Metro Times 10/16/1980

THURSDAY, OCTOBER 16-30, 1980

Layoffs Derail Affirmative

Action

LAST HIRED FIRST FIRED

by Herb Boyd

S ergeant Willie Bell is tall and whippet-thin. His head is clean-shaven and a thick Fu Manchu moustache folds neatly around his mouth. There s an athletic quickness in his long strides as he moves to his desk. From a distance his image is tough, almost menacing, like a certain welterweight champion. All of this apparent icecold exterior slowly dissolves, however, when he speaks. The words are soft and carefully articulated. When joined the police force back in 1971 there was no affirmative action program. Minority officers represented but a_ small percentage of the total force. At that time, Blacks and females could not have been more than twenty percent.

Bell, who is president of the Guardians of Michigan, a 500-member Black police officers association, then recalled the gains made since Mayor Coleman Young instituted his affirmative action plans in 1974. Before Coleman became mayor there were few Blacks in the higher ranks. Before Coleman, affirmative action was only a token activity.

Bell feels that the recent layoff of 700 police officers, 75 percent of whom are Black and 40 percent of whom are women, as well as the DPOA s refusal to discuss alternative layoff plans proposed by the mayor, has sharpened the differences between the two police associations.

Fu the television screen and from photos, David Watroba seems squat and a bit pudgy. His stringy blond hair is thinning and is swept deliberately to the right of his head. His manner is serious and his face holds a firm, no-nonsense expression when he speaks.

Can you imagine the hostility, he intones, discussing the recent layoffs, if the police would have been laid off without using the seniority rule? Like Bell, he carefully measurers each word. In my opinion affirmative action is still intact. Minority officers still make-up over twenty percent of the force.

Watroba, who is running for re-election as president of the 3700-member DPOA, places the blame for the layoffs squarely on the city, (he avoids using the mayor s name): With 1,090 Detroit police officers laid-off, it is unbelievable that the Detroit media--radio, TV and the newspapers are concentrating on who is laid-off instead of why they are laid-off. .it (the media) has attempted to convince the public that the decision to layoff police officers was made by the DPOA. We all know that that decision was made by the City.

1973 B.C.

To properly understand the opponents and their positions, and the role of the city in this swelling controversy, a_ short _discussion of Detroit police history is required. This background lesson has but continued on page 8

Just your res old. ilo dance band from mars. p.18°

A glimpse at recording artist Jimmy Allen who in his spare time plays defensive safety for te-Lions.. 5 oe, oe Beet

* PLUS x FUNDING CRISIS

Domestic violence is on the rise in the metropolitan area at the same time shelters are losing their funding............p. 5

KEEPING WARM

Some inexpensive commonsense things you can do to beat the high cost of winter....p. 9

AL JARREAU

The scat man who ~ defies category, mode and idiom p.17

FLICKS

Michael Betzold, our galloping gourmet, visits Hotel Hell p.20

Photo: Leni Sinclair

MAGIC 95 PRESENTS - THE WEEKLY

TOP THIRTY!

America s most popular music plus the excitement of the countdown combine to make this an outstanding Magic 95 weekly special!

Mark Elliot plays the week's 30 top hits and mixes in interesting highlights and sidelights plus interviews with the stars who have recorded the week s top hits. Sundays 7-10 p.m. and only on Magic 95.

ART DIRECTOR INOUR BACK YARD, __ BETTY CARTER, Leni Sinclair by Michael Bencsik Br hawsin ts |e age 6 by Garaud MacTaggart ie Page 18 PRODUCTION MGR./AD DESIGN BLUE CROSS EMPLOYEES

Thompson

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Davis, Helen Lombardo

Solomon, Franklyn-Sykes

Laura Markham, Ron_Williams

A LOOK AT THE HIGHLIGHTS OF OCTOBER 16-OCTOBER 30, 1980

GIMME SHELTER: Rush nght out to the Dearborn Hyatt Regency this afternoon and find out about underground space the latest trend in energy saving home design. Brent Anderson of the Underground Space Center at the University of Minnesota will address the Michigan Society of Architects on the subject of earth sheltered construction. Anderson and others have been studying underground space since 1976 and believe they ve found another solution to the energy crisis. In plain English, earth sheltered construction means living underground not like Abbie Hoffman, of course, but in subterranean splendor. (See LECTURES in WHAT S HAPPENIN .)

THEY DON T GET THE BLUES: The. cowgirls pictured nearby are not coming to Detroit to sing the blues; instead, they'll unleash a blend of bluegrass and folk laced with a little new-fangled feminism. Robin Flower, left, is a veteran of a couple of notable Bay Area bands, including Baba Yaga and BeBe K Roche. As a child in Kentucky, however, she was steeped in the bluegrass tradition which has never left her music. Nancy Vogl, formerly of the Berkeley Women s Music Collective, compliments Flower nicely with a thorough grounding in folk-cum-rock. Higbie will round out the sound with her finely tuned fiddle. The concert will be open to women only, and child care will be provided during the show. (See MUSIC MISC. in WHAT S HAPPENIN .)

GREEK SCHOLARS: The International Institute wants to bring foreign cultures to young Detroiters, and hence is sponsoring a series of Enrichment experiences in various cultures, including, this weekend, Greece. Kids who participate will either make worry beads or the luscious flaky pastry called phyllo that comes wrapped around anything in Greek cuisine. A dance troupe will train them to outdo Melina Mercouri, and they'll also learn a little something about Detroit s Greek community. (See FAMILIES in WHAT S HAPPENIN .)

SUDS AND DOGS: This afternoon,:a good old fashioned rally will take place at the UAW Local 174. They don t make em like this anymore: the rally for jobs will offer free suds and dogs, as well as a raffle, and Doug Fraser, UAW president and Chrysler Board member, will speak, along with Tom Turner of the AFL-CIO.

the auction (which includes dinner) will give you a crack at owning the complete manuscript of Father William Kienzle s The Rosary Murders, among other things. Tomorrow 18 book dealers will have booths on the Cass Concourse for your browsing pleasure. Proceeds go to the library s rare book room. (See LITERARY in WHAT S HAPPENIN .)

SPACE IS THE PLACE:

AMONGST THE TOMES:

What better spot than a library for a Rare Book and Manuscript Auction and an Antiquarian Book Fair. Tonight at the library,

Speaking of space, the master thereof, Sun Ra will bring his Famous Arkestra and the outer limits of jazz to the DIA. Can we describe him in a_ short paragraph? Not on your life. You'll haveto come and explore for yourself.

27

NO GONGS HERE: The Punch & Judy Theatre instigates its first Open Stage night tonight featuring all local talent musical, theatrical, mimical and magical. Come see your neighbor s mime act, or your Cousin Joe pull rabbits out of hats. Those interested in performing should note that they'll be auditioning talent the previous Sunday. (See MUSIC in WHAT'S HAPPENIN .)

30

POLITICAL EXCHANGE:

The Neighborhood Information Exchange, an umbrella organization of neighborhood groups that helps local people get a voice in their communities, is holding its annual meeting tonight. Senator Carl Levin will address those present and will later receive an award -for his contribution to Detroit neighborfrom the NIE. (See POLITICAL in WHAT S HAPPENIN .)

ROCKING FOR JAZZ: Not that jazz doesn t rock, but tonight several rockers pay tribute to the Detroit Jazz Center in concert at the Madison Theatre. Mitch Ryder, pictured (can you guess what that is in his mouth?), the Torpedos and the InsideOutside Band will help raise bucks for the financially troubled DJC, and you'll get a great night of music. (See BENEFITS in WHAT S HAPPENIN .)

SUN RA

Photo: Leni Sinclair hoods

Mit Ce)A Ruder

by Arlene Lecours and Ron Williams

Ten beds are better than none at all, said Mary Ellen Wassenberger, Acting Director of the Pontiac Domestic Violence Shelter, a facility which opened in January, 1979. Those ten beds in the first 21 months of operation provided a place for 188 battered women.

Officially, the Pontiac Shelter has shut down intake. Those ten beds are empty. And women who may desperately need a safe place to piece their lives back together must look elsewhere.

Funding cuts for programs related to domestic violence could not have come at a worse time. It is news to no one that the unemployment rate in Michigan is the highest in the country. The current economic picture has created a volatile climate, increasing the possibility of domestic violence.even in homes with no previous record of conflict. Michigan Department of Mental Health figures show crisis center walk-ins and phone-ins up 100% over last year.

People who have been married for years without any problems might now resort to domestic violence because they no longer have control of their environment, said Sylvia Smith, Director of Interim House, a Detroit shelter with a 50-bed capacity. Recently, Interim House was faced with a 38% cutback as the most recent wave of| funding cuts out of Lansing made themselves felt on the local level.

Funding has always remained precarious for the fourcenters that do exist in the tri-county area. The approach has always been piecemeal, with some support from _Comprehensive Employment Training Act (CETA), some grants from the Law. Enforcement Assistance Agency (LEAA) and some help from the federal agency ACTION. The funding has never been consistent or sufficient.

People say that everyone is being cut, but everyone isn t being cut. Itis a matter of political clout, and women don t have it, says Joyce Hennessee, one of the founders of Women in Transition (WIT), a Detroitbased shelter. An important component of WIT s funding has come from the State Department of Social Services (DSS). Out of the $3.3 billion annual DSS budget; $1.5 million is allocated to the Domestic Violence Prevention and Treatment Board. In the last round of budget cuts, that $1.5 million was slashed by $190,000.

Women in Transition is the largest domestic violence shelter in the country. It opened in December, 1978, and is equipped to house fifty women and their children. The numbers make it possible for the shelter to be more cost effective, allowing legal, financial and other service organizations to call directly on the shelter instead of sending women individually to each social service agency.

WIT faced a crisis this spring when they were notified that they would not be receiving any further funding from the Department of Social Services. Detroit City Council President Erma Henderson spearheaded a campaign to obtain funds from the Department of Housing and Urban Development and successfully obtained money through the Neighborhood Opportunity Fund.

There seems to be nothing immediately looming on the fiscal horizon to change the funding situation, either on the state or national level. We fight dragons day in and day out, says Pat Yoder, Director of Turning Point, a shelter for battered women in Macomb County. We accept donations, large and small. Last week we received an envelope of quarters.

The Pontiac shelter may reopen by October 20 if the Oakland County Board of Commissioners passes an emergency funding request. The request received support from both the Public Services and Finance Committees and will be voted on by the full board on October 16. Even if approved, it will only provide enough money to keep the shelter operating through December 31.

Many observers look to federal funding in light of Michigan s deep monetary crisis. Both of the state s senators co-sponsored the Domestic Violence Prevention and Services Act (S-1843) introduced by Sen. Alan Cranston of California. The bill has passed both houses, but did not make it out of conference for a final vote before the October recess. Its chances of being passed when the lame duck congress meets in midNovember depend considerably on who wins the presidency. .

The bill met stiff resistance in both the house and Senate by right wing forces, and the final version calls for only approximately $30 million to be distributed across the entire country. The opposition maintained it does not support domestic violence but is opposed to the federal government interfering with the family.

SHUTOFF FIGHT CONTINUES

A coalition of sorts seems to be emerging between members of the religious and medical communities and the Michigan Coalition on Utilities and Energy (MCUE). Ata press conference to be held. October 16, they will announce the: latest round in the continuing struggle against utility shutoffs.

Calling the current Public Service Commission policyof requiring those in shutoff situations to pay 7% of their estimated, annual bill per month wholly inadequate MCUE Director Eileen Haggarty told the Detroit Metro Times the group will give the PSC until December 1 to come up with something more reasonable.

If the commission does not move by that date to protect the poor and_elderly from shutoffs, crisis centers willbe set up in churches around the city staffed by sympathetic doctors. Medical protection notices will be issued, which restrict any utility shutoffs because of medical dangers for 21 days. Such notices may be renewed more than once. For more information contact: MCUE, 23 E. Adams, Detroit, Mi. 48226, 963-2465.

DETROIT CHALDEANS MARCH

There are a few Detroiters for whom the war in the Middle East extends beyond worry about the price or availability of oil. For the more than 50,000 Chaldeans, or natives of Iraq, as well as the many Iranians who dwell in Detroit, the war is a painfully close and heart-rending experience. But it hasn t all been tears. A few weeks ago, over a thousand people from the Arab-speaking community journeyed to New York City to demonstrate at the U.N. and to express their support for Iraq. And it won t be long, it is rumored, before Iranian and Iraqi volunteers will be leaving the city to fight for their representative countries.

RED SQUAD FILES. UPDATE

In 1976, Circuit Judge James Montante ruled that the state statutes under which the Michigan State Police conducted a massive campaign of political surveillance were unconstitutional. The special investigative unit known as the Red Squad llegally spied on more than 38,000 state residents from 1950 until the ruling in 1976, creating files of people deemed subversive. The majority of people investigated were involved in legal civil rights or anti-war activities.

I m afraid to speculate on how many people have been turned down or forced out of jobs or housing during the last 30 years because involvement and often inaccurate information was placed in the files, Richard Soble, National Lawyers Guild President, told a press conference last week.

According to the Montante ruling, subjects of the illegal spying are to be notified by mail and given a reasonable period of time to secure their file. That notification process may begin by the end of October. For more information contact the National Lawyers Guild, 1035 St. Antoine, Detroit, 48226, 963-0843.

_ Toxic Waste Hazards in Our Back Yard 2

by Michael Bencsik

®@ Three years ago, in Rose Township of Oakland County, a toxic waste dump created a chemical emergency for area residents and it cost the state $1.3 million to clean it up.

@ Today in the downriver community of Melvindale, local citizens are organizing to prevent the burning of dangerous PCBs in a cement kiln belonging to a nearby cement company a type of kiln that was recently banned in Toronto because of the danger it posed to public health.

® Two weeks ago the Environmental Protection Agency filed a lawsuit in federal court to force the former and present. owners of a 30 acre industrial site in Riverview, another downriver community, to cleanup the recently discovered toxics located there.

All three of the above examples point to a growing problem for metro Detroit residents how to deal with the costs, the dangers and_ the legalities of toxic waste disposal.

In Oakland County the toxic waste problem has become a major issue in this fall s election as Tom __Lewand, the democratic candidate for county executive, has attacked his incumbent

by Bill Bryce

There have been two recent developments which indicate employees of Michigan Blue Cross/Blue Shield are becoming increasingly vocal in criticisms of management. First, notices have been posted by middle management women seeking court remedies for an alleged history of sexual discrimination. Second, an announcement identifying new officers of the Blue Cross/Blue Shield Organizing Committee has been made. The goal of the organizing committee is recognition of the UAW as the bargaining agent for clerical and technical employees: These events have a firm basis in management actions according to Caroline Dalley, a plaintiff in the discrimination suit. We are fairly conservative women, said

opponent for lacking a program to deal with toxic wastes.

The state department of natural resources ranks Oakland County second of Michigan s 83 counties in the number of places where ground water has been chemically contaminated. That figure is all the more disturbing because a full 30 percent of the county s residents still derive their drinking water from ground water.

With 28 known _ landfill dumpsites for toxic wastes in Oakland County, residents in most instances do not know what chemicals are stored there, in what quantities they are present, what the potential danger is or where to go to answers.

In Melvindale the situation is different. Mary Szawala, an area resident, knows what chemicals may be incinerated near her home and the potential danger with the incineration project. Her problems lie with how to stop it.

The Peerless Cement Company is planning on burning various PCBs in a cement kiln on property near the Rouge River.

