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Brand Ambassadors
Rannon Harris (Chicago-Midwest) LeRoy Williams (New York- Northeast)
Submissions
Bleu Magazine
42 Broadway 17th Floor New York, NY 10004 info@bleulife.com
Ain’t no stoppin’ us now
We’re on the move
Ain’t no stoppin’ us now
We’ve got the groove
There’s been so many things that’s held us down
But now it looks like things are finally comin’ around I know we’ve got a long, long way to go And where we’ll end up
I don’t know
But we won’t let nothing hold us back
We’re puttin’ ourselves together
We’re polishing up our act, well
And if you’ve ever been held down before I know you refuse to be held down any more, well
Don’t you let nothing, nothing Nothing stand in your way
AIN’T NO STOPPIN’ US NOW
MCFADDEN & WHITEHEAD
Goalposts aren’t real. Sure, they are symbolic. But they can be moved, modified, and redefined to frame the necessary outcome for success. In the life of a startup, the score is ever-evolving. Milestones are more like speed bumps, and “winning” has multiple qualifiers.
While we are beyond excited to celebrate this incredible achievement—our 100th issue—we’re already looking ahead. The goalpost has shifted. Completing this issue, with its 110 pages of original content, was once a distant speck on the long road of defining who we were as a media brand. Through countless twists, turns, and setbacks, we made it. But guess what? It doesn’t feel like enough.
Don’t get me wrong—this is a big fucking deal. Many of our counterparts never made it this far. But in so many ways, it feels like we’re just getting started. The media landscape is shifting at an unprecedented pace. Change is inevitable—we embrace it, we thrive in it, and we are built for it.
And no media brand is better equipped for the future than BleuLife Media Group. As a diverse-owned platform, we are led by passion, innovation, and an unwavering commitment to storytelling that matters. The most incredible humans—from interns to editors—pour their hearts into greatness every single day. This isn’t just about hitting milestones; it’s about setting new standards.
We’re redefining what it means to be a media powerhouse. We’re just scratching the surface of what’s possible. And trust me— you won’t want to miss what comes next. Let’s keep moving.
DéVon Christopher Johnson Founder & Group Publisher
DANTE WILLIAMS
Dante is a New York based (Buffalo) all-around creative who specializes in video production and fashion photography. Dante’s interest for music, art, and fashion were always prevalent throughout his life. Once his basketball career concluded, and he received his bachelor's degree, Dante began to pursue a career in media. In the process Dante has established his own production company; Beyond Prolific Productions. Has helped create arguably Buffalo’s most respected media platform for creatives and entrepreneurs; No Label The Podcast. As well as being a consistent contributor on Bleu Magazines content production team. One of Dante’s goals is to help bridge the gap between the art and entertainment industries of Buffalo, NY and the boroughs of New York City.
CHRIS LAW
Chris Lawrence (pen name Chris Law) is a writer, menswear stylist and fashion pundit. During the day he works on brand strategy and copywriting for brands like Everlane, Banana Republic or Saks. At night, he enjoys binge watching TV, trying out new restaurants and a bourbon on the rocks.
JUSTIN WALLACE
Meet Justin Wallace, the Managing Editor of Bleu Magazine. A true New York native, Justin's passion for hip-hop ignited during his formative years spent in the vibrant borough of Brooklyn. In his role as Managing Editor, he meticulously curates the content that graces the pages of Bleu Magazine. Beyond his editorial duties, Justin also spearheads his own creative agency, 'Eternal Soundscapes,' featuring the eminent artist Justice Samari.
Antheny Raiy
Antheny Raiy is a dynamic entrepreneur whose expertise spans everything from wardrobe to real estate, making him a versatile force in the industry. Creative at his core, he is a wardrobe supervisor, costumer/fashion stylist, event
producer, and the West Coast managing editor at Bleu Magazine. With a keen eye for style and storytelling, Antheny has curated compelling fashion narratives, overseen real estate renovation projects, managed high-profile productions, and shaped the creative vision of editorial content. Passionate about culture, art, and aesthetics, Antheny Raiy continues elevating brands and individuals through his multifaceted approach to fashion and media.
LIVINGSTON STEELE
Livingston Steele, a Newark native, is a creative force in film and the arts. The University of New Haven graduate, majoring in music business and a minor in TV and film, honed his skills at institutions like BET Music Matters and Legend Factory. Livingston has a passion for storytelling and has worked on projects such as the award-winning independent film "Savior" and starred in the lead role of "Conscious" at the New York Theatre Festival. He also produced the Newark International Film Festival-recognized acclaimed web series "The Theory of Brick City Music and is actively involved with the Organization of Black Screenwriters. Lastly, Livingston founded the Artillery Creative Cannon and is the visionary behind the Brick City Jam Festival, which showcases his hometown's cultural heritage.
MARK ELIBERT
Mark Elibert is a journalist from Harlem, New York, looking to leave his mark on the culture. He started writing for Billboard and has since worked for various outlets such as VIBE, XXL, GQ, HipHopDX, Complex, and more.
Bleu Magazine is founded by Dévon Johnson in New York, NY, to produce media that represents and highlights Black men and culture.
Ari Gold, The first white gay male on our cover
was founded
JUNE
First Issue of Bleu was released (Kelis on cover)
Started a Facebook account Issue #10 published (Wendy Williams on the cover)
Bombshell by Bleu was founded MARCH
The first episode of Bleu TV on Youtube
JUNE
Issue #30 publislhed (Nick Canon on the cover)
Kelly Roland on our first digital cover 20 14
Started a YouTube account
JANUARY
Issue #40 published (Rotimi on the cover)
First Issue of Bombshell by Bleu was released 10 year anniversary of Bleu Magazine
The block Bleu started on
MAY 5
First post on Bleu Magazine Instagram (first #fashion friday went to @jovelroystan)
MAY 8
First #modelmonday post on Instagram went to @jordunlove
OCTOBER
Bleu talks with Dr. Durrell Tank Babbs Sr. to discuss his album and being on tour 20 18
20 17
JUNE Issue #60 publishled (Jon Batiste on the cover)
20 19
JUNE
Shop BleuLife launches a new collection called “By Bleu”
FEBRUARY
Bleu went behind the scenes with Trinidad Cardona to talk about his viral hit, “Jennifer”
APRIL Issue #50 published (Quincy Brown on the cover)
Black Lives Matter T-shirt was launched DECEMBER Collaboration with Lewis Beilharz to create three exclusive T-shirts 20 20 20 21
JULY
JANUARY Issue #90 published (Broderick Hunter on the cover)
FEBRUARY Issue #70 published (King Von on the cover) Start of music Friday’s 20 22 20 24 2025
JUNE Issue #80 published (Gail Bear on the cover)
MARCH
Issue #100 will be published (The Lox on the cover)
REINVENT YOUR COMFORT
LEISURE AND COMFORT STARTS NOW WITH THESE NEW TOOLS.
By Bleu Staff
ZIPPO HEATBANK 9S PLUS RECHARGEABLE HAND WARMER
Keeping your hands warm during this particularly frigid winter season is essential. This pocket-sized portable device comes with six different heat settings and stays toasty for up to five hours and 40 minutes. Along with several other convenient features, such as a built-in phone charger and flashlight, it eliminates the need to repurchase disposable warmers, doing both your wallet and the environment a favor.
$49.95
BESPOKE POST STARGAZING KIT
This compact, easily portable device helps you to quickly identify more than 1,500 stars visible to the naked eye. With the included adapters, depending on your latitude and the proper alignment of the stargazer, you’ll get a glimpse into the ‘sky’s map.’
$68
SHARPER IMAGE VIRTUAL PING-PONG
This virtual Ping-Pong device is a fast-paced electronic alternative to the traditional setup we’re used to. Using a simulated ‘ball of light,’ you can play solo against the console or face off against an opponent—fun for everyone.
$89.99
WAVE SOLO
This ultra-portable smart vibration therapy device delivers pinpointed pressure and vibration to focused areas for reduced tension and improved movement. The three powerful vibration frequencies and innovative wave texture allow its ergonomic shape to work deep into hard-to-reach areas while effectively muting sound and reverberations.
$79
MERCEDES STRIVES EARLY FOR CLEAN EMISSIONS IN THE NEW YEAR
MERCEDES OFFERS CUSTOMERS A NEW EXPERIENCE AND CLEAN CARBON EMISSIONS WITH THE MERCEDES-BENZ ELECTRIC G-CLASS. By Hassan
Wiggins
As 2025 settles in, dealerships are often finding new ways to promote vehicles to interested customers. Many vehicles have been announced this year, and while some may stick, not many can replicate what Mercedes has brought to the table with the brand-new Mercedes-Benz Electric G-Class SUV. Mercedes has an exceptional track record of releasing innovative and iconic vehicles to its buyers. The Mercedes-AMG, Mercedes-Benz GLE, and other notable vehicles are only among a few of their master class wheels. The electric G-Class is creeping its way into dealerships soon, with the possibility of the vehicle striking big numbers with deserved speculation and excitement from people around the world. With eight electric vehicles released by Mercedes, the new G-Class seems to be a further improved and creative take on the path of clean driving, implementing a plethora of new technological advances to the SUV and an interior that resembles futurism at its core.
Mercedes themselves describe the upcoming G-Class as a “thunderbolt of fury meeting cutting edge, progressive tech.” This could well be an understatement when analyzing the sheer value of the new G-Class. A vehicle centered around its ability to handle off-road terrain, the G-Class offers three locking differentials and a low-range gearbox. It provides maximum traction by locking the wheels for challenging off-road driving capability and enhancing steep incline driving for outdoor exploration, all while traveling within the comfort of the sleek interior and smooth feel of the vehicle. Technology and futurism are notable parts of the vehicle, with a vertical dashboard design that maintains a rugged feel and implements sleek and modern ways to ride with Mercedes. Equipped with high-quality leather and a mixture of both wood and metal accents, it flourishes its passengers in richness and wealth.
Its primary upgrade would be the MBUX Infotainment System. A fully rounded dashboard and screen cover any need. First, the system excels in navigation with additional help from artificial intelligence technology to push it to the heights of electric vehicles. AR overlays allow the car to give adaptive feedback while on the road using live video front cameras and augmented reality graphics. Voice control for handless control while driving ensures even more safety for drivers, and the system’s learning capabilities make navigation and comfort inseparable from the Mercedes G-Class. Mercedes hasn’t forgotten about its electric capabilities either.
The G-Class, aside from the technological user-friendly support, has its share of eco-friendly and electric alternatives. The G-Class has carbon-neutral production, setting mindfulness way before the vehicle is administered. The specifics of the vehicle’s electric engine and other parts are yet to be revealed to the public, but wide speculation says it’ll be something worth noting from a company centered around gas vehicles for years. Expectations are remarkably high, considering the influx of electric vehicles in the past five years. Mercedes undoubtedly has exceeded expectations in the past with their newly released vehicles by constantly creating innovative ways to break the mold of what a vehicle “should be.” The Mercedes Electric G-Class won’t fail customers and may even surprise most when more information is released.
