of the historic Kessler Theater in Dallas after finishing up soundcheck.

“Everybody says the second record is the hardest one. I didn’t want to believe them, but now I do,” she says with a laugh. “It’s sort of hard to have one other thing to compare it to. I’m just ready for it to be out and start working on the third one and building up a catalog.”

While she mentions new material, she knows the next album won’t start coming together for another a year or so — especially with the current tour, and how it’s “almost fucking impossible to find a private moment with a guitar.”

The two record cycles are hard to compare since she approached each

one differently. For Expectations, most tracks were recorded in the studio live with a band, while Mantras required more workshopping and took into account input from producers Jake Finch and Collin Pastore, both known for their work with indie-rock supergroup boygenius.

“They brought a really fun, lighthearted energy to the process that I really was needing,” she recalls. “I was needing it to feel like I don’t have to do this — I get to do this. It turned the pressure into a playground.”

Pruitt admits she got into her head and wanted the recent release to be “the greatest thing ever.” In the end, she got more out of it than she could have imagined.

“It’s kind of ironic because I feel like I was struggling mentally and it led me to therapy, which ended up being a really good thing and being what a lot of the songs are about,” she says. “It’s just overcoming this internal battle with myself of feeling like enough and being OK on a daily basis.”

ON THE BILL: Katie Pruitt

with Jack Van Cleaf. 8 p.m.

Saturday, April 13, Fox Theatre, 1135 13th St., Boulder. $25

Nashville singer-songwriter Katie Pruitt says her emotionally charged music walks a fine line between “sharing and oversharing.” Credit: Alysse Gafkjen

APRIL 11, 2024

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COVER

IN LIVING COLOR Joy Oladokun keeps the light on

BY JEZY J. GRAY

I

out” record — featuring guest turns n the music video for “Changes,” from mega stars like Chris Stapleton, the fourth single from her verdant Noah Kahan and Mt. Joy — she says new double album Proof of Life, daily life isn’t quite what it used to be.

Joy Oladokun casts her fishing line on Even a routine trip to her local Kroger a calm country lake as the woods finds the artist gladhanding with eager around her go up in flames.

“Newspaper says the world’s on fire,” fans, a new phenomenon she’s still adjusting to. she sings with a breezy shrug. “People “There’s a version of my life where I yelling and the water’s rising / it’s easy just go get groceries, and that’s all that to feel kinda anxious.” happened at the grocery store. But that But if the heat is making her sweat, version of my life is gone,” says the Oladokun doesn’t let it show. Her line self-described introvert. “There’s a level bobbing on the water as she untangles Joy Oladokun headlines the first night of the 2024 Bluebird Music Festival on April 20. of joy and excitement that comes with big feelings about climate change and Credit: Lexander Bryant that, but there’s also this other, maybe social justice, the video ends with the less-spoken side. It’s not coming from a unbothered folk-pop poet lighting a young. I sort of wanted to become a But it’s another potential outcome loose joint on a burning globe. And why place of not being grateful, but I don’t professional friend, where I would go that worries Oladokun, an Arizona know that this is the most natural posinot? As she’s quick to remind listeners: into songwriting rooms and help artists native who has called the countrytion for a human to find themselves in.”

“Life’s always been a little dangerous.” tell their stories in a way that didn’t feel music capital of Nashville home since Natural or not, Oladokun is poised at “That is a song everybody sings like it was chipping away at their 2016. a pivotal moment in her professional along to at shows: the queer couple in sense of self or mental health,” she “The second thing that could possibly crop tops, the old fisherman in the back life. The singer-songwriter’s rising star explains. “Now that I’m in this position happen is all the Johns and Chads and has brought a lot more than a high proand the aunties sitting at the table on I never thought I would be in, it’s like: Bobs say, ‘OK, Beyoncé is No. 1, our file in public spaces. It has also catathe second level,” Oladokun told ‘OK, how do I make this last for a jobs are over.’ And they do no further Boulder Weekly from her Nashville long time?’” research or self correcting,” she says. “I studio ahead of the artist’s headlinget a little worried this will be what actuing Bluebird Music Festival appearally happens, but only time will tell.” ance on April 20. “I love it, because COWBOY JOY However this national dialogue the song is both biographical and Oladokun gets a certain charge shakes out, you’ll find Oladokun doing also just about how much I don’t from challenging assumptions what she does best: casting her proverlike change, which I think is pretty around what is and isn’t bial fishing line on the water as “a stonhuman. Like, when HBO Max “Americana” — as a queer Black er in Crocs who just likes to play with switched to Max — I still haven’t woman born to Nigerian immigrant gotten over it. parents, but also as a genre-curious guitars and drum machines.”

Amid industry hang-ups, rising sea “I was born right before the L.A. shapeshifter skilled in the vocaburiots, and I was writing this music lary of pop and R&B. As the conver- levels and reckonings on racism in America, there’s a steadying effect in during the more recent civil rights sation surrounding who counts as Oladokun’s laid-back, human-scaled uprisings in the States,” she contincountry reaches a new pitch in the approach to processing all this uncerues. “I hate change, but I’m also wake of Beyoncé’s Cowboy Carter, tainty. The world may be on fire, but it living on this planet, where it Oladokun sees two diverging paths will be listening. seems like things change fast and for artists who don’t fit the stereoProof of Life, the fourth album by Nashville-based artist not at all.” typical mold set by industry gateJoy Oladokun, was released last year by Republic keepers.

Records. Courtesy: Universal Music Group “I think there’s two versions of ‘HOW DO I MAKE ON THE BILL: Joy pulted her into an unexpected new events that could happen,” she says.

Oladokun at the Bluebird THIS LAST?’ arena of success that’s a far cry from “The first is: ‘OK, Beyoncé is No. 1 on Music Festival. 6:15 p.m.

When it comes to the 32-year-old’s her early behind-the-scenes ambition to the country charts — what have we Saturday, April 20, Macky aversion to change, the year since the help other artists find their voice. been missing in terms of what marginAuditorium Concert Hall, 1595 release of Oladokun’s fourth LP has “I became a songwriter because a alized artists bring to country music, Pleasant St., Boulder. $50-$60 been a sort of exposure therapy. As lot of my favorite musicians died and how can we elevate it?’” critics hail Proof of Life as her “break12

APRIL 11, 2024

BOULDER WEEKLY

COVER

KIN FOLK

was the Pearl Street Music and Arts Festival in 2011. It was kind of like a little mini South by Southwest — we had The Lumineers, The Head and the Heart, Gregory Alan Isakov, Dr. Dog and a bunch of really big bands.

I was doing that all on my own. Then I went to grad school at CU for education, and I kind of tied the two of those together to start the Future Arts Foundation, which provides musical instruments for Colorado youth, so I could still put on those events but also give back.

To be honest, I don’t want to say it wasn’t hard — but our very first year of the Bluebird Music Festival, it sold out like two months in advance.

Bluebird Music Festival founder Travis Albright on Boulder’s annual ‘family reunion’

BY JEZY J. GRAY

T

ravis Albright took a leap when he launched the Bluebird Music Festival six years ago, and it paid off. Since 2018, the founder of the local youth-focused nonprofit Future Arts Foundation has brought the best in the worlds of indie, folk and Americana to our doorstep at CU Boulder’s Macky Auditorium Concert Hall. Booking big-name headliners like Waxahatchee, Ben Harper and Margo Price alongside a smattering of local talent, the two-day event has blossomed into the city’s premier showcase of who’s who in the arena of roots music.

