

VARONE AND DANCERS
Photo Courtesy of Doug Varone and Dancers

Sake bottle (tokkuri) with painting of horses in a landscape. Edo period, 19th century. Arita ware, Saga prefecture. Blue-and-white porcelain. Courtesy of the collector. Photo credit: Chadwick Redmon



BE IN THE ROOM!
NOTHING REPLACES THE LIVE EXPERIENCE!
That visceral connection, the shared group energy we get from a live performance is very special and cannot be replicated on a digital screen. Be In The Room, and be a part of that powerful personal connection with art.
Creating moments of awe, like tonight’s performance, is what makes the TITAS/DANCE UNBOUND season so very special. It’s hard to put into words, but it’s something you just have to experience in the room, with an audience. Diverse, global, entertaining, all describe the magic of TITAS. Nothing Replaces the Live Experience.
We celebrate and contribute to the international profile of our city. We celebrate the value of serving an adventurous and eager audience, and we celebrate the value of cultural awareness and the enrichment of a community. This is the heart of TITAS and our contribution to the cultural landscape of North Texas. New audience members are always surprised by their experience. “I’m overwhelmed, this was not what I expected,” this is the comment we hear at virtually every performance. With four decades under our belt, we see the power of bringing top-notch artists from around the world to our city.
The 2024:25 season won’t disappoint. Breathtaking artistry, athletic and amazing dancers makes this a very special season of internationally touring companies. We proudly present a season of ten extraordinary companies from the United States, New Zealand and Spain, with four companies making their debuts and three companies performing with live music.
Thank you for being a part of another exciting year of performances, and thank you for engaging in the arts and with TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.
What we do together, truly does make a difference.

Charles Santos, Executive Director/Artistic Director TITAS/DANCE UNBOUND


Photo Courtesy of Doug Varone and Dancers
TITAS/DANCE UNBOUND
In association with AT&T Performing Arts Center Presents
DOUG VARONE AND DANCERS
Artistic Director
Doug Varone
The Company
Courtney Barth Jake Bone Joniece “JoJo” Boykins Madison Elliott Will Noling Nicholas Ruscica Kanon Sugino Ryan Yamauchi
Lighting Designer
Derek Van Heel
Costume Designer
Caitlin Taylor
Production Manager
Tricia Toliver
General Manager
Patty Bryan
Doug Varone and Dancers’ programs are supported in part by Jody and John Arnhold, The Bulova Gale Foundation, Fan Fox and Leslie R. Samuels Foundation, Gladys Krieble Delmas Foundation, Harkness Foundation for Dance, Howard Gilman Foundation, the New York Community Trust, O’Donnell-Green Music and Dance Foundation, SHS Foundation, Vapnek Family Fund and Shubert Foundation, as well as public funds from the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. We also gratefully acknowledge our many individual supporters.
Each creative process is a tremendously collaborative event with the dancers, embracing all of our imaginations, instincts and artistry. My thanks and love to them for being such great, caring allies in the creation of the many dances that fall from my brain.
--Doug Varone




The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.
TO MY ARMS / RESTORE
(2024)
To My Arms
Choreography Doug Varone
Music George Frideric Handel, Suite of arias and duets from the operas Atalanta, Orlando, Giulio Cesare, Samson, Serse, Agrippina, Scipione, Alexander Balus, Semele and Teseo
Lighting Design
Derek Van Heel
Costume Design Caitlin Taylor
1. Courtney Barth and Ryan Yamauchi
2. Joniece “JoJo” Boykins, Madison Elliott and Kanon Sugino
3. Jake Bone and Nicholas Ruscica
4. Courtney Barth
5. Joniece “JoJo” Boykins and Kanon Sugino
6. Jake Bone
7. Madison Elliott with Will Noling
8. Full Company
9. Joniece “JoJo” Boykins
10. Courtney Barth and Ryan Yamauchi
11. Full Company
- INTERMISSION -
RESTORE
Choreography Doug Varone
Music Arranged Festival Voices and Nico Bentley, Handel Remixed
Lighting Design Derek Van Heel
Costume Design Caitlin Taylor
Courtney Barth Jake Bone Joniece “JoJo” Boykins Madison Elliott Will Noling Nicholas Ruscica Kanon Sugino Ryan Yamauchi
To My Arms/Restore was created in residence at the Atlantic Center for the Arts, Hunter College, NYU Tisch School of the Arts, Purchase College, Marbletown MultiArts Center, and The Wheelhouse. The work was commissioned with major individual funding support from Lida Orzeck, Jody and John Arnhold Foundation, Vapnek Family Fund, Joseph Smith and Gavin Berger. The dance received its first performance on March 16, 2024 at the Performing Arts Center at Purchase College, Purchase NY.
TITAS/DANCE UNBOUND
Next Production: RONALD K BROWN/EVIDENCE September 12 2025
Winspear Opera House
To support TITAS/DANCE UNBOUND
Please Scan, and Thank You.
TITAS.ORG ATTPAC.ORG/TITAS

