Ashley Cameron

Page 1

INTERNATIONAL ADVERTISING PHOTOGRAPHER

ASHLEY CAMERON


On previous page. Client: The Times Newspaper. Concept: Analysing the city of London business. Solution: Visualise “putting the city under the microscope� by combining location and studio photography with retouching.

MICROSCOPE

Client: Met Office. Concept: To show the benefit of accurate weather prediction. Solution: Combining location photography and stock elements to illustrate the story. OIL PLATFORM



Compositing


Client:The Sun Newspaper. Concept:To show the diverse ways that The Sun is available to read. Solution: Photographing newspapers in the studio and a group of people from on top of a tower. All elements were pre combined while shooting to make sure the “city� would come together in just three days. NEWSPAPER CITY


Client: Mercedes. Concept: KIT KAT The hard working Axor in the dark city - Batman style. Solution: With a road closed and a television company to provide the vast amounts of the light and water we needed, we produced this image in one night with minimal retouching.

Client: Mercedes. Concept: Highlighting the technology on board the Actros which makes long service intervals. Solution: Photographing the observatory in California, the truck in the UK and a model made sign in the studio. All elements was combined with retouching. OBSERVATORY



Client: Pearn Kandola. Concept: PEARN ROOTS Showing a man who was set in his ways, not open to change in the work place. Solution: Photographing the model in the office location and trees and roots in a park, the elements were combined to create this interesting idea.

Client: T-Mobile. Concept: Mobile call costs from America. Solution: Creating the look of an American scene shot in London was combined with stock DINER photography of a street scene.



Client: Mercedes. Concept: The driving pleasure of a Mercedes. Solution: Shooting a private house outside Rome that was turned into a restaurant for the day, and photographing the truck in the UK, A sign was created with CGI and all elements were SPAGETTI BIVIO put together seamlessly..


ACCOUNTANT

Client: Mercedes Concept: To illustrate the costs savings of buying a Mercedes. Solution: Photographing the model and the truck in a studio in the UK, combined with a stock image of the golden sunset outside.


Client: Vauxhall. Concept: To show the size of Cargo hold. Solution: Shooting on location at an airfield to create a big open space. The light on the helmet was retouched to bring attenMOVANO tion to the huge interior.



CGI - Computer Generated Images


PATHFINDER

Client: Nissan. Concept:Tying it to a TV advertisement we needed to show the flexible large luggage space in the vehicle. Solution: Photographing a stand in car and the props on real grass in a studio. A CGI car was combined with stock photography backgrounds and the real elements.



DIVERS AND HORSES Personal series looking at our experience and relationship to the landscape.


PORTRAITURE for advertising

Originally a personal series exploring different ways of lighting and retouching head shots. These have been used to advertise a diverse range of products from hotel chains to book covers.



Client: Mucinex. Concept: Healthcare product for relief of congestion / mucus. Each portrait illustrates the properties of the different products. Solution: Shooting in New York, eight portraits were taken over three days with a distinctive colour palette that represented the MUCINEX branding of each individual product.



JACK NICKOLSON


CLINT EASTWOOD


Satisfaction Guaranteed! Ashley Cameron is a diverse photographer spesializing in creating pictures for the advertising industry. No matter where your creative mind takes you, a strong visual solution can be provided.

Client: Playboy TV. ConPLAYBOY cept: Press ads to show the difference of the various Playboy TV channels. Solution: Trying to be as daring as possible and at the same time not showing any nudity.


On next page. Client: Vauxhall. Concept: Dynamic sporty special edition. Solution: Taking multiple shots with different lighting set ups. All the photographs were combined to produce one sharp looking car. ASTRA


WWW.ASHLEYCAMERON.COM

Ashley Cameron is represented by Faber Idelaboratorium AS in the Nordic countries. Contact information: Inge.Helland@faberide.no or +47 41 24 17 20


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