BEATSELECTOR Magazine Special Edition: The Grammy Gods 2025

EXCLUSIVE INTERVIEWS & exposÉs

Elvis Blac Elvis williams

96

Grammy Award Winning producer

jason miles PG 102 the grammy® gods 2025

EXCLUSIVE INTERVIEWS & exposÉs

Grammy Award nominated producer

EXCLUSIVE INTERVIEWS & exposÉs

Jeremy Phillip Felton PG 108 the grammy® gods 2025

Grammy Award nominated singer/songwriter

Grammy Award Winning audio Engineer

PG 112 the grammy® gods 2025 KEN ORIOLE

EXCLUSIVE INTERVIEWS & exposÉs

Grammy Award Winning audio Engineer

renegade El rey

PG 116 the grammy® gods 2025

EXCLUSIVE INTERVIEWS & exposÉs

Grammy BOARD MEMBER/MULTI-PLATINUM songwriter & EXECUTIVE

PG 122 tami lAtrell the grammy® gods 2025

EXCLUSIVE INTERVIEWS & exposÉs

Moving Electronic Music Forward Since 2015

PUBLISHER/EDITOR-IN-CHIEF

JOSEPH WENSELL

EDITORIAL DIRECTOR-AT-LARGE SHON MURDOCK

INTERNET TECHNOLOGY

KARIN HASLINGER

ART DIRECTION

JOSEPH WENSELL

Masthead

CONTRIBUTORS AT LARGE

Catherine Strickland, Cory Royster, Desirae L. Benson, Erik L. Richardson, James Arena, Joseph Arthur, Karin Haslinger, Courtney Johnson, Leo Weaver, Matthew Washington, Tim Stark, Vladimir Jean-Philippe, Zach Miller

EDITORIAL REQUESTS

JOSEPH WENSELL editor@beatselectormagazine.com

BRANDING PARTNERSHIP & SPONSORSHIP SHON MURDOCK shon@beatselectormagazine.com

ADVERTISING & MARKETING editor@beatselectormagazine.com

GENERAL INQUIRIES editor@beatselectormagazine.com

DIGITAL SUBSCRIPTIONS issuu.com/beatselectormagazine

TABLE OF CONTENTS

COVER STORY BEYONCÉ

Over the years, Beyoncé has amassed a record-breaking number of Grammy Awards, solidifying her status as a cultural icon. In this extensive exploration, we dive deep into her incredible Grammy wins and the impact of those victories on her career, the music industry, and pop culture.

COVER STORY CHARLI XCX

Reflecting on 2024, it was evident that this year was a defining moment for Charli XCX. “Brat” transcended being a mere collection of tracks; it stood as an artistic proclamation, resonating profoundly with critics, fans, and broader society. The vibrant energy that fueled its inception had blossomed into a year of success, reinforcing her position as one of the most essential and inventive figures in pop music.

Front Cover Photography: Courtesy of Parkland Entertainment

Back Cover Photography: Courtesy of Atlantic Records

FEATURES

28

A NIGHT TO REMEMBER: THE 67TH GRAMMY AWARDS

From hip-hop dominance to pop anthems and rock legends, the evening proved why the Grammy’s remain the pinnacle of musical achievement.

52 20 YEARS OF EDM AT THE GRAMMY AWARDS

R evisiting the Best Electronic Dance Albums from 2005-2025.

76 TRESOR 

A talented award-winning singer/songwriter, producer, and Grammy voting member from the Democratic Republic of Congo, now under his VII Recordings label with Universal Music Group, is TRESOR, French for “treasure.“

80 JAY-Z’S REASONABLE DOUBT

JAY-Z’s debut album, “Reasonable Doubt,” has officially been inducted into the GRAMMY Hall of Fame, cementing its legacy as one of the greatest hip-hop albums of all time.

82 AN OVERDUE OVATION FOR CHRIS BROWN

Chris Brown has been dominating the R&B scene for nearly two decades, delivering hit after hit and earning a dedicated fan base worldwide. However, social media was recently set ablaze when users discovered that the multi-talented artist has only won one Grammy Award throughout his career.

86 THE MANTRA OF DANIELA RIVERA

Daniela Rivera is a Governor for the Recording Academy’s Atlanta Chapter. As a freelance mixing engineer, she has earned nominations for both regional and international awards while collaborating with independent artists, producers, and labels worldwide.

Photography: Courtesy of TRESOR

Photography: Courtesy of Daniela Rivera

INTHE NEWS

ROXANNE SHANTÉ MAKES HISTORY WITH GRAMMY LIFETIME ACHIEVEMENT AWARD

Hip-hop pioneer Roxanne Shanté has made history as the first solo female rapper to receive a Grammy Lifetime Achievement Award. This groundbreaking moment serves as a well-earned tribute to a woman who not only shaped the genre but also paved the way for countless artists in hip-hop.

From her iconic 1984 diss track “Roxanne’s Revenge” to becoming a dominant force in hip-hop at just 14 years old, Shanté's journey has been nothing short of legendary. Growing up in the Queensbridge housing projects of New York City, she rose to prominence in an era when female voices in rap were scarce. But Roxanne’s undeniable talent, wit, and resilience made her one of the most influential figures in hip-hop’s early days.

Recently, Shanté sat down with Gayle King to reflect on her legacy, and the joy she expressed was palpable: "I can't stop smiling." It's no surprise. This Grammy Lifetime Achievement Award is a monumental recognition of her decades of work and

groundbreaking contributions to the genre. Beatselector Magazine readers, it's time to give Roxanne Shanté her flowers. This is a moment to honor her incredible achievements and acknowledge the doors she opened for women in hip-hop. She wasn’t just a trailblazer for herself, but for an entire generation of female rappers, showing that the mic was a space for all voices, regardless of gender.

Roxanne Shanté’s legacy is woven into the fabric of hip-hop culture. Her influence has shaped the sound, style, and storytelling that continue to define the genre today. From Roxanne’s Revenge to her lasting impact on rap, her work resonates through every bar, every verse, and every rhyme that followed.

So as we celebrate this historic moment, let’s pause to give Roxanne Shanté the recognition she has long deserved. This Grammy Lifetime Achievement Award is more than just a trophy—it’s a reminder of her profound impact on the culture. It’s time to salute one of hip-hop’s true legends. 

INTHE NEWS

2025 BILLBOARD WOMEN IN MUSIC ANNOUNCES EXECUTIVE HONOREE TAMMY HURT

Billboard Women in Music has named Tammy Hurt as a 2025 Executive honoree. She serves as the Chair of the Recording Academy’s Board of Trustees and is the first openly out LGBTQIA+ officer in the Academy’s history. Tammy is recognized for promoting equity and inclusion, especially in diversifying the Academy’s membership.

Tammy expressed her gratitude for the recognition, stating that leading the Board has been a significant privilege. She emphasized her commitment to meaningful change, highlighting her efforts in welcoming female voting members and modernizing the organization. She credits her success to her collaborators, supporters, and mentors.

Tammy’s impact on the music industry includes her role in updating the GRAMMY Awards® Ballot with new categories, advocating for women’s safety, and addressing music creators’ rights, especially concerning AI’s role in music creation. Additionally, she has a music project called Sonic Rebel, featuring high-energy music and live drums.

Tammy accepted her award at the Billboard Women in Music Award Show on March 29th, alongside several other honorees.

THE 67TH ANNUAL

GRAMMY AWARDS MAKES

TELEVISION HISTORY

Sunday night’s CBS telecast of THE 67TH ANNUAL GRAMMY AWARDS was seen by 15. 4 million viewers. Nearly $9 million was raised on GRAMMY Sunday to aid wildfire relief efforts. Over the course of the entire weekend, the Recording Academy and

MusiCares raised over $24 million for charitable activities. The GRAMMY broadcast on CBS was the most social television program ever. With 102. 2 million interactions, Music’s Biggest Night exceeded all sports, news, and entertainment programs.

100 MILLION PAID SUBSCRIPTIONS

MILESTONE DRIVES U.S. RECORDED

MUSIC

Last year, paid streaming subscriptions in the U.S. reached 100 million for the first time, as reported by the Recording Industry Association of America (RIAA). This milestone represents the largest source of revenue for the music industry, along with the ongoing popularity of vinyl and new partnerships.

The RIAA’s 2024 Year-End Revenue Report shows that recorded music is now valued at $17. 7 billion retail and $11. 3 billion wholesale.

According to RIAA Chairman & CEO Mitch Glazier (pictured left), over two-thirds of industry revenues now come from these subscriptions, marking a significant achievement. He highlights that music culture has become more engaging and relevant, with fans showing commitment to artists, promising a bright future for music creators.

The report includes key findings such as recorded music hitting a record high of $17. 7 billion, with streaming alone making up $14. 9 billion or 84% of total revenues. Paid subscriptions accounted for around two-thirds of revenue. Vinyl sales also continued to rise, achieving the highest revenue since 1984. Additionally, for the first time, the report includes direct data from independent labels and sync revenue estimates.

WARNER MUSIC FRANCE LAUNCHES NEW DANCE LABEL ADORE MUSIC

INTHE NEWS

The launch of Adore Music marks Warner Music’s effort to enhance its presence in the electronic music scene, as stated by Managing Director Romain Pasquier. He emphasized France’s notable history of global music stars like Daft Punk and David Guetta and expressed the goal of honoring this legacy while promoting new talent worldwide.

Adore Music will utilize Warner Music’s global resources to discover and support artists from France and beyond, helping them reach new audiences. The label has already debuted with “Need You the Most” by the French duo Ofenbach, who are the moststreamed French group internationally in 2024.

ARMADA’S BEAT MUSIC FUND BUYS STAKE DJ & PRODUCER TIGA

CATALOGUE

BEAT Music Fund, part of Armada Music Group, has acquired many master rights from DJ and producer Tiga, known for founding Turbo Recordings. This deal includes rights to Tiga’s popular tracks like “Sunglasses at Night,” “Bugatti,” and “You Gonna Want Me,” which have over 33 million streams on Spotify.

The financial details of the acquisition remain undisclosed. Tiga stated that this contract is a significant moment in his career, expressing excitement to collaborate with Armada to enhance his work and promote techno music. Maykel Piron, CEO of Armada Music Group, praised Tiga as a major talent in dance music, acknowledging the importance of preserving his legacy.

EWOUT SWART STEPS DOWN AS CO-PRESIDENT OF SPINNIN’ RECORDS

Read more news at beatselectormagazine.com

Niels Walboomers (pictured below) will take on an expanded role as President of Warner Music Group’s Recorded Music and Publishing in Benelux, now overseeing the Amsterdam-based dance label Spinnin’ Records.

The label will remain independent from WM Benelux, and Walboomers will collaborate closely with Jorn Heringa on A&R activities.

Ewout Swart (pictured left), who joined in 2009 and rose to Co-President in 2023, is part of this leadership change following Roger De Graaf’s exit in November 2024.

Spinnin’ Records has achieved significant success, claiming to have helped artist CYRIL reach over 1.5 billion streams. Simon Robson emphasized that new

leadership will enhance the label’s connection to the music business in Benelux and thanked Ewout for his contributions.

LGMUSICPUB ACQUIRES PHENOMENAL FEAT. SNOOP DOGG IN GLOBAL PUBLISHING ADMINISTRATION DEAL

Lgmusicpub Publishing Agency Int’l LLC proudly announces the exclusive signing of “Phenomenal,” a standout track by Brian Elliott Smith, CEO of 804 Music / Bard Up Entertainment. The song is performed by It’s K. I. , featuring Snoop Dogg, who won a Primetime Emmy for the Super Bowl LVI Halftime Show and has a star on the Hollywood Walk of Fame. This signing expands Lgmusicpub’s portfolio of music assets and shows their commitment to securing top music rights and supporting artists globally. Snoop Dogg is a major figure in hip-hop with a career spanning over three decades and has earned many accolades, including life time achievement awards.

INTHE NEWS

AIAIAI AND BRAIN DEAD CELEBRATE LA’S MUSIC CULTURE WITH LIMITED EDITION HEADPHONE

Danish audio company AIAIAI teamed up with the creative collective and lifestyle brand Brain Dead to celebrate Los Angeles’s music culture. They released a limited number of special AIAIAI Tracks headphones, combining their cultural strengths and design styles.

This collaboration started on January 28, 2025, in both AIAIAI and Brain Dead stores, as well as select retailers.

The collaboration applies Brain Dead’s design approach to AIAIAI’s modular audio technology. These award-winning headphones feature 40mm speaker drivers for excellent sound quality with

strong bass and clear highs. The unique design reflects the essence of both brands, creating something fresh and stylish. Additionally, there will be a limited run of Unit-4 Studio Monitor speakers, designed with Brain Dead’s motifs. These speakers deliver studio-quality sound wirelessly, with ultra-low latency and uncompressed audio.

AIAIAI Co-Founder Frederik Jorgeson expressed excitement about collaborating again with Brain Dead, recalling their first partnership in 2018. To celebrate the launch, AIAIAI and Brain Dead held an event with a compilation tape to break barriers in the LA music scene, donating proceeds to the California Fire Fund. The event took place on January 25 at Zebulon and featured live performances and local vendors.