After years of testimony and hearings it is now up to the regional Chicago office of the EPA to make a decision on the threat to public health.

About ten miles away in the community of Riverview the EPA has finally decided on how to deal with toxic wastes discovered there in December of last year it is

suing both the present and former owners of the property.

A perpetual problem in dealing with toxic waste sites that have been uncovered in recent years is who shall pay for the cleanup involved. All too often it is the taxpayer who winds up footing the bill. The Riverview situation has become more complicated because of recent sales of the property involved.

The downriver community based News Herald newspapers ran a front page story in last week s edition detailing the lawsuit and the sordid past of the dump site. In 1951 Wyandotte Chemicals bought the 30-acre site where the chemicals were recently discovered. They sold it

to BASF in 1969 who sold it to Federal Marine Terminals Inc. in January 1979. Since the discovery of the chemicals last year, nothing has been done to stop the flow of the toxics into the Trenton Channel of the Detroit- River. Federal Marine Terminals, who discovered the chemicals when they began construction, say that BASF did not tell them,of the below surface dump when they sold them the property and therefore it should be up to BASF to clean up the toxics.

At the same time BASF says that they sold the property to Federal Marine in good faith and did not know of the substances at the time of the sale and therefore Federal Marine - should be responsible.

During the past few months, Federal Marine has stopped ~ payment on the property to BASF and that company is now suing Federal Marine for the balance. The EPA lawsuit names both corporations.

In the meantime, on a daily basis, the following flow into the Detroit River from the site: heptachlor, benzene, cyanide, chloroform, polychlorinated biphenyl, polynuclear aromatic hydrocarbon, arsenic, chromium, lead, mercury, selenium, antimony, hexavalent chromium, cadmium and nickel.

Sexual Discrimination Suit Gains Support Blue Cross/Blue Shield Workers Move to Unionize

Dalley, but there is only so much you can take.

The grievances of the women employees have a background which predates the merger of the Blues. Women employees of both Blue Cross and Blue Shield had brought. complaints of sexual discrimination over a number of years. With the merger, the complaints were joined in a single lawsuit, and the women are being represented by the law firm of Reosti and Papakhian.

According to Ronald Reosti, personnel records are currently being analyzed to determine the importance of sex as a variablein the promotion and job evaluation process.

Dalley cited several examples from her own experience with the company in which she feels she was a victim of sexual discrimination.. While a manager

in the Personnel Dept., her position was evaluated by management at two hundred points below that of comparable male managers with less responsibility. Earlier in- her career she was asked to train a former priest with no personnel experience. The trainee was making more than the trainer. An accumulation of incidents like these has led to the formation of Women for Equality within the ranks _ of according to Dalley.

women managers, demoted.

She believes that such a history of discrimination has led to a waste of human resources within a company where a_ large percentage of the employees are women. A majority of Blues employees are female, but of the twenty or more vice presidents, none are women. In a. recent reorganization the lone black woman vice president was

Criticisms of management policies stated by the women active in the suit are echoed by those active in the union organizing drive. In a recent issue of the newsletter published by the organizing committee, Arnold Brutman, chairman of committee, states, I have worked at Blue Cross/Blue Shield for six and one half years. During this time have seen personnel policies discriminately and unfairly applied.

the|

In a poll conducted this August it became clear that considerable sympathy for the union existed. The. final tally was 1,707 in favor of unionization and 85 against. At that time, UAW vice president Martin Gerber said, We are almost home.

A call for a unified approach to those problems was made at the same time by Janice Harvey, Recording Secretary of the organizing committee, We can no longer afford to turn our backs and pretend that we are unaware of the unfair treatment received by other employees. We can no longer be glad it isn t happening to us.

The Committee remains optimistic that support for the union has held steady, but according to UAW officials a high percentage of employees continue to fear management reprisals. Many employees claim reprisals occurred after an unsuccessful organizing «effort conducted by the teamsters a few years ago.

Management appears to be taking a low-key approach in this drive. Many UAW officials believe the reason for the change lies in the UAW s importance to / Blue Cross/Blue Shield as a client.

by J. D. Snyder Lansing

Fm mad as hell and I m not going to take it any more, sums up the angry feelings of a good many citizens who find their incomes chewed up by inflation, which they can t do anything about, and taxes, which they can do something about.

In the last couple of years this anger has taken the form of a widespread taxpayers revolt: But rather than reform the tax system, measures have been designed to chop off taxes and services along with them or impose some kind of arbitrary freeze or limit on taxes and spending. The Amendment, narrowly passed by Michigan voters two years ago, falls in the latter group.

This year three statewide tax proposals will be on the November 4 ballot: Proposal A, the Smith-Bullard-tax shift plan; Proposal C, the so-called Coalition tax plan; and Proposal D, the Tisch Tax and Government cut (see Sidebar).

Sponsored by Representatives Perry Bullard, a progressive Ann Arbor Democrat, and Roy Smith, a Saline Republican, Proposal

A s basic thrust is to assure equalized financing of public K12 education by the state, and shifts the burden of school support from local property taxes to a statewide business property tax and an increase in the personal income tax. Property taxes would be cut by about 50% by reducing by J. D. Snyder

Deadly. Disastrous. Devastating. -_ Draconian.

These are some of the adjectives used to describe the Tisch Tax and Government Cut by concerned citizens and worried officials: The Tisch Amendment is both loathed and feared, and for good reasons.

What the Tisch Amendment (Proposal D) would accomplish if passed by Michigan voters in the November 4 election is a radical and even revolutionary change in how state government raises revenue and provides services.

Tisch II (voters overwhelmingly rejected Tisch two years ago) would slash state programs by 1.6 billion dollars, a 55% reduction, as a result of rolling back local property assessments

channel taxpayer anger. the constitutional tax rate limit from 50 to 24.5 mills. And senior citizens would be exempt from any property tax on the first $50,000 market value of their homes, thus removing the cruel inequity of retirees on_ fixed incomes facing ever-increasing assessments and millages.

- We cut property taxes and give peace of mind to older Americans who are now sometimes being taxed right out of their homes. At the same time we guarantee that every child in this state will have access to a quality education, Rep. Smith told Detroit Metro Times. Groups which have endorsed the proposal include the League of Women Voters, Michigan. State Police Troopers Association, - Detroit City Council,

Michigan Education Association, Inter-Faith Information and Action Council, and PIRGIM (Public Research Group in Michigan).

The Michigan League of Women Voters legislative chairperson Jane Cutts explained that her group supports Proposal A because it s a fairer system and it does more for the education system while it brings some -measure of tax reform.

All school districts would receive an equal amount of revenue for basic education on a per-pupil basis after a five year phase in, and all districts would be financed by the state at the highest level of state aid per pupil received by any district during the phase in. Special problems and programs now recognized

Ld through categorical aid would continue to be funded on an asneeded basis.

Smith-Bullard proponents argue that the, personal state income tax would _ increase between 1.3 and 1.4% to furnish the additional financial support.

While Bullard and his staff were adamant about their figures, the Senate Fiscal -Agency predicted an increase between 1.8 and 6.7% and a Senate Finance Committee staffer suggested a 2% increase.

A 1.3% increase is all the amendment requires, Bullard insisted. It does shift the fight over what is quality education to the legislature, rather than palm it off on local districts. It will force the legislature. to take responsibility for funding

- Proposal D>

to 1978 levels. This would require the state to reimburse local units for much of the revenue lost. Property taxes would thus be reduced nearly 60%.

The Tisch Amendment would also require any new state tax increase be approved by 60% of the voters, thus instituting control of tax policy by a minority. And taxes would be defined so loosely that any fee, charge or levy by state or local government units would be included.

While the Tisch Amendment, named for its primary sponsor Shiawassee County Drain Commissioner Robert _ Tisch, would clearly be an unmitigated disaster for Michigan citizens. Its chances of passage are not taken lightly by a wide range of private and government groups.

Citizens to Save Our State (Citizens SOS), a coalition of

over 50 public interest, senior citizen, business and_ labor organizations representing over 3 million citizens, has mounted a statewide campaign to alert the public about the devastating consequences of Proposal D and to assure its defeat.

Not a single facet of social or economic life would go unaffected if Proposal D were adopted, declares Bill Snow, one of three SOS co-chairpersons. State support of colleges would be limited to the Big Three University of Michigan, Wayne State and Michigan State at 50% of their normal levels. The other twelve state colleges would either have to close their doors or hike tuitions that would be out of reach for all but the most affluent.

Typically those least able to cope with drastic reductions in services would suffer most: ©70 of the state s 84 parks

would definitely be closed. The fourteen remaining open take in enough direct fees to cover operating costs.

eA 75% reduction in uniformed state police personnel.

® Closing most state mental health facilities with an immediate movement of 7,000 of the state s current 9,600 institutionalized residents into the community. Only 2,600 of the most profoundly disturbed or retarded could be kept in institutions.

@®Reducing or eliminating benefits for those receiving various forms of public assistance: General Assistance (GA), Aid to Families with Dependent Children (AFDC) and Medicaid. ee,

@ Eliminating the Toxic Substance Control Commission, Crime Victims Compensation

_interfere with -required by education instead of district-bydistrict millage fights where you end up with unequal school funding.

Smith-Bullard also provides a flat $140 credit for renters on their state income tax as does Proposal C. It would also permit school district income tax of up to 1% in lieu of 7 mills for local enrichment.

Unlike Proposal C it would not the. state/local sharing of revenues required by the state constitution. It clearly states that additional revenues given to school districts shall not be included in calculating those payments to local governments the Headlee Amendment.

Ironically, Bullard pointed out, the Proposal A tax shift plan is closer to the ballot proposal pushed by the governor eight years ago than the governor s and legislature s coalition proposal this year, Proposal C. Proposal C would eliminate property tax on the first $7,100 of a homestead s assessed value. It would increase the state sales and use taxes from 4 to 5.5% starting in 1981. In addition, the sales tax on home use of heating fuels and electricity would be phased out by 1% a year until eliminated by 1985.

If Proposal A doesn t pass, you'll have the biggest tax revolt you can imagine when people start getting notices of their new assessment, Smith warned.

Board, Women s Commission, Commission on Indian Affairs and Commission on Spanish Speaking Affairs.

Zolton Ferency, socialist activist attorney and former gubernatorial candidate, filed two suits addressed to this fundamental issue.

Although neither suit won a favorable legal ruling, he is glad that in the process of bringing the suits, more people are taking a longer and harder look at what Tisch actually does.

The Tisch Amendment takes the guts out of the legislative article, Ferency says, It prevents the legislature from acting at a time, like now, of severe economic strain to meet the need and demand for increased social services. Proposal C is a cop out. It. was drafted purely to oppose Tisch so its simply a political move.

Headlee According to its authors, Roy Smith (left) and Perry Bullard (right), Proposal A is intended to constructively

The DPOA, the suit reads, made no good-faith effortto prevent the layoffs because of its intent to discriminate against minority members. . .The DPOA has followed what has been its real purpose over the years fighting affirmative action. They have showed their true colors.

FIRST FIRED

continued from the cover two simple phases: the minority police status before Coleman _Young became mayor, a period which has affectionately been called by some Black police officers as the B.C. period, or Before Coleman. And the period since 1974 when the mayor enacted his plans for affirmative action.

During the so-called B.C. period, Black and female police officers never constituted more than twenty percent of the police force. In 1963, the year the Guardians was founded, according to Sergeant Mackie Johnson, a 28-year veteran of the police force and the Guardians founder-historian, there were only 130 Black police officers in all Detroit, Highland Park, River Rouge, Oak Park and Wayne County. Only after the disturbance of 1967 was there a real concern to improve the number of minority police officers here in the city.

Mayor Young recalls in Studs Terkel s latest book, American Dreams: Lost & Found, that when I was elected (in 1973), only 15 percent of the police force was Black. Additionally, in the same year, there were only 140 women in uniform. In 1973-74 Detroit s police force was more than 3,000 strong.

This was a time when the Black community was incensed by the brutal effects of the Police Department s STRESS (Stop the Robberies and Enjoy Safe Streets) and its violent decoy operations, which in a two year period (1971-72) had 22 Black killings to its credit. John Nichols, Police Commissioner under Mayor Roman Gribbs, was Young s opponent in the runoff for mayor.

AFFIRMATIVE. ACTION BEGINS

Young s well-run campaign and the solid backing from the community including a coalition of white liberals, Black nationalists and many of the city s corporate elite proved decisive and Nichols was defeated in a close race. Wasting little time, the new mayor almost immediately set his plans for affirmative action in motion. The city, according to Mayor Young, had a majority Black population and the police

department would reflect the same racial composition.

Naturally, the DPOA was angered by these plans and took its grievance directly to court. While the issue stewed in court, Young went ahead with his plans and by 1977, it was estimated that between 26 and 28 percent of the department s officers were either Black or women. A recent estimate, taken just prior to the September layoff of 700 officers, put the figurés between 35 and 40 percent minority.

decision. Detroit s police, the mayor noted, are among the highest paid in the nation. I ~don t think they deserve the pay raise they re gettin .

Watroba and the DPOA see all the mayor s budget woes from quite a different perspective. Since last fall, Watroba notes, this Union has made an extra. determined effort to warn the Detroit community that the city was operating on a Cadillac budget while having money only for a Chevette.

Detroit s police are among the highest paid in the. in the nation. Mayor Coleman Young

lowered. In1979, for example, the number of complaints against the police declined. Now, with the layoffs and everything, I m afraid we're on our way back to the early seventies, when the community, the Black community in particular, viewed the police as no more than a white occupation army.

Such incidents as the Miami rebellion and the recent disturbance in Philadelphia, each an outgrowth of police brutality, are poignant lessons of just what

And it has been the recent layoffs which have triggered or renewed the three-way strugglebetween the Mayor s office, the DPOA and the Guardians. The scenario of events reads like a vicious circle: To improve the racial composition of the Police Department the mayor launches an affirmative action program; affirmative action is challenged by the DPOA in court and, through: state arbitration, wins a 51 million dollar settlement; the city, already facing a budget deficit of over 100 million dollars, is forced to lay off police officers; the Guardians are upset because, according to the DPOA s seniority rule, the majority of the officers to be laid-off had to be those most recently hired--Blacks and females.

Of course, from the mayor s point of view the real culprit in the whole nasty affair, and the reason the city s budget is so strained, are the salary increases that had to be given to the police officers as result of the state arbitration

DPOA. RESPONDS

Over the last few months the DPOA has taken out full page ads in the local dailies and have issued flyers depicting Joe Louis Arena as THE MONSTER THAT DEVOURED DETROIT POLICE. It is the DPOA s contention that all the money spent to build the arena could have been used to pay police officers. We think it is good for Detroit to have a new arena, the flyer announces, ...but we value the safety of each Detroiter even more.

affirmative action,

Bell feels that the heavy layoffs of minority police not only erodes the gains made through but also. undermines the improved relationship between the police and the community.

With the hiring of more minority officers, including women, police-community relations experienced a radical turnaround, said Bell. Even the incidence of police brutality was

ni Sinclair , .the city was operating on a Cadillac budget while having money only for a Chevette.

David Watroba, President of the DPOA

that kind of situation can lead to.

To avert such dangerous deterioration of community relations the mayor proposed two plans to the DPOA. One plan called for the useof a dual-list in which white officers would be ranked by seniority on one list, Blacks and females on a second list, and have the layoffs be shared equally between the two groups. The second proposal would have cancelled all layoffs and instituted instead a 13.8 percent reduction in the police payroll. No one was surprised when the DPOA failed to respond to either proposal.

