Black History Month South - 2024 Programme

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Correcting historical inaccuracies and celebrating the outstanding achievements of Black individuals

WELCOME BLACK HIS TO

HISTORY SOUTH MONTH

As humans, change is the one constant that touches us all, whether on a personal, national, or global scale. From welcoming new family members, navigating shifts in political landscapes, or facing the increasing challenges of climate change, we are all witnesses to transformation. This year has brought significant changes to our communities, most notably the violent racist riots in August.

Black History Month South has always maintained an apolitical stance however following the tragic killing of Elsie Dot Stancombe, Alice Dasilva Aguaran, and Bebe King on 29th July and the subsequent appalling extremist right-wing racist violence that occurred across the country, I feel comment is required. Firstly, on behalf of BHM South, I’d extend my deepest condolences to the families of those affected by the loss of such innocent lives. It is an affront that in such tragic circumstances some have sought to exploit tragedy to advance their hateful political agenda. History is littered with instances where it’s been easier to blame ‘the other’ for all society’s ills and wider economic failures than to deal with the fundamental problems precipitated by the actions of governments, financial institutions, and individuals looking to gain from social unrest.

These events have left many of us feeling vulnerable and unsafe, with impacts that extend far beyond the immediate aftermath. I encourage everyone to check in on one another and offer support wherever possible. A listening ear and shared empathy can go a long way to alleviating the stress we are all feeling and provide some much-needed comfort during these trying times. Unfortunately, Racism is, has, and sadly, for the foreseeable future, continues to be with us however, it is up to those of us who reject these hateful ideologies to stand united, take a firm stance against racism and discrimination, and make anti-racism a fundamental part of our daily lives.

I would also like to take this opportunity to express my gratitude to everyone for your continued support of Black History Month each year. After eight years of leading this organisation, I am continually humbled by the engagement we receive from partners, stakeholders, and all of you. Thank you once again, and welcome to Black History Month 2024. Together, let us reclaim the narrative and continue the fight for justice and equality.

RECLAIMING OUR STORIES : DISRUPTING THE MASTER NARRATIVE

This year’s Black History Month theme, “Reclaiming Narratives,” is more than just a slogan; it’s a powerful declaration of our collective strength and resilience.

For too long, the stories of Black people have been distorted, silenced, or outright ignored. It’s time to take back our history, celebrate our achievements, and challenge the harmful narratives that have held us back. By highlighting our untold stories, we aim to celebrate the full complexity of Black heritage and honour the countless contributions of Black individuals worldwide.

The journey of reclaiming narratives is not merely a theme for this month; it’s a movement toward acknowledging and appreciating the multifaceted contributions of Black people throughout history. As we embark on this path, we invite you to join us in embracing, educating, and empowering one another through the stories that shape our collective identity.

At Black History Month South we’re committed to amplifying Black voices and sharing the untold stories that have shaped our communities. We believe that by reclaiming our narratives, we can inspire future generations, empower ourselves, and build a more just and equitable world.

On behalf of the team, we extend a heartfelt invitation to everyone. Let’s unite in “Reclaiming Narratives” and forge a future where the true essence of Black history, contribution, and presence is rightfully recognized.

For the cover of our 2024 magazine, we are proud to present a selection of our most distinguished speakers, academic icons, and trailblazers who embody the theme of “Reclaiming Narratives.” These individuals are not just speakers; they are storytellers, educators, and activists who are committed to ensuring that the full richness of Black history is told.

Omari McQueen, Breaking Barriers and Inspiring Others

A 14-year-old vegan chef is a shining example of reclaiming the narrative. He is the UK’s youngest restaurateur, with a second BBC show and a book deal, Omari’s story inspires young people to pursue their passions and break barriers.

Chioma Nnadi: A New Era at British Vogue

Making history as the first Black woman to lead British Vogue. With her unique perspective, Nnadi promises to bring a fresh and inclusive voice to the fashion industry.

Yomi Adegoke: Shaping Stories for Black Women

A multi award winning journalist and best selling author, is at the forefront of reclaiming the narrative for Black women. As a trained lawyer and visionary, she is using journalism as a platform for social change.

Kayne Kawasaki: Reclaiming the Narrative Through TikTok

A rising star in the digital landscape, using TikTok to reclaim the narrative of Black history and culture. Based in Peckham, South London, this former teacher has captivated audiences with his engaging videos, amassing over 1.2millon views collectively.

Afua Hirsch: Uncovering the Hidden Stories of Our Past

A renowned documentary filmmaker, and leading voice in challenging dominant narratives of race, identity, and colonialism with audiences to reconsider the ways in which history is constructed.

Baroness Floella Benjamin: Championing Windrush and Cultural Heritage

A celebrated author, actress, and advocate for the Windrush generation, has spent decades reclaiming the narratives of Caribbean immigrants in the UK.

Her iconic book, Coming to

Stormzy: Big social change

Beyond his musical achievements, his philanthropic efforts, such as launching a scholarship for University of Cambridge students and pledged £10 million to charities tackling racial inequality, demonstrate his unwavering commitment to a more equitable world.

Marcus Rashford: One Goal at a Time England football star and advocate for social justice. He successfully lobbied the British government with a well-publicised campaign against child poverty, helping thousands of vulnerable families in the UK.

Stephanie Boyce: Breaking Barriers in Law

The England & Wales Law Society’s first Black president, is a trailblazer in the legal profession. Her career challenges traditional notions of leadership and underscores the importance of diversity and representation.

Dr. Tunde Okewale OBE : Reclaiming Narratives Within the Judiciary

As a renowned barrister and social justice advocate, Dr. Tunde Okewale OBE has made significant strides in challenging the historical inequities that have plagued the legal system.

Margaret Busby OBE: A publishers impact.

As Britain’s youngest and first Black woman publisher, she became a global icon, supporting authors from the African diaspora, by providing a platform for voices often overlooked and promoting a more inclusive literary landscape.

Jason Arda: Shaping Minds

As the youngest British Black person ever appointed to a professorship at the University of Cambridge, his research on race and racism challenges dominant narratives and systemic inequalities by empowering individuals to recognise their own potential.

Anne-Marie Imafidon: A Force for Change in STEM

As CEO of Stemettes, she champions diversity in innovation and technology, empowering young women to pursue STEM careers, challenging stereotypes and inspiring a new generation of female leaders.

David Lammy : The fight for Justice

The first Black Briton to study at Harvard Law School, paved the way for others to pursue their dreams in academia. His successful leadership on the campaign for Windrush Citizens to be granted full British Citizenship was a significant milestone.

Akala : A force to be reckoned with

A BAFTA and MOBO award-winning musician turned political commentator, author, and activist, is a leading voice in reclaiming the narrative. His book, “Natives: Race and Class in the Ruins of Empire”, is a powerful exploration of race and class in the post-colonial world.

Professor Dame Elizabeth Anionwu : A Pioneer for Healthcare Equality

As the UK’s first Sickle Cell and Thalassemia nurse specialist, she advocated to make the NHS more inclusive, inspiring future generations to fight for healthcare justice.

KEY NOTE SPEAKERS

Cllr Dave Shields

LORD MAYOR OF SOUTHAMPTON

Dave Shields: From Council Advocate to Southampton’s 3rd Lord Mayor, Championing Democracy, Public Trust, and Charitable Causes.

Since May 2012, Dave has represented Freemantle ward on Southampton City Council. In his first year, he served on the Planning & Rights of Way Panel and supported cultural initiatives. In 2013, he joined the Council’s cabinet, overseeing health, social care, public health, homelessness, and city safety until May 2021. Dave also chaired the Health & Wellbeing Board and represented the Council on the Southampton NHS Clinical Commissioning Group.

