Bader AlShawaf Design Portfolio

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architecture | design portfolio


“To provide meaningful architecture is not to parody history but to articulate it.� Daniel Libeskind


CONTENTS

RESUME

4

ARCHITECTURE

Dignified Revival

5 - 12

The Cage of Enlightenment

13 - 16

Link Independence: Envisioning Connections

17 - 20

Route 66 Museum

21 - 24

A Tractor House

25 - 26

Fair Grove Center for Generations

27 - 28

FURNITURE

Water Drop Bench

29 - 30

Rocker Prototype

31 - 32

RHINO + GRASSHOPPER

33 - 34

ARTWORK

35 - 36

PHOTOGRAPHY

37 - 38


My vision of Architecture is that of great impact. I believe that we, as people of the discipline carry the responsibility of not only establishing a built environment, but are equally responsible for the impacts that our creations have, locally and regionally. Theres more to Architecture than just a physical presence, it is the manufacturing of experiences and memories through the intricate and meaningful process of Design.


Bader AlShawaf Architecture||Furniture Furniture||Photography Photography Architecture balshawaf@outlook.com balshawaf@outlook.com +965 60609692 417-619-1987 issuu.com/b.alshawaf issuu.com/b.alshawaf Bader BaderAlShawaf AlShawaf

Education and and Experience Experience Internship

Bank of Kuwait and the the Middle Middle East East Kuwait City, Kuwait Winter 2006

Study Study Abroad Abroad

Career Development Development

Kuwait Institute Institute for for Scientific Scientific Research Research (KISR) (KISR) Kuwait City, Kuwait Kuwait Summer 2006

Internship Internship

Johnston JohnstonArchitects Architects Seattle, Seattle,Washington,USA Washington,USA Spring Spring 2014 2014

Digital Digital Fabrication Fabrication Shop Shop Monitor Monitor Drury Drury University, University, Springfield, Springfield, MO, MO, USA USA Fall 2012 Spring 2015 Fall 2012 - Spring 2015

Mech. Eng. Course Course

Masters Mastersof ofArchitecture Architecture

Venice,Italy Venice,Italy ++ Paris, Paris,France France Summer Summer 2013 2013

Minor MinorininDesign DesignArts Arts Minor MinorininFine FineArts Arts Drury DruryUniversity, University,Springfield, Springfield,MO, MO,USA USA Spring 2010 Spring 2015 Spring 2010 - Spring 2015

Internship Internship

SSHI SSHI Kuwait KuwaitCity, City,Kuwait Kuwait Summer Summer2014 2014

Kuwait Institute Institute for for Scientific Scientific Research Research (KISR) (KISR) Kuwait City, Kuwait City, Kuwait Summer Summer 2007 2007

Skills Rhino 3d Grasshopper Revit 3ds Max Infraworks Inventor AutoCAD AutoCAD Photoshop Photoshop Illustrator Illustrator InDesign InDesign Dreamweaver Dreamweaver Unreal Unreal Engine Engine Lumion Lumion Sketchup Sketchup Microsoft Microsoft Office Office

Achievements Achievements 2011 FirstPlace PlaceAward Awardininrecognition recognitionofofexcellence excellenceininthe the 2011 First design designof ofaddition additiontotothe theHammons HammonsSchool Schoolofof Architecture Architecture Sketch Sketchof ofthe theyear year

2013 2013 Independence a Librarium Prize 2013 Chair published in nominated HSA Newsfor Issue01-Spring2014 2014 Link Chair published in HSA News Issue01-Spring2014 2014 2015 Cradle to Cradle Product Design certification 2015 Cradle to Cradle Product Design certification

References References ROBERT ROBERTWEDDLE, WEDDLE, Interim InterimDirector/Professor Director/Professor Hammons HammonsSchool SchoolOf Of Architecture Architecture Drury DruryUniversity, University, Springfield, Springfield,MO, MO,USA USA TT417-873-7450 417-873-7450 rweddle@drury.edu rweddle@drury.edu