THE 2025 LATIN GRAMMYS ADD NEW FIELD & TWO CATEGORIES

Read more news at beatselectormagazine.com

The Latin Recording Academy is adapting to changes in the music industry and has introduced updates for the 2025 Latin GRAMMYs, also known as the 26th Annual Latin GRAMMY Awards

A new field for Visual Media has been added with the category Best Music for Visual Media. This category honors original music made to enhance movies, TV shows, video games, and other visual projects. The music must either showcase Latin rhythms recognized in the Latin GRAMMY awards or be created by someone of Ibero-American descent. To qualify, the original music must last at least 15 minutes, and it can include songs in Spanish, Portuguese, or regional dialects, as well as instrumentals. The award is given to key contributors including composers, artists, and engineers involved in the project's recording.

Another new category is Best Roots Song, which focuses on new recorded songs that reflect cultural traditions, especially Hispanic American ones, in languages such as Spanish or Portuguese. The award goes to the songwriters, with special recognition for music publishers.

APPLE MUSIC INTEGRATES WITH DJ APPS FOR MIXING

Apple Music has launched a new feature called “DJ with Apple,” allowing subscribers to create and mix music directly from its library of over 100 million songs. This feature connects with DJ software and hardware from companies like AlphaTheta, Serato, and Denon DJ, creating a platform for mixing and discovering music. It also includes a dedicated DJ with Apple Music category page and curated playlists for DJs. This initiative expands on previous programs aimed at DJs, and Stephen Campbell from Apple Music emphasizes their support for DJs and the creative process. The feature follows a recent promotional subscription offer.

NAPSTER ACQUIRED FOR $207M BY INFINITE

REALITY, VALUED AT $12. 25BN

Napster, known as the longest-operating digital music service, has been acquired for $207 million by tech startup Infinite Reality (iR), which specializes in extended reality (XR) and artificial intelligence (AI). Jon Vlassopulos, the current CEO of Napster and a former Global Head of Music at Roblox, will remain CEO of Napster and take on a wider role with Infinite Reality. This acquisition follows Infinite Reality’s

INTHE NEWS

recent $3 billion funding round, which brought the company’s valuation to $12. 25 billion. The company is supported by various investors, including RSE Ventures, Liberty Media, Lux Capital, and notable individuals like Steve Aoki and NBA player Rudy Gobert.

John Acunto, Co-Founder and CEO of Infinite Reality, expressed that acquiring Napster will create a better future for artists and fans alike. He highlighted the goal of shifting the internet from a 2D web to a 3D conversational experience, providing creators with tools to engage their audiences effectively. Acunto believes the artist-fan relationship is changing, with fans wanting more personal connections and artists seeking new revenue opportunities. The aim is to establish an ideal music platform for artists in the evolving digital landscape.

PROMINENT PRODUCER MATTHEW BERNARD, AKA MTECH, SIGNS GLOBAL PUBLISHING DEAL WITH SONY MUSIC PUBLISHING

MTech. His catalog features six tracks from Kendrick Lamar’s album “GNX,” which was unexpectedly released last November and reached No. 1 on the US Billboard 200. Notable tracks include Luther and Squabble Up, both of which debuted at No. 1 on the Billboard Hot 100. MTech also contributed to Lamar’s diss track Euphoria, as well as works by Kali Uchis and Blxst.

Sony Music Publishing Manager Lauren Munroe expressed gratitude for collaborating with MTech, praising his talent. MTech shared that his journey has had challenges but emphasizes the power of faith and love in overcoming them. Sounwave applauded MTech’s talent and work ethic, predicting his success as a leading producer. MTech’s manager, Gary Biddy, called the Sony deal a “dream come true” and highlighted the collaboration between Sounwave and MTech.

A NIGHT TO REMEMBER

The 67th Annual Grammy Awards was more than just a celebration of music—it was a reflection of the industry’s diversity, innovation, and cultural impact. From hip-hop dominance to pop anthems and rock legends, the evening proved why the Grammys remain the pinnacle of musical achievement.

RECAP

A NIGHT TO REMEMBER: THE 67th ANNUAL GRAMMY AWARDS RECAP

Photography: Courtesy of Parkland Entertainment

BEYONCÉ “COWBOY CARTER”

ALBUM OF THE YEAR

One of the most anticipated categories of the night, Album of the Year, saw Beyoncé taking home the prestigious award for COWBOY CARTER. The genre-blending album showcased her ability to innovate and redefine contemporary music, solidifying her status as one of the most influential artists of all time. Competing against the likes of Billie Eilish, Taylor Swift, and André 3000, Beyoncé’s win was a testament to her artistic evolution.

KENDRICK LAMAR:

R.O.T.Y. & S.O.T.Y.

Kendrick Lamar proved once again why he remains one of the most important voices in hip-hop. His track “Not Like Us” earned him both Record of the Year and Song of the Year, marking a significant moment in his career. The song’s hard-hitting lyrics and powerful production resonated with audiences, making it a standout anthem of the year.

CHAPPELL ROAN: BEST NEW ARTIST

The Best New Artist category was fiercely competitive, featuring a diverse lineup of emerging talent. Chappell Roan ultimately took home the Best New Artist award, solidifying her place in the industry. With her unique sound and undeniable stage presence, she has captured the attention of both critics and fans alike.

SABRINA CARPENTER GETS TWO TROPHIES

The pop and dance categories were filled with exciting moments. Sabrina Carpenter’ earned two awards: Best Pop Solo Performance-”Espresso” and Best Pop Vocal Album for “Short n’ Sweet.”

CHARLI XCX “BRAT” WINS THREE AWARDS

In the Dance/Electronic category, Charli XCX took three awards for “Brat”: Best Dance/Electronic Music Album; Best Dance Pop Recording; and Best Recording Package

LADY GAGA & BRUNO

MARS: BEST POP DUO

Lady Gaga and Bruno Mars won the award for Best Pop Duo/Group Performance for their hit song “Die With a Smile,” bringing Lady Gaga’s total Grammy wins to 14.

JUSTICE: BEST DANCE/ ELECTRONIC RECORDING

Justice and Tame Impala won the award for Best Dance/Electronic Recording for their collaboration, “Neverender,”. This win marked their third Grammy and Tame Impala’s first ever.

FNZ & MARK RONSON: REMIX OF THE YEAR

Mark Ronson and duo FNZ won the Best Remixed Recording Grammy Award for Sabrina Carpenter’s “Espresso.” The edit beat a slew of remixers, including Kaytranada and David Guetta.

SIERRA FERRELL: THE GREAT SURPRISE

Sierra Ferrell swept the Americana and American Roots categories at the 2025 Grammy Awards, winning four awards for her album “Trail of Flowers” and the song “American Dreaming”.

The “John Lennon - Mind Games (The Ultimate Collection) Super Deluxe Box Set”, designed by Sean Ono Lennon & Simon Hilton, won the Grammy Award for Best Boxed/Special Limited Edition Packaging.

DANIEL NIGRO P.O.T.Y.

Daniel Nigro won the “Producer of the Year, NonClassical” award. He was also nominated in four other categories that evening, including Song of the Year and Record of the Year.

Beyoncé

HISTORIC GRAMMY WINS: A LEGACY OF MUSIC EXCELLENCE AND RECOGNITION

Beyoncé Knowles-Carter, a name that resonates with power, creativity, and unparalleled success, is one of the most decorated and influential artists in the world. Her journey to superstardom is a testament to not only her talent but also her hard work, perseverance, and innovative approach to music. Over the years, Beyoncé has amassed a record-breaking number of Grammy Awards, solidifying her status as a cultural icon. In this extensive exploration, we dive deep into her incredible Grammy wins and the impact of those victories on her career, the music industry, and pop culture.

Photography: Courtesy of Parkland Entertainment

EARLY BEGINNINGS AND FIRST GRAMMY WINS

Beyoncé’s career began long before she became a solo artist. As a founding member of the groundbreaking group Destiny’s Child, she achieved considerable success, with the band earning their first Grammy Awards in 2001 for Best R&B Performance by a Duo or Group with Vocals for the hit song “Say My Name.” This early recognition marked the beginning of a Grammywinning legacy for Beyoncé, but it was only a prelude to what was to come.

After the group disbanded in 2002, Beyoncé embarked on a solo career that would eventually surpass her Destiny’s Child achievements. Her first solo Grammy win came in 2004, with the release of her debut album Dangerously in Love. The album showcased her vocal prowess, songwriting skills, and undeniable charisma, earning her five Grammy Awards that year, including Best Contemporary R&B Album and Best R&B Song for the timeless hit “Crazy in Love.” It was clear that Beyoncé was destined for greatness.

A DECADE OF DOMINANCE: BEYONCÉ’S EXPANDING GRAMMY COLLECTION

As Beyoncé’s career continued to evolve, so did her presence at the Grammys. With each album, she introduced something new and exciting, pushing boundaries while staying true to her roots. “B’Day”(2006), “I Am... Sasha Fierce” (2008), 4 (2011), and “Lemonade” (2016) were all milestones in her journey to becoming a Grammy legend.

One of the most memorable Grammy moments for Beyoncé came in 2010, when she received a record-setting six Grammy Awards in a single

night. This achievement cemented her as one of the most awarded artists of the decade. “Single Ladies (Put a Ring on It),” an anthem that transcended the music charts, won three of those six awards, including Song of the Year and Best R&B Song.

This victory was significant not only for its musical achievement but also for its cultural impact, as the song’s accompanying dance moves became a global sensation. Beatselector Magazine was among the first to recognize Beyoncé’s growing influence and predicted that this Grammy win would only be the beginning of many more to come.

The subsequent years were equally fruitful. In 2014, Beyoncé’s self-titled surprise album Beyoncé won Best R&B Performance for the sultry and powerful song “Drunk in Love,” featuring Jay-Z. The album’s release strategy, along with its visual and musical elements, revolutionized how albums were released and marketed in the digital age, making Beyoncé a trailblazer not only in music but also in business.

Her 2016 album “Lemonade” was another milestone. Lemonade was a seismic shift in pop culture, blending music, visual art, and powerful messages about identity, love, and social justice.

The album was universally praised, and it became a critical and commercial success, with Beyoncé taking home two prestigious Grammy Awards for Best Urban Contemporary Album and Best Music Video for the visual masterpiece “Formation.”

However, “Lemonade”’s Grammy snub in the Album of the Year category sparked a debate that continued for years, with many fans and critics believing that the album deserved that top honor.

THE QUEEN’S REIGN: BEYONCÉ’S HISTORIC 2021 GRAMMY WINS

In 2021, Beyoncé achieved one of the most significant milestones of her career. She won her 28th Grammy Award, surpassing the record for the most Grammy wins by a female artist, previously held by Alison Krauss. With her win for Best R&B Performance for “Black Parade,” Beyoncé further solidified her place in Grammy history. Black Parade, a celebration of Black culture and excellence, was released in the wake of the global protests sparked by the Black Lives Matter movement, and the song’s powerful message resonated deeply with fans and critics alike. In addition to this monumental win, Beyoncé

became the first Black woman to win the Grammy for Best Dance/Electronic Album for “Renaissance” (2022), her long-awaited album that showcased her versatility and continued innovation in music.

This was another historic achievement for the artist, reflecting her constant growth and commitment to challenging the boundaries of genre. “Renaissance”’s mix of house, disco, and electronic sounds was a bold and brilliant reinvention, marking a new chapter in Beyoncé’s career. With “Renaissance,” she not only continued her legacy of musical excellence but also took home the Grammy for Best Dance/Electronic Recording for “Break My Soul,” a song that became a global anthem for liberation and joy.

Photography: Robert Gauthier

BEYONCÉ AND THE GRAMMY’S CULTURAL IMPACT

Beyoncé’s Grammy wins go beyond the accolades and the trophies. Her victories are a reflection of her evolution as an artist and her ability to push cultural boundaries. She has used her platform to speak out on important issues such as racial equality, feminism, and the empowerment of Black women. Her Grammy moments have often been symbolic of larger societal shifts, with Beyoncé frequently using the stage to uplift her community and make a statement.

In addition to her Grammy wins, Beyoncé has set numerous records. She is the mostnominated woman in Grammy history and holds the distinction of being the first artist to win the Grammy for Best R&B Performance for four consecutive years. Her influence extends beyond her own awards—she has shaped the music industry in ways that will resonate for generations to come.

From her early days with Destiny’s Child to her groundbreaking solo career, Beyoncé’s journey has been one of innovation and influence. Her ability to continuously evolve while remaining true to her roots has kept her at the top of

the music world. We praise Beyoncé for her consistency and for using her platform to elevate conversations around social justice, equality, and empowerment.

THE LEGACY CONTINUES

As Beyoncé continues to evolve as an artist, there is no doubt that her influence will only grow. With her recent Grammy wins, Beyoncé has proven that she is not just a music icon but also a force for change.

Her artistry, activism, and dedication to pushing the boundaries of music make her one of the most important artists of our time.

Beyoncé’s Grammy legacy is far from over, and as she continues to break barriers, we can expect to see even more groundbreaking achievements in the future. Her ability to adapt, innovate, and challenge the norms will ensure that she remains a dominant figure in the music industry for years to come.

As Beatselector Magazine and the world continue to witness Beyoncé’s journey, one thing is clear: her Grammy wins are a reflection of not just her talent but her profound impact on music and culture.