After stepping down, he remained active on the Governance and Overview & Scrutiny Management Committees. His recent focus includes Net Zero goals, enhancing democratic participation,

strengthening governance, promoting road safety, and involving frontline staff in public service reform. On May 15, 2024, Dave was elected as the City’s 3rd Lord Mayor. He is focused on revitalizing democracy, restoring public trust, and promoting charitable causes. His chosen charities for the Civic Year include:

Paintings in Hospitals

Paintings in Hospitals involves the installation of around 25 artworks at the new Shirley Health Partnership site to include large artworks displayed at height, large artworks in key sightlines, large and medium artworks in corridors and waiting areas, as well as specific artworks chosen to benefit identifiable services and departments

SoCo Music Project

SoCo has been delivering engaging and inspirational music making activities in Southampton since 2008; everyone has the right to take part in music making, no matter what their ability, age, background, or circumstances.

The Southampton National Park City Project

Focusing on protecting and enhancing the Itchen’s biodiversity, ecological balance, and recreational potential, while promoting community conservation and stakeholder engagement, The Southampton National Park City Project supports nature-based initiatives in disadvantaged communities with limited green space access and aligns with Southampton City Council’s Green City plan by revitalizing green corridors and enhancing biodiversity. The project also empowers local youth to participate in nature projects and connects them with opportunities in the New Forest through subsidized trips as part of the New Forest National Park Authority’s Youth for Climate and Nature scheme.

Festus Akinbusoye

From Nigerian Immigrant to Trailblazing Leader: How Festus Transformed From a Young Basketball Star to Britain’s First Black Police and Crime Commissioner...

Festus came to England aged 13 from Nigeria with his twin sister and parents, settling in Canning Town, East London. He describes basketball as his first love, and he went on to play professional before going on to coach national championship winning U16 and U18s teams. Festus started his current business from his dad’s council flat and that business grew from four employees to nearly 60 in ten years. He praises his mother’s entrepreneurial example and the support of the Prince’s Trust as key to his business success.

In May 2021, Festus was elected as Britain’s first ever black Police and Crime Commissioner (PCC). As PCC, he oversaw the police budget, delivered the highest number of police officers and bucked national trend in improving officer retention. As one of the most high profile PCCs in the country, Festus appeared in all the major national media, with a notable profile feature on Sky News with Beth Rigby. He is the only PCC so far to achieve this.

During his tenure as PCC, Festus served as Board member of the College of Policing, Chair of the Eastern Region Special Operations Unit (ERSOU), and 7-Force Collaboration Network. He was national portfolio lead for Crime Prevention and Board Member of the Association of Police and Crime Commissioners.

Festus read for his Bachelor’s Degree in Business, a Masters Degree in International Studies and Diplomacy from University of London; a Postgraduate Diploma in Public Relations.

It was 2005 when Southampton first formally recognised the celebration of Black History Month.

Although there was a general awareness amongst those from the Caribbean communities it had not coalesced into a formal celebration of activities. However, through the good graces of Southampton City Council I was permitted to lay the foundation of Black History Month in Southampton which sat comfortably alongside the anti-racist work I was involved in as a Race Equality Officer.

In those days Black History Month was recognised by a formal flag raising ceremony by the mayor in the civic centre car park and in one instance a steel band composed of pupils from Weston Park school did their thing in the car park and the celebration of Black History Month in Southampton was born.

The early days popularised the key elements of the time where stories of people like Black American icons Martin Luther King, Rosa Parkes and Malcolm X. Information was shared about Black inventors were shared amongst schools, communities and the media and it was a shock to discover how little was known by Black communities about their own history. I, together with Stella Muirhead, published the book “A Black History of Southampton from 16th Century to 21st Century which has been selling consistently for over 10 years.

As time moved on different themes were adopted in the celebrations of Black History that included Education, Employment and The Criminal Justice System and important guests were invited to be keynote speakers for the launch of Black History Month which were held in different locations like City College, Solent University, The University of Southampton and in the last few years St Mary’s Fire Service Station.

The profile of those celebrating Black History Month has changed from those of the Windrush Generation and their descendants and those representing major Southampton organisations to many more from African communities and many more organisations that previously would not have been involved as the status of Black History Month in the city has now become a more significant feature in the City’s cultural calendar.

So, the big question that we must now ask ourselves is whether the celebration of Black History Month has evolved sufficiently to recognise the way how society and communities have changed. We need to acknowledge that even the language has changed and how far the uncertain demarcation between Black and Brown has had an impact. The increasing numbers of those of mixed heritage also challenges some individuals as to how far to acknowledge “Black” History as part of their heritage. Also, the issue of Colourism is now playing a far more important part in the choices being made.

We must also consider how far or whether contemporary issues of Race and Racism could or should be included when celebrating Black History or do we resign ourselves to Black History Month simply being a moment of singing, dancing, and patting ourselves on the back, in other words the old fashioned “Steppin’ and Fetchin”! Despite my relative cynicism the presence of Black History Month has provided opportunities over recent years to highlight issues not only of the wonderful contributions that Black people have made but a reminder of the difficulties we are still experiencing in the criminal justice system, the health services , the field of education and other arenas and recent celebrations have referenced that and allowed the opportunities for those dissatisfactions be more known. Black History Month has been the one moment we all come together and that is something we must be thankful for.

Furthermore, acknowledgment must be given to those involved in the earlier days that include Jayanti Shah, Jenny Campbell and in more recent times Olu Rowe and the present Chief Executive Lou Taylor. The world is changing, and we must adjust ourselves to those changes and I am sure that those presently involved are more than capable of making those adjustments.

Don

John

RACE & DIVERSITY CONSULTANT (HON. DOCTOR OF ARTS) & BLACK HISTORY MONTH

SOUTH FOUNDER www.donjohn.co.uk don@donjohn.co.uk

A BIG THANK YOU TO HAMPSHIRE & ISLE OF WIGHT FIRE & RESCUE SERVICE

Black History Month South would like to thank Hampshire and Isle of Wight Fire and Rescue Service for hosting our 2024 launch event and for their ongoing support of Black History Month.

Your partnership is invaluable in helping us celebrate and honour Black history and culture.

COMMITTED TO IMPROVING RELATIONSHIPS WITH BLACK COMMUNITIES

HIOWC are proud to support the 2024 Black History Month South Event. We recognise the value of such events to recognise the contribution and importance of cultural diversity and the impact and contribution made by our Black Communities and Individuals. Of course this is not just something we only think about for one month of the year but is an ongoing commitment.

Policing and our relationship with black communities has had many challenges and we understand that we have not always provided or been seen to provide a service we could be proud of. Here in HIOWC we acknowledge that and we have worked hard to address the disparities and distrust that exists. We know we still have a way to go but we are committed to improving these relationships and ensuring that we work with and for all our communities.

Key areas for us are recruitment and retention of a truly reflective workforce. We are actively recruiting and have a team dedicated to ensuring we recruit the best talent from across the widest range of diverse individuals. Finally we wish everyone involved in Black History Month well and have no doubt it will be a great success.

Hampshire & Isle of Wight Constabulary Race Action Plan 2024-2026

We have a bespoke Race Plan to make sure we stay focused on making the changes we need to in order to improve and build on our commitment to improving policing for our Black Communities.

Lets talk | Hampshire and Isle of Wight Constabulary

We are working hard to increase our community engagement so we want to hear more from all of you, what matters to you, how we can help, what we can do better and anything else you want to know or share.

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SCAN ME TO READ MORE

ZERO TOLERANCE OF RACISM REBUILDING TRUST, REIMAGINING POLICING

As Chief Constable, I am responsible for ensuring all of our communities have trust and confidence in us to police fairly and respectfully.

When I returned to lead the force I spent most of my policing career in, I set out my vision and purpose. To relentlessly pursue those who are causing harm in our community, to put victims at the heart of everything we do, and to provide exceptional local policing. By doing this, we create a place where communities are not only safe, but more importantly, feel safe.

The legitimacy and effectiveness of policing is built on a trusting relationship between us and the public. Without the confidence of all of our communities, we are less effective in achieving our ambition.

