A historical look back at the legendary label featuring photos & a spotlight on the Limited Edition TRAX Records: The 40th Anniversary Collection.
"VAMOS"is more than just a word—it’s an energy, a vibe."
AAPI HERITAGE PICKS IT'S TOP 5 MUSICIANS
Pushing cultural boundaries and creating innovative sounds in music today.
A head full of dreams, a voice full of nostalgia and a heart full of melancholic poetry.
““Le lapin en papier is deeply touching [...] The minimal arrangement gives space for every word to land with full emotional weight, and the whisper like delivery feels like a private conversation, full of tenderness and sorrow. It’s beautifully written and profoundly intimate.”
Sentimental Music, Uproot Records
“A wonderful ballad creation that transcends poetry and folk music, to create a unique sound”
Sad Songs Anthology, Music of Infinity
“Indie fans will eat this up!”
Dreamy Paradise, MusicNerd
Linktree
le lapin en papier
In this intimate, dreamy and heart-breaking journey back into childhood, Inyha invites us into her most precious memories with her father, who left this world too soon.
Deeply emotional and authentic, with influences ranging from Charlotte Gainsbourg to Romy Schneider and Léo Ferré, this minimal yet thoroughly arranged French chanson full of nostalgia does not leave the listener untouched.
Moving Electronic Music Forward Since 2015
PUBLISHER/EDITOR-IN-CHIEF
JOSEPH WENSELL
EDITORIAL DIRECTOR-AT-LARGE SHON MURDOCK
INTERNET TECHNOLOGY
KARIN HASLINGER
ART DIRECTION
JOSEPH WENSELL
CONTRIBUTORS AT LARGE
Catherine Strickland, Cory Royster, Desirae L. Benson, Erik L. Richardson, James Arena, Joseph Arthur, Karin Haslinger, Courtney Johnson, Leo Weaver, Matthew Washington, Tim Stark, Vladimir Jean-Philippe, Zach Miller
DIGITAL SUBSCRIPTIONS issuu.com/beatselectormagazine
INSIDE SUMMER 2025 MARTIN JENSEN
MARTIN RELEASED HIS LATEST PROJECT, THE BOLD "HYPEBEAST" EP, ON MAY 16TH. THIS EP GOES BEYOND TYPICAL MUSIC, BLENDING GENRES AND INTRODUCING NEW TALENT. IT FEATURES FIVE EXCITING TRACKS THAT HIGHLIGHT MARTIN’S KNACK FOR CREATING CATCHY BEATS WHILE SHOWCASING UP-AND-COMING ARTISTS, WHICH WE HIGHLIGHT IN THE FOLLOWING PAGES.
FEATURES
38 KLINGANDE
We take a different approach with this feature Q&A with Cédric Steinmyller, aka Klingande, and we learned what he does when he's not in the studio creating his music, or on the road touring the world. Surprisingly, we share a few common interests, especially his favorite book and what he enjoys talking about in conversational situations.
46 LEXLAY
LEXLAY is a Spanish DJ and producer from Barcelona with nearly 20 years of experience. He specializes in Tech House, House Music, and Groovy Techno, bringing joy and positivity to his music and performances. His catchphrase, "VAMOS," and cheerful personality create a fun atmosphere for his audience.
52 TRAX RECORDS 40TH ANNIVERSARY
Trax Records was founded by Larry Sherman in 1985 in Chicago, focusing on community and a do-it-yourself spirit. It has introduced a unique and experimental sound over the years, with Screamin' Rachael as a key figure in electronic music. Rachael's punk roots and work with artists like Frankie Knuckles helped promote house music, especially in New York. To celebrate its 40th anniversary, Trax has released "Trax Records: The 40th Anniversary Collection," a compilation available digitally and on limited-edition vinyl.
62 AAPI HERITAGE PICKS IT'S TOP 5 MUSICIANS
During the 2025 month long celebration of Asian America/Pacific Islander communities, the AAPI Heritage chose and shined the spotlight on directly on these five Asian artists from around the globe: Benzo Li, Rinally, Chen Linong, E lva Hsiao, and SOMNA. From pop and hip hop to trance and beyond. These five talented musicians are pushing cultural boundaries and creating some of the most beloved, crowd-pleasing and innovative sounds in music today.
16
INDUSTRY NEWS
Warner Music South East Europe
(WM SEE) has introduced Balkan Electro, a new label dedicated to EDM, which aims to provide a platform for local artists from the Balkans and Ukraine to share their music on a global scale. Balkan Electro was created in partnership with Ensis Records, a leading EDM label in Eastern Europe, established and managed by Alex Cristian. This collaboration will allow the talents associated with the label to benefit from Warner Music’s distribution,
marketing, and promotional capabilities. WM SEE, WM Poland, and Ensis Records will collaborate to discover and sign fresh and dynamic local talents.
The label will leverage Warner Music Group’s extensive global network, working alongside Amsterdam's Spinnin’ Records and the danceoriented divisions of Warner Music Central Europe and Warner Music France, all of which have achieved substantial success in the area.
Izabela Ciszek-Podziemska, General Manager of WM SEE, expresses, “Launching Balkan Electro with Alex is a moment of great pride for me. EDM transcends geographic borders, so we are committed to discovering the next local star and bringing them to the global arena with the support of Warner Music’s worldwide reach.”
Alex Cristian, founder and owner of Ensis Records, remarks, “There are countless undiscovered talented producers and DJs throughout Eastern and South Eastern Europe. I eagerly anticipate collaborating with Iza, Warner Music, and their team to ensure Balkan Electro thrives. The presence of EDM locally is fueled by festivals like Untold, Sziget, and Ultra Europe, and I am dedicated to showcasing our regional talent and music on a global platform.”
Founded by Cristian in 2013, Ensis Records originally aimed to unite a close community of Romanian producers, but soon expanded its focus to include globally recognized producers and DJs. The label is renowned for discovering and signing Norwegian global star DJ and producer Kygo. To date, it has released over 1,000 tracks.
VISIT BALKAN ELECTRO
IZABELA CISZEK-PODZIEMSKA
ALEX CRISTIAN
INDUSTRY NEWS
RESERVOIR MEDIA
INKS DEAL WITH FOOL’S GOLD RECORDS
Reservoir Media has established what it describes as "a multifaceted agreement" with the independent label Fool's Gold Records
Through this agreement, Reservoir has obtained the catalog master rights for artists associated with the label, including A-Trak, Danny Brown, Grande Marshall, The Brothers Macklovitch, and Low Pros.
Additionally, Reservoir will serve as the exclusive marketer and distributor for all recordings from Fool's Gold, encompassing both current and upcoming releases, utilizing the Reservoir label platform.
This arrangement, orchestrated by Fool's Gold Chief Financial Officer Jorge Mejias, label manager Nathaniel Heller, and A-Trak’s management team at TMWRK, integrates Fool's Gold into Reservoir’s recorded music division, alongside “cornerstone” independent labels such as Chrysalis Records, Tommy Boy Music, and the recently acquired New State, among others. In 2021, Reservoir completed the acquisition of Tommy Boy Music in a deal worth approximately $100 million.
In February, the company also acquired UK dance and electronic label New State along with its extensive catalog of over 13,000 tracks.
The acquisition of the Chrysalis Records catalog in 2019 was completed for an undisclosed amount. Fool’s Gold will utilize Reservoir’s label platform for
marketing and distribution.
As part of the agreement, Reservoir is now responsible for distributing A-Trak & Friends, a new sub-label of Fool’s Gold that showcases music from A-Trak and additional artists.The inaugural release from A-Trak & Friends was "Reaching" by James Juke featuring LION
RELL LAFARGUE & A-TRAK
BABE, which debuted last month. Founded in 2007 in Brooklyn, Fool’s Gold was initiated by DJs A-Trak (Alain Macklovitch), Nick Catchdubs (Nick Barat), musician Dave 1 (David Macklovitch), and the late Dust La Rock (Joshua Prince).
The label gained early traction
from artists like Kid Cudi, Kid Sister, Flosstradamus, and Danny Brown, known for tracks such as "Grown Up" and "25 Bucks," as well as A-Trak’s own productions.
In 2010, his duo Duck Sauce created the viral hit "Barbra Streisand," which climbed to No.3 in the UK and grabbed the
No.1 spot on Billboard’s Dance Club Songs chart, even earning a Grammy nomination for Best Dance Recording. A-Trak also saw success as a solo performer with his remix of the Yeah Yeah Yeahs’ "Heads Will Roll" and singles like "Ray Ban Vision," "Believe," "DJ’s Gotta Dance More," and "My Own Way." The Fool’s Gold catalog encompasses works by Treasure Fingers, Hoodboi, Tommy Trash, Falcons, G-Worthy, Malaa, and Michael Christmas.
In its most recent fiscal year, Reservoir invested over $115 million in acquisitions and advances, while its annual revenue increased by 10% year-over-year to reach $158.7 million.
Commenting on the deal, A-Trak said: “I’ve been thoroughly impressed by Reservoir ever since the first time we all spoke. Everyone at the company has a deep passion for quality music.
“A big part of what’s helped Fool’s Gold navigate 18 years in the music biz is staying very nimble and malleable. Reservoir was able to craft a creative deal with us that showed real agility — that’s exactly what we were looking for in a new partner.”
Reservoir President and Chief Operating Officer Rell Lafargue added:
“As both founder and artist, A-Trak has built Fool’s Gold into a genre-blurring label that has been at the forefront of hip-hop, house, and everything in between for nearly two decades.
“We’re proud to welcome A-Trak, Fool’s Gold, and its artists into the Reservoir family as we continue to champion culturally significant independent music.
“This multifaceted deal also highlights Reservoir’s ongoing expansion in recorded music and our team’s ability to deliver across the full spectrum of the music business.”
INDUSTRY NEWS
NINE INCH NAILS KICK OFF GLOBAL
"PEEL IT BACK TOUR 2025"
Nine Inch Nails has announced their eagerly awaited Peel It Back Tour 2025, with the initial trio of performances of the 41-date worldwide journey occurring in Dublin, Manchester, and London. This tour showcases one of the band's most extravagant productions to date: an ambitious four-act experience that remains true to the classic NIN essence while being reinterpreted with advanced design elements.
From the outset of their journey, Nine Inch Nails have been celebrated for their remarkable live performances and striking visuals. For this tour, Reznor collaborated with creative director Todd Tourso along with MTLA. studio. They are also joined by long-serving NIN lighting designer, Paul “Arlo” Guthrie. The show offers raw, handheld cinematography and captivating visuals projected onto sheer fabric—moving away from standard LED panels and video displays in favor of a 3D, multi-layered setting that provides fans with a fresh experience unlike any prior.
Each performance is distinct, featuring a dynamic setlist that covers the band's
I extensive 37-year history. During the first three concerts, the set began with a rare, intimate reinterpretation on the B-stage, showcasing powerful versions of “Right Where It Belongs,” “Piggy” (the first live renditions since 2009), and “That’s What I Get” (the first live version since 1991). The full band then graced the main stage for Act 2, delivering
electrifying performances of popular tracks like “March of the Pigs” and “Reptile,” as stunning visuals flowed across the layers of fabric.