GUARDIANS INITIATE SUIT

Earlier this month the Guardians, in addition to its demonstrations outside DPOA s headquarters, filed a class action suit in federal court which seeks to overcome the Police Department s seniority rule. The DPOA, the suit reads

made no good-faith effort to_ prevent the layoffs because of its_ intent to discriminate against minority members...the DPOA has followed what has been its real purposes over the years fighting affirmative action. They. have showed their true colors.

But despite the losses through layoffs, said Johnson, Detroit still has, comparatively, more minority officers than any other major city in the nation. Look at New York City where there are more than 25,000 police officers. Well, with all these officers, in 1979, there were only five Black officers above the rank of captain. Johnson also pointed out that Detroit s Police Department, before the layoffs, had nearly 700 women in uniform. By comparison, New York has only about 400 women in uniform.

Such comparisons, of course, mean little to the many, laid-off police officers who feel that they may never be called back to work. Some are even considering relocating in Los Angeles and Atlanta where there is a reported shortage of qualified police applicants.

One laid-off officer, who chose to. remain anonymous, suggested that if the residency rule was enforced . .it would create at least 500 jobs for laidoff officers. He said he knew of a hundred white police officers who did not live within the city limits.

At a recent membership meeting of the National Lawyers Guild, a panelist noted that no officer had ever been fired over the issue of residency. And this practice, according to the speaker, has been allowed to continue because most cases of this sort go before an all white male review board.

Of deeper significance for Detroit attorney Richard Soble, president of the National Lawyers Guild and also a panelist on a discussion of police misconduct, was the anticipated increase in police brutality which, in his opinion, was sure to follow the layoff of so many minority officers.

If such a crisis is to be averted, in the words of yet another anonymous, laid-off Black police officer, Watroba, Bell and the mayor are simply going to have to sit down and seriously pursue a plan that will consider the merits of both affirmative action and the seniority rule.

A CONSUMER S GUIDE TO LIVING BETTER AS TIMES GET ROUGHER

Tighten Up for Winter!

by Barbara Nassar

With the price of home heating fuels shooting up, its not surprising that most of us are worried about the cost of energy these days. And with winter winds whistling around the door, its time to start planning some ways to combat their effects on your heating bill.

Higher heating costs have accompanied inflation across the board even the price of materials to weatherize your home have gone up. Even so, materials, used wisely, will pay for themselves rapidly, and there s no time like the present to get started on your humble abode!

LURKING LEAKS

One major reason for high fuel bills is that cold air seeps in through cracks and holes. On windy days, these cracks make the house very difficult to heat. If you are paying the tab, leaks can account for more than 30% of your heating bill. Cracks and -holes can lurk anywhere in your house or apartment. Look at windows, walls, ceilings and roofs. Seal up those sneaky devils!

WHY A DUCT?

Check for broken or cracked glass. Broken glass should be replaced, but if theglass is cracked or the hole is small, wide silver duct tape or freezer tape will do the trick. Criss cross the tape across the hole or along the crack. Freezer tape sold in supermarkets will also work.

THE HOLE PROBLEM

Check for holes in your roof or walls.

One sure sign is the presence of water marks on ceilings or walls. You can repair minor leaks and small holes with a sealer compound available in most hardware stores. Ask the hardware clerk for advice on which to use. Patch larger. roof holes with tar paper spread over sealer. Mortar can be used on concrete and brick walls.Check for holes around pipes on the inside of your house. Make sure your attic door closes tightly. For sealing around pipes that are not hot, use cloth stuffed into the space. In holes where the chimney or flue goes through the wall, you must use an asbestos sleeve because the cloth could catch fire. The attic door can be sealed by closing several thicknesses of cloth or newspaper in around the edges;

CRACK ATTACK

Check for cracks around doors and windows. The total of all these cracks equals the heat loss of having a large window wide open. The easiest way to fill these cracks is by caulking from the outside. Do this work on a warm day, as the temperature must be above 45 degrees. The best caulking is the acryliclatex type. It is more expensive, but the seal should last about five years or more. Small cracks can be -filled with cord caulking.

OUTSTRIPPING THE COLD

Check for air leaks on a windy day where the window or door meets the frame. If you feel wind or see light through your - Sat. 10-5:30

ALL TYPES OF MUSIC FOLK, JAZZ, ROCK, CLASSICAL, SHOWS, SOUL, COUNTRY & WESTERN, FEMINIST, SPOKEN, DIXIELAND, GOSPEL, COMEDY, FOREIGN, KIDS, BLUES, POP and CHRISTMAS. Mon. 8845 . Jefferson

1 mi. ast of Belle Isle Bridge Next to McDonald's

door or window frames, you need weatherstripping. On windows, most of the air will come through the cracks at the top, bottom and the center, where the window meets the casing. You can place folded cloth or newspaper in these areas. If you still feel cold air, buy some tubular gasket weatherstripping at the hardware store and tack it along the edge where the window slides up and down.

On doors, add moulding at the top and sides if it isn t already there. Once in place, tack some tubular gasket weatherstripping to the moulding. The door should make a good tight seal against the moulding when it is closed. The crack at the floor can be sealed with a throw rug. Or you can tack a strip of reinforced felt hair to the bottom of the door.

TEMPORARY BUT CHEAP

Wood or aluminum storm windows and doors are always a great investment. How-

ever, if you can t afford them, or if you are renting, a temporary solution is plastic film. The plastic lasts only one winter, but it is cheap. Make sure to buy plastic wide enough to stretch across your windows and heavy enough to make a good seal. A thickness of 6 to 10 mil is good. For an airtight seal, fold the plastic several times around a_ piece of cardboard or wood at the edge, then tack or staple through this frame. For hard to reach areas, put the plastic inside the house. This works well in apartments or on upper floors.

TRADING FOR WARMTH

Renters, check with your landlord and perhaps you can barter the cost of weatherizing your home if you do the work yourself. Trade your handy-person skills for part of your monthly rent. That way you both will save money. Your landlord will have his or her rental property maintained, and you the renter will realize lower fuel bills.

resid Jazz Ore

od : s), ction n Sinclair, nts also qvailable.

Pioneer Ja tra at world Stage quditoriu f Detroit Jazz Center

1] Session of the I 22 orches rofession@ig Williams ) istory

The

nclair

WHAT:

OCTOBER 1980

POLITICAL

ACLU FALL MEMBERSHIP MEETING: Oct. 18, 7:30-9:30 om, Marygrove College. Speakers including Zolton Ferency, George Crockett, Jr. Entertainment by Finland Station. 961-4662.

CA.R.D. DEBATE ON DRAFT REGISTRATION: Oct. 23, 7:30 pm, St. Matthew 's-St. Joseph's Church, 8850 Woodward. Speakers; Brayton Harris, Asst. Dr., Selective Service and Russell Bellant, Coord.,, Greater Detroit Committee Against Registration and the Draft. IRAQI SUPPORT COMMITTEE: Needs donations for medical supplies and food. Contact Essam Al-Nami, 935-9533.

MICHIGAN CITIZENS LOBBY ANNUAL MEETING: Oct. 25, 10 am-3 pm, St Andrew's sHall, 431 Congress.

Speaker: Senate Majority leader William faust. Workshops on. Tax Proposals, Insurance, Energy and Utilities, Friend of the Court Reform.

RENT CONTROL RALLY: Oct. 18, noon-2 em, Kennedy Sq. Speakers, music, information. Sponsored b6y Detroit Tenants Union.

UAW RALLY FOR JOBS: Oct. 23, Local 174, UAW, 6495 W. Warren, Detroit. Speakers including Douglas Fraser.

NEIGHBORHOOD INFORMATION ©C CHANGE ANNUAL MEETING: Oct. 30, 7:30 pm, Cathedral Church of St Paul, 4800 Woodward. Featured speaker: Senator Carl Levin, 861-3024... -

FAMILIES

CHILDREN'S MUSEUM: 67 . Kirby, Parent-Child Workshops: Oct. 18, 10. am, Funny Faces; Oct. 25, 10 am, Story Workshop (4-7 yr. olds); Discovery Workshops: Oct. 18. 2 om, Mask Workshop; Oct. 25, 2 pm, Fun With Math (8-12 ur. olds). Reserv tions. 494-1210.

DETROIT HISTORICAL MUSEUM: 5401 Woodward, Workshop Series: Oct. 18, 10. am, Christmas Cornhusk Doll (ages 16 and up); Oct. 18, 10:30 am & 1:30 pm, Macrame (16 and up); Oct. 25, Spécial Halloween Open House, 10-3, 8339721.

INTERNATIONAL INSTITUTE: 111 ©. Hiroy, Oct. 18, 10:30 am, Ethnic Enrichment Experience (Greek cultural experiences). Make worry beads or phyllo pastry, play games and learn dances. 871-8600.

DETROIT PUBLIC LUIBRARY BRANCHES: Oct. -18, 2+ pm, Duffield Branch, Halloween Costume Workshop. Main Library, Film: The Creature from the Black Lagoon. Oct. 25, 2 pm, Bowen, Butzel, Campbell, Douglas, Edison Branches, Halloween parties.

DIA YOUTHEATRE: Soturdays, DIA Auditorium, 5200 Woodward.Oct. 18, Film/Lecture: veryone, Let's Tour Britain, 2 em. Oct. 25, musical Teddy Roosevelt, 1] am, 2 om.

MUSIC JAZZ

PEPPER ADAMS with GARY SHUNK TRIO: Oct. 16-19, Baker's Keyboard Lounge, 20510 Livernois, 864-1200.

AWAN BARNES: Oct. 17-18, 94-95 11 em, Jazz Center, 2110 Park, 962-4194; Oct. 19, 26, Alvin's Finer Deli Twilight Bar, 5756 Cass, 839-9355.

GENE BROWN, SHOO-BE-DOO & FRIENDS: Oct. 29, 99, Detroit Jazz Center, 2110 Park, 962-4124. Open jam session.

ANDREA CHEOLAS JAZZ GROUP: LU-So, Sir Charles Pub, 908 N. Woodward, Royal Oak.

DIVINE SOURCE: Thursdays, Cobb's Corner, 4201 Cass, 839-7993.

BILL DOGGETT: Oct 29-929, Dummy George, 10320 W. McNichols, 3412700.

THE EXECUTIVES: Oct. 25, 9 om, Rama's of Bloomfield, 2101 S. Telegraph, Bloomfield Hills, 332-9937.

FABULOUS IMPERIALS: Oct. 19, 18, Blue Parrot Bar and Grill, 29111 Northwestern Hwy., Southfield, 357-4067.

FOUR SIGHT: Sundays, Cobb's Corner, 4201 Cass, 832-7223.

AL HEINTZLEMAN DUO: Oct. 17-18, 24, Union St Teo, 4145 Woodward, 8313965.

WOODY HERMAN and his THUNDERING HERD: Oct. 17, 9 om, Roma's of

Bloomfield, -2101 S. Telegraph, Bloomfield Hills, 329-9937.

GEORGE HIGGINS: Wednesdays, The Gnome, 4124 Woodward, 833-0120.

INSIDE/OUTSIDE BAND: Oct. 19, 8 pm, Madison Theatre, -20 Witherell, 9610687. Benefit for the Detroit Jazz Center.

MARTINI: Oct. 28, Delta Lady, 29628 Woodward, Ferndale, 545-5483BOBBY McDONALD and FRIENDS: Oct. 20, 27, Alvin's Finer Deli Twilight Bor, 5756 Cass, 839-9355.

MISCHIEF: Oct. 24-95 Delta Lady, 99628 Woodward, Ferndale, 545-5483. MOTOR CITY JAZZ QUARTET: Oct. 16, 23, 30, 10 em, Detroit Jazz Center, 2110 Park, 962-4194.

GILEEN ORR TRIO:.Fridavs & Saturdays, The Gnome, 4124 Woodward, 8330120.

PARADE: Oct. 17-18, Union St. |, 15016 Mack, Grosse Pte., 331-0018.

LES PAUL: Thursdays, The Gnome, 4124 Woodward, 833-0190.

PIONEER JAZZ ORCHESTRA: Oct. 26, Detroit Jazz Center, 2110 Park, 9694124. A tribute to Murray Jackson, Chairman of the Detroit Council of the Arts.

PLATINUM FORCE: Mondays, Cobb's Corner, 4701 Cass, 832-7293.

MARY ROBERTS/RALPH KOZIERSKI: Sundays, The Gnome, 4194 Woodward, 833-0120.

CHRIS RUTKOWSHI: Oct. 16, 23, Union St. Too, 4145 Woodward, 831-3965.

HAPPENIN

CHUCK BERRY, born October 18, 1926

LEARNING

ADMINISTRATIVE LAW SKILLS SEMINAR: Oct. 24, 8 am-5 pm, Plaza Center Hotel, 125 W. Michigan, Lansing. Speakers including Zolton fFerency, (517)3726850.

IGHT ANNUAL TRANSACTIONAL ANALYSIS CONFERENCE: Oct. 99-Nov. 2, Marriott Inn, Ann Arbor. Speakers, workshops, etc. 496-9336.

COMPUTER MART/MARYGROVE - COLLEGE DIV.. OF CONTINUING D.: 8425 W. McNichols, 48221, 862-8000 Ext.240. Courses: Computer Basics/Hardware (Oct. 22), Computer Basics/Software (Oct. 21), Management Computer Concepts (Oct. 93), fortran (Oct. 20), Pascal (Oct. 90), Systems Analysis (Oct. 20), 6502 Microprocessor Programming (Oct. 25). Begin on dates indicated. Some courses meet at Computer Mart Conference Center, Clawson. at =

FOCUS ON WOMEN PROGRAM: Henry Ford Community College, 5101 Evergreen Rd., Dearborn, 271-2750 Ext.331. Project for displaced homemakers including human potential seminars and career exploration workshops. No fee, but must be eligible. Call 445-7429 or 286-21 36 to determine eligibility.

JAZZ STUDIES PROGRAM: Begins Oct. 20, Detroit Jazz Center, 2110 Park.Courses in all areas of jazz performance and composition. Register 5-8 em now through Oct. 20.

JOHN BROWN CENTER FOR SOCIAL LEARNING: PO Box 15949 48915. Courses: Toft-Hartley (Oct. 16), Revolution and Reaction (Oct. #16), Which Side Are You On? (Oct. 18) and Last Hired, First Fired (Oct. 18). Begin on indicated dates.

SCHOOLCRAFT COLLEGE WOMEN S RESOURCE CENTER: 18600 Haggerty Rd., Livonia, 591-6400 xt.430. Workshops: Clarifying Intimate Relationships (Oct. 25), Building Child's Self Esteem (Oct. 27), New Horizons (Oct. 30).

UNIVERSITY COURSES IN ADULT EDUCATION: Rackham Memorial, 5774665. Workshops: Making Political Institutions Work For You Oct. 25), Nature Photography (Oct. 23), Calligraphy (Oct. 18, 25), Cats at the Detroit Zoo (Oct. 18), Book Repair (Oct. 95), First Aid (Oct. 25). Courses: The Western Mind and Civilization (Oct. 29). Begin on indicated dates.

BENEFITS

DETROIT ROCKS FOR JAZZ: Oct. 19,8 em, Madison Theatre, 20 Witherell. Concert by Mitch Ryder Band, The Torpedoes, and the Inside-Outside Band. Benefits the Detroit Jozz Center.