100 SOLES
1. Air Yeezy 2 Red October 2. Nike AirMAG “Marty McFlys” 3. Nike Air force 1’s 4. HIDDEN.NY x ASICS GEL-NYC 5. Futura Laboratories x Nike SB Dunk
Low 6. East x Padmore & Barnes Oakledge Hiker Low 7. Nike Air Max Dn “Sail/Coconut Milk” 8. MM6 Maison Margiela x Salomon XT-4 Mules 9. Vans Half Cab 33 Vibram 10. ADIDAS; x Wales Bonner Samba OG glossed croc-effect and woven leather sneakers 11. ADIDAS; x Wales Bonner Samba Millennium paneled croc-effect and metallic leather sneakers 12. MIU MIU; x New Balance 530 SL leather sneakers 13. NIKE; Air Max Plus sneakers
14. BALENCIAGA; triple S logo-embroidered sneakers 15. CONVERSE; Chuck 70 high top sneakers 16. NIKE; Air Max Dn x Isamaya Ffrench shoes 17. ASICS 18. x Cecile Bahnsen gel-terrain sneakers 19. ASICS; x Cecile Bahnsen gel-terrain sneakers 20. SIMONE ROCHA; beaded tracker ballerina sneakers 21. SALOMON; x Maison Margiela XT-4 mule sneakers 22. SALOMON; x Sandy Liang XT-6 Expanse sneakers 23. NEW BALANCE; NB Numeric Brandon Westgate 508 sneakers 24. DRIES VAN NOTEN; silver metallic sneakers 25. ADIDAS; Samba OG sneakers 26. ASICS; Gel-Nimbus 9 sportstyle sneakers 27. SALOMON; XT-6 sneakers
28. Air Jordan 5 ‘El Grito’ 29. Bode x Nike Astro Grabber 30. JJJJound x Adidas Samba 31. New Balance 1906L 32. Studio Nicholson x Asics 360 VIII 33. Nina Chanel Abney x Air Jordan 3 34. Atmos x Adidas Gazelle 85 35. Miu Miu x New Balance SL 36. A Ma Maniére x Air Jordan 4 ‘While You Were Sleeping’ 37. Jack Harlow x New Balance 1906R ‘Rose Runner’ 38. Dries Van Noten Suede Sneakers 39. Golden Goose Super-Star 40. Puma Speedcat OG
41. Adidas Superstar 42. Adidas Forum 1984 43. Converse Chuck Taylor All Star 44. Adidas Superstar Pro-Model 45. Air Jordan III 46. Nike Air Max 1
47. Nike Air Yeezy 1 48. Nike Dunk 49. Adidas Stan Smith 50. Nike Dunk Low 51. Allen Edmonds Park Avenue 52. blundstone Chelsea Boot No. 500 53. Dr. Martens 8043 Platform Shoes
54. Nike Dunk Low Retro 55. New Balance 650 High-Top Lace-Up Sneakers 56. Wales Bonner x Adidas Samba ‘Navy Croc’ 57. Brooks Adrenaline 58. Clarks Wallabee 59. Cole Haan ZerØgrand 60. G.H. Bass Weejuns 61. Gucci Horsebit Loafer 62. Johnston & Murphy Oxford 63. Jordan Air Jordan 3
64. Jordan Air Jordan 11 65. Nike Blazer Mid ‘77 Vintage 66. New Balance 574 67. New Balance 990 68. Onitsuka Tiger Mexico 66 69. Reebok Club C
70. Rick Owens Sneakers 71. Sperry Top-Sider 72. Dr. Martens 1460 Smooth Leather Lace Up Boots 73. Timberland 6-Inch Boot 74. L.L. Bean Bean Boot
75. A Bathing Ape Bapesta 76. Reebok The Pump 77. Nike Air Foamposite One 78. Nike Air Trainer 1 79. Adidas Yeezy Boost 750 “Glow in the Dark” 80. Air Jordan 12 Retro “OVO” 81. Air Jordan XI “Concord” 82. Adidas Yeezy 500 83. Off-White x Air Jordan 1 “White” 84. Nike Air Fear of God 1 85. Travis Scott x Air Jordan IV 86. Union x Air Jordan 1 87. Sean Wotherspoon x Nike Air
x
“NBA”
89. Soulland x Nike SB Dunk High 90. ‘Dragon Ball Z’ x adidas Originals YUNG-1 “Frieza” 91. JJJJOUND x New Balance 990V3 92. Otto 958 Gel-Flexkee Pro Sneakers 93. Adidas Wales Bonner Samba Leopard Sneakers 94. SAS Body Of Work Journey Mesh Sneakers 95. Comme des Garçons x Nike Terminator sneakers 96. FENTY x PUMA Avanti “Aged Silver” 97. Children of the Discordance x COSTS x Salomon XT-6 ADV 98. Adidas x Blondey McCoy AB Gemini sneakers 99. Crocs Pollex Clog “Niagara” 100. Veja Campos”
YOUR UPGRADE IS WAITING
UPDATE YOUR GROOMING REGIMEN WITH THE BEST FROM BLACK-OWNED BUSINESSES.
By Chris Law
TAKE INSPIRATION FROM all of the GRWM videos you see, and make sure your morning starts with the right products. From body scrubs to shaving cream, here are the best products to add to your “I’m that guy” arsenal.
SHEA MOISTURE
MARACUJA OIL & SHEA BUTTER FULL BEARD DETANGLER
MANTL SKINCARE AGE DEFENSE MOISTURIZER
BENEATH YOUR MASK POLISH DETOXIFYING BODY SCRUB
Sabor Unido: Where Brazilian & Portuguese Flavors Unite
NESTLED IN THE HEART OF NEWARK’S IRONBOUND DISTRICT—A NEIGHBORHOOD KNOWN FOR ITS RICH PORTUGUESE AND BRAZILIAN HERITAGE. By Justin Wallace
FOUNDED BY HUSBAND-AND-WIFE
duo Marisol and Diego Rivera, Sabor Unido was born from a dream that simmered for years. Both first-generation immigrants— Marisol from Puerto Rico and Diego from Mexico—shared a deep passion for food and a vision to honor their roots while embracing the many cultures that make up their city.
“When we first moved here, there weren’t many places where you could sit down and feel the warmth of home,” Marisol reflects. “We wanted to create a space where people could come as they are and taste a little piece of our heritage and more.”
The menu at Sabor Unido is as colorful and lively as the mural that graces its main
dining wall—a painting of two hands, one brown and one tan, holding a bowl of arroz con pollo. The mural, created by a local artist, symbolizes unity and nourishment, which are at the heart of everything the restaurant stands for.
From the moment you walk in, Sabor Unido greets you with the rich aromas of slowcooked stews, grilled meats, and freshly baked bread. The restaurant’s open kitchen design allows diners to witness the care and skill that goes into every dish. Chef Diego, who runs the kitchen, weaves together ingredients and techniques from across Latin America, the Caribbean, and even a few unexpected places. One of the most popular dishes is the
Photography By LIVINGSTON STEELE
“Plato Unido,” a generous sampler of Puerto Rican pernil (slow-roasted pork shoulder), Mexican mole enchiladas, and Dominican tostones (fried plantains), served alongside a small salad tossed with Peruvian aji amarillo dressing. It’s a plate designed to be shared, just like a family meal.
“Food has always been about bringing people together,” Diego explains. “In our cultures, we sit, we share, we talk, and we eat. We wanted to bring that same energy to Sabor Unido.”
But it’s not just the food that draws people in—it’s the atmosphere. Every Friday night, Sabor Unido hosts “Cultura Nights,” featuring live music from local bands, spoken word performances, or even salsa dancing lessons. The events are free to the community, and the restaurant often partners with neighborhood organizations to spotlight local artists and entrepreneurs.
“Our goal is to uplift not just our own culture but everyone’s culture,” says Marisol, who manages the front of the house and organizes events. “This city is a mosaic of identities, and we want to reflect that.”
Guests often say dining at Sabor Unido feels like being welcomed into someone’s home. The warm lighting, rustic wooden tables, and mismatched chairs give it an unpretentious charm. On the walls, family photos—both of Marisol and Diego’s families
and of their customers—tell stories of love, resilience, and togetherness.
During the height of the pandemic, when many restaurants were forced to close, Sabor Unido became a beacon of hope for the community. Marisol and Diego pivoted quickly, turning their kitchen into a community kitchen and providing free meals to frontline workers and families in need.
“We couldn’t just sit back and watch people go hungry,” Diego says. “We knew we had a kitchen, and we had to use it for good.”
Today, Sabor Unido continues that legacy through its “Comida para Todos” (Food for All) program, where they donate a portion of every meal sold to support local food banks and shelters.
Perhaps the most powerful aspect of Sabor
Unido is how it has brought together people from different backgrounds. On any given night, you’ll see an older couple sharing empanadas at the bar, a group of friends laughing over pitchers of sangria, and families with kids learning to dance to the rhythms of a live salsa band.
As Marisol says, “When people come to Sabor Unido, we want them to feel seen, to feel heard—and to leave full, in every sense of the word.”
In a world that sometimes feels divided, Sabor Unido is a reminder that when we sit down to eat together, we share more than just food—we share stories, histories, and a sense of belonging.
So, if you ever need a good meal and even better company, Sabor Unido is waiting to welcome you home.
FASHION NOIRE
agency @BLACKMENSFASHIONUK
model @MR_DEREKANING
photographer @RAMIIEG
stylist @SEANAZEEZSTYLIST
photographer @THEREALDLP_
trouser ASOS DESIGN trainers ASOS DESIGN t-shirts SOMEWHERE GOOD
t-shirts SOMEWHERE GOOD socks TENNYSON CLOTHING knuckle bag TENNYSON CLOTHING shoes ASOS
suit ASOS DESIGN
trainers ASOS DESIGN sunglasses MESSYWEEKEND
ASOS DESIGN vest TENNYSON CLOTHING card holder HOMIES MARBELLA trainers ASOS DESIGN sunglasses MESSYWEEKEND
trousers
linen trousers and shirt
HOMIES MARBELLA
IMPORTANT FACTS FOR BIKTARVY®
This is only a brief summary of important information about BIKTARVY® and does not replace talking to your healthcare provider about your condition and your treatment. (bik-TAR-vee)
MOST IMPORTANT INFORMATION ABOUT BIKTARVY
BIKTARVY may cause serious side e ects, including:
Worsening of hepatitis B (HBV) infection. Your healthcare provider will test you for HBV. If you have both HIV-1 and HBV, your HBV may suddenly get worse if you stop taking BIKTARVY. Do not stop taking BIKTARVY without fi rst talking to your healthcare provider, as they will need to check your health regularly for several months, and may give you HBV medicine.
ABOUT BIKTARVY
BIKTARVY is a complete, 1-pill, once-a-day prescription medicine used to treat HIV-1 in adults and children who weigh at least 55 pounds. It can either be used in people who have never taken HIV-1 medicines before, or people who are replacing their current HIV-1 medicines and whose healthcare provider determines they meet certain requirements.
BIKTARVY does not cure HIV-1 or AIDS. HIV-1 is the virus that causes AIDS.
Do NOT take BIKTARVY if you also take a medicine that contains:
dofetilide
rifampin
any other medicines to treat HIV-1
BEFORE TAKING BIKTARVY
Tell your healthcare provider if you:
Have or have had any kidney or liver problems, including hepatitis infection.
Have any other health problems.
Are pregnant or plan to become pregnant. Tell your healthcare provider if you become pregnant while taking BIKTARVY.
Are breastfeeding (nursing) or plan to breastfeed. Talk to your healthcare provider about the risks of breastfeeding during treatment with BIKTARVY. Tell your healthcare provider about all the medicines you take:
Keep a list that includes all prescription and over-thecounter medicines, antacids, laxatives, vitamins, and herbal supplements, and show it to your healthcare provider and pharmacist.
BIKTARVY and other medicines may a ect each other. Ask your healthcare provider and pharmacist about medicines that interact with BIKTARVY, and ask if it is safe to take BIKTARVY with all your other medicines.
POSSIBLE SIDE EFFECTS OF BIKTARVY
BIKTARVY may cause serious side e ects, including:
Those in the “Most Important Information About BIKTARVY” section.