Now returning for another go-round, this year’s event is set to continue that tradition. From top-of-the-bill standouts like the homegrown Gregory Alan Isakov and Jeff Tweedy of Chicago alt-country standard bearers Wilco, to rising acts like Sunny War and Colorado’s own Cody Sisters, the 2024 Bluebird Music Festival is — as the kids say — so back.

We caught up with Albright to ask a few questions ahead of the big weekend. The following has been edited for brevity and clarity.

What sets Bluebird apart from your average music festival?

The festival and the foundation are going up against a lot of behemoths in the industry: AEG, Live Nation, etc.

So I always curate it to kind of feel like the world’s largest living room.

There are so many familiar faces that come year after year — whether it’s performers like Langhorne Slim, back for his fourth time in six years, or the production crew who have been with us the entire time, or even the ushers and people selling merch. It’s not like a normal festival where you’re getting BOULDER WEEKLY

Who are some of the emerging artists on this year’s bill that people should definitely not sleep on?

Lafayette resident Travis Albright launched the Bluebird Music Festival at CU Boulder’s Macky Auditorium Concert Hall in 2018.

Courtesy: Travis Albright

patted down and hassled. We want it to feel like a family reunion.

I don’t know if I want to call it a feather in our cap, but the Strings and Stories event is also really special. I’m 45 now, and I grew up with MTV Unplugged and VH1 Storytellers. I always loved seeing behind the brain of the artist — hearing them talk a little bit about the music and not just hearing the songs. We incorporated that starting in our second year, and I think that kind of separates the festival from others as well, because we get to see these performers being very vulnerable.

How did you get such a major enterprise off the ground as a one-person operation?

I put on music festivals about 15 years ago. I hosted a bunch of them around the state, and one of them

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Well, I don’t know if Joy Oladokun is considered an emerging artist anymore. She is headlining the first night, but she’s still not a household name.

Her last album [Proof of Life] is probably my favorite of the last couple years.

Other than Joy, it’s gotta be Bendigo Fletcher and Briscoe. I think they’re both on a pretty great trajectory. They play the Newport Folk Festival and Bonnaroo and all the big festivals. Briscoe was signed by Dave Matthews on his label and opened for Dave Matthews Band at The Gorge.

They played the [Grateful] Dead Mexico festival called Dead Ahead, and then another big one down there with CAAMP and Joy Oladokun and a bunch of others. So they’re kind of on every lineup right now. But then Bendigo Fletcher, I just think their sound is so unique. Their name isn’t really out there as much yet, but I think they’re really gonna be a great band to watch.

ON THE BILL: Bluebird

Music Festival. Sat.-Sun, April 20-21, Macky Auditorium Concert Hall, 1595 Pleasant St., Boulder.

Pricing and schedule at bluebirdmusicfestival.org.

APRIL 11, 2024

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THEATER

RHYTHMS OF RESILIENCE

sent my demos to a music arranger in Canada [Konrad Pluta], and we would talk about how I wanted them to sound Broadway-ish. He would fix them and send them back to me. We’d go back and forth until they were what I had heard in my head, and then boom! It became a musical.”

Once the music was written, the only thing that really “scared” Hans was mastering the dance elements. “I hired a choreographer [Christie Olvera] because I like to dance, but I’m not a dancer, necessarily,” he says. “There’s not a ton of dancing in this, but I knew I needed a good understanding of dance because the opening number was snazzy.”

Hans approached the creation of Out of the Blue holistically by becoming

Yates and his wife, Katy — were sitting in the audience of Out of the Blue’s world premiere in Mexico. Hans says that the couple was impressed ‘Out of the Blue’ makes its way from Mexico with the musical and urged him to to Boulder for LGBTQ fundraiser bring the show to Boulder.

Two years later, Hans is making his first visit to the People’s Republic, but

BY TONI TRESCA he won’t have much time for sightseeing. In addition to ensuring that Out of the Blue is ready to perform at the hen the spotlight hits the ‘A LOT CAN HAPPEN Dairy, Hans is serving as a panelist at stage at the Dairy Arts THROUGH MUSIC’ the Conference on World Affairs hostCenter’s Grace Gamm Since Hans grew up watching musical ed at CU Boulder.

Theatre this April, it’ll reveal more than theater and dreaming of being on “Bob nominated me to be a panelist, just a set. It will illuminate the harrowing Broadway, he says singing and dancing so between rehearsals and three panand heartfelt story of Eli Hans, who were a “natural form of expression” for els at the conference, that’s going to uses melody to process a grim cancer his story. keep me pretty busy,” Hans says. diagnosis as the producer and star of “A lot can happen through music, “We’re only going to have a day or two the touring musical Out of the Blue. because it’s very healing,” he says. to explore Boulder. The rest of the But don’t expect a sob fest — this “The songs I wrote express the charactime, we’re there to work.” production has enough humor All ticket sales after and toe-tapping tunes to make expenses from the you forget you’re learning life Boulder run of Out of the lessons. Based on his own Blue will go to Out life, the show depicts Hans’ Boulder County, a local unwavering spirit of survival as nonprofit supporting the he faced a dire lymphoma LGBTQ community. The diagnosis with a 10% chance April 13 performance is a of recovery. special $100 VIP fund“I didn’t know it was going to raising event for the orgabe a musical when I first startnization, complete with ed writing it,” Hans says. “I just pre-show drinks and postknew that when we were all show meetings with the sheltering at home [during the actors. Local donors have COVID-19 pandemic], it was purchased a significant time for me to write about my portion of the seats on journey. So many wonderful April 14, allowing the Out things happened to me that I Boulder youth program to felt it would be kind of selfish attend for free. to keep all that to myself, “My whole mission and especially if I could help somevision when I created Out body else get through this.” of the Blue was to be Portraying 25 different charEli Hans shares his cancer journey through the “mostly one-man musical” Out of the Blue, running April 12-14 at the Dairy able to help gay youth,” acters, Hans invites viewers Arts Center’s Grace Gamm Theatre. Credit: Scott Umstattd Hans says. “I wanted to behind the scenes of his inspisupport them as they came out with involved in every aspect of the producrational life story in what he calls a ter’s internal emotional state — audiself-awareness, love and self-acception, from costume and set design to “mostly one-man show.” The only other ences are better able to handle infortance. This show is very much about serving as show producer. He has conperformer is his husband, Joseph mation when it is wrapped up in a nice loving who we are and not living our tinued to fine tune the musical since its Bennett, who joins him briefly in the first song.” lives with any degree of shame, so the sold-out world premiere in San Miguel, and third act.

Although Hans could play the piano, fact that it’s going to support Out Mexico, in March 2022 and its well“Joseph is an incredible human he had never written an orchestration Boulder is icing on the cake.” reviewed appearance at that year’s being,” Hans says. “He’s beyond before, so he taught himself description, and the way he supported GarageBand to create the arrangement Hollywood Fringe Festival, where it was nominated for six Broadway World me through my cancer journey and the he wanted. Without formal music trainmiraculous way we met just had to be ing, he wanted to recreate the music he Awards.

