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KARAMO
RICARDO HORATIO NELSON
Yeah, I mean like
I gotta be like the pioneer to this shit, you know I was popping that Cristal
When all y'all niggas thought it was beer and shit, you know
Wearing that platinum shit
When all y'all chicks thought it was silver and shit
(Imaginary playmates)
I got, I got to be the pioneer to this shit, man Bottom line (Imaginary playmates)
I'ma show you how to do it, check it
Yo, I spit that other shit
"That's a nice motherfucker" shit
That Fed time follow me around, Deep Cover shit, nigga
You beer money, I'm all year money
I'm "Papi, you ain't got to count it, it's all there" money
I never change money 'cause niggas got strange money
NARC'd up, marked up, fucked up in the game money I got bail money, double-XL money
You got flash now, but time will reveal, money
I spit the hottest shit, "you need it, I got it" shit
That down south, Master P, "Bout It, Bout It" shit
IMAGINARY PLAYER
JAY Z
Welcome to Issue 102 of Bleu Magazine.
This Pride Month, we have Karamo Brown gracing our cover—a man whose journey inspires millions to live out loud and love without limits. Karamo has shown us that authenticity is the most powerful tool we possess to transform our lives and our communities.
At Bleu, we believe in stories that celebrate inclusion, uplift marginalized voices, and remind us of our shared humanity. Pride is more than a month—it’s a movement toward a world where every person can exist freely, safely, and proudly.
This issue is filled with features that shine a light on innovators, artists, and advocates across the LGBTQ+ spectrum who are shaping culture and pushing boundaries. It’s a tribute to resilience, creativity, and the unstoppable spirit that fuels progress. When we choose love over fear, empathy over division, and justice over silence, we build a world where everyone belongs.
DéVon Christopher Johnson Founder & Group Publisher
ANTHENY RAIY
Antheny Raiy is a dynamic entrepreneur whose expertise spans everything from wardrobe to real estate, making him a versatile force in the industry. Creative at his core, he is a wardrobe supervisor, costumer/ fashion stylist, event producer, and the West Coast managing editor at Bleu Magazine. With a keen eye for style and storytelling, Antheny has curated compelling fashion narratives, overseen real estate renovation projects, managed highprofile productions, and shaped the creative vision of editorial content. Passionate about culture, art, and aesthetics, Antheny Raiy continues elevating brands and individuals through his multifaceted approach to fashion and media.
EVAN MAJORS
Evan Majors is a freelance writer based in Dallas, TX, and Founder of Major Media + Casting LLC, a casting and talent development company. He’s an avid hot yoga enthusiast, runner, and vinyl record collector who has also contributed to The Red Bulletin magazine. Follow on IG: @mr.evanmajo
APUJE KALU
Apuje Kalu’s talents are indefinable. He is an instinctive freelance fashion stylist and creative director from Washington, DC known for his eye for detail. Apuje injects forethought, creativity, and boundless energy into every project and brings an aptitude for organization and structure thanks to his engineering background..
KENT OLDEN
Kent Olden Buffalo native Kent Olden is an Aquarian creative who gets excited to push people to see life through a different set of shades. Extremely involved in his community, he is a proud and active member of both Kappa Alpha Psi Fraternity, Inc. and the Prince Hall Affiliated Free & Accepted Masons (Paramount Lodge #73), and instills that commitment to community in his daughters, Kendall and Khloe (no, they’re NOT named after the Kardashians -- he didn’t even know who they were when his daughters were born). Kent holds a B.A. in Psychology from Morehouse.
RICARDO NELSON
Ricardo is a Jamaican born photographer based in New York City. His portraits and editorial work apply the basic principles of photography to capture the human spirit. His work has been featured in OUT magazine, Schön ! Mashable, Vogue Italia, The Advocate, The NewYork Times, Spin Magazine and GQ online. Commercial Clients have included Ford Models, J-Press, Tommy Hilfiger, billyjoelshop. com and shop.Beyonce.com.
HARVEY JACKSON
Harvey Jackson is a Brooklyn-based photographer and director creating bold, emotionally charged visuals across fashion, beauty, and still life. A Missouri native and Army veteran, Harvey moved to NYC in 2010, launching his career with Maxim Magazine before developing his own striking, cinematic style. His clients include Kenneth Cole, Fresh Beauty, and Hanky Panky, with work defined by mood, precision, and human depth.
Neicy Nash Rodeo
Emmy Award-winning Neicy Nash-Betts celebrates her 55th Birthday with a ‘Hoedown’ themed party in Beverly Hills. Hollywood’s elite were in attendance, including Sarah Paulson, Taraji P. Henson, NLE Choppa, Coleman Domingo, and Teyana Taylor, to name a few.
Photo KARIM SAAFIR PHOTOGRAPHY
Truth Awards
In honor of Pride, we highlight the 11th Annual Truth Awards, which celebrated the incredible strength and creativity of the Black LGBTQ+ community at the iconic Beverly Hilton Hotel. With the dynamic leadership of Nicco Annan and TS Madison, this unforgettable evening showcased the profound impact of this vibrant community on culture, politics, and the arts in collaboration with The DIVA Foundation.
Photo EARL GIBSON III
POWER UP YOUR PLAY
HANDHELD GADGETS TO TAKE YOUR GAMING EXPERIENCE TO THE NEXT LEVEL.
Words by Madeline Jhun
PLAYSTATION PORTAL REMOTE PLAYER
Enjoy your PlayStation games from any part of your home with the PlayStation Portal. Built with the same DualSense technology as a regular PlayStation controller, you’ll still experience all the immersive features included with gameplay, such as haptic feedback and adaptive triggers. $199
ANALOGUE POCKET
Take a trip down memory lane with the Analogue pocket, which can run over 2,000 Game Boy game cartridges. Though it’s small enough to fit in your pocket, this device is packed with a 1600 x 1440 resolution and reinforced with a gorilla glass display, providing you with high-quality gaming at a perfectly convenient size. $420
GPD WIN 4
A high-performance gaming PC jam-packed into a handheld console. The GPD Win 4 features a 6-inch touchscreen, customizable buttons, and a sliding keyboard, making it the optimal tool for luxury gaming. It also includes a dual speaker system and gyroscopic technology, guaranteeing an adaptive fullmotion experience. $999
STEAM
A portable device that allows you to bring your favorite PC games with you. With a bigger battery to prolong playing time, a brilliant OLED display that offers vivid colors, and a built-in Wi-Fi 6E that ensures speedy downloads and smooth online play, the Steam Deck is the perfect choice for compartmentalizing your setup on the go. $549
DECK OLED
Instead of modifying cars for speed, lowriders drove low and slow; they were meant to be seen.
Low and Slow
THE CULTURAL POWER OF THE LOWRIDER Words by Dylan Atilano
When thinking about works of art, what first comes to mind? Perhaps a painted canvas, a hand-made sculpture, a meticulous drawing, or maybe a huge mural. While all of these are correct, a lowrider might not have been the first thought to pop up. These vehicles were built to cruise down streets as well as being extraordinary art pieces on wheels. The iconic style of the lowrider is typically one adorned with stunning colors, geometric patterns, and religious iconography that offer a reflection of the driver’s identity. Lowriders became a staple in Mexican American and Black communities that developed into a form of cultural expression and empowerment for both groups.
The origin story of lowriders dates back to the post-World War II era of the 1940s. Many Mexican American veterans returned home from the war with a newfound sense of pride for themselves and their culture. However, these veterans were faced with the same segregation and racism they dealt with before the war. Despite serving their country, these Mexican Americans were still treated like second-class citizens. In spite of this, they channeled feelings of cultural pride and identity through customizing cars.
Armed with mechanical knowledge from the war and benefits from the GI Bill, some Mexican American veterans began to purchase and modify used cars. These included the Lincoln Continental, Chevrolet Monte Carlo, and Cadillac Eldorado. By adding lowering blocks, these cars cruised inches off the ground. Additionally, they were adorned with hand-painted details and chrome accents that made the cars pop out. The late 1950s brought the addition of hydraulics that could quickly change the vehicle’s height at the flick of a switch. When combined, these elements created the first blueprints for lowriders.
This was a direct cultural counter-statement to the fast hot rods that were popular with White Americans in the postwar era. Instead of modifying cars for speed, lowriders drove low and slow; they were meant to be seen. They became visual representations of the Mexican American identity and a deliberate rejection of the status quo.
These stunning cars first appeared in West Coast cities like Los Angeles. In the 1970s, East L.A. was one of the few places where lowriders could be seen on the streets. Whittier Boulevard became a hub for these cars to cruise as it cut through the barrios of L.A. Over time, the influence of lowriders began to break through racial boundaries as well.
Lowriders soon became iconic within Black communities in neighboring areas like South Central L.A. They faced parallel struggles to the Mexican American community, like segregation, and began using lowriders as a form of self-expression. They became a mutual language. Black and Brown builders began sharing techniques, borrowing style elements, and even collaborating on paint jobs and hydraulics. While each community had its own style, the crossover was real. Black lowrider crews sometimes adopted Chicano aesthetics, while Mexican American builders integrated sounds and imagery from hip-hop culture.