DETROIT HISTORICAL SOCIETY GUILD AUCTION: Oct. 18, Somerset Mall, Troy. Benefits Museum's Costume Corridor Area, 833-7935.

SUN RA AND HIS FAMOUS ARKESTAA: Oct. 24, 7 & 9:30 em, DIA Recital Hall, 839-9730.

SUSKIND & WEINBERG: Oct. 29, Union St. Too, 4145 Woodward, 831-3965.

DON SWINDELL QUINTET: Oct. 24-95, Cafe Detroit, 87 W. Palmer, 831-8821.

JAMES TATUM TRIO PLUS: Oct. 25, 8 om, UJSU Community Arts Aud., 598-5337 or 494-1309.

TWINKLE BAND: Oct. 94-95, Union St | 15016 Mack, Grosse Pte., 331-0018.

LYMAN WOODWARD: fridays and Saturdays, Cobb's Corner, 4201 Cass, 832-7223. Thursdays, Soup Kitchen Saloon, 1585 Franklin, 259-1374.

BLUES

BIG MOUTH BLUES BAND: Oct. 29-30, Delta Lady, 22628 Woodward, Ferndale, 545-5483.

BLUE FRONT PERSUADERS: Sundays, Soup Hitchen Saloon, 1585 Franklin, 959-1374.

DETROIT BLUES BAND: Oct. 17-18, Lilis, 2930 Jacob, Hamtramck, 875-6555. Oct. 23-95," Kegabrew, 17322 Haroer, 343-9558. Oct. 30, Alvin's Finer Deli Twilight Bar, 5756 Cass, 832-9355.

EDDIE BURNS BLUES BAND: Oct. 17-19, 96, Delta Lady, 229628 Woodward, Ferndale. Oct. 24-95, Alvin's Finer Deli Twilight Bar, 5756 Cass, 839-2358.

KOKO TAYLOR & HER BLUES MACHINE: Oct. 17-18, Soup Hitchen Saloon, 1585 Franklin, 259-1374.

LUTHER ALUSON: Oct. 24-95 Soup Hitchen Saloon, 1585 franklin, 2591374.

PROGRESSIVE BLUES BAND: Mondays & Tuesdays, Blue Parrot Bar and Grill, 99121 Northwestern Huy, 357-4067.

MICH. OPERA THEATRE, PUB CRAWL: Oct. 30, 6 pm, busses throughout downtown carry memy makers from pub to pub. Benefits MOLT., 963-3717

13TH ANNUAL WOMEN'S ANTIQUE SHOW: Oct. 17-19, Fr. 5-10 om, Sanoon10. em, Su noon to 5 em. Masonic Temple, 986 Ouellette, Windsor. Benefits Windsor Symphony.

LECTURES

LAWRENCE

INSTITUTE OF TECHNNOLOGY: Oct. 23, 7:30 pm. Patrick Harsburgh, Thalatecture (building on water) 356-0200.

LAWRENCE INSTITUTE OF TECHNOLOGY: Design lecture series, Oct. 21, 12 noon. Jim Babcock Detroit in Three Centuries; Oct. 28, 12 noon, Bill Peck, Excavating an Eqyptian Temple.

"DETROIT HISTORICAL MUSEUM: 5401

Woodward, 833-1805. Thomas Brunk, American Art Pottery A_ Historical Interview with Emphasis on Pewabic,

MICHIGAN SOCIETY OF ARCHITECTS: Oct. 16, 2-5 pm, Hyatt Regency, Don., Brent Anderson, Underground Space, Center, arth Sheltered Construction: Solving Tomorrow's Energy Needs, 9654100.

ISAIAH ROSS: Oct. 30, 8 pm)

DA. Rackham Auditorium, Ann Arbor, sponsored by U of M Institute of Gerontology, 764-3493.

Luther Allison, Soup Kitchen Saloon, Oct. 24-95 23).-8 om; Rackham Auditorium, Ann Arbor, sponsored by U of M Institute of

SIPPIE WALWACE: Oct Gerontology, 764-3493.

ROCK

ADRENAUN: Oct. 23-95, Motor City Showcase, 12841 : McNichols, 5219205.

ALMIGHTY STRUT/KNUCHLES: Oct. 1618, Harpo's, 14238 Harper, 832-6400. Oct. 24-95, Main Act, 17580 Frazho, Roseville, 778-8150.

AATIST: Oct. 29-96, Papillon Ballroom, ford & Telegraph, Don., 278-0078. Oct. 29, Main Act, 17580 Frazho, Roseville, 778-8150.

ASIA: Tuesdays thru Saturdays, Imperial Lanes, 44650 Garfield, Mt Clemens, 286-8700.

continued on page 12

17580 Frazho, ele 778-8150. 15-18, Motor City "1981 NO 591- eiitacese 9905.

~

COWWATER: Fior''s Lounge, 37125 Van ~ D Je, Sterling Heights, 264-5269.

DALAN: Oct. 16-18, 99-95, Inn Between, 3270 W. Huron, Pontiac, 689-5690.

FOX: Oct. 21-26, Jaggers, 3481 Elizabeth Lake Rd, Pontiac, 681-1700.

| JOHN & MARY: Oct. 19, Inn Between, 3270 W. Huron, Pontiac, 682-5690.

KILROY: Oct. 21-22, Kegabrew, 17392. - Harper, 343-9558.-

| THE LOOK: Oc 17-18, ae

- Ballroom, ford Telegraph, Don., 2780078. Oct. 28, Jaggers, 3481 Elizabeth Lake Rd., Pontiac, 681-1700.

MILLERS KILLERS: Oct. 17-18, Piper's Alley, 18696 Mack, Grosse Pointe, 8859130

MORIAH: Oct. 27-30, Tolen Lounge. 28949 Joy, Westland, 261 -9640.

MUGSY: Oct 16-19, Jaggers, 3481

Elizabeth Loke Rd., Pontiac, 681-1700.

NIGHTHAWK: Oct. 99-93, Main Act, 17580 Frazho, Roseville, 681-1 700.

TOM POWERS: Oct, 26-28, Piper's Alley, Grosse Pte., 885-9130. n Between, 3270 UJ. Huron, 682-5690.

19-20, le Lounge, Westland, ao! -9640.

Rockpile, Harpo's, Nov. 16

ROCK BOTTOM: Oct. 24-95, Piper's Alley, 18696 Mack, Grosse Pte., 885- 9130.

ROCK SQUAD: Oct. 16-18, Danto s, 1934 Mile, 596-9450.

MITCH RYDER: Oct. 19, Madison Theatre, 20 Witherell, 962-0687. Benefit for the Detroit Jazz Center.

SCOTCH: Oc. gi--26, Token. Lounge,

SPRINGER & EBERSOLE: Oct. 20-21, 2698, Inn Between, 3270 W. Huron, Pontiac, 682-5690.

STAGE: Oct. 16, 19, Papillon Ballroom, Ford Telegraph, Don., 278-0078.

STROKE: Oct. 16-18, Kegabrew, 17322 Harper, 343-9558.

TEEN ANGELS: Oct. 26, Main Act, 17580 Frazho, Roseville, 778-8150.

TOBY REDD: Oct. 27-28, Motor city Showcase, 12841 McNichols, 591- eos

WHAT'S

OCTOBER 1980

VALENTINE: Oct. 16-18, oe Lounge, 28949 Joy, Westland, 961-9640.

NEW WAVE

AJAX BAND: Oct. 28, Red Carpet Lounge

ART IN AMERICA: Oct. 17-18, The Bowery.ANIMAL HOUSE: Oct. 26, Bookies.

BOB: Oct. 17-18, Nunzio 's.

COLDCOCH: Oct. 18, Bookies.

CRAZY LYNN: Oct. 21, The Bowery.

CUBES: Oct. 24-25, The Bowery.

CULT HEROES: Oct. 17, Bookies. Oct. 2495, Alltier's.

DESTROY ALL -MONSTERS: Ode 725; Bookies.

DETROIT PUPPETS: Oct. 23, Nunzio s.

EXCITEABLES: Oct 29, Red Carpet Lounge.

FBI: Oct, 16, Nunzio s. Oct. 23, Red Carpet Lounge.

FREAKS: Oct. 19, Bookies.

HANDS OFF: Oct. 28, Red Carpet - Lounge.

HARD CORE: Cct. 28, Red Carpet Lounge.

HEAVEN SEVENTEEN: Oct. 26, Bookies.

HOI PALLOI: Oct. 29-93, The Bowery. Oct. 29, Red Carpet Lounge.

HOUSEROCKERS TONIGHT: Oct. 21-22. Red Carpet Lounge. -

THE JOHNNY'S: Oct. 19, Bookies. Oct. 98-99, The Bowery.

©, KICKS: Oct. 16-18, Red Carpet Lounge.

LORDS: Oct. 30, Red Carpet Lounge.

MOTOR CITY ROCKERS: Oct. 17-18, Red Carpet Lounge:

NATASHA: Oct. 23, Red Carpet Lounge.

NORTH: Oct. 16. Nunzio s.

PEDESTRIAN: Oct 30, Nunzio sS

RAGNAR KVARAN GROUP: Oct. 17-18, The Bowery.

RAY-BEATS: Oct. 24, Bookies.

RESISTORS: Oct. 24-95, Altier's.

ROOMATES: Oct. 17-18, Alltier s.

ROUGH CUT: Oct. 17-18. Red Carpet Lounge.

SECRETS: Oct. 22, Bookies.

THE SHAKE: Oct. 23, Bookies.

SILUES: Oct. 30, Red Carpet Lounge.

SLANT SIX: Oct. 29, Bookies.

STINGRAYS: Oct. 16, Red Carpet Lounge.

STATE: Oct. 17-18, Nunzio s.

STRANGERS: Oct 98, Red Carpet Lounge.

33 @ECT: Oct. 30, Nunzio's.

VICTIM EVES: Oct. 18, filtier's.

ZIPPERS: Oct. 16, The Bowery.

CUB DIRECTORY: NEW WAVE

ALTIER'S: 3965 N. Woodward, 831- 8070.

BOOKIES': 870 UW. Md\Nichols,* 862- 0877.

HAPPENIN:

DIZZY GILLESPIE, born October 21, 1917

Bowery: 10200 Conant, Hamtramck, 871- 1503. _ NUNZIO'S: 1800 Southfield, ein Pork, 383-3121.

- RED CARPET LOUNGE: Warren, 885-9881. COUNTRY 16245

a CAPTAIN LEWIS and the BULL ROPER BAND: Oct. 17-18, 24-95, All Around Bor,25621 Ecorse, Taylor, 292.6838.

CROSS COUNTRY: Fridays & Saturdays, Tollgate Restaurant, 330 Fairlane Town Center, Don., 593-0600.

RON GREY & PARTNER: Mondays Tuesdays, Sir Charles Pub, 908 N. Woodward, Royal Ook, 541-9593.

FERLIN HUSKY: Oct. 19, Main Act, 17580 Frazho, Roseville, 778-8150.

LEGEND: Doug's Body Shop, 29061 Woodward, Ferndale, 399-1040.

JACK SCOTT and BOB SNYDER: Wednes-days thru Sunday, Son of Crazy Horse Saloon, 11777 Mile, eee 774-4800.

PEABO BRYSON: Oct. 23, 90 Grand, 3067. Grond Blvd, 873-1100. THE DEUS: Oc. 9396, UWotts Club

GLADYS KNIGHT and the PIPS: Oct. 17, 8 em, Ford Auditorium, 969-2940.

MAD ANTHONY: Oct. 90-91, Watts Club Mozambique, 8406 Fenkell, 864-0240.

LOU RAWLS: Oct. 19, 10& 12:30 em, 20 Grand, 3067 Grand Bivd., 873-1100: Bossy RUSH/| FRESH BLEND: Oct. 17-19, 9 pm, Ethel s Lounge, 7341 Mack Ave.., 929-9443, URBATIONS: Oct. 23, Alvin's Finer Deli Twilight Bar, 5756 Cass, 839-9355.

CLASSICAL

BAROQUE BISTRO: Thursdays, 7:30 & 9:30 pm, DIA Crystal Gallery. Oct. 16, - Ensemble for Early Music; Oct. 23, Early Music Vocal Quartet w/ harpsichord; Oct. =50: Musicke of Sundrie Kindes, 8322730.

MALCOLM BILSON: Pionist, Oct. 18, 8:30 em, DIA Recital Hall, 5200 Woodward, 839.9730.

BRUNCH WITH BACH: Sundays, 10 & 11:30 am,.DIA Crystal Gallery. Oct. 19, nsemble~ for orly- Music; Oct. 26, Renaissance Brass Quintet. 832-9730.

CONCERT LA CARTE: Oct. 20, 8:30 pm, Thomas Citrin, recorder and baroque flute, and Daniel Jencki, harpsichord: and baroque harp. Oct. 27, Micha Rachlevsky, violin, David Saltzman, cello, and Julius Chaies, piano. At Tweeny's Cofe, 280 N. Woodward, Birmingham. Concerts follow dining. 851-8934.

DETROIT FLUTE ASSOCIATION: Master class in orchestra excerpts, with Per Oien, Norwegian flutist, Oct. 19, 3:30 =e

Christina Lepedry), Oct. 24 pm, Dearborn Christian Church, 922 N. BeechDaly, Don., 476-6907.

DETROIT SYMPHONY ORCHESTARA: Sir Clifford Curzon, soloist, Oct. 16, 8:30 pm; Oct. 17, 10:45 am; Oct. 18, ae oe 962-5594.

DETROIT SYMPHONY ORCHESTRA:

Werner Klemperer, narrator, Brenda Quilling, soprano. All Beethoven ago. Oct. 23-25, 8:30 pm. 9625524.

SYMPHONY: Oct. 26, Rachlevsky, David Saltzman, soloists. Jewish Community Center, 6600 W. Maple, W. Bloomfield, 661- 1000 Ext. 250.

MACOMB COLLEGE SYMPHONY: Oct. Community College, 12 Mile and Haves, Warren. Ukrainian music program: Christina Lyeckyj, soloist, plus Echos of Ukraine Dance Ensemble. 455-7456.

MARIA MEREILLES: Oct. 19, 3 om; Oct. Orchestra Hall, 3711 Woodward, 8333700. Brazilian pianist performs complete Beethoven piane concertos.

corny, and it surpise when the movie fails

possibilitiesof cinema. Rowland Gloria Ts both unflinching, murderous gangster and protective, selFsacrificing mother to Puerto Rican boy wanted by the mob. In their other masterpiece, Woman Under the Influence, this duo showed what happens to woman bamboozled by her environment; here, we. have @-tough, gutsy woman overcoming the barless prison of the ganguorld. The real

EMPIRE STRIKES BACK. a) Not a movie, supermarket containing this year's del of the fantasy merchandise that marvel watching what happens to Gloria,as Rowlands timidly, clumsily unlocks a human being from inside frightened animal.. John os" George Lucas peddling for big bucks. Lucas is super-salesman who is the first director to market complete mythology which nothing but collection of old values which are surefir sellers, depicted almost entirely inaseries re rip-offs from every era of rican B-movie. history. This time around, Ar lucas has added Billy Dee Williams (aecjerss. belated realization thot black audiences may Adames, as the boy, is often offkey, buteven his unbelievable precociousness works opposite Rowland's hard-bitten callousness to create a bizare saeen relationship -of surprising intensity. Cassavetes hits hard and without Warning danger rises often out of nowhere, without warning swells music to create an often unbearable tension. truly unusual ap and easily the best of the current

doesenactedby Renato and Albin, the owner and stor, respectively, of french transvestite nightclub show. If Laurel and Hardy were gay, this would be the movie they'd make. Outrageous, hilarious, and rich with clever teversals, la Cage is the first subtitled cult movie to have its director (Edouard Molinaro) nominated for an Oscar for best director. Bring limp usrists. (Punch Judy, Oct. 16-18.)

team loves contest

LOVING COUPLES. With Shirley MacLaine, James Coburn, Solly Kellerman, @tc., this tag looks like the annual remake of Bob & Carol Ted Alice. What could be duller thon wat hing: bedhopping omong. the jet set? (Opens Cet. 24.)

