I am honored and delighted to serve as the first female Director and CEO of the Boca Raton Museum of Art in this important anniversary year. Our Museum has served you with distinction for 75 years, bringing world-class art to our community and teaching learners of all ages the joy and wonder of engaging with and making art.
I have inherited a respected organization, a talented staff, and a family of members, supporters, and friends who both enjoy and strengthen our role in the community. As we look to the future together, I would like to share my leadership philosophy and emergent priorities for our Museum.
But first, a little about myself. My professional journey began in New York, my family having fled Communist Romania. After receiving my Ph.D. from the Institute of Fine Arts, I taught at the college level and worked in museums large and small; I founded and led a public art museum
and, for the last twelve years, a teaching museum on a college campus. The common thread through these experiences has been my commitment to sharing art widely and helping a diverse audience to engage with it.
I believe that the most important responsibility of an effective leader is the ability to tell the story of her institution in a compelling way, offering the museum community a sense of continuity with the past, of connection with each other, and of new direction for the future.
The sense of continuity with the past is perhaps my easiest task, building upon three quarters of a century of being the art museum of a growing city and community. From organizing exhibitions to curating a collection and from educational programs to art-making classes, these facets of our operation will always remain part of our identity.
When speaking of a sense of connection with each other, I hope to make connections on mul-
tiple levels, with and among multiple audiences. I am thinking of current constituents, partners, members, and staff, but also, importantly, building bridges with those individuals, groups, and communities who do not currently engage with our museum. Some of the questions the staff and I are working through are: How do we lower barriers and engage a wider constituency? How do we define community-centric projects? How do we lift the artists’ voices and allow for multiple narratives in our presentations? In short, how do we build community around an engaging, participatory museum?
Some of the questions above already hint at an emerging direction for the future. My goal for the Boca Raton Museum of Art is to be recognized—in the not-too-distant future—as audience-focused, collaborative and welcoming, inclusive and engaging. Put differently, our Museum will be recognized for always finding ways, throughout the building, in our exhibitions and programs, to speak to the current moment. We will recognize the needs of our local community while not losing sight that we are living through a real inflection point in the history of museums. We will abandon old models to encourage different experiences and create multiple narratives. We will celebrate learning from our community as we share our insights with learners of all ages.
Museums create links among people and ideas. They can ignite a collective sense of intellectual curiosity and thoughtful engagement with compelling issues. They educate, inspire, engage, and create a sense of community, make people feel part of something important, and offer a view of the world enlarged. They help us find meaning and create memories. That is why my personal mission is to make a museum experience part of everyday life, for everybody in our community and beyond. I invite you all to help us accomplish that mission here at the Boca Raton Museum of Art.
What is certain is that this is a job that is never complete, but a dynamic continuum. I am pleased to have this opportunity to play a role in the life of the Boca Raton Museum of Art.
DIRECTOR & CEO ENA HELLER, PH.D.
2024/2025
BOARD OF TRUSTEES
OFFICERS
John DesPrez, Chair
Paola Luptak Jakobson, Vice Chair
Dr. Tamara Morgenstern, 2nd Vice Chair
Daniel Wolgin, Treasurer
Zachary Kirstein, Assistant Treasurer
Lorraine Gilden, Secretary
Jody H. Grass, Immediate Past Chair
Dalia Pabón Stiller, Member-at-Large
Åsa Lööf, Member-at-Large
Doug Mithun, Chair Appointee
Stacey Packer, Chair Appointee
TRUSTEES
M. Adam Bankier
Marta Batmasian
Angelo Bianco
Renee Blatt
B. Michael Budd
Aditi Deeg
Cindy Friezo-Ferrari
Daniel Hostettler
Blake Janover
Suzanne Klein
Martin Mallinger
Dr. Harvey Manes
Dr. Karen Mashkin
Robert Murphy
Julie Clairmont Shide
Houda Silcock
John Tolbert
HONORARY TRUSTEES
Norman Codo
Jean Colker
Beth Davis
June Gelb
Elayne Mordes
Pat Ohnell
Marlene Pomeranz
GLASSTRESS BOCA RATON 2025
APRIL 24 - OCTOBER 12, 2025
Glasstress Boca Raton 2025 is the Museum’s third iteration of the popular exhibitions of contemporary glass artworks created at the Berengo Studio on the Island of Murano in the Venetian Lagoon.