ON STAGE: Out of the portrayed in the show. He’s a wonderful could hear in his head.

Blue. April 12-14, Dairy Arts partner and a great actor. I just love “I didn’t know anything about comCenter, 2590 Walnut St., BOULDER BOUND sharing the stage with him and being posing, but because of the pandemic, I Boulder. $30-$100 As fate would have it, two Boulderites able to recreate our moments together.” had so much time to learn,” he says. “I — former city council member Bob

W

BOULDER WEEKLY

APRIL 11, 2024

15

FILM

SEPARATION ANXIETY ‘Civil War’ exposes more than a few uncomfortable truths about America

BY MICHAEL J. CASEY

W

hat are you boys fighting for?

That’s the question writerhistorian Shelby Foote tries to answer in Ken Burns’ landmark 1990 documentary The Civil War. Foote finds it in the story of a Union soldier encountering a beleaguered Confederate rebel, a young man obviously impoverished who owns neither slaves nor land. “Why you boys fighting?” the Union soldier asks the rebel. “Because you’re down here,” the Confederate responds.

Writer-director Alex Garland’s Civil War is shot through with that same sense of defiance — without Foote’s folksy relish for a good allegory. Civil War is harsh. Set in the modern day, or

at least very near future, Garland’s cinematic distress signal doesn’t just feel familiar; it feels inevitable.

But for future audiences, Civil War may be harder to decode as Garland offers only broad strokes for his backstory. The United States government has been at war with the secessionists of California and Texas — known collectively as the Western Front and represented by an American flag with two stars. Florida has also rebelled, trying to take the Carolinas with it. The cause of the secession is never stated, only assumed, and the length of the war at the point we enter the story is undefined. Seen only briefly and mirroring a former real-life commander-in-chief

through his use of hyperbole is the President (Nick Offerman), whose disdain for the press core runs so deep he’s known to have reporters executed on the South Lawn. Naturally, these are the characters through which we experience Civil War. As you might expect, the four who make up the movie’s core are a motley crew. There’s Joel (Wagner Moura), a Reuters reporter with a sexual attraction to combat; Lee (Kirsten Dunst), a decorated war photographer who’s seen it all and let it claim every last bit of her; Sammy (Stephen McKinley Henderson), an aging journalist from the New York Times who cares more about the company he keeps than the story he files; and Jessie (Cailee Spaeny), the newcomer on the scene who wants to get in on the action while the getting’s good.

Jessie gets what she wants, including an experience that molds and shapes her into the person she’s dreamed of becoming. In Garland’s hands, that’s not an aspiration. He and cinematographer Rob Hardy shoot

Jessie and Lee like vultures hovering close to their prey, waiting for the situation to go sideways, for a soldier to get shot or worse, so they can take their picture. Death in 10,000 words is what Jessie and Lee are selling, and the story isn’t complete until the body stops moving.

Too jaundiced? Hardly. In one of Civil War’s quiet moments, Lee and Sammy share a heart-to-heart, with Lee admitting that she used to hope that the right photo would change things. “I thought I was sending a warning home: Don’t do this,” she says. “But here we are.”

And here she is, surrounded constantly by reporters, from Sammy to Joel to a bevy of others, who are no longer grappling with the moral complexities of their work and maybe never did in the first place. Lee’s photos aren’t warning others to stay away; they’re galvanizing a whole generation of Jessies to come and join the party.

It might not be fair to compare Garland’s Civil War feature with Burns’ documentary — but, really, they don’t seem that far off. Burns dives so deeply into the minutiae and the politics that defined four years of American history that the only real definitive answer it offers seems to be the birth of our national discontent. Garland ups the ante by giving his Civil War no anchoring conflict, no debated morals and no righteous grounding of any kind. Here is a nation ready to tear itself apart for no more reason than the fun of it.

So it was 160 years ago when the North and the South took up arms against each other. Both sides were eager, and both sides thought the whole shebang would be over in a couple of weeks. That’s the moment from Burns’ 12-hour doc that’s stuck with me the strongest. And that’s the sentiment that came to mind when a young man in my screening of Civil War yelled, “Fuck yeah!” as one character ran over another with a car. I know a lot of people fear the next American Civil War is right around the corner. It might be closer than they think.

ON SCREEN: Civil War opens in theaters and IMAX on April 12.

Kirsten Dunst (left) and Cailee Spaeny in Civil War. Courtesy: A24

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APRIL 11, 2024

BOULDER WEEKLY

SCREEN

PRESS PASS Melissa Benoist hits the campaign trail in ‘The Girls on the Bus’

BY GREGORY WAKEMAN

W

hen a teenage Melissa ORIGIN STORY Benoist found herself facWhen Benoist was first approached ing graduation at Arapahoe about The Girls On The Bus, her initial High School in Littleton, the longtime instinct was to turn it down. “I wasn’t performer had a hard time shaking really looking for work,” she says. “I the naysayers. had just finished Supergirl. I was “There was a moment where I exhausted, wanted to take a break maybe wasn’t considering majoring in and just focus on being a mom.” art or musical theater in college,” she But once she learned more about says. “Just because so many people the idea from producers Julie Plec and had told me nobody actually makes it Sarah Schechter, Benoist changed her as an actor, and there’s not a way to tune. “I just had this gut feeling that make a living doing it.” this was something I had to do. I’ve Over the last decade, Benoist has always been drawn to people who are silenced those doubters. Her feature passionate, committed and work hard, film roles have included the Oscarand Sadie is certainly someone who is winning Whiplash, Patriots Day and Danny Collins, along with a major role as Marley Rose in the smash musical-dramedy series Glee. But to superhero fans, she’ll always be known as Kara Danvers, aka Supergirl, the iconic comic character she played for six years across a number of shows in the DC Extended Universe.

Benoist’s new show, The Girls On The Bus, marks a change of pace for the 35-year-old artist, but there are still some similarities to Supergirl. Like Kara Danvers, Sadie McCarthy is a journalist.

She doesn’t spend her downtime saving lives, though. Instead, she is consumed by her profession as she follows a number of flawed presidential candidates jockeying for the White House.

Inspired by Amy Chozik’s memoir Chasing Hillary, the adapted The Girls on the Bus follows four women journalists Max series also stars Carla navigating the pitfalls of covering the presidential Gugino, Christina Elmore and campaign trail. Courtesy: Warner Bros. Discovery Natasha Behnam as fellow journalists reporting on the presidential unapologetic about what she wants to hopefuls as they travel across the do with her life and career.” country to secure votes — with each Thanks to a healthy diet of Gene member of the foursome finding Kelly movies supplied to her by her friendship, love and scandal along the grandparents, the Houston-born way.

Benoist began doing ballet, tap and

BOULDER WEEKLY

Melissa Benoist co-stars as Sadie McCarthy in The Girls on the Bus, streaming now on Max. Courtesy: Warner Bros. Discovery

jazz at age 3. She caught the acting bug soon after and spent the remainder of her formative years learning the craft on the Front Range, including three summers with the Academy of Theatre Arts in Littleton.

“It’s such a rich community,” she says of the local performing arts network where she cut her teeth.

“I’ve never seen another regional theater scene like it anywhere else in America. That’s where I fell in love with acting and wanted to do it as a profession.”

