Issue 13 Winter 2020/21
Welcome to this winter edition of The REPort Hello, it’s curtain up on another jam packed issue of the REPort. We hope this finds you well and that you enjoy reading our latest updates. Best wishes, Rachel Cranny Head of Fundraising
In this Issue: – Welcome and update – Nutcracker at The REP – Save a Seat – REPurposed – KPMG and the Young REP – Play-Phone – A lifeline – Providing for schools – Supporting cast
A Director’s Welcome A belated Happy New Year to all – and let’s hope 2021 brings with it a ‘new normal’, whatever that may look like. We’re continuing to navigate the effects of Covid-19 and ongoing lockdown. Many people have commented that they’ve found this the hardest one of all, coming as it has over winter and without the warm days and light nights to compensate for the loss of our normal lives. In that context, it’s pleasing to know that we’ve managed to bring some positivity and joy into the mix with cultural events and activities over the past few months: Nutcracker at The REP, our ongoing work with young people in schools and through our Young REP and Light Post Company. Blended digital and live models for performance and participation have become the norm and the team have learnt new skills and piloted new ways of working that we will almost certainly take forwards with us. As many of you may be aware, along with the Library of Birmingham we are currently letting parts of our building to the Ministry of Justice for use as a
Nightingale Court. An exceptional decision for extraordinary times. We’ve seen a wide spectrum of opinion around the decision – from those who support it as part of a civic role for a public building in a national crisis, to those who are opposed to a court space occupying any part of a theatre. For us, it was a financially motivated decision and part of a survival strategy that would help us protect the DNA of The REP as a producing theatre. The contract ends in June and we anticipate a return to staging our own productions from early Autumn, but with performances from touring companies and our own young people’s groups in the meantime from whenever we can re-open safely to audiences. We are looking forward to being back in the building and reconnecting with all our audiences and participants in person over the coming months. In the meantime, stay safe and well and thank you as ever for your ongoing support of The REP. Rachael Thomas & Sean Foley Executive Director & Artistic Director