Since its founding in 1989, nearly 400 artists from every corner of the globe have come to collaborate with the Studio’s glass maestros, taking advantage of their deep knowledge of and expertise in the
TOP: Fariba Ferdosi, Nido/Corona, 2023, glass. Photo: Francesco Allegretto. Courtesy Berengo Studio OPPOSITE PAGE: Sean Scully, Venice Stack, 2020, glass. Courtesy Berengo Studio
In the hands of contemporary artists, glass is transformed from a fragile decorative medium to a potent tool of artistic commentary.
city’s renowned, centuries-old glass-making techniques. Many of these artists are new to the medium of glass and bring a fresh perspective that has helped to innovate and revitalize the Murano glass industry.
Nearly 40 works by 24 artists are included in Glasstress Boca Raton 2025. Many are internationally recognized artists that have represented their countries at the Venice Biennale or earned such prestigious honors as the Biennale’s Golden Lion, London’s Tate Gallery’s Turner Prize, and a MacArthur Foundation fellowship, among others.
French artist Laure Prouvost represented her country in the 2019 Venice Biennale, and many of the works in her spectacular multi-media installation at the French Pavilion were created at the Berengo Studio. Her installa-
tion of three fanciful birds, one of which is trapped in an oil spill, addresses environmental concerns and climate change.
This Glasstress exhibition features another hybrid creature by Swedish artist Lap-See Lam, whose Altersea Opera was featured in the Venice Biennale’s Nordic Pavilion in 2023. Koo Jeong A represented Korea in the same Biennale with Odorama Cities, a project about how scents and smells contribute to memory. Included in this exhibition are six hand-blown globes, representing cities from around the world. Erwin Wurm, who represented Austria at the 2017 Venice Biennale, is a frequent collaborator with the Berengo Studio. His ghostly blue disembodied outfit is one of his latest works made there.
British sculptor Tony Cragg, England’s representative at the 1988 Biennale, has also made many works with the Berengo Studio. Cragg won the Turner Prize, as did Sean Scully, the renowned painter who expanded his style to sculpture at the Berengo Studio. While there, he collaborated with its maestros on a monumental tower composed of 15 translucent glass squares. Thomas Schütte, creator of an installation of multicolored urns included in the exhibition, won the Golden Lion at the Biennale in 2005. His work was the subject of a recent retrospective exhibition at New York’s Museum of Modern Art.
Laure Prouvost, Jasper, 2024, glass, bronze. Courtesy Berengo Studio
Another vibrant multicolored work in the exhibition is by MacArthur Foundation fellowship recipient, María Magdalena Campos-Pons. With the Berengo maestros, she made a sculpture that can read as a skirt, shelter, or cage, decked out with drooping glass butterfly-like wings in spectacular shades of pink and red. Pedro Friedberg’s brilliantly colored interpretation of the game of Tarot is a large work consisting of 24 panels of mirrored glass.
Echoes of Silence in the Galactic Garden by Jose Alvarez (D.O.P.A.), the moniker for the Venezuelan artist born Deyvi Orangel Peña Arteaga, is also made of mirrored glass. This work, commissioned especially for this Glasstress exhibition by the Boca Raton Museum of Art, is inspired by the lush tropical garden at the artist’s home in Florida. Arne Quinze has also made a new garden-inspired work of dazzling color especially for this exhibition.