SIDEBAR

BEATSELECTOR MAGAZINE PAYS TRIBUTE TO BEYONCÉ’S SIRDAVIS WHISKEY:

A LEGACY OF CRAFTSMANSHIP AND HERITAGE

Beyoncé Knowles-Carter has ventured into the world of spirits with the launch of SirDavis, an American whiskey that honors her great-grandfather, Davis Hogue, a moonshiner during the Prohibition era. Developed in partnership with Moët Hennessy, the brand represents both a deep family legacy and a commitment to world-class craftsmanship.

“My great-grandfather was a whiskey maker, and this is my way of honoring his legacy,” Beyoncé shared. “Whiskey is about storytelling, and SirDavis carries the story of my family, our roots, and our commitment to excellence.”

Crafted under the direction of Dr. Bill Lumsden, one of the foremost figures in the whisky world, SirDavis features a mash bill of 51% rye and 49% malted barley. The whiskey is aged in American oak barrels and finished in Pedro Ximénez sherry casks, resulting in a rich, layered flavor profile with hints of spice and fruit.

Before its official release, SirDavis was anonymously entered into several prestigious spirits competitions. The whiskey garnered top honors, including Platinum and Best in Class for American Whiskey at the 2023 SIP Awards, a 95-point Gold rating at the 2023 New York International Spirits Competition, and a 93-point score at the 2023 Ultimate Spirits Challenge.

Photography: Atiba Jefferson

“We knew we were making something special, and to receive recognition from the spirits community felt validating.”

The whiskey is presented in a sophisticated, ribbed bottle featuring a bronze horse atop a black medallion—a tribute to Beyoncé’s Texas roots. Priced at $89 per bottle, SirDavis is available for pre-order online and is sold in select retailers across the U.S., London, Paris, and Tokyo.

Beatselector Magazine is proud to pay tribute to the legacy of Davis Hogue, honoring the history behind the brand. The magazine highlighted the deep cultural roots of SirDavis and praised its successful blend of tradition and innovation, stating, “In every bottle, SirDavis is a nod to the past while embracing the future—a true homage

to Beyoncé’s vision and her family’s heritage.”

Through SirDavis, Beyoncé aims to bring whiskey to a broader audience, blending tradition with innovation. “This is for those who appreciate craftsmanship, history, and quality,” she stated. “I hope people enjoy every sip as much as we enjoyed creating it.”

With its impeccable flavor profile, striking packaging, and deep cultural significance, SirDavis is poised to make a lasting impact in the whiskey industry.

Photography: MasonPoole

Charli

”

It was January 2024, and the foundations of “Brat” had already been firmly established, a restless energy pulsating beneath her skin. The sharp, synthetic rhythms and warped vocals marked a departure, a purposeful plunge into the thrilling and fierce domain of 2000s rave culture that had always captivated her.

XCX A JOURNEY TO GRAMMY TRIUMPH AS THE “ULTIMATE POP BRAT

February came, unveiling “Von Dutch,” the initial glimpse into this fresh auditory realm. The track hit like an electric shock, with its harsh synths and assertive performance setting the stage for what lay ahead. The visuals, saturated in that unmistakable neon green, reinforced the “Brat” aesthetic – fearless, audacious, and undeniably stylish. Both fans and critics began to take note, generating a growing excitement around this new direction. As spring unfolded, so did further insights into the “Brat” universe. Studio clips and enigmatic posts on social media heightened the hype. May arrived, bringing with it “360,” a track that felt both nostalgic and boldly innovative, merging her pop instincts with the unrefined vigor of the underground. The intricate sound layers and nearly shouted vocals epitomized Charli’s attempt to break barriers, challenging listeners to keep pace.

June 7th marked the much-anticipated release of “Brat. “ It transcended the typical album launch; it was an event in itself. The sequence of tracks provided a unified and exhilarating expedition through a neon-drenched nightlife, each song delivering an exhilarating burst of frenzied energy mixed with introspective depth. Critics celebrated its audacity and originality, proclaiming it among the finest albums of the year. Shortly after, the deluxe edition emerged as a coveted bonus for the devoted “angels” eager for more. The summer of 2024 became emblematic of “Brat Summer. “ The album served as the backdrop for an abundance of parties and late-night road trips. The “Apple” dance, a seemingly effortless yet irresistibly catchy routine Charli frequently showcased, became a viral phenomenon on TikTok. Even unexpected personalities, including Vice President Kamala Harris, humorously referred to the “Brat” style online, illustrating its impressive outreach.

As autumn approached, Charli embarked on tour. The “Sweat Tour” with Troye Sivan evolved into an electrifying showcase, a tribute to electronic music and queer celebration. Collaborating with another trailblazer felt inherently right, their united energy captivating audiences throughout North America. Behind the scenes, amidst the pulsating lights and resonating bass, a sense of camaraderie and collective artistic pursuit flourished.

The accolades began to accumulate. Nominations for the Grammys and BRITs signaled the industry’s acknowledgment of “Brat’s” influence. Victories followed – winning the Grammy for Best Dance/ Electronic Album was especially rewarding, a mark of her daring approach to experimentation and pushing pop’s limits. The reported success at the BRIT Awards in early 2025 cemented her remarkable year.

Beyond her musical endeavors, Charli ventured into various creative pursuits. The announcement of her participation in the remake of “Faces of Death” and Greg Araki’s latest film enhanced her already diverse artistry. Her fashion, consistently daring, embraced the neon green and vibrant silhouettes reminiscent of the “Brat” period, establishing her as a style icon for a fresh generation. Collaborations with major brands like Valentino and SKIMS further solidified her impact outside the realm of music.

As the year came to an end, the Brat Tour commenced in the UK, marking a solo venture that allowed Charli to dive deep into the universe she had crafted. Each performance transformed into a visceral occasion, a sweaty, euphoric exchange of energy between the performer and the audience.

Photography: Courtesy of Atlantic Records

Even the typically unexciting field of lexicography took note of the “Brat” phenomenon. Collins Dictionary crowned “Brat” as their word of the year, signifying not merely the album, but the bold, independent, and even hedonistic spirit it epitomized. It served as a cultural endorsement, acknowledging that Charli XCX had not only released an album but had also captured an emotion, a snapshot in time.

Reflecting on 2024, it was evident that this year was a defining moment for Charli XCX. “Brat” transcended being a mere collection of tracks; it stood as an artistic proclamation, resonating profoundly with critics, fans, and broader society. The bright neon green light paved the way for a new phase in Charli’s career, characterized by fearless experimentation, unapologetic selfexpression, and the undeniable energy of a fantastic rhythm. The vibrant energy that fueled its inception had blossomed into a year of success, reinforcing her position as one of the most essential and inventive figures in pop music. 

CRITICAL & COMMERCIAL SUCCESS OF “BRAT”

“Brat” was the highest-rated album of 2024 according to Metacritic and topped numerous year-end lists from publications like Billboard, Consequence, Entertainment Weekly, The Guardian, NME, Rolling Stone, and more. The album became Charli XCX’s second UK number-one album.

CULTURAL IMPACT

The album and its aesthetic had a significant cultural impact, with “Brat Summer” becoming a popular term. Collins Dictionary even chose “Brat”

as their word of the year, defining it as a “confident, independent, and hedonistic attitude.” Charli’s “Apple” dance went viral on TikTok, and even political figures like Kamala Harris embraced the “Brat” aesthetic on social media.

AWARDS AND RECOGNITION

Grammy Awards (2025)

“Brat” won three Grammy Awards: Best Dance/ Electronic Album, Best Dance Pop Recording for “Von Dutch,” and Best Recording Package.

BRIT Awards (2025)

Charli XCX reportedly swept the top awards at the 2025 BRITs.

Billboard Music Awards (2024)

She won Top Dance/Electronic Artist and Top Dance/Electronic Album for “Brat.”

Wall Street Journal Innovator Awards (2024) Honored as a Music Innovator.

Mercury Prize (2024)

“Brat” was shortlisted for the award.

Billboard Women In Music (2024) Received the Powerhouse Award.

ASCAP Global Impact Award (2024)

Recognized for her contributions to pop music.

20 YEARS OF EDM AT THE GRAMMY’S

Felix Buxton and Simon Ratcliffe formed Basement Jaxx in 1994 in London, England. The pair’s second album, Rooty, released in 2001, attained the No. 5 position on Billboard’s Top Dance/Electronic Albums chart. It produced the popular tracks “Romeo,” “Jus 1 Kiss,” and “Where’s Your Head At. “ In 2004, Basement Jaxx won the GRAMMY’s innaugeral Best Electronic/Dance Album award with Kish Kash.

20 05 BEST ELECTRONIC DANCE ALBUM KISH KASH

BASEMENT JAXX

20 06

BEST ELECTRONIC DANCE ALBUM PUSH

THE BUTTON

Push the Button marks the fifth studio record from the English electronic duo the Chemical Brothers, initially released in January 2005. The album garnered critical praise from music reviewers and won the Grammy Award for Best Electronic/Dance Album in January 2006.

THE CHEMICAL BROTHERS

THE DANCEFLOOR

Confessions on a Dance Floor is the tenth studio release by American vocalist and songwriter Madonna. It debuted on November 9, 2005, under Warner Bros. Records. The album garnered extensive praise, with reviewers deeming it a revival for Madonna and placing it among her finest works. In 2007, Madonna received the Grammy Award for Best Electronic/Dance Album.

MADONNA 20 07 BEST ELECTRONIC DANCE ALBUM CONFESSIONS ON

WE ARE THE NIGHT

We Are the Night is the sixth studio album from the English electronic music duo the Chemical Brothers released by Freestyle Dust and Virgin in the UK and by Astralwerks in the U. S. The album made its debut at number 1 on the UK Albums Chart, representing the band’s fifth straight album to reach the top. The album received a Grammy Award for Best Electronic/Dance Album during the 50th Grammy Awards.

20 08 BEST ELECTRONIC DANCE ALBUM

THE CHEMICAL BROTHERS

2007

Alive 2007 serves as the second live album from the French electronic music duo Daft Punk, which was launched on November 19, 2007 through Virgin Records. It showcases Daft Punk’s concert at the Palais Omnisports de ParisBercy venue in Paris on June 14, 2007 as part of their Alive tour. The album received a Grammy Award for Best Electronic/Dance Album in 2009.

20 09 BEST ELECTRONIC DANCE ALBUM ALIVE

DAFT PUNK

THE BUTTON

The Fame is the first studio album by American artist Lady Gaga. It was launched on August 19, 2008, under Interscope Records. Since its launch, The Fame has garnered several awards. The album received five nominations at the 52nd Annual Grammy Awards, including Album of the Year. It secured wins for Best Electronic/Dance Album and Best Dance Recording for the hit single “Poker Face. “

20 10 BEST ELECTRONIC DANCE ALBUM PUSH

LADY GAGA

La Roux is the debut studio album from the British synth-pop pair La Roux, which came out on June 26, 2009 through Polydor Records. At the 2011 Grammy awards, the album won the Best Electronic/Dance Album. A digital Gold Edition featuring 10 tracks was made available in the United States on 8 February 8, 2011, which includes the Kanye West-enhanced rendition of “In for the Kill. “

20 11 BEST ELECTRONIC DANCE ALBUM LA ROUX

LA ROUX

SCARY MONSTERS AND NICE SPRITES

Scary Monsters and Nice Sprites is the second EP by American electronic music producer Skrillex. It debuted exclusively on Beatport on October 22, 2010, under mau5trap and Big Beat Records. At the 54th Annual Grammy Awards, it received two Grammy Awards: one for Best Dance Recording and another for Best Dance/Electronic Album.

SKRILLEX 20 12 BEST ELECTRONIC DANCE ALBUM

Bangarang is the fourth extended play by American electronic music artist Skrillex. It debuted on December 23, 2011, through Beatport. While Bangarang garnered mixed feedback from music reviewers, it achieved significant commercial success upon its release, making its way onto charts in Australia, Canada, New Zealand, Norway, Switzerland, the United Kingdom, and the United States.

SKRILLEX 20 13 BEST ELECTRONIC DANCE ALBUM BANGARANG

Random Access Memories is the final studio album by the French electronic music duo Daft Punk, released on May 17, 2013 via Columbia Records. At the 2014 Grammy Awards, the album secured victories in various categories, such as Album of the Year, Best Dance/Electronic Album, and Best Engineered Album, Non-Classical. Additionally, “Get Lucky” earned the accolades for Record of the Year and Best Pop Duo/Group Performance.

20 14 BEST ELECTRONIC DANCE ALBUM RANDOM ACCESS MEMORIES

DAFT PUNK

Syro is the sixth studio album by British electronic music artist and producer Richard D. James, known by his stage name Aphex Twin. It wasreleased on September 19, 2014 via Warp Records. Syro garnered widespread critical praise and achieved notable positions in various global charts, reaching number 11 on the US Billboard 200 and number 8 on the UK Albums Chart. The album won the Grammy Award for Best Dance/Electronic Album in 2015.

20 15 BEST ELECTRONIC DANCE ALBUM SYRO

APHEX TWIN

SKRILLEX AND DIPLO PRESENT JACK Ü

Skrillex and Diplo Present Jack Ü is the sole studio album by the American DJ partnership Jack Ü, comprised of Skrillex and Diplo released on February 27, 2015 via Owsla and Mad Decent. The album earned the Grammy Award for Best Dance/Electronic Album, and the track “Where Are Ü Now” received the Grammy Award for Best Dance Recording at the 58th Annual Grammy Awards.