DAVID DAVIDR. R.BEACH, BEACH, Assistant AssistantProfessor Professor Hammons HammonsSchool SchoolOf Of Architecture Architecture Drury DruryUniversity University Springfield, Springfield,MO, MO,USA USA TT417-873-7055 417-873-7055 dbeach01@drury.edu dbeach01@drury.edu

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Dignified Revival

Re-establishing dignity within marginalized societies Dharavi, Mumbai, India Marginalized populations exist in dense urban areas all over the world. Seeking economic opportunities, they immigrate to areas of such capacity, but for social, political and cultural reasons they become disenfranchised. These emigrating communities find like-minded people and end up forming diverse communities. As a result, they produce an alternative society with its own cultural and economic systems. The marginalization of these populations strips them of their human dignity, however, these improvised societies are rich in social life and make the best out of their current social conditions. This thesis aims to study social space through the principal research question “how can architecture dignify and reinforce community for marginalized populations?�. Architecture has the capacity to dignify these people’s lives but needs to be sensitive to the cultural specifics of these diverse societies, especially in terms of religion, gender roles and the improvised economic systems. Architecture must identify and reinforce the commonalities between these people and should do so with high regards to the improvised culture in order to enhance the sense of community between them. To reinforce and dignify community for marginalized populations, architecture must be sensitive to their cultural, religious and economic backgrounds. It should seek to unite and empower the commonalities of these populations through a shared social space that will address their basic needs as well as provide a platform outside of work for communication. An essential step to reinforcing the communities of Dharavi is through reviving the river system at the intersection of the slum. In doing so, the sacred characteristics of water will regain their significance, and the people of Dharavi will have a clean resource to support them.

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If workers are sponsored by a company, their sponsors would take their passports away, thus disableing them from seeking new oppertunities

up worki nd

ther ea w

in harsh ng

Cleaning

Hydration

Exchange

Social

Nutrition

Vegetation

Fishing

Culture

Religion

Hygene

Cooking

Rituals

They e

Exploitations of migrant workers

6.5 people live in a single room

15

22

Most workers cannot afford health care

ho

urs

/day

Female workers are beaten and abused by their owners Since their living conditions are dense, disease spreads easily

To begin the dignifying process, the community must go through a restoration process, in which their basic necessity is retrieved, in the case of my thesis, water.

To allow for a continuation of the basic needs, it has to go through a process of maintenance, a process that educates the community as well as serves them.

Enhancing the community requires providing jobs, and allowing for their quality of life to be raised not by the average standard of the world, but by the local and personal standards.

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Mah im B ay

Arabian Sea

India

7 Mumbai

Dharavi


A

AN A GE M TE M EN

RE

AS W

RA

AR

EA

S TR O O M S C RE

MEDITATION

BLI

T

PR EP /L O C KE

PU

PLAZA

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Pool 3: Water at this point is good for irrigation of herbs that would be used to infuse the bath water Pool 2: Oysters are added to this pool to digest the last of the remaining bacteria Pool 1: Assuming that the Rag Pickers would deplete the majority of the solid waste, This pool would receive the first income of creek water, with some organic solid waste left, fish such as Catfish would be added due to their cleaning abilities

Plaza

Toilets

Clense

Waste Mgmt.

Bathe

Meditate

Water Mgmt.

Filter

9

Collect

Store


10


Human waste is transformed into fertilizer through the adding of bacteria in this dry composting latrine, this creates a cycle of energy that allows people to begin to use something that was a nuisance towards the betterment of the area.

The understructure of the plaza hosts a large water tank that receives the water coming in from the pipes and culminates it. During rain, the collectors would funnel the rain water more strategically, as well as filter the rain water, this is due to the airborne pollutants that may carry diseases.