DOUG VARONE AND DANCERS
The 2024/25 season marks the Company's 39th year. On the concert stage, in opera, theater and on the screen, Varone's kinetically thrilling dances make essential connections and mine the complexity of the human spirit.
On tour, the company has performed in more than 125 cities in 45 states across the U.S. and in Europe, Asia, Canada, and South America. Stages include The Kennedy Center, Lincoln Center, Brooklyn Academy of Music, San Francisco Performances, London's Queen Elizabeth Hall, Toronto's Harbourfront, Moscow's Stanislavsky Theater, Buenos Aires’ Teatro San Martin, the Venice Biennale, Marble Hall in Tokyo, and the Bates, Jacob's Pillow and American Dance Festivals. In opera and theater, the company regularly collaborates on the many Varone-directed or choreographed productions that have been produced around the country.
Doug Varone and Dancers are among the most sought-after ambassadors and educators in the field. The company was selected to tour as part of the DanceMotionUSASM program, a joint project between BAM and the US Department of State, touring, performing and teaching in Argentina, Paraguay and Peru for a month. This project culminated in the premiere of a new commissioned work for Brooklyn Academy of Music’s Next Wave Festival, in collaboration with the Argentina-based Brenda Angiel Aerial Dance.
Other BAM produced seasons include Dense Terrain (2007) and the 30th Anniversary Season (2016) and In the Shelter of the Fold/Epilogue (2019) For the past 20 years, the company’s annual summer intensive workshops at leading universities have attracted students and professionals from around the globe. Other educational initiatives include Virtual Varone, a program which creates virtual residencies around the globe and the Education/Performance Project which enfolds college dance students into the company’s repertory, directly sharing the stage with company dancers. The Project has been a cornerstone in the company’s teaching and mentorship programs, creating an important dialogue with young dancers about their artistry and the effect they can have in the world today.
Varone, his dancers and designers have been honored with 11 Bessie Awards. The Company’s creative output is as varied as Varone’s interests. Recent projects include: everything is fine, a full evening movement play based on the poems of Billy Collins, with a new score by David Van Tieghem; The Scrapbook, a digital journal of 10 films created and directed by Varone, set to iconic songs from the 1940s-50’s and Somewhere, Varone’s acclaimed non-narrative version of Leonard Bernstein’s West Side Story, and To My Arms/Restore set to Handel. The Company’s Summer Workshop will be held in New York City from June 2-13. To learn more about this program and other Company activities, visit dovadance.org.

Doug Varone (Artistic Director) Award-winning choreographer and director Doug Varone works in dance, theater, opera, film, and fashion. His New York City-based Doug Varone and Dancers has been commissioned and presented to critical acclaim by leading international venues for over three decades.
In the concert dance world, Varone has created a body of works globally. Commissions include Paul Taylor’s American Modern Dance Company, The Limón Company, Hubbard Street Dance Chicago, Rambert Dance Company, Martha Graham Dance Company, Batsheva Dance Company, Bern Ballet, among others. In addition, his dances have been staged on more than 100 college and university programs around the country.
In opera, Doug Varone is in demand as both a director and choreographer. Among his productions at The Metropolitan Opera are Richard Strauss’ Salome, the world premiere of Tobias Picker’s An American Tragedy, Stravinsky’s Le Sacre du Printemps, designed by David Hockney, and Hector Berloiz’s Les Troyens. He has staged multiple premieres and new productions for Minnesota Opera, Opera Colorado, Washington Opera, New York City Opera, and Boston Lyric Opera, among others. His numerous theater credits include choreography for Broadway, Off-Broadway and regional theaters across the country. Recent projects include directing and choreographing MasterVoices production of Dido and Aeneas at NY’s City Center, starring Tony Award winners Kelli O’Hara and Victoria Clark, staging Julia Wolfe’s Pulitzer Prize winning oratorio, Anthracite Fields for the Westminster Choir and the Bang on a Can All-Stars and choreographing the revival of Kurt Weill’s musical Lady in the Dark at City Center.
Varone received his BFA from Purchase College where he was awarded the President’s Distinguished Alumni Award. Numerous honors and awards include a John Simon Guggenheim Fellowship, two individual Bessie Awards, an Obie Award, a Doris Duke Artist Award, the Jerome Robbins Fellowship at the Bogliasco Institute in Italy, and the Lifetime Achievement Award from the American Dance Guild.