One more spectacular work in the exhibition is Chinese dissident artist Ai Weiwei’s White Chandelier. It takes the form of a traditional 18th-century Venetian chandelier, but upon close examination of its flowers, vines, and tendrils, objects referring to his past works are embed-
ded throughout. A pair of handcuffs and a raised middle finger refer to his incarceration by the Chinese government. The crabs embedded in this chandelier represent his installation of porcelain crabs titled He Xie, a homonym used by the Chinese regime for harmony, which is also slang for censorship.
These artists are just some of the contributors to Glasstress Boca Raton 2025. The sharing of ideas between cutting-edge contemporary artists and the centuries-old expertise of the maestros at the Berengo Studio is key to the success of Glasstress It is a collaborative process that shatters any hierarchy between art, decoration, and craft.
Glasstress Boca Raton 2025 is curated by Senior Curator Kathleen Goncharov and is accompanied by a full-color illustrated catalog.
This exhibition and related educational programming is made possible with the generous support of our Leadership Circle Donors: Mary Ann and Harold E. Perper Bequest, Angela and John DesPrez III, Jody H. and Martin Grass, Pat and Nick Ohnell, Marta and James Batmasian, Edith and Martin Stein Family Foundation, Dalia and Duane Stiller, Chelsea Cordner and Kent Jordan, Paola and Markus Jakobson, Dr. Karen Mashkin and Mashkin Family Foundation, Isadore and Kelly Friedman Foundation, Lorraine and Richard Gilden, Åsa Lööf, Dr. Harvey Manes, Gerald and Olivia Shapiro Family Foundation, Houda and Ray Silcock, Marcia and Doug Mithun and Mithun Family Foundation, Gail and Adam Bankier, Angelo Bianco and CPG Cares, Renee and Kenny Blatt, Mindy Helman-Levine, Suzanne Klein, Christine Lynn and E.M. Lynn Foundation, and Miriam Ward.
Additional support has been provided by Donors to the Contemporary Art Initiative Fund in Honor of Irvin Lippman: The Isadore and Kelly Friedman Foundation, Jody H. and Martin Grass, Irvin Lippman and William Harkins, Åsa Lööf, Pat and Nick Ohnell, Bonnie Eletz, E. M. Lynn Foundation, Tamara and Richard Morgenstern, Wilma B. Siegel, Dalia and Duane Stiller, Tandy and Joseph Robinson, Julie and Charles Shide, Ameriprise Financial, Mort Handel and Barbara Spiller, Holtz Family Foundation, Susan Donegan and Heather Wishik, Marleen and Martin Brody, Lisa Marie Browne, Jean Colker, Beth and J. Jefferson Davis, Lorraine and Richard Gilden, Tricia Guinn and Jared Lilienstein, Laura Kahn and David Freedman, Roberta Kjelgaard and James Heom, Bonnie Lautenberg, Stacey and Evan Packer, and Miriam Ward.
Sponsored in part by the Board of County Commissioners, the Tourist Development Council, and the Cultural Council for Palm Beach County; and the City of Boca Raton.
LEFT: María Magdalena Campos-Pons, Reservoir of Love, 2023, glass, steel. Photo: Francesco Allegretto. Courtesy Berengo Studio
OPPOSITE PAGE: Ai Weiwei, White Chandelier, 2021, glass, steel. Courtesy Berengo Studio
DONALD FARNSWORTH: THE PARMA PORTRAITS (THE KINDNESS OF STRANGERS)
An American artist’s brush with death abroad is transformed into a moving tribute to the dedicated healthcare workers who saved his life.
MARCH 5 - OCTOBER 12, 2025
While traveling in Italy in 2022, Donald Farnsworth fell gravely ill and was admitted to the Maggiore Hospital in Parma, where he remained for 23 days. He was diagnosed with a life-threatening COVID-19-related autoimmune condition and endured many diagnostic tests and blood transfusions.
