DEAR MEMBERS AND FRIENDS,
The art showcased in the fall 2025 season at the Boca Museum of Art is at once international and local, profound and playful, still and in motion. French Art Nouveau dialogues with contemporary manga; a local photographer captures fleeting moments on Florida beaches and European destinations in conversation with mid-20th century artists; and videos by international artists trace the evolution of the medium over the last four decades. Insightful articles about each of these exhibitions are included in the pages that follow.
My focus here is on the experience that awaits you before you get to the exhibition galleries. I am sure you are all familiar with the monumental mural Mantegna’s Edge by Al Held (1928-2005),
which welcomes you as you come into the building. Starting in November, it will be joined in the Count & Countess de Hoernle Grand Hall by RKYIA, an installation of twenty-five interrelated Sky and Water paintings by Tobi Kahn (b. 1952). Presenting contrasting approaches to space, surface, and texture, as well as symbolism, the two works provide you, our visitors, the opportunity to ease into a participatory art experience. Comfortable seating invites you to slow down and take in the paintings or simply map your visit. Activity tables prompt you to think about what you will be seeing, and to find your own interests, while other suggested activities help prolong the visit even after you leave the museum.
We chose the moniker Discover a New Perspective for the activities housed in the de Hoernle Grand Hall. They are only the beginning of a longer-term project; I like to think of them, to use a theatrical analogy, as a first act. Other acts will follow, until the full play will reveal itself throughout the Museum’s galleries, each offering different discoveries and other perspectives. Our goal is to enable visits that are both personalized and participatory. Recognizing that no two people learn or enjoy things the same way, museums need to adapt to the way we consume culture
in the 21st century: creating our own unique journeys, selecting from the ever-growing menu of opportunities at our disposal. The focus of museums needs to shift from passive presenters of objects to facilitators of meaningful experiences.
And speaking of shifts, we also want to focus more attention on the Museum’s collection. A collection which, by and large, is not very well known. Comprised of circa 4,700 works of art in different media, the vast majority modern and contemporary, our holdings continue to grow. This winter we are introducing First Encounters, a small rotating installation on the second floor landing which will showcase recently acquired works. They, too, preview a longer-term effort which will unfold over the next couple of years: a complete reinstallation of the collection in the second-floor galleries, so we can share more of our treasures. In parallel, we are featuring the first of a series of exhibitions previewing promised gifts to the Museum in this fall’s Too Late to Rewind: From the Collection of Elayne Mordes. Stay tuned for similar exhibitions coming up.
Looking at the season ahead, I invite you to come to the Museum. Come often and linger. Take an hour to slow down, immerse yourself in the world of art and discover something new. I have a deeply felt belief that enjoyable experiences lead to learning; in turn, learning can be transformative. We have all heard those stories about a first visit to a museum, a teacher who opened our eyes to the world of art, or an accidental encounter that stayed with us throughout our lives and sometimes defined or changed them. That is what we need to aspire to: facilitating transformative art encounters.
ENA HELLER, PH.D. DIRECTOR & CEO
2025 – 2026 BOARD OF TRUSTEES
OFFICERS
John DesPrez, Chair
Paola Luptak Jakobson, Vice Chair
Dr. Tamara Morgenstern, 2nd Vice Chair
Daniel Wolgin, Treasurer
Zachary Kirstein, Assistant Treasurer
Lorraine Gilden, Secretary
Jody H. Grass, Immediate Past Chair
Stacey Packer, Member-at-Large
Marta Batmasian, Member-at-Large
Dalia Stiller, Chair Appointee
Angelo Bianco, Chair Appointee
TRUSTEES
Renee Blatt
Aditi Deeg
Cindy Friezo-Ferrari
Daniel Hostettler
Åsa Lööf
Suzanne Klein
Martin Mallinger
Dr. Harvey Manes
Dr. Karen Mashkin
Julie Clairmont Shide
Houda Silcock
John Tolbert
HONORARY TRUSTEES
Norman Codo
Jean Colker
Beth Davis
June Gelb
Elayne Mordes
Pat Ohnell
Marlene Pomeranz
TIMELESS MUCHA : THE MAGIC OF LINE
From posters in Belle Époque Paris to psychedelic rock albums to cover pages of Japanese manga, one artist’s sinuous lines have captivated the world for more than a century. Over 100 works reveal how Alphonse Mucha’s Art Nouveau vision became a universal language of beauty, proving great design is truly timeless.
NOVEMBER 20, 2025 – MARCH 1, 2026
Timeless Mucha: The Magic of Line, a traveling exhibition organized by the Mucha Foundation, surveys the development of “le Style Mucha,” which evolved to be synonymous with the sinuous, organic, and botanical forms of Art Nouveau. It also explores how it was rediscovered by later generations of artists, becoming a new artistic idiom for the psychedelic art of the 1960s and 1970s, and is still felt in wide-ranging visual arts to this day, exemplified by American comics and Japanese manga.
Alphonse Mucha (b. 1860 Ivančiče, Czechia; d. 1939 Prague, Czechia) was raised in southern Moravia and quickly progressed from musical study to instruction in art, and finally painting for the theater in Paris. Initially funded by a patron, Count Belasi, Mucha’s source of income halted after two short years due to the Count’s suicide. Thus, in 1889, Mucha was left to seek employment to cover his living expenses. By 1892, he had begun work at the atélier of the printer Lemercier, creating illustrations. His life was changed New Year’s Eve of that year. The immensely popular stage actress Sarah Bernhardt required a poster design for her upcoming starring role in Gismonda, and due to the holidays, most designers were unavailable. Mucha took
on the emergency poster design project, and overnight, he became a sensation. His design was a completely new take on the established poster template of the time. Mucha’s layout was long and narrow, with subtle pastels rather than flashy bright colors, and included his soon-to-be signature halo effect around Bernhardt’s head. Both Bernhardt and the public at large were taken with this new direction for poster design. Bernhardt contracted him for six years to design her posters,
OPPOSITE PAGE: Alphonse Mucha, The Arts: Dance [detail], 1898, color lithograph. © Mucha Trust 2022
ABOVE: Alphonse Mucha, Mucha (self-portrait), sketching in his apartment, Munich, c. 1886, oil on canvas. © Mucha Trust 2022
stage sets, and costumes. The public showed their appreciation for his work by tearing the posters off the Paris city walls to keep as fine art objects in their homes.
