Fine Chinese and Asian Art June 4 2023 Artvisory

Page 1

Fine Chinese and Asian Works of Art

• Sunday 4 June 2023
熹山雲起II - 中國與亞洲藝術精選  Auction

Specialists

Single-Owner Auctions

Paul Sumner 0412 337 827

Sandy Bruce 0421 920 387

Chinese and Asian Arts

Luke Guan 0455 891 888

Allan Rae 0414 280 919

Indigenous Australian Art

Shaun Dennison 0410 501 857

Arts of the Middle East

Dr Susan Scollay 0418 175 694

design + decoration & Interior Decorator Auctions

Amanda Swanson 0414 592 234

For all email enquiries please email mail@artvisory.com.au

Regional Representatives

Western Australia

Julie Smetana 0427 921 756

ACT

Phillip Jones 0414 788 681

South Australia

Judith Quigley 0417 841 355

For all email enquiries please email mail@artvisory.com.au

Artvisory 310 Toorak Road, South Yarra VIC 3141 IIIIIIIIII I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII PUNT RD TOORAK RD TOORAK SOUTH YARRA WILLIAMS RD CHAPEL ST CLARA ST RIVER ST Hawksburn Station South Yarra Station ALEXANDRA AVENUE
Auction

Fine Chinese and Asian Works of Art

熹山雲起II - 中國與亞洲藝術精選

CURATED BY LUKE GUAN

AUCTION

Sunday 4 June 2023, 10am

Session 1 10am–1pm (Lots 1–150)

Session 2 1pm–5pm (Lots 151–299)

Artvisory 310 Toorak Road, South Yarra VIC 3141

VIEWING

Wednesday 31 May 11am–5pm

Thursday 1 June 11am–5pm

Friday 2 June 11am–5pm

Saturday 3 June 11am–5pm

COLLECTIONS

Monday 5 June 11am–5pm

Tuesday 6 June 11am–5pm

Wednesday 7 June 11am–5pm

ONLINE View catalogue and bid online at www.artvisory.com.au

ENQUIRIES Specialist Enquiries: Luke Guan 0455 891 888 luke@artvisory.com.au

Auction administration enquiries: Amanda Swanson 0414 592 234 amanda@artvisory.com.au

How to Bid at our Auctions

Catalogues and Viewing

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Printed catalogues will be available complimentary at the auction viewing and can be express posted (within Australia) prior to the viewing for $18AUD.

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am–5pm at the advertised location/s in the Auction catalogue.

Lot Descriptions

The Lot/ Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

Estimates

The estimate accompanies each lot in the printed and online catalogue. This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory, however many lots are sold without a reserve.

Condition Reports

Condition reports supplement the lot/catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com or can be requested from Artvisory directly.

Symbols

Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item.

Please refer to the Terms and Conditions for specific symbol meanings and information.

Buyers Premium

Artvisory charges a Buyers Premium of 26% plus GST on the hammer price of all Auction items unless otherwise stipulated.

Bidding

Artvisory offers four options for bidding at our Auctions:

Live Bidding

If this is your first-time bidding with Artvisory you will be required to register with us, which requires you to fill out a buyer registration form to receive your bidders number.

To facilitate this, please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Please make sure you register in the name you want your final invoice to be made out to, as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

Online Bidding

Online bidding via Invaluable.com allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction. You have two options to register for this service:

• Register via the Artvisory website and an Invaluable.com online bidding fee of 2% of the hammer price is added

• Register direct with Invaluable.com and an online bidding fee of 5% of the hammer price is added

Please make sure you register for online bidding at least 24 hours prior to the Auction to ensure you do not miss your lot.

Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a deposit may be required before you can bid.

Please note Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.

2

Telephone Bidding

Complimentary telephone bidding is available at all of our live Auctions and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come, first served basis, as the number of phone lines available are limited.

See our website to download and complete a telephone bidding form and please note that if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Absentee Bidding

Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget.

An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus Buyers Premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence.

Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received.

See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Payment and Collection

If you are successful with your bid/s, your invoice will be emailed to you immediately after the Auction finishes.

You will pay the hammer price, plus the Buyers Premium of 26% plus GST on each lot, together with any additional charges such as the Invaluable.com online bidding fee, GST on hammer, or the Artist Resale Royalty if applicable.

As per our terms and conditions, payments must be made in full by three (3) days after the Auction has been completed as printed in the catalogue.

We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.43% inc GST for Visa, Mastercard and American Express)

Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt.

Personal, Company and Bank cheques are not accepted unless prior approval has been sought.

All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder.

All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Packing and Delivery

Artvisory has a list of recommended carriers specific to each auction that will be sent to you if you are a successful buyer.

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Session 1 — Sunday 4 June, 10am (Lots 1–150)

1

A PAIR OF CHINESE BLUE AND WHITE "DRAGON" VASES, GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

清 「大清光緒年製」六字青花楷书款及本朝 青花龍紋瓶一對

25.4cm high

$3,000–5,000

2

THREE CHINESE BLUE AND WHITE DISHES, QING DYNASTY (1636-1912)

清 青花盤三件 Largest 23cm diameter

$1,500–2,500

Illustrated online at artvisory.com.au

3

A CHINESE BLUE AND WHITE JAR AND WOOD COVER, KANGXI PERIOD (1661-1722)

清 康熙 青花博古紋罐 28cm high

$2,000–3,000

4

A CHINESE POWDER BLUE GLAZED PEAR-SHAPED BOTTLE VASE, DANPING, KANGXI PERIOD (1661-1722) with a hongmu stand

清 康熙 藍釉膽瓶 14cm high

$2,000–3,000

Illustrated online at artvisory.com.au

1 3 4

A GROUP OF THREE PAIRS OF CHINESE BLUE AND WHITE BOWLS, QING DYNASTY (1644-1911)

清 一組三對青花盌

Largest 18cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

6

A CHINESE BLUE AND WHITE BOWL, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908)

The dish is decorated with cranes and Tai Chi Eight Diagrams pattern.

清 「大清光緒年製」六字青花楷款及本朝 青 花仙鶴八卦紋盌

13.5cm diameter

PROVENANCE

Dreweatts Bloomsbury, 11/12/2013, lot 16. Private collection, Melbourne, Australia.