As the hip-hop and gangsta rap genre gained traction throughout the 1980s and ‘90s, lowriders became an essential component of the music. Artists like Eazy-E painted vivid pictures of cruising in his tricked-out ‘64 Impala. Dr. Dre referenced hitting switches in the song “Let Me Ride,” which called up the image of bouncing hydraulics and street swagger. Lowriders weren’t just in the background; they were central to the look, sound, and storytelling of the L.A. rap scene.
Lowriders transcended racial boundaries by offering a shared mode of expression between Mexican American and Black communities. Born out of similar histories of marginalization, lowriding became a cultural intersection. This was where style, struggle, and pride met on the streets. Through collaboration, mutual respect, and a love for the craft, these cars helped build bridges between communities that mainstream America often tried to keep apart. Today, these tricked-out cars are passed down through generations of families that keep the spirit of cultural pride alive.
Stride with Pride
Chuck Taylor All Star Lift Platform Pride
Zadig &Voltaire High Flash Pride Sneakers
Converse Chuck 70 Pride
Vans X Queer Surf Authentic
Harlow & Lloyd Pride Rainbow Sneaker
Keith Haring X Saucony Ride 18
Gola Coaster Rainbow
Nike Air Max 1 Pride
Puma Palermo Pride
GLOWUP Starts With Grooming Your
FROM SKINCARE TO YOUR SIGNATURE SCENT, HERE’S
FACE CREAM
Everything Cream By Non Gender Specific
Powered by 23 potent botanicals to hydrate, smooth, and strengthen your skin—leaving it cleaner, clearer, calmer, and more even. Kinda like you after a vacation.
LIP BALM
Cedar & Citrus
Lip Salve By Aesop
Chapped lips are never okay.
Crafted with a rich blend of plantbased emollients—smoothing, softening, and keeping your pout ready for anything.
WASH
Hinoki Shower Gel
By Le Labo
A woodsy scent with a lot of lather, this shower gel will leave your skin feeling soft and smooth.
SPF
Better
Screen™ UV Serum SPF 50+ By Kiehl’s
WIPES
Cool and Cleansing Wipes
By Oars and Alps
Listen, we’re never going to cosign skipping showers (don’t care how many thinkpieces you see), but sometimes you need a quick refresh. Opt for these wipes to refresh after a hot commute or a late night.
Yes, being melanated helps us with natural sun protection but SPF helps against sun damage. See the distinction? This invisible SPF brightens, smooths, and blends effortlessly on every skin tone.
HAGS
Redefining FINE-DINING
THIS SMALL EAST VILLAGE RESTAURANT IS REIMAGINING THE FINE DINING EXPERIENCE. Words by Ruby Thompson
HAGS is a queer-owned fine dining restaurant located at 163 1st Avenue in New York City’s East Village and open from 6-10 pm Wednesday through Saturday and 11 am to 2:30 pm Sundays. Chef Telly Justice and sommelier Camile Lindsley opened HAGS in 2022, reimagining the fine dining experience by prioritizing inclusivity, community, and joy over traditional norms. Their slogan, “By queer people, for all people,” makes their message clear.
Justice, a trans woman and accomplished chef, worked for years in spaces where her identity wasn’t welcome and culinary skills came at the cost of her own self. Lindsley also came up in an industry where joy and political care were often absent. Together, they thought of a restaurant that redefined fine dining as a space for inclusivity, tenderness, and celebration, motivated by the spirit of the queer
potlucks and revolutionary kitchens they once called home.
What’s essential to the dining experience at HAGS? Queerness. Their motto mirrors its goal to create an inviting environment for all. Upon entering the restaurant, guests can take a pronoun pin to wear inside, and special touches like inclusive bathroom mirrors put an emphasis on their dedication to their care for the community. These mirrors are placed intentionally lower on the wall, with lighting that’s warm and flattering, not harsh or clinical. They’re meant to be kind and offer a soft place to land for guests who have complicated or fraught relationships with being perceived, particularly as trans, nonbinary, and gender-expansive people.
Art rotates on the walls. Staff are empowered to rest, laugh, and be themselves. It’s less about culinary perfection and more about creating a space where everyone, including guests, cooks, and servers, feels seen.
HAGS has two seasonal tasting menus: a five-course omnivore menu ($155) and a vegan option ($145). The two are flexible menus to adapt to any dietary restrictions and preferences, and the kitchen hones in on collaboration and creativity. Some notable dishes are the “Homo Hand Salad” and heirloom tomatoes with fava emulsion. The beverage program, created by Camille Lindsley, focuses on natural wines from queer-owned vineyards, and sustainable farming, playful pairings, and non-alcoholic pairings and mocktails are also considered.
The space is intimate, with only 20 seats and open kitchen access. It’s a sleek but warm aesthetic—a little bit punk and a little bit vintage, with small nods to queer history. The vibe is very casual, personal, and conversational, where guests are treated well. And on Sundays, they have “Pay What You Can” to increase accessibility—another nod to their inclusivity. They also partner with LGBTQ+ organizations like SAGE and The Okra Project to give back to the community. Lastly, staff are paid wages they can live off of rather than just survive; therefore, tipping is not mandatory there.
In 2023, HAGS received the MICHELIN Guide Young Chef Award, highlighting its innovative approach to fine dining. The restaurant has been featured in publications like The New Yorker and Eater, praised for its relaxed atmosphere and commitment to queering the fine dining experience.
Justice and Lindsley don’t want HAGS to be a singular exception. They have hopes for it to be the start of a larger shift—a model for how queer-led hospitality can look, feel, and feed. And they’re devoted to sharing all the things they’ve learned, like recipes and business practices, so others can create their own special versions of what HAGS represents: a place where food is personal, politics are inherent, and joy is crucial.
HAGS stands as proof of the transformative power of queer-led hospitality, providing a dining experience that is as inclusive and joyful as it is innovative.
IMPORTANT FACTS FOR BIKTARVY®
This is only a brief summary of important information about BIKTARVY® and does not replace talking to your healthcare provider about your condition and your treatment.
MOST IMPORTANT INFORMATION ABOUT BIKTARVY
BIKTARVY may cause serious side e ects, including:
Worsening of hepatitis B (HBV) infection. Your healthcare provider will test you for HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without fi rst talking to your healthcare provider, as they will need to check your health regularly for several months, and may give you HBV medicine.
ABOUT BIKTARVY
BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults and children who weigh at least 55 pounds. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements.
BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS.
Do NOT take BIKTARVY if you also take a medicine that contains:
dofetilide
rifampin
any other medicines to treat HIV-1
BEFORE TAKING BIKTARVY
Tell your healthcare provider if you:
Have or have had any kidney or liver problems, including hepatitis infection.
Have any other health problems.
Are pregnant or plan to become pregnant. Tell your healthcare provider if you become pregnant while taking BIKTARVY.
Are breastfeeding (nursing) or plan to breastfeed. Talk to your healthcare provider about the risks of breastfeeding during treatment with BIKTARVY.
Tell your healthcare provider about all the medicines you take:
Keep a list that includes all prescription and over-thecounter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.
BIKTARVY and other medicines may a ect each other. Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.
POSSIBLE SIDE EFFECTS OF BIKTARVY
BIKTARVY may cause serious side e ects, including:
Those in the “Most Important Information About BIKTARVY” section.
Changes in your immune system. Your immune system may get stronger and begin to fight infections that may have been hidden in your body. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY.
Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY.
Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat.
Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain.
The most common side e ects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).
These are not all the possible side e ects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY.
You are encouraged to report negative side e ects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch or call 1-800-FDA-1088.
Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.
HOW TO TAKE BIKTARVY
Take BIKTARVY 1 time each day with or without food.
GET MORE INFORMATION
This is only a brief summary of important information about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.
Go to BIKTARVY.com or call 1-800-GILEAD-5.
If you need help paying for your medicine, visit BIKTARVY.com for program information.
photographer HEEGEUN DENNIS LEE
stylist SEAN AZEEZ-BRIGHT
model @LIAM COURTNAE
BTS video WILL MACKENZIE
assistant producer CALISTA GAMIAO
photo assistant NATALIE K
jacket
BOOHOO shirt
ETON trousers VANS tie STYLIST OWN shoes
shorts BOOHOO jumper BOOHOO
top PULL AND BEAR
shoe GHBASS
scarf PULL AND BEAR X LEE
suit DAVID WEJ
tie DAVID WEJ
shirt ETON
hat DAVID WEJ
shoes OSIRIST
trousers VANS
t-shirt BOOHOO scarf MAHARISHI hat DAVID WEJ shoes CATERPILLAR
jacket ICECREAM trousers
DAVID WEJ vest
MODEL OWN shoes
jacket BLAUER trousers
DAVID WEJ shoes GHBASS
hat BOOHOO
shirt NEW ERA
jumper BILLIONAIRE BOYS CLUB
trousers VANS
shoes GHBASS
SPOTLIGHT ON JAMES
BLAND
THE EMMY-NOMINATED ACTOR SPEAKS
ON HIS NEW
ROLE
IN UNCONVENTIONAL, WORKING WITH KIT WILLIAMSON, AND WHAT WE CAN EXPECT NEXT FROM HIM. Words by Chris Law
YOU MAY RECOGNIZE James Bland as Kelly’s love interest in the final season of Insecure. Perhaps you know him as Malachi in Giants, a series he not only starred in but also created. And soon, you’ll see him in Unconventional, an original comedy series streaming exclusively on Revry, the world’s first LGBTQ+ streaming network. PS: It’s also the most-watched series to date.