I know there has been some frustration with the lack of progress of the national Police Race Action Plan. Despite this, and by working closely with our trusted BEAM network, we are continuing to deliver on our local force plans.

I am absolutely committed to being antiracist and have made it clear there will be zero tolerance of racism, misogyny and discrimination. It corrupts policing, corrupts public confidence and corrupts the good intent of our staff. It gets in the way of us being able to deliver an exceptional public service.

We have recently reviewed our force Race Action Plan, focusing on the areas where we can make a difference. I want to see that it goes beyond

the four years that the national plan set out and these are my commitments going forward:

• Zero tolerance of racism and ensuring HIOWC is anti-racist in all it does.

• Understanding and reducing our disproportionality using a reform or explain approach.

• Understanding the impact, trauma and history of policing ethnic minority communities.

• Improving outcomes and support for ethnic minority victims of crime.

• Increasing our contact with and involving ethnic minority communities in our policing and decisions that concern them.

• Recruiting, retaining and progressing a representative workforce.

• Mandating and developing a culture that supports and values all of its workforce.

Being anti-racist is bigger than just a plan. It must be embedded in everything that we do, alongside the Code of Ethics and our Standards of Behaviour. This is how we deliver our priorities and ensure our communities will be safe, and have the trust and confidence in us to make them feel safe as well.

Tired of the

Mainstream’s Negative Narrative? DON’T GET MAD,

Black people living in the UK, it’s time to reclaim the narrative of stories told about us. Collectively we have the power to combat the mainstream media’s negative Black narratives and their dangerous rhetoric about us.

Black History Month UK’s theme this year is Reclaiming Narratives. It’s timely, it’s excellent, and it’s important. Moreover, rather than just thinking about it as a great theme, take it as a call to action.

For far too long traditional – or mainstream –media has had a chokehold on the narratives that shape our world. And more often than not, those stories dictate the way that Black and Brown people are perceived, received and conceived. But the media landscape is changing. There is a new type of “mainstream media” and it is driven by the people, for the people, by independent content creators, citizen journalists and digital activists.

One such digital activist is Southampton-born, former broadcast journalist, Veronica Gordon. She turned her back on a career in the mainstream to use her media and journalism skills for social good. She combined 15 years of broadcast journalism expertise (BBC local radio, ITV regional news, Unity 101 community radio and digital media) with her 15 years of community activism to take action.

“The media’s negative narratives of Black people has far-reaching consequences. It harms our wellbeing, sense of identity, self-confidence, selfworth, and life-chances.”

In 2019, she founded the social enterprise, Our Version Media. With its mission to reframe Black narratives, Our Version Media teaches media and journalism skills to the very individuals and communities most demonised by the press.

Veronica said: “The media’s negative narratives of Black people has far-reaching consequences. It harms our wellbeing, sense of identity, selfconfidence, self-worth, and life-chances.

“We did a media and wellbeing study in our hometown of Southampton back in 2020. We wanted to know what people thought about local press coverage and if what they saw affected them. The results were quite shocking. More than three quarters of those who took part said that the

GET CREATING!

media negatively stereotyped Black people, with most stories disproportionately being crime, gang, drug or violence related. “That wasn’t the shock. We see that every day. The shock was that, when we asked people how that made them feel, they admitted ‘sad’, ‘depressed’, ‘concerned for the younger generation’, and ‘like we don’t matter’.”

Our Version Media’s research found that there was a link between the media’s output and people’s wellbeing. When asked if they’d seen a positive story and how that made them feel, respondents answered: “Inspired”, “Proud”, and “Seen”. Despite that, it’s rare for any week to pass by, without the British press publishing yet another race-baiting story about Black people.

Next time you see it, before you join the online outrage, which boosts the reach of the content, stop. Protect your peace. Instead, complain to the relevant media regulator. Every report gets investigated – and, even if your complaint isn’t upheld, you’ve voiced your concern and kept the offending outlet busy defending their behaviour to the watchdog.

Veronica explains: “Don’t get mad. Get creating. The rise of digital platforms and social media has democratised the media and put the media in our hands. It gives everyone the opportunity to gain significant influence and reach. Importantly, it has given us the power to create and share our own, authentic stories.”

It is these authentic stories that matter, that help to right the narratives. We have the right to see our real lives accurately reflected in the world around us. In all its diversity and not just the one-sided tropes that have dominated for far too long.

Veronica is urging the UK’s Black population to use their smartphone as a tool to counteract this: “Digital media can stop us from being powerless. You don’t have to be an expert videographer to share your stories on social media. Even just little video snippets of your day, or your story, can show the real people behind the clickbait headlines. Our stories expose the stereotypes for what they are – fake news!”

Digital media empowers us to rightfully reclaim the narrative of stories told about us. Use it. It’s our way of authentically creating tomorrow’s Black history today.

Join the movement! Subscribe to Our Version Media’s emails here www.ourversion.media and follow @ ourversionmedia on social media.

Over its 50-year history Turner Sims Southampton has celebrated the rich tapestry of musical heritage that has shaped the UK and global music scene.

The University of Southampton music venue nurtures emerging artists, offering a south coast platform for exciting new voices on and off stage. The venue’s young Vibe Collective of 18-25-year-olds is bringing a new wave of music events to the venue, adding rap and jazz fusions to the breadth of music on offer.

But this Black History Month it’s one genre in particular that’s under the spotlight. On the 19th October, Turner Sims welcomes Angeline Morrison to reclaim the narrative of British Folk music.

“The traditional songs of the UK are rich with storytelling, and you can find songs with examples of almost any kind of situation or person you can think of” says Morrison, “but whilst people of

RECLAIMING FOLK NARRATIVES

the African diaspora have been present in these islands since at least Roman times, their histories are little known - and these histories don’t tend to appear in the folk songs of these islands.”

Angeline wanted to explore the lives of these ordinary and extraordinary Black ancestors. She set about creating an album in the sonic style of UK folk and traditional music, in the hope that this silent space could begin to be filled with stories. She performs music from this album live at Turner Sims in October.

Other October highlights include a joyful night of African pop music from Seckou Keita, and rising jazz star Sultan Stevenson performing music from his debut album.

For more information on all autumn events please visit: turnersims.co.uk

THE POWER OF POETRY & MUSIC... TRANSFORMING MENTAL WELL-BEING

WORDS & POEMS

Every year since 2014 I have submitted a poem for the BHM South magazine and to mark my 10th anniversary, I would like to draw your attention to last year’s submission “Surviving Rejection” which won a poetry award.

The poem has now been made into a song called ‘’Rise Higher”. The purpose is to bring healing and hope to those who are feeling lost, broken, forgotten, worthless and hopeless. There are times is our lives where there’s a need for someone or something to lift us out of the pit of despair. The premise of this anthem is to promote good mental health and well-being.

The project is being supported by local talented musicians, vocalist and creatives within Hampshire that are not in the spotlight. This collective group of talent have given up their time for free and are called “Hidden Gems Hampshire”

Unfortunately, BAME communities are the most underrepresented group when it comes to mental health care and support. The Patient Care Race Equality Framework (PCREF) has been tasked in identifying and addressing the issues.

The song ‘’Rise Higher” will be launched on the 10th October 2024 “World Mental Health Day”. Hidden Gems Hampshire are partnering with

Fiesta Community Radio, Solent NHS and Untapped Talent. The proceeds will support mental health charities and those affected by trauma. An old proverb says if there is no hope we become weak, however if we have hope it gives us strength.

To find out more you can contact us via Email: Hiddengemshampshire@outlook.com

BLACK JEW SURVIVING REJECTION

The more they push me, I will rise; I was born to survive.

Unwanted child, steeped in rejection; Crying out for some affection.

A product of someone else’s sin; Like rubbish thrown into the bin.

Caregivers and educators have me excluded; Any kind of love has been eluded.