Her mom lives in Grand Junction now, so Benoist doesn’t make it back to the Denver metro nearly as much as she’d like. But regardless of which side of the range she finds herself on these days, she says growing up in the Centennial State — “how beautiful it is, how genuine and kind the people are” — had a huge influence on how she navigates her Hollywood career.

“I really developed my work ethic in Colorado,” she says. “I worked with people that were so hard-working, who were passionate, showed up every day and committed. I’ve carried that with me.”

WORK IT OUT

That Colorado-forged work ethic is on full display in The Girls On The Bus, which marks Benoist’s debut as a

producer. She made the decision to get more involved behind the camera after realizing the power of having “ownership of her work.”

She felt something similar on Supergirl, where she was on set with the crew day-in, day-out, but it felt different on The Girls On The Bus. “I feel an immense sense of pride with the finished product,” she says. “Much more than I have in the past when I have not had that [producer] title.”

With the actual U.S. election taking place in November, The Girls On The Bus arrives at a time when the political environment is particularly divisive. Rather than providing answers, Benoist wants the show to explore our role in the media landscape without getting too heavy.

“We are able to comment on the changing tides of journalism in the political arena with a lightness,” she says. “There’s a silver lining to our show that I think we all need to be reminded of. I hope audiences think twice about the truth and how they digest the news, while also remembering that, in every election, their voice deserves and needs to be heard.”

ON SCREEN: The Girls on the Bus is streaming now on Max.

APRIL 11, 2024

17

P R E S E NT S

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ON STAGE

Tennessee Williams’ 1944 classic The Glass Menagerie gets a refresh at Vintage Theatre in Aurora. The haunting tale of memory, hope and disillusionment stars Matt Murry, Emma Messenger, Clara Papula and Cameron Davis.

Scan the QR code for a Boulder Weekly review before you go.

See listing for details.

ON VIEW

ON THE PAGE The one and only Coach Prime heads to Denver’s flagship Tattered Cover on Colfax for a reading and signing event to promote his new book, Elevate and Dominate: 21 Ways to Win On and Off the Field on April 16. Registration includes a signed copy and a photo opp. See listing for details.

BOULDER WEEKLY

Boulder Valley School District and the Dairy Arts Center present this annual showcase of works by local students and teachers during the BVSD High School and Faculty Exhibition. Mediums include painting, drawing, digital art, animation, ceramics and more. See listing for details.

MJ: THE MUSICAL. Through April 28, Denver Center for the Performing Arts - Buell Theatre, 1350 Curtis St. $49-$199

WHERE DID WE SIT ON THE BUS? Through

June 2, Denver Center for the Performing Arts - Singleton Theatre, 1400 Curtis St. $35-$52

NOISES OFF. Through May 5, Arvada Center for the Arts and Humanities, 6901 Wadsworth Blvd., Arvada. $56-$83 THE GLASS MENAGERIE.

MY FAIR LADY. Through June 9, Jesters Dinner Theatre, 224 Main St., Longmont. $30-$50

Through April 21, Vintage Theatre, 1468 Dayton St., Aurora. $20-$34 BW PICK OF THE WEEK

PERFORMING SELF. Through April 28, Boulder Museum of Contemporary Art, 1750 13th St. $2 BVSD HIGH SCHOOL AND FACULTY EXHIBITION.

Through May 4, Dairy Arts Center, 2590 Walnut St., Boulder. Free BW PICK OF THE WEEK

WE CU: A VISUAL CELEBRATION OF BLACK WOMANHOOD, PRESENCE AND CONNECTEDNESS. Through July

13, CU Art Museum, 1085 18th St., Boulder. Free

EDWARD HAMLIN: SONATA IN WAX. 6:30 p.m.

Thursday, April 11, Boulder Book Store, Pearl St. $5

FRANK BOWMAN III: HIGH CRIMES AND MISDEMEANORS. 5:30 p.m.

Friday, April 12, Tattered Cover Aspen Grove, 7301 S. Santa Fe Drive, Littleton. Free

MARY REYNOLDS: THE WAY OF THE WILD SOUL WOMAN.

THE SKELETAL WORLD OF JOSÉ GUADALUPE POSADA.

Through May 12, Denver Art Museum, 100 W 14th Ave. $18

ARE YOU OK?: A TRANS SURVIVAL PROJECT. Through June 22, East Window Gallery, 4550 Broadway, Suite C-3B2, Boulder. Free | Through May 31, Dairy Arts Center – Northeast Mural Wall, 2590 Walnut St., Boulder. Free

NOUF ALJOWAYSIR: SALAF (ANCESTOR). Through July 27,

East Window Gallery, 4550 Broadway, Suite C-3B2, Boulder. Free

DEION SANDERS: ELEVATE AND DOMINATE.

6 p.m. Tuesday, April 16, Tattered Cover, 2526 E. Colfax Ave., Denver. $30 BW PICK OF THE WEEK

COLORADO POETS CENTER READING AND OPEN MIC. 6:30 p.m. Tuesday,

April 16, Boulder Book Store, 1107 Pearl St. Free

6:30 p.m. Monday, April 15, Boulder Book Store, 1107 Pearl St. $5

APRIL 11, 2024

19

EVENTS

day

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th

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show timme 8:00p

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th

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In the Bar

Lionel Young Duo In the Bar

Peak2peak

$19 All Fees included

11–14

BIFF 2024 SHORT FILMS

Sunday

Friday

John ohnmacht

All day. Fri. April 11-Sun. April 14, virtual. Free

Deva Yoder In the Bar

Stephen Brooks Duo In the Bar

Jeff Crosby and The BARLOW

$21 All Fees included

Did you miss this year’s slate of shorts at the Boulder International Film Festival? Catch ’em all during this multi-day virtual screening as part of Boulder Arts Week. Tickets are free, but there are a limited number of spaces — register now at bit.ly/ BIFFshortsBW.

12

CABARET ON THE ROCKS 8 p.m. Friday, April 12, Boulder Theater, 2032 14th St. $50

Support the LGTBQ-affirming work of Out Boulder County with an evening of Broadway drag and dance performance featuring “Colorado’s loudest and proudest tastemakers” Hugh Panaro, Latrice Royale and John McDaniel.

13

WOMEN’S INTRO TO MOUNTAIN BIKING

11 a.m.-2 p.m. Saturday, April 13, Valmont Bike Park, 3160 Airport Road, Boulder. $10 (bring your own bike) / $25 (with bike rental) Wheel over to Valmont Bike Park to join the CU Bike Program for a fun and informative introduction to mountain biking. You’ll learn to ride with balance while picking up basics like steering, cornering, trail climbing and more.

Justin Bradford In the Bar

Vitalwild & Zaje In the Bar

LunarFest 24’ Pre Party

Many Mountains In the Bar

Chuck Sitero & Dylan Kober In the Bar

Lionel Young Duo In the Bar

APRIL 11, 2024

12

FRONT DERANGED IMPROV COMEDY

7:30 p.m. Friday, April 12, Jesters Dinner Theatre, 224 Main St., Longmont. $12-$17 Leave the kids at home and head to Jesters Dinner Theatre with your most outlandish scene suggestions for the Front deRanged Improv Comedy Troupe during this adults-only performance in Longmont.