Act 3 included a return from tour opener Boys Noize, who performed alongside the band on tracks such as “Vessel” (the first live performance since 2014), “Came Back Haunted”
(the first performance since 2018), and “Branches/Bones”— infusing a techno-driven vibe reminiscent of a Boiler Room set.
The closing act saw the band once again on the main stage, performing against an impressive wall of lights and finishing the night with NIN hits “Head Like a Hole," The Perfect
Drug,” “Closer,” and others.
The crowd's energy was unparalleled as the band transformed The O2 into an entirely different realm for a night to remember.
The North American segment of the Peel It Back Tour is set to commence on Wednesday, August 6 in Oakland, CA at
PHOTOGRAPHY: JOHN CRAWFORD
Oakland Arena and will include performances in Denver, Chicago, Toronto, Brooklyn, Houston, and more, culminating on Friday, September 19 in Los Angeles, CA at Kia Forum.
CREATE MUSIC GROUP (CMG) HAS FORMED A NEW JOINT VENTURE WITH STAR TRAK ENTERTAINMENT
Create Music Group (CMG) has established a new collaborative venture with Star Trak Entertainment, alongside co-founder Rob Walker.
Star Trak Entertainment was originally established in 2001 by Rob Walker and the renowned producer team Pharrell Williams and Chad Hugo of The Neptunes. This partnership signifies the official reintroduction of the label.
In addition to co-founding Star Trak, Rob Walker has a rich history as the longterm manager of The Neptunes, worked as a talent agent with UTA, and jointly established Billionaire Boys Club and its Ice Cream clothing line alongside Pharrell Williams and the Japanese fashion icon Nigo.
His extensive career integrates music, fashion, and brand building, collaborating with many prominent figures in the industry. This agreement is the latest in a sequence of recent collaborations for Create, which reached
a valuation of $1 billion following a $165 million investment round last year.
In the previous month, Create acquired the independent electronic music label Monstercat and initiated a joint venture with Ty Dolla $ign and his EZMNY Records label earlier this month.
In April, Create Music Group took over the independent music company ! K7, headquartered in Berlin.
Through the collaboration with Star Trak, Create has stated it will offer global distribution, technology, and marketing services.
Star Trak gained significant recognition through its releases with artists like Clipse, N. E. R. D., and Snoop Dogg.
With RIAA-certified successes including "Drop It Like It’s Hot" by Snoop Dogg and Pharrell Williams, "Grindin" by Clipse, and "She Wants to Move" by N. E. R. D., Create highlighted that “Star Trak has a longstanding reputation for influencing the hip-hop and R&B culture of the early 2000s.
“This isn’t just about bringing Star Trak back – it’s about building a new chapter- rooted in where we’ve been, and built for where we’re headed. The energy and vision that helped shape a generation is entering a new era. With Create as our partner, we’re giving artists the space to move differently, think bigger, and tap into an ecosystem of brands and collaborators that Star Trak has cultivated over the years," said Rob Walker, co-founder of Star Trak Entertainment.
ROB WALKER
REVELATORY NEW GENESIS P-ORRIDGE
DOCUMENTARY ANNOUNCED
Doc’n Roll Films is proud to announce the UK and Ireland theatrical release of S/he Is Still Her/e – The Official Genesis P-Orridge Doc, a raw and revelatory feature documentary exploring the final year of the legendary, musician, artist, writer, spiritual explorer, cultural engineer and gender revolutionary Genesis P-Orridge.
The film opened nationwide on June 20, 2025, with special event preview screenings from June 12, 2025 featuring Q&As with Genesse (Genesis’s daughter) in attendance, plus additional special guests.
Genesis P-Orridge lived their art to the extreme. A pioneering musician, avant-garde artist, spiritual explorer and gender revolutionary, Genesis has been featured in films and videos, but never the full story… never this intimate…until now. In an authorised, raw and personal documentary, award-winning director
David Charles Rodrigues (Gay Chorus Deep South) documents the final year of P-Orridge’s existence as they grapple with mortality and, in the process, reveal the many sacrifices and ultimate payoffs of a life that transcended boundaries.
Featuring William Burroughs, Brion Gysin, TimothyLeary, Alice Genese (Psychic TV), David J (Bauhaus / Love and Rockets), Nepalese monks, African witch doctors, and a special cameo by Her Majesty Queen Elizabeth, plus never-before-seen archival treasures, including performances from Throbbing Gristle and Psychic TV.
Blending performance footage, spiritual encounters, and deeply personal reflections, S/he Is Still Her/e is a final transmission from an artist who lived without limits.
David Charles Rodrigues is an award-winning Brazilian filmmaker and Sundance Fellow based in Los Angeles. David started as a graphic novel writer in Brazil and now focuses on films that leverage the power of entertainment and art to deliver vitally human, life-changing messages to audiences around the world.
THE NEW BOOK FROM THE AWARD-WINNING AUTHOR OF RAVE NEW WORLD, KIRK FIELD
More misadventures from Kirk Field, the best-selling, ARIA award-winning author of Rave New World: Confessions of a Raving Reporter (Nine Eight). Field has just released planes, trains & amphetamines: Clubbing Holiday Confessions, a vivid first-person exposé of clubbing holidays from the inside with a no punches pulled, a postwatershed postcard from the wildest holidays, and makes Club 18-30 look like a Sunday school outing.
The ideal summer holiday read: sun, sand, sea, sex, and slipmats – with a great soundtrack. Featuring appearances by Vin Diesel, Ed Sheeran, Quentin Crisp, Madonna, Maxi Jazz, 2ManyDJs, Eddie “The Eagle” Edwards, Derek Acorah, Billy Idol, P Diddy, Queen Beatrix of the of the Netherlands, Paris Hilton, Hamburg
Harbour Polizie, and HM Customs and Excise.
Rave may be the middle word in travel, but when raving reporter Kirk Field created the world’s first holiday company catering exclusively to clubbers, the world threw everything it could at him: 9/11, volcanic ash clouds,
suspicious customs officers, avalanches, North Sea storms, pandemics, fraudulent accountants, and the ghost of Michael Jackson.
From high jinks on the high seas and insanity in Ibiza to playing in the powder of the Austrian Alps and psychic silliness on the Costa de Sol,
this is the story of a new kind of tourism—for guests who weren’t interested in spending the night in a five-star luxury bed (or any bed, for that matter!) and for whom a healthy tan raised suspicion rather than envy, suggesting the owner had spent more time on the lounger than on the lash.
An uncensored, white-knuckle
ride through the side of holidays the brochures don’t show you!
planes, trains & amphetamines: Clubbing Holiday Confessions by Kirk Fields is Published by Velocity Press in Hardback and eBook.
INDUSTRY NEWS
SONY CORP RELEASES
360 VIRTUAL MIXING AUDIO
Sony Corporation is broadening access to its 360 Virtual Mixing Environment (360VME) audio technology, making it available for the first time to creators in music, education, and film & television.
The renowned Japanese electronics company, home to Sony Music Group, announced on June 12, 2025 that it has established partnerships with Guitar Center Professional and Advanced Systems Group to distribute the 360VME system.
This innovative technology utilizes specialized headphones to simulate the acoustic environment found in professional studios, enabling anyone to craft studio-quality mixes from any location.
It addresses common hurdles in music production, such as the necessity of renting costly studios to achieve professional-grade mixes.
The 360VME technology empowers producers to capture the sonic attributes of reference studios and reproduce them via headphones.
According to Sony, the system operates by performing “a onetime studio measurement” of a reference studio, which is then enhanced using personalized Head-Related Transfer Function (HRTF) data and binaural processing to recreate that environment through headphones, including models like Sony’s MDR-MV1.
Guitar Center Professional has begun providing public access to the technology at its main store in Hollywood and the Nashville Custom House experience center.
The retailer is also sending staff to carry out on-site measurements at client facilities, which allows
musicians to duplicate their preferred studio environments.
Advanced Systems Group plans to use 360VME in client workflows after acquiring Audio Intervisual Design for improved film and TV audio production.
Sony first tested 360VME with sound professionals during
the pandemic, contributing to projects like Venom: The Last Dance and Until Dawn.
The technology is also used by Big. Ass. Kids. in Los Angeles for new music projects involving emerging artists and producers, with Sony providing the hardware. Universities like New York University, Drexel
University, and the University of Toronto are incorporating 360VME into their audio engineering programs. Sony is also partnering with BandLab Technologies to enhance user experience with spatial audio.
VISIT SONY FOR MORE INFORMATION.
MARTIN JENSEN
, is a Danish DJ and record producer known for his hit single "Solo Dance" released in 2016. He has created tropical house mixes using sounds and viral videos and has been a club DJ for over ten years, primarily working in Sunny Beach. Jensen achieved notable rankings in DJ Magazine, being placed 82nd in 2016, 56th in 2018, and 45th in 2019 among the top 100 DJs worldwide. He grew up in Silkeborg, Denmark, and initially studied machine mechanics. Jensen gained recognition in 2014 with his debut single "Si," followed by successful tracks like "Miracles" and "All I Wanna Do." His EP, "World," was released in October 2018, featuring several songs.
Martin released his latest project, the bold "HYPEBEAST" EP, on May 16th. This EP goes beyond typical music, blending genres and introducing new talent. It features five exciting tracks that highlight Martin’s knack for creating catchy beats while showcasing up-and-coming artists which we will highlight in the following pages.
By Joseph Wensell
BSM: What inspired you to become a full-time touring DJ and record producer?
MJ: "I always had a passion for all things live music. I originally considered progressing my career in lighting engineering and stage design, as I was always the guy 'behind the scenes' but I found that inspirational and ultimately, wanted more. At first, it was difficult to break out, as many producers do find, where you are just placed as the warm-up guy or a side act to the main event but as I took producing more seriously, even before the big hits and my breakthrough track ‘Solo Dance,' I knew that this was really what I wanted to do."
BSM: You are coming up on your tenth anniversary of your breakout hit “Solo Dance.” Take us back in time and explain the track’s inspiration, popularity, and how it propelled you to where you are now in your career.
MJ: "Wow, how time flies! That track did a lot for my career and for that I am forever grateful – it is stull enjoyed all around the world from other DJs playing it out, to hearing it on the radio and at sporting events and TV commercials, that track kicked everything off for me! But ultimately, I am not one to stay focused on the past. There is no doubt ‘Solo Dance’ did amazing things
for me and I’m super appreciative that my fans and audiences still show it love, even a decade on, but my aim is to always push forward as an artist. If you listen to a number of my tracks over the years – say, more club-focused records across big-room and house, over to my latest EP ‘HYPEBEAST’ – I think you can see the progression and, to me, that is something that I am so appreciative that I have been granted the freedom and space to do that."
BSM: What are your favorite tracks and videos within your discography and why?
MJ: "I honestly think my latest ‘HYPEBEAST’ EP is some of the best work I have ever done! It started a completely new creative burst for me that involved lots of back-toback sessions and making new music over the last 6 months and which will unfold as releases throughout this year. I wanted to represent a diverse collection of artists, from YAKO and Sami Brielle, to SAVI, Roxy Ferrari and more, to each bring a different sound and their own flair. We touch on house music at its core through my production but also brought in amazing rappers and vocalists adding in hip-hop and trap vibes, as well as some tongue-in-cheek vocals for a real fun collection of tracks! I hope you all enjoy it to soundtrack your Summer!"