Mucha’s principles for design are well-documented and continue to be used to this day. Two handbooks that he created for artisans, designers, and art students are on display in the exhibition: Documents décoratives (1902) and Figures décoratives (1905), which present the range of his ideas, motifs, and processes. Concepts such as proportional harmony, establishing points of interest within framed borders using specific color palettes, and balancing masses, are explained in depth in his texts. They can be easily identified in several sections of the exhibition, including Posters and Decorative Panels, as well as Cover Art Commissions.
A special addition to the exhibition, exclusive to the Boca Museum, is the inclusion of enlargements from Mucha’s personal photography collection, a nod to the Museum’s collection focus on early Parisian photography. He took all of his own photographs. Mucha was an early adopter of the camera once it became affordable for the general populace. He kept a personal reference library of photos of models in various poses to aid him in understanding how to depict movement and the passage of time two-dimensionally. The camera was an integral tool for his practice, both in terms of economizing and speeding up his turnaround time. Because of his rapid rise to success, he often referred to his extensive library of photographs to compose his scenes. He never exhibited these photographs publicly. Paired with his preliminary sketches and the final commercial products, the pictures offer a deeper understanding of his process. The best example of this can be found in the parlour. Here, a Japanese cloisonné vase decorated with flowers and birds from the late 19th century is on display in a vitrine. Behind it is an enlargement of a photograph of a model posing with the same vase in Mucha’s studio in c. 1898.
OPPOSITE PAGE: Alphonse Mucha, Poster for ‘Gismonda’, 1894, color lithograph. © Mucha Trust 2022
ABOVE: Alphonse Mucha, Rêverie, 1897/1898, color lithograph. © Mucha Trust 2022
To round out the trifecta, we have the color lithograph for Precious Stones: Emerald, which features a woman in the same pose as seen in the photograph, wearing a strapless gown with her arms draped over the head of a snake in place of the vase.
This exhibition explores Mucha’s idea of beauty, the core principle underlying his artistic philosophy. Visitors will recognize themes commonly addressed through museum collection exhibitions: the role of prints and posters in shaping public opinion and the way historical forms can inform contemporary practice. That dialogue extends to the exhibition catalogue, a beautifully illustrated volume produced by Mucha Foundation Publishing with contributors from various institutions on this traveling tour: Camille Brown, Associate Curator at the Phillips Collection; Aimee Marcereau Degalan, Senior Curator of European Arts at the Nelson-Atkins Museum of Art; Christian Waguespack, Head of Curatorial Affairs at the New Mexico Museum of Art; and Boca Raton’s own Curator, Kelli Bodle. These essays trace Mucha’s
OPPOSITE PAGE: Alphonse Mucha, Heather from Coastal Cliffs [detail], 1902, color lithograph. © Mucha Trust 2022
RIGHT: Alphonse Mucha, Precious Stones: Topaz 1900, color lithograph. © Mucha Trust 2022
legacy from Belle Époque Paris to twentieth-century media and today’s street art and design.
The culmination of the exhibition lies in the Rebirth and Legacy section, wherein Mucha’s ornamental patterning, intricate framing devices, and ornamental halos make a return to popular culture through psychedelic album covers like the Grateful Dead’s Blues for Allah and Diana Ross & The Supremes’ Let the Sunshine In. Moreover, the influence comes full circle, as the artist who was so enamored of the Japonisme that overtook Paris at the turn of the century is now the inspiration for comic artists and manga creators.
Joe Quesada of Marvel fame and Hideko Mizuno utilize his undulating lines to create vibrant characters like Ninjak, and his decorative visual vocabulary for framing devices in their manga, popular worldwide.
EXHIBITION CURATOR TOMOKO SATO
COORDINATING CURATOR KELLI BODLE
This exhibition is organized by the Mucha Foundation.
ABOVE: Dean Torrence (Kittyhawk Graphics), Diana Ross and the Supremes, Let the Sunshine In, 1969, cardboard LP sleeve cover. Courtesy of Tamla Motown
RIGHT TOP: John Tyler Christopher, Nova, no. 36B, 2007, comic book (Marvel, 4th series). Published by Marvel Comics
RIGHT BOTTOM: Ryoko Yamagishi, Black Helene, Hana to Yume manga magazine, June 1979, giclée print from original drawing. Published by Hakusensha, Tokyo. © Ryoko Yamagishi
Alphonse Mucha, Zodiac, 1896, color lithograph. © Mucha Trust 2022
EDUARDO CHACON : POSTCARDS FROM NOWHERE
Working entirely in-camera, Eduardo Chacon’s black-and-white photographs become postcards captured from nowhere—and anywhere—in the present moment.
NOVEMBER 20, 2025 – MAY 3, 2026
Postcards from Nowhere brings together photographs by South Florida humanist photographer Eduardo Chacon alongside iconic street photographers from the Museum’s collection who have inspired his practice. Working exclusively with manual settings, using no cropping or auto-focus, Chacon captures fleeting moments of genuine human connection in black and white.
His lens seeks bartenders mid-pour, families fishing, and lovers beneath stars, transforming everyday scenes into universal human stories that could exist anywhere yet feel deeply personal. Through masterful timing and composition, these images transport viewers to a realm free from modern technology, offering unmediated moments of authentic emotion in an age dominated by digital screens. The exhibition creates a compelling dialogue between Chacon’s contemporary vision and the street photography masters in the collection, demonstrating how this tradition continues to reveal our shared humanity one frame at a time.
CURATOR KELLI BODLE
TOP: Eduardo Chacon, The Caravaggios, 2023 (printed 2025), archival print. Courtesy of the Artist
MIDDLE: Eduardo Chacon, In the Hypnotic Serenity of the Shake, 2019 (printed 2025), archival print. Courtesy of the Artist
BOTTOM: Eduardo Chacon, Gazing at Dusk, 2022 (printed 2025), archival print. Courtesy of the Artist
OPPOSITE PAGE: Eduardo Chacon, Please Stay, 2022 (printed 2025), archival print. Courtesy of the Artist
CLOSE UP WITH EDUARDO CHACON
In an age of constant stimuli, the humanist photographer encourages us to look away from our screens and instead toward one another.
BY TRINA GRAY
On a sunny afternoon in April 2022, photographer Eduardo Chacon and his wife were leaving the Galleria dell’Accademia in Florence, Italy, home to Michelangelo’s iconic David, when Chacon suddenly realized he needed to go back inside. For what, exactly, he wasn’t sure. But he knew, amid the bustling crowds and illustrious artworks, he had missed something important.