12

HAZEL MILLER AND THE COLLECTIVE

12

INDIGO GIRLS: IT’S ONLY LIFE AFTER ALL

8 p.m. Friday, April 12, Chautauqua Community House, 301 Morning Glory Drive, Boulder. $30

6-7:30 p.m. Friday, April 12, Dairy Arts Center Boedecker Theater, 2590 Walnut St., Boulder. $12

Wrap up Boulder Arts Week with Colorado soul queen Hazel Miller during this intimate and stirring performance at Chautauqua Community House. Read a Boulder Weekly feature on the artist before you go: bit.ly/HazelMillerBW.

Following last summer’s iconic needle drop in Barbie, revered folk-rock duo Indigo Girls get the big-screen treatment in this documentary by Alexandria Bombach. Come find out why so many generations of fans say “the Indigo Girls saved my life.”

BOULDER WEEKLY

EVENTS

BOULDER ARTS WEEK EVENTS

14

DRAG BINGO WITH MISS JESSICA L’WHOR

13

POETS ON PEARL

All day. Saturday, April 13, Pearl Street Mall, 1942 Broadway St., Boulder. Free Boulder’s “most interactive street theater poetry festival” hits the Pearl Street Mall for a day of readings from an ensemble of local poets, hosted by organizations offering services and programs for literary artists.

13

ALLYSON MCDUFFIE / KIN STUDIO GRAND OPENING

Noon-4 p.m. Saturday, April 13, Kin Studio and Gallery, 4725 16th St., Boulder. Free

5-7 p.m. Sunday, April 14, Left Hand Brewing, 1265 Boston Ave., Longmont. Free Feeling lucky? Join the fabulous Miss Jessica L’Whor for the return of this outrageous adults-only bingo series.

Whether you come for the drag, the prizes or the world-class beers, it’s sure to be a fierce night of fun.

Celebrate the grand opening of Kin Studio and Gallery in the NoBo Holiday neighborhood to round out Boulder Arts Week. The event also marks the opening reception of Tasty, a new exhibition of prints by local artist Allyson McDuffie.

15

STAND UP FOR CLIMATE COMEDY

7 p.m. Monday, April 15, Boulder Theater, 2032 14th St. Free

12

COOL-WEATHER PLANT SALE

9 a.m.-6 p.m. Friday, April 12 and 9 a.m.-4 p.m.

Saturday, April 13, Growing Gardens, 1630 Hawthorn Ave., Boulder. Free Spring means savings at Growing Gardens in Boulder, where you can score big deals on cool-weather starts and seeds like kales, greens, cabbages, peas, early spring flowers and more.

BOULDER WEEKLY

14

TASTE OF PEARL

2-6 p.m. Sunday, April 14, downtown Boulder. $85-$130 Experience Boulder’s downtown culinary arts scene bite by bite at the return of this food-forward community celebration on Pearl Street and beyond. Admission price gets you entry to all 15 participating locations for food samples and wine and spirit tastings, plus a keepsake bag and wine glass.

The earth needs a champion and we all need a laugh, so head to Boulder Theater for the 9th annual Stand Up for Climate Comedy featuring sketches by students from the CU Creative Climate Communication course along with headliners Chuck Nice, Rollie Williams and Kasha Patel.

Want more Boulder County events? Check out the complete listings online by scanning this QR code.

APRIL 11, 2024

21

LIVE MUSIC THURSDAY, APRIL 11 JT JONES AND DAN FROELICH. 6 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont. Free ONE DRUM. 6 p.m. BOCO Cider, 1501 Lee Hill Drive, Unit 14, Boulder.

Free ANDREW ELWOOD. 7 p.m. Muse Performance Space, 200 E. South Boulder Road, Lafayette. $20 SOLEM WITH HAMMERHYPE, BRUINS AND BARCHETTA. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $15 LOS SHADOWS WITH GIO CHAMBA AND LOS NARWHALS. 8 p.m. Hi-Dive, 7 S. Broadway, Denver. $18 PAUL CHERRY WITH JW FRANCIS AND LITTLE TRIPS. 8 p.m. Globe Hall, 4483 Logan St., Denver. $17 NIKO MOON WITH REDFERRIN. 8 p.m. Mission Ballroom, 4242 Wynkoop St., Denver. $21

FRIDAY, APRIL 12 JAMES HOSKINS WITH VICTOR MESTAS. 2:30 p.m. Longmont Museum, 400 Quail Road. $12 BIG SEASONS. 6 p.m. BOCO Cider, 1501 Lee Hill Drive, Unit 14, Boulder.

Free VUDU SUNSHINE. 6 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont. Free STARLIGHT & PINE. 6 p.m. Trident Booksellers & Cafe, 940 Pearl St., Boulder. Free MONO VERDE COLLECTIVE. 7 p.m. Rayback Collective, 2775 Valmont Road, Boulder. Free LAPOMPE. 7:30 p.m. Center for Musical Arts, 200 E. Baseline Road, Lafayette. $20 JON MCLAUGHLIN. 7 p.m. eTown Hall, 1535 Spruce St., Boulder. $25

6367 Arapahoe Rd. • Boulder 303.449.0011 McDonaldCarpetOneBoulder.com 22

APRIL 11, 2024

LIONEL YOUNG DUO. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder.

Free HUNTER STONE WITH RIVER MANN. 8 p.m. Roots Music Project, 4747 Pearl, Suite V3A, Boulder. $15

EGGY WITH NEIGHBOR. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $21 BOTTLEROCKET HURRICANE. 9 p.m. Mountain Sun Pub and Brewery, 1535 Pearl St., Boulder.

Free EARLY MOODS WITH NATIVITY IN BLACK AND FOSSIL BLOOD. 9 p.m.

Hi-Dive, 7 S. Broadway, Denver. $18 BLAKE ROSE WITH MAX MCNOWN. 8 p.m. Globe Hall, 4483 Logan St., Denver. $16

SATURDAY, APRIL 13 PAPAMO & THE VIPERS. 3 p.m. Left Hand Brewing, 1265 Boston Ave., Longmont. Free SWEET N’ JUICY. 6 p.m. BOCO Cider, 1501 Lee Hill Drive, Unit 14, Boulder. Free SALAMANDER COLLECTIVE. 6 p.m. Trident Booksellers & Cafe, 940 Pearl St., Boulder. Free AMINA FIGAROVA SEXTET WITH MATSIKO WORLD ORPHAN CHOIR. 7 p.m. Muse Performance Space, 200 E. South Boulder Road, Lafayette. $40 WESTWARD HO! 7 p.m. First Congregational Church, 1128 Pine St., Boulder. $10 MERCY CLUB WITH FOXES FLOAT TRIP. 7 p.m. The Laughing Goat, 1709 Pearl St., Boulder. Free ER-HSUAN LI. 7:30 p.m. Dairy Arts Center, 2590 Walnut St., Boulder. $15 TERESA STORCH BAND. 8 p.m. Roots Music Project, 4747 Pearl, Suite V3A, Boulder. $15 PEAK2PEAK. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder. $19 5280S BAND. 8 p.m. Louisville Underground, 640 Main St. $18 KATIE PRUITT WITH JACK VAN CLEAF. 8 p.m. Fox Theatre, 1135 13th St., Boulder. $25 STORY ON P. 11 SPELLS WITH CHURCH FIRE, DEAD PIONEERS AND CHAP. 8 p.m.