Courtney Barth (she/they) is a New York based dancer originally from Las Vegas, NV. She began her professional dance training with Inspire Dance Company, under the guidance of Robert Contreras, and received additional training at Las Vegas Academy of Performing Arts.They received their BFA in Dance at SUNY Purchase where they performed works by Kyle Abraham, Martha Graham, and James Gregg. While in school they studied abroad at London Contemporary Dance School where they performed Crystal Pite’s ‘Polaris’ at Sadlers Wells. Since graduation she has worked with Shannon Gillen at NYC fashion week, Kensaku Shinohara at the Queens Museum, and is currently a company member with Hannah Garner’s 2nd Best Dance Company. They joined Doug Varone and Dancers in 2017 and also act as Costume Manager and Workshop Coordinator for the company.

Jake Bone (he/him), originally from Dallas, Texas, earned a BFA in Dance with summa cum laude honors at the University of North Texas where he performed works by Bebe Miller, Nick Cave, Kihyoung Choi, and Anna Sokolow. After moving to New York City, he became a company member for Bare Dance Company, Gibney Dance Company, and Awakening Movement. Jake has also had the pleasure of working with the Median Movement, the Metropolitan Opera, Bulareyaung Pagarlava, Kensaku Shinohara, and Steeledance. In June 2025, he will begin pursuing his MFA in Dance at the University of Washington in Seattle. Jake joined Doug Varone and Dancers in 2015, and has served as both the Company Manager and Tour Manager.

Joniece “JoJo” Boykins (she/her) is an African American native of Inglewood, California. She received her BFA in dance from the Conservatory of Dance at SUNY Purchase College. During her time at Purchase, she performed the works of Doug Varone, Peter Chu, Kevin Wynn, Jonathan Reidel, Alexandra Beller, and Nejla Yatkin. Alongside her studies, she has attended professional programs such as Springboard Danse Montreal, Hubbard Street, Alvin Ailey, and Ron K. Brown/ Evidence’s summer workshop. She has performed in works by Donald McKayle, Rennie Harris, Christopher Huggins, Tommie Waheed, Lula Washington, and Tamica Washington-Miller. JoJo joined Doug Varone and Dancers in 2021.

Madison Elliott (she/her) is a dancer, choreographer and Countertechnique teacher based in NYC. She attended high school at the UNCSA and received her BFA in Dance at SUNY Purchase College. Madison has worked with companies such as ZviDance, MJ Willis Project, DanceLabNYC, TU Dance and more. She has taught at Gibney Dance, Peridance, Steps on Broadway, SUNY Purchase College and is an Adjunct Professor at Adelphi University. In 2020, Madison founded and is now the Director of Headlights Theater, an immersive performing arts organization, in her home town of Sioux Falls, SD. Madison joined Doug Varone and Dancers in 2024.

Will Noling (they/them) is a performer and educator born and raised in Brooklyn, NY. They graduated summa cum laude from SUNY Purchase, having spent a term on exchange at London Contemporary Dance School. In addition to performing with Doug Varone and Dancers, they are a founding collaborator with Hannah Garner’s 2nd Best Dance Company. Will is also a collaborator with Megan Williams Dance Projects, and previously served as Artistic Associate with Gibney Dance Company. Additional performance credits include works by Raja Feather Kelly, Chuck Wilt, and Crystal Pite.

Nicholas Ruscica (he/him) is a New York based dance artist originally from Toronto, Canada. He is a President’s Merit Scholar (Calarts, BFA) as well as a trained unarmed actor combatant. After graduation, Nicholas joined the Limón Dance Company as a soloist from 2020-2024. He has collaborated with artists such as Aszure Barton, VIMVIGOR, Kayla Farrish, Raul Tamez, and TOES for Dance, performing throughout North America and Europe in theaters such as Stadttheater Fürth (Germany), Bellas Artes (Mexico City) and New York City Center. He has taught workshops at Princeton University, University of Minnesota, and The National Ballet School of Canada. He began working with Doug Varone and Dancers in 2025.