He focused his camera on a shadowy corner in the hallway and snapped a photo. When he later pulled up the image on his computer, he discovered what had been calling to him: a grandfather, father, and son collaborating on a drawing, their heads lowered in shared concentration. It was their closeness that most captivated him—three generations of men sharing a quiet, intimate moment, despite the whirl of distractions around them.
That image, titled The Caravaggios, is one of 55 photographs featured in Chacon’s first major
exhibition, Eduardo Chacon: Postcards from Nowhere, on view from November 20, 2025, to May 3, 2026, at the Boca Raton Museum of Art. The installation presents a powerful visual narrative of the everyday human activities that often go unnoticed: a bartender pouring a drink, two lovestruck teenagers wrapped in a warm embrace, a mother comforting her exhausted toddler. By rendering these fleeting experiences permanent, Chacon invites viewers to momentarily step outside the busyness of modern life and consider our common humanity, the joys, struggles and vulnerabilities that bind us together.
Chacon’s photographic style draws on the tradition of humanist photography, a movement born in postwar Europe that sought to illuminate the dignity and resilience of those experiencing injustice and economic strife. Humanist photographers eschewed an idealized version of reality in favor of unadulterated human emotion, seeking, above all else, truthfulness and authenticity in their work.
Chacon does not pre-plan his images; rather, he waits for serendipitous moments—an expression, an emotion, a simple action—to reveal a story to
him. “I don’t know what compels me to take a photograph,” he says. “It’s something I see, but even more so, it’s something I feel.” He works entirely in-camera, without retouching or automation, using a wide-open lens and black-and-white settings to bring his subjects into the foreground and to let the story speak beyond the image. With Postcards from Nowhere, Chacon hopes to reacquaint older audiences with humanist photography and introduce younger ones to the style. In doing so, he seeks to transport viewers to a time of simplicity, those bygone days when human interactions mattered more than the lure of screens.
“What I want people to take away from my images,” he says, “is an understanding that their most important connection is not their internet connection. It’s their human connection.”
Born in 1960 in Caracas, Venezuela, Chacon had an early fascination with the science of image-making. As a teenager, he turned his bathroom into a darkroom of sorts, using an old slide projector to expose film onto sheets of paper taped to the wall. “It was the chemistry
OPPOSITE PAGE: Eduardo Chacon, Self-Portrait [detail], 2023, archival print. Courtesy of the Artist
ABOVE: Eduardo Chacon, The Long Wait, 2023 (printed 2025), archival print. Courtesy of the Artist
of photography that captured me,” he says. “I wanted to be one of those scientists who developed emulsions.”
At 17, he moved to Denmark as an exchange student, an experience that left a profound impact on him. He was especially drawn to the country’s egalitarian way of life. “People there didn’t care about being the best,” he says. “They wanted to be part of a system that worked for everyone.”
Denmark was also where he began to take photography more seriously. Hoping to refine his technique, he moved to Boston, Massachusetts, to study at the New England School of Photography. He later established himself as a commercial photographer, earning international recognition for his work in food and product advertising.
Although his practice shifted from the spontaneity of the streets to the controlled environment of the studio, he enjoyed the challenge of making analog images look sophisticated. “Back then, whatever
you wanted to shoot had to be done in-camera,” he says. “There was no post-production.”
After a successful 34-year career in commercial photography, he decided to retire. But the desire to roam with his camera never left him. In 2022, 10 years into retirement, he returned to his passion, this time focusing on what he loved most: people.
“I wanted to get back to my roots,” he says. “The feeling was urgent, like I had something I needed to communicate.”
Postcards from Nowhere vividly encapsulates the essence of Chacon’s work: that the human condition, with all its ebbs and flows, is worth preserving. Enjoying a friendly conversation, arguing with a lover, gazing longingly at the stars—these moments serve as reminders of what it means to be truly alive, mementos of life’s beauty.
“It’s the small things that make us undeniably human,” Chacon says. “They are all around us. We just have to be willing to look.”
OPPOSITE PAGE: Eduardo Chacon, Young Bliss at the Piazza, 2023 (printed 2025), archival print. Courtesy of the Artist
ABOVE: Eduardo Chacon, Skrambler #7, 2022 (printed 2025), archival print. Courtesy of the Artist
TOO LATE TO REWIND : FROM THE COLLECTION OF ELAYNE MORDES
A collector’s vault opens with an unspooled mix of analog and early digital art that together explore how technology shapes what we remember, desire, and share.
NOVEMBER 20, 2025 – MARCH 29, 2026
The Museum celebrates promised gifts from the collector and philanthropist with a selection of 16 objects and video art from her West Palm Beach vault. The exhibition explores the multifaceted quality of video art, its breadth and scope, beginning in the 1990s, when artists appropriated black-and-white film clips, and continuing to its current-day form, which has been merged with new media that utilizes the Internet. Too Late to Rewind is the first in a series of exhibitions that celebrate donors expanding the Museum’s holdings with significant, cohesive groups of donations that support our collecting program.
Visitors first experience Flag (2008) by Siebren Versteeg, an Internet-connected computer
program that outputs to a monitor on the wall, depicting, at first glance, an American flag. In real-time, the program conducts image searches across the Internet and scrapes random images to paste on top of the flag. It is an ever-evolving composition that acts as a mirror, reflecting our current search interests. Versteeg’s Flag programmatically performs this activity via computation, continually exposing new imagery as the old dissolves into the macro identity of the United States.
Other works in the exhibition utilize now outmoded technology that was used by the artists during their time of creation: telephone handsets, the floor console television, and outdated
TOP: Laurie Anderson, Puppet Motel, 1995, CD-rom. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
BOTTOM: Carlos Amorales, Amorales Interim, 1997, single-channel video. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
TOP: Still from Adad Hannah, The Raft of the Medusa (100 Mile House), 2009, HD video. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
BOTTOM: Erwin Wurm, Am I a house?, 2005, video. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
computer models. Telephones (1995) by Christian Marclay, an artist well-known for turntablism and sampling audio, offers a humorous version of sampling in video form. Telephones is a supercut of appropriated clips from popular films featuring actors from Humphrey Bogart to Tippi Hedren to Whoopi Goldberg in the act of answering a ringing phone. Visitors use vintage telephone handsets to listen to the audio of this video art classic.
Amorales Interim (1997) by Carlos Amorales plays on a floor console cathode-ray tube television inside a wooden cabinet, and broadcasts two men in masks, slow-motion wrestling one another out of a ring. Amorales is interested in the Mexican culture of free wrestling, where wrestlers hide
their identities behind masks. This work is a literalized depiction of the struggle between the authentic self and the social image presented to the world.