THE LOWER DEPTHS. Kurosawa radaptation of Maxim Gorky novel released in the same year (1957) as his adaptation of Macbeth. With Toshiru Mifune and Isuzu Yamada Lady Macbeth Throne of Blood.) (Detroit Film Theatre, Oct. 26, 7:30 pm only.) to fall io easy ONSWErS.

the Air (1906, USA), Oct. 16-19. Films of ie 190219): The Ome dee The each day).

eae Melies and Ferdinand Zecca (France, Dott (1993, France), Oct 90.Nov. 9(1pmonly

DONT loon Now. Nes one hos foiled to be

lea not go for saga about cd young white god fighting Darth Vader, the Dark One. The Star Wars serialization is not only an inexcusable, inflation of the trend toward sequels, butitisa futuristic story that says more about our own future as an audience ignorant of cultural history ready to be duped for oy sort of spectacular satisfaction.

GLORIA. (8) In this spellbinding little gemofa gangster movie, Gena Rowlands (perhaps our most ignored firstclass actress) and director John Cassavetes (perhaps America s finest fittle-+known director) stretch to the limit our capacity to tolerate contradictory extremes of - human emotion, concocting stylish, brutal film of such tenderhearted toughness that we. with new appreciation of the crop. THE GREAT SANTINI. (2) Scripted like TV situation comedy, The Great Santini would be of absolutely no interest without Robert Duvall. With him, it's, at rare moments passable character study of domestic basic training at the hands of gung-ho daddy. But who can believe Marine so flipped out on machismo that he calls his. children hogs, awokens them in drill-sergeant precision at a.m., and repeatedly throws basketball off his son's head when he beats daddy at oneon-one? Much less work up sympathy for this jerk, which what the filmmakers scratch for with a phony maudlin ending. Actually a recycled flop from three years back, The Great Santini sample of what we can expect the.

commercial theaters to poss off as first run while movie production is delayed due to the actors strike. GREED. (9) All that remains of Gich von Stroheim's nine-hour silent masterpiece is 110 minutes of surprisingly exciting Western melodrama. What happens to smalltown dentist McTeague when he becomes goldcrazy is the classic film obsession, elements of which dementia were later used by dozensof directors. Technical restraints limited great director like von Stroheim in 1923, but Greed is fascinating not just because shows the inventiveness of director copable of using

- still remains today satisfying, taining story. With John Muri sparkling aN accompaniment. heatre, Oct. 18, 7:009:30.)

(Detroit Film

ANIMATION. film expert _comments person on from his own and others!

NOSFERATU. (5) Werner Herzog s remake of the Dracula story is slovishly faithful to the 1920s German original, which mokes it better than any of the intervening adaptations. Klaus Hinski is not that kind of cleaned-up Hollywood vampire You'd swoon over on blind date, but is truly clammy and creepy. Trouble is, the film is as cold and lifeless as its villain, directed as Herzog was hypnotized by his subject matter. (Punch Judy, Oct. 29-95.)

ONE TRICK PONY. You've already heard the music from. the soundtrack album, which indicates that Paul Simon has found new life. Simon can write screenplay as well as he wrote songs 15 years ago. movie audiences will be feelin groovy. (Opens Oct. 24.)

Film aie at Marentctte. Oct, 28, 8 pm, 255- 3570.)

NIGHTCAP WITH MOZART: Oct. 17, 11 em, Thomas Citrin, recorder and baroque Flute and Daniel Jencka, harpsichord and baroque harp. Oct. 24, Micha Rachlevsky, violin, David Saltzman, cello and Julius Chajes, piano. At Birmingham, Unitarian Church, 651 Woodward, Birmingham 851-8934.

OAK PARK CIVIC CHORUS: Mondays, 7:30 pm, Oak Park High School, 968- 1074.

S'WONDERFUL A GERSHWIN Arts Deet., Mich. Lyric Opera for a Song Series, Jewish Community Center, 6600 W. Maple, Bloomfield, 661-1000 &t. 250. BORDERLINE: Oct. 26, a Creek Sandwich Theatre, ee, Nicha ee Ground: 94, pm, Student Union Aud., Macomb

KAREN BOUCHARD: Srcys Uni 1, 15016 Mack, Grosse Pte. BILL CARTER: Fridays, 5-8 em, Gri N. Saginaw, Pontiac, 334-7651. RICH and

929, em; Oct. 26, em; Oct. 29, pm, - THE MAINERS/THE SINCLAIR TRIO: Oct.

SONGBOOK: Oct. 25, 8 pm, JCC Cultural THE CELTIC SOUND 10905 645-1173.

CASSATT IMPRESSIONIST Donald Sutherland and Mey Tyler Moore, freed at last from the boob tube. THE PICTURE SHOW MAN. 1977 Australian comedy about a troupe of touring film> ibitors who crisscross the remote outback the: '20s. Aee develops between

PHILADELPHIA and GEORGIA O'KEEFE. short films about American women artists Miller -Adato, the terribly clutter ee hopefulsi

MEMORIES. (2) You're just the New York Times on Sunday mornings, us with pleasant meror

seen (I decided to boycott after reading the

- PRIVATE BENJAMIN. Goldie Hawn joins the army, which is perhaps the best Lue transcan __ happen to: them both. a YM HERE IN TIME. Box office boffo on Island, where it was. shot, nably after studio hands swept up the ete could fudgeitand say! that Chris Reeves is super as he fli¢s back through the century to meet his fantasy love, but haven'tfilmmakers actually brought caron ne Bein) to shoot one scene).

THE MAN WHO FELL TO: EARTH. 20 minutes have been restored to this ultimate Nicolas Roeg look at clash of cultures, with David Bowie as the interplanetary refugee, but the extra footage doesn't change much about movie which many people have found to be mess and minority has acclaimed as brillant. See for yourself. (Detroit Film beac; Oct. 25, 7&9 pm.)

THE MAN YOU LOVED TO HATE. Documentary look at director Erich von Stroheim, released eae (Detroit Film Theatre, Oct. 17,

this Year under the direction of Patrick

HAPPENIN

MELBA MOORE, born October 29, 1945

MUSIC

RMA HENDERSON MUSIC TRIBUTE: Oct. 25, New Bethel Baptist Church, 8430 Linwood. Concert by Gospel Music Workshop Association, 579-2888.

ROBIN FLOWER, NANCY VOGL, BARBARA HIGBEE: Oct. 17, 8 pm, Central United Methodist Church, 23 . Adams, 869-4045. Women only. Child care provided.

PAT McDUNN and THE GAILS: Tuesdays & Saturdays, 9 em, Alden s Alley, 316. Main, Royal Oak, 545-S000. Irish music.

OPEN STAGE: Oct. 27, 7 em, Punch and Judy Theatre, 21 Kercheval, Grosse Pte. Farms, 881-4510. Auditions Oct. 19,11 am4 pm.

SHANDAR & HIS GYPSIES: Oct. 16, 9:30 em, Alvin's Finer Twilight Bar, 5756 Cass, 839-9355.

TALENT NIGHT: Tuesdays, Union St. 1, 15016 Mack, Grosse Pte., 351-0018.

DANCE

CLIFFORD FEARS DANCE THEATRE: Evening classes starting for children and adults, 294-0894.

FESTIVAL DANCERS: Oct. 19, Carnival of

the. Animals, at Jewish Community Center, 6600 W. Maple, LW. Bloomfield, 661-1000 Ext. 250.

FOLK DANCE CLUB OF WSU: fridays, International Folk Dancing, open to public, 246 Old Main, WSU, 577-4273.

LAR LUBOVITCH DANCE CO.: Oct. 28-29, 8 em, Power Center, U of M, Ann Arbor, 763-5460.

MIDWEST DANCE CENTER: Beginning Oct. 27, SixtWeek Mini-Courses_ in Dance, Mime and Circus Techniques, children and adults, 545-8055.

OAKLAND UNIV. SCHOOL OF PERFORMINGARTS, Dept of Dance: Oct. 19, 4.6m, lecture-demonstration by Edward Villela and members of NY City Ballet School, 377-3016.

RICARDEAU DANCERS: Oct. 17-18, will perform square dances for Wyandotte October Fest, 985-71 15.

LITERARY

DETROIT PUBLIC LIBRARY: 520) Woodward, 8334048 for more. info., Oct 24, Rare Book and Manuscript Auction & Sale, evening; Oct. 25, Antiquarian Book Fair, 9:30 am-5:30 pm. Seminars for book collectors, booths for area dealers. Through Oct. 26, Chips from the Alternative Press, 1969-1980: A Retrospective.

DETROIT INSTITUTE OF ARTS: 5200 Woodward, lines: New American Poetry at the DIA, series opens Oct. 30° with poetry reading by Robert Creeley; 3 em informal talk, Holley Room; 7:30 pm, reading, Lecture Hall.

EASTERN MICHIGAN UNIV.: Goodison Lounge, Oct. 28, 7:30 em, reading by Herbert Scott and Lamy Smith.

FREEZER THEATRE: 3958 Cass, 8334215 for more info. Sundays-12-2 pm, open readings and discussion.

GUILD HOUSE: 802 Monroe, Ann Arbor, October 16, 7:30 em, readings by Lawrence Goldstein and David Victor.. 764-8093 (days) for more info.

OAKLAND UNIVERSITY: 19th Annual Craftsmanship of Creative Writing Conference, Oct. 24-95, workshops, panels and lectures, 377-3272 for more -info. Co-sponsored by Detroit Women Writers and Oakland Univ. Dept. of Continuing Education.

POETRY RESOURCE CENTER: PO Box 1322, Southfield 48075, publishes a monthly newsletter for poets and authors statewide, also Mich. Small Press Directory. Contact above address for more info.

WOMEN'S LIBERATION COALITION: Presents lesbian-feminist writer Jan Raymond in a talk "The Fire of Female Friendship, Oct. 22, 7:30 pm, Hilberry

Lounge, Student Center Bldg., WSU, child care available, 381-3550 for more info.

AIRWAVES

FOLK FESTIVAL DETROIT: Saturdays, 11 am-1 pm, Oct. 18, Dean Rutledge, Joe Vermilion, Jemy Stormer and Harmonica Bruce perform live folk music on this new show. WDE T, 101.9 FM.

WABX ALL-REQUEST WEEKEND: Oct. 1819. They play what you say at 2986060,543-9299.

WDE T-FM PLEDGE PERIOD: Begins Oct. 19, 5pm; 24-hour programming until Oct. 27, 6 am. Will include special events. live music all day, Oct. 18. Live broadcasts from Detroit Press Club, Oct. 20-95.

WOMAN TO WOMAN: Oct. 19; 2:30pm, a victim of toxic shock syndrome shares her experiences. WXYZ, Channel 7.

- FROM JUMPSTREET A STORY OF 6:30 pm, BLACK MUSIC: Sundays, Tuesdays 2 em, Oct. 19, 21: The Blues: Country Meets City. Oct 26, 28: "The - West African Heritage. WTVS, Channel 56.

KELLY G& COMPANY: Oct. 21,9 am. Feminist writer Letty Pobegrin discusses how child rearing practices must change in the 80s; senior editor Hayden Cameron reveals the truth about The

National Enquirer. WXYZ-TV, Channe! 7. PM MAGAZINE: Oct. 21, 7 om. A grove of fifth-grade girls who have formed a feminist club is interviewed; a visit to a new games festival. WWBH, Channel 2.

ULTIMATE ROCKTOBERFEST: Oct. 26. From its golden vaults, a collage of live tapes for your listening pleasure. WABX 99.5 FM.

PRIDE AND PREJUDICE: Begins Oct. 26, 10 em on Masterpiece Theatre (with repeat Oct. 30, 11:30 om).WTVS, Channel 56.

HOMEGROWN SHOW: Mondays, 12 midnight. Local rock talent gets a chance. WUWJWU, 106 FM.

NOT FOR MUSICIANS ONLY: Sundays, 11:30 pm. Host Carl Coffey talks with people involved in all facets of thé music biz. Charlie Martin, former Seger drummer, co-hosts. WRIF, 101 FM.

PRISONER: CELL BLOCK H: MF, 11 om. intellectual soap from Australia has attracted a cult following for its realistic portrayals of women in prison. WHBD, Channel 50.

SPOATS WITH EU ZARET: MF, 6, 7:30, 8 am, 5:15 em. Our sports: pundit knows all, tells al WRI, 101 FM. W4 PLAY: Sundays, 11 ommidnight, an hour of alternative new music, commercial free, WWW, 106 FM. -

839-8000

SPECIAL

Here is a sampling of items from.our famous (but humble) Wubzee menu SALAD AND MARQUERTEAS POR TWO Ge ae ee 5.25

Quacamole, corn chips and a and a pitcher of Marqueritas.

LET S GO BOTANOS!...... 3.45

Corn chips w/beans, melted cheese, onions, green peppers and tomatoes.

ONION SOUP erates 1.75

Oven-baked so good you'll cry.

GHEESE CRISE nics

Flour tortilla w/melted cheese, hot peppers on top.

MEXICAN PIZZA ....

Our own spicy ground beef, onions, green peppers, tomatoes, taco sauce and cheese.

VEGETARIAN PIZZA

A vegsie s delight; fresh vegetables, blend of cheeses, baked on a rich wholewheat crust, walnuts. HAMBURGER aneear 1.90

One-third pound ground round.

MONDAY COWBOY NIGHT 70C BEER TUESDAY

PITCHER NIGHT $2.75

WED. LADIES NIGHT 2 for 1 unescorted THURSDAY KAMIKAZE NIGHT RIGHT SIDE UP UPSIDE DOWN. FFRIDAY

Fish Special $2.95SATURDAY

SANGRIA SAT. $4 w/cornchips

SUNDAY

Family Day 10% off. entire bill

OCTOBER 1980

ONSTAGE

ATTIC THEATRE: 525 . Lafayette, 9637789, thru Oct, Marsha Norman's Getting Out, Th, F, Su8 om; Sad689 pm, An Evening at the Paradise, a new wave love story, F-Sa midnights.

ACTORS RENAISSANCE THEATRE: Ren Cen, btw. Tower 200 & 300, 568-2525, opening Oct. 16, Tennessee Williams Cat on a Hot Tin Roof, Tu, Th, Sa 8 pm; extended thru Oct., Sizwe Bansi is Dead. W, F, Su 8 pm.

ALFRED'S DINNER THEATRE: 2475 LW. Big Beaver, Troy, 643-8865, thru Oct, Neil Simon's Chapter Two.

CRANBROOK PM: lone Pine Pd., Bloomfield Hills, 645-3635, Oct. 27, 8 em, Forum on the future of Theatre in Detroit, featuring speakers from the Attic Theatre, Wayne State, Music Hall, Alfred's Dinner Theatre and Oakland University.