$2,500–3,500

7 A FINE CHINESE BLUE AND WHITE DOUBLE-WALLED RETICULATED BOWL, KANGXI PERIOD (1661-1722)

清 康熙 青花花卉紋鏤空雙層折沿盌

15cm diameter

For a single walled example, see Christie's New York, 16/03/2015, lot 3505; also see Bonhams London, 6/11/2017, lot 169.

$3,000–5,000

8

A CHINESE BLUE AND WHITE BOWL, YONGZHENG MARK, 19TH CENTURY

雍正款 清十九世紀 青花盌

21cm diameter

$1,500–2,500

Illustrated online at artvisory.com.au

5
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11

A CHINESE BLUE AND WHITE BIRD FEEDER, POSSIBLY YUAN DYNASTY

或為元 青花鳥食罐

3.5cm diameter

$1,200–1,500

Illustrated online at artvisory.com.au

10

A CHINESE BLUE AND WHITE VASE, CHENGHUA MARK, KANGXI PERIOD (1661-1722)

清康熙 成化款 青花侍女圖瓶

24.3cm high

PROVENANCE

An old private collection, Melbourne. Mossgreen Melbourne, 19/11/2013, lot 15.

$2,000–3,000

A CHINESE BLUE AND WHITE GU-FORMED VASE, QING DYNASTY, 18TH/19TH CENTURY

清中期 青花觚形瓶

32.4cm high

$1,000–2,000

Illustrated online at artvisory.com.au

12

A CHINESE BLUE AND WHITE MEIPING VASE, KANGXI PERIOD (1661-1722)

清 康熙 雅玩款 青花童子牧牛紋梅瓶

18.5cm high

$1,000–2,000

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13

A CHINESE BLUE AND WHIE DRAGON DISH, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908)

清 「大清光緒年製」六字青花楷书款及本朝 青花龍紋盤

18.7cm diameter

PROVENANCE

Private collection, Melbourne, Australia.

$2,500–3,500

14

A PAIR OF CHINESE BLUE AND WHITE DRAGON VASES, QING DYNASTY, 19TH CENTURY

清 十九世紀 青花龍紋瓶一對

25.8cm high

$1,000–2,000

Illustrated online at artvisory.com.au

15

A CHINESE BLUE AND WHITE EIGHT IMMORTALS DISH, XUANDE MARK, YONGZHENG PERIOD (1722-1735)

清雍正 宣德款 青花八仙紋盤 23cm diameter

$1,000–2,000

16

TWO CHINESE BLUE AND WHITE VASES, MING DYNASTY, 16TH-17TH CENTURY

明 十六/十七世紀 青花瓶兩件 19cm and 15cm high

$1,000–2,000

Illustrated online at artvisory.com.au

13 15 7

17

A CHINESE BLUE AND WHITE JAR, KANGXI PERIOD (1662-1722)

清 康熙 開光人物青花罐

22.3cm high

$2,000–3,000

18

A CHINESE SOFT PASTE BLUE AND WHITE JAR, KANGXI PERIOD (1661-1722)

together with a blue and white jar, 18th-19th century.

清 康熙 槳胎青花罐 及 清 十八/十九世紀 冰梅纹青花罐

16cm and 13.6cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,200

Illustrated online at artvisory.com.au

19

A CHINESE BLUE AND WHITE DRAGON DISH, GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

清 「大清光緒年製」青花六字楷书款及本朝 龙纹盘

21cm diameter

$3,000–5,000

20

A PAIR OF CHINESE BLUE AND WHITE DRAGON BOWLS, EARLY QING DYNASTY, 17TH CENTURY

清 十七世紀 青花龍紋盌一對

17.4cm diameter each

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

17 19 8

A CHINESE BLUE AND WHITE BOWL, GUANGXU MARK, 20TH CENTURY

with fitted box.

二十世紀 光緒款 青花花卉紋盌

11.5cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$500–800

Illustrated online at artvisory.com.au

A LARGE CHINESE BLUE AND WHITE 'DRAGON' VASE, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

清 「大清康熙年製」六字青花楷書款及本朝 青花龍紋瓶

39.3cm high

$4,000–6,000

A CHINESE COPPER-RED DECORATED BLUE AND WHITE BOWL, KANGXI PERIOD (1644-1912)

清 康熙 青花釉裡紅盌

14.9cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

PROVENANCE

Christie's Australia, The Nanking Cargo, lot 3149. $300–500

Illustrated online at artvisory.com.au

A CHINESE BLUE AND WHITE FOUR LUGS JAR, MING DYNASTY, 16TH CENTURY

The jar is finely decorated with cranes and clouds.

明 十六世紀 仙鶴祥雲紋四係大罐

28cm high, box

$8,000–15,000

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25

A PAIR OF CHINESE SANCAI VASES, 19TH CENTURY

清 十九世紀 三彩暗八仙冰梅紋 棒槌瓶一對

46cm high

$2,000–3,000

26

A PAIR OF LARGE FAMILLE-ROSE VASES, LATE QING DYNASTY, LATE 19TH-EARLY 20TH CENTURY

清 十九世紀末/二十世紀初 粉彩大花瓶一對

95cm high

$4,000–6,000

Illustrated online at artvisory.com.au

27

A FINE CHINESE LARGE PAIR OF SANCAI-GLAZED PORCELAIN BOYS, QIANLONG 1736–1795)

清 乾隆 三彩童子提籃立像一對

43.5cm high each

$4,000–6,000

28

A CHINESE FAMILLE ROSE VASE, QIANLONG MARK, QING DYNASTY (1644-1912)

清 乾隆款 粉彩花蝶瓶

27cm high

$2,000–3,000

Illustrated online at artvisory.com.au

25 27 10

29

A CHINESE FAMILLE-ROSE DISH, QIANLONG MARK AND PERIOD (1736-1795)

清 乾隆款及本朝 粉彩福壽纏枝紋盤

20cm diameter

$3,500–6,000

30

A PAIR OF CHINESE FAMILLE ROSE TEA JARS AND COVERS, TONGZHI MARK AND PERIOD (1865-1875)

清 同治款及本朝 粉彩茶葉罐一對

16.6cm high

$2,000–3,000

31

A CHINESE IRON RED DRAGON DISH, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908)

清 「大清光緒年製」六字青花楷書款及本朝 礬紅描金雙龍戲珠紋盤

27cm diameter

PROVENANCE

Private collection, Melbourne, Australia.