20 16 BEST ELECTRONIC DANCE ALBUM

JACK Ü

Skin is the sophomore album from Australian electronic artist Flume. It debuted on 27 May 2016 through Future Classic. The album includes collaborations with Kai, Vic Mensa, Kučka, Tove Lo, Vince Staples, Allan Kingdom, Raekwon, Little Dragon, AlunaGeorge, MNDR, and Beck. Skin peaked at number eight on the US Billboard 200 and earned the Grammy for Best Dance/Electronic Album at the 2017 awards.

20 17 BEST ELECTRONIC DANCE ALBUM SKIN

FLUME

BEST ELECTRONIC DANCE ALBUM

KRAFTWERK 20 18

3D: THE CATALOGUE

3-D The Catalogue (German: 3-D Der Katalog) is the second official live album for the German electronic music group Kraftwerk. Released on May 26, 2017, across various formats, including a four-disc Blu-ray box set, an eightdisc CD box set, and a nine-disc vinyl box set, the collection features live renditions of every track from Kraftwerk’s studio albums. At the 60th Annual Grammy Awards, the album won Best Dance/Electronic Album.

Woman Worldwide is a remix album by the French electronic music duo Justice, released on August 24, 2018, through Ed Banger Records and Because Music. It is described as a compilation of ten years of Justice, mixed and remixed, showcasing reimagined tracks from their catalog. The album won the Grammy Award for Best Dance/ Electronic Album at the 61st Annual Grammy Awards.

20 19 BEST ELECTRONIC DANCE ALBUM WOMAN WORLDWIDE

JUSTICE

NO GEOGRAPHY

No Geography is the ninth studio album from the English electronic music duo the Chemical Brothers,released on April 12, 2019 by Virgin EMI Records in the UK and by Astralwerks in the US. The album includes contributions from vocalist Aurora and Japanese rapper Nene. It secured the Grammy Award for Best Electronic/Dance Album at the 62nd Annual Grammy Awards.

20 20 BEST ELECTRONIC DANCE ALBUM

THE CHEMICAL BROTHERS

BUBBA is the sophomore studio album by Canadian electronic music maker Kaytranada, launched by RCA Records on December 13, 2019. It received a Grammy Award for Best Dance/Electronic Album, and the popular track “10%” took home the award for Best Dance Recording at the 63rd Annual Grammy Awards.

KAYTRANADA 20 21 BEST ELECTRONIC DANCE ALBUM BUBBA

Subconsciously is the sixth studio album by Black Coffee, a South African DJ and music producer, which came out on February 5, 2021via Soulstic Music. Featured guest artists include Pharrell Williams, David Guetta, Diplo, and Usher. This album earned the Best Dance/Electronic award at the 64th Grammy Awards.

20 22 BEST ELECTRONIC DANCE ALBUM NO GEOGRAPHY

BLACK COFFEE

Renaissance, known as Act I: Renaissance, is the seventh studio album by American artist Beyoncé. Renaissance and its tracks received nine nominations at the 65th Annual Grammy Awards, including Album of the Year, and secured four awards, among them Best Dance/Electronic Album, establishing Beyoncé as the most awarded artist in Grammy history.

BEYONCÉ 20 23 BEST ELECTRONIC DANCE ALBUM RENAISSANCE

ACTUAL LIFE 3 (JAN. 1 – SEPT. 9 2022)

Actual Life 3 (January 1 – September 9, 2022) is the third studio album from British producer Fred Gibson under the stage name Fred Again. It was released on October 28, 2022, through Atlantic Records. At the Grammy Awards 2024, it won Best Dance/Electronic Album.

20 24 BEST ELECTRONIC DANCE ALBUM

FRED AGAIN

20 25 BEST ELECTRONIC DANCE ALBUM BRAT

Brat is the sixth studio album by Charli XCX, released on June 7, 2024. It features various producers and has a club sound inspired by 2000s English rave music. The album received nine Grammy nominations and won three.

CHARLI XCX

TRESOR 10 QUESTIONS WITH Africa’s pop star

A talented award-winning singer/songwriter, producer, and Grammy voting member, from the Democratic Republic of Congo, now under his VII Recordings label with Universal Music Group, is TRESOR, French for “treasure.“ TRESOR’s music reflects life events common in Africa, as well as, their ability to communicate in Swahili, French, and English. Left homeless, he moved from Goma to Durban in 2007 to follow music and had to pick up English fast while juggling several jobs to make ends meet. Taking seven years to complete, his first album, “VII,” came out in September 2015 with big name artist collaborations. The album was hugely successful worldwide; it won Best Pop Album at the 2016 South African Music Awards. Released on May 26, 2017, his second record, “The Beautiful Madness,” was generally well received. TRESOR is known for his original sound and has relatively quickly attracted a worldwide fan base. Involved in charity work, he is an ambassador for the Nelson Mandela Children Fund and campaigns for refugee rights.

BSM: Tell us about how you became a voting member of The Grammys.

TRESOR: “I was recommended by my colleagues as a young leader in the industry and as voice in pushing African music forward.”

BSM: What are the prerequisites and qualifications an artist needs to be considered for membership?

TRESOR: “You just need to have a great experience , be dedicated to your craft, and most importantly to be genuinely passionate about the music, because the role of everything here is to always reward the most deserving and creative.”

BSM: How long did it take to gain membership and how did you feel upon learning you had been accepted?

TRESOR: “If I remember correctly, it just takes a couple months. I learned that as a voting member, it comes with a great responsibility of first understanding how the sonic needles move, as well as, taking care of the musical community and being part of the community that gets to give the Artist the flowers for the most incredible work they’ve done.”

BSM: What are your roles and responsibilities as a voting member?

TRESOR: “To preserve the integrity of the community by voting and elevating the music I feel is the most deserving.”

BSM: What was your biggest takeaway from the 67th Grammy Awards?

TRESOR: “As a creative, nothing beats being true to yourself aways.”

BSM: Your list of accomplishments, awards, and nominations is impressive. Is there one moment that stands out among them?

TRESOR: “My first award was for South Africa’s best pop album of the year in 2016 and it was life changing. It felt so surreal and I could see my dream finally coming true. That same week Seal invited me on a tour. It was so special.”

BSM: You feel your generation needs musicians of the caliber of Fela Kuti, Papa Wemba, Hugh Masekela, Youssou Ndour, and Miriam Makeba. Please tell us more.

TRESOR: “I feel in the current world of social media clutter and trends , we need more sonic innovators and artists that are always ready to push boundaries.”

BSM: Tell us about the new music coming out of Africa.

TRESOR: “Man . It’s very exciting right now with sounds of South Africa Amapiano , Afrohouse , and bacardi. It’s a really special era of music ,...I love the new generation of afrobeats coming out of Nigeria which is more raw and unapologetic.”

BSM: You are often considered the leading force behind the African pop music scene. What are you doing to increase the popularity and exposure of the music?

TRESOR: “Right now we are expanding the awareness of the music by working with different artists from around the world be it via songwriting and production, but also in the next 5-10 years, we will be sharing plenty of music back to back.”

BSM: What do you have in store for your fans for 2025?

TRESOR: “Plenty of music, plenty of it ...and launching a new label to fully focus on African Dance Music.”

JAY-Z’S REASONABLE DOUBT

INDUCTED INTO THE GRAMMY HALL OF FAME: A TIMELESS HIP-HOP CLASSIC

JAY-Z’s debut album, “Reasonable Doubt,” has officially been inducted into the GRAMMY Hall of Fame, cementing its legacy as one of the greatest hip-hop albums of all time. Released on June 25, 1996, through Roc-A-Fella Records and Priority Records, the album was a raw and unfiltered look into the life of a hustler transitioning into a rap mogul. Now, nearly three decades later, its impact remains as powerful as ever.

THE SIGNIFICANCE OF GRAMMY HALL OF FAME INDUCTION

The GRAMMY Hall of Fame honors recordings at least 25 years old that hold both historical and cultural significance. With “Reasonable Doubt” now among the inductees, it joins the ranks of other timeless hip-hop classics like Nas’ “Illmatic” and The Notorious B.I.G.’s “Ready to Die.” Despite Reasonable Doubt not receiving a GRAMMY nomination upon release, its recognition today is a testament to its enduring influence on hip-hop.

In an industry where commercial success often dictates recognition, JAY-Z’s first album being honored by the Recording Academy reinforces its importance. Beatselector Magazine has long celebrated Reasonable Doubt as one of hip-hop’s finest masterpieces, and this induction only further solidifies its place in music history.

THE MAKING OF REASONABLE DOUBT

By the time JAY-Z released “Reasonable Doubt,” he was already a seasoned lyricist, but mainstream success had eluded him. With major labels uninterested in signing him, he and his business partners, Dame Dash and Kareem “Biggs” Burke, decided to launch Roc-A-Fella Records and release the album independently.

The album featured production from DJ Premier, Ski Beatz, Clark Kent, and a then-up-and-coming producer named Knobody. The sound was built around luxurious, jazzy beats that perfectly complemented JAY-Z’s mafioso storytelling and intricate wordplay. From tales of street life to reflections on ambition and betrayal, Reasonable Doubt painted a cinematic picture of hustler mentality and the cost of success.

KEY TRACKS THAT DEFINED THE ALBUM

“Can’t Knock the Hustle” (feat. Mary J. Blige) – The album’s opening track set the tone, blending street wisdom with smooth sophistication. Mary J. Blige’s soulful hook added to the song’s timeless appeal.

“Brooklyn’s Finest” (feat. The Notorious B.I.G.) – A lyrical showdown between JAY-Z and Biggie that remains one of the greatest rap collaborations in history.

“Dead Presidents II” – Built around a haunting Nas sample, this track became one of JAY-Z’s most iconic songs, showcasing his sharp lyricism and introspection.

“Feelin’ It” – A laid-back, introspective track reflecting on success, doubt, and ambition.

“D’Evils” – One of JAY-Z’s most powerful storytelling songs,

exploring themes of greed, power, and morality.

“Regrets” – A reflective closer that captures the emotional weight of the lifestyle he rapped about throughout the album.

THE ALBUM’S INFLUENCE ON HIP-HOP

Though Reasonable Doubt didn’t achieve immediate commercial success, it steadily grew in stature. Over the years, it became widely regarded as one of the greatest hip-hop albums of all time, often ranked alongside Illmatic, The Chronic, and Enter the Wu-Tang (36 Chambers). It laid the foundation for JAY-Z’s legendary career, with him later admitting that it remains his favorite album he ever made.

Artists from all generations have cited Reasonable Doubt as an influence, from Kendrick Lamar to J. Cole. The album’s themes of ambition, street politics, and self-made success continue to resonate, making it as relevant today as it was in 1996.

A LONG-OVERDUE HONOR

JAY-Z, who has since become the most decorated rapper in GRAMMY history, finally sees his debut album receive the recognition it deserves. The induction of Reasonable Doubt into the GRAMMY Hall of Fame not only honors JAY-Z’s legacy but also highlights hip-hop’s cultural significance on a broader scale.

As the album now takes its rightful place in music history, it serves as a reminder that true artistry stands the test of time. “Reasonable Doubt” was more than just an album—it was a statement, a movement, and the birth of a dynasty.

OVERDUE OVATION

Chris Brown Is Trending After Fans Realize He Only Has One Grammy

BY SHON MURDOCK

Chris Brown has been dominating the R&B scene for nearly two decades, delivering hit after hit and earning a dedicated fan base worldwide. However, social media was recently set ablaze when users discovered that the multi-talented artist has only won one Grammy Award throughout his career. The revelation has left many fans shocked, considering his extensive discography and undeniable influence in the music industry.

The Grammy Award in question was for his 2011 album F.A.M.E., which won Best R&B Album. Despite numerous nominations over the years, Brown has not secured another win, a fact that has reignited long-standing discussions about whether the Recording Academy has overlooked his contributions to music.

According to an investigation by Beatselector Magazine, industry insiders suggest that factors beyond his music, such as past controversies and evolving industry trends, may have contributed to his limited recognition by the Grammys. The magazine’s report highlights the disparity between Brown’s commercial success and his awards recognition, noting that while he has sold millions of records, charted numerous hits, and maintained a dedicated global fanbase, his accolades do not seem to reflect his impact.

Fans took to social media platforms like X (formerly Twitter) and Instagram to express their disappointment, with many arguing that Brown’s consistency and influence in R&B should have earned him more prestigious accolades by now. Some even pointed out that his peers, who debuted around the same time, have been more frequently awarded despite having smaller catalogs.

CHRIS BROWN’S GREATEST HITS

It’s not hard to see why fans feel Chris Brown’s accomplishments warrant more recognition. Over his career, Brown has amassed a catalog of chart-topping hits that have not only shaped the R&B genre, but also transcended it, blending elements of pop, hip hop, and even dancehall into his sound. Here’s a look at some of his most iconic tracks.

1

“Run It!” – The single that introduced Chris Brown to the world in 2005, “Run It!” was an instant hit, topping the Billboard Hot 100 and making him the youngest male artist to debut at number one. It set the tone for his career, showcasing his smooth vocals and impressive dancing skills.

“With You” – One of Brown’s most beloved ballads, “With You” from his “Exclusive” album (2007) showcased his softer side, charting in the top 10 of the Billboard Hot 100. The song’s romantic lyrics and smooth delivery won over fans and critics alike.