BSM: Who are the musicians/bands you listened to while growing up?
MJ: "I listened to a lot of Danish pop music that my parents played at home, which is likely why I am still a big fan of pop music to this day but I do remember igniting my passion for electronic music with the first dance record I bought. It was ‘Played Alive (Bongo Song)’ by the Danish duo, Safri Duo."
BSM: Who are the musicians/producers that you reference for inspiration and new musical ideas?
MJ: "There are many, and too many to mention! My biggest inspiration these days comes from looking towards evolving sounds, cross over acts, and genre mixing artists. Fresh talent, is extremely inspirational. New ideas from fresh minds, that haven’t been pulled into the limbo of chasing hits, but are creating music out of pure passion and love of music is really what inspires me, no matter what scene it is from."
BSM: Tell us about your new EP “HYPEBEAST” and why music lovers should get behind it.
MJ: "HYPEBEAST" is really a celebration of diversity! I wanted to highlight female producers and collaborators, other artists from the USA, Asia and beyond, all to explore each others influence with a fun twist! We all pushed each other out of our creative comfort zones from vocal ideas over to building production into a final EP where every track can stand strong on its own, but also present a cool, collective idea that we hope everyone will enjoy! It has everything from jump-up bassline and an earworm hook on the title track with SAVI and Eliana, over to audacious, fun lyrics on ‘YOUR MAMA’ and deep, future and afro house on ‘YES, PLEASE’ – it really is one of the most exciting collabs and projects I’ve ever worked on."
BSM: What are the differences between the music on “HYPEBEAST” and your previously released music?
MJ: "Haha, a lot more fun! I think previously I’ve worked a lot on club-focused tracks, often without lyrics, and just capturing that peak-time vibe, and other times I’ve gone down a more commercial and pop/ radio-ready route. With ‘HYPEBEAST’ I threw out the rule book
Photography courtesy of Martin Jensen
completely and simply, let loose and had fun, all whilst keeping a signature Martin Jensen style at the core. I think ‘HYPEBEAST’ as a whole reflects my development and excitement as an artist where I am right now in my career, the most confident I’ve ever been.
8: Which festival stands out as your favorite, as an attendee, as a performer, and why?
MJ: "I love playing at Tomorrowland, that is always so much fun! I’ve played a number of stages there including the mainstage and it always feels like a “bucket list” show for a lot of artists. The diversity of artists from house, to hardstyle, techno and commercial
EDM makes it a real melting pot for any music fan."
BSM: What 2025 gigs are you most looking forward to?
MJ: "After a lot of hard work in the studio, I’m excited to get back on tour this year! My team have been working hard behind the scenes and we have a whole host of dates to announce soon – you can keep up to date on my social media to be the first to find out and I’m so excited to see you all on the road with some new music! 2025 is set to be my biggest and best yet and you’re all welcome along for the ride!"
"I HONESTLY THINK MY LATEST ‘HYPEBEAST’ EP IS SOME OF THE BEST WORK I HAVE EVER DONE! IT STARTED A COMPLETELY NEW CREATIVE BURST FOR ME THAT INVOLVED LOTS OF BACK-TO-BACK SESSIONS AND MAKING NEW MUSIC OVER THE LAST 6 MONTHS AND WHICH WILL UNFOLD AS RELEASES THROUGHOUT THIS YEAR."
—Martin Jensen
Photography courtesy of Martin Jensen
SIDEBAR
"HYPEBEAST" is Martin Jensen's most daring and dynamic project to date. As a visionary who thrives on blending genres and introducing fresh talent to the world, Martin has transformed "HYPEBEAST" into more than just an EP; it’s a creative playground where boundaries are pushed, sounds collide, and collaboration fuels innovation.
The "HYPEBEAST" EP features five electrifying tracks, each showcasing Martin’s signature ability to craft contagious beats, welcoming in a diverse roster of artists on the rise to shine a light on rising talent and the musical stars of the present and the future!
Title track "HYPEBEAST" is an explosive anthem where sleek R&B and rap vocals meet an energetic jump-up bassline. With a hypnotic hook, “Hypebeast, she don’t wear no Fashion Nova cos that shit ain’t pricey” spits the infectious topline, as the track blends laid-back vibes with rave-ready synth drops.
LA-based producer SAVI, known for collaborations with Bebe Rexha and The Chainsmokers, and South Korean sensation Eliana bring their unique flavors to this groundbreaking track.
Next up is "FOOD TRUCK," taking listeners on a latenight ride through neon-lit streets in blending hazy pop-house elements with UK urban rap influences, creating an irresistible sonic journey. With intriguing lyricism painting vivid scenes of spontaneity, the track thrives on its dexterity to connect the dots between multiple sounds that tread dance, urban and pop appeal. MADDS, the festival circuit star with residencies in Las Vegas and hits on DIM MAK and Spinnin’, joins forces with viral tech-house maven Bradeazy to inject raw, high-energy vibes into the mix.
"YOUR MAMA" is a lively track with strong bass that mixes playful lyrics about romance and moving on, ending with the memorable phrase “YOUR MAMA.” The song features a humorous line that resonates like a teen movie. With a combination of deep funk and vibrant house beats, it stands out due to its catchy hooks and confident attitude. Roxy Ferrari and I. D. O. (Brandon Beal), known for their impactful music, contribute their unique styles to this dance-ready anthem.
"ANIMAL" features strong beats and powerful vocals that evoke primal energy. Artists Yako and Kromi contribute their talents to create an exciting big-room sound. The track is designed to captivate listeners and leave them eager for more.
"YES, PLEASE" begins with playful and bold lines, celebrating a carefree lifestyle. Its lyrics feature themes of luxury and indulgence, highlighted by Long Island Iced Teas and exciting experiences. Musically, the track has a strong deep house foundation with engaging melodies and catchy hooks. It blends energetic festival vibes with a cool underground sound. Sami Brielle provides fun vocals, while Carrie Keller showcases impressive production. Hektor Maas, with numerous streams and residencies, completes the collaborative effort, making "YES, PLEASE" a future classic sure to attract fans.
"HYPEBEAST" is an EP by Martin Jensen featuring diverse rising artists sharing their unique sounds. It prioritizes inclusivity and raw talent, redefining what it means to be a Hypebeast.
STREAM IT HERE.
GETTING TO KNOW KLINGANDE
DRINKS, FOODS, BOOKS, FILMS, ART, MUSIC AND MORE.
Cédric Steinmyller, known as KLINGANDE, is a successful DJ and producer in the melodic house genre. He found his passion for electronic music as a teenager and has since released popular tracks alongside other artists like Kygo, Bakermat and Sam Feldt.
KLINGANDE's music stands out due to his use of unique instruments and as a
saxophone player in his live shows. He has performed at major festivals such as Ultra Music Festival and Tomorrowland.
His hit track "Jubel" gained massive popularity, with over 239 million YouTube views and numerous charttopping positions.
Taking a different approach with this feature Q&A, we learned what Cédric does when he's not in the studio creating his music, or on the road touring the world. Surprisingly, we share a few common interests, especially his favorite book and what he enjoys talking about in conversational situations.
DAILY ROUTINE
BSM: Take us through your daily routine.
Klingande: "My daily routine is actually pretty simple, especially when I’m not touring. I usually take my time in the morning — I don’t rush straight into the studio. I’ll start with a coffee, ease into the day, and I typically begin producing around 1 PM. From there, I just go with the flow. I don’t set strict hours or try to force anything — After that, I like to get in a light workout to unwind, and then spend the evening chilling with friends. That’s basically my rhythm when I’m home."
RELAXATION
BSM: What is your favorite form of relaxation?
KLINGANDE: "I’m quite a homebody, so my favorite way to relax is just having time for myself. I usually try to take one day a week where I don’t plan anything — no studio, no pressure — just a quiet day where I do as little as possible. I also really enjoy taking an hour or two before going to bed to be alone, do whatever I feel like, and disconnect. It’s my way of recharging."
FOOD & DRINK
BSM: What is your favorite beverage/drink?
KLINGANDE: "Honestly, I’m a bit addicted to lemon water — I love anything with lemon in it, so that’s definitely my go-to drink. If we’re talking cocktails, though, I’d probably say an Espresso Martini."
BSM: What is your favorite food?
KLINGANDE: "I’m a huge, huge, huge fan of Indian food. I’m totally obsessed with Chicken curry, butter chicken, and of course, cheese naan — I could eat that every day. It’s comforting. Definitely my favorite."
MUSIC
BSM: What is your favorite music album?
KLINGANDE: "It’s honestly difficult to pick just one. There are so many albums from artists I admire that have shaped my taste over the years. I tend to love those albums that feel like a collection of their best songs — the kind you keep coming back to. I’d say something from the Red Hot Chili Peppers or Nirvana, especially because I remember Nirvana being the first album I ever bought as a kid. There’s so much emotion and memory tied to those tracks. Another one that really stuck with me is Final Straw by Snow Patrol. I saw the cover recently and it instantly brought everything back — the mood, the feeling, that time in my life."
FILMS
BSM: What is your favorite film/ movie?
KLINGANDE: "Lately, I watched The Great Beauty (La Grande Bellezza), and I was completely taken by it. I wouldn’t call it my “all-time favorite,” but it definitely feels like a masterpiece that found me at the right time."
VACATION SPOTS
BSM: What is your favorite vacation destination?
KLINGANDE: "I don’t really have one single favorite vacation spot, because every place has its own kind of magic. I love going to the south of France to see my parents, and I also really enjoy the northern French coast where many of my close friends live. When I’m on tour, I try to take some time to enjoy places like Los Angeles — there’s a special energy there that I really connect with. But if I had to choose one place that brings it all together — nature, music, people, vibe — I’d say Ibiza."
ART
BSM: Who is your favorite visual artist?
KLINGANDE: "There are too many, honestly — I’m really passionate about visual art. But if I had to name a few, I’d say James Turrell for his incredible work with light and space, and Victor Vasarely, whose optical art I’ve always found fascinating. I’m also a big fan of Arthur Dorval — I love his use of color and geometry, and I really hope to own one of his pieces someday."
BOOKS
BSM: What is your favorite book?
KLINGANDE: "One book that really stayed with me is The Power of Now by Eckhart Tolle. It’s all about being present and appreciating the moment you’re in, which is something I try to apply in both my personal life and my creative process."
CONVERSATION
BSM: What is your favorite topic of conversation?
KLINGANDE: "Lately, I’ve been fascinated by everything related to the cosmos — the origin of life, why we’re here, how incredibly rare our existence is. When you look at all the variables that had to align for life to emerge on Earth, the odds are just insanely low. It’s like 0.000000-something. And yet, here we are. That thought amazes me every day. I love talking about these big questions — not to find answers necessarily, but to feel something real — ."
By Joseph Arthur Photography By Kevin Froly
"'Vamos,' it’s not just about the music; it’s about getting people to feel alive, to feel the rhythm, and to experience something in the moment."
