Photo Courtesy of Whim W'him
Sake bottle (tokkuri) with painting of horses in a landscape. Edo period, 19th century. Arita ware, Saga prefecture. Blue-and-white porcelain. Courtesy of the collector. Photo credit: Chadwick Redmon
BE IN THE ROOM!
NOTHING REPLACES THE LIVE EXPERIENCE!
That visceral connection, the shared group energy we get from a live performance is very special and cannot be replicated on a digital screen. Be In The Room, and be a part of that powerful personal connection with art.
Creating moments of awe, like tonight’s performance, is what makes the TITAS/DANCE UNBOUND season so very special. It’s hard to put into words, but it’s something you just have to experience in the room, with an audience. Diverse, global, entertaining, all describe the magic of TITAS. Nothing Replaces the Live Experience.
We celebrate and contribute to the international profile of our city. We celebrate the value of serving an adventurous and eager audience, and we celebrate the value of cultural awareness and the enrichment of a community. This is the heart of TITAS and our contribution to the cultural landscape of North Texas. New audience members are always surprised by their experience. “I’m overwhelmed, this was not what I expected,” this is the comment we hear at virtually every performance. With four decades under our belt, we see the power of bringing top-notch artists from around the world to our city.
The 2024:25 season won’t disappoint. Breathtaking artistry, athletic and amazing dancers makes this a very special season of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, New Zealand and Spain, with four companies making their debuts and three companies performing with live music.
Thank you for being a part of another exciting year of performances, and thank you for engaging in the arts and with TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.
What we do together, truly does make a difference.
Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND
Photo Courtesy of Whim W'him
TITAS/DANCE UNBOUND
In association with AT&T Performing Arts Center Presents
ARTISTIC DIRECTOR & FOUNDER
Olivier Wevers
INTERIM EXECUTIVE DIRECTOR
Mink Boyce
COMPANY MANAGER & DIRECTOR OF EDUCATION
Karl Watson
AUDIENCE SERVICES MANAGER
Hedy Davis
HR REPRESENTATIVE
Amanda Eaker
PRODUCTION STAGE MANAGER
Becca Blackwell
LIGHTING DESIGNER
Michael Mazzola
The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.
PROGRAM
Unconditional
Choreography
Original Composition
Costumes
Olivier Wevers
Philip Daniel
Patricia Barker
DANCERS
Owen Fulton Stella Jacobs Aliya Janov Daeyana Moss
Ashley Rivette Kyle Sangil
– INTERMISSION –
Choreography
Original Composition
Costumes
Robyn Mineko Williams
Nate Kinsella
Melina Ausikaitis and Robyn Mineko Williams
DANCERS
Owen Fulton Stella Jacobs Aliya Janov Daeyana Moss
Ashley Rivette Kyle Sangil
– INTERMISSION –
Choreography
Music
Costumes
SCRAP
Cameron Fraser-Monroe
Delbert Anderson Trio
Asa Benally, Cameron Fraser-Monroe, Patricia Barker
DANCERS
Owen Fulton Stella Jacobs Aliya Janov Daeyana Moss
Ashley Rivette Kyle Sangil
TITAS/DANCE UNBOUND
Next Production: Command Performance
April 26 2025
Winspear Opera House
To support TITAS/DANCE UNBOUND
Please Scan, and Thank You.
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ARTIST STATEMENTS
Unconditional
Inspired by Jeff Foster’s poem Forget unconditional love from his book You Were Never Broken, this work delves into the essence of water—the lifeblood of our existence.
The poem poignantly underscores how nothing human is perfect or unconditional. But in recognizing, even embracing, the conditional in life and love, as we so often do today, we run the risk of descending into selfish egotism, of turning every action into a transaction, for some profit or benefit. Water by contrast holds the echoes of our ancestors, the imprint of every memory since the beginning of life on this planet, and flows as a physical embodiment of the unconditional, turning us towards one another, reminding us of what we have in common.
With an original composition by Philip Daniel, the soundscape mirrors the rhythms of water. Rising and receding, brimming with tension and release, water gives us life unconditionally. A poetic exploration of connection and resilience, Unconditional invites each of us to dive deep and discover what connects us all as humans.
“Forget unconditional love” – Jeff Foster (from his book “You were never broken”)
Forget unconditional love. Forget loving perfectly. Forget having a permanently open heart. You can’t do it.
It’s an impossible goal that, paradoxically, makes you violent inside.
Your inner child rebels against any spiritual ideal. You cannot do unconditional love.
But you can embrace your imperfect attempts to love, your failure to reach the goals, your disappointment, your exquisite shame, your ecstasy and your agony too.