2

“Forever” – Released in 2008, “Forever” became one of Brown’s most memorable hits, blending infectious dance-pop with R&B. The track reached the top of the charts and has remained a staple at weddings, parties, and celebrations, further cementing Brown’s crossover appeal.

“Kiss Kiss” (feat. T-Pain) – From his “Exclusive” album, this song is a perfect example of Brown’s ability to seamlessly blend R&B with hip hop. The infectious chorus and upbeat tempo made it a club anthem and added another chart-topper to his repertoire.

5

“Deuces” (with Tyga & Kevin McCall) – This collaboration, released in 2010, was a massive hit, reaching number one on the Billboard Hot R&B/HipHop Songs chart. The song, which featured a smooth fusion of R&B and rap, showcased Brown’s versatility and his solid chemistry with Tyga.

6

“No Guidance” (feat. Drake) –

A collaboration with one of his biggest rivals, Drake, “No Guidance” was a gamechanging hit. Released in 2019, the track became an instant hit with fans of both artists. It was a major crossover success, showing that even with all their differences, Chris Brown and Drake had undeniable musical chemistry.

7

“Look at Me Now” (feat. Lil Wayne & Busta Rhymes) –

One of his biggest pop-rap crossovers, Look at Me Now was released in 2011 and became an iconic track in hip hop, with Brown’s high-energy performance and impressive rapping ability. The song was a milestone in his career, showing off his versatility and musical growth.

8

“Loyal” (feat. Lil Wayne & Tyga) – Released in 2014, “Loyal” became an anthem of sorts, with its catchy hook and infectious beat. It was one of the most successful singles of that year and further solidified Brown’s position in the R&B and hip-hop crossover space.

9

“Take You Down” –

A sultry R&B track from Exclusive (2007), “Take You Down” demonstrated Chris Brown’s ability to blend sensuality with smooth production. It became a fan favorite and remains one of his signature tracks.

10

“Take You Down” –

A sultry R&B track from Exclusive (2007), “Take You Down” demonstrated Chris Brown’s ability to blend sensuality with smooth production. It became a fan favorite and remains one of his signature tracks.

These songs represent just a glimpse of Chris Brown’s impressive catalog. Over the years, he has continued to evolve and experiment with new sounds, creating music that appeals to a diverse audience. From dance tracks to emotional ballads, Brown has demonstrated his ability to push boundaries and influence the genre in ways that few artists have achieved. The conversation about award institutions continues, with many questioning whether they truly represent the culture and influence of modern R&B artists. Whether or not the Grammys will revisit their stance on Chris Brown in the future remains to be seen, but for now, his fans continue to celebrate his legacy, award or not.

BE BOLD. BE LOUD. MAKE NOISE! DANIELA RIVERA

Daniela Rivera is a talented mixing engineer who has received an EMMY nomination and has been nominated twice for a GMA award. She is also a two-time GRAMMY participant, having contributed to Rihanna’s album “Unapologetic,” which won in 2014, and Wiz Khalifa’s “Blacc Hollywood,” which received a nomination in 2015.

Daniela is a multi-platinum audio engineer with numerous credits on Billboard-charting songs as well as film soundtracks, including work with Mariah Carey, Justin Bieber, and the animated movie “Zootopia. “

In 2022, she earned her second technical award nomination for Best Engineered Album/Vocal from Taiwan’s Golden Melody Awards, recognizing her mixing on Karencici’s album “99% Angel. ”

She holds an Associate’s degree in Audio Technology from SAE Institute and a Bachelor’s degree in Entertainment Business from Full Sail University. Her early career involved assisting with engineering at the renowned Silent Sound Studios in Atlanta, Georgia, under the guidance of Thom “TK” Kidd, and gaining further expertise during a four-year tenure with Phil Tan, a three-time GRAMMY-winning mixer.

Since 2016, Daniela has mentored others in music education and is currently a Governor for the Atlanta Chapter of the Recording Academy. She has received 72 RIAA Platinum certifications and has achieved over 38 billion streams in her work. With nearly fifteen years of professional experience, she began her journey at Silent Sound Studios, where she helped with recording, mixing, and production sessions, later moving on to work as a mix assistant and studio engineer under the mentorship of Phil Tan.

Currently, Daniela is a Governor for the Recording Academy’s Atlanta Chapter (GRAMMYs). As a freelance mixing engineer, she has earned nominations for both regional and international awards while collaborating with independent artists, producers, and labels worldwide, notably at the GMA in 2022, SouthEast EMMY in 2021, Golden Indie in 2020, and GMA in 2019.

Photography: Courtesy of Daniela Rivera

BSM: Your journey into sound engineering is inspiring. Can you share what initially drew you to the field of audio engineering and what pivotal moment solidified your decision to pursue it as a career?

DR: “My journey started with piano lessons and playing in the youth choir at church, which sparked my interest in composition. The real game-changer was purchasing a Korg Triton Studio in the mid-2000s. That keyboard opened up a whole new world of audio production and troubleshooting. I immersed myself in whatever resources I could find from VHS tapes, reading user forums and competing in online beat battles. I obsessed over the production styles of Mannie Fresh and studied

the techniques of Stargate. Through searching, I found SAE Institute where I would pursue my degree in Audio Technology. The journey came full circle when I later contributed to several #1 hits and Grammy projects, working alongside Stargate through their mixing engineer, Phil Tan.”

BSM: Participating on a Grammy winning album for your work on Rihanna’s Unapologetic was a landmark achievement. What was the process like for that project, and how did you approach crafting the sound that contributed to its success?

DR: I worked on 6 songs from the Unapologetic Album and showcased the power of collaborative excellence. I worked alongside an incredible teamPhil Tan handling the mix, Stargate on production, Miles Walker and Marcos Tovar engineering, and Chris Gehringer mastering. As mix assistant and studio engineer, I managed the crucial flow of files between producers, recording engineers, mixing, and mastering, while handling mix revisions, deliverables and label archiving. What I love most about mixing is its position between production and final mastering – it’s where we bridge the gap between the creative vision and what consumers hear on radio. We often worked under tight deadlines, sometimes finalizing mix approvals just hours before distribution deadlines to get tracks on radio the next week. Two of the singles, “Diamonds” and “Stay”, have accomplished the prestigious Diamond Certification (10,000,000 units sold).

BSM: You worked at the legacy Stankonia Studios, how was that experience?

DR: “A memorable experience! Stankonia is one of those studios oozing with juju in the building. There is some rich history from prior to the Outkast days (Soundscape Studios and later Bobby Brown’s Bosstown). I enjoyed being apart of the operation and that was my first major label freelance opportunity working on the album “Boomiverse”. Big Boi presented an all-star album including Scott Storch, Dr. Luke, Organized Noize, Mannie Fresh, Cory Mo and many more. I manned the B room recording and editing along with coordinating files and preparing for mixes.”

BSM: You’ve engineered Billboard-charting hits for stars like Mariah Carey, Justin Bieber, Selena Gomez, and Ne-Yo. How do you adapt your engineering techniques to align with each artist’s unique sound and creative vision?

DR: “I’ve helped engineer over 72 platinum records, and mixed over 100’s of cities across 5 continents. Success in audio engineering comes from matching your style with the artist/producer’s vision. My wheelhouse is top 40 pop with urban and alternative influences, but I’ve learned to adapt this foundation across genres. It’s about striking the right balance between honoring the genre’s authenticity and delivering that commercial-

ready sound. Sometimes that means dialing back the polish for a more raw sound, or adjusting compression and EQ to serve the song rather than my usual aesthetic. Working with international artists has been particularly enlightening – it’s taught me to blend local musical sensibilities with global production standards.”

BSM: Collaborating on the Zootopia soundtrack must have been a unique experience. What were your specific contributions to that project?

DR: “Working on Zootopia was a unique adventure! We started with B- roll footage - getting that early peek at the film was exciting. Working alongside Phil Tan on the

mix, I collaborated directly with the Music Supervisor and post-production team on deliverables. The process was similar for other Motion Pictures I worked on, like ‘Home’ and ‘Annie’. Each film required specific stem configurations for the film mixer, and I coordinated those technical needs. One of my favorite mementos is the thank-you CD I received from DreamWorks ‘Home’ post-production team.”

6. With degrees in Audio Technology and Entertainment Business, how has your education influenced your career trajectory?

DR: “My educational journey was a series of fortunate alignments. After a year of college prerequisites for radiology, I pivoted to audio technology. Those initial credits perfectly transferred to my audio certificate program, leading to an Associates in Applied Science. When a Full Sail scholarship opportunity arose, I seized it to pursue my Bachelor’s in Entertainment Business. This combination of technical and business education not only enhanced my studio work but opened doors to teaching at SAE Institute, where I helped shape the next

generation of audio professionals.”

BSM: In the studio, do you have any preferred audio gear, software, or tools that are essential to your engineering process? What innovations in technology excite you most as an engineer?

DR: “My first love in the studio is the SSL console - it’s where I cut my teeth as a student (later as an instructor) and still represents the pinnacle of audio engineering to me. While at Silent Sound Studio (later Super Sound Studio), I trained in traditional SSL 4000 G+ operations like automation and total recall, even keeping my old floppy disks from 2010. These days, most work happens ‘in the box’ but I still rely on SSL-style plugins. My favorite is Plugin Alliance’s emulations. I’m also digging the fresh perspective that Safari Pedals bring to the industry; full vibes and colorful processing.

BSM: You received a Daytime Emmy nomination for your work on the Morehouse and Spelman Colleges’ 94th Annual Christmas Carol. What was it like working on that project, and how did it

differ from your other work?

DR: The 2020 Morehouse-Spelman Christmas Carol Concert was both challenging and deeply rewarding. Working during the height of COVID-19, we had to reimagine how to capture a traditionally live performance with 50-60 vocalists and multiple instrumentalist recording separately from home. Each singer used different equipment in different acoustic spaces, from basic Zoom microphones to professional setups. The technical challenge was making it sound like one cohesive choir performing together. This meant careful manual alignment, selective use of pitch correction, and innovative noise reduction techniques - all while preserving the authentic feel of a live Glee Club performance. The Emmy nomination validated our creative solution to maintaining this 94-year tradition during unprecedented times.

BSM: Being a woman in a male-dominated industry comes with its challenges. Can you discuss some obstacles you’ve faced as a sound engineer and offer advice to young women

aspiring to enter the field?

DR: “My experience as a woman in audio engineering has been shaped by a mindset of possibilities rather than limitations. Growing up biracial (German/Black), I learned early that differences only become barriers when society labels them as such. I was fortunate to work with mentors, Thom “TK” Kidd and Phil Tan, who valued talent above all else, allowing me to build my career based on merit. While I succeeded before the current focus on diversity initiatives, I gained a deeper understanding of equity issues in our industry. Prior, women were at 2% representing audio professionals ... we are now up to 6%. I actively work to create opportunities and visibility through speaking engagements and mentorships. My inspiration is to inspire others and serve as a positive role model for music professionals.”

BSM: You’re recognized as a leader in advocating for diversity and inclusion in the music industry. Can you share some initiatives or projects you’ve been part of that have created opportunities for

women and people of color in sound engineering?

DR: “Creating opportunities in music technology has been a central focus of my career and I’ve participated in numerous initiatives to promote diversity. As a part of Women In Music (Atlanta Chapter), I was highlighted as 2023’s ‘Leading Ladies’ panel, which focused on technology advancement. Notable projects include organizing the ‘Women, Music, Technology’ seminar for Atlanta Public Schools’ 150th Celebration through Music Education Group. Recent involvement includes the Women In Music 2024 Summit discussing community and being a dual industry panel at Wavy Wayne’s MIXNIK 24. I’m particularly proud of helping produce AES Atlanta’s Engineers of Hip Hop 50th Anniversary celebration, which highlighted diverse engineering perspectives. Upcoming, I will be a Women In Music panelist for the Sync Spotlight conference held on April 5th in Sandy Springs. (Pictured here as a panelist)

BSM: With over 38 billion streams and numerous accolades, your career is a testament to excellence. What’s next for you? Are there any upcoming projects or goals you’re particularly excited about?

DR: “Absolutely! I’m thrilled to be launching Sonic Synopsis, my audio engineering and music consulting company. Drawing from my experience as a 3X Technical Award nominee and 15 years in the industry, I’m excited to share my knowledge and support upcoming engineers and producers. I’m also diving into immersive audio as a certified Dolby Atmos Mixer, currently working with Billboard #1 and Dove award artist-producer Rudy Currence, currently breaking top 30 at gospel radio with “God Don’t Cancel Me”. My ultimate goals are to expand my audio engineering career, finally win one of those nominations, get back to my start in piano collaborating in production and build multiple sustainable business’s. The sky is the limit!"

the grammy®

gods 2025

exclusive interviews & exposÉs

the grammy® gods 2025

EXCLUSIVE INTERVIEW

Photography: Courtesy of Elvis Williams

elvis “Blac elvis” williams

multi-Grammy Award Winning producer

Blac Elvis, born Elvis Williams, is a 2x Grammy Award-winning record producer, musician, and songwriter whose work has shaped the sound of contemporary music. He gained his Grammy recognition for his contributions to Beyoncé’s I Am… Sasha Fierce album, including the bold and unforgettable track “Ego.” This achievement solidified his reputation as a powerhouse producer capable of creating genre-defining hits. Rising to prominence in 2005, Blac Elvis became a trusted collaborator for some of the industry’s biggest stars, including Usher, Ludacris, Ciara, Kelly Rowland, Fergie, and Mario. With chart-topping tracks like Fergie’s “London Bridge,” Ciara’s “Promise,” and Mario’s “Crying Out for Me,” his ability to craft infectious melodies and cutting-edge beats has made him a music industry titan.