LEXLAY is a Spanish DJ and producer from Barcelona with nearly 20 years of experience. He specializes in Tech House, House Music, and Groovy Techno, bringing joy and positivity to his music and performances. His catchphrase, "VAMOS," and cheerful personality create a fun atmosphere for his audience. In 2012, he founded his label, Happy Techno Music, which hosts over 300 artists and a recognized sound. LEXLAY has released music through major labels and has toured over 45 countries, performing at famous venues like Pacha and ADE. He incorporates the saxophone in his work and has notable tracks such as "Bassdown" and "Saxolax." He has exciting plans for musical and event developments to connect with his fans and promote his unique sound globally and a few more nuggets to share in this Q&A. Enjoy reading.
BSM: What is the most satisfying aspect of being a DJ and producer?
LEXLAY: "The most satisfying aspect of being a DJ and producer is often the ability to connect with people through music. Whether you're in the studio crafting a track or performing live, seeing your creation spark an emotional reaction, whether it’s a powerful dancefloor moment or someone telling you your music resonated with them, can be incredibly rewarding.
For producers, there's a deep sense of fulfillment in the creative process—shaping sounds, experimenting with different elements, and eventually hearing your final track come to life. It’s like solving a puzzle, but one where the end result can make people feel something, or even change the vibe of an entire room.
For DJs, the magic often comes in the moments when you sync with the crowd. The ability to read the room, build the energy, and give the audience exactly what they need in that moment feels deeply satisfying. It’s all about that connection—both with the crowd and the music itself."
BSM: It has been said that your motto is VAMOS, meaning “Let’s Go,” Come On,” and “Come Along.” What does it mean to you?
LEXLAY: "For me, 'VAMOS' is more than just a word—it’s an energy, a vibe. It's about bringing people together, pushing boundaries, and creating a sense of unity on the dancefloor. When I say 'Vamos,' it’s not just about the music; it’s about getting people to feel alive, to feel the rhythm, and to experience something in the moment. It’s about saying, 'Let’s go' and truly living in the now— letting the music guide us as one collective. In my sets, it’s that moment where we all come together, and everything aligns. It’s like a call to action, a signal that we’re in this together and there’s no stopping the energy we’re creating. Every track, every beat, is a part of that journey."
BSM: What is your “go-to” track to get the crowd dancing?
LEXLAY: "For me, it really depends on the vibe of the crowd, but one track I always turn to is Filterheadz / Sunshine. It has this perfect balance of energy, melody and groove that works in almost any setting.
The bassline hits just right, and the build-up always gets people moving. It’s got that deep, driving rhythm that makes it hard for anyone to stay still. Every time I drop it, you can feel the energy shift, and the crowd just connects with it. It’s like a secret weapon for getting the party going, no matter the crowd or the time of night."
BSM: Which recording of yours are you most proud of and why?
LEXLAY: "The recording I’m most proud of is probably 'My Money.' It’s a track that really represents where I was at musically when I created it. It has this perfect blend of tech-house elements with a bit of a darker, deeper vibe, and it really connects with my style. But more than just the track itself, it’s the journey behind it. I remember spending weeks tweaking the details, finding the right balance. When I finally finished it, I felt like I had truly captured something authentic. The reaction from the
crowd when I played it live for the first time was also a big moment for me—it felt like all that hard work had really paid off."
BSM: Have you ever had a bad gig?
LEXLAY: "Unfortunately, yes, every DJ has suffered this. One of my early gigs didn’t go as planned. The sound system wasn’t working properly, and I had some technical issues with my setup.
It was frustrating because I had everything planned, but things just weren’t coming together. But those experiences are part of the learning process. They’ve helped me stay grounded and remind me that no gig is perfect. What’s important is how you handle it and keep pushing forward. I always try to focus on what I can control, like the energy and the connection with the crowd, even when things aren’t going smoothly."
BSM: Tell us about Happy Techno Music. Why was it established and how has the label grown since its beginnings?
LEXLAY: "Happy Techno Music was born out of a desire to create a space for music that truly reflects the energy and positivity that I feel when I’m behind the decks. The idea was to bring together artists and tracks that have a deep, driving sound but also a certain lightness—music that makes you move but also puts a smile on your face. The vision was to build something that wasn’t just about the beats, but about creating a connection with the listeners.
My manager, Victor, played a huge role in developing the concept. He’s been instrumental in shaping the label’s identity. His experience in the industry and his understanding of what works musically and commercially really helped turn the idea into something concrete. Together, we’ve been able to curate a sound that’s unique but accessible, combining elements of tech-house, deep house, and a little bit of that euphoric energy that people love on the dancefloor.
Since its inception, the label has grown significantly. We’ve signed some really talented artists who share that same passion for creating uplifting, high-energy tracks. The support from the community has been amazing, and it’s been really gratifying to see the music take off in different parts of the world. We’ve had some tracks that have been picked up by major playlists, and we’ve started to build a strong reputation within the scene. It's not just about releasing music, it’s about building a family of artists who share the same vision of positive, happy energy through music.
One of our most successful releases has been Freenzy Music – Riding High. It really resonated with the crowdand gained significant support, both on playlists and from other DJs. It was a key moment for the label, marking a breakthrough and helping to establish our sound. The feedback has been amazing, and it opened the door for more opportunities to grow the label and sign new talent."
BSM: What new releases do you have coming out this year?
"HAPPY TECHNO MUSIC WAS BORN OUT OF A DESIRE TO CREATE A SPACE FOR MUSIC THAT TRULY REFLECTS THE ENERGY AND POSITIVITY THAT I FEEL WHEN I’M BEHIND THE DECKS. THE IDEA WAS TO BRING TOGETHER ARTISTS AND TRACKS THAT HAVE A DEEP, DRIVING SOUND BUT ALSO A CERTAIN LIGHTNESS—MUSIC THAT MAKES YOU MOVE BUT ALSO PUTS A SMILE ON YOUR FACE."
LEXLAY: "At Happy Techno Music, we’re releasing new tracks every week, which is really exciting. This year, we’ve already dropped some great stuff, and we’ve got more to come. In June, we release our Sonar Compilation, which has been getting a lot of love, and in October, we’re following up with the ADE Compilation, which is shaping up to be something special as well.
We’re also looking to take things a step further by releasing some of our best tracks on vinyl soon. It's been something we’ve wanted to do for a while, and now we’re finally getting it off the ground. It’s going to be a big move for the label, and we’re really excited to share these new sounds with our audience in that format."
BSM: What's in store for the rest of 2025 and into 2026?
LEXLAY: "The rest of 2025 and 2026 are looking very exciting! I’ve already released my anniversary album celebrating 20 years as a DJ, and the response has been amazing. Now, I’m focused on continuing to tour and
share that energy with the world.
I’ll be starting to tour the United States soon, which is a big milestone for me. In August 2025, I’ll be heading to Vietnam and Indonesia for some exciting shows, and after that, I’ll be doing an extended tour in South America from January to March 2026—escaping the cold and hitting some incredible spots down there.
I’ll also be heading to Australia, which will be a great opportunity to connect with new fans. Through all of this, I’ll keep releasing fresh music, keep the energy flowing, and continue traveling the world to share the message of music and positivity.
Thank you so much for taking the time to dive into my journey and music. It means a lot to share these moments and stories with fans and the community. I appreciate the support and the opportunity to reflect on where I’ve been and where I’m headed. Looking forward to what’s next—and I hope to see everyone on the dance floor soon!"
LARRY SHERMAN & SCREAMIN' RACHAEL
Photography: Rachel Cain
TRAX
BY JOSEPH ARTHUR
@RECORDS 40
Trax Records was founded by Larry Sherman in 1985 in Chicago, focusing on community and a do-it-yourself spirit. It has introduced a unique and experimental sound over the years, with Screamin' Rachael as a key figure in electronic music. Rachael's punk roots and work with artists like Frankie Knuckles helped promote house music, especially in New York. To celebrate its 40th anniversary, Trax will release "Trax Records: The 40th Anniversary Collection," a compilation available digitally and on limited-edition vinyl. The label emphasizes artistic integrity and plans limited runs of each record in the anniversary series. An in-store celebration will include performances. Trax also released "Rising Again," supporting social causes, and introduced a fashion line. Rachael continues to advocate for emerging artists and the LGBTQ community.
Founded by Larry Sherman at a small vinyl pressing facility located on Chicago’s industrial west side in 1985, Trax never aligned with the mainstream music industry. It sprang up authentically, firmly based in rebellion, community, and a do-it-yourself mindset. The label's fearless, unapologetic, and avant-garde sound has shaped a generation and continues to transform even after four decades. Screamin’ Rachael, recognized as one of the initial female pioneers in electronic music, still leads Trax, promoting its ethos of freedom and creativity. Rachael’s entry into house music was influenced by her punk origins and her strong connections to Chicago’s underground culture. Her formative experiences near Frankie Knuckles’ Warehouse and her groundbreaking vocal contributions to what Rolling Stone later identified as the first vocal house track initiated a career that would define a genre.
LARRY SHERMAN
Photography: Rachel Cain
Throughout her journey, she played a pivotal roll in spreading Chicago’s sound to new locations, introducing house music to the New York Club Kid circuit, collaborating with Afrika Bambaataa to help create Hip House, and partnering with notable DJs such as Larry Levan and DJ Keoki.
In celebration of its 40th anniversary, Trax is releasing Trax Records: The 40th Anniversary Collection—a dynamic, multiformat compilation that embodies the label’s history, current influence, and future direction.
Curated by the artist and provocateur Jorge, the collection will be available digitally and through limited-edition vinyl releases starting June 20.
This compilation acts as an exploration of house music’s transformation, pairing foundational figures like Frankie Knuckles, Marshall Jefferson, Phuture, Ron Hardy, Armando, and Paul Johnson with innovative producers like Jorge, Hiroko Yamamura, and Analog 87.
Featuring legendary tracks such as “Move Your Body” and “Your Love,” along with genre-bending remixes and experimental deep cuts, the compilation highlights Trax’s role as a pioneer and innovator. What has consistently distinguished Trax is its unwavering commitment to authenticity.
The label elevated DJs to prominence long before the rise of the superstar DJ and embraced Hip House well before it entered the mainstream consciousness.
Under the leadership of Screamin’ Rachael, Trax continues to emphasize artistic integrity over algorithms—favoring substance over popularity metrics, staying true to creativity, history, and the essence of the underground scene.
SCREAMIN' RACHAEL
BAM BAM AT LAST DANCE
STUDIO CHICAGO
PHOTOGRAPHY BY RACHEL CAIN
L-R: REGGIE MARS, RICHARD FAIRBANKS, SCREAMIN’ RACHAEL, JESSE SAUNDERS
PHOTOGRAPHY BY FOOTE KIRKPATRICK
DANCERS AT THE FUN WITH BAD BOYS
VIDEO SHOOT.
PHOTOGRAPHY RICHARD FAIRBANKS
HULA, CRAZY FINGERS, MAURICE JOSHUA OF THE GROUP MAURICE & THE POSSE
PHOTOGRAPHY BY RACHEAL CAIN
MARSHALL JEFFERSON AT LAST DANCE STUDIO
PHOTOGRAPHY: RACHEL CAIN
THE LATE EDDIE RIVERA’S RECORD POOL IDRC IN NEW YORK WITH A YOUNG LOUIE VEGA ON THE LEFT. PHOTOGRAPHY BY
RACHAEL CAIN
TRAX INTERNATIONAL POSSE IN AMSTERDAM AT ADE 2024
S ONNY KOOL, SCREAMIN’ RACHAEL, MAURICE JOSHUA, AND GEORGE CLINTON
PHOTOGRAPHY BY STEVEN WOLF
Specifications: 180 gram black vinyl, cut at 45 rpm for superior audio quality, high fidelity mastering.