EASTLAND DINNER THEATRE: Stouffer's astland, 18000 Vernier, St. Clair Shores, 371-8410, thru Oct. 25, Superman, F-Sa 7 em.

FISHER THEATRE: Fisher Bldg. 8721000, thru Oct. Neil Simon's They're Playing Our Song, Tu-Sa 8 pm, Sa-Su 2 em, Su 7:30 pm.

GEORGIAN INN: 31327 Gratiot, Roseville, 288-0450, thru Oct, Herb Gardner's A Thousand Clowns.

HENRY FORD MUSEUM THEATRE: Ghost

Train, Oct. 271-1976.

HIGHLAND PH. COMM. COLLEGE: Gershwin's Porgy and Bess, Oct. 17-19, 8 pm, HPCC Auditorium, Glendale at Third, Highland Park, 956-0577.

MR. MAC'S STABLE: Parklane Tower, Don., 288-0450, thru Oct., Luv.

MICHIGAN OPERA THEATRE: Music Hall, 963-7680, Oct. 17-18 Mozart's Don Giovanni, in English, 8:30 pm; Oct 24 Verdi's Rigoletto, in Italian; Oct 26, 29, 31 Verdi's Rigoletto, in English.

MICHIGAN LYRIC OPERA: Aaron De Roy Theatre, Jewish Community Center, 543-2036, Oct. 25, 8:30 pm, AGershwin Songbook, for a song series. 17:18, 2425, 8:30 pm, _THE THEATRE COMPANY: University of Detroit, 4001 W: McNichols, 927-1 Oct. 17-18, 24-95, 8:30 pm, Arthur Schnitzler's sexual comedy La Ronde.

UNIVERSITY PLAYERS: University of Windsor, ssex Hall, Windsor, (519) 9534565, Oct. 16-18, Waltz of the Toreodors.

WAYNE STATE UNIVERSITY THEATRE

DEPT.: Hilbery Theatre, Cass at Hancock, 577-2972, opening Oct. 17, Macbeth, Oct. 92 Macbeth (2 om matinee), Oct 23 Wild Oats, Oct 24

Love's Labors Lost, Oct. 25 Macbeth, all at 8:30 em, Oct. 28 Macbeth (2 pm matinee); Bonstelle Theatre, 3494 Woodward, 577-2960, Oct. 17-19

Native Son, F-Sa 8:30 pm, Su 2 pm; Studio Theatre, Basement of Hilberry, 577-2972, Oct. 15-18 & Oct. 29-95 8:30

431 EAST

em, She Loves Me, a musical matinee Oct..23, 2-em.

WIN TASTERS DINNER THEATRE: 39909 Van Dyke, Sterling Hats., 2640200; thru Oct., Woody Allen's Play It Again Sam.

COMMUNITY THEATRE

AVON PLAYERS: Avon Playhouse, Washington Rd., Avon, 656-1130, Oct. 16-19, 23-96, 8 om The King and (Oct. 19, 2:30 pm show).

FOURTH ST. PLAYHOUSE: 30! LU. Fourth, Royal Oak, 543-3666, Oct. 17-19, Oct. 94-96, F-Sa 8:30 pm, Su 7:30 om, Ladies of the Alamo.

PEDDY PLAYERS, Considine Center, 8686734 or 875-5278, Oct. 23-96, Beauty and the Lonely Beast (for children of all ages).

SOUTHFIELD. CIVIC CENTER: Southfield Parks and Rec., 354-4717, Oct. 24-95, 8 em, Underneath My One Most Favorite Tree.

STAGE PRODUCTIONS: Novi Community Hall, 349-1976, Oct. 24-95, 8 em, Veronica's Room.

TROY PLAYERS: Troy Community Center, 879-1285, Oct. 17-18, 8 em, The Bat; Oct. 24-95, 8 om, A Mystery.

EXHIBITIONS

AFAO-AMERICAN MUSEUM: 1553 UU. Grand Blvd. 899-2500. Ongoing exhibits of Black Inventors, and African Art.

ANN ARBOR ART ASSOC: 117 W Liberty, Ann Arbor, 994-8004. Through Oct. 28, watercolors by lula Nestor, ceramic sculetures by James McMurray.

ARTISAN'S GALLERY: 19666 WW. 10 Mile, Southfield, 3564449. Through Oct. 31. watercolors by Van Ryan, fibre works by Laurie Fowler, pottery by Barlow Potters, THE ARTS CENTER: 125 Macomb St., Mt. Clemens, 469-8666. Through Nov. 7, 18 watercolorists.

eART GAWLERY OF WINDSOR: 445 Riverside. Dr. W., (519) 9258-7111. Through Oct. 26, Poets and Other People, drawings by Harold Town. Through Dec. 7, Children's Gallery, PreColumbian Arts ; Oct. 17-Nov. 2, CIL Art Collection; Oct. 18-Nov. 2, 1980 Cape, Dorset Print Collection (Eskimo art).

ARWIN GALLERY: 229 Grand River, W., 965-6510. Through Oct. 31, paintings by Chuang Che. - af

662-0282. Photos by

THE BLIXT GALLERY: 299 Nickels Arcade, Ann Arbvor, Wendell MacKae.

CA.D. . GALLERY: 8025 Agnes, 3311758. Soft sculpture by Robin Bishop and libidinous drawings by Janet D. Cole. Opening reception Oct. 19, 3-7, om, Oct. 19 thru Nov. 14.

CANTOR-LEMBERG: 538-N. Woodward, Birmingham, 642-6623. Through Nov. 8, mixed media construction by Ann Page.

ENTERTAINMENT CENTER

Wine Taster s Affair (Flavored with Jazz)

Every Friday 4 - 9 pm (no cover 4-7 pm)

Bring the work week to a close and unwind relax and enjoy an evening of intimate entertainment. Snack on cheese, hors d oeuvres, and sip and compare a variety of wines that will flow throughout the evening. Be entertained by the contemporary sounds of MIDNIGHT SKY. . LIVE. .on stage. Or escape to the balcony with uno, chess and backgammon.

THE PLACE 431 EAST. catering to the needs of adults. Admission is only $5 (wine, hors d oeuvres, entertainment and game sets are included with admission).

SPECIAL ADMISSION to all Blue Cross, GM, Edison, Gas, Phone Co., Bank, Postal Workers, Medical Center, City-County, State and Federal employees ($1 off with picture ID).

431 E. Congress, within the Historical St. Andrew's Scclety Building

CENTER FOR CREATIVE STUDIES: 245 . Kirby, 872-3118. Through Oct. 18, Yamasaki Gallery, photos by William ggleston. Through Oct. 31, Sarkisian: Paintings from Private and Public Collections.

CRANBROOK

Canvas,

Sarkis

INSTITUTE OF AAT: Through Oct. 26, collage. paintings by Robert Rauschenberg; The Changing paintings from private collections; photos by Aaron Siskind and Watkins ond Barnard (19th century landscapes).

CRANBROOK INSTITUTE OF SCIENCE: 500 Lone Pine, Bloomfield. Through Oct., Tangata, photos and artifacts from the Maori people of New Zealand; Our 50th Anniversary historical exhibit of the museum. 645-3210 fot more info, COACH HOUSE GAWERY: 7828 Van Dyke Place, 821-2850. Through Oct,, sculoture by Marilyn Richards, mixed media by Diane Hanna.

DETROIT ARTISTS MARKET: 1452 | Randolph, 962-0337. Through Nov. 15 sculpture and paintings by Bill Reid, paintings and drawings by Victoria Stoll, sculotures by Lois Teicher.

DETROIT FOCUS GALLERY: 1010 Beaubien, 962-9025.

DETROIT GALLERY OF CONTEMPORARY CRAFTS: 301 Fisher Bldg., 873-7888. Through Nov. 8, Clothes for the Collector,"clothing by 24 national fiber artists.

WHAT'S.

OCTOBER

, 1980

DETROIT HISTORICAL MUSEUM: 5401 Woodward, 833-1805. Through Oct., Documenting Detroit 1980," photos by Center for Creative Studies students. Ongoing exhibits.

DETROIT INSTITUTE OF THE ARTS: 5200 Woodward, 833-7900. Opening Oct. 98, Romantics to Rodin, sculpture from 19th century French sculotors. Through Nov. 18, selected works from the Permanent Collection. Through Nov. 23, Japan: Photographs. 1854-1955."

DETROIT SCIENCE CENTER: 5020 John R, 833-1892. Films: The Eruption of Mt. St. Helens and Atmos. Ongoing exhibits.

DOSSIN GREAT LAKES MUSEUM: Belle Isle, 824-3157. Through Dec., paintings by Jerry Crowley.

DREYFUSS GALLERY: 209 N. Main, Ann Arbor, 996-1787. Oct. 17-Nov. 15, Robert Blackburn's Printmaking Workshop.

DUMOUCHELLE ART GALLERY: 409 . Jefferson, 963-6255, auction Oct. 24, 7 em; Oct. 25, 11 am; Oct. 26, 12 noon. Preview show opens Oct. 17.

FEIGENSON-ROSENSTEIN GALLERY: 310 Fisher Bldg., 873-7322. Through Oct. 25, concrete sculotures by Glenn Booth.

FUNT/INSTITUTE OF AATS: 1120 © Kearsley, Flint, 234-1695. Through Oct. 26, contemporary prints from museum collections. Through Nov. 9, selections from museum contemporary collections.

GMB GALERIE INTERNATIONALE: 2610

N. Woodward, Royal Oak, 549-5970. Through Oct., paintings by Kegham Tazian, and other works..

GALERIEDE BOICOUAT: 515 Fisher Bidg., 875-799]. Through Oct., multi-cultural folk art with emphasis on textiles.

GALLERY AAT CENTER: 8831 LU.12 Mile, Lathrup Village, 557-0595. Opening Oct. 18, mixed media by Yaacov Agam. Reception for the artist Oct. 18, 8:30-11 em; Oct. 19, 2-6 em. Through Oct. 31.

GALLERY RENAISSANCE: 400 Ren Cen, 259-2577. Through Oct. 90, mixed media by Lynn Parker. Opening Oct. 24, watercolors by Johanna Haas.

GALLERY 22: 29 Long Lake, Bloomfield Hills, 642-1510. Through Oct, Contemporary Painters and Printmakers, works by 40 french and American artists from naive to abstract.

HABITAT: 28235 Southfield, Lathrup Village, 552-0515. Through Oct., Concepts In Glass, works by 11 European and American artists working in glass.

HALSTED GALLERY: 560 Woodward, Birmingham, 644-8284. Through Oct., photos by Harry Callahan.

HERITAGE ART GALLERY: 300 .N. Huron, Yesilanti, 482-9900. Through Oct. Cultural Intercourse, recent works by Brad Bleich and Martin Moreno.

HILBERRY GALLERY: 555 S. Woodward., Birmingham, 642-8250. Through Oct., paintings by Ron Gorchov.

INTERNATIONAL INSTITUTE: 111 ©. Hiroy, 871-8600. Through Oct., The

DEBATE on

Brayton Harris

Assistant Director

Selective Service Wash., D.C.

HAPPENIN

GRACE SLICK, born October 30, 1943

International Year of the Child, and exhibit of toys, dolls and folk art.

KIDD GALLERY: 107 Townsend, Birmingham, 642-3909. Through Oct. 25, Betty Parsens in Detroit, wood sculpture by the artist.

KLEIN GALLERY: 4250 N. Woodward, Royal Oak, 647-7709. Through Oct. 25, watercolors and drawings by Karen Anne Hlein.

LONDON ARTS GALLERY: 321 Fisher Bldg., 871-3606. Through Oct., 19th and 20th century art.

MEADOWBROOK ART GALLERY: Oakland Univ., Rochester, 377-3006. Through Oct. Michael Hall: Ideas*and Evolution. Works by Michael Hall, head of sculoture at Cranbrook.

MERCY COLLEGE CONFERENCE CENTER: 8200 W. Outer Dr., 592-8000. Through Oct., paintings bY Anna Walinska.

MILL GALLERY: 100 W. Commerce, Milford, 685-3937.

MORRIS GALLERY: 105 Townsend, Birmingham, 642-8812. Opening Oct. 18, paintings, watercolors and drawings by arl Kirkham.

MUCCIOU GALLERY: 51] Beaubien, 962-4700. Through Oct., paintings and sculotures by Anna Muccioli.

MULLALY GALLERY: 1025 Havnes, Birmingham, 645-2741. Through Oct., original prints by James A. Rome.

PEWABIC POTTERY: 10125 Jefferson, 829-0954. Through Oct., raku pottery by Susan and Steven Kemenyffy.

PHOTOGALLERY: Detroit Public Library, 5201 Woodward, 833-1000. Through Oct. 29, Detroit Advertising Photographers.

PITTMAN GALLERY: 300 Ren Cen, 2592935. Through Oct, mixed media paintings by Charles McGee, paintingsby Allie McGhee and other gallery artists.

PONTIAC ART CENTER: 47 Williams, Pontiac, 333-7849. Through Oct. 25, photos by Jim Zimmerman; Oct. 17, 7 em, Films: Five British Sculptors Work and Talk and Alberto Giacometti.

PYRAMID GALLERY: 240 Grand River, ., 963-9140. Through Oct., drawings by Carl Owens, original silkscreens by Romare Bearden, prints by Mathais Muleme..

RAMAYAN ARTS: 400 Ren Cen, 2596220. Through Oct. antique and contemporary arts from the Far ast.

ROSS GALLERY: 250 Martin, Birminghom, 642-7694. Through Oct, acrylics by Leon Mardiroshian.

RUBINER GALLERY: 621 S. Washington, Royal Oak, 544-2828. Through Oct. 30, Romanticism, oil on canvas by William House.

SCARAB CLUB OF DETROIT: 217 Farnsworth, 831-1250. Through Oct. 25, Michigan watercolorists.

SIMSAR: 301 N. Main, Ann Arbor, 6654883. Opening Oct. 18, Kenneth Hayes Miller and His Students: The Arts Students League Years, various media, various artists.

TRIKA GALLERIES: 1140 N. Telegraph, Dbon., 562-2300. Through Oct., classic automobiles, sculpture, jewelry, etc.

TROY ART GALLERY: 755 LU. Big Beaver, Troy, 362-0112. Opening Oct. 29, Japanese woodblock prints; through Oct. 25, Master Prints by Joan Miro. UNIV. OF MICHIGAN MUSEUM OF ART: Alumni Memorial Hall, Aan Arbor, 7631231. Through Oct., photos by Eugene Atget; Modern Masters, selections from Alex Hillman family foundation including works by Picasso, Matisse and Degas; Paris and the American Avant Garde, 1900-25," works by various «artists.

WAYNE state UNIV. COMMUNITY RATS GALLERY: 450 Hirby, 577-2980. Through Oct. 26, Faculty Exhibit.

WILD WINGS GALLERY: 975 W. Ann Arbor, Plymouth, 455-3400. Through Oct., Wild Life Art, various media.

WILUS GALLERY: 429 Willis, Th-Sa 11-5.

WOODLING GALLERY: 42030 Michigan, Canton, 397-2677. Through Oct., various media by local craftspeople.

YAW GALLERY: 550 N. Woodward, Birmingham, 647-5470. Opening Oct. 24, John Glick at Syracuse, ceramics. YOUR HERITAGE HOUSE: 110 ©. Ferry, 871-1667. Through Oct., ohotos by Hugh Grannum; regular exhibits; tours booked by reservation.