In addition to his musical accolades, Blac Elvis is a trailblazing entrepreneur. He has launched multiple record labels and production companies, providing a platform for emerging talent while innovating within the music business. Not content to stop there, he has entered the tech world with groundbreaking AI ventures such as Hero Alert and Red Kulture AI. These projects reflect his visionary mindset, blending creativity with technology to push boundaries and redefine what’s possible across industries. This BeatSelector Magazine exclusive dives into how Blac Elvis merges his love for music and innovation to remain a leader in both fields.

With a career spanning nearly two decades, Blac Elvis’s influence goes far beyond his Grammy wins. His forwardthinking approach and dedication to excellence have left an indelible mark on music and technology. As he continues to expand his impact, BeatSelector Magazine celebrates the legacy of a true innovator whose work continues to inspire and pave the way for future generations.

BSM: How did Like This become a defining record for Kelly Rowland’s solo career, and what’s the story behind your nickname, ‘The Cookie Monsta’?

EW: “Like This was, if I’m not mistaken, Kelly Rowland’s big breakout song. Of course she had records out before and had a lot of success with Nelly’s Dilemma, but “Like This” feat Eve was one that solidified her as a solo artist. This was also a huge record for me. Again, we originally crafted this record for Eve and after being dropped again by Dr. Dre, we decided to keep her on it and give the record to Kelly Rowland. This song was a lot of fun because my approach was simply church movements with horn and synth sounds. There was a box of really expensive cookies from Delicious Cookies in LA on the studio credenza at Chalice Studios and we arrived before Eve. Here I am thinking the box was for us or at least everybody and so I decided indulge myself. Eve walks in and open the box and scream...’Who ate my MF Cookies’ !!!!! Everyone pointed to me lending to my nick name, the Cookie Monsta. So, it didn’t hurt to make a glorious sounding record to lighten the mood until a

BSM: What made your chemistry with Ciara so successful, and how did it shape her sound and creative direction?

EW: “What made my creative chemistry with Ciara so successful was her incredibly easygoing energy and spirit. She’s the sweetest person you’ll ever meet. Her ability to dance and bring songs to life visually was the biggest part of where I drew my inspiration. Also, just being young and understanding young love, our records always provided a landing pad for other young girls at the time dealing with relationships and relationship issues. Cici would always be dancing during the sessions, and the energy in the room would just be electrifying.

BSM: You’ve worked in various genres, blending hip-hop, R&B, and pop. How do you manage to maintain your distinct style while adapting to different musical landscapes?

EW: “Balancing genres has never been a problem for me. I’m a true musician that grew up in church. I’ve been

I’ve been playing piano, organ and drums since I was 12yr’s old. Music is a universal language, so my interpretation of a genre while working with a specific artist is always true to who the artist is while applying sonics and emotion that appeals to that specific demographic.”

BSM: The backstory behind Glamorous is wild! Can you share how it went from a remix for Gwen Stefani to a global No. 1 hit with Fergie?

EW: “Working with Fergie was an incredible experience!! The backstory on these records is crazzzyyy!!!!

Glamorous was originally a remix for Gwen Stefani’s song Luxurious. She passed on the remix, and next thing you know, we’re in LA changing it to Glamorous—and it ended up becoming No. 1 in the world. Fergie always had an incredible voice and tone, but most importantly, she is an incredible vocal stylist. London Bridge and Glamorous don’t showcase her vocal ability but more so her stylistic vocal expression, which made the records what they are—hit records that will live for a lifetime!!! Still to date, Glamorous is one of my biggest records

BSM: What is your preferred audio gear or software when cranking out hits, and how does it contribute to your production style?

EW: “My favorite gear has definitely change over the years from using the MPC 2000XL, Roland Fantom X6, Voyager Moog, Ti Access Virus, Roland V Synth and a host of other sounds from the Open Labs Neko where all the big hits were made to using logic and my midi controller and mixing in some of the older gear for classic sounds.”

What was your initial reaction when you found out Ego was nominated for a Grammy, especially since it wasn’t originally intended for Beyoncé?

EW: “Winning a Grammy for Ego was a super surreal and pivotal moment in my career. I remember everyone calling and telling me congrats on the nomination, and I was like, wow, I didn’t even know at the time!!!! Life was already great since I had so many other No. 1 records,

but this one hit different because it was not expected at all, especially since Ego wasn’t originally crafted for Beyoncé! Me and my partner Harold Lilly originally crafted the record for Jamie Foxx, that’s why it’s such a piano-heavy record. My inspiration and vision was seeing Jamie play this song live while he was performing on stage. Although Jamie cut the record— which I will probably never release—I’m truly thankful he didn’t keep it and put it out!!!! Music always finds the right vehicle and home!!!!”

BSM: Run Run Run is one of your favorite records that you’ve produced. What was the process like, and how did it end up with Jill Scott instead of Beyoncé?

EW: “Run Run Run for Jill Scott has to be one of my most favorite records that I’ve produced. Again, me and my partner Harold Lilly were on a roll at the time, cranking out hits left and right. We met Jill in Philly after one of her concerts, where I was absolutely blown away by her performance. I literally had no clue how amazing she was live. We crafted Run Run Run for Beyoncé, honestly, but knowing Jill was working on a new album, we knew it would be perfect for her!!! My approach was simple: keep it funky and soulful. Being born in Mississippi and growing up in Memphis, my music is heavily influenced by Blues, Soul, Funk, and Gospel.”

BSM: What advice would you give to up-andcoming producers looking to make a mark in the music industry, especially in today’s rapidly changing musical environment?

My advice to any inspiring producer, songwriter or creative is to lock in to a source where you can draw inspiration from. My ultimate inspiration is God and the ability he gave me to hear and see melody. Being able to see what music looks like makes it easier to create. Being able to hear tone and melodies in the midst of creating is a gift from God. Moreover, being consistent and being able to deliver every time you’re called upon will keep you in the game for a very long time.

BSM: Can you share any upcoming projects you’re working on or any artists you’re excited to collaborate with in the near future?

EW: “Right now, I’ve been focused on building a lot of Tech and scaling my Tech Ai companies. I am excited about my Ai artist Yom Yom which is from the Planet Carth. Yom Yom, only 15yrs old, fled to earth because her planet was being taken over by the evil Pukis. She’s now here trying to navigate becoming a super star that sings and dance while having super powers and trying to make friends. I’m also excited about some other apps that I’ve developed that you guys will be able to download shortly. Most importantly, I’ve developed an app and software for 911 and first responders that allows callers to share Real-Time video, Location, Text, Phone Numbers and all the vital information needed in emergency situations. Tech is definitely purpose for me now while music still being my passion.”

BSM: Is there a dream collaboration artist that you would like to work with, and why does that collaboration stand out to you?

EW: “My dream collaboration would have been Michael Jackson. Like you said, I’ve worked with some of the best and yes, there are a lot of Artist that I would love to still work with, but nothing would compare to Michael.”

“Winning a Grammy for ‘Ego’ was a super surreal and pivotal moment in my career. I remember everyone calling and telling me congrats on the nomination, and I was like, wow, I didn’t even know at the time!!!!”

the grammy® gods 2025

EXCLUSIVE INTERVIEW

Photography: Courtesy of Jason Miles

jason miles

Grammy Award Winning producer

Jason Miles has brought to every new project he’s undertaken a boundless sense of curiosity and adventure. No less than Roberta Flack said about him, “Jason Miles has raised the level of excellence for the musicians who have had the good fortune of working with him, myself included. He has enriched the lives of millions of people.” And Miles Davis, in his 1991 autobiography, labeled Jason a genius—not a term he threw around!

From extensive collaborations with such giants as Miles Davis, Luther Vandross, Grover Washington, Jr., David Sanborn and Marcus Miller, to his own critically acclaimed recordings, including Black Magic (2020), Kind of New 2: Blue Is Paris (2017), To Grover With Love: Live in Japan (2016), Kind of New (2015), Global Noize (2008), What’s Going On?: Songs of Marvin Gaye (2006) and Miles to Miles (2005), New York native Miles has always been a restless seeker. Jason has shifted seamlessly between a multitude of genres, from R&B to Pop to Brazilian music and even children’s music and country (producing Suzy Boguss’ Sweet Danger)—and, of course, several different strains of jazz, from Latin to fusion.

As a master of the art of the synthesizer, and an innovator in synthesizer programming, Miles’ work can be heard on recordings by Whitney Houston, Michael Jackson, Aretha Franklin, Chaka Khan, Michael Brecker, The Crusaders, Ruben Blades, Freddy Cole, George Benson, Joe Sample, Herb Alpert, Vanessa Williams and many others. He has performed at top festivals and venues throughout the world, including the Monterey Jazz Festival, Jazz Aspen, Umbria Jazz, North Sea, Jacksonville Jazz Fest, Cape Town Jazz Festival, the New Orleans Jazz and Heritage Festival and Tokyo Blue Note.

BSM: Discuss your Grammy nomination for the track “Chasing Shadows” from your “Maximum Groove Coast to Coast” LP.

JM: “The Pianist from the Crusaders, Joe Sample, was a good friend for years. I loved his vibe on many of his solo albums.I wanted to do something that had his influence. I came up with the song and we, Myself, drummer Gene Lake and bassist James Genus, went into The Hit Factory in NYC and cut this track. There was no real solid melody. I had created a relationship with trumpet player and all around amazing person Herb Alpert. I asked Herb to play on the track. Just play what he felt. He loved the track and there were a number of sections with strong melodies so I created the melody from several of his recorded parts.

I also thought there were so many great spots that I could orchestrate around, and because it was so lyrical, it was there right in front of me. I asked guitarist Russ Freeman to add some guitar and there was the track.

I received very little record label support for the album ‘Maximum Grooves Coast to Coast.’ There was a lot of great music on that album, then one day I looked at my email and saw lots of emails. Many with congratulations on the subject. It was because we got a Grammy Nomination for best Instrumental performance. My revenge...I knew it was a great record. The song and album still holds up to this day.”

BSM: Sting won a Grammy for Best Male Pop Performance for the track “She Walk’s The Earth,” from your album “Love Affair: The Music of Ivan Lins.” A lot of people at the time were surprised about the win. What was your reaction?

JM: “In such a major category I absolutely thought we had no chance as the Album was with a smaller label. The night before the Grammys, we were at a party and number of people came up to me and thought we would win. They said ’Don’t bet against Sting.’

We also had another Grammy nomination for that album with Grover Washington, Jr. and the song ‘Camaleo.’ I was shocked when we won. It took me 8 years to get a deal for that album. Many doubted its validity, but I knew with those songs, and how I was

hearing it, I would make a great record. It’s the 25th anniversary of that album in September 2025 and I have some surprises in store for that.”

BSM: Compare the Grammy Awards of today versus the past year

JM: “Times change, the music changes, and the Grammys change. My generation isn’t so relevant anymore with the Recording Academy. I mean, you’re never going to have years where Whitney Houston, Peter Gabriel, Stevie Winwood, and Barbra Streisand were nominated for albums of the year. Albums like ‘Graceland,’ they just don’t exist anymore. Back then you had a producer making the album and various amazing songwriters. Now you could have 8 producers and 30 songwriters. Some of the songs written by 6 people.

Also, the talent is not as organic to me. I am from a very unique time and being there at that time has kept me doing this for 50 years. I will have 2 submissions this year. I don’t expect anything, but they deserve to be there. If anything, my talent has grown.”

BSM: You now live in Lisbon, Portugal. What drove you to make the move and are you happy with your decision?

JM: “We are very happy with our decision to move here. I have always had an affinity for the European Lifestyle. I was tired of the vibe that was happening in the U.S. It’s not the same country that I grew up in and loved. The music business also wasn’t the same.

After Covid-19, it really changed and I felt in the U.S. I had nothing left to give it and it had drastically changed at all levels.

The food here is fresh with no crap in it and is a much healthier lifestyle. Lisbon is a very vibrant city and it has amazing character. I felt that NYC had really lost its identity. The NYC that I grew up in increased my name recognition and career.”

BSM: Describe the differences between the U.S. music scene, Lisbon’s, and Europe’s general music scene.

JM: “The audiences here really appreciate someone with a real legacy. You are treated here with a whole other level of respect. Thats all I asked for and in the U.S., it wasn’t about that. It’s still difficult business no matter where you are, but here, my legacy and contributions are given respect and are recognized. I came back to the U.S. from a tour here in Europe in 2018 with fantastic reviews including a 4 star review from the Financial Times of London for a performance at Ronnie Scotts and shared them to my agent and nobody gave a shit. That was the time to think about leaving.”

BSM: What is the greatest lesson you’ve learned in all your years in the music industry?

JM: “Believe in yourself and don’t let anybody doubt you and your ability to make great music. Most of all find your own voice and style. That is how greatness is achieved. Also, learn the business. Its just as important as the music.”

BSM: What is your opinion on AI Technology. Is it good or bad for the industry?