Voices of condemnation put me down; Expecting me to fail and drown.

“Not good enough!” introjections, ring in my head; I look in the mirror; my image I dread.

No perseverance in my soul; I’m in the pit like a heap of coal.

Amongst the gravel and the grit; Life seems pointless, I have to admit.

I find it hard to catch my breath; I feel my best friend, would be death.

But in the depth of my despair; A gentle voice says “persevere!”

“Come up child, you are valuable to me; The chains that bind you I set free.

You are a diamond, you’re more than enough; Stand strong my child, the lies you must rebuff!

I know your life is not perfected; You’ve felt alone and rejected.

Born for such a time as this; I’ll take you out of the dark abyss.

I give you my hand to lift you higher; You will flourish and inspire.

You have struggled and you have thrived; Against the odds you have survived.”

Hidden in the shadows, there’s nothing I can do; I’m in a minority, of being a black Jew.

Why is it so provoking? I cannot say out loud; Surely I should stand up and say “I am truly proud.”

Instead I remain in hiding, not wanting to cause offence; “What harm am I inflicting?” I ask in my defence.

We Jews are of different colours, identities and race; Everyone has a right, to truly find their place.

To wear a Star of David, is now a threat to existence; Is history now repeating itself? Where others keep their distance.

For centuries we’ve been hated, driven out of many a land; Empires have tried to wipe us out, I do not understand.

The pogroms of propaganda, rage on and are contrived; As a people group, we’re only small and yet we have survived.

All we have desired, is to live in harmony and peace; Let love and human kindness, ever flowing to increase.

Put words into action, repair and reconcile; Our love is greater than hatred, let us not defile.

Healing and forgiveness is what we all need to do; Finding ways in building bridges, starts with me a black Jew.

EXHIBITION AT MAST MAYFLOWER STUDIOS ON: A STUDY IN COLOURISM

The aim of this exhibition, supported by the Arts Council, is to explore the issue of Colourism/Shadism which has had a more profound impact on life and culture than many presume and this issue impacts very differently for Black communities, White communities, and Mixed-Race communities.

For those who do not know Colourism previously known as Shadism is the value we attach to people of different complexions. This can be traced back to centuries of colonialism and some argue that this is a direct consequence of the Transatlantic slave trade although different complexions could be found in different parts of the African continent prior to that with little specific value attached to the variety of different skin tones.

The slave trade imposed a hierarchical structure where

those who were lighter skinned and closer to the complexion of the slave masters, as a consequence of involuntary miscegenation, were more trusted and were given better tasks than those of a darker complexion who worked the fields and were given much more back breaking work. Sadly, the tradition of those of a lighter complexion being more trustworthy and superior has seeped into the consciousness of Black and White communities and, in many instances, has been handed down from one generation to the next .

Clearly the manner in which Black images have been portrayed in the West tells us that choices are made regarding the selections made about the complexion of people whose origins are from the African continent, and fashion and the media have played their part in popularising certain characteristics and imbuing certain complexions with notions of either beauty, unattractiveness, trustworthiness and untrustworthiness.

It is anticipated that whatever discipline we come from either professional or personal, this

issue will have a connection that will compel us to further our thinking on matters that we once took for granted. Colourism lurks in the collective consciousness of Black people and the conscience of many White communities and further exposure to this issue can only create a greater understanding of who we are.

So, what can we learn from this? Firstly, the amount of melanin in somebody’s skin does not necessarily contribute to their ideological Blackness and we have seen many circumstances where lighter skinned Black people have been more radical than their darker brother and sisters and you only have to look at Malcolm X and Bob Marley to bear witness to that.

Hollywood, Bollywood, Nollywood and social media across the world are significant agents in driving the myth of dark skin and light skin and this will not change in the near future but if we refuse to discuss this phenomenon we will increasingly buy into this narrative as those with darker skins in the western world become a more maligned minority within a minority already facing challenges.

The photo images will be supplemented, in some venues, by the 1998 Southampton film “Shadism: The Politics of Complexion” and information about the Brown Paper Bag Test; a system used by some African American organisations to deny privileges to individuals darker than a brown paper bag.

The Exhibition can be seen at Southampton Central Library, Shirley Library, Woolston Library, Mast/Mayflower Theatre, Southampton General Hospital, Solent University & October Books and other venues are being explored.

A Study in Colourism Exhibition: Don John: Director/Curator. Anthony Smith: Creative Director. Nosa Malcolm: Photographer

THE WINDRUSH ORAL HISTORY INTERVIEWS

Southampton has been collecting Oral History Interviews from the 1980s that number approximately 60 interviews.

Many of the interviews carry heartfelt experiences of individuals who came to this country to improve their lives and to lay the foundation for the future of their children.

Some speak of their first experience of snow and fog and some speak of their experiences of Racism. Others speak of the wonderful friendships they made that have endured over the years and the immense contributions that they have made to this country. Unfortunately, some of those interviewed have passed away and we are sure that their children, grandchildren, other relatives and friends would love to hear their stories and their voices.

Many of us are painfully aware that many of these interviews are not very accessible and available and we are now committed to ensure that they are in the public domain. Some of the interviews are on Southampton City Archives; They include: Mrs Salah, Saleem Gillings, Ricky Lawrence, AA Green, David Richards, Mr. G Marshall, Mrs Powell, Harold Dalrymple, Joe Malcolm, The Hudson Family, Mrs Johnson, Ben Davis, Julian Dalrymple, Dr Oscar Ribeiro, Caribbean Focus 86, Canute Fraser, Mrs I Wilson, Shirley Rodrigues, Sylvester Radcliffe, Gordon Greenidge, Naomi Hitchins, Gordon Benn, Kerwin Rodgers and Denis Smith.

Many of the interviews still need to be transcribed and summarised and of course this requires investment, and we

are still looking for ways in which we can fund this work. We intend to create a special online directory in partnership with Black Archives South which will list all the interviews that have been done and information about which stage they are at in making them accessible and available.

We hope that this gives you a sense of where we are at regarding the preservation of these priceless memories There is still much more work to do and further interviews to be done to ensure that these precious memories can be handed down to future generations.

&

(HON. DOCTOR OF ARTS) www.donjohn.co.uk www.blackarchivessouth.org

Southampton Stories...

In addition to the ones above, here are links to the four stories on the ‘Southampton Stories’ website. These first 4 interviews are part of the collections held by Southampton Cultural Services. Within the Cultural Services, the City Archive holds nearly 50 oral histories from the Windrush Generation, ranging from interviews carried out as part of a project in the 1980s, to interviews collected in the 2020s.

The examples act as profiles for the individuals involved, using a portrait and excerpts from the interviews (as opposed to full recordings), making them more engaging/accessible.

They include stories from dedicated community worker Lloyd Muirhead, Pioneering specialist nurse Beverley Dowdell, Legendary musician Gordon Benn and Midwife and campaigner Anne Cato.

To read and hear these stories please visit www.southamptonstories.co.uk

A resource library showcasing the Black community in Southern England.

Featuring photos, films, and audio, it’s freely accessible to all, including young people, students, academics, and enthusiasts. By highlighting the long-term presence and contributions of Black residents and visitors, we aim to educate society about their origins, heritage, cultures, professions, and impacts. We also seek to correct inaccurate or derogatory historical narratives.

Discover and contribute to the archives, please visit www.blackarchivessouth.org

SLAM DUNK

THE RISE AND REIGN OF THE SOLENT STARS BASKET BALL TEAM

A look back at the Solent Stars’ rise to prominence in the 1980s, as they dominated English basketball and left a lasting legacy in Southampton.

The Solent Stars first joined the National League in 1980. Harry Smith was the driving force behind the dream of bringing topflight basketball to Southampton having been formed the year before by a merger of the Portsmouth Pirates and Southampton Sharks from the Southern League. Success initially came easily to the fledgling club, winning the Division Two title and the National Trophy in their first season, and claiming immediate promotion to Division One. A first Division One title followed in the highly successful 1983/1984 season.