For the first two weeks, he was confined to a COVID ward where his wife, Era Farnsworth, was allowed only one five-minute visit per day. Despite being alone in an unfamiliar city and knowing little Italian, she managed to cope and make new friends who helped her navigate life in Parma.
Farnsworth considers these exquisite portraits to be a love letter to the “kindness of strangers,” the courageous physicians and healthcare professionals who risked their lives to save his during the height of the pandemic. While confined to the hospital, he photographed his doctors, caregivers, and fellow patients and later used these images to create the portraits when he returned to the United States.
Though contemporary, Farnsworth’s mixed-media drawings are done on special handmade paper. Farnsworth is a master paper maker who spent years conducting painstaking research into the ancient materials and techniques used during the Italian Renaissance to accurately recreate paper that could have been used by
Leonardo da Vinci. The paper is as much of a work of art as the drawings and reflects the timeless quality of both art and medicine.
In addition to their artistic practice, Donald and Era Farnsworth are the founders of Magnolia Editions. The purpose of this innovative and experimental program is to give contemporary artists the opportunity to work at its studio in Oakland, California, to create tapestries, works on paper, and public art commissions.
Donald Farnsworth: The Parma Portraits (The Kindness of Strangers) is curated by Senior Curator Kathleen Goncharov and is accompanied by a full-color illustrated catalog.
OPPOSITE PAGE: Donald Farnsworth, Federica, Physician, Infectious disease specialist, and Giorgio, Physician, 2023, pencil, chalk, mixed media on handmade paper. Courtesy of Magnolia Editions, Oakland, CA
LEFT: Donald Farnsworth, Alexa, Physician, 2023, pencil, chalk, mixed media on handmade paper. Courtesy of Magnolia Editions, Oakland, CA
RIGHT: Donald Farnsworth, Francesco, Physician, 2023, pencil, chalk, mixed media on handmade paper. Courtesy of Magnolia Editions, Oakland, CA
THE ARTIST COUPLE
BERNSTEIN
AND MEYEROWITZ
Side by Side reveals the intimate creative partnership of two influential 20th-century artists who captured their shared world through distinctly individual perspectives.
MAY 14, 2025 - MAY 10, 2026
Side by Side displays both the female and male view of daily life brought together for the first time from the collection of late local philanthropist Edith Stein and her husband, Martin. Theresa Bernstein and William Meyerowitz created art side by side for 62 years, from when they married in 1919 to Meyerowitz’s death in 1981, as fixtures of both the downtown New York and Gloucester, Massachusetts art scenes.
After marrying, Bernstein and Meyerowitz would exhibit their works together and separately. They were both influenced by the Ashcan school, depicting daily street life, such as Meyerowitz’s Shoppers. Later, they would summer at their home in Gloucester and capture the seaside artist colony they called their second home.
The social heart of their community, the couple spent time with heavy-hitters of the art world like Peggy Guggenheim and Gertrude Vanderbilt Whitney. Side by Side includes works by their peers, mentors, and friends, among them artistic luminaries like George Wesley Bellows, John Sloan, and William Glackens.
While Meyerowitz successfully made a living from his art, Bernstein took a back seat and significantly reduced exhibiting in order to support her husband’s career. After his death, however, she soared to greater heights professionally.
Later embraced by the feminist art community as an underrepresented artist, Bernstein was recognized with several solo shows and scholarly books during the last 30 years of her life. She lived to the age of 112, experiencing a remarkable late-career renaissance. Meyerowitz’s prints in the
exhibition reveal the other half of the couple’s life experience and are premiering at the Boca Raton Museum of Art.
For our Museum, the exhibition is a celebration of another special couple, the late local collectors Martin and Edith Stein. The Steins donated the majority of the Bernstein and Meyerowitz works in our collection and were tireless supporters of art and culture in Boca Raton from 1990 to 2025.
Side by Side: The Artist Couple Bernstein and Meyerowitz is curated by Curator Kelli Bodle.