You can bless your inherited conditional ideas of love. You can celebrate your messy, deeply human, totally conditioned attempts to love, in unconditional present awareness. Friend, even your failure to love unconditionally is welcome here, Unconditionally.
That is the true meaning of unconditional love: the love that smiles at our trying too.
Ito
Robyn Mineko Williams is drawn to embodiments of memory, time, lineage and our relationships with the traces left in us of the people we encounter. This piece is called Ito, the word for thread, after the idea in Japanese folklore of a red string tied between the little fingers of those who will find each other in life, perhaps again and again, in different times, places or circumstances.
SCRAP
As a member of the Tla’amin Nation, on the coast about 7 hours north of Seattle, WA, Cameron Fraser-Monroe writes, “I was taught, like many Indigenous Peoples, that challenging each other can be fun, and serves an important purpose, but left unchecked it can be damaging. We know that community must come above all else, and this piece examines what happens when competition produces fissures between people through repeated stress.” Cameron’s voice draws on traditional Native American, ballet and contemporary dance movement. The music for ‘SCRAP’ is by composer Delbert Anderson who pays tribute both to his own origin and to the under-recognized contribution of Indigenous musicians in the history of jazz.
This work is about all the ways we as humans have tried to organize ourselves in an effort to live cohesively since the dawn of time—etiquette, tradition, decorum— and it follows our successes and catastrophic failures along the way. Despite our best intentions, we will always make missteps, and hopefully, we are gentle with each other when we do. After all, it’s so hard to be a person in the world.
Photo Courtesy of Whim W'him
ABOUT WHIM W’HIM
MISSION
Whim W’Him nurtures community with contemporary dance by cultivating space for artists to imagine and explore the human condition
HISTORY
Founded in 2009, Whim W’Him is an award-winning Seattle-based contemporary dance company that showcases innovative dance in collaboration with global artists. Past collaborators include Danielle Agami, Juanjo Arques, Andrew Bartee, Adam Barruch, Sidra Bell, Banning Bouldin, Rena Butler, Jonathan Campbell, Mark Caserta, Ethan Colangelo, Brendan Duggan, Lauren Edson, Bret Easterling, Mike Esperanza, Carlos Franquiz, Hannah Garner, James Gregg, Mark Haim, Joseph Hernandez, Dava Huesca, Keerati Jinakunwiphat, Noelle Kayser, Larry Keigwin, Maurya Kerr, Alice Klock, Gabrielle Lamb, Loni Landon, Emilie Leriche, Florian Lochner, Ana Maria Lucaciu, MADBOOTS, Adam McGaw, Annabelle Lopez Ochoa, Madison Olandt, Joshua Peugh, Gustavo Ramirez Sansano, Bruno Roque, Omar Román De Jesús, Ihsan Rustem, Penny Saunders, Zoe Scofield, Dolly Sfeir, Micaela Taylor, Jakevis Thomason, Pascal Touzeau, Mike Tyus, Manuel Vignoulle, Nicole von Arx, Kate Wallich, Dominic Walsh, Olivier Wevers, Rauf Yasit, Yin Yue.
WHERE WE WHIM
We perform at Cornish Playhouse at Seattle Center, Erickson Theater, Vashon Center for The Arts, and Whidbey Island Center for the Arts.
Our rehearsals take place at Whim W’Him Contemporary Dance Center, located at 1716 2nd Avenue N, Seattle, WA 98109.
AWARDS
“Best Dance Organization” -TeenTix (2017)
“Best Dance Company” Seattle Weekly Readers (2017)
“Seattle Mayor’s Arts Award” -City of Seattle (2012)
“Best Arts Organization” -Seattle Weekly Readers (2011)
Photo Courtesy of Whim W'him
CHOREOGRAPHERS
Cameron Fraser-Monroe (He/Him/His)
“…fast-rising Indigenous dance artist Cameron Fraser-Monroe…” - Michael Crabb, Toronto Star on pays?ot for the National Ballet of Canada
Cameron Fraser-Monroe is a member of the Tla’amin First Nation (Native American). At three years old he started Ukrainian dancing in Vernon, BC. He was privileged to receive several years of training and performance with World Champion Hoop Dancer Dallas Arcand and studied Grass Dance with Elder Mollie Bono.