They dominated the English Basketball 83/84 season becoming Triple Crown winners, National Cup Winners, Wembley play off winners and European quarter finalists. Many of their games were played at Fleming Park Sports Centre and players such as Paul Philp, Karl Tatham and Roy Lewis became well known figures in the city and role models to many in the Black communities.

This is a part of Southampton’s history where young Black men excelled, and we should always recognise that. Roy recalls the electric atmosphere and energy created by the supporters, and teams knew they had to bring their best game to win.

A more detailed account of the career of the Solent Stars can be found in the Jim Rumsey book “

A Sporting Rollercoaster: The History of Solent Stars Basketball Club

SUCCESS

TEAM

IN MEMORY OF KARL TATHAM

BHM SOUTH 2024 CALENDAR

This year’s BHM events in South is packed with an incredible line-up, featuring renowned national and touring Black performers.

SEPTEMBER

Legend - A Tribute to Bob Marley : Live

A welcome return for this seven piece tribute to reggae’s finest son. Get in the Jamaican vibes with our brilliant Legend Live UK Official, the BEST Bob Marley and The Wailers Tribute Band around ~ playing all the timeless classics!

7:30 -£15 Adv / £18 Door

The Brook, Portswood, Southampton

Are You Experienced?Tribute To Jimi Hendrix : Live

Playing the timeless music of Jimi Hendrix, providing some nostalgic moments for those lucky people who actually witnessed Jimi in the flesh and recreating some of the magic for a new and eager audience.

“ARE YOU EXPERIENCED? are now in their 25th year, and during that time they have become widely regarded as one of the best tribute shows on the circuit.

7pm / £12.00 Door

The 1865, Southampton

Black is the Colour of my Voice

Inspired by the life of Nina Simone, and featuring many of her most iconic songs performed live. Apphia Campbell’s acclaimed play follows a successful singer and civil rights activist as she seeks redemption after the untimely death of her father.

7:45pm / £19.00 – £23.00

MAST Mayflower Studios

Southampton

BBAM: Black Business, Arts & Music Festival

Get ready to groove to the rhythms of culture, celebrate Black excellence, and immerse yourself in a vibrant fusion of music, art, and businesses.

11am-6pm / Free Entry

Guildhall Square, Southampton

Courtney Pine : Live

Courtney Pine marks his 60th birthday year with a special edition of his award-winning project House of Legends live in Southampton!

In 1986, a 22-year-old Courtney Pine appeared on the front cover of the iconic British music publication NME. He is the only Black British jazz artist to do so.

8:00pm - £15-£30

Turner Sims, Southampton

OCTOBER

Colourism Exhibition

This exhibition explores the damaging effects of colourism, a form of prejudice that favours lighter skin tones within Black and Brown communities. Colourism has farreaching implications for individuals and society as a whole, impacting Black, White, and Mixed-Race communities differently. By shedding light on this issue, the exhibition aims to spark conversations and foster greater understanding.

Free Entry

MAST Mayflower Studios, Southampton

The King of Reggae : Live

The critically acclaimed Rush Theatre Company brings the story of the man who brought Reggae music to the world. Enjoy songs like ‘One Love’, ‘No Woman No Cry’ and ‘Is This Love’ played live on by the The King of Reggae Band.

7:45pm / £22.50 – £26.50

MAST Mayflower Studios, Southampton

From thought-provoking exhibitions to captivating theatre performances, live music, and comedy shows, there’s something for everyone.

The Drop : Live Hip Hop Showcase & Open Mic

A night of raw talent and cultural celebration as this new open mic and showcase event marks the resurgence of live hip hop in the city. October will proudly feature an incredible line-up of local Black artists, showcasing their unique voices and artistic expressions.

7pm-11pm - Free Entry

Overdraft Bar & Record Store, Shirley, Southampton

Stitches Comedy Club : Reginald D Hunter

Headlining the event is comedy legend from stage and screen for the last 20 years, American comedian Reginald D Hunter, who has been on every single TV show there is, including Have I Got News For You, QI, Live At The Apollo and House of Games to name just a few!

7.45pm / £19.50

MAST Mayflower Studios, Southampton

Michael Odewale: Thoughts On Shuffle

BAFTA Award Winner and star of Live at The Apollo Michael Odewale presents his highly anticipated debut tour: Thoughts on Shuffle

7:45pm / £16.00

The Attic, Southampton

The Mountaintop

Book now for this thrilling and often funny reimagining of Dr. King’s final hours, confronting life, legacy and everything in between.

7:45pm /£14.50 – £29.50

MAST Mayflower Studios, Southampton

SOUL 45 : Southampton Funk & Soul Party

Get ready to Dance! Hosted by SOUL 45, the city’s No1 block party sound returns with more Funk, Soul, Motown, Disco, and R&B all played on Vinyl records.

8pm-1am - Free Entry Papillon, Southampton

MAKA Foundation Sound : 45th Anniversary

The legendary Southampton Reggae Sound System’s 45th Anniversary this year and to celebrate, the crew are throwing a big party. Look on Social media for a date TBA Venue TBA

Lemn Sissay : Let the Light Pour In

Spend an evening with a master of the spoken word, BAFTA awardwinning author, activist, performer and Sunday Times number one bestseller, Lemn Sissay OBE as he takes to the stage with this brandnew show.

7:45pm / £29.75

MAST Mayflower Studios, Southampton

Dancing in the Street : Motown’s Greatest Live

A spectacular celebration of classics from the heart of the Motor City - Detroit, with a live band performing some of the world’s most influential and enduring songs from the Motown era including I Heard It Through The Grapevine, Baby Love, My Girl, You Can’t Hurry Love, What’s Going On, Dancing In The Streets and many, many more. Featuring music made famous by artists such as The Four Tops, Diana Ross & The Supremes, Stevie Wonder, Smokey Robinson and The Temptations and performed with amazing energy.

7:30pm / £28

02 Guildhall, Southampton

- 12th OCT THEATRE

BHM SOUTH 2024 CALENDAR

Angeline Morrison + support from Clarke Camilleri: Live

The singer, multi-instrumentalist, and songwriter brings music from her powerful album The Sorrow Songs: Folk Songs of Black British Experience. Released to commemorate Black History Month, The Sorrow Songs honours the Black ancestors who lived in these islands.

8:00pm / £10-£18

Turner Sims, Southampton

Cappadonna (WuTang Clan) Live

Join an unforgettable night with Cappadonna, the last official member of the legendary WuTang Clan. Despite his late official membership, Cappadonna has been an integral part of the Wu-Tang universe from the very beginning, contributing to its iconic sound and legacy. Don’t miss this chance to see Cappadonna live, delivering both timeless hits and fresh tracks with the energy and authenticity that only a Wu-Tang veteran can provide.

7:00pm / £16.50

The 1865, Southampton

Floella Benjamin’s Coming To England

Floella Benjamin’s award-winning and iconic book Coming to England comes to life in this joyful stage adaptation. Much loved by children and families, Coming to England tells Floella’s own story of emigrating to England as a child. Adapted for the stage by David Wood (“the national children’s dramatist” – The Times) this vibrant and energetic musical is the perfect entertainment for the whole family.

Various timings : See Venue

£14.00 – £28.00

MAST Mayflower Studios

Aurie Styla: The Aurator Tour

Join award-winning comedian Aurie Styla as he embarks on his biggest tour to date, The Aurator! After a year of performing worldwide, Aurie is back, ready to entertain audiences with his hilarious take on this wild world and his personal journey to make sense of it.

7:00pm / £14.00

The Attic, Southampton

Seckou Keita : Live Renowned kora player Seckou Keita returns to the Turner Sims stage with music from his new release Homeland. He is joined by an electrifying six-piece band for an explosive and joyful night of African pop music. Seckou bridges musical genres, blending traditional rhythms and modern compositions, and embracing afro-pop, urban and hiphop. Musical poetry from awardwinning poets and rap artists from the UK and Senegal are sampled and woven into the music.