Changes in your immune system. Your immune system may get stronger and begin to fight infections that may have been hidden in your body. Tell your healthcare provider if you have any new symptoms after you start taking BIKTARVY.
Kidney problems, including kidney failure. Your healthcare provider should do blood and urine tests to check your kidneys. If you develop new or worse kidney problems, they may tell you to stop taking BIKTARVY.
Too much lactic acid in your blood (lactic acidosis), which is a serious but rare medical emergency that can lead to death. Tell your healthcare provider right away if you get these symptoms: weakness or being more tired than usual, unusual muscle pain, being short of breath or fast breathing, stomach pain with nausea and vomiting, cold or blue hands and feet, feel dizzy or lightheaded, or a fast or abnormal heartbeat.
Severe liver problems, which in rare cases can lead to death. Tell your healthcare provider right away if you get these symptoms: skin or the white part of your eyes turns yellow, dark “tea-colored” urine, light-colored stools, loss of appetite for several days or longer, nausea, or stomach-area pain.
The most common side e ects of BIKTARVY in clinical studies were diarrhea (6%), nausea (6%), and headache (5%).
These are not all the possible side e ects of BIKTARVY. Tell your healthcare provider right away if you have any new symptoms while taking BIKTARVY.
You are encouraged to report negative side e ects of prescription drugs to the FDA. Visit www.FDA.gov/medwatch or call 1-800-FDA-1088.
Your healthcare provider will need to do tests to monitor your health before and during treatment with BIKTARVY.
HOW TO TAKE BIKTARVY
Take BIKTARVY 1 time each day with or without food.
GET MORE INFORMATION
This is only a brief summary of important information about BIKTARVY. Talk to your healthcare provider or pharmacist to learn more.
Go to BIKTARVY.com or call 1-800-GILEAD-5.
If you need help paying for your medicine, visit BIKTARVY.com for program information.
YOU DESERVE TO BE RICH
By Rashad Bilal & Troy Millings
The founders of a popular podcast and financial literacy platform, Rashad Bilal and Troy Millings are back with a book that’s beneficial for the new year. You Deserve to Be Rich is designed to help readers build generational wealth. As two kids growing up in New York playing basketball together, they gained a strong interest in finance, from the stock market to how money moves among systems and pockets. You Deserve to Be Rich is a detailed blueprint requested by Earn Your Leisure fans. In the book, readers will learn to deal with the psychological toll of growing up living paycheck to paycheck, creating income-building strategies outside of their nine-to-five, investing in side hustles, using passive income to control their time and lifestyle, and more.
ISAAC’S SONG
A Novel By Daniel Black
Dr. Daniel Black is an award-winning novelist, professor, activist, mentor, and public speaker known for his books Don’t Cry For Me and Perfect Peace. He is back with his latest release, Isaac’s Song: A Novel. Isaac’s Song is about a young man at a crossroads. Growing up in Missouri, Isaac was conditioned to suppress his artistic pursuits and physical desires that didn’t align with the traditional view of masculinity instilled by his father until he ventured out on his own to Chicago. As he navigates being a queer black man, living through the AIDS crisis, and Rodney King’s beating, his journey leads him to his family history and ancestral home in Arkansas. Issac comes across a discovery that will help fulfill the truth he has been looking for or may threaten the life he fought so hard to claim.
GOOD DIRT
By Charmaine Wilkerson
Good Dirt by Charmaine Wilkerson is a moving novel that weaves together generational trauma, past and present. At 10 years old, Ebby Freeman’s life changed when she witnessed her brother killed. Dealing with the loss of her brother and trying to keep her family out of the media following the end of her high-profile relationship, she goes to France for a fresh start. Ebby discovers that the stoneware jar that had been in her family for generations, which broke on that tragic day her brother was killed, is not only just a part of her family history but may be the key to unlocking her future. Charmaine Wilkerson is the New York Times best-selling author of Black Cake, her first novel released in 2022.
DEATH OF THE AUTHOR
By Nnedi Okorafor
Nnedi Okorafor is a multiple award-winning and New York Times bestseller known for her science fiction and fantasy work, such as her Binti Trilogy, Who Fears Death, and Lagoon. Her latest book, Death of the Author follows the life of Zelu, who is a disabled Nigerian American woman trying to figure out her next move after life hasn’t been too kind to her. After being let go from her university job and when her novel was rejected, feeling discouraged, she decides to write something new for herself. When Zelu shared her new novel, she didn’t realize the impact it would positively have on her literary career and the future not only for humanity but also for the robots who come next. She calls the new novel Rusted Robots. Readers will be taken on an experience with this book-within-a-book.
By Serena Carter
MODEST ART 88 x RUSSELL SCOTT
By Kent Olden
LOS ANGELES. AN urban oasis where stars are born, and dreams come true. From red carpets serving as runways for the latest awards show fashions to colorfully inspiring murals donning the sides of city buildings, Los Angeles serves as an artistic haven for creatives of all kinds. As the Los Angeles art scene continues to flourish, one flower in this garden of glamour is in full bloom as he leaves his own artistic impression on every canvas carrying the stories he tells. Enter: Russell Scott.
A HOUSEWARMING GIFT FROM THE HEART…
“If you asked me five years ago, I would’ve told you painting was the last thing that came to mind,” Scott says of how his casual hobbyturned-daily profession was a complete accident. “When I moved to California, primarily dancing, and a friend of mine had moved to a new place, and I said, ‘You should let me paint something for your new place,’ and he was like, ‘What???’ I hadn’t told anybody that I played with paint like that.” It had been about 10 years since the last time he picked up a paintbrush. His hidden talent turned out to be a pleasant surprise, as his housewarming gift to his friend got a lot more attention on social media after a timelapse video was posted to his Instagram. That was all it took. “People were reaching out to me that whole summer asking if I did commissions and custom pieces, and I had never really thought about it, so I just said, ‘Sure, why not,’” Russell remembers. “I ended up spending that whole summer going to different people’s houses and painting different pieces for them. It was super cool, and I didn’t even think about charging much, but people were serious about paying me for the paintings.” The fandom that flourished from that artistic summer gave way to Russell creating the Modest Art 88 website, and his official debut in L.A.’s art scene wasn’t too far away. It was time for the art show.
NOW INTRODUCING: MODEST ART 88…
After COVID couldn’t keep us inside anymore, Russell Scott was ready to bring his artwork to the masses. “People didn’t know me that much as a painter. They just knew I liked to dress nice and that I danced for the Clippers,” Scott says. “So, I had an art show, and over 600 people came to that art show. I was taken aback.” With his first art show ever being such an insane success, Russell’s talent was clearly undeniable, paving the way for his participation in Miami’s Art Basel, and his artistic impression has been blooming ever since. “With all of that happening, I really started to view my art as blooming like a flower,” he says. “It was something that was planted, but I never watered. Now, not only do I water it more, but I know how to water it and nurture it so it can keep flourishing the way it should.”
ONE SPARK STARTS THE FIRE…
Fast forward to today, and Russell shows no signs of stopping when it comes to telling very necessary stories through his brush strokes. From custom artwork to branded apparel to exciting solo and collaboration art shows, Russell Scott is putting on for his people through Modest Art 88 and continues striving to be the spark someone needs to fuel their own passion. “I just want to inspire people to know that it’s very possible for you to do whatever that thing is that you want. I’m not classically trained in art; I didn’t study art in school. I’ve never done anything like this before, and here I am.”
Keep up with the latest from Russell Scott and Modest Art 88 at ModestArt88.com. Don’t forget to follow on social media: @russellscott_ | @modestart88
Viva LAS VEGAS
THE ULTIMATE ENTERTAINMENT PLAYGROUND
By Becca Blond
Las Vegas is where the clock stops ticking, and life gets an upgrade. Think world-class dining, jaw-dropping entertainment, and pools that make your local watering hole look like a kiddie splash pad. But this isn’t your parent’s Vegas—Sin City is having a serious glow-up, and it’s catering to a younger, savvier crowd who know how to mix luxury with fun.
If you’re ready to dive into a weekend (or week—no judgment) of over-the-top indulgence, this guide has you covered. From swanky hotels to Instagram-worthy eats, iconic nightlife, and cultural experiences, Las Vegas has officially reclaimed its crown as the entertainment capital of the world.
WHERE TO STAY
First things first: If you’re going to do Vegas right, you need a base that screams luxury. Enter the Fontainebleau Las Vegas, the city’s newest debutant, sitting pretty at the north end of the Strip. This sprawling resort combines Miami cool with Vegas flair, offering sleek rooms, a jaw-dropping pool deck, and restaurants curated by some of the best chefs in the business.
For old-school opulence with a modern twist, the Bellagio still reigns supreme. Beyond the iconic fountains (you have to catch the light-and-music show at least once), the hotel’s recent updates include chic, art-filled rooms and a luxe spa. While you’re there, check out The Vault, an exclusive new speakeasy that pairs vintage vibes with handcrafted cocktails.
If you’re looking for something Venetian-inspired but far from kitschy, The Venetian Resort and its sister property, The Palazzo, are unbeatable. The Palazzo Pool Cabana Experience is where you’ll want to spend your afternoons—picture plush cabanas, endless cocktails, and poolside DJs creating an upscale yet chill vibe.
WHAT TO DO
Vegas might be synonymous with blackjack tables, but trust us, there’s way more to explore. Start with a dose of surrealism at Meow Wolf’s Omega Mart, an immersive art installation that’s part trippy supermarket, part alternate universe. Just a stone’s throw away is Area 15, an experiential playground with mind-bending exhibits, axethrowing, and a 360-degree zip line for your inner adrenaline junkie. For a next-level entertainment experience, head to The Sphere, Vegas’s newest architectural marvel. This massive dome isn’t just a concert venue; it’s a visual spectacle where artists like U2 and other toptier acts redefine live performance with cutting-edge visuals and sound.
Want to keep it classic? Vegas residencies are alive and thriving. Check out Janet Jackson at Resorts World, where the music icon will be performing select dates beginning in February 2025.
The Black Eyed Peas are having a Vegas residency debut with performances on select dates between February and May 2025 at PH Live at Planet Hollywood.
WHERE TO EAT
Forget the all-you-can-eat buffets—Vegas has become a serious food destination. Start your day at Sadelle’s inside the Bellagio, where the bagels are hand-rolled, and the smoked salmon towers are as dramatic as your TikTok captions.
For dinner, LPM Restaurant & Bar at The Cosmopolitan is a vibe. This FrenchMediterranean spot is perfect for pre-gaming with friends over truffle pasta and signature cocktails. If you’re craving a steakhouse with a side of swagger, Papi Steakhouse delivers prime cuts and a playlist that keeps the energy high.
Another must-visit is Mott 32, an upscale Chinese restaurant in The Venetian where the Peking duck requires a 48-hour pre-order. Trust us—it’s worth planning ahead. If you don’t eat meat, the vegan soup dumplings here are to die for.
Late-night cravings? Pinky Ring by Bruno Mars is a perfect after-hours spot. Grab a juicy burger or chicken sliders paired with cheeky cocktails that are as smooth as the crooner himself.
WHERE TO PARTY
When the sun goes down, Vegas turns up, and there’s no shortage of places to let loose. Start with a night at LIV Nightclub, an export from Miami that has brought its A-game to the Strip. Expect bottle service, celebrity sightings, and a DJ lineup that keeps the dance floor packed until sunrise.
If daytime partying is more your thing, LIV Beach is your move. This upscale pool party combines South Beach chic with Vegas excess—think cabanas, DJs, and a crowd that knows how to have fun.