Label: Red central label, faithful to Trax tradition, with white logo and titles drawn in industrial font.
Inner sleeve: Matte black, elegant and protective, recalls the old school essentiality of underground releases, maintaining an aesthetic coherence with the entire project.
Feeling: Solid, heavy to the touch, designed to last over time and offer a deep and dynamic listening, both on professional systems and in clubs.
TRACKLIST
Jacques x Gregory feat. Screamin’ Rachael - I'll Take You There (Full Journey Mix)
Willie Wonka - What Is House
Frankie Knuckles - Your Love
Marshall Jefferson - Move Your Body
Stylophonic - Jack It Up
Armando - Love In Heart
Mark Row, Jame Starck feat. Carol Jiani - Free Your Mind
Paul Johnson - Follow This Beat
Screamin’ Rachael - Rising (Lea Rognoni Remix)
Fuck Charley Pleasure Zone - House Nation
Yuri Suzuki - DATA MANIA
D Beat - Pump It (Lea Rognoni Remix)
Sir Nesis- Freaks (So Called Friend Remix)
Frankie Bones - Beat Me Up
Joey Beltram - The Start It Up
Ricky Dillard - As Always (Full Vocal Version)
Marshall Jefferson - Ride The Rhythm (Remix)
Owen E - Shift
Analog 87 - rOOmclaSSic
Jorge, Carmelo Carone - Jack the Acid Kid (Hiroko Yamamura & Eric Elvambuena Remix)
Phuture - Spank Spank (Original Mix)
Screamin’ Rachael - Gina (XXX) [Someone from Lithuania with a Friend Named Jorge Remix]
Jared - Fly So High (Roger Sanchez Tilt Mix)
Hercules - 7 Ways to Jack
Ron Carroll - 1993 the Bargin Enterprize
Luca Gerlin - Battery (Kkles Mix)
Jesse Velez - Girls Out On The Floor (Dub)
Camilo Do Santos - 1984
Samurai Sam - House of Japanese
David Chong - There Is No Place
Frankie Knuckles - Your Love (You Got The Love Remix)
Seph Martin - Rainy Nights
Larry Sherman - Colors
Miss Autumn Leaves - No Turning Back
Late Nite ‘DUB’ Addict - The 'F’ Word
Carlos Nilmmns feat. Genoveva - Fade Out (Original Mix)
Ron Hardy - Liquid Love (Chicago Mix)
Screamin’ Rachael - Sensation (Zewmob Radio Edit)
Chris Jones - Strong2 (Dance Mix)
Screamin’ Rachael - My Main Man
GET IT HERE.
PUTS THE SPOTLIGHT ON IT'S 5 PICKS IN MUSIC
During the 2025 month long celebration of Asian America/Pacific Islander communities, the AAPI Heritage chose and shined the spotlight on directly on these five Asian artists from around the globe: Benzo Li, Rinally, Chen Linong, E lva Hsiao, and SOMNA. From pop and hip hop to trance and beyond. these five talented musicians are pushing cultural boundaries and creating some of the most beloved, crowd-pleasing and innovative sounds in music today.
BENZO
Rising Chinese rap star Benzo Li makes a significant impact with his new album, Mama, I’m Back, showcasing his creativity and purpose. This 14-track project features sharp lyrics, innovative production, and personal storytelling. Benzo blends Mandarin rap with cinematic beats, creating an introspective work that reflects his journey of overcoming personal struggles. He shares that he faced a low point in his life but found the strength to rebound and redefine his artistry. The album serves as a personal statement while also aiming to connect global audiences with the richness of Chinese hip-hop.
RINALY
Originating from Japan, Rinaly is a globally recognized DJ with more than ten years of experience mesmerizing crowds worldwide. Celebrated for her remarkable adaptability, she skillfully fuses various genres to produce thrilling performances suited to any environment. Whether headlining major music festivals or crafting memorable experiences at high-end corporate gatherings, Rinaly consistently showcases her professionalism, creative talent, and ability to engage with varied audiences. Her vibrant energy and polished musical skill set her apart as a highly sought-after artist on the international scene.
Career achievements encompass Electric Daisy Carnival in Japan, Mexico, and China, Dreamstate and Beyond Wonderland in the USA, Ultra Japan, Lanna Sky Festival in Thailand, AVA Night in Jakarta and Zurich, and the In Trance We Trust ADE Festival.
CHEN LINONG
Chen Linong embodies a triple threat as a singer, dancer, and actor. He rose to fame in 2018, becoming a beloved contestant on the reality series Idol Producer. Out of one hundred trainees selected from eightyseven entertainment companies across Asia, Chen Linong secured the runner-up position, earning a place in Nine Percent, one of the most iconic and commercially successful boy bands in China's musical history. With Nine Percent, he contributed to the albums To The Nines and More Than Forever before the band's disbandment.
Following the breakup of Nine Percent, Linong has continued to stand out with his emotive singing, versatility across genres, and collaborations with skilled artists like Hailee Steinfeld, resulting in a dedicated fan base known as Nong Tang.
Linong’s inaugural solo album "Unbelonging" which achieved diamond status just one minute after its 2020 release, reflects his swift ascent in the C-pop scene and the profound sense of “Unbelonging” he encountered during a period that should have been filled with joy.
Expanding on the success of Unbelonging, his 2024 album By The Name of Youth explores the emotional transitions between anonymity and stardom, youth and adulthood, as well as love and heartbreak, featuring a range of songs from poignant ballads to lively dance tracks. The results were evident: By The Name of Youth achieved the No. 6 position in Mandarin-language albums on Tencent Music Entertainment's (TME) annual digital sales chart, the largest music streaming platform in China, illustrating Chen Linong’s sustained appeal and commercial achievement.
Check out Chen Linong’s latest single “Kiss Me” and stay tuned for exciting new English-language collaborations with international artists arriving soon.
ELVA HSIAO
It is now the year 2025. Nostalgia for Y2K has surged to unprecedented levels. Individuals are longing for an era that seemed simpler when they were young, characterized by flip phones and the early days of social media. Now, let's travel back to 1999. The Matrix has cinema audiences questioning if we exist within a simulation. Napster has fundamentally changed music distribution. Simultaneously, Elva Hsiao, a talented twenty-year-old artist from Zhongli District with ambitious aspirations, unveils her debut self-titled album, achieving tremendous artistic and commercial acclaim. Dressed in trendy crop tops and cargo pants that today's youth would covet, Hsiao created vibrant, playful music that epitomized the era and pioneered R&B in the Sinosphere, igniting a trend of R&Binspired Mandopop.
To this day, Hsiao stands as a cherished cultural figure and influencer, boasting record sales and fifteen full-length albums filled with chart-topping hits like "Theme Song of Love" and "Cappuccino."
Recently, in 2020, she launched Naked Truth to mark her twentieth year in the music industry. Her artistic style has naturally progressed as she explored electronic dance music and honed her sophisticated visual aesthetic. Despite facing challenges, including significant injuries and multiple surgeries, Hsiao continues to show exceptional dedication to her art.
SOMNA
As one of the foremost Trance musicians in Canada, Somna secured the 65 position in the DJTOP100 (TrancePodium 2018), making him the sole Canadian in the top 100. His tracks are featured on some of the largest trance record labels globally, such as Armada Music, Future Sound of Egypt, AVA Recordings, Black Hole Recordings, and Perfecto. Somna’s music frequently appears in the playlists of renowned artists like Armin Van Buuren, Above & Beyond, Markus Schulz, Ferry Corsten, Gareth Emery, Andy Moor, and others.
In his performances, Somna blends classic mixing techniques with modern technology, crafting an environment that takes fans on a true trance journey. His past experiences under various aliases have enabled him to perform at events like Global Gathering, Creamfields, Coloursfest, Eden in Ibiza, The Arches in Scotland, LoveFest in the USA, as well as at venues across Canada, the UK, the USA, Japan, Spain, Australia, and New Zealand.
NEW MUSIC
SOLARSTONE: innermost
Black Hole Recordings / AVAILABLE NOW
Solarstone's new album is his first in five years, following the release of "island." During this time, Rich Solarstone experienced significant life changes, including becoming a husband and a father again. His personal journey has influenced his music, culminating in his ninth album, which is deeply reflective. Key tracks include "dream sequence"
and "sonata," both influenced by classic progressive house music. "star," featuring Susie Ledge, captures themes inspired by Sabres Of Paradise and Enya. The title track, "innermost," reflects intense emotion and took a week to master.
"underground" addresses depression with a hopeful tone, while "boy" reflects on his first born after the arrival of his second son. The album concludes with "complicated," which explores new love and the clash of expectations with reality.
“Good music demands that you push yourself, and the best of it also forces you to take risks ” says Rich Mowatt, “and I’m more than aware that ‘innermost’ inherently carries some of the latter.In its native form, this is not a club album, but then I didn’t see 2020’s‘ island’ as one either.
I believe that area is better addressed by my singles ‘(Shards,’ ‘Hope', ‘Sovereign,’ ‘Thinking Of You,’ and so forth). That leaves latter-day Solarstone artist albums more open to explore to range, so the clubbier tracks that do exist on ‘innermost’ are woven into a broader sonic texture."
STREAM IT HERE.
NEW MUSIC LP
AIWASKA: FLORA FAUNA
Black Hole Recordings / AVAILABLE NOW
Aiwaska is a music producer known for his hypnotic and spiritual sound, blending melodic house with atmospheric basslines and organic elements.
He has been in the music industry for over two decades and has released music on esteemed labels like Exploited, Crosstown Rebels, and Bar 25 Music. Aiwaska also collaborates with prominent vocalists like Robert Owens and Roland Clark. He incorporates live ethnic instruments and explores deeper sound layers through techniques like 432 Hz tuning and
binaural waves. He performs with a mask inspired by shamanic rituals and is involved in environmental initiatives.
Enigmatic producer Aiwaska highlights his 20 years of experience creating melodic and spiritual music through his forthcoming LP release, "Flora Fauna."
The seven-track journey navigates through an evolving soundscape, exploring a fusion of deep, emotive House, Melodic House, and Indie Dance with his signature edge. The collection is crowned by the lead track, "Love to Hate," capturing Aiwaska's force perfectly, incorporating rolling basslines, crisp percussion, moody synths, and magnetic vocals from Aquarius Heaven that blur the line between singing
AIWASKA
and spoken word. It’s a late-night cut built for the underground, with all the hallmarks of Aiwaska’s rising presence on the global scene.
Aiwaska’s pivotal releases have been featured on major labels like Exploited, Crosstown Rebels, Bar 25 Music, Get Physical & Hot Haus and he marks a new chapter with this upcoming release on Aiwaska Planet.
"Flora Fauna" sees Aiwaska also team up with Prana Flow, Megane Mercury, JAW, and Thomas Gandey, each bringing their distinct flavor to this journey through House, Melodic House Indie Dance.