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.02’ Diameter Solid Bamboo Bolt Halved .6’ Diameter Bamboo Columns .6’ Diameter Bamboo Rafter .4’ Diameter Bamboo Purlin .4’ Diameter Bamboo Column

Rain Collection Tank

.2’ Bamboo Board Flooring

.4’ Bamboo Beams

Purified Water Outlet

Treated Water in Cistern

4”x6” Concrete Beams

1’ Reinforced Concrete Walls

Waterproofing Member

Horizontal Bonded Post Tensioning

Rubber Pad Strip Painting

Joint Sealing Compound

Organic Tying Member .6’ Diamter Bamboo Columns .5’ Diameter Stainless Steel Tubes

.02’ Diameter Solid Bamboo Bolt

5’x3’x6” Reinforced Concrete Composite Structure Serving as Mat Foundation

12


The Cage of Enlightenment Discovering the journey of meditation Springfield, MO, USA

A path that is straight doesn’t necessarily lead to enlightenment, however, one in which obstacles slow you down allows you to take a moment to breathe it all in. This sanctuary was meant to stray away from orthodox Buddhism and provide for a different atmosphere for enlightenment, “Buddha” exists within nature. It is a point of convergence for the multiple campuses around the area as well.

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14


1’x1’ rustic steel tube structural frame

structual curtainwall system 6”x6” rustic steel tube framing

20” diameter primary ducts 14” diameter secondary 2’x2’ wood panel flooring

4’ wide prestressed hollow core concrete slabs

18”x36” reinforced concrete girder

6”x6” rustic steel tube framing

5’x5’ reinforced concrete cantilever beam 1’ concrete bearing wall

24” diameter return air duct

20”x25” secondary supply air duct (underslab) 20”x65” primary supply air duct (underslab)

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structural and HVAC integration diagram


1’x1’tube steel structural framing

aluminum mullions

3/4” steel C cap

steel roller 6x6” operable rustic steelbarn door aluminum mullions 2’x2’ wood flooring panels 1’6” wide steel risers expansion joint 18”x30” reinforced concrete girder

finished concrete topping 4’ wide pre stressed hollow core concrete slab return air steel grate

20”x25”secondary air duct 20”x65” primary air duct reinforced concrete corbel

5’x5’ cantilevered reinforced concrete beam 2’x2’ reinforced concrete column

1

Section 1 3/8" = 1'-0"

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Link Independence: Envisioning connections Re-establishing the city’s identity Independence, MO, USA

The city center of Independence, MO lacks linkage, that linkage could be established through implementations of complete streets. The abundance of hard surfaces as well as the lack of vegetative surfaces makes it uncomfortable to be outdoors. The implementation of pedestrian oriented atmospheres rather than vehicular oriented is key to giving the city it’s identity.

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the pedestrian.

INTRO

COM VISIO

Building Scale

If not modified by elements such as the awning, tree canopy and balcony structure will create a sidewalk environment that is out of scale to the pedestrian.

Human Scale

Human Scale

Defined here by the overhead plane of the awning and tree canopy.

APPE

Figure 3.6

Defined here by the overhead plane of the awning and tree canopy.

Section of a Complete Street Showing Zones

Figure 3.6 Public/Street Zone

This motorized traffic zone should also consider the needs of pedestrians and cyclist by providing crosswalks and an arranged traffic system that will benefit all users.

Vegetated/Awning Canopy

To promote a more walkable city, pedestrians need to be provided with shading elements such as street trees and awnings.

Pedestrian Zone

This zone should be wide enough to accommodate sidewalk activities and provide space for street furnishings and vegetation.

This mot the ne providin system

Vegetated/Awning Canopy

To promote a more walkable city, pedestrians need to be provided with shading elements such as street trees and awnings.

Figure 3.7

Public/

Section of a Complete Street Sidewalk Showing Tree/ Awning Canopy

VISION RECOMMENDATIONS COMPLETE STREETS

Streets

Figure 3.7

e Streets ?