$4,000–6,000

32

A CHINESE FAMILLE ROSE VASE, YONGZHENG MARK

雍正款 粉彩瓶

28.6cm high

$1,500–1,000

artvisory.com.au
Illustrated online at
Illustrated online at artvisory.com.au 29 31 11

A CHINESE YELLOW-GLAZED BOWL DAOGUANG SIX-CHARACTER

SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)

清 「大清道光年製」六字青花篆書款及本朝 黃 釉盌

14.9cm diameter

Similar examples see Christie's New York, 17/03/2017, lot 1260; and Sotheby's London, 10/11/2017, lot 208.

$4,000–6,000

A CHINESE FAMILLE ROSE DRAGON AND PHOENIX BOWL, JIAQING SIXCHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1796-1820)

清 「大清嘉慶年製」六字青花篆書款及本朝 粉 彩龍鳳紋盌

18.5cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,200

Illustrated online at artvisory.com.au

A CHINESE PAIR OF FAMILLE ROSE DRAGON AND PHOENIX CUPS, GUANGXU SIX-CHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

清「大清光緒年製」六字青花楷書款及本朝 粉彩 龍鳳紋杯一對

11cm diameter

$2,000–3,000

36

A CHINESE SANG-DE-BOEUF GLAZED CONICAL BOWL, QIANLONG MARK, 19TH/EARLY 20TH CENTURY

清 乾隆款 十九/二十世紀 郎窯 紅釉斗笠盌

17.5cm diameter

$800–1,200

Illustrated online at artvisory.com.au

37

A CHINESE CELADON GROUND FAMILLE-ROSE GLOBULAR VASE, QING DYNASTY, 19TH CENTURY

清 十九世紀 豆青地粉彩花卉紋天球瓶

42cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,500

Illustrated online at artvisory.com.au

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A FAMILLE ROSE 'PHOENIX' BOWL GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE OF THE PERIOD (1875-1908)

The bowl with deep rounded sides rising from a straight foot to a slightly flaring rim, decorated to the exterior with four phoenixes in blue, pink, yellow and green, in flight between four different flowers, all within two gilt borders.

清 「大清光緒年製」六字青花楷書款及本朝

粉彩鳳紋盌

17.6cm diameter, 9cm high

A very similar pair sold at Sotheby's London, 6/11/2019, lot 154.

PROVENANCE

Mossgreen Melbourne, 15/06/2011, lot 439

$4,000–6,000

39

A CHINESE GILT-DECORATED POWDER-BLUE-GROUND VASE, MEIPING, 19TH CENTURY

清 十九世紀 天藍釉灑金梅瓶

22.2 cm high

Please note this lot is to be sold at No Reserve. 本 拍品不設底價。

PROVENANCE

Christie's New York, 29/03/2017, lot 335. $600–800

Illustrated online at artvisory.com.au

40

A CHINESE BLUE AND WHITE AND COPPER RED DRAGON AND PHOENIX BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

清 「大清康熙年製」六字青花楷書款及本朝 青花

釉裡紅龍鳳紋盌

20cm diameter

PROVENANCE

Private collection, Sydney. $3,500–4,500

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41

A CHINESE FAMILLE-ROSE BAJIXIANG DISH, DAOGUANG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)

清 「大清道光年製」六字青花篆書款及本朝 粉彩八吉祥紋盤

17.3cm diameter

$4,000–6,000

42

A CHINESE FAMILLE ROSE CYLINDRICAL VASE WITH STAND, LATE QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY

清 十九世紀晚期/二十世紀早期 粉彩花瓶帶底座

35cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

43

A PAIR OF CHINESE FAMILLE ROSE DISHES, TONGZHI MARK AND OF THE PERIOD (1861-1875)

Together with two famille rose tea pots, 20th century

清 同治款及本朝 粉彩碟一對 及 二十世紀 粉彩茶壺一對

15cm long each

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

44

A CHINESE TURQUOISE GLAZED CENSER, MING DYNASTY (1368-1644)

明 孔雀藍釉沖天耳方香爐 23 x 21cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

41 14

A RARE AND FINE CHINESE YELLOWGROUND BLUE AND WHITE 'DRAGON' BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

The bowl is finely potted with deep rounded sides rising from a tapered foot to an everted rim, the interior with a central medallion enclosing a five-clawed blue dragon on a yellow ground, the exterior similarly decorated with a pair of sinuous five-clawed dragons striding through flames above overlapping lotus petals.

清 「大清康熙年製」六字青花款及本朝 黃地 青花龍紋盌

13.3cm diameter; box

Similar example see Bonhams, London, 11/05/2021, lot 258.

PROVENANCE

Acquired from Joshua McClelland Print Room, 15/11/2004

$3,000–5,000

46

THREE CHINESE FAMILLE ROSE VESSELS, TONGZHI MARK AND PERIOD (1865-1875)

Including a boys jar and a pair of vases

清 同治款及本朝 粉彩罐及一對粉彩瓶

Jar: 22.2cm high; vases: 22cm each

$1,500–2,500

A CHINESE FAMILLE ROSE BOWL, GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

清 「大清光緒年製」六字青花楷書款及本朝 粉彩花卉紋盌

17.5cm diameter

For a similar example of larger size (20.7cm diameter), see Christie's New York, 18/03/2016, lot 1638.

$4,500–5,500

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Illustrated online at artvisory.com.au 47
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48

A PAIR OF CHINESE IRON RED DRAGON CUPS, GUANGXU SIXCHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908)

清 「大清光緒年製」青花六字楷书款及本朝

礬紅龍紋杯一對

6cm diameter

$3,000–5,000

49

A CHINESE FAMILLE-VERTE BRUSH POT 五彩人物筆筒

15.2cm high

$1,000–2,000

Illustrated online at artvisory.com.au

50

A CHINESE YELLOW-GLAZED DRAGON BOWL, DAOGUANG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)

The exterior of the bowl decorated with two dragons chasing flaming pearls, the interior center with a "shou" character.

清 「大清道光年製」青花六字篆書款及本朝

黃釉暗刻龍紋壽字盌

10.2cm diameter

PROVENANCE

Sotheby's Australia, lot 135 (label) Private collection, Melbourne.