Known for his signature mask, a gift from Peruvian
shamans, he’s collaborated with icons like Egyptian Lover, Roland Clark, and Robert Owens, and delivered standout remixes for artists including: Patrice Bäumel, Eelke Kleijn, Kino Todo, and Tensnake.
With support from Black Coffee, Solomun, Adam Port, and ARTBAT, his music speaks across the global underground.
Having graced legendary stages including Burning Man, Odyssey, and Alfa Future People, and having hosted Insomniac, Sonica, and Ibiza Global radio shows, Aiwaska is continuing to rise.
With praise from Mixmag and DJ Mag amplifying his reach, Flora Fauna promises to cement his place as one of electronic music’s most impactful figures.
Aiwaska’s Plant label and event series go beyond the music, blending sound with environmental action. Each release features animal-inspired artwork, with proceeds from every event supporting wildlife conservation.
Now, with the launch of the Aiwaska Planet Project, an immersive, NFT-powered event series, he’s bringing together eco-conscious fans through music, art, and purpose, raising funds for environmental causes around the globe.
Aiwaska’s "Flora Fauna" is available on all major digital platforms offering a journey of discovery and themes of spirituality and nature.
BUY IT HERE.
NEW MUSIC LP
V/A THE ANJUNA25 ANNIVERSARY
ANJUNABEATS / EARLY NOVEMBER
Eli & Fur, Mat Zo, Yotto, Gabriel & Dresden, Qrion, and many more. It has also received a US Gold Record for Above & Beyond’s ‘Flow State’ LP, a pioneering ambient and chill album predating Anjunachill.
Founded in 2000 by Above & Beyond, Anjunabeats has steadily grown into one of the most recognizable and pioneering independent dance music labels ever. Joined by deeper secondary label Anjunadeep in 2005, the multi-GRAMMY-nominated label family has become known and respected for its A&R commitment to artist development, having released
LPs from talents such as Ben Böhmer, Lane 8, Tinlicker,
With a global community and a worldwide events circuit including Above & Beyond's Group Therapy Weekenders and Albania’s Anjunadeep Explorations festivals, the Anjuna labels are followed by the most committed and passionate fan community in electronic music - often referred to as the ‘Anjunafamily.’
From humble beginnings as a university project to becoming one of the most respected names in electronic music, Anjunabeats marks its 25th
Anniversary Vinyl Box Set.
Curated by label founders Above & Beyond and James Grant, this meticulously designed collection spans 25 years of cutting-edge electronic music from the Anjuna family of labels—Anjunabeats, Anjunadeep, and Anjunachill.
The box set includes 10 heavyweight vinyl records featuring 84 tracks selected from across the three labels' extensive catalogues, which have defined the Anjuna sound.
From timeless Above & Beyond anthems to
breakout releases from the likes of Lane 8, Ben Böhmer, ilan Bluestone, Mat Zo, Yotto, Eli & Fur and more, this collection is a landmark retrospective of Anjuna’s journey, and has been curated with particular attention to tracks rarely pressed on vinyl - all re-mastered for this product.
Each record is housed in its own color-coded, textured sleeve, numbered 01 to 10, with minimalist design and subtle debossing. A custom outer slipcase with a foiled and debossed Anjuna25 logo encases the set.
Also included is a 48-page, perfect-bound booklet, printed on art paper with textured cover stock. The booklet features track notes from artists and the Anjuna HQ team, sharing untold stories, creative inspirations, and memories that shaped the past two and a half decades of Anjuna.
THE ANJUNA25 ANNIVERSARY VINYL BOX SET IS A ONE-TIME, LIMITED-EDITION COLLECTOR'S ITEM. SHIPPING EARLY NOVEMBER.
PRODUCT HIGHLIGHTS
10x12" vinyl records featuring 84 iconic Anjuna tracks.
Tracks span Anjunabeats, Anjunadeep, and Anjunachill catalogues.
One vinyl dedicated to Above & Beyond.
Deluxe custom slipcase box with debossed foil Anjuna25 logo.
48-page booklet with exclusive track stories and quotes from artists & Anjuna HQ.
Limited edition – available while supplies last.
PRE-ORDER HERE.
NEW MUSIC LP
WEHBBA: STUDIO DUMP 05.25
HIFN / AVAILABLE NOW
Electronic music disruptor Wehbba drops his latest body of work, STUDIO DUMP 05.25 - a surprise, norules album project, unveiled piece by piece over the past four weeks via his multi-art platform, HIFN. No strategy. No roadmap. Just raw output.
STUDIO DUMP 05.25 is what happens when an artist stops editing and starts releasing - immediately, impulsively and unapologetically.
It’s a collection of sonic sketches pulled straight from
WEHBBA
the studio floor: spontaneous, unpolished, and absolutely alive. Rolled out in weekly drops across the month and now finally here in its complete arrangement, the project invites listeners into the chaos and clarity of real-time creativity. These aren’t refined final forms - they’re artifacts of inspiration as it struck. Unfinished on paper, but complete in essence.
There is a moment in creation when everything flows - before the overthinking, before the polishing, before doubt creeps in. A moment when instinct takes over and ideas move faster than the mind can process. STUDIO DUMP 05.25 is that moment, frozen in time. Each track is a fragment of energy, a snapshot of movement and thought before it could be
be second-guessed. The tracks on STUDIO DUMP 05.25 - including titles like “RENN,” “TRACTION,” “EXIT TIME,” “RESPECT THE PROCESS,” “SYNTHETICS,” “BRAIN CONFUSION,” “ESSENCE,” “MIRAGE” (with Misstress Barbara), and “SYMMETRY” - weren’t designed for uniformity or to chase trends. Each piece was developed with a clear purpose: to serve distinct moments within a DJ or live set, offering tools to shift momentum, redirect energy, or carve out unexpected space on a dance floor.
Rather than aiming to match the sound of highenergy, chart-topping techno, these tracks lean into individuality - each one breaking form in its own way, challenging structure while remaining highly functional. The result is a collection that feels
varied STUDIO DUMP 05.25 isn’t just an album - it’s a transmission, a thought experiment, a memory bank of sound. The collection speaks to the volatile nature of electronic music in the age of social media, reflecting how the culture of the scene, like the fleeting scroll of a social feed, is created, consumed, and replaced with dizzying speed.
As with every HIFN release, the music is accompanied by a wordscape; an abstract reflection of its essence through poetry. The wordscape itself is a meditation on the emptiness that would arise if our social media feed were to disappear. What would happen to someone’s behaviour, emotions, even sense of self, when governed by the need for validation through external interactions?
The words move like the music - repetitive, hypnotic, unravelling. A mirror held up to the digital world, where reality is curated and fractured, where presence is measured in engagement, and where silence feels like oblivion. Bring back the feed.
Wehbba invites listeners to reflect on how deeply this digital existence has woven itself into our lives, while also celebrating it. Everything in life, even the ephemeral, can be seen as art - because art is everywhere, in all things and there can be value in what disappears, as long as it is intentional. The way STUDIO DUMP 05.25 is presented week by week is a testament to this idea and a nod to one of Wehbba’s favorite art forms: street art - raw, transitory but purposeful.
STUDIO DUMP 05.25 is a tribute to that ethos - an album that doesn’t strive for perfection but instead captures something real, something instinctive, something honest.
The entire aesthetic is an explosion of textures and fragments, layered like a memory half-remembered. It doesn’t try to be perfect. It doesn’t try to be clean. It simply exists. And now, it’s out in the world.
STUDIO DUMP 05.25 is available now on all streaming platforms. No edits. No second-guessing. Just sound. Just feeling. Just movement:
NEW MUSIC LP
PARIS: LABYRINTH
THIS NEVER HAPPENED / AUGUST 29, 2025
Australian producer, DJ, and artist PARIS will release her debut album, Labyrinth, on August 29 via Lane 8’s imprint, This Never Happened.
Featuring 12 original tracks, including collaborations with Juno Mamba and Rinzen, Labyrinth is a deeply personal and creatively ambitious record— the culmination of over a decade of evolution in sound, identity, and vision.
“The labyrinth felt like the perfect metaphor for what
this process has been,” says PARIS, real name Paris Forscutt. “Going inward, exploring, making sense of all these parts of myself, and then surfacing with something to share. With a labyrinth, you go in, but you also come out — and there’s only one path.”
Written over several years and through periods of both isolation and clarity, Labyrinth represents PARIS's transition from the club-focused underground of her previous alias Made in Paris to a more expansive, nuanced space, where melodic techno, ambient, breaks, and electronica converge.
From the immersive synthscapes of opener “Genesis”
PARIS
to the break-driven shimmer of “Flourish” and the soaring euphoria of “Stay” with Juno Mamba, the album navigates moods and genres without ever losing its emotional center.
Anchoring the record is first single “Beechworth Cascades,” inspired by a spontaneous solo hike in regional Victoria.
The track blends field recordings of cicadas and cascading water with crystalline synths and subtle builds—a Four Tet–like fusion of nature and machine. “I remember just sitting there, recording these textures, not knowing they'd become the start of something
bigger,” PARIS recalls. “That moment in the forest was the seed.” Elsewhere, PARIS collaborates with Rinzen on the atmospheric “Wildfire,” delivers dark techno pulses with “DiCA,” and ventures into reflective territory with tracks like “Papaya” and “Rain on a Monday.”
What unites the record is a constant sense of discovery — each track a new turn within the labyrinth, revealing a different facet of the artist at its core.
This is more than a debut; it’s a statement of intent from an artist unafraid to step outside expectation and move toward something more instinctual and honest.
With over 2.3 million streams on her breakout This Never Happened release “Collide” (with Kaleida), and prior support from Pete Tong, Triple J, and RÜFÜS DU SOL, PARIS is no stranger to global attention.
Yet Labyrinth marks the start of something new: a full-length body of work rooted not in trend, but in truth.
Ahead of a wider tour later this year, PARIS will debut her Into the Labyrinth shows—three extended 4-hour headline sets in Sydney, Melbourne, and Brisbane this June, offering fans an immersive preview of the album in its full, cinematic scope.
Following these dates, PARIS will embark on a full LP tour in September and October across Australia and New Zealand.
In November, she’ll return to the US as part of the second edition of the This Never Happened Presents tour.
She’ll also join Lane 8 and Sultan + Shepard for two special shows in Johannesburg and Cape Town to close out the month.
Labyrinth is available August 29 on This Never Happened. The first single, “Beechworth Cascades,” arrives on June 26.
STREAM "BEECHWOOD CASCADES HERE.
NEW MUSIC EP
ENRICO SANGIULIANO:
VARIATIONS IN PRODUCTION: VOLUME1 NINETOZERO / JULY 3, 2025
Enrico Sangiuliano is a Producer, Performer & Sound Designer born in Reggio Emilia, Italy. Since he was a child, his desire was to create noises and sounds from everyday objects, but it was in his teenage years he turned his attention to technology and started to learn how to make music on his computer at home in the 90’s. Since 2009, the producer has worked with many top labels like Truesoul and Rhythm Converted. He gained international fame in August 2015 with his remix of DJ Boris's "Can You Hear Me," which was the highest selling track on Beatport for 2015 and held
the 1 spot for 14 weeks. His EP "X-Pollination," released in March 2016, also topped the Beatport charts for over 2 months.