FINAL NOTES
Las Vegas isn’t just a stop on your travel bucket list—it’s a place that reinvents itself every year. Whether you’re sipping champagne poolside or diving into a multisensory art exhibit, the city has something for every vibe. Just remember: What happens in Vegas might stay in Vegas, but the memories (and the Instagram posts) last forever.
So pack your best fits, grab your crew, and get ready to discover why Sin City is hotter than ever.
TRAVELING TENNESSEE’S NIGHT SKY ZODIAC TRAIL
By Jennifer Billock
In 2023, northeast Tennessee gained a new attraction: the Night Sky Trail. The route is nine stops, stretching from Rogersville in the east to Mountain City in the west and from small towns to vast Appalachian mountain landscapes. As the trail’s newest experience, you can pair each stop with your own zodiac sign. Maybe you’re a Leo hunting for a lakeside escape or an Aquarius who wants to dive deep into inspirational travel vibes—no matter your sign, there’s a destination for you bathed in starlight.
Let the stars align on your next trip to Tennessee with this guide to how your zodiac sign pairs with the Night Sky Trail.
ARIES, CANCER
SOUTH HOLSTON DAM SPILLWAY TRAIL, BRISTOL
South Holston Dam Spillway Trail is a perfect match for both conqueror Aries and emotional Cancer. For Cancer, the 3.5-mile roundtrip hike is like an emotional awakening, taking you through an introspective tree canopy only to be released into a view of towering Holston Mountain and the shoreline of South Holston Lake. Aries, the journey to the lake and mountain view is like winning a competition—you’ve made it to the beautiful prize. For both signs, when you get to the lake, look up; you can see the Milky Way!
TAURUS
CROCKETT SPRINGS PARK AND ARBORETUM, ROGERSVILLE
You have a passion for history, Taurus. Blend that together with some excellent stargazing at Crockett Springs Park, where Davy Crockett’s grandparents built their log cabin. The park is also a certified arboretum, so you can commune with the earthiness of your sign while sitting underneath the moon shadow of a noble oak or pine.
.AQUARIUS, VIRGO
TRI-CITIES AIRPORT OBSERVATION
DECK, BLOUNTVILLE
An airport observation deck may not be the most obvious choice for a stargazing adventure, but this one is different. It soars above the runways and provides panoramic views of the surrounding landscape and sky. Virgo, who thrives on organization, will enjoy both the stargazing and the structured dance of planes taking off and landing. For you, Aquarius, the airiness of your sign allows the flights and the stars to inspire your wanderlust to new and unknown destinations—earthside or not.
.GEMINI, .LIBRA
CHESTOA RECREATION AREA, ERWIN Libra and Gemini can both say that they’re two sides of their own coin. Gemini, the twins, and Libra, the balancing act, should head to Chestoa Recreation Area to appease both parts of their personalities. The rambunctious Nolichucky River rolls through the landscape, butting up against calming forest and tranquil star-studded skies. It’s the perfect point and counterpoint for these two signs.
LEO WINGED DEER PARK, JOHNSON CITY
Leo, you never want to be too far away from where the action is. So, head to Winged Deer Park for your stargazing. Watch the stars swirl around your own reflection like a celestial spotlight in the lake, then head back to Johnson City to express your revived leonine personality in a crowd.
CAPRICORN
VIKING MOUNTAIN, GREENEVILLE
Capricorn, the only thing that matches your love of a good journey is the unwavering ambition you hold dear to your heart. Climbing the 4,844-foot summit of Viking Mountain makes both of those traits come alive. The mountain’s actual name is Camp Creek Bald. Elvis Presley himself has been to the top—though local rumor is that he was deposited there by helicopter.
SCORPIO
OSBORNE FARM, SHADY VALLEY
As one of the most observant of all the zodiac signs, Scorpios will get an extra boost to their imagination on the half-mile trail through Osborne Farm. On the surface, the area looks minimal—spacious farmland with a few barns and a cranberry bog. But you know better than that, Scorpio. Take the time to see how the moonlight and the stars play off your surroundings, and you’ll find the story is more creative than anyone knows.
SAGITTARIUS
BAYS MOUNTAIN PARK, KINGSPORT
Sagittarians are often among the first to adopt new technology, and when you visit Bays Mountain Park, you’ll be able to do just that. The park combines physical and technological stargazing into a one-night sky experience. In the planetarium theater, more than 7,000 fiber optic lights reimagine the sky, marking each star and deep sky object that you see outside. Get even closer to the stars with two observatories and multiple telescopes.
PISCES
ROAN MOUNTAIN, ELIZABETHTON
Pisces, let your imagination soar on the milelong Roan Mountain path. The trail heads through the undeveloped national forest, ripe for the trappings of your creativity. When you get to the overlook, sit and stare into the night sky, embracing all your dreams for how you want your world to be.
30 Years of BrotherHOOD
THE LOX AND THE ART OF STAYING TRUE TO HIP-HOP’S ELEMENTS
SHEEK LOUCH hat THE LOX x GODSPEED sunglasses FERRAGAMO t-shirt KEEMSTUDIOS pants CULT OF INDIVIDUALITY
STYLES P hat MALCOLM X x PAPER PLANES shirt KITH jacket & pants PAPER PLANES
As The LOX celebrates 30 years in hip-hop, they continue to evolve, expanding their legacy beyond music while staying true to the culture that made them legends.
STEPPING INTO THE LOX's studio in Yonkers, N.Y., feels like entering a sacred hip-hop space where brotherhood, loyalty, and unity are paramount. The walls are adorned with plaques and artwork of the group, while the space is illuminated with laughter and conversation as Jadakiss, Styles P, and Sheek Louch kick back with their longtime friends.
As they trade stories and jokes, the bond The LOX shares is so tight that blood couldn't make them any closer. They demonstrate their camaraderie by effortlessly caring for each other, with Kiss handing
P an ashtray for his joint and Sheek presenting a bottle of Macallan whisky for the "Knock Yourself Out" rapper to enjoy during our chat. Their support for one another ensures The LOX remains a strong and impenetrable force.
The Yonkers trio will seize every opportunity to remind others they're outpacing rappers their age or younger—and they've earned that right. As they celebrate 30 years in the music industry, their influence is stronger than ever, and their unity is driving them to reach even greater heights together, a feat achieved by only a handful of rap groups.
"I feel like, collectively, we're on top of our game, looking and feeling good," says Sheek about the group crossing the 30-year mark together. "The fans still love us, and no one's telling us to get out. So that's a blessing, and our skills are still razor sharp and getting even crazier."
"Everything still feels vibrant," adds Kiss. "It still feels like we got a lot left in the tank. We have much more to say, and we take care of ourselves. We looking a lot better than a lot of younger artists that look fucking 75. That comes from the genuineness and sincerity of our brotherhood."
Kiss, P, and Louch have been rapping together since high school, and the years spent together have made them key figures in hip-hop culture. In the early '90s, the group made a pact to stay true to the game and promised never to let anything come between them as they pursued their hiphop dreams. That commitment propelled The LOX into the spotlight, where they initially dominated the local hip-hop scene before breaking into the mainstream with Bad Boy Records.
The LOX found immense success under the Bad Boy imprint, and they became trailblazers by becoming the first rap group to successfully run a guerilla campaign against Sean "Diddy" Combs to release them from their recording contract due to creative differences. They eventually found their rightful home with Ruff Ryders Entertainment in the late '90s before embarking on incredible solo careers that resulted in multiple hits and Billboard 200 Top 5 albums.
“ We've kept Our brotherhood before the industry ”
hat THE LOX x GODSPEED shirt PAPER PLANES jacket DIET STARTS MONDAY jeans CULT OF INDIVIDUALITY sneakers GIVENCHY
“ we're on top of our game looking and feeling good ”
The group’s extensive history with two of hip-hop’s most legendary rappers, the late DMX and the Notorious B.I.G., helped them become true students of the game as well. Biggie welcomed Kiss, P, and Louch with open arms, and they admired how he was truly a fan of their work. He treated them like family and stuck up for them whenever things went awry. With X, The LOX saw his comeup first hand, as they’re all from Yonkers, and his trajectory showed the guys that they could make it in this business.
“X, we were sharing something with someone from the same place as us. He was a star here before being one around the world. Nobody from Yonkers made it before, so it was like ‘Oh, shit,’ seeing that,” says P. “BIG was a different story because he embraced us as brothers, and we were from Yonkers. Nobody knew about Yonkers. There was no rappers from Yonkers; there was nothing. They heard us rap, and he was like ‘Y'all fucking nice’ and embraced us like brothers from that point on. We built our connection with Big in the studio while our connection with X is rooted back home.”
A stacked catalog and working with legends while becoming that in their own right would make anyone say The LOX have made it, but they are just getting started. The group remains as relevant today as they were in their prime, continuously releasing new music and engaging with the culture through podcasting and entrepreneurship. Their legacy is firmly established in this ever-changing hip-hop landscape, but their love and passion for the culture keep them hungry for more.
"What we did is going to stand the test of time long after we're no longer here," says Kiss. "That's always a blessing when people can see that. We did some serious shit for artists today and in the future, but I feel it's still underplayed and underestimated. You know what I mean? So we got to keep going."
P emphasizes the group’s dedication and respect for the craft, keeping them in conversations even among younger hiphop fans who may overlook older artists. The LOX are constantly honing their rap skills, which people saw during the epic demolishing of Dipset in a Verzuz battle in 2021, where they showcased incredible breath control while rapping without backing vocals. Most rappers rarely do that these days.
"I think the biggest contribution we made to this game is our craftsmanship and loyalty because you haven't seen it at this level," says P. "We perform and rhyme at a higher level when it comes to craftsmanship, and not
only that, we kept our brotherhood before the industry. My two brothers mean more to me than the game, and they feel the same way about me." He continues, "I mean it when I say the craft ain't in the game no more, bro, and I think that's why all age groups fuck with us. They know we're true to the craft, and you can see that in us. That resonates with people, no matter how old you are. It's like the guy who goes to practice a lot. His game is polished and feels and looks complete because he practices. That's what we always bring to the table."
According to Kiss, The LOX is shattering the notion that older rap veterans can't keep up with the younger crowd: "Whoever fucking said that this is a young man's sport don't know what the fuck they were talking about. We all love this culture and the sport of it, so it's all about keeping that heart beating and our spirits alive. They like to send us a lot of curve balls and distractions to try and diminish hip-hop culture as a whole, but when you get rid of all of the little fucking umbrellas that they create in it and just protect it as a whole for the culture and the passion of it, everything will be fine."
The members of The LOX have truly showcased their incredible talents beyond just rap, branching out into exciting areas like the coffee industry, health and wellness, and even real estate. Yet, no matter where their journeys take them, they always come back to the music that first united them. This year, fans can look forward to a fantastic new collection of tunes from The LOX in the form of an EP, where they sound sharper than ever. Plus, each member will also be releasing a solo album—a true testament to the love and dedication they pour into their craft.
This exciting EP is a wonderful gift for both longtime fans and newcomers who truly appreciate the group. It features music that brings the essence of “The LOX files” to life, delivering that authentic street vibe while showcasing the artists' reflections as they navigate new stages in their lives.
"This EP is fucking fire. It could be more than an EP. We have enough to do an album, but I think we should do an EP with the attention span of these muthafuckers," says P. "It's LOX shit, but it's more mature. It's like we're not on the corner anymore; we're in our establishments."
Louch shares that the rapping on this EP should have their fellow "OGs" heading back into the studio to "get busy." While the group continues to deliver amazing music, it's worth mentioning that creating a project aimed at the new generation has been quite a journey.