Section of a Complete Street Sidewalk Showing Tree/ Awning Canopy

VISION RECOMMENDATIONS COMPLETE STRE

Urban Design Component

Bike Component

Vegetated Buffer Component

Figure 3.1

Parking Component

Traffic Lanes

Stopping Traffic Component

Curbside Management Component

Side Walk Component

Vegetation/Lighting/ Seating Component

Building Edge Component

Section Showing the Complete Street Components

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Charles Curtis Park Precedent

Figure 3.177 Plan of the Proposed Charles Curtis Park

Figure 3.176

View of Charles Curtis Park Looking at Osage Street Between Maple and Lexington Streets

Charles Curtis Park

half should cater to relaxation, contemplation, We have recommended naming this park the and solitude. The outdoor surfaces of the park Charles Curtis Park in honor of Mr. Curtis who Figure 3.180 Outdoor Dining, St. should Charles, St. with Louis areas be paved brick or stone. The was the only Native American, Osage, to be perimeter of the park should be enclosed by a elected Vice-President of the United States. wrought-iron fence mounted between brick or No other Native American has ever attained a stone pillars. Entrances into the park should be higher office in America. from each of the adjoining streets. The Charles Curtis Park will replace the two The design team further recommends that parking lots located on Osage Street between the section of Osage Street between Maple Maple and Lexington Streets. The three parts of the park should be conceived of as on unified and Lexington be surfaced with the same brick pavers that are used in the east and park. (See the plan diagram above) The two half of the park extend to the mid-block alleys. west halves of the park. The flow of the brick To block the view of the back of the buildings surface from the adjoining park areas out onto Osage Street will visually and physically unify at the alleys the design team recommends that the eastern half of the park have a two-story the three parts of the park and express the intent of the city that the street shall be seen full block width building constructed to house a as part of the park and periodically closed to restaurant, pub and lounge. The western half of the block should have a full block width vehicular traffic for community events. At these water wall constructed similar to what is shown times, bollards will be placed at the end Figure of this in the pictures of Paley Park to the right. The one-block segment of Osage Street to allow people and activities to flow throughout the eastern half of the park should cater to food Charles Curtis Park. We would also recommend and spirits and outside dining. The western

Charles Curtis Park is comprised of three parts, but conceived of as one park: the east half caters to food and spirits and has a restaurant, pub and lounge with outdoor dining, the west half caters to reflective pursuits and has a water wall, movable tables and chairs and solitude, the center section--Osage Street--can be closed off to unify the entire park for community events like: street dances, Oktoberfest, high school graduation or an Ole Time Christmas Village.

Paley Park, NYC is a great quality of space that the desig for the Charles Curtis Park. Park, which was constructed lot between two skyscrape Manhattan, the Charles Curti on two parking lots on axis wit Courthouse Square and Bing Estate. The Charles Curtis two parks stitched together segment of Osage Street bet Lexington Streets. All three be conceived of together as t Park.

Precedent

that the surface of Osage Street between Maple and Lexington Streets be raised to the level of the sidewalk to further reinforce the flow of activities and signify this section of Osage Street as a pedestrian zone.

Paley Park, NYC is a great exam quality of space that the design tea At the corners of the park next to Osage Street we recommend that the four corner pillars of Park. But u Curtis Charles for the the fence be enlarged in height and illuminated so that they can bewhich seen from anywhere wasalongconstructed on Park, Osage Street between Truman Road and Pacific Street. These illuminated pillars will lot between two skyscrapers in serve as landmarks and as a terminus view for the long axial view along Osage Street as it Park Manhattan, passes through Osage Park. the Charles Curtis on axis with Inde parking Brickon pavertwo or red stamped concrete lots similar to the surfaces in the Charles Curtis Park would Courthouse extend down the sidewalks Square along Osage and BinghamStreet and connect into the Osage system 3.182 PlanTrail Diagram Showing Visual Figure 3.177 Plan of the Proposed Charles Curtis Park within Park Osage Park, thus, tyeing the two parks Curtis Charles The Estate. Corridor Linking Charles Curtis Park together. The same sidewalk treatment would park back to the Courthouse Square. together by a stitched Charles Curtis Park is comprised of three parts, but link the parks two and Bingham-Waggoner Estate conceived of as one park: the east half caters to food segment of Osage Street between RECOMMENDATIONS COMPLETE with STREETS pub and lounge restaurant, and spirits and has a VISION Lexington Streets. All three segme outdoor dining, the west half caters to reflective pursuits be conceived of together as the Ch and has a water wall, movable tables and chairs and Park. solitude, the center section--Osage Street--can be closed off to unify the entire park for community events like: street dances, Oktoberfest, high school graduation or an Ole Time Christmas Village.