$3,500–5,500

48 50 16

51

A PAIR OF CHINESE IRON-RED DECORATED "GOLD FISH" BOWLS, GUANGXU SIX-CHARACTER MARK IN IRON RED AND OF THE PERIOD (1875-1908)

清 「大清光緒年製」 礬紅六字楷書款及本朝 礬紅金魚紋盌一對

10.3cm diameter each

$5,000–7,000

52

A CHINESE FAMILLE-ROSE TURQUOISE GLAZED VASE, QIANLONG MARK, QING DYNASTY, 19TH CENTURY

清 十九世纪 乾隆款 绿松石地粉彩瓶

38.5cm high

$7,000–9,000 53

A CHINESE PAINTED ENAMEL VASE, 19TH CENTURY

十九世紀 銅胎畫琺瑯瓜棱瓶

35cm high

PROVENANCE

The Edrina Collection, U.K., Hong Kong and Sydney. 昇雯閣收藏,香港,英國,悉尼。

Acquired from Hong Kong. 購於香港。

$1,500–2,500

51 52 53 17

A CHINESE TRANSPARENT CARVED RUBY-RED GLASS

’LOTUS‘ BOWL, QIANLONG MARK, QING DYNASTY (1644-1912)

清 乾隆款 紅琉璃刻荷花紋盌

15cm diameter

$1,000–2,000

55

A PAIR OF CHINESE RED GLAZED DISHES, YANQINGLOU MARK, REPUBLIC PERIOD (1912-1949)

民國 「延慶樓製」款 紅釉盤一對

18.6cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

56

A CHINESE FAMILLE-ROSE VASE, QIANLONG MARK, 20TH CENTURY

二十世紀 乾隆款 粉彩開光石榴尊

9cm high

$1,000–2,000

Illustrated online at artvisory.com.au

57

A LARGE CHINESE FAMILLE-ROSE PUNCH BOWL, QING DYNASTY, 19TH CENTURY

清 十九世紀 粉彩大盌

35cm diameter

$1,500–2,500

Illustrated online at artvisory.com.au

58

A CHINESE FLAMBÉ-GLAZED GLAZED VASE, 18TH/19TH CENTURY

清 窯變釉瓶

27.5cm high

$1,000–2,000

Illustrated online at artvisory.com.au

59

A CHINESE FAMILLE-ROSE VASE, QIANLONG MARK, LATE QING DYNASTY, EARLY 20TH CENTURY

清 二十世紀早期 乾隆款 粉彩蓮瓣紋瓶

24cm high

$1,000–2,000

Illustrated online at artvisory.com.au

54
54 18

A CHINESE GE-GLAZED BUBBLE BOWL, QING DYNASTY, 18TH CENTURY

清 十八世紀 哥釉泡泡盞

7.5cm diameter

$1,000–2,000

61

A CHINESE BOXWOOD CARVING OF A LION WITH CUB

黃楊木雕 雙獅戲球

8cm wide

$800–1,200

Illustrated online at artvisory.com.au

62

A CHINESE DOUCAI "DRAGON AND PHOENIX" JAR, JIAQING MARK

嘉慶款 斗彩龍鳳紋罐

23.5cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

63

A CHINESE FLAMBÉ GLAZED VASE, QING DYNASTY (1644-1911)

decorated with a pair of elephant handles.

清代 窯變釉象耳瓶

19cm high

$1,500–2,500

Illustrated online at artvisory.com.au

64

A QIANJIANG ENAMEL DISH AND A PAIR OF JARS, QING DYNASTY, 19TH CENTURY

with a hardwood stand

清 十九世紀淺绛彩盤與一對蓋罐

Dish: 30cm diameter

$1,500–2,500

Illustrated online at artvisory.com.au

65

A CHINESE FAMILLE-ROSE SMALL BOX AND COVER, QIANLONG MARK, REPUBLIC PERIOD, 20TH CENTURY 二十世紀

乾隆藍料款 洋彩鵪鶉菊花紋蓋盒

4.4cm diameter

PROVENANCE

Purchased from a well known Asian antique gallery at Hong Kong

Peninsula Hotel in the early 80's.

$800–1,200

Illustrated online at artvisory.com.au

66

A CHINESE FAMILLE-ROSE VASE WITH ELEPHANT HANDLES, JINGDEZHENZHI MARK, 20TH CENTURY

二十世紀 景德鎮製款 粉彩花卉開光花鳥紋象首瓶

35cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

67

A CHINESE WHITE GLAZED VASE

崇禎墨书款 白釉暗花觚式瓶

19cm high

$1,000–2,000

Illustrated online at artvisory.com.au

60
60 19

From the Collection of Walter Hochstadter

(Lots 68–85)

Walter Hochstadter’s life revolved around China and its rich art and culture, despite his birth in Southern Germany. He was born in the city of Augsburg in 1914 and after a long life spent travelling across the globe, passed away in Adelaide in 2007. In his early twenties, Walter Hochstadter journeyed to China, where he studied at the College of Chinese studies in Beijing, beginning in the summer of 1935. While in China, he visited kiln sites and pottery centers, beginning his life long interest in Chinese ceramics, while also initiating his career as an art dealer.

In 1938 he established an address in New York, which he maintained for decades. This home served primarily as a base from where he travelled widely and frequently throughout Asia and Europe, until his late Eighties. During World war II he primarily commuted between Hong Kong and the United States as his parents lived in New York. After China was liberated in World War II, he returned permanently to Hong Kong, where he resided until he retired to Adelaide in 1997.

Although a very private individual, Walter Hochstadter was well known among connoisseurs scholars and collectors of Chinese art. Among the clients to whom he sold ceramics, bronze vessels, jades, and paintings, were many of the most active American collectors of their day including Avery

Brundage,C.C.Wang, Senator Theodore Francis Green, Eli Lily, J.T. Tai, and Richard Hobart.

Walter sold to venerable institutions such as the Art Institute of Chicago, The Toledo Museum of Art, The Freer Gallery, Cleveland Museum of Art and the Nelson Atkins Museum. His interest in promoting the appreciation of Chinese art in the West inspired him to donate especially interesting objects to the Yale Art Gallery, the Harvard Art Museum, the Museum of Fine Arts Boston, The National Palace Museum, Taipei and the University of Hong Kong, where he was named an Honorary fellow in the late 1950s.