Since graduating from the Royal Winnipeg Ballet School on the RWB Alumni Scholarship, he has performed with many companies including Dancers of Damelahamid at Kia Mau Festival in New Zealand and the International Cervantino Festival, at Jacob’s Pillow Festival, with the Royal Winnipeg Ballet at the National Arts Centre, and with the Atlantic Ballet Theatre of Canada. As a choreographer, Cameron has received commissions from the National Ballet of Canada, the Royal Winnipeg Ballet, Fall for Dance Festival NYC, Ballet Kelowna, the Winnipeg Summer Dance Collective, the Royal Winnipeg Ballet Aspirants, Artist’s Climate Collective, Transformation Cabaret at the Cultch, and both PULSE and Indigenous Day Live! on APTN. He continues to practice and present Hoop Dance.
For the past six years, Mr. Fraser-Monroe has served as Artistic Director of the Winnipeg Summer Dance Collective, making dance more accessible in downtown Winnipeg. During the 24/25 Season, Cameron is the Associate Artist at Ballet Kelowna and the Artist-in-Residence at the National Theatre School of Canada.
Noelle Kayser (She/Her/Hers) is an award-winning choreographer, director, and multi-disciplinary performer based in Chicago. She is the inaugural resident choreographer for Open Space, a 2024 Whim W’him Choreographic Shindig Recipient, and the 2025 BalletX Choreographic Fellow. Noelle has created work for companies including Dance Aspen, DanceWorks Chicago, MADCO, Visceral Dance Chicago, Lyric Opera, and SALT II among many others. She served as a guest Ballet Mistress at the Lyric Opera and was the founding rehearsal director and administrator for PARA.MAR Dance Theatre, named a 2022 Dance Magazine Top 25 to Watch.
In addition to her choreographic work, Noelle has performed works by Gustavo Ramírez Sansano, Ihsan Rustem, Wen Wei Wang, Danielle Agami, Robyn Mineko Williams, Kevin O’Day, and Alice Klock, among many others. She has had the privilege of dancing with companies such as NW Dance Project, LED Boise, Open Space Dance, and Visceral Dance Chicago. She has taught for organizations such as Hubbard Street Dance Chicago, the Goodman Theatre, and Visceral Dance Chicago. Noelle has narrated 16 audiobooks for Audible, appeared in advertising campaigns, and acted in stage productions at The Goodman Theatre, Chicago Shakespeare Theater, and The Alliance Theatre. Most recently, she won the 2024 Jeff Award for Best Ensemble for her performance as “Selene” in The Penelopiad at The Goodman Theatre, and starred in Anna Long’s short film Death in the Desert, which won Best Short Drama at the Breckenridge Film Festival.
Olivier Wevers (He/Him/His) from ballet training in his native Belgium, Olivier learned the beauty, passion, and discipline of the art. On coming to North America at age 19, he discovered the exhilaration of many new dance forms. As a principal dancer, first with Royal Winnipeg Ballet and later, for most of his dancing career, with Pacific Northwest Ballet, he acquired his strong conviction that dancers are the heart and soul of a company. As such, they, and artists in general, must live at the very center of the process, their dignity, psychological and creative growth, and safety deemed just as essential as their technical accomplishments.
During his years of performing in classical and contemporary works by choreographers from around the world, Olivier also discovered the thrill of making dances and how imaginative story-telling and movement exploration connect to caring about individuality and physicality. Creating dances fed his perennial curiosity. It became “my way to express myself and, during the process, to be able to learn more about the human condition, start dialogues, touch people and share ideas, reflecting on our times and our humanity.” While still dancing with PNB and developing his own choreographic approach, Olivier became convinced that only by starting his own company could he create the works he envisioned in an artist-centered sanctuary where kindness, empathy, and collaboration are built into the very DNA. The result is Whim W’Him, with its yearly Choreographic Shindig for which the dancers choose the choreographers; emphasis on new works; transparent and candid leadership; ethical practices and equitable pay; commitment to diversity and social justice; and dedication to uncovering and nurturing new voices.
DANCERS
Jacob Beasley (He/They) is originally from Las Vegas, Nevada and trained at the ROCK center for dance. At the age of sixteen, he was invited to study dance with Houston Ballet Academy’s professional division under the direction of Vicki Attard and Claudio Muñoz. After two years of training, he then moved to Columbus, Ohio to dance with BalletMet 2 for two seasons under the direction of Edwaard Liang. Jacob later joined Ballet Idaho, under the direction of Garrett Anderson and Anne Mueller, and worked with LED, under the direction of Lauren Edson in Boise, Idaho. He then joined NW Dance Project in Portland, Oregon and is grateful to be in Seattle going on his second season with Whim W’Him. Jacob has performed works by Caroline Finn, Yin Yue, Ihsan Rustem, Lauren Edson, FLOCK, Goyo Montero and others.