8:00pm - £10-£18

Turner Sims, Southampton

Jazzin’ : w/Steve O’Mahoney

Join us for vinyl vibes with “Jazzin” an all-day event at Overdraft Craft Ale Bar in Shirley. Discover the true essence of jazz music as passionate collectors in Southampton showcase their vinyl records, from acid jazz to fusion and Latin beats. This month’s special guest, Steve O’Mahoney, a beloved figure on Soulpower radio. Experience the warmth of vinyl in a vibrant and welcoming atmosphere. 1pm-8pm- Free Entry

Overdraft Bar & Record Store, Shirley, Southampton

19th OCT MUSIC 24th OCT COMEDY
21st OCT MUSIC
22nd - 26th OCT THEATRE

More events continuing through Black History Month, and into November.

Our Version Media : Reclaiming Narratives

Join us for an evening of powerful storytelling as we showcase the voices of the region’s African, Caribbean, and Black British communities. Eight local individuals, after completing our Mobile Storytelling course, have created short three-minute mobile videos that challenge negative racial stereotypes. These stories, part of our “Reclaiming Narratives” campaign, offer a glimpse into authentic experiences and perspectives. We’re thrilled to have Cherron Inko-Tariah MBE, editor of the UK’s Black History Month magazine, as our keynote speaker. This event highlights the importance of community-led content creation and storytelling in combating harmful stereotypes.

6:30pm / £12.50

MAST Mayflower Studios, Southampton

Sultan Stevenson Trio : Live

Pianist Sultan Stevenson is a fastemerging and exciting young jazz artist. He takes the stage with his brilliant trio to perform music from his 2023 debut album Faithful One A Londoner with roots in the Caribbean, Sultan is a product of both Tomorrow’s Warriors and the Julian Joseph Jazz Academy. He is influenced by the work of many of the greats of the jazz piano, including McCoy Tyner, Geri Allen, Herbie Hancock and Kenny Kirkland. He also has a deep appreciation of Black gospel music, bebop, swing, reggae, funk and hip-hop, as well as the history of Africa and the African diaspora. Don’t miss this opportunity to see one of the brightest stars of his generation 8pm / £10-£18

Turner Sims, Southampton

NOVEMBER

N’famady Kouyaté: Live

The energetic master musician from Guinea brings his joyful fusion of Mandingue African, western jazz, pop, indie, and funk. Since N’famady Kouyaté relocated to Wales from Guinea in 2019, he has been building an enthusiastic UK audience. His primary instrument is the balafon –a traditional wooden xylophone. The balafon is sacred to West African culture and his family

heritage of the griot/djeli.

N’famady’s music is a blend of his West African heritage and western musical influences such as Super Furry Animals, The Flaming Lips and 9Bach. Last year, he won the 2023 Glastonbury Emerging Talent Competition, further cementing a bright future as a rising star.

N’famady is accompanied by his excellent band – don’t miss the chance to catch them live!

8pm / £10-£18

Turner Sims, Southampton

Michael

Tour

Following his Biggest Award in Comedy nominated debut and subsequent hit tour, multi-awardwinning comedian and junior doctor Michael Akadiri arrives in Southampton with his sophomore show, Trust Me I’m a Daddy. As heard on Capital Xtra’s Breakfast Show, BBC Radio 4’s Loose Ends & Times Radio. Featured in The Guardian’s Top 12 jokes of the Edinburgh Fringe 7:45pm / £16.00

The Attic, Southampton

Mo Gilligan: In the Moment

Triple BAFTA winning stand-up sensation, Mo Gilligan, returns with his highly anticipated world tour… In the Moment. As one of the UK’s biggest comedy stars, he’s achieved phenomenal success in just a few short years with two sold out national tours including London’s O2 Arena.

8pm / £30-£33

BIC Windsor Hal, Bournemouth

Akadiri: Trust Me I’m A Daddy

CELEBRATING 45 YEARS OF SOUND SYSTEM CULTURE

Maka Foundation played a significant part in the Sound System culture and now celebrates 45 years, It is recognised as Southampton’s premier and most accomplished Reggae sound systems and a staple of the local music scene since its inception in 1979. First known as Jamaka Hi-Fi then Maka Hi-Power before becoming Maka Foundation in the early 90’s.

The group was founded by Wayne Salmon (Smiley), Joe Salmon (Skippy), and Tony Campbell (T.C), with Dominico Picariello as the engineer and speaker box designer. As the group evolved, it attracted interest from the community and welcomed lifelong members like Sunil Sharma (Briggy Mix), Terry Rodgers (Digniterry) and reggae sound system MC & lyrical micmaster, Richard Clark (Rugged Richy) joined in the mid 80’s who has sadly passed. As Maka Foundation developed, they experienced rivalries with other sound systems, both within Southampton and in other cities. These rivalries often culminated in memorable sound clashes, a significant aspect of sound system culture. Maka Foundation’s contributions to the music scene extend beyond live performances. They were part of an exhibition recognizing the impact of Jamaican music on culture, particularly focusing on the untold story of the Southampton Blues Parties of the 70s and 80s, as part of a Black History Month event. The group has a collection of photographs taken at the West Indian club and other venues, capturing the evolution of the sound system and the different people who have been part of it over the years.

The group has also commissioned special recordings from artists. These are versions of popular tracks where the artist mentions Maka Foundation Sound System, adding a unique touch to the music and promoting the sound system. Maka Foundation has a SoundCloud account where they share audio recordings. This account primarily features Briggy Mix’s selections of reggae records. Maka also contributed to the city’s celebration of the sound system culture in 2019. This exhibition recognised the impact that Jamaican music has had on culture and explores its past, present and future, with special focus on the untold story of the Southampton Blues Parties of the 70s and 80s. The exhibition was devised by Don John and together

with archival materials and contemporary artist Gerard Hanson explored the story and impact of Jamaica and Jamaican-influenced music on British culture, particularly through the story of the ‘Shebeens’ or ‘Blues’ clubs in Southampton.

The group’s history is a testament to their dedication to reggae music and the sound system scene, marking them as a significant cultural group in Southampton. They are to recognise 45 years in the business by celebrating with a major party and date and venue will be announced soon.

IT’S BIGGER THAN HIP HOP

THE RISE OF THE POST HIP HOP GENERATION IN SOUTHAMPTON

This summer, Southampton launched a monthly hip hop open mic night and showcase, “The Drop” set to transform the city’s music scene by giving a platform to local talent often overlooked by mainstream venues.

As October approaches, the event takes on added significance, aligning with Black History Month, making hip hop a powerful tool for education and empowerment.

Hip hop, rooted in the black and Hispanic communities of the Bronx during the late 1970s, emerged from social deprivation as a way for disenfranchised youth to express their realities through minimal resources and maximum creativity. This DIY ethos has inspired British youth to use hip hop to challenge societal norms and amplify marginalised voices, a legacy that Southampton has embraced for 40 years.

In a city where youth services are underfunded and lack of unity for hip hop music to flourish, this event fills a crucial gap. It offers young people a stage and a community to develop their craft, share their stories, and challenge the status quo. Hip hop’s counter-cultural and anti establishment ethos

provides a space for critical dialogue on issues like race, class and politics—topics often overlooked in traditional educational settings.

This new open mic night is more than just an event; it’s a statement. It gives a platform to the performers, treating their art with respect rather than as a novelty. For many young artists in the city, the ability to create tracks in a studio and perform them live the next month is invaluable, offering exposure and a chance to refine their craft.

Hip hop has always been about more than just music; it’s a forum for youth expression, a way to critique cultural ideals, and a means of overcoming social and economic constraints. In Southampton, this event is proving that hip hop can be a seen as positive change, offering young people the chance to channel their energy into something creative and impactful.