He later released tracks on Drumcode, including "Trrbulence," "Start Of Madness," and "Moon Rocks," which collectively dominated the Techno Top 10.
His latest release is "Astral Projection" with a deep B-side, "Blooming Era." Pioneering, uncompromising, yet frequent chart-stormer, sound designer/ producer/performer Enrico Sangiuliano releases a remix EP of his seminal, startling ‘The Techno Code’.
The techno manifesto dropped in April, also on his countdown imprint NINETOZERO, as part of VA EP
ENRICO SANGIULIANO
‘Discipline’, since when it’s won multiple plays and plaudits on dancefloors, radio and streaming platforms.
Remixes accompanying the original on the new digital EP are by Kevin de Vries & SLVR; Charlotte de Witte; Avalon & Tristan, plus a bonus DJ tool edit.
The Techno Code (Original Mix) is at once a spoken ‘how to’ of techno and a celebration of the genre, in portentous US tones reminiscent of 50s Atom bomb warning films and of Faithless’ ‘This is my church…’ as Sangiuliano builds the track according to ‘my rules –the Techno Code’ – the hi-hats, the main theme, the touch of acid…as the Voice narrates their effect on listener and raver.
‘The Techno Code (Kevin de Vries & SLVR Remix)’: starts slower, looser and stealthier, until fleshed out with ‘plucked string’ melody overlay, while a siren-like ultra-high note joins in. They’ve also darkened the bass elements while chopping, but maintaining the centrality and clarity of the spoken words.
‘The Techno Code (Charlotte de Witte’s Acid Code)’: adds hoover swoops, spacey stabs, and a braininvading beeping backbeat.
As per de Witte’s remix title, the ‘little acid’ of the original becomes a fizzing main theme. Reordering/cutting the words gives more emphasis to the ‘journey’ motif and builds on the ‘tension/ anticipation’.
‘The Techno Code (Avalon & Tristan Remix)’ (Digital Exclusive): the spoken word is stripped back to a powerful intro and brief interjections, all processed with echo, robotic effects, distortion... and all about the anticipation - what you are about to hear, here it comes… The acid is raised to sulphuric levels by a pulsing tooth-tingling synth in a fast psy-trance ride.
Digital Tracklist:
1. The Techno Code (Original Mix)
2. The Techno Code (Kevin de Vries & SLVR Remix)
3. The Techno Code (Charlotte de Witte’s Acid Code)
4. The Techno Code (Avalon & Tristan Remix)
5. The Techno Code (DJ Tool)
Vinyl Tracklist:
A1 Enrico Sangiuliano - The Techno Code (Original Mix)
A2 Enrico Sangiuliano - The Techno Code (DJ Tool)
B1 Enrico Sangiuliano - The Techno Code (Kevin de Vries & SLVR Remix)
B2 Enrico Sangiuliano - The Techno Code (Charlotte de Witte’s Acid Code)
Enrico Sangiuliano’s ‘The Techno Code’ Remixes
EP ft. Kevin de Vries & SLVR, Charlotte de Witte, Avalon & Tristan drops July 3rd on NINETOZERO.
NEW MUSIC EP
MATRODA:
VARIATIONS IN PRODUCTION: VOLUME1
HIFNNINETOZERO / JULY 3, 2025
Croatian raised producer Matroda is the epitome of electronic music’s fleeting existence. Welcoming house music in his own unique way, with the aptly named ‘matrodasound’ coined by his true fans, the studio sets no limits for this unique but incredibly celebrated artist.
Taking early influences from the likes of Led Zeppelin, Frank Sinatra and The Beatles while introducing classical training across the violin, drums and keyboard, the Matroda sound has proven its highly
MATRODA
desirable accomplishment around the world over recent years.
From shows at EDC Las Vegas and Orlando to Nocturnal Wonderland, Matroda has solidified his presence, both on and off the stage. The natural born DJ and producer has dotted the map with top tier global festivals and sold out shows from Ibiza and Sydney all the way to Los Angeles and more.
His first career remix of SNBRN’s ‘California’ with Chris Lake, proved an electric festival vibe-chaser gaining support from Diplo, Calvin Harris and Major Lazer, leading to further releases on Mad Decent, Confession and UKF. 2019 saw Matroda droppingone of the album’s of the year and his biggest project
one of the album’s of the year and his biggest project to date- ‘THE RED TAPE’, with features from Kaleena Zanders, Dances With White Girls, taking out runner up for best album following AC Slater’s Hi8 at #1. Later in the year his collaboration with Wax Motif on ‘Lose Control’ garnered much support as well as ‘Walk In The Spot’- a true 2019 house anthem.
In 2020 Matroda released ‘Forget It’ via Insomniac Records, hitting over 10 million streams to date. Topping the list ‘Disco Tool’ longside Bleu Clair went right to the #1 spot on the Beatport tech house chart, leaving lasting impressions on the industry and dancefloors alike.
Fast forward to 2021 when he attained the 25th best
producer spot on Tracklist1001’s renowned chart, following a string of Beatport #1’s and over one million monthly listeners on Spotify.
A new decade opened up and Matroda’s label Terminal Underground was born, releasing the first EP from himself titled Jack The House EP. ‘La Pasion’ reached top 10 chart status on Beatport’s Tech House Chart, in line with the release of the single ‘Lifting’ with 2022 welcoming ‘Gotta Let You Go’, both on Insomniac Records.
Following closely is a charged-up D&B version of “4U,” a collaborative anthem originally produced alongside house legend Martin Ikin and rising vocalist Sian-Lee.
The original track took the shape of their tech house banger—now reworked with frenetic breaks and lowend pressure that give Sian-Lee’s soulful vocals a new, high-stakes urgency.
“Saturday Love” gets a pulse-raising transformation, trading its retro soul groove for sharp breaks and a fresh rhythmic engine, maintaining its throwback charm while turning up the tempo. Closing out the EP is a VIP rework of “Gimme Some Keys,” where Matroda swaps piano-led swagger for tightly coiled energy and rave-primed momentum, anchoring the project with a nod to his club-tested roots.
Since first breaking out with his remix of SNBRN’s “California” alongside Chris Lake, Matroda has carved out his own lane in the global house scene. His selfdescribed ‘matrodasound’ fuses everything from tech house and disco to bass and rock—and with this EP, he adds drum and bass to that ever-growing list.
Over the years, his tracks have picked up support from heavyweights across genres, while his hybrid sets continue to blur lines and crush expectations.
With a global tour on the horizon—including stops at Day Trip Festival, Space Miami, Tomorrowland, and the Waxtroda Block Party with Wax Motif—Matroda continues to redefine what a modern dance artist can sound like. ‘Variations In Production Vol. 1’ is a celebration of evolution, speed, and sound system pressure.
NEW MUSIC EP
SONNEE:
INNERSHY
WARNER BROS. / AVAILABLE NOW
Sonnee (aka Charlie Mannion) is a British producer originally from Manchester, now based in London.
His sound – a blend of organic textures, propulsive rhythms and atmospheric vocal samples – has made him one of the most exciting newcomers in the UK electronic scene.
Often compared to artists like Fred again.., Swimming Paul or Barry Can’t Swim, Sonnee has carved out a sound that’s unmistakably his own.With millions of streams, support from BBC Radio 1, and consitent
SONNEE
placement across key DSPs, he’s already made a name for himself.
His biggest tracks to date include “About You” and “Dancing Ain’t Enough” (both over 11 million Spotify streams), as well as “Leave The Water Still.”
Known for his emotionally rich collaborations with vocalists, Sonnee brings a unique human touch to his electronic productions. Alongside his original work, he runs his own club night SOLAA in London and Manchester – regularly selling out rooms with his curated line-ups.
He has delivered remixes for artists such as Edapollo x Mild Minds (Ninja Tune) and Sultan & Shepard (This
Never Happened), and supported acts including Tourist, Nimino, Model Man, Swimming Paul and ATRIP.
Earlier this year, he joined the Danish electro duo ROYA on their UK tour as a special guest.
UK producer Sonnee is riding a well-earned wave of momentum. With support from BBC Radio 1, beatport, DJ Mag and a string of hyped-up club shows behind him, the Manchester-born, Londonbased artist is now entering the next chapter with the release of his new EP, “innershy.”
This three-track release brings together his previous singles “Pollen” and “Heartfalls” (feat. Khazali) with
the new focus track “u+i” – a euphoric, emotionally charged dance track designed for hazy nights, golden-hour afterglows and the quiet moments in between. With pulsing energy and deep vulnerability, Sonnee blends club power with personal depth –a sound that doesn’t ask you to choose between moving and feeling.
“u+i” is the final release from the EP and marks its emotional high point: warm synth textures wrap around punchy bass and hypnotic vocal chops, as Sonnee captures the tension between connection and confusion, presence and distance. It’s a song about holding on, even when you’re unsure where you stand – “That always leaves me wondering whether we stand for something / if baby it’s you and I.”
The production amplifies the emotional weight of something deeper. It’s a track built for the club, but of intimacy you take home with you.
"I've embraced my innershy across this collection of three songs,” Sonnee says of the EP. The result is a sonic release – cathartic, honest, danceable.
These songs need no grand gestures to leave a deep impact. It's music that turns warm feelings into warm frequencies – or as Sonnee puts it: “warm colors into sound.
STREAM IT HERE.
NEW MUSIC EP
^L_ NO_HOPE.TOR INSANE INDUSTRY RECORDINGS AVAILABLE NOW
^L_'s work has been described as almost scary, but engaging: unsettling, uncomfortably pleasant and even strange.
Luis Fernando, (his real name) ^L_, creates music that captivates and unsettles, mixing haunting IDM influences like Aphex Twin and Autechre with industrial beats, cyberpunk textures and acid techno. His sound palette encompasses coldwave, darkwave
^L_
and EBM, intertwined with intense breakbeats, creepy horror movie samples and electric laser sounds. ^L_'s themes explore loneliness and nihilism, balancing chaos with ambient depth.
^L_ is an acclaimed artist in the electronic scenefocused on heavy, experimental and industrial beats.
His new release further consolidates his work. The 6-track EP entitled "NO_HOPE.TOR," released in April by Insane Industry Recordings, is an up-tempo and multi-genre song, perfect for those moments when we need a little push in life! In addition, anyone can multi-genre song, perfect for those moments when we need a little push in life! In addition, anyone can
multi-genre song, perfect for those moments when we need a little push in life! In addition, anyone can own trajectory, of course, but also remembering and criticizing issues common to these dark times and to all of us.
The EP starts with "Xanax Manifesto," a heavy and direct techno track, followed by "Unpaid And Overworked", a breakbeat with references to oldschool samples that fans of AFX, Meat Beat Manifesto and Venetian Snares will love.
Then it goes into a techno raver vibe with "Serial Experiments Lain," the ecstatic industrial/EBM track "The Billionaire Killer," named after a globally acclaimed figure, and returns for a fun, complex and
funereal-themed breakbeat called "Diesel Therapy." Finally, the techno hit "Bills, Coffer and Cheap
"Existentialism" has a 90s big beat synth feel that might remind veterans of The Crystal Method.