His dedication to the study of Chinese art resulted in the authorship of several highly regarded scholarly texts: Early Chinese Ceramics in the Buffalo Museum of Science (1946) “Pottery and stoneware’s of Shang Chou and Han” (BMFEA, No 24 1952) and “ The real Shen Chou” (Journal of Oriental Studies. 1959/60)

His later years were spent conducting research and collecting photographs for a magnum opus. “A Compendium of Chinese paintings”, in which he sought to present a canon of reliably authentic paintings by China’s great masters. This final project synthesized Walter Hochstadter’s life’s work of encouraging and deepening interest in and love of Chinese art.

20
Above: AN IMPORTANT AND VERY RARE BLUE & WHITE BASIN, YONGLE PERIOD (1403-1425) Sold for US$2,322,500 at Christies New York, 19 March 2009 from the Walter Hochstadter collection, Adelaide 21

68

A CHINESE CELADON GLAZED TRIPOD CENSER, WARRING STATES/ JIN DYNASTY, 5TH CENTURY B.C/5TH CENTURY A.D.

The censer is decorated with a dragon handle.

战国/晋 青釉龍首三足爐

13.5cm long

$1,000–1,200

69

A CHINESE CELADON GLAZED JAR, WESTERN JIN (266-316)

Together with a Chinese celadon glazed censer, Western Jin.

西晉 青釉獸面紋壺和博山爐

14.6 and 9cm high

$2,000–3,000

Illustrated online at artvisory.com.au

70

A CHINESE CELADON GLAZED FOUR LUGGED JAR, NORTHERN QI (550-577)

The jar is moulded with lotus petals on the body

北齊 青釉四系蓮瓣紋罐

11.3cm high

$1,500–2,500

71

A CHINESE DARK GLAZED BOWL, SONG DYNASTY (960-1279)

Together with a Chinese black glazed ribbed ewer, Song Dynasty.

宋 黑釉缽與黑釉出筋壺

13.9cm high

$2,000–3,000

Illustrated online at artvisory.com.au

68 70 22

A FINE CHINESE YUE CELADON 'CHICKEN HEAD SPOUT' EWER, SOUTHERN DYNASTIES (420-589)

南朝 越窰青釉雞首壺

31cm high

For a very similar example please see, 30/11/2022, lot 106. A two lugged example, see 6/10/2015, lot 73. $2,000–3,000

73

A SMALL CHINESE YUEYAO CELADON JAR WITH TWO HANDLES, EASTERN JIN (317-420)

Together with a Chinese yellowish celadon glazed small jar, Northern Song Dynasty (960-1127); and a miniature white glazed jar, Song Dynasty (960-1279)

西晋 越窯青瓷双系罐 以及 北宋 黄釉小罐和白釉小罐 largest 8cm high $2,000–3,000 Illustrated

74

A CHINESE DING WHITE GLAZED JAR, NORTHERN SONG DYNASTY (960-1127)

北宋 定窯 白釉唇口罐 9.5cm diameter $1,000–2,000

75

THREE CHINESE SMALL CELADON GLAZED VESSELS, WESTERN ZHOU (1045 BC-771 BC)

西周 青瓷三件 largest 16cm $2,000–3,000

72
online at artvisory.com.au
online at artvisory.com.au 72 74 23
Illustrated

TWO CHINESE DARK GLAZED MEIPING VASES, SONG DYNASTY (960-1127)

宋 黑釉梅瓶兩件

36.5cm and 23cm high

$1,000–2,000

77

A CHINESE YUE CELADON INCISED BOWL, NORTHERN SONG DYNASTY (960-1127)

北宋 越窯青釉刻花盌

29.5cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

78

A PAIR OF CHINESE CELADON GLAZED LONG NECK VASES, SUI DYNASTY (581-619)

隋 青釉淨瓶一對

26.8cm high $5,000–7,000

76
76 78 24

A VERY RARE CHINESE YELLOW-GLAZED POTTERY 'DRAGON AND PHOENIX' 'PILGRIM' FLASK, NORTHERN QI DYNASTY (550–577)

北齊 黃釉高浮雕龙鳳紋扁壺

23.3cm high

Pilgrim flasks like the present example are known as bianhu which translates to a ‘flattened jar’. Travellers preferred these types of vessels as drinking containers for longer journeys because of the lug handles. The shape of this vessel shows strong influence from West and Central Asia. A design of a phoenix on these flasks is a typical motif of the 5th and 6th Centuries, but designs of dragons are exceptionally rare. The combination of dragon and phoenix design in this period represents strength, fortune and perseverance rather than the Emperor and Empress in the later periods (Song-Qing period). The presence of large bunches of grapes and sinuous vines is an additional highlight to this flask. They show “much of the Hellenistic tradition which was present specially in Khotan, Miran and Loulan, the cities of the southern Silk Road through Central Asia”. (Watson, 1984)

Flasks decorated with a dragon are extremely rare while phoenix decoration is more common. A flask with almost identical decoration, has been discussed in Mr. Wu's essay, which is currently in a private collection in Toronto, sold at Sotheby's London, 18/06/1985, lot 29. For similar flasks with both sides decorated with a dancing phoenix flanked by grape vines, see Sotheby’s Hong Kong, 29/11/2019, lot 394; and Sotheby's London, June 10 1986, lot 112. Also see, the Metropolitan Museum of Art in New York (26.292.44), illustrated at R.D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers: Chinese Brown and Black Glazed Ceramics, 400-1400, p. 83. In addition, see, The Meiyintang Collection, PX . Furthermore, see British Museum (1936.1012. 253), formally in the collection of George Eumorfopoulos.

For similar flasks decorated with central Asian dancers amidst grape vines, see, Metropolitan Museum (A2001.629) and the Art Institute of Chicago, Chicago, Lucy Maud Buckingham Collection, (1924.270). Also compare to a smaller flask with dancing monkey decoration covered with a green glaze, and dated to the Tang dynasty, see Christie's New York, 14/09/2018, lot 1278.

$4,000–8,000

79
79 25

80

A CHINESE DARK GLAZED DOUBLE GOURD VASE, NORTHERN SONG (967-1279)

with a pair of twisted handles.