Hi-Dive, 7 S. Broadway, Denver. $18 MUSUJI WITH MILQUETOAST & CO. AND THE EPHINJIS. 8 p.m.

Globe Hall, 4483 Logan St., Denver. $15 BOULDER WEEKLY

ON THE BILL Following last fall’s sold-out show in Boulder, The Mountain Goats return to the Front Range for a twonight stint with celebrated Nashville singer-songwriter Katy Kirby at the Gothic Theatre in Englewood. The time-tested indie darlings perform in support of their 22nd album, Jenny from Thebes, out now via Merge Records. Scan the QR code for a Boulder Weekly interview with frontman John Darnielle before you go. See listing for details.

TUESDAY, APRIL 16

AMINA FIGAROVA SEXTET WITH MATSIKO WORLD ORPHAN CHOIR. 7 p.m. Muse Performance Space, 200 E. South Boulder Road, Lafayette. $40

SONGWRITERS WORKSHOP. 6 p.m.

Firehouse Art Center, 667 4th Ave., Longmont. Free

SWEET SUNDAY SWING BAND. 3 p.m. Spirit Hound Distillers, 4196 Ute Highway, Lyons. Free LATE FOR SUPPER. 4 p.m. BOCO Cider, 1501 Lee Hill Drive, Unit 14, Boulder. Free THE LONG RUN. 4 p.m. Bootstrap Brewing Company, 142 Pratt St., Longmont. $25 ‘LET’S SING TAYLOR’ (TAYLOR SWIFT CELEBRATION). 4 p.m.

Boulder Theater, 2032 14th St. $25 ELENA WITH FRIENDS. 7 p.m. Muse Performance Space, 200 E. South Boulder Road, Lafayette. $20 DEVA YODER. 8 p.m. Velvet Elk Lounge, 2037 13th St., Boulder. Free DANCING PLAGUE WITH PLAGUE GARDEN AND ALUCINEMA. 8 p.m.

Hi-Dive, 7 S. Broadway, Denver. $15 REPOSER WITH PARANORMAL BBQ, CURB SURFER AND DIAMOND. 5 p.m. Globe Hall, 4483 Logan St., Denver. $12

MONDAY, APRIL 15 NONPOINT WITH PHIL MAURO AND (HED) P.E. 7:30 p.m. Marquis Theater, 2009 Larimer St., Denver. $36

BOULDER WEEKLY

BADI ASSAD WITH SIERRA MILES. 7 p.m. Roots Music Project, 4747 Pearl, Suite V3A, Boulder. $20 BOYWITHUKE WITH NAETHAN APOLLO. 8 p.m. Boulder Theater, 2032 14th St. $30 MOUNTAIN GOATS WITH KATY KIRBY (NIGHT 1).

8 p.m. Gothic Theatre, 3263 S. Broadway, Englewood. $45 BW PICK OF THE WEEK

WEDNESDAY, APRIL 17 ADAM BODINE. 7 p.m. Dry Land Distillers, 519 Main St., Longmont.

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23

ASTROLOGY

BY ROB BREZSNY ARIES (MARCH 21-APRIL 19): Now is a favorable time to make initial inquiries, ask for free samples and enjoy window shopping. But it’s not an opportune time to seal final decisions or sign binding contracts.

Have fun haggling and exploring, even as you avoid making permanent promises. Follow the inklings of your heart more than the speculations of your head, but refrain from pledging your heart until lots of evidence is available.

You are in a prime position to attract and consider an array of possibilities. For best results, remain noncommittal for the foreseeable future.

TAURUS (APRIL 20-MAY 20): Author Betty Bender said, “Anything I’ve ever done that ultimately was worthwhile initially scared me to death.” Painter Georgia O’Keeffe confessed she always harbored chronic anxiety, yet that never stopped her from doing what she loved. Philosopher Ralph Waldo Emerson said, “Anyone who is not everyday conquering some fear has not learned the secret of life.” I hope these testimonials inspire you to bolster your grit, Taurus. In the coming days, you may not have any more or less fear than usual. But you will be able to summon extra courage and willpower as you render the fear at least semi-irrelevant.

GEMINI (MAY 21-JUNE 20): Richard the Lionheart (1157–1199) was a medieval king of England. How did he get his nickname? Scholars say it was because of his skill as a military leader. But legend tells an additional story. As a young man, Richard was imprisoned by an enemy who arranged for a hungry lion to be brought into his cell. As the beast opened its maw to maul the future king, Richard thrust his arm down its throat and tore out its heart, killing it. What does this tale have to do with you, Gemini? I predict you will soon encounter a test that’s less extreme than Richard’s but equally solvable by bursts of creative ingenuity. Though there will be no physical danger, you will be wise to call on similar boldness. Drawing on the element of surprise may also serve you well.

CANCER (JUNE 21-JULY 22): Will the adventures heading your way be unusual, amusing and even unprecedented? I bet they will have at least some of those elements. You could encounter plot twists you’ve never witnessed or imagined.

You may be inspired to dream up creative adjustments unlike any you’ve tried. These would be very positive developments. They suggest you’re becoming more comfortable with expressing your authentic self and less susceptible to the influence of people’s expectations. Every one of us is a unique genius in some ways. You’re getting closer to inhabiting the fullness of yours.

LEO (JULY 23-AUG. 22): At least for now, help may not be available from the usual sources. Is the doctor sick? Does mommy need mothering? Is the therapist feeling depressed? My advice is to not worry about the deficiencies but rather shift your attention to skillful surrogates and substitutes. They may give you what you need — and even more. I’m reminded of The Crystal Cave, a novel about the Arthurian legend. The king, Ambrosius Aurelianus, advises the magician Merlin, “Take power where it is offered.” In other words: not where you think or wish power would be, but from sources that are unexpected or outside your customary parameters.

VIRGO (AUG. 23-SEPT. 22): The rest of the story is not yet ready to emerge, but it will be soon. Be patient just a while longer. When full disclosure arrives, you will no longer have to guess about hidden agendas and simmering subtexts. Adventures in the underworld will move above ground.

Missing links will finally appear, and perplexing ambiguities will be clarified. Here’s how you can expedite these developments: Make sure you are thoroughly receptive to knowing the rest of the story. Assert your strong desire to dissolve ignorance.

24

APRIL 11, 2024

LIBRA (SEPT. 23-OCT. 22): In the coming weeks, you can ask for and receive more blessings than usual. So please be aggressive and imaginative about asking!

Here are suggestions about what gifts to seek out: 1. Vigorous support as you transform two oppositional forces into complementary influences; 2. Extra money, time and spaciousness as you convert a drawback into an asset; 3.

Kindness and understanding as you ripen an unripe aspect of yourself; 4. Inspiration and advice as you make new connections that will serve your future goals.

SCORPIO (OCT. 23-NOV. 21): Read the two help-wanted ads below. Meditate on which appeals to you more, and treat this choice as a metaphor for a personal decision you face. 1. “Pedestrian, predictable organization seeks humdrum people with lowgrade ambitions for tasks that perform marginally useful services. Interested in exploring mild passions and learning more about the art of spiritual bypassing?” 2. “Our high-octane enclave values the arts of playing while you work and working while you play. Are you ready and able to provide your creative input?