OPPOSITE PAGE: Theresa Bernstein, Beach Babies, n.d., gouache on panel. Gift of Edith Stein
TOP: William Meyerowitz, Shoppers, n.d., intaglio print. Gift of Edith Stein
TIMELESS MUCHA: THE MAGIC OF LINE
From Art Nouveau posters to psychedelic rock and Japanese manga, Alphonse Mucha’s flowing lines revolutionized graphic design with a timeless visual language
that transcends centuries.
NOVEMBER 19, 2025 - MARCH 11, 2026
During his prolific career, Alphonse Mucha revolutionized the concept of fine art as it applied to posters, thanks in no small part to the influence of Japonisme in fin-desiècle Paris. Through his posters for theater — especially for his muse, Sarah Bernhardt — and advertisements for luxury items like champagne, Mucha shaped society’s perception of the modern woman: sensual with thick, free-flowing hair, casually dressed.
Timeless Mucha: The Magic of Line is a sweeping journey starting with his beginnings in Ivančice, Moravia, Czech Republic, moving on to his swift fame as Paris’s premier graphic designer, and then fast-forwarding to the use of his style in media like 1960s-70s album art for bands such as the Grateful Dead.
Bringing things full circle, contemporary Japanese manga artists show a propensity for including his design choices in their illustrative panels, utilizing concepts like the golden ratio and rule of thirds, which create harmonious balance within a frame, such as in Yoshitaka Amano’s illustration for The
Heroic Legend of Arslan Vol. 2: Two Princes (1987) and Ryoko Yamagishi’s Black Helene (1979).
Dedicated to something Mucha prized even more than his love of design, the last section of the exhibition showcases his intense patriotism. The final gallery features a magnum opus which cannot travel outside Savarin Palace in Prague, where it is currently housed: The Slav Epic. Mucha spent the last years of his career painting a monumental mural program that depicts the history of his people, the Slavs. To mimic the feel of viewing The Slav Epic at Savarin Palace, images of the works are projected at life size on the museum’s 18-foot gallery walls.
Timeless Mucha: The Magic of Line is curated by Dr. Tomoko Sato at the Mucha Foundation and Kelli Bodle at the Boca Raton Museum of Art. The exhibition is accompanied by a full-color illustrated catalog.
NEXT PAGE LEFT: Ryoko Yamagishi, Black Helene – illustration for Hana to Yume (September 1979, Hakusensha, Tokyo), 1979, giclée print made from original drawing. Courtesy of the Mucha Foundation
NEXT PAGE RIGHT: Alphonse Mucha, Rêverie, 1897/1898, color lithograph, Courtesy of the Mucha Foundation
OPPOSITE PAGE: Alphonse Mucha, La Trappistine, 1897, color lithograph. Courtesy of the Mucha Foundation
LEFT: John Tyler Christopher, Nova #36B, 2007, comic book (Marvel, 4th series). Courtesy of the Mucha Foundation
RIGHT: Alton Kelly, Dead Live: ‘Skull and Roses’, 1971, Grateful Dead (Warner Bros Records), cardboard LP sleeve cover. Courtesy of the Mucha Foundation
‘ARTREACH’ IN THE COMMUNITY
As part of our mission, the Boca Raton Museum of Art transports visual arts learning out of our galleries and into the South Florida community.
The Artreach program fosters art education through creative art-making experiences for families who may not yet have visited the Museum. With support from our community partners, we extend our reach to promote artistic expression and encourage participants to discover more.
The Museum’s collection and temporary exhibitions are a veritable treasure trove of inspiration that we use to create fun
Artreach activities. Past activities have included art rubbings inspired by Sari Dienes, multimedia art inspired by Purvis Young, Pablo Picasso-inspired identity portraiture, and bird-making inspired by Dorotha Grace Lemeh.