JM: “Just like everything in technology there is good and bad. I don’t like the idea of AI writing songs for you. Take the tools and use them to get to the next level. There‘s really no shortcuts. That has never worked for longevity.”

BSM: Talk about your book “The Extraordinary Journey of Jason Miles: A Musical Biography.

JM: “It takes you up close and personal into my experiences in the music world. You are in the sessions with me and I give the reader a first hand and up close look at my career and experiences. You are right there with me working with Miles Davis, Luther Vandross, Sting and others. There is beauty, disappointment, some ugliness and commitment. It’s received raves all over the world.

Anybody truly interested in being up close and personal with iconic artists should read The Extraordinary Journey of Jason Miles...A Musical Biography ..and thats not hype.”

I’ve also finished my second one Journey To The Center

Of My Life In The Music Business. It talks a lot about my personal relationships and my journey to where I am at now.”

BSM: Tell us about your new music and future projects.

JM: “I brought a lot of archival material here to Portugal. I found the original digital master taken from the analog tapes of my 1979 album ‘Cosmopolitan’ with Michael Brecker, Marcus Miller and others. I transferred it to Pro Tools and had it remastered by Jimmy Bralower and it sounds awesome. That just came out. It’s streaming everywhere, and I also made limited CD runs as well. I put together a great band here in Portugal, The Lisbon Electric 4Tet. It is a NYC vibe of groove, funk and jazz, and it intersects with 3 superb musicians here in Lisbon. The Album is out April 28 and it’s a killer!! I also have a lot of music in the can including a follow up to ‘A Love Affair: The Music of Ivan Lins’ and ‘The Unity Funk Project’ dedicated to Bernie Worrell, so we will se how this all goes. I still have some fire and passion in me to make music and Portugal has given me the space and vibe to truly continue.”

the grammy® gods 2025

Photography: Courtesy of Jeremy Phillip Felton

jeremy PhilLip Felton

Grammy Award nominated singer/songwriter

Jeremy Phillip Felton, also known as Jeremih is an American R&B singer/songwriter and rapper. He embarked on a musical career after meeting record producer Mick Schultz in 2008, and signed a recording contract with Def Jam Recordings the following year. Jeremih’s 2009 debut single, “Birthday Sex” peaked at number four on the Billboard Hot 100 chart; it preceded the release of his self-titled debut studio album in June that year, which peaked at number six on the Billboard 200.

His 2010 single, “Down on Me” (featuring 50 Cent) saw continued commercial success and matched the chart position of “Birthday Sex”, also receiving sextuple platinum certification by the Recording Industry Association of America. It preceded the release of his second album All About You (2010), which was met with a critical and commercial decline. His 2014 single, “Don’t Tell ‘Em” (featuring YG) became his third top-ten hit on the Billboard Hot 100. The song and its follow-up singles, “Oui” and “Planez” (featuring J. Cole), each received quintuple platinum certifications by the RIAA and preceded the release of his third album, Late Nights: The Album (2015).

He formed the duo MihTy with singer Ty Dolla Sign in 2018, with whom he has released an eponymous collaborative album (2018). Grammy-nominated R&B artist Jeremih has officially entered the luxury wine market, joining an elite group of musicians and celebrities who have successfully launched their own wine and spirits brands. With the debut of Birthday Sex Chardonnay, Jeremih continues to expand his brand beyond music, leveraging his influence in the industry to create a high-end beverage that reflects his signature style.

JEREMIH’S MUSICAL LEGACY

Born Jeremy Phillip Felton, Jeremih burst onto the R&B scene in 2009 with his chart-topping hit “Birthday Sex,” which became an anthem of sensuality and celebration. The success of his debut single propelled his self-titled album to platinum status and solidified his place in the music industry.

Over the years, Jeremih has continued to release hit records, including “Down on Me” featuring 50 Cent, “Don’t Tell ’Em” with YG, and “Oui,” showcasing his smooth vocals and infectious melodies.

His collaborations with artists like Kanye West, Chris Brown, and Ty Dolla $ign further demonstrate his ability to stay relevant in the ever-evolving R&B landscape.

T HE BIRTH OF BIRTHDAY SEX CHARDONNAY

Inspired by the success of his music career and a passion for luxury experiences, Jeremih partnered with esteemed winemaker Russell Bevan to create Birthday Sex Chardonnay. Bevan, a highly respected figure in the wine industry, is known for crafting award-winning wines that exude elegance and sophistication. This collaboration merges Jeremih’s artistic vision with Bevan’s expertise, resulting in a Chardonnay that embodies smoothness, richness, and an undeniable sense of indulgence—much like Jeremih’s music.

The creation of Birthday Sex Chardonnay wasn’t just about attaching a famous name to a bottle. Jeremih was deeply involved in the process, from selecting the grapes to refining the flavor profile. The wine offers a luxurious tasting experience, blending notes of ripe fruit, balanced acidity, and a creamy texture, making it a must-have for both wine connoisseurs and R&B fans alike.

CELEBRITY INFLUENCE IN THE WINE AND SPIRITS INDUSTRY

Jeremih’s foray into the wine world places him among a growing list of R&B artists and celebrity musicians who have expanded their influence into luxury beverages. These ventures go beyond branding—they are strategic business moves that align with an artist’s lifestyle and appeal to their fan base.

A GROWING LEGACY IN LUXURY SPIRITS

With Jeremih’s Birthday Sex Chardonnay now entering the market, the connection between music and the luxury beverage industry continues to grow, providing fans and connoisseurs with a taste of the artistry that defines these influential musicians and now joins a prestigious list of celebrities who have established their own luxury beverage lines including:

Jay-Z – Armand de Brignac Champagne (Ace of Spades)

Mary J. Blige – Sun Goddess Wines

Jon Bon Jovi & Jesse Bongiovi – Hampton Water Rosé

Sting & Trudie Styler – Il Palagio Wines

Madonna – Leelanau Peninsula Wines

Dave Matthews – Blenheim Vineyards

Train – Save Me, San Francisco Wine Co.

Dwyane Wade – Wade Cellars

Dolly Parton – Dolly Wines (Prosecco and Rosé)

Beyoncé – SirDavis Whisky

John Legend – LVE Wines

James Harden – J-Harden Wine

the grammy® gods 2025

EXCLUSIVE INTERVIEW

Photography: Courtesy of Ken Oriole

ken oriole

Ken Oriole has spent years behind the boards, shaping the sound of some of the most influential records in music. With a Grammy win for his engineering work on Jon Batiste’s We Are, collaborations with artists like The-Dream and Anderson .Paak, and even sound work for Ozark, Oriole has cemented his place as a top-tier audio engineer. Starting in Atlanta and later making the move to New York, Oriole’s career has been a journey of persistence, skill, and adaptability. Working in legendary studios like Electric Lady and Shangri-La, he’s honed his craft in environments that foster creativity. But for him, the foundation of a great studio isn’t just about the gear—it’s about the people who run it. “The management sets the tone for everything,” Oriole says. “A well-run studio makes the process comfortable and allows artists to be fully creative.”

Throughout his career, Oriole has faced his fair share of challenges. When asked about the most difficult project he’s worked on, he points to New Blue Sun. “Not the artist, but the project,” Oriole reflects. “On any given day at the studio, I had no idea how many musicians or what instruments would be showing up, so I definitely had to mic up and record many new instruments that I had never previously worked with. But I also want to point out that the challenges made this the funniest project I’ve ever done.”

He’s worked with some of the best in the business, and when asked who has challenged him the most in the studio, his answer is clear: The-Dream. “His workflow and strive for excellence are unmatched,” Oriole shares. Beyond his impressive resume, Oriole continues to push himself and encourages up-and-coming engineers to do the same. His advice? Find a way to stand out. “I can’t tell you what that is for you, because it’s different for everyone. Some people master Melodyne, others get into mixing in Atmos. For me, I started as a studio tech, and my ability to read music has been invaluable. Never stop learning.” As for what’s next, Oriole remains tight-lipped, preferring to let the music speak for itself once it’s released. One thing’s for sure—his journey is far from over.

Grammy Award Winning audio Engineer

BSM: You won a Grammy for engineering on Jon Batiste’s We Are. What was that experience like, and what does it mean to you?

KO: “Recording was an amazing experience, as it always is when working with somebody with that much talent. The win was actually a surprise for me, but it is a nice feeling to be recognized by my peers in the industry. I was in the studio mixing, and the assistant came in saying, ‘I think you just won a Grammy.’ Halfway through my response of, ‘No way, my phone would be blowing up,’ my phone started blowing up. It was a fun experience.”

BSM: You’ve worked in some of the most iconic studios, from Shangri-La to Electric Lady. What makes a great studio environment for you?

KO: “Management. It all starts there, in regard to quality staff, gear maintenance, and great studio etiquette and vibes. Well-run studios make the process comfortable, which allows the artists to be fully creative.”

BSM: You started out in Atlanta and later moved to New York. How did that shift influence your career?

KO: “My NYC era was great and difficult. I moved with Andre, but then also met Jon because I was there. But then I also dealt with the COVID lockdowns. I have always appreciated my role in the industry, but the lack of ability to work during COVID definitely made me appreciate it on another level.”

BSM: Out of all the artists you’ve engineered for, who has challenged you the most in the studio?

KO: “Not the artist, but the project that was the most challenging would be New Blue Sun. On any given day at the studio, I had no idea how many musicians or what instruments would be showing up, so I definitely had to mic up and record many new instruments that I had never previously worked with. But I also want to point out that the challenges made this the funniest project I’ve ever done.”

BSM: Do you have a favorite DAW or piece of gear that you always rely on?

KO: “I’m pretty much all Pro Tools as for DAW, and as for mics and outboard gear, I try to gear it toward the project at hand. I work on a vast variety of different styles that require my choices to be project-based. Also, I prefer working in rooms with a console, and the Neve 80 Series consoles are my go-to for tracking.”

BSM: You’ve done sound work for Ozark. How does working in film and TV compare to working on an album?

KO: “It was very new to me. I did pre-record and playback, which was only a couple of scenes, so there was a lot of sitting around and waiting. I definitely prefer being in the studio, but it was also fun to have a completely different experience and challenges with audio.”

BSM: What advice would you give to up-andcoming engineers trying to break into the industry?

KO: “You have to find a way to stand out. I can’t tell you what that is for you, as it is different for every person. I have seen people’s careers blossom from various valuable skills, such as being an early master of Melodyne or, more recently, learning to mix in Atmos. For me, my beginnings were as a studio tech, and my ability to read music has come in very handy in some sessions. You need to try and pick up as many skills as you can—not just when starting out, but never stop learning. I am shown new software or even new features in Pro Tools from younger assistants all the time.”

BSM: What’s been one of the most unexpected collaborations in your career?

KO: “Andre actually produced a cover for Aretha Franklin. When we finished recording all the music and demo vocals, I assumed Aretha would finish her vocals with her people, but I got to go to Detroit and record with her. It was a surreal experience. I am terrible at taking photos in the studio, and this is one of the occasions that I really regret not getting any.”

BSM: You’ve worked on some of the most influential albums in the past decade. What do you think makes a timeless record?

KO: “Creativity and risk. And of course, a great engineer. Lol.”

BSM: What’s next for Ken Oriole? Any projects you’re excited about?

KO: “I have a few projects lined up for this year that I’m super excited about, but I don’t speak on records until they have been released.”

BSM: How was it working with Anderson .Paak, and what did you actually work on?

KO: “I only recorded an Andre verse for his album, which we did remotely, so I didn’t meet Anderson during this project. But years later, we happened to meet at a studio—he had just come by for a quick meeting with the artist I was currently working with.”

the grammy® gods 2025 EXposÉ

Photography: Courtesy of RENEGADE EL REY

renegade el rey

Grammy Award Winning audio Engineer

RENEGADE EL REY is known for his diverse talent in the music industry, recognized as an artist, songwriter, and Grammy Award-winning audio engineer. He comes from Memphis, Tennessee, a city known for its rich musical background, which has influenced his musical style and approach. Over the years, he has honed his craft, earning accolades for both his performances and technical skills in audio engineering.

Few figures in hip-hop today embody versatility like RENEGADE EL REY. An artist, songwriter, and audio engineer, he has played a significant role in some of the most celebrated projects in the industry. His latest achievement is his work on Killer Mike’s Grammy-winning album, Michael, which won Best Rap Album at the 2024 Grammys. In an exclusive conversation, RENEGADE discusses his journey, process, and what it means to be at the forefront of hip-hop’s sonic evolution.

One of his notable achievements is winning a Grammy Award as an audio engineer, highlighting his technical skill and ability to produce music that resonates with both critics and listeners. As a songwriter, he has a talent for creating lyrics and melodies that connect well with audiences, showcasing a comprehensive understanding of the music-making process from beginning to end.

RENEGADE EL REY has collaborated with top names in the music industry, which has helped him refine his skills and gain valuable insights. His contributions behind the scenes shaped the sound and success of various artists. Beyond his technical work, he impacts the stage as a performer, energizing audiences at major venues and demonstrating his dynamic talent.

With his impressive track record and skill set, RENEGADE EL REY is set to remain an influential figure in the music world. His ability to navigate different aspects of music production and performance makes him an important name to watch in the future. His dedication to his craft and his significant contributions to music underscore his importance in the industry.