As it grows, this open mic night will play a crucial role in shaping the future of hip hop in the city, providing a voice to the voiceless and fostering a movement.

AFLO BLACK POET SUPREME THE POET

AFLO. the poet ( Annie Whilby) is an award-winning Brighton-based spoken word artist, activist and academic who embraces creative expression to disrupt the status quo and inspire social change.

For her research in the School of Applied Social Science, Annie Whilby is in the second year of a PhD exploring experiences of intimacy and mental health. But as AFLO., she brings her life experiences to bear in potent spoken word performances at a wide range of events addressing issues such as racism, decolonisation and mental health.

Influenced by hip-hop from an early age, AFLO.’s work is a powerful embodiment of her belief that creativity is at the heart of revolution and change.

Her appearances range from being a memorable presence at 2020 Black Lives Matter street protests in Brighton to specialist webinars.

AFLO. uses poetry as a vehicle to address hardhitting topics, particularly racism and mental health, primarily speaking from her lived experiences.

AFLO. has performed at various protests, festivals and events, in addition to offering workshops to encourage others to engage in creative expression as a means of personal as well as societal healing. She has been published by Penguin Random House and recently selfpublished a poetry zine.

AFLO. is currently an in-house artist for Brighton Dome, as well as the host for their poetry nights. She is a significant force directing change in Brighton’s creative scenes and continues to sow seeds across the country. Follow AFLO on instagram @aflo.

BLACK ARTIST SPOTLIGHT:

LEWIS ANDRE

Andre Lewis, known as “Ayem,” is a local artist, DJ and hip hop performer with a deep connection to the city.

Born into a family with Caribbean heritage, Andre’s journey began with his father, Tyrone Lewis and his arrival on the SS Ascania boat from Saint Vincent along with 1200 other people on the evening of Tuesday 15th April 1958. His father lived in Southampton, serving in the Navy, and met Andre’s mother Lorna, a nurse who came from Belize, in the city.

Andre’s passion for art and music began early. Growing up, he visited his Mother’s family in New York City, where he witnessed the birth of hip hop culture. This sparked a lifelong interest in music and visual arts. Exposed to street art for the first time with graffiticovered trains and a vibrant underground culture, he was deeply impressed. Back in the UK, as hip hop gained a foothold, Andre embraced it, becoming a DJ and rapper himself.

Music remained a constant companion, with deep roots in his family. His uncle Bing Lewis played bass in the Southampton band Ebony Rockers in the 80s, and

his success was a big motivator for Andre. When he moved to London to study Sociology, music continued to be a big part of his life. There, he collaborated with friends and formed the group ‘Champions of Nature’ who went on to independently pressed their first music on vinyl, a feat that garnered interest from Virgin Records but the group disbanded after releasing 3 now legendary 12-inch singles. Andre was also a friend and DJ with Estelle, early in her career.

Andre’s artistic journey has evolved through various mediums, from traditional drawing to digital graphic design. He incorporates a touch of realism but isn’t confined to it. He enjoys large murals and finds sketching therapeutic. His work includes album covers and even designs for the NHS Southampton hospital. He appreciates local artists and hopes for more opportunities, thanks to organisations like West Quay’s Multi Stories event. However, he feels a need for city-wide recognition of local artists. As Andre continues to evolve as an artist, he remains connected to his roots and his hometown. His story is a testament to the resilience and creativity of Black artists and a constant pursuit of artistic expression.

Follow Andre on instagram @ayemldn

BLACK HISTORY MONTH SOUTH @

GODS HOUSE TOWER

Gods House Tower (GHT) is a welcoming and free community venue with a friendly cafe, bar and a programme of exhibitions, film and live music.

Located in Southampton’s Old Town, GHT offers the public a programme of exhibitions and events focused on supporting marginalised voices and presenting little known Southampton stories.

The dynamic programme is accompanied by a permanent exhibition ‘Stories Behind the Stones’ that tells GHT’s story and the varied roles it has played in Southampton for over 700 years. Originally built to defend the town, it was home to the town gunners before becoming a prison in the 17th century and the city’s archaeology museum in the 1960’s. In 2019 it was reinvented as an arts and heritage venue and is now run by local charity ‘a space’ arts.

Over the last two years GHT has been commissioning exhibitions in partnership with Black History Month South with Ebun Sodipo’s ‘For My Only Love Yours in Body and Soul’ in 2022, and Kialy Tihngang’s ‘Fetissoes’ in 2023 (pictured). Both artists explored storytelling and imagination as a space to re-consider their heritage and challenge dominant historical narratives. Their work blurred the lines between fact and fiction, hidden histories and hearsay.

In Sodipo’s words her exhibition ‘explored the changing attitudes towards Africans and their descendants in Southampton between the 16th and 20th century… through a fictional love story between a woman living in Southampton and

her lover who is always at sea’. Following these two successful exhibitions, the GHT team are now looking to expand their offer to local global majority communities and launch a new initiative, Pitch Your Project (details on following page).

In addition, GHT also hosts the Hidden Histories walking tour - a guided journey into the early black history of Southampton’s Old Town between the 15th - 19th centuries. From black privateers to plantation owners, the tour shines a light onto moments from within Southampton’s medieval quarter to share lesser known stories of Southampton’s early black histories. The tours run once a month on a Saturday or can be arranged for private groups by request. For details please visit: godshousetower.org.uk/hidden-histories.

www.aspacearts.org.uk | www.godshousetower.org.uk| @aspacearts | @ght_soton

PITCH YOUR PROJECT...

Are you creative, are you working with a community, would you like to win £2k?

Pitch Your Project is a new opportunity for a creative, community-focussed, global majorityled project from Southampton to win a £2,000 bursary. Funding can support a new initiative, or an existing creative project. The winner will receive funding and support over 12-months to develop their project and showcase the outcomes at GHT during Black History Month (BHM) 2025.

Who can apply?

Anyone with global-majority heritage with a creative, community-focussed project that meets one of the following aims:

• Building connections and/or creative skills within their local communities

• Providing social benefit with no commercial outcome (not-for-profit)

• Delivering a creative output - this can be art, film, music, dance, workshops, cooking or anything else creative.

Anyone meeting the criteria can apply and we welcome applications from people with underrepresented backgrounds, including LGBTQIA+ and/or disability led.

How to apply

People should submit a concise proposal telling us a little bit about you, your project and your creative background by answering three questions:

• Tell us who is involved, how they will participate and who will benefit

• A brief description of your project and how the funding will be used

• What’s your vision to showcase project outcomes at GHT during BHM 2025

We welcome non-written proposals including voice or video recordings.

What next?

The people will decide on the winning project with shortlisted applicants presenting a 10 minute pitch to a live audience at God’s House Tower on Friday, 4th October 2024 from 6pm. Voting will then open for a week online to give wider audiences a chance to cast their votes - the winner will be announced online at the end of the week.

Fetissoes Exhibition Launch Saturday 7th October, 6pm-9pm www.godshousetower.org.uk

If you would more information or to discuss the project please see the FAQ’s on our website, www.godshousetower.org.uk or contact james@aspacearts.org.uk or call 07824326005

LEARN ABOUT OUR OWN CITY’S RICH BLACK HISTORY

A Black History of Southampton

Black Stories: Southampton by Don John

Shining a light on a crucial, yet often overlooked, facet of Southampton’s history is the book ‘A Black History of Southampton: 16th Century to 21st Century’ by Don John and Stella Muirhead. This comprehensive work provides a layered exploration of the city’s Black history, countering the common misconception that Black presence in Southampton began only with The Windrush Generation.

John and Muirhead meticulously chart a timeline from the 16th to the 21st century, bringing to the forefront the significant roles that Black individuals and communities have played in shaping the city’s identity. Beyond a catalogue of events, this book offers a vivid portrayal of real lives and stories, underscoring the enduring impact of Black contributions to Southampton.