"You have to rap like that these days, like showing some kind of growth because they'll tell you that in the comments," says Sheek. "They'll get at you for being 50 years old and still rapping about the same thing. Not that we give a fuck, but they are talking."
P chimes in, "That's what I'm saying! How does somebody like me, you know, I want to John Wick all my verses [laughs]. These kids have the shortest attention span, so your project has to be under 35 minutes to have an impact, and I love songs with three verses, so that's what we're figuring out now."
"The clubs close by the time the DJ gets to the third verse, and you'll be lucky to get a whole verse and hook these days. They're giving you a snippet," says Kiss. "Hip-hop culture is getting away from the element of all this. People are putting on their Doc Martens and sprinting away from the elements."
It's noticeable that fans and artists often seem to be distancing themselves from certain aspects of hip-hop, especially highlighted in the recent rap beef between Drake and Kendrick Lamar. The LOX, well-versed in rap rivalry through their past feuds with RocA-Fella Records and G-Unit, find themselves puzzled about what really happened between these two hip-hop legends.
"Kendrick won with a slap; the other shits might've been harder and more potentially digging in, but it was the one that was slapping like a party shit that won the battle," says P. "The other shit was more impressive as an MC. Even Drake's shit before that point; then 'Not Like Us' came."
"Drake said the shit about the plane from Malaysia; that was crazy, and n***as didn't even pay attention to that shit. They gave it nothing, but that shit was crazy," says Kiss about "The Heart Part 6" track. "They kicked me out of that battle [laughs]. I don't understand it anymore. It lost me and got out of my hands. Like it's a bunch of false intel, suing is involved, and then you got the Super Bowl. It got out of my pay grade. I thought it was just hooking up the beat and saying some shit. It went way past that. What about the elements of rap beats and rhymes?"
Thankfully, hip-hop culture still has these three men living up to what made us fans in the first place. If new music weren't enough, The LOX just completed a documentary chronicling their personal lives and careers for the first time, which the media company Mass Appeal is handling. Fans will get an intimate look at the triumphs, struggles, and brotherhood that fueled The LOX's legacy while also getting a crash course lesson on staying true to the elements of the culture. The LOX aren't just looking back—they're continuing to build, proving that real hip-hop doesn't fade; it only grows stronger.
“ its all about keeping that heart beating and our spirits alive”
photography Angel Abru
DreTL
MORE THAN A MOMENT
By Evan Majors
ATLANTA, GA, a city of contrasts, has shaped Dre Jones into its prodigal son, now known to the world as DreTL. The controversial winner of season two of Rhythm + Flow on Netflix, he captured the heartbeat of a city known for its historic fight for civil rights and glittering strip club culture, but maybe not the world. Like the city itself, DreTL is a new phoenix rising from red clay stained by civil rights marches and carjacked dreams, his music heavy over trap beats that echo Atlanta's hip-hop scene—raw, unfiltered, and unapologetic.
DreTL's story stands out in how it blends the all-too-typical struggles of Black boys clawing their way out of the inner city with his unique ability to rise from obscurity, overcoming personal and societal challenges and becoming a new voice for his city. His improbable victory reminds us that in this city of shattered glass ceilings and cracked concrete, impossible dreams don't just survive—they thrive.
On this day, rapper DreTL exudes confidence, even while battling a cold during our ninety-minute conversation in his southeast Atlanta drawl. "I want to be one of the greatest [hip-hop] artists, or else why am I even doing this."
At age 23, his life has flipped upside down since being plucked from what seems like obscurity by a talent recruiter for the show when he was 21. He had less than four thousand followers on Instagram, and his content at the time didn't scream, 'I want to be the next rap star.' It's been over a year since producti on wrapped, and DreTL is in the middle of his old life and his new life of celebrity.
"I never view myself as [famous] now until I walk outside and people know me, especially in my city," says DreTL. "They ask for a picture or an autograph, but I still walk to the grocery store. I don't look no different; I wear the same clothes. I still live in student apartments."
A recent graduate of Georgia State University with a bachelor's degree in music production and a minor in film production, his two passions, there is no denying that his life is different. "Being on the show while juggling being in school with no support as a full-time senior was extremely challenging. Mentally knowing I'm meeting Eminem, my favorite rapper, on a Wednesday or whatever day it was, and then I have an assignment due, to even mentally put myself into that headspace to
keep doing the work was the hardest part," says DreTL.
Growing up in a dangerous MLK Atlanta neighborhood, DreTL describes his childhood as "complicated" with many "layers," a subject he finds exhausting to revisit. Some of his first childhood memories were when he was between four and five years old before his great-aunt rescued him and took him in and raised him in the Summerhill area of Atlanta when SWAT raided his childhood home, which doubled as a “drug house”. His mom was arrested during the raid while his dad was already behind cell walls. "That's one of the first memories I got. My house being raided and my mom getting locked up," says DreTL.
Visually reaching back in his mind for other memories doesn't seem to exist for Dre. He admits to struggling with anxiety and panic attacks, especially after the show, and likened it to post-traumatic stress syndrome. "Now that I know what depression is, I was basically depressed for my whole childhood, but I didn't know I was depressed because I didn't know what it was," says DreTL. "I thought it was just regular; I thought this how you supposed to feel. I kind of blocked it all out. Everything in my memory since [childhood] is kind of fucked."
It was music that started to set him free when he was in the fifth and sixth grades. He began freestyling with all the boys in his class at the lunch table. "It was around this time I realized, or everyone realized, I was much better than everyone else," says DreTL. "I started taking it more seriously in middle school. I bought a notebook, and I pretty much wrote raps every day. I did cyphers, rap battles in the schoolyard, all that type of stuff. The next point I took it seriously was when I was a freshman in college."
The spotlight is now on DreTL, with fans eager to see if he will rise to the occasion. Since the show, he's released two singles, "Don't Call It A Comeback" and "Like I Never Left." His first upcoming studio project, titled Even When I Win, I Lose, is the music he's banking on to win over naysayers, even though he doesn't seem concerned about capturing the moment.
"I'm okay going the hard route. I'm okay with building this shit up from the ground up," says DreTL. "People keep telling me I missed my moment, but this is not about a moment. I'm trying to have a career; this is my life."
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Jonathan Burke
TALKS HARLEM, SHAPING NEW QUEER STORIES, AND WHAT’S NEXT
By Truth Hawkins
photographer RICKY DAY
stylist PARIS WARREN
photo assist VIKTOR FELICIANO
gaffer HECTOR RUIZ
photo assist KENTARO YASU
With an impressive career that spans Broadway and television, Jonathan Burke is no stranger to breaking boundaries and pushing narratives forward. Best known for his role as Eric in the hit Amazon series Harlem, Jonathan sat down with Bleu Magazine to discuss the importance of representation, his upcoming project Not Looking, and what advice he’d offer to young performers chasing their dreams.
GRAPPLING WITH REAL-LIFE ISSUES ON HARLEM
When asked what makes Harlem stand out from the noise, Jonathan shared his thoughts on the show’s unique lens.
"Do you know what? I talk about this a lot. I think that Harlem is special because it really, while it's funny, also grapples with some real life issues that we as Black people go through. And there's a rawness to that, that I don't see in a lot of shows. We have a lot of different perspectives of the Black experience, especially highlighting Black queer characters. I think that's a unique lens in leading roles.”
Jonathan’s portrayal of Eric, an openly bisexual Black man, was especially meaningful to him, as it not only challenged him as an artist but also allowed him to explore the real-life complexities of identity, love, and self-discovery with depth and honesty.
The role resonated with viewers in a deeply personal way, as Jonathan often found himself approached by fans grateful for his raw and authentic portrayal of Eric.
“The beauty of Harlem is that it tells stories about Black and brown people living full lives—not just surviving, but thriving—Eric isn’t a perfect person, and that’s what makes him so relatable. He’s figuring it out, just like the rest of us.”
He adds: "I would get DMs, people walking up to me on the street saying, 'Man, thank you for representing us in the way that you did. I've never seen myself on camera before until this show.'”
“ You don't often see bisexual characters on screen, especially not Black men. To be able to play a character who was openly bisexual, not at all in the closet, not at all ashamed of his sexuality… that was really unique and exciting for me. ”
Not Looking and Expanding Queer Narratives
As Harlem wraps up its third and final season, Jonathan is already cooking up his next big adventure—a comedy series called Not Looking—about “three Black and Brown gay best friends in NYC who all get broken up with on the same night, move in together, and make a pact to stay out of relationships for a year.” He’s teamed up with creative powerhouses Delius Doherty and Ahmad Maksoud to bring this story to life.
Drawing inspiration from real-life experiences, the show centers on themes of friendship and self-love. "It’s inspired by things that we’ve experienced, but of course, we take liberties to make it entertaining for TV. I think it’s something people will really be able to relate to—not just queer people, but all people."
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Looking to the Future
As Jonathan looks ahead in his career, he’s determined to step into new territory. "I really want to venture into film. I’m manifesting that. I’d love to do a full-length studio feature film—something dramatic with a bit of comedy. I want to show that range and do a leading man type of thing."
His dream cast? The legendary Angela Bassett, Jasmine Guy as his on-screen mother, and Michael B. Jordan. And while film is a priority, Jonathan also has his eyes set on live-action musicals.
"If I could do a movie musical, that would be dope. We’d have to call Usher, Anika Noni Rose, and Beyoncé!"
Words of Wisdom for Young Performers
For those just starting out, Jonathan offers some heartfelt advice:
“ I think it’s so important to start at a young age. Use that time to really just play—it’ll help you in the long run. Find a community of people who love what you do. Most importantly, be your most authentic self. Don’t try to fit into a mold of what peopvle expect you to be. There’s no one else like you in this world. That’s the thing that will make you shine.”
He also stressed the importance of finding joy in the journey and trusting the process. “It’s not just about the big breaks. Celebrate the small wins. They’re just as important.” He continues, “Keep showing up for yourself. This business can test you in ways you never expect, but if you believe in your purpose and your talent, you’ll find your way. Trust the process.”
As Jonathan continues to break boundaries and inspire audiences, one thing is clear: his journey is far from over. Whether gracing the main stage, silver screen, or behind the scenes, Jonathan Burke is a name we’ll be hearing for years.
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CAMERON BOYLAND
REDEFINING BEAUTY AND INSPIRING INCLUSIVITY IN FASHION
CAMERON BOYLAND ON AUTHENTICITY, INCLUSIVITY, AND TRANSFORMING FASHION’S FUTURE.
By Blair Thompson
IN AN INDUSTRY historically dominated by rigid standards and narrow definitions, plus-size model Cameron Boyland is challenging the narrative and paving the way for a more inclusive future. With his striking presence and infectious charisma, Boyland has become a prominent voice in fashion, advocating for authenticity, self-love, and representation beyond the runway.
For Boyland, modeling transcends physical appearance. “It’s about being the best version of yourself,” he shares. “Beauty isn’t just what you see in the mirror; it’s how you carry yourself, how you treat others, and how you embrace your individuality.” This philosophy underpins his work both in front of the camera and behind the scenes through his organization, The Bigger Picture. Dedicated to promoting size inclusivity and representation in the fashion industry, The Big Picture has grown into a movement that celebrates diversity and challenges outdated norms.
The Bigger Picture recently made history in February 2024 with its inaugural New York Fashion Week MENS+ campaign, which was highlighted in Vogue Business’s Autumn/Winter Menswear Size Inclusivity Report.
Boyland’s journey into modeling wasn’t straightforward. A turning point in his career came in 2021 when he was announced as the Big Model Search Winner for DXL, the exclusive global retailer for big and tall fashion. This recognition not only launched his journey as an influencer but also solidified his commitment to representing individuals who often feel overlooked.