BUILDING CHEMISTRY WITH KILLER MIKE

RENEGADE ’s working relationship with Killer Mike stretches back to Pledge 3. Over the years, he’s been a trusted collaborator, whether recording a quick feature or working on tracks with Big Boi. That familiarity led to a simple but game-changing call from Mike:

RER: “Let’s get in every day for 30 days and see where it goes,” Mike said.

RENEGADE agreed—and what started as a month-

long experiment ended with a Grammy win.

RER: “Fast forward… we’re at the Grammys in 2024. Look at God,” he reflects.

THE SIGNIFICANCE OF A GRAMMY WIN

While many would view a Grammy as a defining moment, RENEGADE sees it as another step in a long journey.

RER: “It’s a huge deal and a proud moment,” he acknowledges. “But for me, I was just working like I normally do, and will continue to do. I play that role for many artists, including myself—it’s just another day at the office. But it’s definitely a blessing for us to win the championship for once.”

THE MAGIC OF STANKONIA STUDIOS

As one of the top creative minds at Stankonia Studios, RENEGADE understands the magic that surrounds the legendary space.

RER: “Everyone comes in wanting to create the dopest product they can,” he explains. “People remember all the hits made here, so they take it seriously and bring their A-game.”

That creative energy fuels his approach to engineering, songwriting, and production.

THE ART OF BALANCING CREATIVITY

Juggling multiple roles—artist, songwriter, and engineer—is no easy feat. But for RENEGADE, it’s about letting the music dictate his involvement.

RER: “I work off deadlines a lot, which helps me prioritize. But creatively, all three roles work in tandem. If I’m engineering a session and an artist rewritten, I’ll help in real time. I wouldn’t ask for

writing credit in that case, but technically, I’m songwriting while engineering. At its core, that’s producing.”

WORKING WITH CEELO GREEN & KILLER MIKE’S VISION

RENEGADE was responsible for recording nearly 90% of Killer Mike’s vocals on Michael. But he’s quick to credit the other engineers who contributed to the album.

When it came to CeeLo Green’s intro on Michael, RENEGADE didn’t record his parts—Cory Mo did— but he still values the overall collaboration:

RER: “It’s always dope working with big brother Lo. He’s one of the most creative people I’ve ever worked with consistently.”

HIS UNIQUE APPROACH TO MIXING & PRODUCING

Every engineer has a signature approach, and RENEGADE ’s is all about crafting an immersive experience.

RER: “I aim to create a real experience with everything I work on. Songwriting and production-wise, I focus on the message and feeling, always finding ways to make it feel new. When it comes to mixing, I start with the drums, then the music, then vocals. Once I have everything balanced, I fine-tune the details.”

THE SECRET TO ELEVATING ARTISTS IN THE STUDIO

RENEGADE ’s philosophy is simple: it’s not about him—it’s about the artist.

RER: “I include myself as a supplement, not the main ingredient. I seek perfection—stacking vocals instead of relying on plugins, making sure each take is clean, ensuring every performance has soul. Little things like that make a huge difference in a song.”

WHO’S NEXT?

While RENEGADE has worked with some of the biggest names in music, there’s one artist he’s particularly excited about:

RER: “Yeah, it’s this artist from Memphis named RENEGADE EL REY… That mane is super dope! I LOVE working with him… lol.”

LOOKING AHEAD:

A DECORATED CAREER IN THE MAKING

For RENEGADE, the Grammy win is just another stripe on his uniform—a metaphor for the decorated career he’s building.

RER: “I’m working to be one of the best, to be legendary. This Grammy, the nomination with Kanye on Donda, the engineering and writing credits—they’re all colors to add to my uniform.”

HIS FAVORITE STUDIO GEAR & VISION FOR HIP-HOP’S FUTURE

RENEGADE prefers Pro Tools for its structure and industry-standard status. As for gear, he swears by the Avalon 737 preamp, Tube-Tech CL1B compressor, and SSL EQs.

AS FOR THE FUTURE OF HIP-HOP?

RER: “I contribute by continuing to work hard, and continuing to evolve as an artist, an engineer, and as a human in general.”

FINAL THOUGHTS

RENEGADE EL REY’s journey is proof that dedication, talent, and humility can take an artist far. From his early days honing his craft to becoming an integral part of hiphop’s evolving landscape, he has remained committed to excellence. His work behind the boards and on the mic has solidified his reputation as both a skilled engineer and a formidable artist in his own right.

Recording Killer Mike’s Grammy-winning album was a milestone, but it’s just one chapter in his ongoing story. Working out of the legendary Stankonia Studios, he has collaborated with some of hip-hop’s most influential figures, refining his skills alongside industry greats and helping shape the sound of modern rap. His ability to merge technical expertise with raw creativity has made him a sought-after force in the studio, and his impact is only growing.

In this exclusive conversation with Beatselector Magazine, RENEGADE EL REY reflected on his journey, discussing the dedication and perseverance it takes to succeed in an industry that’s constantly evolving. He spoke about the lessons learned from working with legends, the importance of staying true to his craft, and the hunger that keeps him pushing forward. “Every opportunity is a stepping stone,” he shared. “I’ve been blessed to work with some of the best, but there’s always another level to reach.”

What truly sets RENEGADE EL REY apart is his relentless drive for greatness. He continues to push boundaries, embrace new challenges, and elevate not just his own artistry, but the artists around him. With his talent, vision, and an unwavering commitment to the culture, there’s no telling how far his influence will reach. One thing is certain—his story is far from over.

the grammy® gods 2025

EXCLUSIVE INTERVIEW

Photography: Courtesy of Tami LaTrell

Tami latrell

Grammy BOARD MEMBER/MULT-PLATINUM songwriter & EXECUTIVE

Tami LaTrell is a multi-platinum songwriter known for her collaborations with notable artists like Whitney Houston, Monica, Keyshia Cole, and SWV. She began her music publishing career with EMI Music Publishing in 2002 and is now affiliated with EMI/Sony Music Publishing.

In 2018, after almost twenty years in the music industry, Tami shifted her focus from songwriting to supporting the music community. She started The Mezzo Agency, which provides various services for songwriters, artists, and producers, including catalog management, metadata enhancement, label services, royalty collection, and music clearance and licensing.

Since establishing The Mezzo Agency, Tami has reclaimed over $2 million in unclaimed royalties for her clients. Her roster includes notable names like rapper K Camp, producer El Jefe, songwriter Corte Ellis, Latin Grammy winner El Puma, and many others who depend on her agency to collect their royalties.

Tami also conducts music publishing and copyright workshops at her agency’s headquarters in Atlanta and advocates for music rights. She worked with The Recording Academy and the late Congressman John Lewis to help pass the Music Modernization Act. Additionally, she has lectured at several universities and participated in various podcasts and conferences as a music business expert.

Her achievements have been recognized in publications such as Ebony Magazine and Bloomberg Law. Tami graduated Magna Cum Laude from Texas Southern University and has studied at Harvard Law. She currently serves as the Vice President of The Recording Academy’s Atlanta chapter and is involved with several musicrelated organizations.

BSM: How do you define your role as Vice President at the Recording Academy chapter?

TL: “As Vice President of the Atlanta Chapter of the Recording Academy, my role is to advocate for the interests of music creators, ensuring that our community remains informed, empowered, and wellrepresented in the industry. I work closely with the Chapter President and board members to support initiatives that foster inclusivity, education, and advocacy for artists, songwriters, producers, and industry professionals. I also help oversee programming that supports independent artists and music business professionals in navigating the evolving landscape of the industry.”

BSM: Can you tell us more about The Mezzo Agency and your responsibilities there?

TL: “The Mezzo Agency is a full-service music administration company dedicated to protecting song copyrights and maximizing unclaimed royalties for independent music creators. We ensure that artists,

songwriters, and producers are properly registered, paid, and positioned for success in the publishing world. As the founder and CEO, my responsibilities include strategic leadership, overseeing copyright management, negotiating partnerships, and expanding our services to support a growing roster of clients. Our mission is to bridge the gap for independent artists who may not fully understand the business side of music, ensuring they receive the financial recognition they deserve.”

BSM: What are some of the highlights from your journey of building The Mezzo Agency, and how has it aligned with your values?

TL: “Building The Mezzo Agency has been an incredible journey, marked by milestones such as managing over $3 million in copyrights, distributing over $2 million in unclaimed royalties, and being recognized as one of the Top 100 Music Publishers in the U.S. by the National Music Publishers Association. One of my biggest highlights has been seeing independent artists finally receive the financial rewards they never

knew they had access to. My values of integrity, empowerment, and education are deeply embedded in The Mezzo Agency’s mission, ensuring that we uplift music creators while advocating for their rights.”

BSM: How do you prioritize your duties as Vice President of the Atlanta Recording Academy chapter while keeping The Mezzo Agency’s mission at the forefront?

TL: “Balancing both roles requires strategic planning and a deep commitment to serving the music community. I prioritize by aligning my efforts at the Recording Academy with the same mission that drives The Mezzo Agency—ensuring that music creators have a seat at the table. Whether it’s through policy advocacy, educational workshops, or industry networking, I use my platform to create opportunities that benefit music professionals at every level. Time management and a strong team also play a huge role in successfully managing both responsibilities.”

BSM: How does The Mezzo Agency approach

developing new talent compared to working with more established artists?

TL: “When working with emerging talent, The Mezzo Agency takes an educational and hands-on approach, ensuring that artists understand their publishing rights and how to monetize their music effectively. We offer free music biz assessments to help them establish solid administrative foundations so they don’t lose out on revenue opportunities. With more established artists, our focus shifts toward optimizing their existing catalog, uncovering lost royalties, and identifying licensing or synchronization opportunities that can maximize their earnings. Regardless of experience level, our goal is to empower every artist to operate with financial and creative freedom. And most importantly, they own their copyrights at 100%.”

BSM: What unique challenges have you encountered in the music and entertainment industry, and how have they shaped your business strategy?

TL: “One of the biggest challenges I’ve faced is the lack of education around music publishing, especially among independent artists. Many creators unknowingly leave money on the table due to misinformation or missing registrations. This gap shaped The Mezzo Agency’s strategy by focusing on artist education, transparency, and advocacy. Another challenge has been navigating an industry that historically favors major players. By building strong relationships, leveraging technology, and ensuring our clients receive fair compensation, we’ve been able to break through industry barriers and level the playing field.”

BSM: In your opinion, what role does diversity play in shaping the future of the music industry and your agency’s client roster?

TL: “Diversity is the foundation of innovation in music. The industry thrives when different voices, perspectives, and cultures are represented. At The Mezzo Agency, we actively support creators from various backgrounds, ensuring they receive the same access to publishing resources as mainstream artists. Our client roster reflects the diversity of today’s music landscape, spanning genres, cultures, and creative expressions. I believe that as the industry continues to evolve, the most successful companies will be those that embrace inclusivity in both business practices and artistic representation.”

BSM: You’ve had the opportunity to write for legendary artists such as Whitney Houston. What songs did you contribute to Whitney’s discography?

TL: “I wrote ‘Whatchulookinat’ for Whitney Houston’s ‘Just Whitney’ album. It was the first single from the project and marked my very first major song placement, establishing me as a professional songwriter. The song went on to be certified Platinum by the RIAA and found success internationally. Looking back, I’m incredibly grateful for that opportunity—it was a pivotal moment in my career. Interestingly, Whitney and I never had the chance to meet, and the way the placement came about was completely unexpected. But knowing that she resonated with a song I had written when I was still trying to break into the industry as an indie artist was

truly divine alignment.”

BSM: You’ve also worked with Keyshia Cole. Can you share which songs you contributed to her music?

TL: “I wrote Fallin Out on Keyshia Cole’s ‘Just Like You’ album, which was produced by Soulshock and Karlin, with additional production by Ron Fair to elevate the final arrangement. While it wasn’t released as a single, it remains a fan favorite, often resurfacing on social media. The album itself was GRAMMY-nominated and went Platinum. Fun fact: I originally wrote ‘Fallin Out’ for Brandy, and I was actually five months pregnant at the time. It was the last song I wrote in a marathon session where I completed about eight songs in just a few days, and it came together in only 30 minutes.”

BSM: Monica is another artist you’ve written for. What tracks did you have a hand in creating for her?

TL: “I wrote a song called ‘Anchor’ on Monica’s ‘Code Red’ album, a song originally crafted for Usher and intended to be the closing track on ‘The Best Man 2’ soundtrack. While Usher didn’t end up recording it,

Monica loved the record, and it ultimately became the final song placed before her album’s release with RCA. The recording process with Monica was a unique experience—she’s incredibly talented and down-toearth, but I quickly learned she prefers to record in a room that’s kept extremely warm! After 12 hours of vocal production and recording, she delivered a stunning and emotionally powerful ballad that truly showcases her vocal range.”

BSM: SWV has been a staple in R&B. What songs did you contribute to their body of work?

TL: “I was fortunate to work on two records for SWV’s comeback albums. Their return to music included collaborations with multi-Platinum producers Bigg D and Lamb, who reached out to me with tracks they felt were a great fit for the group. I wrote ‘All About You’ for their 2012 album ‘I Missed Us,’ a fun, feel-good track with a nostalgic roller-skating vibe. Then, for their next album, ‘Still’ (2016), I contributed ‘Let’s Make Music,’ a sultry R&B record that I had actually written for them back in 2012. It’s still surreal to know that I’ve had the opportunity to write for some of the incredible artists I grew up listening to.”

BEATSELECTOR | SHOP