A rarity, Mordes owns the original (1995) CD-ROM of renowned multimedia artist Laurie Anderson’s Puppet Motel, which allows visitors the unique experience of playing the game in its original form on a 1990s-era computer. True to form, Anderson’s video game experience features surreal elements of her music, film, interviews, and performances, set within a spooky building that serves as the game space, with a ventriloquist dummy voiced by the artist herself acting as your guide.
Cinematically beautiful projections by Isaac Julien and Adad Hannah will be screened. See Julien’s Baltimore in the private theater room and be absorbed by his investigation into three versions of history presented at the Walters Art Museum, the Great Blacks in Wax Museum, and the George Peabody Library.
Hannah’s video Raft of the Medusa (100 Mile House) (2009) is a multi-layered work that pays respect to the art historically significant painting Raft of the Medusa (1818-19) by French Romantic painter Théodore Géricault, as well as the original tragic shipwreck on which the painting was based. The community of 100 Mile House in British Columbia, Canada, was chosen as the community to depict this tableau vivant version of the event for Hannah’s video. Commissioned by the Canadian government, the plight of 100 Mile House—economically ravaged by the loss of the forestry and cattle industries—is our contemporary stand-in for the themes embedded in the original painting.
CURATOR KELLI BODLE
TOP: Isaac Julian, Baltimore, 2003, 16mm film transferred to digital video. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection BOTTOM: Siebren Versteeg, Flag, 2008, Internet-connected computer program output to monitor. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
A LOOK AHEAD
EXPLORING JESS : BEAT GENERATION VISIONARY
MARCH 25 – OCTOBER 11, 2026
The 1950s were the key years for the development and circulation of the Beat generation ideas of transforming genuine lived experience into artistic experiences and revolt against traditional modern society. Building on the elements of free-form poetry and jazz music, painter and collage artist Burgess Franklin Collins (b. 1923 Long Beach, CA; d. 2004 San Francisco, CA), shortened to Jess, may be considered the visual artist bestknown as creating and living in tandem with the San Francisco Beats.
home he shared with his husband, the renowned poet Robert Duncan, which was a nexus of counterculture meetups for San Francisco artists.
The exhibition is a survey of his drawings, paintings, posters, and paste-ups, beginning in the 1940s and extending to the 1980s. It introduces South Florida audiences to his free, unstructured collage works (called paste-ups by the artist), his classical literature-inspired painting, hand-drawn posters for theater, and some ephemera from the
With loans from the de Young Museum, San Francisco, California; the Poetry Collection at the University at Buffalo, New York; the Jess Collins Trust; Tibor de Nagy Gallery, New York; and Hosfelt Gallery, San Franciso; this exhibition will be commensurate with his long and varied career.
COLLAGE FROM THE COLLECTION
MAY 20, 2026 – FEBRUARY 7, 2027
As a companion to Exploring Jess, this exhibition highlights the Museum’s diverse collection of collage, elucidating the myriad ways found images can be juxtaposed to create new meaning. The history of collage is the history of excavating, cutting up, investigating, and finding. As the most
democratic of media, this survey of the museum’s collage collection, on view all together for the first time, offers an entrée to art creation and its history with no barriers to entry.
CURATOR KELLI BODLE
ABOVE: Jess (Collins), Game’s Up [detail], 1981, jigsaw puzzle. Courtesy of Hosfelt Gallery, San Francisco and Jess Collins Trust. Photograph: Miles Petersen OPPOSITE PAGE: Frédéric Bruly Bouabré, Mythologies Bété 2007, ballpoint pen and colored pencil on cardboard. Courtesy 404 Art Collection
CURATOR KELLI BODLE
FRÉDÉRIC BRULY BOUABRÉ : SELECTIONS FROM THE 404 ART COLLECTION
MAY 20 – OCTOBER 18, 2026
Frédéric Bruly Bouabré: Selections from the 404 Art Collection presents more than four dozen drawings by one of Africa’s most significant contemporary artists. The exhibition marks only the second major U.S. museum survey of the artist, following his 2022 show at the Museum of Modern Art in New York.
Bouabré (b. 1923 Zépréguhé, Ivory Coast, Africa; d. 2014 Abidjan, Ivory Coast, Africa) created his signature drawings on found pieces of cardboard with ballpoint pens, crayons, and other materials available to him while working as a government clerk. His artistic practice transformed in 1948 after experiencing a vision which he described as “the heavens opened up” before his eyes. After
this experience, he adopted the name Cheik Nadro, meaning “he who does not forget,” and dedicated his life to recording and transmitting knowledge through art.
Two of his most significant bodies of work are the Bété Syllabary, 448 pictographic symbols that transcribe the oral traditions of the Bété people, and The Knowledge of the World, which documents folklore, daily life, and political events. These works gained international recognition through the 1989 exhibition Magiciens de la Terre at the Centre Georges Pompidou in Paris.
GUEST CURATOR ROSS KARLAN, PH.D.
ART SCHOOL TO THE CAPITOL : A STUDENT’S ARTISTIC JOURNEY
At the Art School, Mara Popa turned passion into public impact. In 2022, she helped create Art Walk murals for Town Center at Boca Raton, developing an homage to women in art history that greets visitors. That concept became Women in Art, her winning entry for the 2025 Congressional Art Competition, now on view in the U.S. Capitol’s Cannon Tunnel. In a Q&A, Popa reflects on her Art School experience, how a mural project evolved into a national honor, and what’s next.
Tell us about your experience at the Museum’s Art School.
I first became a student in 2021, and the class that interested me the most by far was Ms. Suzanne Scherer’s figure drawing course. There, I learned the foundations of the human form and grew to love figure drawing
as one of my favorite outlets and exercises. I now co-lead the Figure Drawing section of the Animation-Figure Drawing Club at my school.
You played a key role in the Art School’s Boca Mall Mural project at Town Center Mall. How did that come about?
The Boca Mural was a collaborative process of many weeks. My design was selected for the 9 x 36 foot wall at the mall entrance. Afterwards, with several other art students Ellie, Marta, and Sophia, we set to work on the physical walls. Sarah Huang from the Boca Museum Art School taught us throughout the process about mural painting techniques and gridding, and the whole execution was completed in September of 2022.
What was the concept behind the mural?