Kanon Sugino (she/her) is a Japanese American dance artist born and raised in New York. After graduating from Fiorello H. LaGuardia High School, she graduated Summa Cum Laude from Purchase College, SUNY. She has performed in works choreographed by Bill T. Jones, Norbert De La Cruz lll, Peter Chu, Darrell Grand Moultrie, MICHIYAYA, Jie-Hung Connie Shiau, Merce Cunningham, Martha Graham, and more. Soon after graduating, she joined Nimbus Dance as a company dancer, and is now working with MICHIYAYA Dance and Doug Varone and Dancers. Kanon is thrilled to be dancing with DOVA for the first time this season.

Ryan Yamauchi (he/him) was born and raised in Honolulu, Hawaii and began his dance training at the Mid-Pacific Institute School of the Arts. He later moved to New York and received his BFA in Dance from SUNY Purchase. Ryan has had the pleasure of dancing with 2nd Best Dance Company, Loni Landon Dance Projects, NVA & Guests, and Sidra Bell Dance New York. He has also performed as a guest dancer with Gibney Dance Company, Santa Fe Opera, and Santa Barbara Dance Theater. Ryan began working with Doug Varone and Dancers in 2015.
Tricia Toliver (Lighting Director, Production Stage Manager) was the resident Lighting Designer/Production Manager for the Barnard College Dance Department from 2009-2022, designing lighting for new works by many noted choreographers. She has had the pleasure of working primarily in the dance world for such companies as the Trisha Brown Dance Company, Lucinda Childs, Lar Lubovitch, The Limón Dance Company, Doug Varone and Dancers, Donald Byrd/The Group, Les Ballets Trockadero de Monte Carlo, Susan Marshall, David Dorfman Dance, Camille A. Brown Dance Company, Parsons Dance and Complexions. She danced with Donald Byrd/The Group from 1987-1991.
Caitlin Taylor (Costume Designer) is a freelance dancer and costume designer based in New York City. She has designed costumes for Sidra Bell Dance New York, UNA Projects, Cirio Collective, HIVEWILD, The Dash Ensemble, Loni Landon Dance Projects, Kayla Farrish, Brandon Coleman, The Limón Dance Company, New York City Ballet, and NVA & Guests. Caitlin has done costume reconstruction for Alexander Whitley Dance Company, the touring production of RENT, and Doug Varone and Dancers. Assisting designer Mark Eric, She has worked on commissions for Ballet Hispánico, Alvin Ailey American Dance Theater, Ailey II, and Ballet X, among others.
Derek Van Heel (Lighting Designer) designs have been seen in venues large and small; from Jazz At Lincoln Center, The Town Hall, and The Metropolitan Museum of Art, to the kinds of basements, bars, churches, and teeny-tiny rooms where New York theater is often forged. He is especially drawn to new works and has contributed to dozens of premieres and workshop productions. Notable collaborations include New York City Opera, Pittsburgh Opera, Madison Opera, The Montana Repertory Theatre, Finger Lakes Opera, Syracuse Opera, Red Fern Theatre Company, Palm Beach Opera, Actors Studio Drama School, Scandinavian American Theatre, Origin Theatre, and The Civilians. His award-winning designs for Ren Gyo Soh’s Butoh Medea have been seen internationally in Italy, Turkey, Poland, Czechia, and at the Edinburgh Festival Fringe.
Festival Voices (Score Arrangement) Formed in 2017 by creative producer Oskar McCarthy and conductor Gregory Batsleer, Festival Voices' mission is simple: to create transformative choral experiences. Festival Voices believes in the power of choral music to change lives. At Festival Voices’ core is a professional vocal ensemble dedicated to advancing and redefining the choral tradition, with a particular focus on presenting large-scale choral works reimagined live with electronic music. Festival Voices has curated performances for various UK summer festivals, including Wilderness and Latitude. The group has appeared twice at the London Handel Festival and created multi-art performances at Ugly Duck and Southbank Centre. In summer 2024, Festival Voices will partner with Bold Tendencies, London, for the launch of their summer season, in a programme that will include FV’s new version of Mozart’s Requiem. https://www.festivalvoices.com/ | @festivalvoices
Nico Bentley (Composer) Nico Bentley is a composer, producer and DJ from London. He takes a deep interest in all forms of music, but especially jazz, classical, African and electronic music, holding a BA and MA in the first two, respectively, from Leeds Conservatoire. Nico is a key regular collaborator with Festival Voices and the musical director and producer of the live African dance music collective Afriquoi, fusing traditional African music with western electronic music. Nico has performed as a session musician live on tours around the world; credits include Seal, Shift K3y, Secaina Hudson and Idris Elba/Wretch 32. Studio credits include James Morrison and Billie Martin. Nico has extensive experience of producing music for advertising and TV, including for Schwarzkopf Live, McArthur Glen, Tesco and Adidas/Stella McCartney. He was also a producer for The Beating Heart project, including producing an LP release for Faith Musa, released on Decca in 2019.
Patty Bryan (General Manager) has been involved with dance companies and dance organizations throughout her professional career. She has held senior administrative positions with Rena Shagan Associates, Armitage Gone! Dance, DanceBrazil, Gina Gibney Dance, Shen Wei Dance Arts and the New York State Dance Force. She has served as Board Chair of Pentacle Dance/Works, President of the Nancy Meehan Dance Company Board, President of the Laban/Bartenieff Institute for Movement Studies Board and was co-founder and Board President of Dance Umbrella in Austin, TX. She also performed with the Nancy Meehan Dance Company. She has been with DOVA since 2019.
DOUG VARONE AND DANCERS is incorporated as DOVA, Inc., a not-for-profit tax-exempt organization founded in 1995. Contributions to the Company's work are tax-deductible and greatly appreciated. Please make your gift payable to:
DOVA, Inc.
224 W. 35th St, Suite 500 #591 New York, NY 10001 USA
Website: dovadance.org
Instagram and Facebook: @dovadance
Email: info@dovadance.org
Board of Directors, DOVA, Inc.
Carol Walker, President
Richard J. Caples
Guillermo Izabal
Jeanne Murphy
Advisory Board
Julia Glawe
Lawrence Greene
Lynn Wichern
DOUG VARONE AND DANCERS
Artistic Director: Doug Varone
General Manager: Patty Bryan
Development : Fran Kirmser
Financial Officer: Lynn Wichern
Production Manager: Tricia Toliver
Rehearsal Director: Ryan Yamauchi
Company Manager: Madison Elliott
Education Manager: Brad Beakes
Costume Manager: Courtney Barth
Barbara Parker
Gabrielle Presser
Mylene Ramos Seidl Doug Varone
Workshop Coordinators: Courtney Barth, Ryan Yamauchi
Licensing and Staging: Brad Beakes
Social Media Coordinator: Joniece “JoJo” Boykins
This presentation of Doug Varone and Dancers is presented with the collaborative administrative support of Performing Arts Strategies.
For touring/performance information: info@performingartsstrategies.com
MUSIC CREDITS
The Handel Dixit Dominus performed by the Bavarian Radio Chorus, Concerto Koln, Dijkstra, recorded on the BR Klassik label, is used by permission of Naxos USA.
Handel: Renee Fleming; the Orchestra of the Age of Enlightenment, conducted by Henry Bicket
Enemies in Love / Arias & Duets by Handel (Natalia Kawalek; Jacub Jozef Orlinski, vocalists)
Handel Remixed was commissioned and premiered by Festival Voices.
Cast and program are subject to change.