“You can’t let the industry dictate who you are. The moment you start chasing someone else’s definition of beauty, you lose the essence of what makes you unique,” he reflects. “I had to lose myself to find myself.”
Like many who venture into the spotlight, he initially felt the pressure to conform to industry standards. But as he began to carve out his niche, Boyland realized the importance of staying true to his identity.
This realization fueled his determination to represent individuals who often feel overlooked. His journey from self-doubt to self-assurance serves as a testament to the power of perseverance and authenticity.
As a trailblazer in the plus-size modeling space, Boyland embraces his dual role as both a fashion model and a role model. He views his platform as an opportunity to inspire others to pursue their dreams unapologetically. “Being a model isn’t just about wearing clothes,” he explains. “It’s about showing people what’s possible. When someone sees me in a campaign, I want them to think, ‘If he can do it, so can I.’”
Throughout his career, Cameron Boyland has represented and collaborated with leading brands such as Savage X Fenty by Rihanna, SKIMS by Kim Kardashian, Shaquille O’Neal’s XLG, Nike, Fashionnova, JCPenney, and Johnny Bigg USA, among others. Each partnership not only showcases his versatility as a model but also underscores the growing demand for diverse representation in fashion. “Every collaboration is a step toward a more inclusive industry,” he says. “It’s not just about the clothes; it’s about the message we’re sending.”
One of the standout collaborations in Boyland’s career has been his ongoing partnership with Johnny Bigg USA. The brand has played a pivotal role in his journey as a social media influencer and advocate for inclusivity. “Johnny Bigg didn’t just believe in me—they believed in the vision,” Boyland says. Their support began early in his career, with the brand sponsoring The Bigger Picture’s community events alongside co-founding partner National Curves Day, Inc., from its inception.
“Believe in yourself, stay true to who you are, and never underestimate the power of your voice. The world is waiting for what only you can bring.”
“For me, it’s not just about wearing the clothes; it’s about aligning with brands that reflect the values of diversity and representation,” Boyland explains. Johnny Bigg’s unwavering support reflects their dedication to promoting individuality and size diversity within the fashion industry. “They’re not just talking about change—they’re actively driving it,” he adds.
Boyland’s impact extends beyond his striking photoshoots. Most recently, he was honored as the 2024 Big & Tall Model of the Year by the Full Figured Industry Awards—a testament to his impact in championing inclusivity and redefining beauty standards in the modeling world.
His ebook, How to Become a Model, provides a roadmap for aspiring models of all shapes, sizes, and backgrounds. Packed with practical advice and insider tips, the guide reflects his commitment to democratizing access to an industry often perceived as exclusive. “There’s room for everyone,” Boyland emphasizes. “Fashion should reflect the world we live in, not just a small fraction of it.”
While Boyland appreciates the artistry of fashion, he believes personal style is where true beauty shines. “Fashion is fleeting,” he explains. “Trends come and go, but personal style is timeless. It’s about finding what makes you feel confident and comfortable.”
For Boyland, personal style is a form of self-expression, a way to tell your story without words. “When you dress in a way that reflects who you are, you’re not just wearing clothes; you’re making a statement. That’s powerful.”
Looking ahead, Boyland has set his sights on conquering the world of high fashion. “I want to do more runway for major fashion houses,” he shares. “Walking for brands that shape the industry on a global scale
would be a dream come true. It’s not just about the prestige; it’s about showing that beauty and talent come in all sizes.”
This ambition reflects his unwavering commitment to breaking barriers and proving that inclusivity belongs at every level of the fashion hierarchy. For Boyland, the runway is not just a platform—it’s a stage for change.
Through The Bigger Picture, Boyland is on a mission to redefine beauty standards and ensure that every individual feels seen and valued. The organization hosts workshops, campaigns, and community events that amplify the voices of underrepresented groups. “It’s not just about breaking barriers in fashion; it’s about changing mindsets,” he says.
Boyland’s work has already garnered significant attention, but he remains focused on the bigger picture—creating a world where diversity is celebrated, not tokenized. “We’re just getting started,” he asserts. “The goal is to make inclusivity the norm, not the exception.”
Cameron Boyland’s journey is a reminder that beauty is more than skin deep. As he continues to challenge norms and inspire change, his message is clear: the best version of yourself is the most beautiful version of yourself. Whether through his modeling, his ebook, or The Bigger Picture, Boyland is proving that there’s room for everyone in the world of fashion—and that true beauty lies in authenticity.
For those aspiring to follow in his footsteps, Boyland offers a piece of advice: “Believe in yourself, stay true to who you are, and never underestimate the power of your voice. The world is waiting for what only you can bring.”
BRANDON T. JACKSON
TALKS ‘TRAP CITY’, KATT WILLIAMS, AND THE HIGHS AND LOWS OF HOLLYWOOD
By Kirby Carroll
OVER THE HOLIDAYS, I had the pleasure of speaking with actor/ producer Brandon T. Jackson to discuss his latest project, Trap City. Now playing in select theaters, the gripping independent film takes viewers on an intense journey through fame, power, resilience, and redemption. Trap City, which he refers to as a “David and Goliath story,” digs into the gritty underworld of Detroit while leaving viewers with the sentiments of a faith-based film. In this exclusive conversation with Bleu, Jackson openly walks us through his highs and lows within his career, the impact of fatherhood on his life, his thoughts on Katt Williams’ mentioning him in a now-viral interview, and why Trap City needs to be on your watchlist this season.
BLEU: First, I have to ask, how’s your standup tour going?
Jackson: It’s been going well. We’ve been going and going. We just left Albuquerque, New Mexico. I randomly have a lot of fans out there, and it was a great show.
BLEU: I love that, congrats! So, Trap City, tell me about it. I’m excited to see it. What can readers expect?
Jackson: I’ve been telling everybody this is my Hustle and Flow, except it’s a darker character. It’s dramatic—something nobody has seen from me before. I put on 20 extra pounds, changed my look, and stripped away the commercial image people associate with me. This character is underground. I didn’t want to look like the "commercial Brandon T. Jackson." I wanted to do something different.
BLEU: Tell me about the “commercial” Brandon T. Jackson. Jackson: You know, he wears a low cut, he’s lowkey. Deshawn is more like Cartier, more trap, more underground. He has a Detroit-type vibe, even though it takes place in Atlanta. He’s that Detroit dude that goes to the studio, smokes weed. He’s like the drop boy. It’s about a man trying to survive who doesn’t have any money. But he doesn’t want to be in the trap. He wants to be a rapper, but they’re trying to get him to let that go. People want him to be like his father—who is kinda like the boss, played by Clifton Powell.
BLEU: You know, I read somewhere that your father is a pastor. Entertainment can be really worldly at times. How did that make an influence on your career?
Jackson: I always wanted to make faith-based movies. I just keep getting pulled into these mainstream films that are opposite of who I am. Actually, Trap City has a spiritual undertone. You’ll see what I mean when you watch it. This is a faith-based film, but it's also a trap film, so it’s not pictureperfect. We show scenes in strip clubs, and there’s certain language used. But I like to reflect the reality of the world—not some 'perfect’ version of faith-based movies. The perfect world isn’t real, or if it is, it’s only real for certain niche audiences.
I want to reach the people I think Christ would go to—the ones in the slums, the ones living in lower vibrations but seeking something greater. That’s where the light goes: into the darkness.
BLEU: I think being entertained is fun but being inspired is amazing; I love when art does that. Speaking of, talk to me about Family Business: New Orleans. What’s it been like acting in it while being on the producing team?
Jackson: That's definitely Tri Destined—shout out to them! They’re the ones behind it. And, of course, Carl Weber—this is his concept and his intellectual property. But Family Business:
New Orleans is a project I’m incredibly excited about. It’s honestly one of my favorite projects I’ve ever worked on. The whole set experience was amazing— everything about it was just great. I’m praying we get another season, and I’m confident we will. From what I’ve seen so far, it looks really, really good, and I think fans are going to love it.
Being an AP is easy. As an associate producer, you're mostly giving creative notes—you’re not dealing with the hard structures. Executive producing, though, like I did for Trap City, that was tough. With AP, you’re not setting up crews or managing all the logistics. In that, I've got to handle everything—getting the crews, managing the teams—it’s more like CEO-level work, and that can definitely get annoying. That said, with a good UPM (unit production manager), things usually run smoothly. But with Trap City, I was wearing so many hats. It wasn’t just producing; it was doing everything. That project really stretched me.
BLEU: Are you starting to find that love behind the camera as well?
Jackson: For sure, BTJ Studios is becoming BTJ Films—that’s what we’re gearing toward. Trap City is executiveproduced by Brandon T. Jackson, but it’s not a Brandon T. Jackson film.
BLEU: You’ve been in the industry so long. What would you say is the biggest lesson you’ve learned?
Jackson: Enjoy the process. Because you never know what can happen. Like, Trap City was the hardest project I’ve ever done. Even now, releasing it to theaters is unheard of. But we want the small film to be big. It’s a David and Goliath situation. They don’t think the community will come out to bet on their own. But I believe the community will show up. It’s not a Hollywood film, it’s a street film for the people. People appreciate that, it’s why Tubi is doing so well.
after Family Business, I feel like we’re in a much better place now. Back when I started, there weren’t many Black producers. The industry was different—there were no 4K cameras on the streets or affordable ways to create high-quality films. We were shooting on actual film.
Now, the market is open, and I’ve stepped into the producer role because I want to create things that truly reflect my vision. It’s exciting to see how far things have come.
BLEU: This is interesting to hear since, according to Katt Williams, you might be in the Illuminati too (laughs).
Jackson: Katt Williams is ridiculous. He doesn't know what he’s saying. Some stuff he says is very prolific, but some stuff he just says to get attention. He’s always had something against me. I’ve always been a big fan of his. I’m happy he’s putting his money where his mouth is now, though—he probably heard me speak up about how he can use his money to change the industry.
BLEU: Do you know him personally? Like, had you met him in person before his comments on Club Shay Shay?
BLEU: Okay, let’s take a career break for a moment. You’re a father now. How has that changed your views? I’m not necessarily just talking about within the industry, I mean, the world?
Jackson: Wow, fatherhood changed me a lot. It gave me something to live for. They're my happy thoughts. Remember the movie Hook with Robin Williams? He couldn’t remember anything, but thinking of his children were his happy thoughts that enabled him to fly and save them. That’s how I feel.
With my career, I just didn't want to do it anymore. I just grew up and lost that edge. My children are a big piece of me flying again.
BLEU: That’s beautiful. I have to ask though, what do you think took away that initial desire from the industry?
Jackson: I don’t like feeling so controlled. Even though, looking back, I realize I’ve always had a clear vision for the types of movies I want to make. I’ve always wanted to create films that uplift the culture but aren’t corny. I want my movies to have a spiritual or faith-based undertone but still feel authentic and real. For example, I could make a faith-based movie that has the same energy as something like the last Bad Boys film.
Before, there was a lot happening behind the scenes—bureaucracy, politics, and certain agencies trying to shape how Hollywood saw me. But I had a vision for how I saw myself, and that didn’t always align. Thankfully,
Jackson: I’d see him in person, and he’d just talk crap about me. He’s one of my heroes, and he’s rude to me. It's like I’m anointed by the most High, just like you. Why act like that? He’s corny not to have a conversation with me. With him being a mentor— that's crazy. He’s corny.
BLEU: I’ll close with this, what would you like people to know about this next chapter of Brandon T. Jackson?