The mural design, which I later titled Women in Art, was meant to reflect the fashionable location of the mall through visual sharpness and incorporate art historical themes. The intention was to create a timeline of recognizable female muses in art history from classical to contemporary, reflecting various artistic styles. The pieces in order are Jean-Honoré Fragonard’s The Swing (1767-8), Frida Kahlo’s Self Portrait with Necklace and Hummingbird (1940), Pablo Picasso’s La Rêve (1932), J. C. Leyendecker’s Couple Descending Staircase (1932), and Yayoi Kusama’s Self Portrait Tobblo (2010).
Was this your first time working on such a large scale?
This was my first time working on public art and by far the largest piece I’ve worked on since. Mural painting was an entirely new medium I grew to have a deeper understanding and respect for and getting to see the walls continue to illuminate the entire space by the mall that would have otherwise been left blank has been magical. I now find working on larger scale artwork very liberating, which is more than I would have been brave enough to take on just a few years ago.
How were you able to use the Art School as a resource?
The Art School provided the perfect quiet space with a full stock of materials to progress on artwork, and personal artistic critiques from professors helped me expand and branch out my technical skills.
How was your artwork adapted for your winning entry for the 2025 Congressional Art Competition?
The artwork I submitted to the Congressional Art Competition was the original digital design I created for the mural. I touched it up digitally so that it could be printed on paper and exhibited, but the design itself remained faithful to the original.
How did it feel to stand in the Capitol tunnel and see your artwork on display?
I almost can’t describe it. It probably had to do with having traveled so far just to see it there. Walking around Capitol Hill was a highly surreal experience in the first place; it’s so vast and impossible to take in all at once. Seeing my artwork there as a part of the entire complex was equally surreal and an incredible honor.
What advice would you give to Art School students?
Ask so many questions. Ask your professors, ask people you trust, ask artists you admire, if you can. A solid conversation with a new perspective can at once provide you with feedback for improvement and unexpected inspiration. If you have an idea of what you would like your artistic future to look like and if you find somebody who has achieved those goals, do everything you can to learn from them.
What projects are you excited to tackle next?
I want to continue my senior year portfolio with some larger-scale paintings. Currently, I am exploring biological imagery, combining insects with human forms to explore the restrictions of human gender roles. I am excited to see how this project evolves over the next year.
MUSEUM PROGRAMS
ADULT
Art School Student & Faculty Exhibitions
All are welcome at the celebratory exhibition openings of works created by the talented students and faculty of the Art School.
Art in Focus
These staff-led gallery talks invite you to take a closer look at a selected artwork or theme within the exhibitions or collection. Each session offers focused insights, encouraging deeper connections with the art and new ways of seeing.
NEW! Artists on Art
You’re invited to experience the Museum through the eyes of an artist. This engaging series of talks, tours, and live demonstrations showcases the talent of South Florida’s creative community, offering fresh perspectives, personal stories, and behind-the-scenes insights that bring art to life.
NEW! Brushstrokes & Bookmarks
Deepen your appreciation for art and literature. Led by the Associate Curator of Adult & Community Access Programs, this book club invites you to reflect on, react to, and share insights about stories and artworks. Each month features a different title and an exclusive gallery experience. No time to read the book? You’re still welcome to join the fun.
Docent-Led Highlights Tours
Offered daily at 2:00 pm, these hour-long tours provide insights into the current exhibitions.
NEW! Drawn Together
Make it a night to remember. This self-guided experience invites couples and friends to explore the Museum during our extended evening hours. Creative prompts lead you through the galleries, sparking conversation, laughter, and connection. Beginning in December, a new guide is released on the first Thursday of each month and remains available for pick up on all Thursday evenings that month. Continue the experience at a nearby restaurant and present your guide to enjoy a special discount.
NEW! Make & Muse
Spark your creativity with these hands-on workshops that begin in the galleries and continue in the studio. Each session starts with close looking and conversation around selected artworks, followed by an artist-led workshop that transforms inspiration into personal creation. Designed for adults of all skill levels, these sessions encourage artistic growth in a relaxed, supportive environment.
NEW! Muse & Mingle
Beginning in January, the third Thursday of the month will bring a different selection of evening performances and activities. Light bites and refreshments will be available for purchase as you connect with others over a shared love of art.
Music in the Museum
This series pairs visual and performing arts in intimate, one-hour programs that highlight musical traditions, cultural connections, and contemporary interpretations, offering audiences a multisensory experience that deepens their engagement with the Museum’s exhibitions and collection.
Friends of the UffiziRenaissance Art Conversations
Renaissance Art Conversations—hosted by the Friends of the Uffizi Gallery—continues a celebrated tradition of lectures exploring the art, history, and enduring legacy of the Renaissance. Join distinguished scholars and curators for engaging talks that illuminate the masterpieces, artists, and ideas that shaped one of the most influential eras in art history.
Yoga at the Museum
Embark on an energizing vinyasa yoga session, guided by Leslie Glickman, owner of Yoga Journey Studio. Surrounded by inspiring works of art, this practice connects breath with movement to awaken your body and mind. After class, stroll through the exhibit and enjoy a brief connection led by a museum educator, featuring a single artwork and its captivating story.
Yoga Under the Stars
Join Leslie Glickman, owner of Yoga Journey Studio, for an enchanting evening of yin yoga under the stars in the Ohnell Sculpture Garden. Yin yoga, a practice of deep relaxation, involves slow, deliberate poses held for extended periods. This allows for the release of tension and a focus on the breath. While suitable for yogis of all levels, prior experience is not required. Simply bring a mat and a desire to enhance your vitality and overall well-being.
MUSEUM PROGRAMS
MEMBER EXCLUSIVE
NEW! Art Tastings with the Director & CEO
Visionary Circle Members are invited to these intimate evenings of art and conversation led by the Director & CEO. Over specially selected wines, you will gain unique insights into the collection, discover little-known Museum stories, and learn about the personal and art historical contexts behind significant works of art.
Collectors Forum
Exclusively for Curators Circle and Visionary Circle Members, Collectors Forum offers unparalleled access to the art world through private artist talks, gallery visits, and behind-the-scenes experiences. Members also enjoy curated excursions to art fairs, private collections, and select domestic destinations—unique opportunities to connect with artists, curators, and fellow collectors while deepening their engagement with today’s art landscape.
Member
Morning
Enjoy the Museum in a more personal way during this series of staff-led programs offered on select Monday mornings when the galleries are closed to the public. With coffee in hand, you’re invited to explore special themes and insider perspectives in a welcoming setting.
