32nd Bienal de São Paulo (2016) - Catalogue

Page 426

Consulado Geral da República Argentina em São Paulo.

Cotidiano, 1979. [Everyday]. Acrylic on canvas. 75 × 50 cm.

Naturalizar al hombre, humanizar a la naturaleza, o Energía

Private collection.

vegetal, 1977. [Man Naturalization, Nature Humanization,

Cotidiano, 1979. [Everyday]. Acrylic on canvas. 75 × 50 cm.

or Vegetal Energy]. Installation composed of 400kg of

Artist’s collection.

potato, 8 or 10 kinds of lab flasks, rubber stoppers, cotton

Cotidiano, 1981. [Everyday]. Acrylic on canvas.

swabs, drawing ink of different colors diluted with water,

100 × 73 cm. Collection Frederico Morais.

white linen tablecloth, bronze plaque with text, wood,

Sem título, 1982. [Untitled]. Vinyl paint on canvas.

sawhorses and white paint. Dimensions variable. Courtesy:

100.3 × 73.3 cm. Collection Gilberto Chateaubriand Museu

the Estate of the Artist and Alexander and Bonin, New

de Arte Moderna do Rio de Janeiro.

York. Support: Consulado Geral da República Argentina

Sem título, 1983. [Untitled]. Oil on canvas. 65.3 × 54.3 cm.

em São Paulo.

Collection João Leão Sattamini Netto (Museu de Arte Contemporânea de Niterói).

VÍDEO NAS ALDEIAS

Cotidiano, 1984. [Everyday]. Acrylic on canvas. 70 × 50 cm.

O Brasil dos Índios: um arquivo aberto, 2016. [The

Artist’s collection.

Brazil of the Indians: An Open Archive]. Installation

Cotidiano, 1984. [Everyday]. Acrylic on canvas. 70 × 50 cm.

with 81 video fragments from the archive material of

Artist’s collection.

Vídeo nas Aldeias, produced in its 30 years of experience

Santa Teresa 1 – com elefantes, 1984. [Santa Teresa

with the indigenous peoples in Brazil, and sequences of

1 – with Elephants]. Acrylic on canvas. 100 × 73 cm. Artist’s

films of filmmakers, activists, indigenous leaders, partner

collection.

institutions and collaborators, between the years 1911 and

Santa Teresa 2, 1984. Acrylic on canvas. 100 × 73 cm.

2016. Concept, research and video-editing: Ana Carvalho,

Artist’s collection.

Tita and Vincent Carelli. Commissioned by the Fundação

Santa Teresa 3 – com cristais, 1984. [Santa Teresa 3 – with

Bienal de São Paulo for the 32nd Bienal (2016).

Crystals]. Acrylic on canvas. 100 × 73 cm. Artist’s collection.

Presentation produced in partnership with Sesc-SP.

Rio de Janeiro com cristais, 1986. [Rio de Janeiro with Crystals]. Acrylic on canvas. 160 × 190 cm. Artist’s

VIVIAN CACCURI & KEYZUZ, GHALILEO, KUVIE,

collection.

MENSAHIGHLIFE, MUTOMBO DA POET, PANJI ANOFF,

Cotidiano, 1993. [Everyday]. Ink and ecoline on paper.

SANKOFA, STELOO, WANLOV, YAW P

100 × 72 cm. Artist’s collection.

TabomBass, 2016. Subwoofers, amplifiers, software, wood,

Cotidiano, 1993. [Everyday]. Ink and ecoline on paper.

candles and stereo audio. Dimensions variable. Support:

100 × 72 cm. Artist’s collection.

Dubversão Sistema de Som. Commissioned by the Fundação

Morro Dona Marta 24 horas, 2016. [Dona Marta Hill

Bienal de São Paulo for the 32nd Bienal (2016).

24 hours]. Colored pencils on paper Fabriano. 25 pieces,

Presentation produced in partnership with Sesc-SP.

25 × 23 cm each. Artist’s collection.

WILMA MARTINS

WLADEMIR DIAS-PINO

Cotidiano, 1975-1984. [Everyday]. Artist’s notebook, 144

Enciclopédia Visual Brasileira, 1970-2016. [Brazilian Visual

p. / 18 × 15.6 × 2 cm; 62 fac-simile prints. Artist’s collection.

Encyclopedia]. Digital collages and collages on paper

Interior, 1974. [Inside]. Acrylic on canvas. 100 × 73 cm.

installed on 6 painted walls. 14 reproductions and 397

Artist’s collection.

original collages, A3 format approx.

Cotidiano, 1974. [Everyday]. Acrylic on canvas.

Outdoors, 2015-2016. Acrylic on wood. 20 images,

100 × 73 cm. Collection Frederico Morais.

220 × 160 cm.

Cotidiano, 1976. [Everyday]. Acrylic on canvas.

Invited Curators: Tobi Maier, Leandro Nerefuh; Assistance:

100 × 73 cm. Artist’s collection.

Caetano Carvalho, Octávio Ferran; Collaborator: Regina

Cotidiano, 1978. [Everyday]. Acrylic on canvas.

Pouchain.

100 × 73 cm. Collection Frederico Morais.

Presentation produced in partnership with Sesc-SP.


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