Photo Courtesy of Doug Varone and Dancers
Donations received
July 2023 – September 2024
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CIRCLE $500-$999
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Herbert Unger
Ana Villanueva
Sadie Wallace
Timothy Ward
James W. Woodall
* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustee

Photo Courtesy of Doug Varone and Dancers
BOARD OF TRUSTEES
Lee Cobb, President
Mary Ann Borden-Neary
Michael Crossley
Claire Dewar
Matrice Ellis Kirk
Wanda Gierhart Fearing
Steven Gendler
Bill Graue
Rodger Kobes
Garfield Lemonius
Noelle LeVeaux
Lola Lott
Venetia Patout
Tracy Preston
DeMetris Sampson
Charles Santos
Arlene Switzer Steinfield
Estela Tejeda-Moreno
Michael Titens
Chandana Weerasekara
Krista Weinstein
Lily Cabatu Weiss
HONORARY BOARD
Mr. Tom Adams (TITAS Co-Founder)
Penny Atkiss
William Benac
Jeanne Marie Clossey
Lauren Embrey
Bess Enloe
Rebecca Enloe Fletcher
Kathryn D. Greene
Carol Hall
Gayle Ziaks Halperin
Sally Hansen
Zoé deRopp Hart
Alan Lerner
Charlene Marsh
Lynn Nikaidoh
Deedie Rose
CHARLES SANTOS
Executive Director
Artistic Director
JOHN FRAZIER
Director of Operations
JESSICA MALEK
Director of Development/ Education
STEVE HAMILTON
Accountant
TITAS/DANCE UNBOUND CO-FOUNDERS
Tom Adams and Gene Leggett
TITAS/DANCE UNBOUND
700 North Pearl Street, Suite 1800
Dallas TX 75201
214.978.2855
Box Office 214.880.0202
titas.org attpac.org/titas










The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.






Plano