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that the surface of Osage Street between

Figure 3.178

Street Entrance Water Wall Vis Gree

Figure 3.179

Interior of Paley Pa and Movab


IN

C V

Figure 3.188

Section Through Osage Street

Fig

A

Osage Park

Narrowed Street

Osage Street has been narrowed to slow the vehicular traffic, accentuate the spatial flow of Osage Park, and place greater emphasis upon the pedestrians.

Sid

The out the

Canopy

e Street Walnut ed to within d on the t isfrom the ay e Park mlessly outhern m does

Figure 3.190

Perspective Showing Tree Canopy

Tree Canopy

The section of Osage Street between Walnut Street and Pacific Street has been conceived of as a pedestrian promenade, where the emphasis is placed on the pedestrian, not the cars. The traffic calming strategies utilized include the narrowing of the traffic lanes, the tree lined park lane, the zero curb, the tree canopy and the seamless spatial flow of Osage Park across the street. 20


Route 66 Museum Light as signage Springfield, MO, USA

Theres a certain inspiration that can be driven from the neon lit culture that formulated alongside the development of this historic route. I envisioned a place in which that idea of a building that becomes a light fixture in itself can become the sign or billboard that people decided to stop by after a long ride in this route.

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22

fourth floor

third floor

second floor

first floor

ground floor

basement floor


23


Roof Pavers Waterproofing Membrane

Gutter Drainage

10' - 9"

Rigid Insulation

Welded Steel Flashing

10' - 0"

Steel Cap Over Column

Single Pane Glazing

W10x49 Steel Column

13' - 11 11/16"

W12x28 Steel Girder

Pipe Handrail 3" Light Weight Concrete on 2" Metal Deck Steel Angle Welded to Steel Plates on Beam

79' - 0 17/32"

Custom Made Aluminum Horizontal Mullions

Suspended Aluminum Ceiling Fixtures

18' - 0 5/8"

Air Outlet

LED Light Fixtures

8" x 8" Structural Aluminum Mullion

13' - 11 11/16"

Double Pane Glazing

Finished Cast In Place Concrete Pavement 2" Layer of Sand Base Course of Gravel J Bolts Protective Finish

Rigid Foam Insulation

12' - 3 17/32"

Steel Reinforcement

6" Concrete Ground Slab Undisturbed Soil Damproofing Premolded Filler and Sealant at Expansion Joint Concrete Footing Protection Board for Waterproofing Waterproofing Membrane Gravel Backfill

24


A Tractor House

Showcasing a prideful history Fair Grove, MO, USA The 1905 Case steam tractor was considered the work horse of the late 19th and early 20th centuries. Strong, reliable and well engineered, it was one of the basic forms of power and propulsion that drove American Industrial and Agricultural expansion. The chosen form of this tractor house was to be a simple container like object, being softened up by the frosted channel glass members, as well as a slightly dynamic roof member that embraces the culture that was driven by these steam powered machines. It almost seems as if the building is the machine hosting another.

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cantilevering alumninum beams

corrugated aluminum roof

aluminum beam support

aluminum channel @head of channel glass

double layered channel glass

aluminum columns

cast in place concrete slabs

base course of gravel

cast in place concrete footing

26


Fair Grove Center for Generations Engaging the open landscape Fair Grove, MO, USA

All natural shelters were formed through a process that was initiated from a single aspect. In this project, i explore how sand formed shelters throughout time, to provide for this two-phase project that starts off as a senior center and eventually evolves into a community center. This project investigated how the involvement of landscape into the design process can produce a unique experience, unfamiliar to the usual use of the location.

Concept

27

South Elevation

Entry

Main Hall

Multi-Purpose Rm.

East Exit


Phase 1

Phase 2

East Elevation

Section Looking West Along Main Hall

28


Water Drop Bench

An approach to disaster relief Joplin, MO, USA After the devastating tornado that hit joplin in 2011, many efforts have been made to help the people recover, one of which was the re-establishment of Cunningham Park and the Butterfly Garden. This bench was designed in response to many issues of grief and recovery, and the shape of a settling water drop was the inspiration behind it. An easy to assemble section modulus that is safe from theft and long hours of use.