Keep reading to find out what the FAMU graduate has been up to lately.
Tell us a little about your role as Dan in Unconventional and what drew you to the role.
Dan is the quintessential gay male overachiever, driven by a compensatory need for success to counteract feelings of inadequacy. It’s The Velvet Rage—a must-read if you haven’t already. A lawyer from a well-off family that prioritizes image and respectability, Dan has spent his entire life striving to meet his parents’ expectations. Now, in his 30s, he’s beginning to realize that those expectations don’t always align with the man he wants to be or the life he wants to live. Throughout the series, he’s coming to terms with what he wants, which includes being a dad and growing his family, but he doesn’t know if his husband, Noah, is fully on board.
I was drawn to the role of Dan for several reasons, but first and foremost, I saw a deep relatability in his journey. His struggle to reconcile external expectations with his true desires is something so many of us experience, regardless of background. At the same time, representation matters, and playing a fully realized Black gay character navigating career, marriage, and fatherhood felt like an important and meaningful opportunity. Roles like Dan don’t always get the depth and complexity they deserve, and I wanted to bring authenticity to his story. Lastly, I was excited by the challenge—Dan is a character unlike any I’ve played before, and stepping into his world allowed me to explore new emotional layers as an actor.
What has it been like working with Kitt Williamson?
Working with Kit has been amazing. He’s the kind of scene partner every actor hopes for—open to rehearsals, improv, and genuine creative collaboration. Beyond that, he’s a powerhouse storyteller
who champions LGBTQ+ narratives in a way that’s both inspiring and necessary.
What’s one of the greatest challenges you’ve faced as a creative?
I’d say one of the biggest challenges is getting networks and studios to see the value in Black gay stories. It’s still rare to see a Black gay character as the lead or the heart of a narrative. I’ve been lucky to play characters like Dan and Maurice in the film High Tide—both complex, well-rounded roles that deserve to be seen on screen. Bringing them to life has been an honor. My hope is that the success of Unconventional will open doors for other creatives telling stories with underrepresented queer characters at the center.
When not working, what are you currently watching or rewatching?
Currently, RuPaul’s Drag Race, Traitors, Real Housewives of Salt Lake City, Married to Medicine, Abbott Elementary, The White Lotus, and Paradise.
I don’t really rewatch shows. I want to start. I have a list of shows I want to spin the block on like Game of Thrones, I May Destroy You, The Sopranos, Breaking Bad, and The Wire.
If you could give advice to someone coming up, what would it be?
Don’t wait on Hollywood; make your own art.
What’s your favorite project you’ve been a part of? Giants :).
What’s next for you, or what other projects can fans look forward to?
I honestly don’t know what’s next—I don’t have any new projects lined up at the moment. But I’m always writing, creating, pitching, and pushing to get my art made. Nothing is officially in motion yet, but (manifesting again!) let’s just say fans can expect a feature directorial debut from me in the near future.
THIRSTY
A NOVEL by Jas Hammonds
Thirsty: A Novel is about a young girl struggling with self-discovery and her unhealthy relationship with alcohol. Blake Brenner had a dream of joining the mysterious and exclusive sorority, Serena Society. Blake has much to prove to be accepted, but that is not the case when it comes to her girlfriend, Ella, the daughter of a Serena alumnus. As pledging gets intense, Blake uses alcohol to build her confidence. The more bold, funny, and unstoppable she becomes when she drinks, the more the Serenas love it, and Ella ensures it is the right thing to do. This book is about self-discovery, the lengths you can go through to be seen, and the consequences that come with it. Jas Hammonds is best known for her Coretta Scott King - John Steptoe Award for New Talent for her debut book, We Deserve Monuments, in 2023.
LOVE AND SPORTSBALL
A SPICY SAPPHIC SPORTS
ROMANCE by Meka James Khadijah Upton is starting her dream job as an athletic trainer for the Atlanta Canons. A night of celebration turns into a one-night stand with a stranger who she finds out is basketball star Shae Harris. As much as Khadijah wants to forget the steamy one-night encounter, Shae will not let her. This story is about blurring the lines of personal and professional, which are not supposed to mix. Shae is all about living life to the fullest, which makes it harder for Khadijah to resist her as she reveals more about herself. Will Khadijah be able to fight the temptation, or will she take the risk of a relationship with Shae? Meka James is known for her adult contemporary and erotic romance books. She has been writing books since 2014 and has a few series, such as Love on Madison Island and Healed Heart.
ONE AND DONE by Frederick
Smith
Frederick Smith is a born and raised Detroit author known for his books In Case You Forgot and Play It Forward. He recently released his new book, One and Done, in June 2024. One and Done is a story about a one-chance encounter between two individuals that could become their one chance at love. Dr. Taylor James is a university administrator in San Francisco in an accreditation process that can set him up for his ultimate career goal as the first openly queer university president in the US. Then you have Dustin McMillan, who is a consultant and project manager, nervous about heading back home and possibly falling back into old routines with a toxic ex-boyfriend. The two cross paths one day at a bar, with Dustin trying to get Taylor’s attention, and he turns him down. Little did Taylor know they would reencounter each other in a professional setting.
TOGETHA (PRITTY 2)
by Keth F. Miller,
Jr.
Keith F. Miller, Jr. is an awardwinning educator, artist, and researcher who studies healing literacies and their role in supporting BIPOC communities in healing, growing, and thriving through trauma. Togetha (Pritty 2) is the sequel to Pritty. Togetha leaves off where Jay and Leroy are trying to protect their city. They team up with an unlikely ally, Will, who is Jay’s once-upon -a-time crush. Because the Black Diamonds are not able to protect the city of Savannah as they once did before, it is up to the trio to come together and find the evidence to take down and expose the Bainbridge family. While working together, feelings between Jay and Will start to blossom again, and the secrets Jay and Leroy are hiding from each other can tear their love apart.
Bloom In full
Harris, Founder of Bloom & Plume, Is Reimagining Flowers, Blackness, and Creative
Rose
Maurice
Freedom Words by Dawn
Maurice Harris—floral artist, founder of Bloom & Plume, and creative visionary—has never been one to follow a traditional path. Instead, he’s forged a vivid, fragrant trail of his own, merging color, culture, and craft into something unmistakably his. Sitting down for an in-depth interview for the CREATIVES section, Harris shares how flowers became his chosen medium, how identity informs his art, and why consistency— and a bit of delusion—can carry a creative farther than they ever imagined.
Harris traces his roots to a childhood steeped in creativity. "My grandmother made church hats, and my mother and uncle were musicians," he says. Growing up in a deeply religious household, he recalls being more interested in watching his grandmother create than adhering to traditional gender roles. "I knew I wanted to be creative, but I was too scared to just be an artist, so I found creative hacks—window display work for places like Barneys and Juicy Couture." However, those early experiences with visual merchandising unexpectedly brought him back to his floral beginnings. "I'd sneak into the flower market on my lunch break and play around. Then, someone asked me to do their baby shower. Then a wedding. And eventually, I needed a business card. That was the birth of Bloom & Plume."
But Bloom & Plume isn’t just a floral studio. It’s a declaration. Harris's arrangements are bold, sculptural, unapologetically expressive—and deeply personal. "I chose flowers because I felt the industry hadn’t been touched. It was the same tight rose bouquets from the ’90s. I wanted to shake it up." For Harris, flowers aren’t just decoration— they’re a creative language. "Flowers speak. I’m just the vessel."
Still, Harris is candid about the struggles of turning passion into a profession. "Youth and delusion worked in my favor. I didn't know what it really took to run a business." He recalls waiting two years to be laid off so he could collect severance and launch Bloom & Plume full time. Each year, he took a small leap of faith—hiring an assistant, renting a studio, and buying a cargo van. "Consistency was key. I just kept going." He also understands the emotional toll of the grind. "When you feel like you’ve been putting in the time but nothing’s growing, it’s probably not true. You’re likely in hour 2,000 of your 10,000. Success is inevitable if you stay consistent."
Harris’s work often explores the intersections of Blackness, queerness, and self-expression. One standout project involved using florals to adorn the Black body—an effort to honor beauty often overlooked or misunderstood. "It started as a way to process my own pain and identity. People see flowers as beautiful and Black bodies as dangerous. I wanted to reframe that."
That same vision extended to Bloom & Plume Coffee, a short-lived but beloved café in Los Angeles. "It was an extension of my art practice. A place where people felt seen, cared for, and inspired." Though it eventually closed, Harris is clear: the spirit of the space lives on through his continued efforts to center beauty and community.
These days, Harris is leaning deeper into his identity as an artist. Photography, for example, has become a daily ritual. "I walk my dog every day, take my camera, and capture something I’d want to print. It’s a benignly creative act, but it keeps me grounded." He’s also behind the nowiconic phrase: "Capitalism doesn’t care about your creativity." The slogan— now merchandised—stems from his own frustration with commercial
constraints. "I had dream jobs that weren’t dreams. It’s a job. They’re not paying for you to be your full creative self—they’re paying for a product. You need to have something that’s just for you."