‘A Black History of Southampton’ serves as a valuable resource for those keen on understanding the breadth of the city’s history. By spotlighting the untold stories of Black individuals and communities in Southampton, the authors offer readers a unique opportunity to appreciate the diverse influences that have shaped the city over centuries.

Unearthing a rich array of narratives from Southampton’s past, ‘Black Stories: Southampton’ by Don John offers readers an engaging journey through the city’s history. The book features 20 carefully curated stories and events, tracing the presence of Black individuals from the 16th century to the present.

Showcasing a spectrum of personalities, from the noteworthy Jacques Francis the diver, to Alexander Patterson who managed a Southampton pub at the turn of the century, and even pop culture icon Bob Marley, who had surprising connections to the city. These stories serve to illuminate the diverse experiences and significant contributions of Black people in Southampton.

‘Black Stories: Southampton’ is more than just a collection of tales; it’s a call to recognise and appreciate the depth of Black history in the city. The stories in this book, often tied to recognizable human faces, provide a personal and relatable perspective on the issues they represent.

Both books are available at October Books Portswood & The John Hansard Gallery

SOUTHAMPTON’S FIRST EVER BLACK BUSINESS, ART

& MUSIC FESTIVAL

2023 REPORT A CELEBRATION OF BLACK EXCELLENCE

The inaugural BBAM Festival, a celebration of Black excellence in Southampton, was a resounding success last year, highlighting the strong demand for such events and the importance of making Black excellence visible in the community.

As the chair of the United Voice of African Associations (TUVAA), the event organiser for the award-winning Black Business Art and Music (BBAM) Festival, I am deeply grateful for the incredible support from our performers, artists, business owners, Southampton and Hampshire black communities, our valued partners, volunteers and the TUVAA executives. Massive thank you to our evaluation team.

TUVAA is a registered not-for-profit umbrella organisation for African groups in Southampton and its surroundings. Working collaboratively with other groups, among other things TUVAA

celebrates, enhances, and promotes our diverse African cultures and heritage within Southampton by organising a range of cultural events and engaging in cultural education. For more information about TUVAA see (www.tuvaa.org.uk).

In a vibrant city with rich cultural diversity and opportunities, TUVAA’s mission has been to showcase and make visible Southampton’s black excellence, talents and businesses in ways not been explored before. On the 1st of October 2023, this mission was accomplished with an incredible first ever BBAM festival showcasing a wide range of black singers, poets, dancers, drummers, live painters, art exhibitors, businesses, djs, food, fashion etc at 4 venues across cultural quarters.

This is the 1st time I witnessed an event where 1000s of black people converged at one venue to celebrate black history month. An inclusive and diverse festive celebration of diverse hidden black cultures we have never witnessed before.

I am incredibly proud that we successfully brought together the diverse black communities to explore ways and means to make BBAM a success. They did not only accept this unique and new ideas, but they also actively took ownership of it and

delivered it with a style that won us the best outdoor event of 2023. Considering that BBAM festival was conceived and delivered in 3 months, it was through the intense and partnership work behind the scenes that enabled us to deliver the event of this magnitude. On this note I would like to say massive thank you to all our partners, the working groups, their coordinators, volunteers and TUVAA executives for their job well done. I would like to thank the following TUVAA executives for their role in making BBAM a major success: Tsepiso, Darlynton, Alhagie, Pee, Kingsley, Khumalo, Victoria, Ruth. Thank you. Massive thank you to my wife Maram Ceesay Sanneh and my entire family for their support.

Massive thank you to the Lord Mayor’s office for partnering with the BBAM team to host the BBAM reception for African/Caribbean ambassadors who graced the occasion. Thank you to Leavers to Leaders who coordinated and invited the black soldiers to do an outstanding parade and commemorated the lives of our black fallen soldiers fighting for Britain. Thank you, Black History Month South CIC, HIOW Constabulary, Southampton Forward, the World Stages Now and our colleagues from Solent NHS for their support.

the music side of things. John Hansard Gallery and MAST Mayflower Studio sponsored and hosted exhibitions, thank you. Unity 101 sponsored security van, promoted and supported throughout the day. Voice FM radio promoted the event and sent a team to support on the day. African Activities provided African fabrics and ran arts and drumming workshops on the day. Thank you. All the members of the technical support team including MCs, stage managers, sound engineers, electricians, DJs, all volunteers, guests, all donors, and stallholders. Thank you. Massive thank you to Gambian embassy, Malawian embassy and Ghanian embassy for honouring our invitations.

My vision to make BBAM one of the biggest events in the south and make it a permanent fixture on Southampton’s diversity calenda is becoming a reality all because you trusted me, you trusted TUVAA and continue to support TUVAA going forward. It is clear, that the need for events like this is there. We will continue to forge relationships with organisations that share our vision. Please remember that the 2ND BBAM Fest is on the 28th of September 2024. Any support will be welcomed. Proud of you all. Thank you.

BBAM FESTIVAL RETURNS FOR 2024

Mark your calendars for Saturday, 28th of September 2024! TUVAA is excited to announce the return of the Black Business Arts and Music Festival, following the resounding success of last year’s event.

This year promises to be even more spectacular, as we come together to celebrate Black cultures, music, dance, fashion, and local Southampton businesses.

We aim to provide a powerful platform for Blackowned businesses and artists to showcase their talents, increase their visibility, and strengthen their voice within the community. This festival is more than an event; it’s a celebration of our rich cultural heritage and a testament to the vibrant diversity of Southampton.

Join us for a grand opening ceremony with special guests, including African and Caribbean Ambassadors and local Black leaders and experience our new ‘village concept,’ where each country will have its own village. This year, we proudly feature 10 villages, including a special village honouring Commonwealth soldiers. Explore diverse cultural villages showcasing the unique traditions, crafts, cuisine, and music of various African and Caribbean nations.

Enjoy a diverse lineup of artists performing jazz, reggae, hip-hop, soul, African drumming, steel band, and more as well as vibrant art exhibitions showcasing the talents of Black artists through paintings, sculptures, mixed media, and photography.

There will be Film Screenings to watch compelling films by Black filmmakers that tell important stories impacting Black communities and witness stunning fashion shows featuring designs from African and Black fashion designers, models, and stylists.

Participate in a heartfelt tribute to Black soldiers and veterans, with Commonwealth soldiers laying wreaths at the cenotaph to honour those who have served and sacrificed.

Get access free health checks and information, including blood pressure checks and health signposting and engage in inspiring workshops and discussions on entrepreneurship, cultural heritage, and social justice.

Our bustling marketplace will be open where you can discover unique products, handmade crafts, and delicious food from African and Caribbean countries, prepared by Black entrepreneurs.

The O2 Guildhall will be transformed into a funfair and games arena for children, featuring lots of inflatables, face painting, storytelling, and interactive games.

To find out more: Visit: www.tuvaa.org.uk

Phone: 07385932327 or 07578 330228

Email: bbamfest@gmail.com

Email: info@tuvaa.org.uk

LOCAL VOICES :

A NOD TO OUR COMMUNITY

For thousands of years, we humans have developed non-verbal ways to communicate. From facial and body markings indicating a hierarchical status, secret escape routes braided into our hair, or a simple wink during a tribal hunt, these gestures have been essential.

Today, among Black males, a subtle form of this communication is the nod—a discreet, silent acknowledgement of another Black male.

This has always been a part of my life, as it solidified friendships, built confidence

and confirmed the unspoken support from others who looked like me.

As a Black male, I feel it’s important to give the nod whenever possible as it’s more than a greeting; it’s a sign of recognition, respect, and a way of showing another brother that you see and support him.

Now today and more than ever, it is crucial that we maintain this tradition to foster solidarity, uplift our communities and form bonds, especially with our young males.

So, the next time you see another Black male, remember he shares your struggles and triumphs. Please give him a nod and let him know you see him.

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