Lecture & Lunch
Organized with the help of the Friends Committee, the Lecture & Lunch series brings together distinguished speakers for engaging talks that explore art, culture, and ideas across time. This year’s series connects to Timeless Mucha: The Magic of Line, with each speaker covering a unique topic in relation to the exhibition. Each program includes a delightful lunch, offering the perfect blend of intellectual enrichment and culinary nourishment.
NEW! Muses & Mimosas
This vibrant panel series brings together contemporary artists, curators, and collecting experts from across South Florida. Enjoy a Mimosa or Bellini as you listen to a moderated discussion that connects today’s art scene with the ideas, influences, and collectors shaping it.
YOUTH & FAMILY
Creation Station
Offered on select Saturdays, Creation Station invites families to drop in and get creative together. Pick up a free kit with all the materials needed to craft your own masterpiece inspired by the works on view. Designed for children ages 5 and up. No preregistration required—just bring your imagination!
NEW! Page Turners in the Galleries
This monthly book club is just for middle school readers! Each session brings a new story and an adventure through art—where books spark imagination, and the galleries become part of the tale.
NEW! Sketching in the Galleries
Slow down, look closely, and draw inspiration from the art around you. Sketching in the Galleries invites visitors of all ages to pick up complimentary drawing materials and sketch at their own pace. This is a drop-in program, no preregistration required.
EVENT CALENDAR
November
Monday, November 10
Member Event
Member Morning - The Boca Raton Museum of Art: Our Community’s “Third Place”
Coffee and conversation with the Director & CEO on our 75-year history and what’s coming next.
10:30 – 11:30 am
Thursday, November 13
Art School
Student Exhibition Opening
Celebrate the opening of the Art School’s latest student exhibition, on view through Dec 12. 5:30 – 7:00 pm
Saturday, November 15
Collectors Forum
Palm Beach Galleries & Private Collections
The season begins with a trip to Palm Beach to visit The Bunker, lunch, and tour a private collection. 9:00 am – 4:00 pm
Sunday, November 16
Health & Wellness
Yoga at the Museum
9:30 – 11:00 am
Monday, November 17
Member Event
VIP Exhibition Opening Reception
Exclusive Museum Circle preview of new three exhibitions with light bites and refreshments.
5:30 – 7:30 pm
Tuesday, November 18
Member Event
Member Exhibition Opening Reception
Members-only preview of new exhibitions. Light bites in the Ohnell Sculpture Garden.
5:30 – 7:30 pm
Member Event
Lecture - Alphonse Mucha: The Man, The Artist, The Legacy Talk by Marcus Mucha, the great-grandson of Alphonse Mucha. Seating is limited. 6:30 – 7:30 pm
Wednesday, November 19
Member Event Season Preview Day
See new exhibitions before public hours, reserved exclusively for Museum Members. 10:00 am – 3:00 pm
Saturday, November 22
Youth & Family
Sketching in the Galleries 11:00 am – 4:00 pm
Al Held, Mantegna’s Edge, 1983, acrylic on canvas. Gift of NY Life Insurance CO. © The Estate of Al Held / Artists Rights Society (ARS), New York
Sunday, November 23
Performance
Music in the Museum - Palm Beach Opera Apprentice Artists
Palm Beach Opera’s 2025–26 Apprentice Artists perform selections inspired by Timeless Mucha: The Magic of Line, including Czech works.
3:00 – 4:00 pm
Wednesday, November 26
Gallery Experience
Art in Focus - Isaac Julien’s Baltimore Gallery talk with the Director of Learning & Engagement on Isaac Julien’s Baltimore in Too Late to Rewind
1:00 – 1:30 pm
Saturday, November 29
Youth & Family
Creation Station
Drop in for hands-on artmaking inspired by artworks on view. Free with admission.
11:00 am – 4:00 pm
Sunday, November 30
Museum Store
Museum Store Sunday
Kick off holiday shopping with special discounts, guest artists, gifts with purchase, complimentary gift wrapping, and more.
10:00 am – 5:00 pm
NEW IN THE GALLERIES
EXPERIMENTS IN ART AND TECHNOLOGY
Experiments in Art and Technology (E.A.T.) is a New York-based non-profit founded in 1966 by artists Robert Rauschenberg and Robert Whitman, and engineers Billy Klüver and Fred Waldhauer to foster collaboration between artists, engineers, and scientists
On its 60th anniversary, we are delighted to present The New York Collection for Stockholm. This portfolio of works by New York artists was assembled as a gift for the Moderna Museet, Stockholm, Sweden, to celebrate director Pontus Holtén’s support of American art in the 1960s, when relations between the US and other countries were strained because of the Vietnam War.
The selection includes artists working in a variety of genres and styles key to the period: Conceptual (Robert Morris), Pop (Andy Warhol), Minimalism (Donald Judd), and technology (Nam June Paik).
EVENT CALENDAR
December
Tuesday, December 2
Member Event
A Champagne Toast at NADA Miami 6:00 – 7:15 pm
Thursday, December 4
Collectors Forum
Miami Art Week
VIP previews at Art Basel Miami Beach and Design Miami, plus gallery stops. Transportation included. 10:00 am – 6:00 pm
Sunday, December 7
Friends of the Uffizi Lecture
Renaissance Art Conversations - Michelangelo’s David: Myth, Reality, and Unending Fascination
The Museum’s Director & CEO unpacks how Michelangelo’s David was created and endures. 3:00 – 4:00 pm
Monday, December 8
Member Event
Member Morning -
Timeless Mucha: The Magic of Line
A curator lecture exploring Timeless Mucha. Discover Sarah Bernhardt’s inspirational spark, Le Style Mucha’s rise, and the artist’s lasting influence. 10:30 – 11:30 am
Wednesday, December 10
Gallery Experience
Art in FocusAlphonse Mucha’s Inspiration and Process
A curator-led tour of how photography and a Japanese cloisonné vase shaped Mucha’s Precious Stones: Emerald poster. 1:00 – 1:30 pm
Thursday, December 11
Book Club
Brushstrokes & Bookmarks
Dulcinea: A Novel by Ana Veciana-Suarez 3:00 – 4:30 pm
Health & Wellness
Art of Dance - The Magic of Line
Dance instructor Rocco Santorufo leads an all-levels DanceFit class inspired by Mucha’s flowing lines. 6:00 – 7:15 pm
Saturday, December 13
Youth & Family
Sketching in the Galleries 11:00 am – 4:00 pm
Art School
Open House & Holiday Market
Tour the Art School studios, meet instructors, and shop handmade gifts at the Holiday Market. 1:00 – 4:00 pm
Michelangelo, David, 1501 – 1504, carrara marble. Galleria dell’Accademia di Firenze. Photo by Jörg Bittner Unna
Alphonse Mucha, Model posing with a Japanese vase at Mucha’s studio in the rue du Val-de-Grâce, Paris, c. 1898, photographic panel. © Mucha Trust 2022
Sunday, December 14
Health & Wellness
Yoga at the Museum
8:30 – 10:00 am
Lecture
Artists on Art - Framing Humanity: Exploring Humanist Photography
Photographer Eduardo Chacon charts humanist photography’s emphasis on everyday human experiences.