When asked what legacy he hopes to leave, Harris doesn’t hesitate. "I want to revolutionize the way people look at flowers the way Starbucks did for coffee." He wants people—especially Black and working-class communities—to feel empowered to bring beauty into their everyday lives. "We are nature, too," he says. "Flowers are like the ultimate expression of a plant’s being. That’s how I want to live—fully bloomed, unapologetic, vibrant." Maurice Harris isn’t just arranging flowers. He’s arranging a movement. One bloom, one bold stroke, and one beautiful moment at a time.
BLACK GUIDE to
WHERE TO SHOP, EAT, SLEEP AND SEE RIGHT NOW IN THE CITY OF LIGHT Words
by Travis Levius
From the Eiffel Tower and the Louvre to stylish people-watching and aromas of bakery-fresh baguettes, the French capital’s big city charm is inimitable. Overlooked for far too long, though, is the Black Paris experience, which has only started getting its just due with recent newsworthy openings by talented chefs, artists, and designers of the diaspora. Paris is teeming with African and Caribbean culture if you know where to look, and we scoured the city firsthand to find out where. Here’s our guide on where to go now for the Black experience in the City of Light, from blockbuster art exhibitions to Michelin-worthy African restaurants.
WHERE TO EAT
LA TABLE PENJA
This elevated bistro in the 7th arrondissement has become one of Paris’ hottest openings since its October 2024 debut. Cameroonian chef Pierre Siewe pays tribute to West and North African ingredients— attiéké, fonio, the Penja pepper from his native country—with inventive dishes that still appeal to the traditional French palate. The menu changes monthly, with à la carte and set menus served in a chic terracotta-walled venue. Expect plates like mashed yam with seafoam and black olives and succulent lamb paired with papaya, green pepper, and miso-glazed mushroom. https://tablepenja.paris/
KUTI
With a bold green-and-orange exterior based on an unassuming Strasbourg Saint-Denis street, Kuti is difficult to overlook. Inspired by Ghanaian chop bars, this casual, buzzy restaurant serves street food by Franco-Cameroonian owner Antoine Lecocq, sourcing inspiration from Cameroon, Nigeria, Ghana, and Senegal. Bite into a signature masa (a Nigerian pancake) topped with the likes of fried chicken, plantains, yassa onions, and piri-piri sauce or other pan-African comfort foods. Ask for their homemade pepper sauce if you need an extra spicy kick. https://www.instagram.com/kutifood
MAMA KOSSA
Even if you’re not going for a meal, Mama Kossa is a must-visit in the predominantly African Goutte d’Or neighborhood. Open from Tuesday to Saturday, Mama Kossa melds African and Caribbean influences in its food and cocktails, from unique burgers to Haitianinspired Djon Djon rice bowls in a vibrant setting. The tapas platter—sweet fried plantain, peanut butter hummus, jerk wings, and “planticini” balls—gets high marks, as well as the friendly service and pop-up DJ nights on weekends. https://www.mamakossa.fr/en/
WHERE TO SHOP
BARAKA BY LE CHEF ANTO
Based on a pretty street in the 15th arrondissement, this recently opened epicerie by Gabonese chef/cookbook author Anto Cocagne is a superb curation of pan-African goods. Chef Anto sells her own products here, including loose-leaf teas and assorted African spices, as well as made-in-Africa brands from gin distillers (South Africa’s Bayab and Congo’s Kivu Gin) to premium Ghanaian chocolate bars and cooking sauces from Senegal. https://barakalechefanto.com/
MAÏWAX EYEWEAR
Invest in your next pair of glasses at this Black-owned boutique in historic Quartier Saint Paul. Maïwax owner and optometrist Maïmouna Tirera is the first and only Black woman in France to achieve artisan lunetier (trained eyewear designer) status, with her collection often sourced and inspired by the African diaspora. Peruse handmade eyewear embellished with cowrie shells or encased in patterned fabric from Mali or Guadeloupe; don’t miss the small sustainable jewelry collection made from excess frame materials. https://www.maiwax.com/
LITTLE AFRICA VILLAGE
Part boutique shop and part local art hub, Little Africa Village is the Goutte d’Or neighborhood’s ultimate purveyor of African crafts, fashion, and home goods. The multi-hyphenate Jacqueline Ngo Mpii cherry-picks the best artisanal offerings of the diaspora to display inside this cultural gem. After you’ve shopped, head downstairs for an ever-revolving art exhibition space, conceived to further amplify Black creative voices in Paris. https://littleafricavillage.com/en-us
WHAT TO SEE
PARIS NOIR TOURS
Uncover the French capital’s overlooked Black legacy with this awardwinning private walking tour. Martinique-born founder Kevi Donat taps into his deep-seated historical knowledge for an engaging look into Black Paris of both past and present by foot, from jazz clubs in Pigalle, where Langston Hughes rose to fame, to the state of race and immigration in today’s France. https://www.leparisnoir.com/
PARIS NOIR EXHIBIT
Paris-bound this June? The groundbreaking “Paris Noir” exhibition at the Pompidou Center should be mandatory for your itinerary. The retrospective highlights 150 artists of the diaspora from postWorld War II to the 2000s, weaving through artistic movements and historic periods that define the collective Black voice from Manhattan to Montparnasse. From now until June 30th, explore Afro-Atlantic surrealism from Cuba, sketches of honorary Parisian James Baldwin, Gordon Parks photographs, colonial resistance-themed works, and plenty more at this monumental show. https://www.centrepompidou. fr/en/program/calendar/event/VRo249Y
PANTHÉON
This famous landmark might be best known as the burial place for white French figures like Victor Hugo and Alexandre Dumas, but a closer look reveals homage paid to Black icons who helped shape French history, too. Opt for a guided tour for further backstory into legends like Josephine Baker, the first Black woman inductee, poetturned-Martinique President Aimé Césaire, and Guadeloupe governor Félix Éboué, the first Black person buried in the Panthéon in 1949. https://www.paris-pantheon.fr/
WHERE TO STAY
25HOURS HOTEL PARIS TERMINUS NORD
Just across from the bustling Gare du Nord train station is an eclectic lifestyle hotel with strong African influences. The modern, colorful rooms at 25hours Hotel Paris come in bold African and Asian patterns and motifs, an intentional nod to the area’s multicultural footprint. It’s a great base for the Montmartre neighborhood, where the SacréCœur is based, and access to Paris’ African neighborhoods. Have a drink or two at the Sape Bar, a trendy cocktail den inspired by the sartorial Congolese sapeurs (black dandies). https://25hours-hotels. com/paris/terminus-nord/
Mile High and Full of PRIDE
WHY DENVER DESERVES A SPOT ON YOUR SUMMER RADAR
Words by Becca Blond
When I moved to the Mile High City over a decade ago, I wasn’t expecting to be impressed so quickly. But the combo of high-desert light, good coffee, and an equally rugged and refined scene won me over by day two. Denver might be best known for its beer, sports bros, and mountains, but look a little closer, and you’ll find one of the most quietly inclusive cities in America—with deep queer roots, an underrated nightlife scene, and one of the country’s biggest Pride celebrations.
Denver is, after all, the capital of a state with the only openly gay governor in the country, Jared Polis, and a culture that leans hard into individuality, freedom, and casual progressivism. You feel it in the laid-back style, the wide-ranging crowd at the Sunday farmer’s market, and the sheer number of spaces where everyone’s invited. Pride here isn’t just a parade. It’s threaded into the way people live.
THE CITY’S QUEER CORE
Denver’s historic gayborhood has always been Capitol Hill, the leafy, slightly gritty enclave southeast of downtown. It’s where you’ll still find rainbow flags, stately old Victorians, and a few of the best LGBTQ+ bars in the Mountain West.
Start your night at Charlie’s, a cowboyboot-friendly institution where drag shows, line dancing, and strong drinks mix with zero pretension. Just down the street, X Bar draws a younger crowd with nightly drink specials, queer bingo, and a pulsing patio scene. Denver Sweet, also in this neighborhood, is another favorite pick with a rooftop bar and kitchen.
If you’re feeling bold, Trade has been Denver’s top LGBTQ+ fetish bar for seven years running. It has nightly events and DJs and welcomes all so long as you’re respectful.
On the other end of the spectrum, Tracks, in RiNo, is the after-hours king. Part mega-club and part community hub, it hosts everything from drag extravaganzas to silent discos and QTPOC-led nights that sell out fast. And if you’re in town for Pride, make Tracks your home base. The Pride weekend parties go on all night and then some.
PRIDE FEELS BIGGER HERE (BECAUSE IT KIND OF IS)
Denver’s PrideFest (June 28-29, 2025) is one of the largest in the country, drawing more than half a million people each June. It centers around Civic Center Park, where DJs, vendors, food trucks, and a high-energy parade bring the city’s heart to life. But Pride in Denver isn’t just one big party—it’s anchored by The Center on Colfax, the largest LGBTQ+ community center in the Rocky Mountain region, offering support groups, youth programming, and cultural events year-round.