Jackson: That I’m being controlled by God. I’m not in control anymore. I mean, I never was, but now I know I’m not. I’m at the place where I know my sacrifice of eight years outside of the business. I watched people blow up that used to sleep on my couch. I watched my peers get bigger deals and movies while I had nothing. I lost everything and was living on a farm.
But I was doing it because I got sick of the excuse that Black people can’t come together, but now I know we don’t want to. We can come together for the strip club or lower vibration things, but when it’s a higher vibration—it’s like “call my accountant.” I think God just gives to the crew that has the torch of higher vibration. All my Hollywood friends thought I was crazy, and maybe I was crazy to ride for our people.
We were working to structure something meaningful—technology and systems that could help preserve the identity of Black Americans. It was about creating something that could literally save or empower the recognition of a nationality that we call Black American. There’s no such thing as an African American passport—you’re really just American. But the goal was to create a structure that acknowledges and uplifts our descendants, our bloodline, the lineage we know we come from.
We worked tirelessly on these efforts, often without support. There was a lot of talk and excitement from the community, but when it came to real support—especially from my Hollywood peers—it just wasn’t there. They all saw what we were doing, and there was a lot of rah rah, but there was no backing, no help.
Something about me? I don't do fake revolutions. I don't do that. Do a real thing or real economic revolution or something. If we do it, we have to do it for real.
CReaTiNg through
DURING THE “BEYONCÉ Bowl,” it became unmistakable that Beyoncé was not just reclaiming what is rightfully ours—Black culture and artistry—but she was also breathing new life into it. Like a master sculptor chiseling away at a block of marble, she redefined and elevated Black narratives, turning them into monuments of unapologetic excellence. Beyoncé didn’t just perform; she orchestrated a symphony of Black Texas country pride that rang out like a clarion call, reminding the world who sets the rhythm of culture and creativity.
Like most of the world, on the evening of Christmas Day 2024, I watched the first-ever live NFL football games on Netflix. Some viewers tuned in to watch the games, while others tuned in for what was dubbed the “Beyoncé Bowl,” the halftime show of the Houston Texans and the Baltimore Ravens game played in her hometown of H-Town. It was the first time Beyoncé performed songs from her country-inspired album Cowboy Carter.
I’ve never been a member of the Beyhive or a massive fan despite being a meticulous, perfectionist Virgo like Queen Bey. Her headlining performance at the 2019 Coachella Festival made me take notice like never before, in the same way Cowboy Carter did. It wasn’t just the music—it was a revolutionary declaration of cultural pride, defying the forces that have long sought to silence Black artistry, especially when
that art comes from a Black woman.
Her performance reminded Black creators of our enduring strength and innovation, echoing the resilience that has defined our history. Yes, I’m aware Beyoncé has had other moments throughout her career and albums that have impacted the culture, but they didn’t personally captivate me in the same way.
Beyoncé’s performance is the latest chapter in a legacy of creativity born from necessity. Like our African ancestors, Black Americans have always created to survive, communicate, and inspire. From the rhythmic beating of African drums to the intricate spiritual storytelling, creativity has been our way of carving meaning and connection even in the most trying times.
The beating of African drums was not just spiritual; it was also a vital form of communication between people and tribes. It was in the face of slavery, the Reconstruction Era, Jim Crow, the Civil Rights Movement, the Montgomery Bus Boycott, the Freedom Riders, the Sit-In Movement, the Little Rock Nine integration, the Black Power Movement, and the Harlem Renaissance that we birthed local and national political and social movements of change.
The Harlem Renaissance, much like Beyoncé’s modern cultural contributions, was a moment when Black Americans boldly reclaimed
a os C h
their narratives through music, film, visual art, literature, and theater. This era not only celebrated our artistry but redefined our identity and showcased the transformative power of storytelling.
This reshaping of our pride, identity, and consciousness took place from the end of World War I to the Great Depression. It birthed some of the greatest Black artistic works from Langston Hughes, Zora Neale Hurston, Duke Ellington, Billie Holiday, and Bessie Smith. These works are still studied and revered today.
By the time this article is published, another Trump presidency will be in full swing. It’s imperative over these next four years that Black people, people of color, LGBTQ+, and anyone who doesn’t subscribe to Trumpism, regardless of race, religion, gender, or sexual orientation, not only protect your peace but go all in on creating content and controlling our narratives because this is bigger than political party affiliations.
Right now is the time to remember who we are as a people and to stand up in the face of adversity, fear, and even death, just as we always have. We’re witnessing the dismantling of political, social, and educational systems that people died to protect.
We cannot stop creating and telling our stories. From the Harlem Renaissance to Cowboy Carter, our narratives have always been a lifeline—reclaiming identity, shaping legacy, and inspiring the world.
By Evan Majors
Black culture has always been the blueprint, setting trends and defining global influence without validation.
Keep creating, speaking your truth, and galvanizing around causes that uplift our collective culture. We don’t need validation because Black culture, in all its forms, already defines global influence. Let them mimic our TikTok dances and trends—we’ve always been the biggest influencers.
Fight for truth. Fight for justice. Fight for the people you love. A cause or issue doesn’t have to affect you directly for you to fight for it. It could involve someone you love. People hate others because they hate themselves.
Our stories and creativity are acts of survival and triumph, reminding us of our roots and power. Every melody, lyric, frame, and word declares that our experiences matter and our complacency won’t move the needle.
Bleu Magazine is a shining example of this mission—a beacon of independent Black-owned media that boldly champions our voices. By supporting platforms like Bleu, readers become active participants in the fight for narrative control, ensuring that our stories are told authentically, unapologetically, and on our terms. Together, we shape the future of culture and leave a legacy for generations to come.
Happy 100th Issue, Bleu Magazine! Here’s to 100 more stories that shape and celebrate us.
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KEVIN BENOIT: PARLE MAGAZINE FROM PRINT TO PURPOSE
Kevin Benoit is a natural-born self-starter based in Brooklyn, New York, with a go-getter mentality. He has a deep love for helping others and a passion for media and entertainment. Growing up, he originally planned to study law and graduated college with a degree in criminal justice. But the idea for a magazine kept growing. At just 17 years old, Kevin launched Parle Magazine, focusing heavily on local print distribution.
His early success opened doors, including an opportunity to volunteer with a youth-led media company, where he quickly rose to editor-in-chief. Nonprofit work became the cornerstone of his career, and he’s worked with the disabled community, homeless youth, formerly incarcerated youth, and in education.
Throughout the growth of Parle Magazine, Kevin faced major struggles— from social channels being hacked to keeping up with the unpredictable shifts in media. But over twenty years later, he’s still standing strong.
Recently, he merged his skills to create Parle Endeavors, a nonprofit aimed at empowering young adults and supporting youth development through mentorship, scholarships, grants, and real-world experience. Their focus is providing opportunities in the arts, media, journalism, entrepreneurship, and beyond. Kevin’s mission today is to help build the next generation of mediamakers while shining a brighter light on local stories through Parle. Personally, he’s thinking about finally revisiting his original plan—pursuing law, but this time with a focus on entertainment.
RHONESHA BYNG: HER AGENDA THE BLUEPRINT FOR EMPOWERED WOMEN
Rhonesha Byng is all about going above and beyond—in fact, she built her entire brand around that idea. Born and raised in Brooklyn, Rhonesha founded Her Agenda, a digital platform that shines a light on powerful female leaders and provides resources to inspire the next generation.
She started her career writing for outlets like NBC and HuffPost but quickly noticed a gap in how women, especially Black women, were being represented. That’s when Her Agenda was born. Through her platform, Rhonesha offers tools, mentorship, and stories that encourage young women to push past obstacles and claim their space.
Beyond the site, she’s become a sought-after public speaker, appearing at The White House, Google, Adweek, and more. Over the years, she’s earned awards and recognition while focusing on highlighting others and building a space where women can thrive.
GABRIELLE AMANI: MEFEATER
CREATING THE LIFE YOU LOVE THROUGH BOLD LEAPS
Gabrielle Amani’s “plan” was to immerse herself in the world of architectural engineering—a “safe” career choice, especially important to any first-generation immigrant family. But she turned that plan on its head when she launched MEFEater in 2012, calling it “an act of rebellion” and using it as a space to express her creativity.
At just 20 years old, Gabrielle was already making waves on Wall Street, quickly moving up from social marketing manager to head of marketing at a hospitality company. Still, corporate life didn’t feel right, and something new was calling. After prayer, family talks, and some bold steps, she launched MEFEater Magazine with helpful support from her mother.
Along the way, she’s seen major success, gained industry respect, and learned hard lessons about leadership, growth, and accountability. Today, she’s expanded MEFEater into an agency, working with top-tier clients and providing services that uplift others. Gabrielle is looking forward to motherhood and continuing her entrepreneurial journey. Her advice to young creatives is to be self-aware, stay focused on your niche, and prioritize balance through self-care and faith.
LYNNWOOD BIBBENS: REACH TV FLYING HIGH: THE BUSINESS OF ENTERTAINMENT
Lynnwood Bibbens has always had a solution-driven, strategy-focused mindset. Before launching ReachTV, he built and sold multiple tech companies, learning the ropes of entrepreneurship early on. But founding ReachTV—the largest airport television network—became his defining move.
Lynnwood’s goal was to create something fresh and positive. Today, ReachTV streams in airports and hotels across the U.S. and beyond, airing everything from live sports to original shows. He’s played a key role in taking the company global, working closely with big names in tech and media to keep ReachTV ahead of the curve.
In addition to his business moves, Lynnwood has produced various TV series and shows and frequently appears on air himself. He’s also working on his first book, continuing to expand his mission of connecting people, entertaining audiences, and making every journey a little brighter.
WELCOME TO THE NBHD
By Dylan Atilano
THE COFFEE SHOP community in Harlem, New York’s Strivers Row neighborhood was known as a cultural hotspot during the Harlem Renaissance, which holds a rich history of Black excellence. During the 1920s and 1930s, Strivers Row housed numerous musicians, writers, and intellectuals who played crucial roles in shaping both Black art and identity in the city of New York. Today, this neighborhood’s legacy continues to shine as a hub for the arts and holds a strong connection to the community. Nestled just a short walk away is the Black-owned coffee shop NBHD Brûlée. Founded in 2019 by Duane Chane Shue, NBHD Brûlée prides itself on its connection to Harlem, its bold flavors, and being a communal space that reflects the rich history of the neighborhood.
Whether you’re in the mood for a delicious breakfast or a savory lunch, NBHD Brûlée has your hunger needs covered. A musthave beverage is their signature “brûlée” coffee, where the top of the drink is torched, just like the dessert dish creme brûlée. Brûlée represents Harlem for Shue, as the neighborhood is sweet and savory. For breakfast, some selections include smoked salmon bagels and cajun shrimp and grits. Two
great savory options for lunch are the cajun shrimp po’ boy and the Cuban reuben. Their menu also includes vegetarian options such as the black bean burger. Shue crafts the menu to be a representation of the flavors of Harlem. Like this neighborhood, NBHD Brûlée’s dishes are full of flavor. They’re proud to serve only the freshest locally sourced ingredients and provide quality service.
Prior to opening NBHD Brûlée, Shue owned his own lighting company. There, he worked on film and television sets with an emphasis on specialty lighting design. Shue eventually began working as an electrician in the Local 52 union and is still a proud member to this day. On set, he saw empty spaces on stages and envisioned how to bring life into them. This skill directly transferred over to the creation of NBHD Brûlée’s interior.