3:00 – 4:00 pm
Wednesday, December 17
Gallery Experience
Art in Focus -
Alphonse Mucha’s Literary Connections
The Museum’s Associate Curator of Adult & Community Access Programs examines literary themes in Timeless Mucha
1:00 – 1:30 pm
Thursday, December 18
Workshop
Make & Muse - Create Your Own Magical Dry Point Print
Create drypoint designs on soft plexiglass, then ink and press your print with artist Ron Garrett using traditional etching tools.
6:00 – 8:00 pm
Saturday, December 20
Performance
Music in the Museum - Echoes of Elegance and Emotion: A Viola Recital
Violinist David Pedraza and pianist Yuhsuan Feng trace the viola’s expressive range from Baroque compositions to modern intensity.
3:00 – 4:00 pm
Saturday, December 27
Youth & Family Creation Station
11:00 am – 4:00 pm
Alphonse Mucha, Poster for ‘Lorenzaccio’ [detail], 1896, color lithograph. © Mucha Trust 2022
EVENT CALENDAR
January
Thursday, January 8
Art School
Faculty Exhibition Opening Reception
Celebrate the opening of the Art School’s latest faculty exhibition, on view through February 13.
5:30 – 7:00 pm
Youth & Family
Page Turners in the Galleries
One Thousand and One Arabian Nights (Geraldine McCaughrean edition)
6:00 – 7:00 pm
Saturday, January 10
Youth & Family
Sketching in the Galleries
11:00 am – 4:00 pm
Health & Wellness
Yoga at the Museum
8:30 – 10:00 am
Monday, January 12
Lecture & Lunch
Posters for a New Age: Art Deco & Modernity
Sarasota Art Museum Senior Curator Dr. Rangsook
Yoon compares Art Deco posters to Timeless Mucha, tracing style shifts from the 1920s to 1930s.
11:00 am – 1:00 pm
Wednesday, January 14
Collectors Forum
Little River & Wynwood
An excursion to Miami galleries; the Margulies Collection and Fountainhead Arts.
9:00 am – 5:00 pm
Gallery Experience
Art in FocusEduardo Chacon’s Humanist Photography
The Director of Learning & Engagement spotlights Eduardo Chacon’s techniques, narratives, and emotional resonance in his photographs.
1:00 – 1:30 pm
Thursday, January 15
Book Club
Brushstrokes & Bookmarks
Sarah: The Life of Sarah Bernhardt by Robert Gottlieb
3:00 – 4:30 pm
Social
Muse & Mingle - The Art of Wellness
Center yourself with sound healing, art-making, live acoustic music, and wellness-inspired drinks.
5:00 – 8:00 pm
Saturday, January 17
Workshop
Artists on Art - Stories in Clay: Sculpting the Figure Sculptor Leda Almar demonstratess her process using intuition to sculpt clay, letting figures emerge without the need of a rigid plan.
3:00 – 4:30 pm
Paul Colin, Leroy: Premier Opticien de Paris [detail], 1938, lithograph. Collection of the Crouse Family. Courtesy of Poster House
Eduardo Chacon, The Long Wait, 2023 (printed 2025), archival print. Courtesy of the Artist
Sunday, January 18
Friends of the Uffizi Lecture
Renaissance Art ConversationsThe Elegance of Firenze
Dr. Giuliana Castellani Koch reflects on Florence’s elegance and Renaissance legacies.
3:00 – 4:00 pm
Monday, January 19
Youth & Family CommUNITY Day -
A Celebration of Martin Luther King Jr. Celebrate Dr. King with performances, live music, spoken word, and hands-on artmaking for families during this free admission day. 1:00 – 4:00 pm
Thursday, January 22
Lecture
A Convivial Q&A with Elayne Mordes on Collecting and Curating Video Art
Collector Elayne Mordes discusses artists in Too Late to Rewind with the Curator.
5:30 – 7:00 pm
Saturday, January 24
Lecture
Muses & MimosasWhat’s Up with Contemporary Art?
11:00 am – 12:00 pm
Youth & Family
Creation Station 11:00 am – 4:00 pm
Wednesday, January 28
Gallery Experience
Art in Focus – Adad Hannah’s The Raft of the Medusa (100 Mile House)
The Curator discusses Adad Hannah’s video art in Too Late to Rewind and its connection to French painter Théodore Géricault’s 1816 masterpiece. 1:00 – 1:30 pm
Thursday, January 29
Health & Wellness
Yoga Under the Stars 10:00 am – 5:00 pm
Saturday, January 31
Sunday, February 1
Annual Event
39th Annual Art Festival
The Museum presents its annual two-day juried art festival in Mizner Park, showcasing artists and artisans from across the country.
10:00 am – 5:00 pm
EVENT CALENDAR
February
Thursday, February 5
Lecture
Artists on Art - The Legacy of Printmaking from Mucha to Today
Artist Ron Garrett bridges Mucha’s lithography to contemporary printmaking techniques with a gallery talk and live printmaking demonstration.
6:00 – 7:30 pm
Youth & Family
Page Turners in the Galleries
Hedge Night by George R.R. Martin
6:00 – 7:00 pm
Sunday, February 8
Health & Wellness
Yoga at the Museum
8:30 – 10:00 am
Monday, February 9
Lecture & Lunch
Mucha and La Belle Époque
Dr. Taylor Hagood places Mucha within Paris’s “Beautiful Era,” covering history, aesthetics, and the circle that shaped his style.
11:00 am – 1:00 pm
Wednesday, February 11
Gallery Experience
Art in Focus - Big in Japan: Mucha’s Lasting Influence on Manga and Comics
The Associate Director of Marketing connects Mucha’s fascination with Japanese art to his enduring legacy in manga and American comics.