In recent years, Pride month has grown beyond downtown, with satellite events popping up in the Highlands, RiNo, and even suburbs like Aurora. Don’t miss the more alternative programming: queer film nights at Sie FilmCenter, sober socials, QTPOC market pop-ups, and house parties that run late and skip the Instagram tags.
RECHARGE IN STYLE
Denver’s hotel scene has seen a surge in design-forward, locally rooted properties that lean cool without being cookie-cutter. If you want to be near the action, check into The Ramble Hotel in RiNo. With exposed brick, moody lighting, and one of the country’s only Death & Co. outposts as its lobby bar, it nails the high-low balance, perfect for a pregame negroni or a quiet nightcap when the party’s over.
Populus, Denver’s newest architectural showstopper, is just a few blocks from Civic Center and steps from where the Pride parade unfolds. Its sculptural white facade and commitment to carbonpositive design make it as photogenic as it is sustainable.
If you’re after a boutique stay with resort-level perks, Halcyon in Cherry Creek blends upscale comfort with playful touches. It has a rooftop pool, a gear garage with cruiser bikes and longboards, and a coffee bar that morphs into a cocktail lounge by night. It’s ideally situated for shopping, spa time, and stylish brunches.
DON’T SLEEP ON THE FOOD + NIGHTLIFE SCENE
Denver’s food scene has evolved dramatically over the last decade, and the city is now home to an eclectic mix of restaurants from across the globe.
Lucina Eatery & Bar in Park Hill serves Latin American–inspired dishes with bold flavors and a great vibe. It’s one of those neighborhood spots where the cocktails are balanced, and the mofongo melts in your mouth. On Fridays and Saturdays, you’ll want to order the paella made from scratch with ingredients that change with the seasons.
Looking for skyline views with a side of global street food? Linger in LoHi is a former mortuary turned hotspot with a rooftop bar and menu that jumps from bao buns to wagyu sliders. Right next door, Avanti Food & Beverage is a more casual option. It’s a modern food hall featuring multiple rotating vendors and a rooftop patio packed with locals come sunset.
For something with a little more heat, La Diabla Pozole y Mezcal brings Mexico City flavor to Five Points. The pozole here is the real deal—rich, complex, and comforting—while the mezcal list runs deep without being overwhelming. It’s stylish, loud, and packed with locals for a reason.
Sunday Vinyl, the Union Station-adjacent wine bar, is another top choice. It serves curated playlists and seasonal small plates that elevate the vibe without inflating the bill.
Cap your night at Lady Justice Brewing, a women- and LGBTQowned brewery that puts people before profit. Located in Aurora, it’s worth the Lyft ride for its laid-back taproom, rotating seasonal beers, and commitment to the community. There’s no club lighting or dress code, just good vibes and great pours.
LETTING THE WORLD IN
THE ACTIVIST/HOST/ENTREPRENEUR SPEAKS ON HIS CAREER, LESSONS LEARNED, AND WHAT PRIDE MEANS TO HIM TODAY. Words by Chris Law
Production Manager ANTHENY RAIY
Photo RICARDO NELSON
Video AJ PIE
“If I can tell you something I’ve never told anybody,” Karamo asks assertively. “I’ve had one consistent struggle throughout my career—which has been a hat. A fitted hat.” It’s a Friday morning, and Karamo and I are on a call to discuss his career—one that spans decades and countless corners of media. Host, activist, entrepreneur, and reality TV star. He’s worn all these titles proudly, yet none of them seem to fully define who he is. Karamo is never exactly hidden, but there’s a certain mystery around him. You never quite know what he’s up to— only that whatever it is, it means more than what’s on the surface.
But first: Let’s chat about the fitted.
“We know the racism that happens when you go into restaurants and spots where you can wear a cowboy hat but not a fitted hat. When I was on The Real World [Philadelphia], they did not want me to wear a fitted hat. They were like, ‘you can’t wear it,’ and I fought against it. In the opening credits, I had gotten this fly little pink outfit—[It was Sean John, but we are not rocking with that anymore]—and had a pink Phillies fitted hat that went with it. I was like, ‘Yo, I’m about to rock with this,’ and they were like, ‘No.’ When I tell you, it was the first time I ever interacted with executives and corporate people who came down to set and opposed. I had to stand my ground and was like, ‘nah, I’m wearing this.’ The reason I stood my ground in this case is because it’s who I was. Of course, now, older, I realize the deeper implication of what I was trying to say—without having the words—was…”
“You’re not going to erase this part of my Blackness. You’re not going to erase a part of my gayness. This is who I am. This is what we wear. This is how I rock it. If you want my full story to be put on TV, you’re going to show me in the opening credits looking how I look. Not in puka shells and tanks and shorts like how they were trying to dress me.”
This moment wasn’t just about wardrobe—it was the beginning of a career-long negotiation between authenticity and expectation and a refusal to shrink himself to fit anyone else’s frame.
Twenty years later, Brown has figured it out. He’s the current host of his own daytime talk show, Karamo, which was just renewed for its fourth season. He’s also one of the beloved co-hosts of Netflix’s Queer Eye and the co-founder of MANTL, a skincare line dedicated to those who are bald or balding. Brown is wearing many hats, indeed.
SEEN BEFORE THE SCENE
Karamo Karega Brown was born on November 2, 1980, in Houston, Texas—the youngest of four, raised in a household rooted in Jamaican and Cuban traditions. With three older sisters and a cultural backdrop that didn’t exactly celebrate queerness, his awareness of identity came early and with a dose of reality.
“The first time I knew my identity could be powerful was probably based in trauma,” Karamo shares, candidly. “I come from a Jamaican household, and early ‘90s reggae had very homophobic songs that were popularized, played at family reunions, at parties, and everything. I knew very early on my existence created real emotion. When I realized at 9, 10 [years old], I knew if people really hated it that much, there had to be something passionate about it. If these grown adults were affected by someone living their life, there had to be power behind it.”
At fifteen, Karamo made a decision to live openly, or as he puts it, to “let the world in.”
“I don’t use the term coming out. I think it’s antiquated. I prefer the term ‘letting people in.’”
That need to feel seen was partially fulfilled by what he could catch on television—long before Instagram feeds or TikTok For You pages. Representation was scarce but not invisible.
“The person that always comes to mind first is Ru[Paul]. I saw Ru on their show, and I used to think, ‘OMG, this person is sitting on stage interviewing people in a full dress being Black.’ I used to be ‘WTF,’ and I was hooked.”
Then came a more personal connection.
“Do you remember Pedro Zamora from The Real World?” he asks. Of course, I responded.
“It wasn’t Pedro,” he continues, “it was his boyfriend. I used to watch that show for Pedro’s boyfriend—Sean Sasser—like you can’t even imagine. I was just thinking, this man is so loving, caring, and supportive. And yes, Pedro’s storyline was important. But when his partner would walk in, in those jeans and those white button-downs, my heart would start to flutter.”
Those early glimpses of possibility shaped his own ambitions—not in the polished, PR-driven way most celebrities craft origin stories—but in something far more raw and lived-in.
“Those two people—RuPaul and Sean Sasser—if I'm really being honest with myself, inspired this desire to want to be seen on a public stage, to talk to people, but also to have this deep empathy and love,” Brown says. “And it was from those individuals.”
" I gave up trying to maintain a private life. I’m very public. "
THE REAL WORLD AND BEYOND
Naturally, I assume it was this representation that led him to audition for The Real World a decade later. But Karamo quickly corrects me. There was no master plan—just a recent grad from Florida A&M looking for a good time.
“I wish there was some deeper mission at the time. We were at the age where that was cute to be on TV. I had lived my life as a gay man. I was on an HBCU campus as a proud gay man. I already had been living my life going to DC Pride, Atlanta Pride, Miami Pride, etc. Going on The Real World, it wasn’t about this mission of me showing the world who I was. I was fully authentically feeling comfortable in who I was when they said, ‘Do you want to be on the show to show who you are?’ I was like, ‘I’mma be there.’”
That sense of comfort—of already having come into his own—was rare for the early aughts, when queer Black visibility in mainstream media was still nearly nonexistent. Karamo didn’t just walk into the frame; he owned it. But it didn’t exist without its fair set of challenges.
“It was the first time I had been rejected by the gay Black community, and it broke my heart. I remember going to the clubs and everybody scattering from me. I remember trying to talk to people who were Black and gay, and they would shun me out. I get it. It was a different time. We weren’t vocal and as out, but it made me feel like a man alone on an island.
“Then, at the same time, I’m young, and I’m told I need to be an activist. I went on this show to drink and have fun, and now I’m being told I’m the first Black gay man on reality television. I’m like, ‘I’m 23; what do you mean I have to show up?’ It was a very dark time for me. Though I was being celebrated by the rest of the world, I was in a state of trying to kill myself almost every single day.”
PRIDE & PREJUDICE
Gay Pride [or Pride as it’s referred to by members of the Gay community] traces its roots back to the early morning hours of June 28, 1969, when LGBTQ+ patrons at the Stonewall Inn in New York City resisted a police raid—a moment that ignited days of protests and a global movement. Today, it’s become a celebration across the world and has several smaller moments based on location and recent “looks.” Given that Brown has been going to Pride for 20+ years and even sometimes booked as a guest of honor, I wanted to know what his thoughts are on the current state versus back then.