XOCHIPILLE GALLERY: 115 Fourth, Rochester, 652-0337. Through Oct. 25, Tail of a Boy and His Dog, ceramics fantasy by John Aaron.

Russell Bellant Co-coordinator Greater Detroit

In July, men born in 1960 and 61 had to register. In January, men born in 62 willhave to register, as well as every male who 18 thereafter. turns thousands have already refused to register in one of the most massive acts of draft resistance in United States history.

WHAT ARE THE ISSUES?

Registration is a low-cost insurance policy to guarantee an ability to mobilize in an emergency. The Carter administration has no intention of drafting anyone at this time.

Brayton Harris

draft registration with VS. attempt after the election. FREE

Handreds of

The administration has said that U.S. military intervention in the Third World is unavoidable. The draft is necessary for such Vietnam-type wars; the administration is establishing draft boards for a draft they may

Russell Bellant

OCTOBER 23 7:30 pm

St. Matthew s-St. Joseph s oe 8850 Woodward, Detroit

REAU: HE SCAT MAN COMETH!

by Sadiq

Against the plethora of modern male vocalists produced in the last three decades, with. the. few exceptions of, say, Eddie Jefferson, Bob Dorqugh and Stevie Wonder, Al Jarreau is an immense figure of vocal ingenuity.

Performance is an index of ability, but Al Jarreau employs a certain communication source that taps us all on the shoulder and smiles. He flexes his intellectual muscle and becomes the poet we never became. .but whose voice whispers to us at those precious moments that demand artistic description. Deciphering!

Jarreau's lyricism, from i glance, is poetry that mirrors the struggle of an artist in touch with the broadness of human experience. But simultaneously focuses on our own personal worlds.

In the real world, where electronic. (technology) has all'out determined whether an album sails up the charts or staggers and stammers, the bottom line on quality of recording depends on budget. The best mastering, the precision mixes and dubs all demand their prices. This has not blocked Jarreau's upward mobility and verve. His warm energy remained the constant tone of: his work from Glow to We Got By to his most recent album This Time. Clean mixes and personal development in the rhythm section have amplified Jarreau's quality. This obvious upgrade can only be the result of a musician who has not merely proven his great ability, but that this ability deserves the best production. From take one to record shops.

Since the release of We Got By in 1975,. Jarreau and Tom Canning, his co-producer and co-writer, have provided perfect music/lyric coordination condusive to Jarreau's style. In short, Jarreau is a consistent success, because with each release, the image of Jarreau becomes clearer. Surer. The direction of his music has been denne refined and validated. e

We Got By took us a step or two beond the city slicker image of the entertainment world. It was a vehicle that drove towards a much more friendly mentality, a closeness that his audience accepts with enthusiasm. He's the boy next door, with a decisive back home vigor.

Just check out the Sweet Potato Pie lvrics or Susan's Song ... you witness. a composer who doesn't seem to need the horror of alcohol or drug addiction to create. He seems to say let us be our true selves and live with it. For instance:

Susan wants to take me to her heart

It's a warm and tender place there, do you know Susan, I've been living in this fortress, and its filled with armor And sometimes celebrations lose their charm.

Jarreau's first albums did well, by thecharts, with ample thanks to the musicians he

employed: Tom Canning/keyboards, Paul Stallworth/bass, Joe Correro/ drums.

The Jife of commercial recordings seem to warrant chart ratings based upon first. impression of pre-release demos, regional/national sales, promotional advertising, and who plays the session.

Keyboardist George Duke (with whom Jarreau. worked in the 60s) and Detroit. guitarist Earl Klugh both lend.a hand in the lastest release by Jarreau This Time on the Warner Bros. label. It's been on the charts for 16 weeks (as of Oct. 4), maintaining slot 55 out of the top one hundred sellers which ain't bad for a jazz vocalist, especially when you consider a group like Roxy Music dropping ten _points from slot 77, only to be on the charts for 15 weeks.

The title track of the new LP, "(A Rhyme) This Time, is music penned by Earl Klugh and poetry conjured by Jarreau. Result? Sheer beauty! A classic Nat Cole would have enjoyed singing. Klugh also solos on his acoustic guitar, delightfully adding to Jarreau s undeniable gentleness.

(1. Can Recall) Spain on the other hand is the bouncy, festive number originiated by

Chick Corea. Jarreau, at it again, striving to satisfy himself and still render the composition appropriately, produced a very flavorful set of lyrics. Considering the tempo of the tune, Jarreau charges, in fluid staccato, right along, enjoying every minute of it.

These two compositions written by others indicates Jarreau's courage and creativity in choosing material. Other tracks are just as poignant and are delivered well, even though there seems to be a departure from the intimate Jarreau to the crossover type of format on such tunes as "Never Givin Up. It could very well be called a pop tune instead of a jazz number. But nowadays just about anything instrumental can be called jazz. I've even heardit on AM radio stations.Jarreau possesses the knack for scat singing with the added attraction of something called vocal percussion. Utilized properly, vocal percussion emphasizes the influence of the human voice on the engineering of the original instrument, the drum. In Jarreau's case, however, it could be the other way around. A cut from the Al Jarreau live album demonstrates the

proper technique. It's done in 5/4 time with ease: a tune called Toke Five. Scat singing dates back to the early bebop days when cats like Hing Pleasure and kittens like Ella Fitzgerald adlibbedand used their voices as pianos or saxophones in improvisation. In the. live situation Jarreau gets carried away.

Of course, a live performance tells the truth! Mr. Jarreau is positively a pro at communicating with his audiences. have witnessed the man take the audience to ~ church and then take them to bed in two songs! And in case you wondered, he sounds better live than on wax. The back-up band was a real neat package and executed the tunes exceedingly well, although Jarreau, himself, is Q one-man band.

Actually, progressive jazz has taken many forms in the last twenty years, so thatartists,like Al Jarreau, discover different approaches to music altogether, on an ongoing basis. Ultimately, this opens up the idiom, and gives us muzak quenchers and relief from lapses of hearing singers like Mose Allison blues-us & silly.

Jorreau's stage presence leaves nothing to be desired. Hew_ Ids joy and anguish; humor and indifference with the fluidity of Sarah Vaughn. Critics reviews have poured on the accolades from Netu York to Germany, and back to Los Angeles. He's also deservedly appeared on numerous TV shows throughout "the U.S. and abroad.

Al Jarreau:is originally from Milwaukee ond did his time at the University of lowa, in the field of psychology, and then ventured to California where he counseled for the state's Rehabilitation Division in San Francisco after receiving his degree.

He then took to singing with a trio led by George Duke in clubs around the Bay area in the late 60s. Eventually, like most talented people on the West Coast, he beat a path for Los Angeles where he was noticed. He signed with the Warner Bros.- organization much to their eventual joy.

A friend and consummate bassist, Detroiter Ralehe Armstrong, mentions that he was - working with the Jon Luc Ponty group when Jarreau_ was the opening act and, | was amazed at the control Al had over the audience. met him back stage and he is one of the most beautiful people have ever met. ven his band had a very positive attitude. New vocalists 909 up daily with imitations of imitations of the great singers history has given us, but haven't quite figured out who Jarreau is mimicking. You know, it could be that he is actually a new standard for the jazz vocation. wouldn't put it past him.

It's one thing to sing another person's music well. .it's another thing to write great pieces and then perform-them in a fashion that's worthy of slot 55 on the Billboard charts. I'd venture to say he deserves best male vocalist of the year, but my friends, most of that depends on vou. It's just about time for some big movie mogul to offer Jarreau a theme song/sound track/dotted line situation. continued on page 22

BETTY CARTER

The Audience with Betty Carter Bet-Car Records

With this album, Betty Carter has won my respect despite some misgivings that had about the type of singing that would be hearing. Nightcluo jazz singing has to be really good to stand by itself out of the concert situation. And she s done admirably well by putting takes from a series of shows in San Francisco into a well-crafted album that fully conveys the essence of a night's worth of sets to remember.

She does an appetizer in a sidelong vocal warmup and instrumental break that gives a fair look at the history of jazz singing, scat style, from the 40s on. Music surrounding the singing was done by atrio that! think I'd like tohear on their own. John Hicks on piano plays intelligently, artistically and with swing. Curtis Lundy on bass and Kenny Washington on drums provide. the subtle propulsion so necessary for the material Betty chose to do.

Original material like Tight and "So" stood up well next to standards like | Could Write a Book by Rodgers and Hart, My Favorite Things by Rodgers and Hammerstein, not to mention a Carlos Garnett tune called Caribbean Sun which lit up side two for me.

The performances were always well-crafted but somehow she just flirted on the edge of greatness. Maybe this self-made record will be there. In any event, it bears repeated listenings.

Garaud MacTaggart

Betty Carter

ARTHUR BLYTHE

Illusions and In The Tradition Columbia Records

Arthur Blythe's Illusionsandinthe * Tradition, both on Columbia, exposes to the general public for the first time, one of contemporary improvised music's foremost alto saxophonists.

Blythe's unique style of music has a tone that is very traditional in terms of its basic blues reference. The achievement is that he can play such contemporary sounds with a style based in that thing, that honk, you can get to people with.

THE B-52's WILD PLANET

The rapid infusion of many new (and often radical) elements into rock'n'roll has resulted in the rising importance of what is called, in marketing circles, dance oriented rock (D.O.R.). This amorphous confusion of sounds and orientations has, at its center, one crucially important factor: the heart of rock'n'roll, the big beat. Although D.O.R. now seems to include anyone from the Knack to Public Image Ltd., and therefore reflects the futility of ever aligning rock'n rolk to big business pigeonholing, it's of vital importance that the music industry now accepts the from FM radio sludge to a body of music that much more fully reflects the spirit of rock'n'roll. At the forefront of this ever-accelerating change are the B-52 s, whose second album, Wild Planet, now confirms them as major agents of the. pop-music evolution.

over their first album. While that record was appealing in terms of freshness, of material and personality, its tinny sound became grating over 40 minutes. This has been rectified on Wild Planet, as the 52 s and coproducer Rhett Davies have achieved a much thicker, more modern sound, heavy on the bottom, which makes more effective the pointed interplay on top.

balanced sound.

record, should be played on every record station in the Detroit area. Its rhythmic line was inspired, no doubt, by music that Blyth found in his studies of his grandfather's birthplace in the Malagasy Republic. Between Blyth's own joyful playing, Ulmer's unusual accompaniment, and the fact that a tuba is the rhythm backbone of the music, as it was in the early jazz bands, you have a piece of great music. Blythe and company also get more adventurous before it's over, bringing Us some fine examples of what they call outside music. Carespin with Mamie is a fine example of. the latter. Wadud erovides a harmonic and textural base for Blythe to show his melodi¢ fluidity and. for Ulmer to demonstrate, once again, his dexterity and his concern for trying to capture melody, rhythm and texture in the same note.

On the albumn In the Tradition, Blythe plays standards. Coltrane's Naima has a deep tone that gives this soothing, tender ballad a slightly tough edge.

album. The more physical tunes

IF all of the above seems a bit weighty in reference to a band like the-5Y's, it is, in a sense. Their lightweight, absurdist humor, both musically and visually, is their primary hook. But, as has many times been proven, such humor can t work without © substantial musical base. Here, the 52's continue to cut it. Wild Planet is, in many ways, a marked improvement

Blythe, on alto, has that honk at the same time that he plays with a haunting, eerie, sound which makes even the most traditional music sound, well, different!

On Illusions, he plays with a group which includes the fantastic inevitable re-direction of focus:

Keith Strickland s drumming, in particular, is much improved, as his Tommy Hearns-like inspired efficiency. drives the band with disco-fueled propulsion. Ricky Wilson's rhythm guitar, derived equally of James Brown block chord. stabs and Ventures style le@ad play, is mixed much more up front, giving the music a new harmonic richness. Hate Pierson s keyboards have shifted in focus away from highregister comping to a more bottom-oriented band . sound. The vocalists have evolved pronounced personalities, separately and together. Fred Schneider's talk-shous-host-on-arampage style is more emphatic, more. certain. Hate. Pierson's vocal sound effects and ensemble instrument singing are more carefully integrated. And Cindy Wilson's strangely gripping soulfulness (highlight:. ed on the first LP's Dance This Mess Around ), is of greater depth, ranging from imeassioned shrieks to a convincing sultriness. And the subtle interjections of science-fiction movie synthetic effects helos give the band a more diverse,

James Blood Ulmer. Blood, whose .eorly musical rooted right here in Detroit, is development is currently making his mark in the New York rock scene. Abdul Wadud, on cello, forces you to listen to that instrument with a new ear. Pianist,

As far as Wild Planet's material goes, it's of the same basic substance as the first (Party Out of Bounds, Runnin Around, Devil In My Car, Private Idaho''), rely on variations of the Rock Lobster two-chord vamp, but each tune is of enough personality, musically and lyrically, to escape redundancy. The women's features, Dirty Back Roads and Give Me Back My Man, also have their antecedants, but also reflect progress and greater attention to overall sound. Only Quiche Lorraine falls flat, a victim of plodding and overreaching silliness.

As much as | like Wild Planet, and find most of its songs highly listenable and memorable, |'ll admit won't share many intimate moments with it. WildPlanet is about dancing, about cultural hedonism at its finest, and, as a most. significant extension of that, about what Robert friop has called the politics of the feet. The 59's, with their current cross-cultural popularity, are eroding color and sound barriers in rock'n'roll more. effectively than anyone since the: Slu/Hendrix period. Therein lies the importance of the 52's and dance oriented rock: it's not far from Wild Planet to the Gang of Four and Captain Beefhart, or, from another perspective, to the highly similar Chic, or Defunct. Wild Planet is helping to break down walls: may the 59's continue in that fine tradition.

Bill Rowe

John Hicks, along with Fred Hopkins, - bass, Bob Stewart, tuba, Steve McCall and Bobby Battle (another former Detroiter) alternating on drums make an outlandishly inventive, cooking, rhythm section. Bush Baby, the first tune on the

His treatment of Duke Ellington's tunes captures all the sweetness of the dominant alto saxophone sound of the '30s without sacrificing any of the tonal, harmonic or rhythmic advances imorovised music has made in the last fifty years.

The alto saxophonist s: original compositions on In the Tradition are not as satisfying as those on Illusions, including As of Yet, the most traditional song on the aloum. Blythe's rhythm section on In the Tradition includes McCall and Hopkins, with the addition of Stanley Cowell on piano.

Arthur Blythe

Blythe is a great saxophonist, and this is great music. Though he s been moking records for more than ten years, this is the first time his records, through Columbia, are finally available again for a large public.

IF You're lucky enough to.discover Blythe and company for yourself, you'll b& glad You got in on the ground floor. With Illusions and In the Tradition, Arthur Bluthe is going to go a lot of places.

Geoffrey Jacques

Photo:.Leni Sinclair

Photo: Larry Kaplan

Photo: Leni Sinclair

arthshakers and Mighty Tight Women: TWO GENERATIONSOF AMERICAN BLUESWOMEN

by Jan Loveland

The many voices of the blues have haunted American music for more than a few generations now, but still the most familiar ones have belonged to men B. B. Hing, Muddy Waters, John Lee Hooker, etc. Considering that when blues music was in its infancy, the big stars were women, this is an irony that demands some explanation if only to the women who struggled on, making their music, against the indifference of a public who barely knew who they were. The lil Greens, Memphis Minnies, Victoria Spiveys and Big Maybeglles, who are but history now.

ven Detroiter Sippie Wallace - has only gathered local attention in recent years. Of course, the limelight and the steady work are our gain we can travel back to the twenties, when a blues diva like Sippie would be accompanied by budding musicians such as Louis Armstrong and Fletcher Henderson.