1:00 – 1:30 pm
Thursday, February 12
Book Club
Brushstrokes & Bookmarks
The Artificial Silk Girl by Irmgard Keun
3:00 – 4:30 pm
Lecture
The Lens of Art Nouveau: A Look at Alphonse Mucha’s Private Photography Collection
The Curator reveals Mucha’s lesser-known photography practice, showing how images shape his posters and the era’s “Modern Woman.”
6:00 – 7:00 pm
Saturday, February 14
Youth & Family
Sketching in the Galleries
11:00 am – 4:00 pm
Performance
Music in the Museum - Fragments and Resilience: A Spotlight Tour & Violin Recital Tour the exhibition Side by Side, followed by a performance by acclaimed violinist Ilana Zakswith.
3:30 – 5:00 pm
Wednesday, February 18
Collectors Forum
Coconut Grove
Collectors Forum visits the historic Coconut Grove in Miami with a tour of a private collection and El Espacio 23.
9:00 am – 5:00 pm
Thursday, February 19
Social
Muse & Mingle - Love & Light
Valentine’s Day-inspired sketching, live Latin jazz, and an artist-led Spanish tour of Postcards from Nowhere
5:00 – 8:00 pm
Saturday, February 21
Annual Event
Museum Gala Dinner & Party
Dine amid the iconic works of Alphonse Mucha in La Belle Époque style, then dance outdoors to a 1960s and 1970s psychedelic vibe.
6:00 – 9:00 pm
Akemi Matsunae, Zodiac Girl [detail], cover of Bouquet manga magazine, September 1989, giclée print from original drawing, Published by Shueisha, Tokyo
Sunday, February 22
Performance
Music in the Museum - Chamber Music Concert
Pianist Irena Kofman, violinist Junko Ohtsu, and cellist Claudio Jaffé perform Brahms, Liszt, and Clara Schumann.
3:00 – 4:00 pm
Wednesday, February 25
Gallery Experience
Art in Focus - Alphonse Mucha’s Iconic Job Poster
The Education Intern examines Mucha’s 1896 Job poster, exploring symbolism, allegory, and irresistible design.
1:00 – 1:30 pm
Thursday, February 26
Lecture
Timeless Mucha: Le Style Mucha and Its Legacy
Timeless Mucha curator Tomoko Sato traces le style Mucha, from Belle Époque posters to 1960s revival and today’s graphic art.
6:00 – 7:00 pm
Health & Wellness
Yoga Under the Stars
6:00 – 7:30 pm
Saturday, February 28
Youth & Family
From Mucha to Manga: A Family Art Adventure
Anime and manga day with artist demos, spotlight tours, costumes, and hands-on art, where Mucha’s lines meet today’s storytellers.
10:00 am – 4:00 pm
March
Tuesday, March 3
Art School
Sogetsu Ikebana Exhibition Opening Reception
Celebrate a presentation of the Japanese art of flower arrangement, on view through March 6. 5:30 – 7:00 pm
Thursday, March 5
Youth & Family
Page Turners in the Galleries
The Secret Garden by Frances Hodgson Burnett 6:00 – 7:00 pm
Monday, March 9
Lecture & Lunch
A Divine Collaboration: Alphonse Mucha and Sarah Bernhardt
Alphonse Mucha and actress Sarah Bernhardt turned theater posters into Art Nouveau icons and early street art, reshaping visual culture. 11:00 am – 1:00 pm
Wednesday, March 11
Gallery Experience
Art in Focus - Laurie Anderson’s Puppet Motel
Associate Curator of Adult & Community Access Programs examines Laurie Anderson’s interactive software art, Puppet Motel. 1:00 – 1:30 pm
Alphonse Mucha, Poster for ‘Job’ cigarette paper [detail], 1896, color lithograph. © Mucha Trust 2022
Laurie Anderson, Puppet Motel, 1995, CD-rom. Partial Long-Term Loan and Promised Gift from the Mordes Family Collection
EVENT CALENDAR
Thursday, March 12
Book Club
Brushstrokes & Bookmarks
Hummingbird Salamander by Jeff VanderMeer
3:00 – 4:30 pm
Saturday, March 14
Youth & Family
Sketching in the Galleries
11:00 am – 4:00 pm
Sunday, March 15
Health & Wellness
Yoga at the Museum
8:30 – 10:00 am
Tuesday, March 17
Art School
Student Exhibition Opening Reception
Celebrate the opening of the Art School’s latest student exhibition, on view through April 17.
5:30 – 7:00 pm
Wednesday, March 18
Collectors Forum
Fort Lauderdale
Collectors Forum visits private collections, NSA Art Museum, and dynamic downtown spaces in Broward County.
9:00 am – 5:00 pm
Thursday, March 19
Social
Muse & Mingle - Women Who Create Art Celebrate Women’s History Month with music by women artists, art talks, and creative workshops. 5:00 – 8:00 pm
Sunday, March 22
Friends of the Uffizi Lecture
Renaissance Art Conversations: “A man within a woman”: Vittoria Colonna and Michelangelo’s Friendship
Florida Atlantic University Associate Professor Dr. Emily Fenichel examines the friendship between Michelangelo and poet Vittoria Colonna.
3:00 – 4:00 pm
Wednesday, March 25
Gallery Experience
Art in Focus - Tobi Kahn’s Sky & Water
The Director & CEO explores the history, symbolism, and possible readings of RKYIA, by Tobi Kahn in the de Hoernle Grand Hall. 1:00 – 1:30 pm
Thursday, March 26
Health & Wellness
Yoga Under the Stars 6:00 – 7:30 pm
Saturday, March 28
Social
Muses & Mimosas - How to Get Involved in Your Local Art Community
11:00 am – 12:00 pm
Youth & Family
Creation Station 11:00 am – 4:00 pm
Sebastiano del Piombo, Vittoria Colonna [detail], ca. 1520, oil on wood. Museu Nacional d’Art de Catalunya. Image in the Public Domain
501 Plaza Real, Boca Raton, FL 33432
NEW HOURS BEGINNING NOV 20
WEDNESDAY 10:00 AM – 5:00 PM
THURSDAY 10:00 AM – 8:00 PM
FRIDAY 10:00 AM – 5:00 PM
SATURDAY 10:00 AM – 5:00 PM SUNDAY
COVER: Alphonse Mucha, Zodiac [detail], 1896, color lithograph. © Mucha Trust 2022
INSIDE BACK COVER: Alphonse Mucha, The Arts: Painting [detail], 1898, color lithograph. © Mucha Trust 2022