“Pride is a very interesting event. We know that it was made out of protest. Yet, Pride [celebrations] is divisive, and it’s always been divisive. When I was younger, I didn’t realize it because I was a certain height, certain look, and had a certain style that made me feel like I was on top of the world. It wasn’t until after The Real World that my circle became more diverse in sense—lookwise, sizewise, lesbian and trans friends. I realized this pride stuff isn’t as inclusive as we thought. It’s divided, divided, divided. It’s a conversation I don’t think we’re having properly, and I don’t know why. The one month we are supposed to look at each other and say, ‘I see you; I see all of us,’ and you don’t see everyone there. It’s a little shocking to me. I think there needs to be more conversations about what Pride really is.”
“ I think there needs to be more conversations about what Pride really is.”
GETTING PERSONAL
While our introduction to Brown was before there was a social media footprint, much of his success has happened in later years, where your private life can be public and the cause of discussion and debate. Yet Brown doesn't seem to be bothered about it; in fact, he seems to welcome eyes into who he is and wants to show all sides of himself as a human, as a man, and as a gay Black man.
“I gave up trying to maintain a private life. I’m very public. I realize part of my journey is to be seen in all spaces. I’m the person you’re going to see at the club at 4 o’clock in the morning. The girls don’t need to whisper because I’m not doing anything shady. Luckily before social media and my drug days and all of that was back in the day, so now I’m just there to have a good time and kiki with the rest of them.”
“On my talk show, I do these segments. My son came on, and he talked about this drug addiction. My son’s mother comes on, and we talk about our journey. I talk about trifling niggas I date. I talk about everything. I do this because I understand the same way I was looking at Ru or Sean is the same way someone is looking at me. I don’t want them to get one side of some picture. People are entitled to have an opinion of me, but if you are going to have an opinion of me, have it holistically.”
Karamo has been pretty open about his dating life, including his past partners. It’s been a year since he announced splitting with photographer Carlos Medel. Yet Brown isn’t sitting heartbroken; he’s open to finding a partner again.
Brown laughs before offering, “I can tell people how to have great relationships. I ain’t learned it yet.” I’m 44 and single. I don’t know what to do. I’m about to celebrate a year of singleness. So I can learn the advice I give to other people.”
suit PALM ANGELS
shirt GLASS CYPRESS
shoes MARNI
blazer JACQUEMUS shirt ZARA pants CELINE shoes PRADA
OUTRO
Brown always gets to the core of the people he talks to. Offering antidotes and asking the questions that get you to think about the life you’ve led and how you want to live authentically in the future. It’s something that, as a journalist, I admire about him, and so I couldn’t help but ask a final question that might do the same for him. I asked him what he would say to his 80-year-old self.
“My 80-year-old self? Bitch, you made it to 80? Werk!” He laughs.
“I say that with a joke and a little seriousness because most of my life, I didn’t think I would make it to 30. When I made it to 30, I was shocked, and when I made it to 40, I was doubly shocked. I’m now trying to embrace the fact that I’ll make it to 50. I’m not trying to be morbid. The way the world informed me, I didn’t think I would live this long. I have a smile on my face because I think I would be happy to make it there.”
And whether it’s a talk show, a skincare brand, or a 4 a.m. dance floor, Karamo Brown will live his life on his own terms—and he might still be wearing that fitted hat. And you better not dare tell him to take it off.
“ My 80-year-old self? Bitch, you made it to 80? Werk! ”
ON HOW WORKING WITH TYLER PERRY CHALLENGED HIM AND WHY HE’S GRATEFUL
Words by Kirby Carroll Wright
BLEU: Before we dive in, I have to say, I feel like I’m in good company. I went to Clark Atlanta, and I know you went to Morehouse. What was your experience like at Morehouse?
Steven: Yes, absolutely! Morehouse, the AUC, and Georgia were a different world. I’m from Detroit, and I love my people, but I was only used to my people. When I got to Atlanta, I didn’t know anyone. I had one cousin I met because I was coming down for school, but that was it. Starting over was scary and exciting.
My college years were some of the most important of my life. You go through so much. What I love about the time isn’t just the education; it was a cocoon between being a child and becoming an adult. It can be hard, frustrating, exciting, and fun all at once. But now, looking back, I appreciate all of it.
BLEU: Yeah, I loved college. But when I think of some of those times, it just feels like a whole different world. I’ve grown a lot since that time.
Steven: You’re familiar with the AUC, so I can say, Clark Atlanta is close to my heart because I was a part of House Arrest (a respected dance group in Atlanta). I used to go on that campus all of the time. Being able to be a part of it was wonderful.
Sometimes, at HBCUs, not everything is “polished,” but we figure it out. Now, being in this place in my life, that mentality helped give me the ability to maneuver funky situations. So I’m tremendously grateful for that.
BLEU: Speaking of skills, I was so surprised to see you were previously a math major! Did you ever use your degree, and what are some surprising ways it helps you today?
Steven: While I was in school, I worked as a tutor and realized I liked teaching. So, after graduation, I started a graduate program at USC, planning to become a teacher.
What I love about math is the process—there’s a lot going on. You can get the right answer, but you also have to back it up and show how you got there.
While I was in grad school, I was also dancing professionally. I went on tour with Keyshia Cole and
“ I’ve spent years working on toughing up. And then to pursue a career that asks me to pull that down—it was terrifying. ”
“ Choosing to be vulnerable has been hard, but it’s so rewarding. ”
everything. But eventually, I had to make a choice, and I decided to leave the education route to pursue my dream of dancing. My mindset was: school will always be there, but I didn’t know how long I’d have opportunities to dance.
Actually, one of my first auditions was for Aretha Franklin. I didn’t have much on my resume at the time, so I included anything that might stand out, including that I was a Man of Morehouse. That same night, she called and hired me as a dancer. I think it helped me land the job.
BLEU: I think it’s so interesting that you had a whole dancing career before acting. When did that transition happen?
Steven: The last years of dancing was when acting was really knocking at the door. But I was terrified of it. Mainly because I respect the craft so much. It’s not something that you can just jump in and do. It comes with so much time and a lot of vulnerability.
And I’ll be honest, Kirby, I’ve spent years working on toughing up. And then to pursue a career that asks me to pull that down—it was terrifying. One of my last final dance jobs was dancing for Tinashe, opening up for Katy Perry in South America. And one of the last things I wanted to do in that career was tour the world. So after that, I decided to try something really scary: acting.
A buddy of mine, DeJohn Tarleton, an actor, producer, and director, was someone I felt comfortable opening up to. I told him how terrified I was, that I wasn’t sure if I should go for it. And he just said, “Do it. Just try.” I’m always thankful for that. My relationship with acting has been a journey, for sure. Because at the end of the day, I just want to make the craft proud. Choosing to be vulnerable has been hard, but it’s so rewarding.
BLEU: It almost sounds like you’re talking about therapy. Steven: When you put yourself in a space where everyone’s choosing to be vulnerable, you find yourself not just doing it for the exercise. You’re actually confronting the thing that makes you vulnerable. Acting forces you to acknowledge them. But the beautiful part is, out of that comes TV and film. I think everyone should take an acting class.
BLEU: Okay, now you mentioned TV and film. So, you know we have to get to Beauty in Black. I planned to watch one episode and then just kept going! There’s so many “OMG moments.” What was your very first thought when you read the script?
Steven: The first thing I recognized is that my character, Charles, was a light in the story. My character’s family goes through it. Now, some of them put themselves in that situation, but they go through it, nonetheless, and it weighs on them.
When I read the script, I saw that Charles isn’t letting what he’s going through dictate how he lives. He’s still choosing to find humor and joy in the middle of all the family drama. And I envy that because there’s something powerful about someone who can have everything thrown at them and still feel in their element. Charles being able to exude that energy gives others permission to receive it, too.
Now, in the real world, I definitely have moments where frustration takes over; I’m human. But what I love about TV and film is it gives the chance to fantasize about what reality could be. And it’s just nice to see Charles living his best life all the time.
BLEU: That’s so funny because my next question was, what’s one of your favorite and least favorite things about playing Charles? I guess you answered half of that already, so what’s your least favorite?
Steven: I don’t want to say “the least,” so I’ll go with “the most challenging.” So, Charles likes many, many, many men. And Steven G. Norfleet is not really that. The challenge for me came in working with my coworkers and making sure we both found a level of comfort. I want Charles to be able to be Charles—fully. But I also want to make
sure the actor opposite me feels respected by Steven. It’s about taking time to have the conversation.
I was lucky. Everyone I wanted to have that conversation with was cool. It was always love. We figured out the choreography. The challenge comes in not always knowing where people stand. Especially growing up, I saw how some straight men can struggle with that for their own reasons. And I respect that. I really do.
It’s about respecting them while expressing how I feel and then figuring out the best way we can both do our jobs. It’s kind of like a dance. You don’t know how it’s going to land, but you go in open and ready to listen. Communication is key.
BLEU: I’m going to switch gears and get a little personal. I’ve been working on some of the marketing and publicity for Sugar Daddy: A Bitter Truth About Sweetness, the documentary your husband, producer/director Anthony Hemingway, is working with—so I know first-hand how important health is to your family. I imagine taking on a role like this only deepens that focus. Can you share a bit about your health and wellness routine?