Shue’s experience working on numerous film sets means he knows how to curate a welcoming atmosphere at NBHD Brûlée. His goal for the coffee shop is to blend the past and the present as well as be a representation of the historical significance of Strivers Row. The storefront is located in a beautiful vintage location that shines a spotlight on the old architecture of the neighborhood. Inside, the coffee shop highlights Harlem’s rich history.
Shue expresses his love for the old, nostalgic feel restaurants can have. For instance, the white paint is never white but rather has a worn-in and clean appearance. Even though the coffee shop is newer, it feels as though it’s been a part of the community forever. By highlighting their passion for Harlem’s culture, every visit to this coffee shop is one to remember.
As a Harlem local, Shue understands the importance of fostering community through his coffee shop. He recognized the absence of a communal space within the neighborhood for residents to gather and wanted to change that. The neighborhood is made up of families that have been there for generations and new residents that create a blend of the past and present. Shue wanted to bring the two together to show community members how much they have in common with their fellow neighbors. That’s why NBHD stands for neighborhood.
PapaRaZzle BRINGING THE VIBES WITH HIS NEW EP, I’m In Paris, and I Miss You
By Serena Carter
LONDON-BASED AFRO-FUSION artist PapaRaZzle recently released his new EP, I’m In Paris, and I Miss You, which was heavily influenced by his recent trip to Paris. He originally went to Paris to meet with producer Lisa Tzu to create a song that eventually became a session with her, Saan, and Racy J. The sessions turned into a whole EP.
“The chemistry, instant chemistry, was just crazy because we went from it’s supposed to be just a session to create one song. But I think we did that so fast and had a lot of time left in the studio session,” said PapaRaZzle. “I was like, let’s work on something else. And boom, boom, boom. I think that day we made three songs in just, like, a couple hours. And we’re like, let’s do one more session. And we made another two songs. And I was like, yo, this has got to be put in a project together.”
I’m In Paris, and I Miss You is a seven-track EP created in two days, solely based on spontaneity. Two of his favorite songs on the EP are “Angels
Singing” and “Miata.” Miata was written before his trip to Paris, but he felt it fit the vibe of the project. It was inspired by the Miata he received this year.
“When I was writing that song, it was almost like a freestyle…And just because of that, like, if that didn’t happen, if the car was [not] in my life, somehow that song wouldn’t exist,” he said. “I really like some of the lyrics on the hook, and my favorite one is probably all the melodies, ‘angels singing, when you’re in my arms…’ I just feel like that’s really just beautiful. So it captures, like, it paints a specific picture in my head, and I like it.”
This EP has inspired him to want to go to different cities, such as New York, Morocco, Toronto, Mali, and Tokyo, to make music with local producers and artists. Currently residing in London, PapaRaZzle had the opportunity to live in different cities and countries throughout his life. He was born and raised in Nigeria. As Nigeria is his home country, he lived in Canada, where he got his postgraduate degree in international business management, and has lived in the UK for the past three years now. He talks about growing up in Nigeria and how he was influenced by music and being exposed to so many different styles and genres.
“I appreciate the fact that I benefit just being born and raised in Nigeria in a lot of ways, especially musically, because the culture of music while growing up was very eclectic, you know, and very mixed because you grew up listening to everything like American music, you know, R&B, hip hop,” he said. “And then you grew up listening to music from the UK as well. And then you grew up listening to Nigerian music as well, like Afrobeats, and then the indigenous music.”
Even after moving to Canada and then the UK, PapaRaZzle picked up and used the differences in the environment to influence his music. The deciding factor for him moving to London was the music.
“I feel like the UK, especially London, is the hub for music in the world to get global,” he added. “So I’d say my music is very, very global in terms of sound, and it’s evident in my fan base as well. So I’d say that kind of, like, played a role in the decision-making to move over here.”
As he continues his music career, PapaRaZzle wants to make a breakthrough in the United States. He already has a huge fan following in the UK and Europe. Last year, he released a song that was mainly R&B compared to his Afro-fusion sound, which gave him traction in the US and showed him that he has an audience here. As his career grows, he would like to collaborate with artists such as Brent Faiyaz. PapaRaZzle plans to hit the road and go on tour.
His team is currently working on setting up shows in cities such as Paris by the end of the year. Fans can be on the lookout for new music from PapaRaZzle in the months to come. He is currently working on a compilation project that will include fan favorites and new songs.
photo: GIANNI GALLAN
POWERS PLEASANT’S VICTORY LAP
Finding Triumph with ‘Life Sucks’
MULTI-PLATINUM PRODUCER AND DJ POWERS PLEASANT RETURNS WITH LIFE SUCKS, A ROLLER-COASTER ALBUM THAT BLENDS GENRE-DEFYING SOUNDS AND HEARTFELT MESSAGES. By Deonte Chalant
When Powers Pleasant dropped his highly anticipated album Life Sucks in October 2024, the reception was immediate and overwhelmingly positive. Fans who had been waiting since 2019 for a new full-length project from the multi-platinum producer and DJ were not disappointed. But what surprised Powers most was the support he received from his peers and unexpected corners of the music industry. “It’s been great,” he shared. “I expected my fans to support me, but I’ve also been getting a tremendous amount of support from my peers and people I wouldn’t normally think would be tapping into my music. This is my first fulllength body of work.”
Powers Pleasant is no stranger to making waves. As a co-founder of Pro Era alongside Joey Bada$$ and the late Capital STEEZ, he’s been instrumental in reinvigorating New York hip-hop since the early 2010s. His journey from a Brooklyn bedroom beatmaker to a celebrated producer and DJ has been fueled by a relentless work ethic and a passion for creating timeless music. Yet, the road to Life Sucks was not without its hurdles.
After releasing Life Is Beautiful in 2019, Powers was entangled in label struggles that delayed his next project. But instead of letting the setbacks stall him, he doubled down on his work. “Everything happens for a reason,” he reflected. “I learned never to stop working. Throughout that process, I pretty much made a whole new album. I scrapped about half the songs, made more, and improved the project. So yeah, everything happens for a reason. All in due timing.”
This perseverance shines through in Life Sucks, which Powers describes as a sonic roller coaster. The album’s lead singles, “Rumble” featuring Joey Bada$$ and “Shmoke” featuring A$AP Ferg and Armani Caesar, provide a glimpse into the album’s diverse soundscape. “Those tracks are definitely the most single-sounding records with the energy and hooks,” he explained. “But honestly, the project is a mixed bag; every song on the project is special and different. When you press play, you’re in for a ride—it’s like a roller coaster.”
This ability to craft a cohesive yet eclectic project is no accident. Powers has built a reputation as a master collaborator, working with artists as varied as Juice WRLD, NBA YoungBoy, BTS, and his Pro Era brethren. When
asked about the secret to creating iconic posse cuts, he humbly replied, “I don’t know, man. I just go off the vibe. I never force these records. It’s never really planned out—it just depends on who I’m working with.”
For Powers, collaboration has always been second nature. Growing up in Pro Era, he learned early on how to orchestrate and harmonize diverse personalities and styles. “Those are my brothers; that’s where I got my start,” he said of the collective. “We started from humble beginnings, a grassroots family-style vibe. I’m happy to still have that type of energy around me. This industry can be cutthroat and crazy, so it’s great to have good people around you to keep you grounded.”
This foundation has served him well, not just as a producer but also as a DJ. Powers credits DJing with shaping his approach to musicmaking. “Absolutely; DJing and producing go hand in hand,” he said. “I’m always thinking about how the record is going to move people. When I’m producing, I’m always thinking about the show, the club, or the party and how I will sequence this record to make people move.”
Despite his accolades and achievements, Powers’s definition of success remains rooted in his connection to his fans and the art itself. “Success for me is touching my fans and supporters and making a dope piece of art that they would enjoy,” he said. “I’ve always been an organic artist, so I’m never really checking for numbers like that. I’ve always done well over the years, gradually so. But it’s about making a dope piece of art.”
Reflecting on the impact he and Pro Era have had on hip-hop culture, Powers feels a sense of fulfillment. “Coming up with Pro Era till now, the amount of lives we changed and saved… I feel like I can retire right now because we’ve made our impact in history and culture. We’re solidified. Anything else I’m doing now feels like a victory lap. I’m now in my second life as a solo artist, which is fun.”
Ultimately, Life Sucks is a testament to resilience and growth. “No matter how treacherous things might seem, it gets better,” Powers said. “It’s never over. No matter where you’re in life, there is always another level. Never give up.” With his first full-length album now out in the world, Powers Pleasant continues to push boundaries, proving that even when life sucks, the music doesn’t have to.
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QUINCY JONES
THE WIZARD OF THE SHOW BUSINESS
By Dr. Dominique Carson
WHEN YOU THINK of the late legend Quincy Delight Jones, Jr., several words will come to mind, such as icon, innovator, genius, groundbreaking, and more. Jones made remarkable contributions to music, television, film, and the overall culture for seven decades, making him a pioneer.
Jones was a trumpeter at heart but started honing his craft as an arranger, composer, and conductor and embarked on a musical journey that allowed him to work with several greats, including Lesley Gore, Ray Charles, Ella Fitzgerald, Sarah Vaughn, Frank Sinatra, Dizzy Gillespie, Count Basie, Tamia, and the “King of Pop,” Michael Jackson. After receiving critical acclaim for working with several artists and his versatility as a record producer, Jones transcended to film, becoming the first African American to compose a movie, The Pawnbroker, in 1964. He arranged over 30 films throughout his career, including The Wiz and The Color Purple.
However, Jones is mainly known for producing Michael Jackson's three albums, Off the Wall, Thriller, and Bad, which paved the way for Jackson's career. Thriller became the best-selling album ever, winning eight Grammys in 1984. Jones also utilized his talents as a humanitarian by arranging and producing the Grammy award-winning inspirational record, "We Are The World," written by Michael Jackson and Lionel Richie, to raise awareness about famine relief in Africa in 1985. The song features some of the biggest names in music at that time and generated millions while becoming a catalyst for change, especially in third-
As the charismatic and tenacious producer stepped into the 1990s and 2000s, Jones ventured into other avenues, including launching VIBE Magazine and becoming an
executive producer of The Fresh Prince of Bel-Air so black and brown people could have a voice in the media. The television show was an excellent way for Oscar and Grammy-winning actor and rapper Will Smith to present his transformative phase after nearly going bankrupt for mismanaging his money as a rapper.
He also helped launch Grammy-nominated singer Tamia in the music industry with her single, "You Put a Move on My Heart," and landed her an opportunity to collaborate with Brandy, Gladys Knights, and Chaka Khan on the song "Missing You" for the Set It Off soundtrack. Grammy award-winning rapper and actor Ludacris showed his homage to Quincy Jones on the record "Soul Bossa Nostra." His verse lets people know that Jones was indeed a man with a master plan, an excellent force in people's lives; he couldn't be cloned or duplicated, and a protective male influence that guides and supports others so they can achieve their goals. Jones became a helping hand for entertainers who needed a leg-up in the business by sharing his knowledge and experiences in the industry.
The father of seven's presence in the entertainment industry gives artists the power to heal, inspire, inform, and cultivate people's lives through the arts. Sadly, Jones passed away on November 3, 2024, at the age of 91, after enduring a battle with pancreatic cancer. One of his fondest quotes about living life is, "Love, Laugh, Live, and Give; that's what it's all about," which centers on the necessities of a wholesome and fulfilling life. Jones fulfilled his mission, and artists will recognize how he touched their lives each time they hear a note or song from him on the radio or other mediums. His work united people from all nations and impacted generations through philanthropic work, education, artistry, mentorship, musical composition, and commitment to the arts. Therefore, Quincy Jones will forever be on "Q" with his approachable and sophisticated nature.