Are you interested in exploring the privilege and responsibility of forever reinventing yourself? We love restless seekers who are never bored.”

SAGITTARIUS (NOV. 22-DEC. 21): What is a gourmet bargain? What is a discount marvel? How about an inspiring breakthrough that incurs no debt? Themes like those are weaving their way into your destiny.

Be alert for the likelihood that cheap thrills will be superior to the expensive kind. Search for elegance and beauty in earthy locations that aren’t sleek and polished. Be receptive to the possibility that splendor and awe may be available to you at a low cost. Now may be one of those rare times when imperfect things are more sublime than the so-called perfect stuff.

CAPRICORN (DEC. 22-JAN. 19): “There is always one moment in childhood when the door opens and lets the future in,” wrote novelist Graham Greene. For me, it was three days near the end of third grade when I wrote a fairy tale about the unruly adventures of a fictional kid named Polly. Her wildness was infused with kindness. Her rebellions were assertive but friendly. As I told Polly’s story, I realized for the first time that I wanted to be an unconventional writer when I grew up. What about you, Capricorn? When you were young, was there a comparable opening to your future? If so, now is a good phase to revisit it, commune with your memories of it and invite it to inspire the next stage of its evolution in you.

AQUARIUS (JAN. 20-FEB. 18): Even when you are your regular, ordinary self, you have a knack and fondness for irregularity and originality. And these days, your affinity for what’s unprecedented and uncommon is even higher than usual. I am happy about that. I am cheering you on. So please enjoy yourself profoundly as you experiment with nonstandard approaches. Be as idiosyncratic as you dare! Even downright weird! But also try to avoid direct conflicts with the Guardians of How Things Have Always Been Done. Don’t allow change haters to interfere with your fun or obstruct the enhancements you want to instigate. Be a slippery innovator.

Be an irrepressible instigator.

PISCES (FEB. 19-MARCH 20): Below are truths I hope you will ripen and deepen in the coming months. 1. Negative feelings are not necessarily truer and more profound than positive ones. 2. Cynical opinions are not automatically more intelligent or wellfounded than optimistic opinions. 3. Criticizing and berating yourself is not a more robust sign of self-awareness than praising and appreciating yourself. 4. Any paranoia you feel may be a stunted emotion resulting from psychic skills you have neglected to develop. 5. Agitation and anxiety can almost always be converted into creative energy.

BOULDER WEEKLY

SAVAGE LOVE

BY DAN SAVAGE

Send your burning questions to mailbox@savage.love Podcasts, columns and more at Savage.Love BOULDER WEEKLY

Beginners Weekend for Singles AND Couples May 3 - 5, 2024 For more information: 720-333-7978

www.tantricsacredjourneys.com

EVENTS EVENTS N

oB o

APRIL 13 • Mural Tour by bike with Happy Hour @ Sanitas Brewing

r

g

You don’t have any trouble getting off during sex — you’re fully orgasmic even during PIV alone! — your boyfriend has decided to ignore what he knows works for you and the gentle feedback you give him during sex.

Instead, he’s choosing to do what he knows doesn’t work and then throwing mean-spirited tantrums about the size of his dick and the regrettable affair you had during a mental health crisis. (An affair you told him entirely too much about! He didn’t need to know exactly how you got off.)

He’s not having sex with you to reconnect after the affair or even just for sex’s sake: He’s having sex with you to control and punish you. He’s intentionally setting you up for failure because wants to throw this affair in your face again and again and again.

Yes, you had an affair and, yes, that was wrong. But if he can’t forgive you and get past it, FIBS, he has no place in your life, your bed, your vagina or your mouth.

P.S. You aren’t broken — not yet.

But longer you stay in this hell of a relationship, the likelier you are to start having the problem you’re worried about, i.e., difficulty climaxing. DTMFA: dump the motherfucker already.

P.P.S. Some people insist on being told everything in the wake of an affair.

But telling the person you cheated on everything — or extracting everything from the person you cheated on — is the relationship equivalent of salting the Earth. Everything withers and dies, and nothing new grows.

Art District

.o

APRIL 13 • NoBo Art Tour Visit local artist studios for Boulder Arts Week APRIL 13 • Odd Creatures Club Create and develop your own characters, cartoons and creatures.

APRIL 17 • Wind Chime Workshop Create a tailored wind chime.

Three class options!

›

I was told you help women who feel shame about their orgasms.

I’ve been in my relationship for five years and always had difficulty orgasming. About a year ago, I had an affair during a manic episode. I hardly remember any of it, but it haunts me every day.

It doesn’t help that my boyfriend constantly brings up the affair when we have sex. He knows two solid ways to make me orgasm, but he focuses instead on two ways I have a hard time orgasming and gets very angry when I don’t. When I tell him that it’s just my body, he brings up the affair and angrily says I was able to orgasm these ways with a stranger. I now feel anxious to have the big O as fast as humanly possible and try to guide him to do what feels best and even show him how to do it. But it always ends in an argument about how I orgasmed doing these things with someone else. We’ve had this fight at least three times a week for the last eleven months.

Now I feel like my vagina is broken.

He says it’s because I’ve had too much sex and accuses me of preferring sex with strangers and then starts berating himself for being too small.

I’ve had many successful orgasms with him from penetrative and oral sex. I don’t understand why I can’t from his hand or when he’s behind me, and those are the only ways he cares about. Can you help me?

— Feeling Increasingly Broken Somehow

Tantric Sacred Sexuality Exploration & Education

MORE INFO

APRIL 20 • ‘Intuition’ Art Reception with Alex Hamm at the NoBO Art Center APRIL 11, 2024

25

NIBBLES

THE HUMBLE VEGAN

be vexing to identify restaurants that fill the prescription. Yelp and Google offer tons of dining categories for Boulder, but “mindful” isn’t one of them.

“You have to balance deeply caring about everything with being willing to be a little brokenhearted about the state of the world,” he says, “and then doing your best.”

A mindful Boulder dining guide

BY JOHN LEHNDORFF

W

aylon Lewis may be the most famous vegan in a city famous for its natural foods.

Through Elephant Journal, his independent Boulder-based media platform, Lewis connects with thousands of people around the world interested in living a mindful life.

On his Walk the Talk podcast and in social media posts, he has never been shy about espousing the benefits of a meatless existence: He just doesn’t want to discuss it every single time he goes out for a sandwich.

“There are lots of jokes about vegans I think are funny. One is: ‘How do you know if someone’s vegan? Don’t worry,

they’ll tell you.’” Lewis says. “I actually don’t want to talk about being vegan. I want to be a customer. I want to hang out with my friends. I want to have fun, order some good stuff and tip well.”

The problem, in Lewis’ eyes, is that few local restaurants are truly welcoming to vegans.

“At a lot of Boulder restaurants, there may not be a clear vegan option, let alone two or three that you can order without ever saying the word ‘vegan,’” Lewis says. “The only time I talk about it is asking if I can substitute this for that. Sometimes it doesn’t feel right if the chef has to take the guts out of this beautiful dish and substitute avocado.”

BOULDER VEGAN DINING GUIDE

Elephant Journal’s Waylon Lewis at Cafe Aion in Boulder. Credit: Rhianna Truex

A vegan since 2007, Lewis says not eating animals is really only one aspect that matters in mindful dining. He also tries to frequent spots that utilize local farms or limit plastic use.