北宋 黑釉葫蘆瓶

27.7cm high

$1,000–2,000

81

A CHINESE SMALL LONQUAN CELADON GLAZED FLOWERSHAPED BOWL, SOUTHERN SONG DYNASTY (1127-1279)

南宋 龍泉窯 青釉花口盞

19.6cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

82

A CHINESE JUN STEM BOWL, POSSIBLY YUAN DYNASTY (1279-1368)

Together with a Chinese shiwan jun glazed censer and a creamy celadon ge-glazed tripod censer, both Qing Dynasty (1644-1912)

或為元

鈞窯高足杯和清 鈞釉竹節耳三足爐和哥釉螭龍三足爐

Jun stem bowl: 12cm diameter, 7.5cm high

$2,500–3,500

80 82 26

A GROUP OF SEVEN CHINESE POTTERY VESSELS, NEOLITHIC PERIOD/WARRING STATES, CIRCA 70TH CENTURY B.C./3RD CENTURY B.C.

新石器時期/戰國 一組七件陶器

25cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

84

A CHINESE BLACK-GLAZED MEIPING VASE, JIN DYNASTY (1115-1234)

金 黑釉刻弦紋梅瓶 33cm high

$3,000–5,000

85

A CHINESE CELADON GLAZED LONG NECK VASE, SUI DYNASTY (581-618)

隋 青釉長頸瓶 24cm high

$1,000–2,000

83
84 85 27

86

A CHINESE ZITAN LANTERN, QING DYNASTY, 19TH CENTURY

The finely carved rectangular zitan lantern has an open frame lined with yellow silk, with one side hinged as a door, and is surmounted by a pierced gallery and openwork lappet border on the shoulder. The whole is raised on a flared base carved in openwork with a lappet border and supported on a pierced octagonal foot.

清 十九世紀 紫檀灯笼

33 cm high, 20.3cm wide, 20.3cm deep

PROVENANCE

Michael D. Stevenson (1947-2011) collection, Christie’s New York, 28/10/2014, lot 59

$4,500–6,500

87

A CHINESE SQUARE CARVED CINNABAR LACQUER TRAY, LATE MING DYNASTY, 17TH CENTURY

晚明 十七世紀 剔紅花卉紋方盤

20.7cm wide

$1,500–2,500

86 87 28

88

TWO JAPANESE LACQUER AND MIXED METAL OPIUM PIPES, MEIJI PERIOD (1868-1912)

日本 明治時期 壽岳齋 鄭美 及 松流軒 政輝 款 銀局部鎏黑漆描金煙槍兩隻

29.5 and 25.6cm long; Japanese black lacquer box

$4,000–6,000

89

A CHINESE IVORY CARVED BRUSH POT, QING DYNASTY, 19TH CENTURY

清 十九世紀 象牙雕筆筒

13.3cm high

$2,000–3,000

Illustrated online at artvisory.com.au

90

A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1636-1912)

The exterior is carved with the scene of Guo Ziyi Pays Respect to the Emperor".

清 “郭子儀拜相” 竹雕筆筒

17cm high; 14.5cm diameter

A similar example see Christie's Hong Kong, 29/05/2019, lot 2936.

$5,000–7,000

29
90 88

91

A CHINESE DUAN INK STONE WITH ZITAN CASE, QING DYNASTY (1636-1912)

清 端硯及原配紫檀盒

ink stone: 14 x 8.5cm

$4,500–5,500

92

A JAPANESE CINNABAR LACQUER BOX, RYUKYU ISLANDS, EDO PERIOD, 18TH CENTURY

日本 江戶時代 琉球島剔紅蓋盒

16.6 x 11.2 x 10.9cm

PROVENANCE

Christie’s New York, 10/01/1996, lot 31. The Collections of Sir John Pope-Hennessy.

$2,000–3,000

Illustrated online at artvisory.com.au

93

A JAPANESE HIRMAKI-E LACQUER INCENSE BOX, KOGO, MOMOYAMA PERIOD, LATE 16TH-EARLY 17TH CENTURY

日本 室町時代 漆盖盒

13.4cm diameter

$2,000–3,000

94

A CHINESE BLACK AND GOLD LACQUER BOX, QING DYNASTY (1644-1912)

清 黑漆描金漆盒

34.6 x 26.8cm

$1,500–2,500

Illustrated online at artvisory.com.au

91 93 30

A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1636-1912)

清 竹雕“文會圖”筆筒

14.3cm high; 12cm diameter

$4,500–5,500

A TIANHUANG SOAPSTONE CARVED SEAL BY ZHAO WEI, JIAQING PERIOD, DATED TO 1807

The top of the seal is carved with ruyi cloud patterns, and signed Zhao Wei (1746-1825), inscribed and dated to the August of the twelfth year of Jiaqing (1807) on the side.

清 嘉慶 田黄扁章 嘉庆十二年(1807)八月赵魏 (1746-1825) 刻

3.9cm high; fitted wood stand and fitted box

趙魏(1746-1852),清書畫家,金石學家,藏書家。字格用,號晉齋,一 號菉森。仁和(今浙江杭州)人。康熙中歲貢生。曾於乾隆六十年約至嘉 慶二年(1795-1797)在阮元幕府阻其校訂《山左金石志》,《七經孟子考 文》,並輯《兩浙金石志》等。為張廷濟(1768—1848)的金石知己。

PROVENANCE

Duo Yunxuan, Shanghai, 09/07/2007, lot 1719.

$20,000–30,000

95
96
95 96 31

97

A CHINESE BRONZE LION, MING DYNASTY, 17TH CENTURY

明 十七世紀 銅獅紙鎮

5.3cm long

$2,000–3,000

98

A CHINESE BRONZE CINNABAR LACQUER BOX AND COVER, QING DYNASTY (1644-1912)

清 銅胎剔紅花卉蓋盒

6cm diameter

$1,500–2,500

Illustrated online at artvisory.com.au

99

A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1636-1912)

The brush pot is carved with scholars and ladies in the landscape, inscribed and signed "Meiling Shanren".