This year, the Museum has increased collaborations with a variety of community partners, such as Cape Universal and the Spady Museum for a multicultural youth arts festival, Family STEAM Night at J.C. Mitchell Elementary School, Storytime with the Boca Raton Public Library, City of Delray Beach’s Youth Art Festival, and the City
of Boynton Beach’s Summer Night Market. The Museum’s participation in these events increases awareness of the Museum and its educational programs. Additionally, the Museum shares its resources and creativity to support and team up with other organizations by serving as jurors for youth art exhibitions.
Artreach goes far beyond the Museum walls, captivating new audiences to join us and discover more about art. Staff and volunteers contribute to Artreach by building personal connections that advance the Museum’s mission.
This summer, immerse yourself in a captivating journey through the world of art with our special documentary film series, showcasing remarkable transformations in artistic expression. The selection of films takes viewers to Venice, Paris, Southern France, Sweden, the Netherlands, the United States, and more. Don’t miss these unforgettable films that redefine creativity and cultural impact!
Secure your tickets today at https://bocamuseum.org/visit/events
Taking Venice 2023, 98 minutes
Thursday, May 8 and 15, 2025
2:00 pm and 6:00 pm
Exhibition on Screen Van Gogh: Poets & Lovers 2024, 92 minutes
Thursday, June 12 and 19, 2025
2:00 pm and 6:00 pm
Exhibition on Screen Dawn of Impressionism: Paris, 1874 2025, 90 minutes
Thursday, July 10 and 17, 2025
2:00 pm and 6:00 pm
Beyond the Visible: Hilma af Klint 2019, 93 minutes
Thursday, August 7 and 14, 2025
2:00 pm and 6:00 pm
VOLUNTEER SPOTLIGHT
Meet Robb Rusinko, the Boca Raton Museum of Art’s Education Volunteer Council Chair. He began his journey six years ago after joining a tour of the Museum’s Maren Hassinger exhibition in 2019 with fellow Morikami Museum docents. Impressed by the experience, he attended an informational meeting about becoming a docent and completed the six-month training program.
Rusinko says he volunteers for the personal satisfaction of interacting with visitors from around the world. He conducts inquiry-based tours for guests with varied interests who share an appreciation for art. He values the socialization and intellectual stimulation from fellow volunteers and staff.
As Council Chair, Rusinko enhances volunteer education through films, a book club, monthly enrichment sessions, and visits to local cultural organizations. He encourages volunteers to attend exhibition openings, artist talks, and receptions to better understand artists’ intentions and creative processes.
His goal is to double the Museum’s Education Volunteer roster. Look for Rusinko during your next visit!
DANIEL PERRY: THE EYE BEHIND THE ICONS
Award-winning photographer and Boca Raton Museum Art School instructor
Daniel Perry reveals how he captured iconic personalities from Warhol to Fonda while spanning Paris, Hollywood, and New York’s creative landscapes.
Your career has spanned over 25 years—what first drew you to photography, and how did you find your unique visual style?
Learning to love art, books, and history played a pivotal role in my upbringing. They shaped my inclinations toward referential and timeless approaches to my subjects. I get to choose what I want to record and how to do it. I think of myself as a collector, curator, and historian. I have the experience and resources to photograph my subjects 30 different ways and how, in post-production, to finish and optimize the images 30 more ways.
You’ve photographed some of the most legendary figures in fashion, film, and music. Is there one shoot or subject that stands out as particularly unforgettable?
At the Cannes Film Festival, I had the honor to shoot Jane Fonda at Hôtel du Cap-Eden-
Roc. A true professional and star, she taught me her best angles and lighting as an actor as opposed to a model. Her timing with me was impeccable and allowed my best creative side to emerge. She loved the pictures.
Describe your artistic style and the themes you explore in your works?
My artistic style is versatile, ranging from representational to non-representational art, and from hyper-realistic to conceptual works. I work in various mediums, including painting, drawing, printmaking, installation, and 3-D art. I believe that each idea or concept should be executed in the medium that best suits it, using the appropriate materials, methods, and techniques.