Steven: That’s so cool! But yes, Charles is very in shape. Steven does not look like that on a regular basis. So, in order to look like him, it takes rest, exercise, and eating right. LA is geared toward nutrition. The options are various and healthy. Plus, we play tennis, hike, and so much more. Community and lifestyle is important.
In my normal life, I have to be on a great routine to support my work. After a while, when you’re doing it so often, it becomes what you desire. I crave all of that lifestyle now, and I love drinking my water.
BLEU: Now I have to ask this. Obviously, we know Tyler Perry is amazing. I keep hearing endless stories about the things he’s done for Black actors. I’m curious: what do you think is one of the biggest misconceptions about him?
Steven: Tyler Perry is a true gem from God. When you see how many people’s lives he’s changed, it’s wonderful. And now, with my life being changed, being on a hit TV show, and having financial stability to help out family and friends and enjoy my life more. I’m happy to be a part of that.
How he curates his world has brought on its own challenges because I’m not used to shooting in a matter of weeks. But that has pushed me in further ways than I can imagine, and it’s been amazing.
BLEU: I love how you’re kind of answering my questions. Because I’m a big supporter of Tyler Perry and the world he’s created. Honestly, the only misconception I was going to mention was the quick shooting schedules, but you addressed that and how it empowers you.
Steven: I can respect that. For some people, it can be fast. It’s a beast. But I’ll say this, Kirby, there was a time I was really questioning my memory. I used to have a hard time remembering lines and people’s names. At first, I joked about it, but then I started to worry, especially since my grandparents had dementia. Taking on a role like this, with so much material to learn in just a few weeks, really tested my memory. One reason I got into acting was to push myself into uncomfortable, challenging situations. Now, after completing the season, I can say I put in the work, handled it, and feel okay about where my memory is.
BLEU: Finally, I’ll close with this: what piece of advice would you give to someone who wants to be in your position, an upcoming actor or aspiring creative for example?
Steven: Wherever you are right now, enjoy that. Your dreams may or may not come true, but just having the desire to pursue something is a gift. Being alive and wanting more is a gift. Don’t get so focused on what’s next that you miss the present. I’ve been fortunate in my journey, and even now, as I hope to go further, I see how important it is to appreciate the moment you’re in because not everyone gets that.
SOUND AND SPIRIT
STEBN FUSES CULTURE AND COMMUNITY TO MAKE BEAUTIFUL MUSIC
Words by Kent Olden
What makes good music these days? Storytelling lyrics? A beat that just doesn’t let you sit still? Or is it that particular person, place, or thing that immediately pops into your head every time you hear that song? So many ingredients go into creating the music that moves the masses, but for one artist on the rise, the recipe is simple. Take a nostalgic blend of contemporary sounds, season with Latin flavor, and mix in the influence of friends, family, and freedom. This is what STEBN needs to set the soundtrack to the stories of our lives, all while remaining true to where he’s from, celebrating where he is, and preparing the world—and himself—for where he’s ready to go.
SEXY NOSTALGIA …
“I just love the feeling of nostalgia … just remembering memories throughout the entire production process to help create the beat or come up with the lyrics or whatever,” says STEBN, giving his own perception of his handcrafted sound. “It’s really sexy at the same time, too. It’s a perfect blend of nostalgia and sex appeal. My music brings back memories that make you just wanna get up and dance.” Motivated by his own memories of back home in the Dominican Republic, STEBN also shapes his sound with heavy influences from the island. “I just love a lot of Dominican songwriters,” he says. “Manuel Tejada and Juan Luis Guerra and Rubby Pérez, who recently died in the [Jet Set nightclub] tragedy. They all influence some part of my process.” From the States, STEBN gives thanks to two greats. “I’m a huge Beyoncé fan!” he shares. “I live for these compilation videos they do for all her different runs, and I’ll just sit there and learn them! And Prince. Prince has always been an influence, and I genuinely love him.”
STAY A WHILE …
With a new EP released in April 2025, STEBN shines a light on his new era that winds through rhythm, rediscovery, and wall-to-wall musical madness. In the first released single, “Quédate un Ratito,” STEBN gives an unfiltered tour of navigating his feelings and learning to embrace his whole self and share for all to see. In doing so, he found how to love what he feared, never sliding any part of himself into the shadows. “The creative process was so much fun,” he says. “From the beginning inception to now, creating the visuals for the whole EP. For the first time in my artistry, I’m creating without any type of limitations.” STEBN also takes great pride in taking on some firsts with the project. “This was my first time writing songs in Spanish, and I just really discovered I had this talent. I’m just really learning about myself and what I can offer as an artist.” In keeping with the nonstop nostalgia he likes to link through his lyrics, STEBN had his friends join the chat. “I was able to involve my friends on this one, and they were with me every step of the way,” he says. “Literally just in my room, hanging with me, and whenever any idea or phrase came about, we made it a part of the process; they’ve found their way into the songs. It was just a whole group of Dominicans—the whole team—making this happen in the best way possible, and that was really important to us.”
STAY TRUE TO YOU …
Forever an activist and advocate for true authenticity, STEBN emphasizes the importance of always staying true to yourself. “Ever since I was a kid, my mom, she’s a psychologist, always be like, ‘Hey … just stay true to you.’ That’s what’s the most important to me,” he says. “We’re influenced musically by what’s happening in the world, of course, and we are inspired by that. I just always want to make sure that I’m helping people stay true like to who they are. For me, I’m a gay Dominican guy who loves to make music that moves you. You can either take it or leave it; like it or don’t. I love it, and I will always do me and tell my story.”
photo
Now That PRIDE Isn’t Trending WHERE ARE YOU STANDING?
Words by Taurean Bethea
Founder & Executive Director, Springfield Pride Parade Organization
Pride is no longer “trending.”
The rainbow filters have dimmed. The merch is off the shelves. And many of the same brands that once paraded their allyship have gone silent.
So we’re asking—where are you standing now?
At the Springfield Pride Parade Organization, our theme for 2025 is bold, unapologetic, and necessary:
#MyPrideisLOUDAF.
Yes, it might sound brash to some—but in a world where silence has become complicit, where queer and trans lives are debated in courtrooms and erased from classrooms, we’ve got no choice but to be louder than ever before.
As the late Congressman John Lewis once said, “Get in good trouble, necessary trouble.” That’s exactly what this moment calls for. Now that it’s no longer profitable to be performatively “proud,” the real ones are being revealed—and the rest? They’ve disappeared into the shadows.
To corporate America: When Pride was easy, many of you were everywhere. Rainbow logos. Limited edition collections. Empty slogans. But when it became controversial to stand up for queer youth or dangerous to say the word “transgender” out loud, too many of you opted for comfort over courage.
But not all.
We see you, JPMorgan Chase, who publicly reaffirmed your LGBTQ+ support and employee protections.
We see you, Costco, who continues to prioritize inclusivity through internal culture, not just consumer messaging.
We see you, Marriott, who recently made the choice to stand tall while others bowed to political pressure.
These aren’t just brands. They are beacons of what allyship actually looks like—consistency when the cameras are off. They understand that supporting the LGBTQIA+ community is not a seasonal campaign—it’s a year-round commitment rooted in values, not vanity.
Meanwhile, anti-LGBTQIA+ legislation is on the rise. Queer youth are under attack. Trans people are being targeted. Books are being banned. And drag queens are being treated like threats. So, I ask again—where are you standing?
#MyPrideisLOUDAF isn’t just a hashtag. It’s a call to action. A declaration that we will not shrink. We will not whisper. We will not wait for the right time to be who we are. Our pride is political. It’s radical. And it’s relentless.
For our community, pride was never about parties or parades alone. It’s about protest. It’s about power. It’s about showing up when it counts the most—especially when the world tells us to sit down.
So, to those still standing with us, thank you.
To those sitting this one out: we see your silence. And to everyone wondering what comes next: It’s time to speak up. To show up.
And to get LOUD AF.
ZIMBABWEAN LGBTQ+ RIGHTS ADVOCATE MOUD GOBA
Director of Microw Rainbow, a nonprofit organization dedicated to supporting LGBTQ+ refugees, Moud Goba’s dedication is inspired by her own background. Moud, a lesbian woman, left Zimbabwe in the early 2000s, seeking safety and refuge in the United Kingdom. She has been an advocate for the community for a long time but began her professional involvement after receiving her refugee status in the UK. Goba’s activism earned her recognition, including the Attitude Pride Award in 2017 and a spot on the BBC 100 Women list in 2022. Her work continues to focus on advocating for the rights and well-being of LGBTIQ+ individuals, particularly those from marginalized communities. Goba finds hope in the women she helps every day despite a system that constantly goes against the work she’s trying to accomplish. Nonetheless, she gets to experience the people she’s worked with return to Micro Rainbow and watch them not only live but thrive.