清 梅鄰山人 竹雕筆筒

15.3cm high

$3,500–5,500

100

A CHINESE FAMILLE-ROSE FOLIATE-RIMMED DISH, YONG ZHENG (1722-1735)

清 雍正 粉彩花口盤

25cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$500–800

Illustrated online at artvisory.com.au

97 99 32

A SET OF SEVEN CHINESE SOAPSTONE SEALS, CARVED BY WANG FUAN (1880-1960)

王福庵(1880-1960)刻 一組七方壽山石印章

The highest seal: 5.5cm high; fitted box 此七方印是王福廠為畫家唐肯所製。從左至右分別為: 紅花地山石薄意雞血章,印文“竹石居”,

邊款“丁丑春福廠為企林道兄治印”; 水洞白高山瑞獸章,印文“飯秋菊之落英”, 邊款“仿漢人印刻充企林先生印篋福廠”; 高山桃花臥獸鈕章,印文“竹石居存精寓賞”,

邊款“丁丑辰月望日福廠治印”;

白玉地雞血腰圓素章,印文“意花不染”,邊款“福廠”; 牛角地雞血腰圓素章,印文“寄興”,邊款“王禔”篆; 花杜陵對章,一方印文“唐肯”,邊款“福廠”;另一方印文“企林”, 邊款“丁丑春三月福廠”。

王禔:(1879-1960)近代篆刻大家,書法家,原名壽祺,字維季,又字印 傭,號福庵。別署屈瓠,羅剎江民,持默老人。浙江杭州人,早年即能繪畫 治印,三十後專攻書法篆刻,用力精深,自成一家,挽浙派頹勢而開新面, 成為“新浙派”的開山鼻祖,影響極為深廣。為西泠印社創始人之一。

唐肯:(1876-1950)字企林,又字滄諳,江蘇武進人。

PROVENANCE

China Guardian, Beijing, 12/05/2007, lot 1897.

$35,000–55,000

101
101 33

102

A PAIR OF FRAMED CHINESE EMBROIDERY DRAGON PANELS, QING DYNASTY (1644-1912)

清 刺繡龍紋掛屏一對

76.8 x 34.5cm each

$4,500–5,500

103

A CHINESE PAINTED ENAMEL HANDLE BOX, QING DYNASTY, 19TH/EARLY 20TH CENTURY

清 十九/二十世紀早期 銅胎畫琺瑯火斗

18cm long

$1,000–2,000

Illustrated online at artvisory.com.au

104

A CHINESE CINNABAR LACQUER VASE, QING DYNASTY, 19TH CENTURY

清 十九世紀 剔紅瓶

22.5cm high

$1,000–2,000

Illustrated online at artvisory.com.au

105

A SMALL ZITAN INCENSE HOLDER

紫檀香筒 10cm high

$800–1,200

Illustrated online at artvisory.com.au

102 34

106

A RARE CHINESE BLUE LADY’S DRAGON SKIRT, QING DYNASTY (1644-1911)

清 藍地金線龍紋女袍

114 x 30cm $3,000–5,000

107

A CHINESE WOOD CARVED LIBATION CUP, QING DYNASTY (1644-1911)

清 木雕來通盃

11cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,200

Illustrated online at artvisory.com.au

108

A CHINESE BAMBOO BRUSH WASHER, QING DYNASTY (1644-1911)

清 竹雕笔筒

17cm high

$1,000–2,000

Illustrated online at artvisory.com.au

109

A CHINESE BAMBOO CARVED BRUSHPOT

竹雕笔筒

16cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

106 35

110

A CHINESE KESI PANEL OF SHOULAO AND DEER, QING DYNASTY (1644-1911)

清代 緙絲松鹿壽老掛屏

119 x 76.3cm

$2,000–3,000

111

A CHINESE GILT-BRONZE SUPPORT FITTING CAST OF A MYTHCIAL BEAST, POSSIBLY HAN DYNASTY (202 B.C.-220 A.D.)

Crouching on his knees, the right hand presenting a crop of mushrooms, the head forward facing with jaws agape, the lips drawn back to show fangs flanking his tongue.

或為漢 鎏金銅神獸底座

7.8cm high

PROVENANCE

A private collection, Tasmania.

$5,500–7,500

Illustrated online at artvisory.com.au

112

A CHINESE SILVER INGOT, TONGZHI MARK, DATED TO 1869

清 同治五年 銀錠 五十兩

11.8cm long; 1562.5g

$2,000–3,000

Illustrated online at artvisory.com.au

113

A SET OF 8 CHINESE INK CAKES, POSSIBLY WANLI PERIOD/20TH CENTURY

或為萬曆至二十世紀 各色各式墨八錠

Varying sizes from 5.8cm to 15.6cm long (12)

含:

金箔嬰戲文墨一錠,款:萬曆甲辰年(1604),程君房造。

硃砂墨一錠,款:硃貢,魚戯蓮;萬年紅;硃砂,徽歙老胡開文 製。

綠墨一錠,款:中華民國,開國紀念品。徽州胡开文监製,五石 頂煙。

紅黃藍綠白墨五錠,款:徽歙曹素功監製,(綠:)鳳池春;( 藍:)如意,桂林舜臣氏選煙;(朱黃白:)同治六年(1867) 嘉平月金陵善甫氏製于海陽官廨。

程君房製百子墨,見 Susan Ribeiro, Arts from the Scholar's Studio, p.78-79, no.38。

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

PROVENANCE

The Hsiao family collection, Melbourne

$300–500

Illustrated online at artvisory.com.au

110 36

A CHINESE CLAIR DE LUNE GLAZE WASHER, LATE QING DYNASTY/EARLY REPUBLIC PERIOD, EARLY 20TH CENTURY

清末/民國 天藍釉暗刻團龍紋洗

11.5cm diameter

PROVENANCE

From an old private collection, Sydney. A private collection, Sydney.

$1,000–2,000

Illustrated online at artvisory.com.au

115

A CHINESE AGARWOOD QINAN AND TOURMALINE BEADED ROSARY, LATE QING DYNASTY, LATE 19-EARLY 20TH CENTURY

comprising 108 aloeswood beads separated with amethyst beads and suspending a white jade double-gourd pendant.