From Paris to Hollywood to New York, you’ve worked in some of the most influential creative hubs. How have these cities shaped your artistry?
As with many artists, I go through many periods, and the cities where I lived marked these times. Paris was to learn and embrace all that is classical, yet newness was most readily accepted. Hollywood proved to be more restricted to the image previously created for the actor before I got to them, so I would call it limited. And New York is eternal and celebrating all the new technology and innovations. Of course, there was always a ready audience to cheer me along every step.
Your work has been exhibited in over 35 gallery shows—how does your approach differ when shooting for fine art versus fashion and commercial projects?
Initially, fine art is fulfilling my wishes and dreams, and commercial is fulfilling the client’s wishes. But over time, long after the commercial assignment is past, certain images take on a transcendence and can be reinterpreted in a fine art context. Interestingly, when shooting there is no way to know which will evolve or not, as I am shooting on what I call auto-pilot.
What was it like working for Marie Claire in Paris? How did that experience shape your perspective on fashion photography?
To work for France’s oldest and most respected women’s magazine was a privilege and an honor. The art directors welcomed me like my long-lost uncles. My assignments were to shoot successful women in a male-dominated society. To accomplish this, I created both strong and soft portraits that come off as memorable and iconic.
Your portfolio includes names like Andy Warhol, Naomi Campbell, and Yves Saint Laurent. Do you find that iconic personalities bring a different kind of energy to a shoot?
Of course, as they are in much demand, their time is usually limited. I come to the shoot, idea ready, and choose my lighting and backdrop to isolate the figure and create a flattering and unique portrait. Then I let the viewer determine the meaning of the gesture and expression.
The world of photography has changed dramatically with the rise of digital and social media. How do you feel about the evolution of the industry?
Being a traditionalist from the get-go and being so much influenced by the history of fashion, film, and art, to say reluctant is an understatement. However, in time, color emerged from a black and white world as is its nature. The commercial digital demand outweighed the analog. And I came to embrace all the beauty of the new.
You can register for Art School classes like Daniel Perry’s Editorial Photography and much more across multiple mediums for artists of all ages and levels of experience. Sign up by visiting bocamuseum.org or by calling 561.392.2503.
All Members receive a 10% discount on Art School classes. Plus+ Family levels and above receive a 10% discount on Art School classes and Summer Sessions for children under 18.
Learn more about becoming a Member at bocamuseum.org/join.
SOCIAL MUSE
Preview for Splendor and Passion: Baroque Spain and its Empire (November 6, 2024)
1. Dave Lawrence, Marc Wigder, Guillaume Kientz, Yvette Drucker, Félix de la Concha, Fran Nachlas, Kelli Bodle, Irvin Lippman
2. Matthew Saady, Patricia Kilgallon, Katalina Saady
3. Cindy and Rob Friezo-Ferrari
75th Anniversary Gala (January 25, 2025)
4. Dr. Karen Mashkin
5. Marta and James Batmasian
6. Angela and John DesPrez III
7. Irvin Lippman and Dr. Ena Heller
9.
38th Annual Museum Art Festival (February 1-2, 2025)
8. Mark and Kristin Thompson, Robert Weinroth, Stacey Packer, Adam and Jillian Hasner
Jody and Martin Grass
10. Meryl Feuer and Dr. Harvey Manes
11. Duane Smith, Best in Show Winner Suhame Miralles Cantero, Kelli Bodle
501 Plaza Real, Boca Raton, FL 33432
HOURS
WEDNESDAY 11:00 AM - 6:00 PM
THURSDAY 11:00 AM - 8:00 PM
FRIDAY 11:00 AM - 6:00 PM
SATURDAY 11:00 AM - 6:00 PM
SUNDAY 11:00 AM - 6:00 PM
COVER: Jose Alvarez (D.O.P.A.), Echoes of Silence in the Galactic Garden [detail], 2025, glass. Courtesy Berengo Studio