Highly recommended for young people looking for new tracks with a special devotion to classic electronic music, spiced with an anti-status quo soul.
^L_'s NO_HOPE.TOR is out now on Insane Industry Recordings. BUY IT HERE.
NEW MUSIC EP
FLAUR: HOLD ON COSMOCITIES RECORDS / AVAILABLE NOW
A disco-funk venture laced with balearic pop as nostalgic as it is buoyant, Dijon-based outfit FLAUR land their inaugural EP on Cosmocities Records.
Comprised of three original songs shifting gears between electrifying grooves and washed-out downtempo, plus three remixes courtesy of Art of Tones, Gaettson and Faze Action, "Hold On" speaks the language of lively waves and sun-streaked coasts.
By turns explosive and contemplative, the duo’s vision covers a wide span of influences and styles,
fusing Californian P-funk with a touch of Supertrampesque disco and nuances of alternative pop lined with silky funk in the style of acclaimed Versailles band, Phoenix.
Full with suave Wurlitzer piano chords and ultrasyncopated slap bass, the lead-track ‘Hold On’ is an ode to 70s disco pop with its satiny textures, solarpowered melody and a swing bound to cause ravage on the dance floor.
The perfect mix of luxuriant disco, vibrant boogie house and supra-sensual cosmic escapology.
Even more elating, the layered funk of "Now" takes us into a choppy swirl of unshackled pizzicatos,
FLAUR
iridescent envelopes and epic vocal flights.
Recorded live at Mastoid Studio in Paris, "On My Mind" trades the hi-velocity disco of the first two cuts for a poignant, introspective movement, revolving around the bewitching voice of Florian, a piano and riffs draped in melancholic reverbs. A sonic journey round the confines of soulful dream pop and further intimate songwriting.
In the hands of another rising Dijon-based artist, Gaettson, "On My Mind" morphs into a dance floororiented missile, mixing a highly volatile strain of corrosive IDM, sharp breaks and nervy vocal samples.
Remixing "Hold On," South of France producer Art of
Tones takes us on a proper cosmic trip, laying further emphasis on the original's funky impact through sundrenched loops a la Alan Braxe and Fred Falke, and a buildup tailored for extended seaside afters; feet buried deep in the sand, head up in the clouds.
UK groove legends Simon and Robin Lee, alias Faze Action, round off the package with a chiselled revamp of "Now."
Slightly accelerated and built for the club, this remix treats us to a pure moment of dance-ready bliss, packed with sinuous rhythms, dynamic bass and fevered percussions.
STREAM IT HERE.
NEW MUSIC SNG .
THOMAS GOLD:
BLUE MONDAY
DIM MAK / AVAILABLE NOW
A powerhouse in dance music, Thomas Gold has amassed over 350 million Spotify streams, earning a reputation as a master of remixes and an unstoppable force in the industry. His electrifying performances at Ultra Music Festival, Coachella, EDC, Mysteryland, and Tomorrowland have captivated audiences worldwide, from the USA to Asia.
Gold’s distinctive sound has led to collaborations with some of the most influential labels in electronic
Dharma, Hexagon, Hysteria, Protocol, Revealed Recordings, Spinnin’, Size, and Toolroom. His remix of Adele’s “Set Fire to the Rain” became a defining moment in his career, introducing his signature style to a global audience. Partnering with Universal Music Germany, he has continued to push creative boundaries while his own imprint, Fanfare Records, has released over 70 tracks to date.
Recent highlights include “Crying Rainbows” on Hexagon (2024), followed 2025 by “Champs Elysées” and “Heaven Is In The Music” on Confession. With eight more releases already lined up for early 2025 on Actuation, Hysteria, Reliant, Revealed, and Dim Mak, Gold is setting the tone for another explosive year.
Beyond his own music, Gold is a sought-after mentor, helping rising producers refine their skills. His masterclass series with Dharma Music offered a rare glimpse into his creative process, solidifying his role as an industry innovator.
Adding another exciting dimension to his artistry, Gold introduced Anaya & Gold—a boundary-pushing DJ duo blending live violins, drums, and keyboards into high-energy performances.
With a relentless drive, a forward-thinking sound, and a calendar stacked with new music and live shows, Thomas Gold continues to shape the future of electronic music. In 2025, he signed with Dim Mak, kicking off the partnership with a series of standout
tracks and now returning with a bold rework of the classic “Blue Monday.”
The renowned electronic music heavyweight takes on one of modern music’s most iconic tracks with his powerful new reimagination of New Order’s “Blue Monday.”
Celebrating the raw energy of the original while infusing a thunderous, festival-scale punch, this vibrant new offering functions as both a tribute and a daring evolution.
Thomas Gold's Blue Monday is available now.
STREAM IT HERE.
THOMAS GOLD
NEW MUSIC SNG .
KLAUDIE ROBERTS:
SERENADE FOR STRINGS
DIM MAK / AVAILABLE NOW
Czech-born Klaudie Roberts is a DJ and producer based between Europe and the U.S. A classically trained violinist turned electronic artist, she’s known for her moody, minimalist sets and production rooted in emotional depth and compositional precision. Her debut single, “Serenade for Strings,” signifies the start of an exciting new chapter in her artistic journey. Klaudie has performed at renowned venues including Joia Beach, Floyd Miami, and Club Space, and will make her Ibiza debut this summer with PIV at Cova
Klaudie releases her debut single “Serenade for Strings” through Rony Seikaly’s Stride Records—a hypnotic, emotionally charged track that blends classical orchestration with modern minimal house.
Built around a motif sampled from an obscure Czech symphony, “Serenade for Strings” is a meditative, loop-driven piece that combines restraint with richness. “I came across this forgotten symphonic recording by a Czech composer and instantly felt something powerful,” Klaudie explains. “There was sadness in it, but also grace. I knew I wanted to bring it into my world—into a minimal structurewhere every sound breathes.” The track serves as both a reflection and a reintroduction. Born in the Czech
Republic, Klaudie started playing violin at age six and performed with orchestras throughout her youth. At 15, she moved alone to the U.S. to pursue a modeling career—an experience that expanded her visual and creative sensibilities. But in 2018, she quietly returned to her original passion: music. This time, she stepped behind the decks and into the studio.
“I’ve lived a few lives already,” she says. “But music was always home. This release is the first time I feel ready to share that truth, publicly and fully.”
Klaudie’s sound is characterized by its subtlety. Her production draws from minimal house and microhouse influences, while carrying the emotional
Strings” is more than a debut; it's a cinematic reveal— rich in tone, restrained in structure, and deeply personal.
Set to perform at some of Europe’s most sought-after venues this summer—including Cova Santa (Ibiza) and Kiesgrube (Germany)—Klaudie is stepping into her next chapter with focus and intention. “My dream is to become a minimal queen,” she shares. “But more than that, I want to be understood as a real artist. Someone who listens closely, who feels deeply, and who’s constantly learning how to translate all of that into sound.”
STREAM IT HERE.
KLAUDIE ROBERTS
NEW MUSIC SNG .
TIMMY TRUMPET & 3 ARE LEGEND: COUNTRY
ROADS
DIM MAK/SMASH THE HOUSE AVAILABLE NOW
Prepare for another seismic festival moment as Timmy Trumpet joins forces with 3 Are Legend (the supergroup comprising Dimitri Vegas, Like Mike and Steve Aoki) to deliver a thunderous rework of "Country Roads", out now on Dim Mak / Smash The House.
Merging high-energy hardstyle with colossal
Mainstage EDM power, this electrified version of "Country Roads" injects roaring basslines, anthemic synths and unrelenting festival energy into a muchbeloved classic. Timmy Trumpet’s signature energy combines effortlessly with 3 Are Legend’s renowned mainstage might, turning this singalong staple into a full-throttle, festival weapon ready to ignite crowds worldwide.
Timmy Trumpet, one of Australia’s most explosive dance music exports, has become a global icon with his unique fusion of live trumpet performances and electronic music.
With his larger-than-life persona and boundarypushing productions Timmy has become a firm
TIMMY TRUMPET & STEVE AOKI
favorite among dance music fans worldwide. The collaborative force that is 3 Are Legend, made up of three of the biggest names in electronic music, continue to cement their status as titans of the scene with regular appearances at festivals such as Ushuaïa Ibiza, Electric Love Festival, Untold, and Creamfields, as well as become a much-touted favorite of the Tomorrowland crowd, regularly playing both Tomorrowland and Tomorrowland Winter.
Known for their powerful performances and anthemic productions, Dimitri Vegas, Like Mike, and Steve Aoki combine their distinct styles into an unstoppable musical juggernaut. Uniting generations of music lovers, "Country Roads" offers a bold, adrenaline-charged homage that bridges timeless
songwriting with modern-day dancefloor dynamite.
Timmy Trumpet joins supergroup 3 Are Legend (Dimitri Vegas, Like Mike & Steve Aoki) for a turbocharged reimagining of John Denver's “Country Roads.”
This electrifying festival weapon injects roaring basslines, anthemic synths, and pure adrenaline into a timeless melody, blending hardstyle with the power of Mainstage—a guaranteed sing-along moment built for global dance floors.
Out now via Dim Mak / Smash The House.
STREAM IT HERE.
NEW MUSIC SNG .
DANNIC:
MY MIND
DIM MAK / AVAILABLE NOW
Get ready to experience the ultimate in Dutch dance music! Breda's own Dannic is a true heavyweight in the scene, with his signature groovy big-room club sound leaving audiences worldwide begging for more. This is an artist that lives and breathes music, and it shows in everything he does.
Dannic is a highly acclaimed Dutch DJ and producer hailing from Breda. Over the years, Dannic has made a name for himself as a go-to artist within the music industry, consistently delivering high-quality
productions and outstanding DJ sets that confirm his status as a driving force in the scene.
From his early releases on Toolroom and his close relationship with Hardwell's Revealed Recordings to the launch of his highly praised Fonk Recordings, Dannic's constant output of dance floor-ready bangers and groove-laden productions continue to excite audiences worldwide. His music has received widespread support from industry stars such as Swedish House Mafia. Afrojack, Hardwell and Martin Garrix.
Dannic's live performances are nothing short of legendary. Dannic's DJ skills are also highly regarded in the industry. He is a master at beatmatching
and mixing, and he often incorporates creative transitions and effects into his sets.
He is also known for his flawless track selection while gracing the stages of some of the world's biggest festivals, including Creamfields, Tomorrowland, and EDC. His impressive DJ skills and stage presence have earned him a reputation as one of the most exciting live acts in the business.
He knows how to read a crowd, and he always delivers exactly what they want. According to the legendary Fedde Le Grand, "Dannic is a DJ's DJ. His sets are second to none, and his productions always deliver the goods.” His latest single, “My Mind,” is a highoctane Electro House cut powered by punchy
drums, gritty synth stabs, and an unyielding bassline. Designed for peak-time sets, the track captures Dannic’s signature festival energy with razor-sharp production and a deeply personal message at its core.
"This track is all about the power of connection, no matter where we are in the world, whether we’re together at a festival, apart, or even if someone is no longer here physically, we still can feel each other in our minds. It’s about that unbreakable bond, the energy we carry with us. I hope this song reminds people of the power they have inside them, and that music can bring us together, no matter what." says Dannic.