Owen Fulton (He/Him/His) is originally from Utah. He began his professional career dancing and touring with Odyssey Dance Theatre from 2019 – 2022. As a company member/soloist, he performed in original full-length dance theater productions throughout Utah and Germany. He has also danced with Junction Dance Company. Owen has performed in the ensemble of Hello Dolly, The Little Mermaid, and Newsies as “Elmer” at Hale Centre Theatre. He then joined GibneyPRO in NYC under the direction of Alexandra Wells and Bret Yamanaka. He has performed works by Laja Field, Lea Ved, Mia Michaels, Peter Chu, and more. Owen is thrilled to be joining Whim W’Him Contemporary Dance for their 2024-25’ season.
Stella Jacobs (She/Her/Hers) originally from Boston, danced with a variety of companies as a freelance artist in NYC, including The Moving Forward Collective by Madi Hicks, Obremski/Works under Jesse Obremski, Liony Garcia, and Rachael Lieblein-Jurbala. She also performed with kNoname Artist by Roderick George, in the premier of his piece The Missing Fruit at Kaatsbaan Cultural Park. While in NYC, Stella trained with GibneyPRO, where she choreographed a solo while also working with Peter Chu, Ana Maria Lucaciu, Laja Field, Adam Barruch, Lea Ved, and Sidra Bell. She performed for two seasons with SFDanceworks in San Francisco, under Dana Genshaft, in works by Pam Tanowitz and Babatunji Johnson, and with DawsonDanceSF under Gregory Dawson. While training at The Alonzo King LINES Ballet Training Program, she worked with David Harvey, Alex Ketley, Chuck Wilt, and others, and she then apprenticed for BODYTRAFFIC in Los Angeles. Stella performed works by Ronald K. Brown, Jennifer Archibald, and Amy J. Gardner as
part of The Contemporary Performance Ensemble Program at The Jacob’s Pillow School in 2023, and has attended other intensives including Juilliard, BalletX, and more. Stella is thrilled to be joining Whim W’Him Seattle Contemporary Dance for their 2024/25 season.
Aliya Janov (She/Her/Hers) was born and raised in Evergreen, CO. At the age of 17, she moved to New York City to join the Jazz & Contemporary Trainee Program at the Joffrey Ballet School. She’s worked with choreographers such as Yin Yue, Greg Lau, Omar Roman De Jesús, Norbert De La Cruz III, Yoshito Sakuraba, and many more. After graduating in 2023, she became the teaching and choreographic assistant to Artistic Director, Angelica Siskin. She has performed and assisted projects for NYFW, the grand opening of Perelman Performing Arts Center in NYC, and Hermes. Aliya is excited for this new chapter at Whim W’Him.
Daeyana Moss (She/Her/Hers), a Bronx native, attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts where she received the Father Fame award in 2017. She then continued her education at Conservatory of Dance at SUNY Purchase graduating in 2021. Ms. Moss has performed works by Alvin Ailey, Janis Brenner, Joseph Hernandez, Annie Rigney, José Limón, Lajamartin, Anna Sokolow, and Doug Varone. Ms. Moss performed in Emersive Production’s Halloween Monster 2023 and New Year’s The Last Eve 2024 at the McKittrick Hotel under the creative direction of Stephanie Batten Bland and Marla Phelan. She performed with Doug Varone and Dancers from 2021 to 2024 where she performed at the Joyce Theater in NYC amongst other places. Most recently, she was in the original cast of the premiere Doug Varone’s critically acclaimed full length piece To My Arms/ Restore. She is so excited to be joining the W’him Whim family.
Ashley Rivette (She/Her/Hers) is originally from the DC, Maryland, Virginia (DMV) area. She began her training in Stuttgart, Germany, where her family was stationed for eight years. In 2021, Rivette received a BFA in Dance from Shenandoah Conservatory. She apprenticed with Christopher K. Morgan & Artists during their 2019 and 2020 seasons. After graduating from Shenandoah Conservatory, Ashley joined DanceWorks Chicago (DWC) under the direction of Julie Nakagawa for two seasons. Some of her DWC repertoire included works by Robert Battle, CharissaLee Barton, Joshua Manculich, Mark Caserta, Demis Volpi, Hanna Brictson, Drew Lewis, Brian Enos, and Noelle Kayser. Ashley has supplemented her training with intensives and workshops by Flock, Sydney Dance Company, PARA.MAR
Dance Theatre, Perry Mansfield, Yin Yue Dance Company, and BARE Dance Company. In Fall 2023, she made her Lyric Opera Chicago debut as a dancer in Janáček’s Jenůfa, choreographed by Teresa Rotemberg (Noelle Kayser, Ballet Mistress). Rivette was a founding member of Boykin Dance Project, as well as an administrative assistant under the direction of Brian Josiah Martinez. She is very grateful to be joining Whim W’Him this season and looks forward to further exploring her artistry.