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Top View 1 1/2" = 1'-0"

2' - 0 9/16"

Rocker Prototype

2' - 11 5/32"

0' - 2"

1

0' - 3 15/32"

Designing with the issue of flat packaging at hand

2' - 6 23/32"

1' - 0"

2' - 6 9/16"

2' - 0 9/16"

1' - 10 1/2"

2' - 11 5/32"

0' - 2"

I was always amused by the traditional rockers, yet never seemed to like how difficult it was to get out of them even at a later age. Taken that issue2 Side asViewwell as flat packaging into account, I wanted to start 1 1/2" = 1'-0" challenging the material strength of what it can withhold, especially with the frame, a simple assembly of sections that redefines the complexity of the traditional approach. 0' - 3 15/32"

1' - 0"

2' - 6 9/16"

2

Side View 1 1/2" = 1'-0"

0' - 1 1/2"

0' - 0 3/4"

0' - 2 1/4"

0' - 0 3/4"

0' - 0 3/4"

0' - 0 3/4"

0' - 0 3/4"

3/8" D Threaded Stainless Steel Rod

0' - 0 1/2"

0' - 0 5/16"

0' - 0 11/32"

0' - 0 9/32"

0' - 0 11/16"

3/4" Pine Plywood Spacers

3

Front View 1 1/2" = 1'-0"

0' - 1 1/2"

0' - 0 3/4"

0' - 0 5/8"

2' - 6 3/8"

2' - 6 19/32"

6 A101

0' - 2 1/4"

0' - 0 3/4"

0' - 0 3/4"

0' - 0 3/4"

3/4" Pine Plywood

Top View 1 1/2" = 1'-0"

6

Callout of Front View 12" = 1'-0"

0' - 0 5/16"

1

0' - 0 11/32"

3/8" D Threaded Stainless Steel Rod

0' - 0 11/16"

3/4" Pine Plywood Spacers 3/4" Pine Plywood

2' - 6 23/32"

2' - 0 9/16"

2' - 11 5/32"

0' - 2"

6

0' - 3 15/32"

1' - 0"

2' - 6 9/16"

2

Side View 1 1/2" = 1'-0"

6 A101

0' - 1 1/2"

0' - 0 3/4"

0' - 2 1/4"

0' - 0 3/4"

0' - 0 3/4"

3/8" D Threaded Stainless Steel Rod

Front View

0' - 0 3/4"

0' - 0 11/16"

0' - 0 5/8"

0' - 0 1/2"

0' - 0 11/32"

0' - 0 9/32"

0' - 0 5/16"

31

0' - 0 3/4"

3/4" Walnut Plywood

Callout of Front View 12" = 1'-0"

0' - 0 3/


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Hex-Wall

Understanding material and surface optimization for fabrication Optimizing surfaces for design is no doubt one of the most helpful tools a young architect could learn. In this project we were to go through a series of processes turning a curvilinear surface into one that is much simpler to fabricate in real life, helping us get an understanding of how actual materials can be designed in a way that doesn’t necessarily deprive the end result from the original intention.

original surface

panelized surface

perforated surface

elevations

laser lines

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grasshopper definition


3d printed original surface

laser cut surface

3d printed surface [ perforated+thickness]

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DIAMONDS ARE FOREVER... Starring

SEAN CONNERY as JAMES BOND

JILL ST. JONES as ‘TIFFANY CASE’ and CHARLES GREY as ‘BLOFELD’ and LANA WOOD as ‘PLENTY OTOOLE’ Produced by ALBERT R. BROCCOLI and HARRY SALTZMAN - Directed by GUY HAMILTON Screenplay by RICHARD MAIBAUM and TOM MANKIEWICZ - Production Designed by KEN ADAM - Music by JOHN BARRY PANAVISION® - TECHNICOLOR®

Co-Starring

COPYRIGHT ©1971 UNITED ARTISTS COWRPORATION

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Bader AlShawaf balshawaf@outlook.com +965 60609692


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