“I think of the dining question as a Venn diagram where delicious, healthy and ethical intersect,” Lewis says. “I don’t like healthy if it doesn’t taste great.”

Lewis often gets asked for advice on navigating the dining landscape. It can

The following list of restaurants includes Lewis’ favorites as well as suggestions crowd-sourced from the Elephant Journal community.

The quoted comments are from Lewis.

Leaf Vegetarian Restaurant

1710 Pearl St. “I go to Leaf so much because they have 30 options in different cuisines and their own farm. I never get bored.

They mess up and put dairy in stuff sometimes, like all non-vegan restaurants do.”

Kanpai!

E AT a taste of modern Japan in the heart of beautiful Boulder DR I N K an unmatched selection of rare whiskey, sake, and craft cocktails E NJOY the scenery on one of our 3 fireside patios, a feast alongside the jellyfish, or a front row seat at a lively bar

Sun-Thur 11am to 10pm | Fri-Sat 11am to 11pm BoulderJapango.com | 303.938.0330 | 1136 Pearl

JapangoRestaurant

26

APRIL 11, 2024

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1600 Pearl St. Unit 110 “Amazing, affordable, healthy bowls.

Great hot sauce.”

Tiffin’s Indian Cafe

2416 Arapahoe Ave. “Wide selection of vegan South Indian dishes.”

Jaipur Indian Restaurant

1214 Walnut St. “Jaipur has one entirely vegan menu, but I never order from it because the buffet is three-fourths vegan anyway.”

Tsing Tao

607 S. Broadway Suite A Vegan buffet Mondays and Thursdays

Jill’s Restaurant

900 Walnut St. Monthly vegan lunch buffet

2500 30th St. #101 A new restaurant focused on gluten-free and allergy-free dishes.

1905 29th St. #1174 Vegetarian and vegan burgers and shakes

Flower Child

2580 Arapahoe Ave. #110 “It’s a chain restaurant, but there are some good, healthy options.”

January Coffee

1886 30th St. Suite B Westword just named its vegan breakfast burrito the best in the Denver area.

Nok’s Donuts

400 W. South Boulder Road #2300, Lafayette Scratch-made vegan and gluten-free doughnuts available made using steamed sweet potatoes with vegan chocolate icing.

Other recommended eateries offering a variety of vegan choices include Sherpa’s Restaurant, Cafe Aion, T/aco, China Gourmet, Centro Mexican Kitchen, Illegal Pete’s, Gelato Boy and the Corner Cafe on the Hill.

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APRIL 11, 2024

Coors Field is launching another effort to distract vegan Rockies fans from the team’s dismal play with the Better-Off Burgers stand. Game day choices include plant-based chorizo burgers and dairy-free strawberry tahini milkshakes.

CULINARY CALENDAR: AN EARTH DAY FEAST

Denver’s Town Hall Collaborative hosts Vegan Night from 5-9 p.m. on April 11, presented by VegFest Colorado with six vegan food stands and trucks.

Jill’s Restaurant at the St Julien Hotel hosts an Earth Day vegan communal dinner on April 22.

John Lehndorff talks about food, cooking, local dining, farming and issues weekly on Radio Nibbles. Podcasts: kgnu.org/category/ radio-nibbles

BOULDER WEEKLY

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WEED BETWEEN THE LINES

THE POTENCY PROBLEM THC levels are inflated across Colorado

BY WILL BRENDZA

A

nna Schwabe was studying cannabis genetics for her PhD at Northern Colorado University, investigating whether people could smell genetic differences between cannabis strains. After getting back reports on samples she’d sent to a lab, she noticed something that had nothing to do with her research.

“I’m seeing 15%, 12%, 17%, 11%,” Schwabe recalls. “And I didn’t remember buying anything with that low of THC content.”

Schwabe shifted focus. She started collecting more flower samples from Fort Collins, Denver and Garden City. She sought out the highest and lowest THC content she could find, gathering 23 samples of indica, sativa and hybrid cannabis. She then sent them to a thirdparty, high-performance liquid chromatography testing lab.

The results indicated only four of the 23 samples were accurate to the reported THC on their labels. More than 75% of the tested samples fell below the advertised potency — 16 had 15% lower potency, 13 had 30% lower potency, and three had just half of the THC reported on the labels.

“Any [cannabis flower] above about 28% is going to be questionable,” Schwabe says. “Anything above 30% is

BOULDER WEEKLY

highly questionable. Anything over 35% is extremely rare, like, almost to the point of being biologically impossible.

“Whatever is printed on the label, multiply it by 0.7, and you’ll be much closer to what the THC content actually is.”

Schwabe published a paper in Plos One indicating that around 70% of Colorado’s cannabis flower could be mismarketed with inflated THC percentages.

While THC does degrade over time, Schwabe ruled that out as a factor: None of the 23 samples had detectable levels of compounds she would have expected to see in old cannabis, nor did the THC show signs of degredation.

To Schwabe, this indicates that some producers are engaging in “lab shopping.” Her study describes cultivators and dispensaries seeking out labs that generate the “most desirable lab results.”

“Cultivators need to have high THC in order to get their money,” Schwabe points out. The higher their potency, the more valuable their product is. Labs are also incentivized to bump potency numbers, she explains.

“If you’re an ethical lab, and you’re giving accurate results but they’re 10% less than the guy down the street, you’re going to lose all your customers

to the guy down the street,” she says, adding that numerous labs she knew of have gone out of business due to this competition.

The study’s abstract notes that “the lack of standardized testing protocols, limited regulatory oversight and financial incentives to market high THC potency” are driving this problem.

The Colorado Marijuana Enforcement Division’s (MED) Code of Colorado Regulations has a section on potency testing. It says a regulated testing facility “may test and report results” following

the standard operating procedure, which allows a 10% deviation from the stated potency for retail and medical marijuana products.

If samples from a test batch exceed that allowance — in either direction; 10% more or less THC than is on the label — the product fails the potency test.

But the catch is that MED doesn’t verify that on its own. Once the producer has submitted potency testing results, that gets printed on the label with no

verification. It would be too expensive for the state to do its own third-party testing on all products. So there isn’t really a way to prove a producer is fibbing on potency reporting.

When asked about Schwabe’s findings, MED said it does not provide opinions on specific studies. But communications manager Heather Draper did offer one comment.

“We would point out that there are regulations in place that promote public safety and establish expectations for licensees regarding the collection and submission of test samples to ensure they are representative of the batches they are submitted on behalf of,” Draper said. “In addition, there are requirements regarding labeling and advertising of marijuana products for licensees.”

The state’s extensive labeling and advertising rules require that the potency be clearly marked, but there isn’t much guidance for the actual testing.

The state and producers are reliant on third-party labs.

Schwabe believes this issue could be mitigated with regulation and standardized third-party testing requirements.

However, cannabis’ status as a Schedule I substance means the Food and Drug Administration enforces no such requirements at a federal level.

“Regulators and policymakers need to make sure that not only are they looking out for the consumer safety and best interests, but also that they’re following through with the whole point of this testing and making sure that there is accuracy in the reporting,” Schwabe says.

“Otherwise, what’s the point?”

APRIL 11, 2024

31

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