Kyle Sangil (He/Him/His) was born in the Philippines and moved to Beaumont, Texas at the age of five. He then began his training at iRule Dance Studio at the age 14. He also had the chance to experience additional training with Bolshoi Ballet and American Ballet Theatre. Kyle has performed works by Martha Nichols, Jessica Lang, Pearlann Porter, and many others. He earned a BFA in Dance from Point Park University in April of 2022.
Photo Courtesy of Whim W'him
STAFF
Hedy Davis, Audience Services Manager
Amanda Eaker, HR Representative
Karl Watson, Company Manager & Director of Education
Olivier Wevers, Artistic Director & Founder
PRODUCTION
Becca Blackwell, Production Stage Manager
Michael Mazzola, Lighting Designer
VISUALS
Stefano Altamura, Photographer
Jim Coleman, Photographer
Devin Muñoz, Videographer
John Roque, Videographer
Quinn Wharton, Photographer & Filmmaker
Allina Yang, Photographer
BLOG
Victoria Farr Brown, Writer
WEBSITE
Mariano Lozano, Webmaster
BOARD
President, Kathleen Roan – Sr. Content Architect (retired) – TIBCO Software Inc.
Vice President, Aki Namioka – Booking Agent – Celtinental Music
Secretary, Sandra King – Sr. Instructional Design Specialist –Liberty Mutual Insurance
Treasurer, Heather Dunn- Director of Finance & Business Operations –Metrix Engineers
Patricia Barker – Former Artistic Director – Royal New Zealand Ballet
Molly Boose – Computer Scientist (retired) – Boeing
Paulette Camara – Director – Camian Holdings
Roger Keeton – Operation Project Manager – Columbia Hospitality
Tiffany Jalisa Lewis – Manager, Talent Acquisition – Premera
Aki Namioka – Booking Agent – Celtinental Music
Suzanne Shaw – Writer – TikTok
Nicole Lott – Customer Success Executive
CONSULTANTS
Laura Bannister, DPT – Avant Physical Therapy
Matthew Grierson, MD – Seattle Clinic for Performing Arts
Nancy Kadel, MD – Seattle Clinic for Performing Arts
Paul Perrotta & Associates – Therapeutic Massage
Kelly Robison LMT – Reflex Massage
Dr. Alana Rogers, PT, DPT – Seattle Ortho Arts Physical Therapy
Josh Spell, MSW – Mental Health Counselor
Era Terry, PT, DPT – Kinetic Physical Therapy
Corissa Wennerlind, DPT – Avant Physical Therapy
ADVISORY BOARD
Darren Focareta, Francia Russell, Paris Sakas, Kent Stowell, Tim Tomlinson
Photo Courtesy of Whim W'him
Photo Courtesy of Whim W'him
Donations received
July 2023 – September 2024
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Sheraton Dallas Hotel
Texas Commission on the Arts
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$250-$499
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ARTIST’S CIRCLE Up to $99
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Herbert Unger
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Timothy Ward
James W. Woodall
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee
Photo Courtesy of Whim W'him
BOARD OF TRUSTEES
Lee Cobb, President
Sue Benn
Joel Bines
Mary Ann Borden-Neary
Michael Crossley
Claire Dewar
Matrice Ellis Kirk
Wanda Gierhart Fearing
Steven Gendler
Bill Graue
Rodger Kobes
Noelle LeVeaux
Lola Lott
Venetia Patout
Tracy Preston
DeMetris Sampson
Charles Santos
Arlene Switzer Steinfield
Estela Tejeda-Moreno
Michael Titens
Chandana Weerasekara
Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Mr. Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher
Kathryn D. Greene
Carol Hall
Gayle Ziaks Halperin
Sally Hansen
Zoé deRopp Hart
Alan Lerner
Charlene Marsh
Lynn Nikaidoh
Deedie Rose
CHARLES SANTOS
Executive Director
Artistic Director
JOHN FRAZIER
Director of Operations
JESSICA MALEK
Director of Development/ Education
STEVE HAMILTON
Accountant
TITAS/DANCE UNBOUND CO-FOUNDERS
Tom Adams and Gene Leggett
TITAS/DANCE UNBOUND
700 North Pearl Street, Suite 1800
Dallas TX 75201
214.978.2855
Box Office 214.880.0202
titas.org attpac.org/titas
The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.
Plano