Koko Taylor, who will ageear this weekend at the Soup. Hitchen Saloon, comes from a younger generation of blueswomen that also includes talents like Willig Mae "Big Mama Thornton and tta James. for the Queen of the Chicagq Blues, the. road to recognition has also been lonely. Despite a fierce, growling voice that can transmit joy and excruciating pain in a single note, Koko's career has only taken off in the past five years. A phenomenal set of vocal cords has not hurt, of course, and recording two LPs for perhaps the most important blues label today, Chicago's Alligator Records, has helped considerable.

But for both women, the past decade of rediscovering our foremothers has been crucial. While scholars have continually seen blueswomen, as_ isolated, almost coincidental, cases, a few have been trying to establish a continuum of women of the blues from. the twenties to the eighties. Such effort resulted last summer ina Blues Isa Woman concert at the Newport Jazz Festival which included Wallace and Taylor as well as Thornton, Linda Hopkins, and a few others.

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Taylor, interviewed last week by telephone, called the summertime summit the most exciting thing I've ever done. Her appearance there stimulated a long mention in the New York Times Sunday Magazine article. Since then it has snowballed into further publicity, which is essential to survival in the modern music world, But more than that, says Taylor, the concern made her feel part of 17167 Harper at Cadieux exit 1-94 next to Harper Sports Store

- "one big family of dlueswomen. What I'm doing is-similar to what theyre doing, she added. Like . Wallace, .Taylor has demonstrated a real ear for luric. Her originals Voodoo Woman (from the first Alligator LP, Got What It Takes), and | Am A Woman, (from her last LP arthshaker), are chockfull of stunning images and powerful statements about being Female.

When interviewed her in 1977, Taylor was at work on a song to answer the boastful, macho, blues classic by Muddy Waters, I'm A Man (non-blues fans may know the. cover version by Jeff Beck and the Yardbirds). At that time, she commented, Being a woman, can dojust about anything that the men can do. The men are singing the blues and am too. I'm going to be shooting right back at them.

The result, | Am A Woman, almost summarizes the feminist spirit in the blues:

When | was only/twelve years old couldn't do nathin'/to save muy doggone soul

Mama told me/before was born Sing the blues child/sing it from NOW ON.

Goin down yonder/oehind the sun

Gonna do something for ya/ain't never done

Gonna hold back the lightnin / with the palm of my hand

Shake hands with the devil/make him crauul in the sand. aS

Comparisons with Siopie Wallace may seem a bit strained her lurics would never venture along such mystical paths as the above. But Taylor is working in a different blues idiom the Chicago blues of the fifties, sixties and seventi¢s a that seethed with the frustration of black men and women trying to: survive in a hostile city.

Asked to compare herself to Taylor, Wallace chuckled and said, Well, have a_ little more experience than she does. But Siepie also defines her music -as concert blues and most of her songs tell a story, often about lost love. Since Wallace will agoear a week from tonight in a free concert in Ann Arbor (see WHAT'S HAPPENIN for details), the curious will have a chance to immediately compare the two.

Wallace, in the past year with the encouragement of pianist Jim Dapogny, has been reviving old tunes that she did in vaudeville but never recorded. Dapogny s Little Chicago Jazz Band has provided a comfortable musical bed for her talents. He and- manager Ron Harwood have also continued to encourage new songs. | like doing the old ones better than doing the new songs, says Wallace, because now| understand them. When was younger, was just singing the words.

A thought came to me last night in my sleep, she told me, about how women get the blues so quick I think I'm going to tell it in my next song.

One

Si75 = 325 Two bedrooms $230 500 in Historic Indian Village, minutes from Downtown and WSU Medical Center

MUSIC

Photo: Barbara Weinberg

Sippie Wallace

Taylor at the Blues is Woman Concert in New York City last July.

MOTEL HELL

by Michael Betzold

Beef jerkies have always surpassed my comphrehension. mean, what could be grosser than a piece of meat that looks like a cigar, comes wrapped in cellophane, andisn t ~ even refrigerated? IFl was starving, I'd as soon eat a rat fillet as a beef jerky.

Well, all this has changed as a result of the new movie Motel Hell. My loathing for beef. jerki¢s has turned into paranoia. don't even want to be in the same room with one. In recent days have been noticed running out of party stores screaming, Help! They're after mel! have even had nightmares in which I've been kidnapped by a querilla army of beef jerkies and forced to spend 333 days in captivity playing Scrabble and using the tile racks to defend my mouth as they all try to jump into it.

I'm thinking of sending my shrink's bill to the producers of Motel Hell, a orisly little piece of camp starring your favorite 50s cowboy, Rory Calhoun, as farmer Vincent, whose spicy smoked meats are the taste sensation of the country. The Farmer's secret recioe contains some vert) strange ingredients.

With pig-tailed sister |da, overalled Vincent runs the Motel Hello, but naturally the final o" in the neon sign has fizzled from fright. Whenever Ida hangs up the Vacancies sign, Vincent gets his gun and goes out hunting for guests. In his irresistible way, Vincent coaxes '. passers-by into an unconscious overnight stay that turns into permanent residency. Ida and Vincent's agricultural methods are stricly organic. Behind a huge hedge, soft classical music plays over loudspeakers: in their climate-controlled secret garden. No hormones or chemicals in the feed, boasts Vincent. You wouldn't know it from the gargling, grunting noises they make, but the guests must be having a marvelous time up until their day of ripening, when it's Slaughterhouse City, time to make:

The script for this film Was obviously written by militant vegetarians fed up with a world run fy McDonald's. Motel Hell could definitely cause a run on alfalfa sprouts and consternation among executives who sit on the boards of smoked-sausage manufacturers. It probably won't have much impact on the Academy Award judges, however, who long ago. eschewed beef jerkies.

The plot is hardly a meaty one. Vincent and acquaintance with Vincent's big, sharp blade: ~_ Ida (Nancy Parsons) get purring parental as

they try to groom pretty, empty-headed Terry(Nina Axelrod) to be their successor on the farm. It's just another case of the heloless female needing to be rescued, the hero being \da s kid brother, the bumbling Sheriff Bruce Smith (Pau! Linke). Terry even gets tied onto a conveyor belt.approaching a table saw in the film's climactic showdown between Vincent and Bruce, resurrecting the favorite plot device of the scrioters of Dudley Do-Right.

The tale is bizarre enough and most of the lines stiff enough that Motel Hell could have been a classic B-movie, so bad that its great. But director Kevin Connor mixes in obvious satire, just enough to let audiences know that the filmmakers know the whole enterprise is silly. That spoils the fun. Connor also reveals what farmer Vincent is-up to so soon that the final twothirds of the movie holds no surprises and is at times downright turgid. And when some. of Vincent's ingredients finally make their escape at the end, Connor can't do anything with them except have them walk around menacingly and then disappear from the movie.

Motel Hell is like a slab of cheap bacon all fat and no meat. After swelling music and creeping camera build.up tension and nothing happens except Ida jumping out from behind the door and this hagpens four or five times it's sleeoy-bye.

It's no wonder that what stands out most in my mind after seeing Motel Hell are those auful beef jerkies, but they were pretty mean things before:the movie. Still, it makes You awfully suspicious of secret ingredients. IF were Colonel Sanders, I'd sue for libel by logical extention.

We bring you the world s greatest jams on Jazz Alive with Billy Taylor. Come with us to Nice to hear Lionel Hampton, or to the Swiss Alps to hear Oscar Peterson at Montreux, or to the Smithsonian to hear Woody Herman s Herd. We take you from the blues of Lena Horne to the horn of Urbie Green. Whether it s Preservation Hall in

or Carnegie Hall in New York, we re no sooner out of one jam than

into another.

by li Zaret

The hottest selling 45 to hit the local record charts in years, Would never have made it if Detroit Lion head coach Monte Clark had caught it in time. To Monte, singing a version of the British rock group Queen's Another One Bites the Dust, is an affront to good sportsmanship, or at least the type they taught back when he played the game.

| didn't like the song, Clark admits. We don't believe in taunting or flaunting or antagonizing anyone. We want to act in moderation, with dignity and class. But now I'm seeing where its a positive thing.

Monte is clearly from the old school. That's why tight end David Hill may no longer wag his fanny in the end zone, in his patented, choreographed boogaloo, spiking routine. In Monte s day, one did not arrogantly point his finger at-a defensiveback after beating him deep, not to mention childishly proclaiming to be #1.

But Monty didn t count on running into an irrepressible character like Jimmy Allen.

on the few occasions when the Lions had their

Allen is the self named° Spiderman, and heads up in 1979, the Spiderman began to blossom in the locker room. He sang his own Spiderman themesong, and was a magnet for reporters.

Allen, you see, has something as precious and rare in sports as talent: He has personality and charisma. His imagination coined the bites the dust refrain that is now fraudulently claimed as an original victory taunt in Buffalo, and at Allen's alma mater, UCLA.

This themesong, the spike, and the boast of being #1 are symbols of the emancipation of the black athlete.

from the Jackie Robinson era to Muhammad Ali, black athletes lived in substantial Fear of the power the established forces had on their professional lives. There-

fore, hot dogging and high powered arrogance were completely out of the: question. Then Ali began with the take this sucker approach, and other black athletes felt fewer inhibitions in furthering the evolution of black flair the behind-theback dribble, the in your face spike, and eventually, more recent ramifications like the interplanetary chocolate thunder dunk.

Things like these displays of emotion, of

positiveness

at black colleges for a.long time, says Hill, who usually remains self contained until he scores. Guys like Jack Tatum by taunting a receiver, intimidating him, pointing athim after a play see it as nothing unusual. It's not a hot dog. thing, just a product of one s upbringing. The tracitional view is that it isn't good sportsmanship. But it's gotten to the point now, if you don't celebrate in the end zone people say what's wrong, isn t he

most natural

We'd like to thank our advertisers and distributors, who gave us the boost we needed to get started. Please patronize them! Over 500 businesses, libraries and city halls distribute the Metro Times. Join us call Michael Vaughn at 961-4060. If z you re interested in advertis- Kolty s Nails

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imagination. Afterall, music of some sort must

New Associate - Norman Aldred i I've no sweets to sell, this time. we'd all love it. I've come to the conclusion that with introductory reduced rates Bell J lor icultur al Ser UES

The scheming's over. artists of Al Jarreau's caliber are really ~ BAN Bacio! 891.9949 BROMELIADS, EXOTIC & HOUSE PLANTS I'm gonna be only me this time. draftsmen planning for our future jazz lyricists, 8900 Jefferson, Suite 118 MAGIC SILK FLOWERS AND BOTANIX PLANTS Most unfortunately, my dreams and as time scurries along, some future vocal ORCHIDS- BONSAIS Never knew the ground. engineer will credit Jarreau as their main

veny mirror see, reminds influence.. .think I'll take somedessons.

Photo: Jan Loveland

NOTIC.

FREE CANCER EXAMS offered by Michigan Cancer Foundation. Registered dental hygienists will conduct painless exams for mouth cancer on Oct. 22. Nurses will give breast exams and teach women how to examine themselves on Oct. 23; and Pap tests for cervical cancer will be offered Oct. 28. To make appointment, or for more info, call 4930043.

FREE BLOOD PRESSURE PROGRAM every Tues. from 12:30 to 2:30 at Fitzgerald Comm. Council, 6337 W. McNichols. 843-4960.

HOUSING & REAL ESTATE

TWO BEDROOM APT WANTED in nice neighborhood. Leave message at the Metro Times, 961-4060.

GROSSE POINTE FARMS 2/3 bdrm, 1% story, liv & din rm, kit nook, fam rm, 11% baths, 2-car garage, by Owner. 8856147.

RESPONSIBLE ROOMMATE wanted to share 2 bdrm apt in Sterling Hgts. with Male, 23. 979-9474.

WANTED: PROFESSIONAL MALE to share 3 bdrm home nr Grosse Pte., $200/mo. 881-6052, 9-5.

CURTIS Furnished Cabin, acres, yrround road. 525-4318.

COMBINING THE OLD WITH THE NEW 4 bdrm family rm, contemporary kitchen, 38 Maywood, Pleasant Ridge. Call Jane Solomon 545-2692, Chamberlain 548-1500.

FOR SALE

CANON FTB 53 mm, w/wide angle lens, meter, $350, 777-9578.

COUCH Colonial style, rust colored, $100, 399-1240.

77 VW SCIROCCO, exec condition, clean, air, cruise, reg gas 25/40 MPG, $4,050, 478-9067.

APT BABY GRAND Piano wanted. 331-0207.

BOOKS WANTED by The Library Company, 16129 Mack at Bedford..Cash paid. Also unique kites available. Closed Sun & Mon. 881-5800.

AMERICAN INDIAN rugs, blankets, pottery, large baskets, artifacts wanted. 821-0109.

GOLD/SILVER/PRECIOUS GEMS wanted, paying top dollars A Better Deal cass 891-1501.

CRAFTS ARE SELLING FAST Need

JOBS

BUSINESS OPPORTUNIT Y Looking for energetic, creative person wanting to earn according to effort. For info and appt, call Ms. Stevens, 331-0207.

WORK NEEDED for student in Detroit area, General, Labor, ask for Phil, 3427616.

WONDERFUL PERSON wants interesting, challenging work. Call Paul at 8834595.

PERSONALS

To the Chinese Godparent who fed us during the siege. .Thank you for your kindness we couldn't have done it more consignors. Woodling Gallery, 42030 Michigan Ave., Canton Township. 397-2699. without you.

CHRIS at the Madison The added life. We're grateful.

WANTED: ST. BERNARD PUP under six months, 956-9283 after 5 pm. Lave:

COMMERCIAL CLASSIFIEDS: If you charge for a service, you are a commercial operation. Not-for-profit organizations that charge for their services must pay commercial rates. Commercial operations may buy classifieds at the rate of $3 for 20 words or less, plus 20¢ per additional word. All commercial classifieds will be repeated automatically if you enclose payment to cover additional insertions.

FREE CLASSIFIEDS: Individuals and not-for-profit organizations may place one free classified of not more than 30 words per week. (Ads of more than 30 words cost $2 for each additional 30 words or portion thereof.)

DEADLINE for receipt of all classified ads is 5 pm, Friday, six days before publication of the following issue. Ads not received by the Friday deadline are held for the following issue. We reserve the right to classify, edit and refuse ads. Ads should be typed ona 3 x 5 card and mailed to Detroit Metro Times, 2410 Woodward Tower, Detroit 48226.

ARTISTS BULLETIN BOARD is a special space reserved for musicians, craftspeople, photographers, graphic artists, theatre groups, actors looking for work, bands seeking a new member or announcing a new release and every other artist.

Just send us your business card (or a comparably sized ad) and a $10 check or money order. 100,000 arts and music lovers will have a chance to respond! Direct your card to: Artists Bulletin Board, Detroit Metro Times, 2410 Woodward Tower, Detroit, MI 48226.

Deadline for Artists Bulletin Board is 5 pm, Friday, six days before the next issue s publication. Cards not received by the deadline will be held for publication in the following issue.

Licensed Massage Therapist Holistic approach to health using massage with emphasis on relaxation, breathing, body blocks, usable. energy and reflexology. Forappointmentcall Harp Chiropractic Clinic 474-4484