YOLO AKILI
FOUNDER OF BEAM
(BLACK EMOTIONAL AND MENTAL HEALTH COLLECTIVE)
Founder of BEAM, an organization dedicated to removing barriers to emotional and mental healthcare for Black communities, Yolo Akili is a Black queer mental health advocate. Through BEAM, Akili has provided training and resources to individuals and organizations, empowering them to support mental well-being within Black communities. Yolo has over 20 years of experience in community mental health, focusing on intimate partner violence intervention counseling, HIV/AIDS counseling and case management, and TLBQ+ youth peer care under CDC and NIH-funded projects. His work emphasizes the importance of culturally competent care and community-based healing practices that center on Black and queer experiences. His advocacy has been featured in major outlets, including Shondaland, GQ, Women’s Health, USA Today, Vice, and Ebony. He’s also the author of Dear Universe: Letters of Affirmation & Empowerment for All of Us, a social justice-themed affirmation book offering daily reflections and support for collective healing. His leadership continues to reshape how mental health is understood and addressed in Black communities across the U.S.
INDYA MOORE
QUEER ACTOR/ACTIVIST
Indya Moore (they/them) is a trailblazing actor, model, and activist who uses their platform to advocate for Black trans and nonbinary communities. Rising to prominence through their role as Angel Evangelista on FX’s Pose, Moore has consistently merged artistry with activism. In 2020, they initiated a grassroots COVID-19 relief effort via Cash App, raising over $20,000 to support more than 400 individuals, primarily Black trans women, but also extending aid to Latinx, Asian, Indigenous, queer, disabled, and differently-abled people. Moore’s commitment to justice extends beyond financial support; they have been actively involved in protests advocating for trans rights and racial justice. Notably, they were among hundreds arrested during a 2023 rally at Grand Central Terminal, calling for a ceasefire in Gaza. Through their unwavering dedication, Moore continues to challenge systemic oppression and uplift marginalized voices.
GERREN KEITH GAYNOR
WHITE HOUSE CORRESPONDENT AND MANAGING EDITOR OF POLITICS AT THE GRIO
Gerren Keith Gaynor (he/him) is a prominent Black queer journalist and political editor, currently serving as the White House Correspondent and Managing Editor of Politics at theGrio. With a career spanning major media outlets, Gaynor has held editorial roles at Fox News, BET Networks, and VIBE Magazine, showcasing his versatility in both political and entertainment journalism. An alumnus of Morehouse College and Columbia University’s Graduate School of Journalism, he brings a rich educational background to his reporting. Gaynor is known for his commitment to amplifying Black LGBTQ+ voices and advocating for inclusive representation in the media. Through his work, he continues to shed light on issues affecting marginalized communities, striving to foster a more equitable media landscape.
BLACK & WHITE
photographer HARVEY JACKSON
fashion CHRIS SANDFORD
grooming KAYE MAKEUP
cardigan BILLY REID pants ASOS DESIGN
hoodie EAST SIDE GOLF coat COTTON ON pants ASOS DESIGN sneaker CONVERSE
the PrideRocks on
L
λ MBDA LOUNGE SERVES COMMUNITY WITH EVERY POUR Words by
Stephanie Clarfield
In the heart of Harlem, Lambda Lounge isn’t just shaking up cocktails; it’s redefining what Pride looks like all year long. Founded by Black queer couple Charles Hughes and Richard Solomon, the lounge serves up liberation, legacy, and a safe space.
Opened in 2020, Lambda Lounge carved out more than a nightlife venue; it created a sanctuary in the heart of Harlem, where the music is loud, the cocktails are strong, and every guest can breathe a little easier. In an industry that often centers whiteness and overlooks the full spectrum of queer identity, Lambda Lounge stands as a radical act of joy, ownership, and visibility.
The lounge was born out of resilience. Before Lambda Lounge, married couple Charles Hughes and Richard Solomon launched Lambda Vodka in 2016, a spirits brand that reflected their identities as Black gay men: bold, unapologetic, and made with intention. But entering the spirits market wasn’t easy. Despite having a quality product, they were repeatedly met with closed doors and shelf space politics that underscored deeper biases in the industry.
Rather than wait for access, Hughes and Solomon built their own platform, one where their brand could thrive and their community could gather. Located at 2256 Adam Clayton Powell Jr. Blvd., Lambda Lounge brings a sleek, modern energy to Harlem’s historic landscape. Inside, the ambiance is chic yet welcoming: exposed brick, moody lighting, plush seating, and sleek VIP sections. It’s the kind of place that feels exclusive yet open-hearted, where the vibe is elevated, but the mission is grounded in inclusivity. But more than its aesthetics, what defines Lambda Lounge is its emotional atmosphere. Patrons often describe it as a space where they can exhale. It’s where queer people of color can dance freely, feel affirmed, and connect with their chosen family.
The success of Lambda Lounge led to the opening of Club Lambda BK in 2022, a Brooklyn expansion featuring multiple floors, outdoor space, and room for largescale performances and events. With this growth, Hughes and Solomon are realizing a larger vision: to build a national network of Lambda venues that center Black LGBTQ+ communities and offer refuge, celebration, and empowerment in every city they touch.
In a nightlife scene that frequently sidelines intersectional identities, Lambda Lounge isn’t just filling a void; it’s setting a new precedent. It proves that Black queer joy, entrepreneurship, and community can thrive when given the space to flourish. It challenges traditional models of nightlife with something deeper: purpose.
As Hughes and Solomon continue to expand the Lambda brand, they’re not just building bars; they’re building a movement. A movement rooted in pride, powered by love, and destined to leave a lasting legacy.
ANGIE STONE’S MUSICAL EVOLUTION
Words by Dr. Dominique Carson
Angie Stone's musical journey is a masterclass in resilience, reinvention, rebirth, and raw talent. Her evolution is groundbreaking and inspirational and emphasizes the power of artistic growth. The Grammy-nominated singer, songwriter, actress, and rapper honored her Southern roots with her music and discovered the beauty of her own voice through decades of hard work and perseverance.
Stone demonstrated unwavering determination from her early days as a pioneering member of the first all-female gold-selling rap group, The Sequence, in the 1970s alongside Cheryl "The Pearl" Cook and Gwendolyn "Blondie" Chisolm. Their 1979 hit "Funk You Up" was groundbreaking in music history. It was the second rap single ever released and the first by a female group, solidifying their status as pioneers in hiphop. Stone's contributions to The Sequence helped open doors for women in rap and laid the foundation for her lifelong music career.
After the group disbanded, the South Carolina native became a celebrated solo artist in the R&B and neo-soul genres. Throughout the 1980s and early '90s, she continued to evolve as a vocalist and songwriter, contributing to projects that would later influence the neo-soul movement. In the 1990s, she became a member of the R&B trio Vertical Hold, known for the hit single “Seems You’re Much Too Busy.” During this period, Stone honed her vocal style—a soulful blend of gospel roots, smooth R&B melodies, and a touch of funk—distinguishing her as an artist of emotional depth and vocal richness.
Legendary record executive Clive Davis discovered Stone's multifaceted range in songwriting and vocal capabilities. He signed her to Arista Records, and she followed him when he launched J Records because of her soulful talent. Stone's solo debut came in 1999 with the release of Black Diamond. The album was a critical and commercial success, anchored by the hit single "No More Rain (In This Cloud)," which sampled Gladys Knight & The Pips.
The song was inspired by the birth of her son, Michael, from a state of depression after her breakup with Grammy award-winning singer D'Angelo and utilized the memorable phrase her father used to say when she used to ask for money when she
was a child. The single showcased Stone's gift for blending oldschool soul with modern sensibilities. With Black Diamond, Stone also emerged as a vocalist and a storyteller—her lyrics offering messages of self-love and emotional vulnerability.
Her follow-up albums, including Mahogany Soul (2001) and Stone Love (2004), solidified her status as a leading voice in the neo-soul genre. Tracks like "Brotha," "Wish I Didn't Miss You," "Baby," "Sometimes," and "I Wanna Thank Ya" demonstrated her ability to straddle the line between classic soul and contemporary R&B, appealing to a broad audience while staying true to her musical roots. The song "Brotha" is an anthem for black and brown men navigating life's challenges. Her songwriting skills have left an indelible mark, from penning the theme song for the TV sitcom Girlfriends to contributing to D'Angelo's debut album, "Brown Sugar."
However, Angie Stone's influence surpasses her impressive collaborations and diverse musical genres. Her unwavering commitment to authenticity lies in valuing substance over fleeting trends. Her partnerships with heavy hitters such as Stevie Wonder, Erykah Badu, Joe, Calvin Richardson, Musiq Soulchild, Snoop, Mariah Carey, Mary J. Blige, D'Angelo, Lenny Kravitz, and Alicia Keys have further cemented her as a vital force behind the scenes of modern music. Her illustrious career is a testament to her dedication and integrity, allowing her to
Angie Stone's long-lasting career has been transformative—from a pioneering emcee to a neo-soul icon. As the music landscape evolved, so did Angie Stone, becoming more soulful, daring, and firmly anchored in greatness. Stone's remarkable ability to adapt while maintaining her authentic essence has secured her place as an enduring legend, her soul-stirring voice resonating deeply with generations of listeners. Tragically, she lost her life in a car crash in March 2025 at the age of 63. However, her music continues to inspire and uplift audiences today, illuminating the profound impact she has made on the music scene over the past four decades. We are forever grateful for her remarkable legacy.