晚清 十九/二十世紀 迦楠沈香一百零八子及碧璽白玉珠串並鋁盒 「清迦南佛珠上等」籤及「乾隆禦製」底款

Approximately 96cm long; 45cm diameter; pewter circular box

$25,000–35,000

116

A CHINESE LARGE BRONZE CENSER, LATE QING DYNASTY, 19TH/20TH CENTURY

清末 十九/二十世紀 銅香爐

49.5cm wide

$1,000–2,000

Illustrated online at artvisory.com.au

117

TWO CHINESE GREEN ENAMELLED DRAGON DISHES, XIANFENG MARK AND PERIOD (1850-1861)

清 咸豐款及本朝 綠彩龍紋盤 一組兩件

17cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,200

Illustrated online at artvisory.com.au

118

A CHINESE ZISHA TEAPOT, 1963

1963年 紫砂壺

18.5cm wide

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

115

114
Illustrated online at artvisory.com.au 37

119

A CHINESE JUN BOWL, JIN-YUAN DYNASTY, 13TH CENTURY

The bowl is of deep, rounded conical form, and is covered inside and out with a glaze of pale milky blue colour, and with a purple plash on the interior.

金/元 鈞窯 青釉紫斑盌

16.4cm diameter

PROVENANCE

Mr. Ma Tak, Hong Kong, late 90s.

A private collection, NSW, Australia

$4,000–6,000

120

A CHINESE JUN TRIPOD CENSER 鈞窯紫斑三足爐

8.5cm diameter

$6,000–8,000

121

A CHINESE YAOZHOU CARVED CELADON BOWL, JIN DYNASTY, 12TH CENTURY

The interior of the bowl decorated with leafy scrolling and petals in the centre roundel.

金 十二世紀 耀州窯 刻花盌

18.5cm diameter

PROVENANCE

Acquired from Joshua McClelland Print Room, 16/3/2007. $1,500–2,500

122

A KOREAN INLAID CELADON BOWL, KORYO DYNASTY, 12TH/13TH CENTURY

韓國 高丽王朝 十二/十三世紀 青釉嵌化妝土石榴紋盌

19cm diameter

$1,000–2,000

online at artvisory.com.au
Illustrated
online at artvisory.com.au 119 121 38
Illustrated

A CHINESE FINELY CARVED YAOZHOU DISH, NORTHERN SONG DYNASTY (960-1127)

The bowl is finely carved with lotus design, covered with a celadon glaze

北宋 耀州窯青釉刻花盤

13.3cm diameter

A similar dish see Sotheby's New York, 21/09/2021, lot 95; also see Christie's New York, 15/09/2017, lot 1128.

PROVENANCE

K. Y. Fine Art, Hong Kong. Joshua McClelland Print Room, 12/6/2007.

$6,500–8,500

124

A CHINESE LONGQUAN CELADON WASHER, POSSIBLY SOUTHERN SONG DYNASTY (1127-1279)

或為南宋 龍泉窯 青釉洗

13cm diameter

$2,000–3,000

Illustrated online at artvisory.com.au

125

A RARE SMALL CHINESE YAOZHOU CELADON CENSOR, NOTHERN SONG DYNASTY (960-1127)

北宋 耀州窯 青釉行爐

4.75cm height

PROVENANCE

Raymond and Victoria Tregaskis, Sydney, 13/2/2004. $1,500–2,500

126

A CHINESE SMALL JUN "MOON WHITE" GLAZED DISH, NORTHERN SONG/JIN DYNASTY, 11TH-12TH CENTURY

北宋/金 鈞窯月白釉盤

12cm diameter

Compare to a similar Jun dish with sky-blue glaze, see Christie's New York, J.J. Lally & Co., 23/03/2023, lot 871.

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$800–1,000

Illustrated online at artvisory.com.au

123
123 125 39

127

A PAIR OF CHINESE CARVED QINGBAI WASHERS, SOUTHERN SONG DYNASTY (1127-1279)

南宋 影青刻花卉紋洗一對

10.4cm diameter each; fitted box

$2,000–3,000

128

A CHINESE LONGQUAN BIRD FEEDER, POSSIBLY YUAN DYNASTY (1279-1368)

或為元 龍泉青釉瓜棱形鳥食罐

5.5cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

129

A CHINESE QINGBAI CUP AND SAUCER, SONG DYNASTY (960-1279)

宋 影青盏与盏托

cup: 7cm diameter; dish: 10.4cm diameter; fitted box

$2,500–3,500

130

A CHINESE SMALL JIAN ‘HARE'S FUR' GLAZED TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279)

南宋 建窯兔毫盞

9.5cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

127 129 40

131

A CHINESE QINGBAI ZHADOU, SONG DYNASTY (960-1279) OR LATER

宋或更晚 影青渣斗

13cm diameter

PROVENANCE

Leonard Joel, Sydney, 14/11/2015, lot 422. $1,000–2,000

Illustrated online at artvisory.com.au

132

A CHINESE LONGQUAN CELADON BOWL, SOUTHERN SONG/EARLY YUAN DYNASTY, 13TH CENTURY

南宋/元 龍泉窯 青釉蓮子盌

13cm diameter

$3,000–5,000

133

A CHINESE QINGBAI MOULDED PHOENIX BOX AND COVER, SONG DYNASTY (960-1279)

宋 青白釉印雙鳳紋蓋盒

9.5cm diameter

PROVENANCE

A private collection, South Australia. $2,000–3,000

Illustrated online at artvisory.com.au

134

A CHINESE AMBER GLAZED MARBLE CLAY JIAOTAI BOWL, TANG DYNASTY (618-907)

唐 攪胎盌

10.4cm diameter

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $4,500–5,500

135

A CHINESE QINGBAI MOULDED FOLIATE-RIMMED TEA BOWL, SONG DYNASTY (960-1279)

宋 青白釉印花紋花口盞

11.5cm diameter

PROVENANCE

A private collection, South Australia. $2,000–3,000

Illustrated online at artvisory.com.au

132 134 41

A PAIR OF CHINESE MINIATURE BROWN GLAZED MEIPING VASES, YUAN DYNASTY (1279–1368)

元 醬釉小梅瓶一對

7.5cm high

$1,000–2,000

137

A CELADON GLAZED JAR, HAN DYNASTY (206 B.C.–220 A.D.)

汉代 青釉海波纹双系罐

36cm high

$1,000–2,000

Illustrated online at artvisory.com.au

138

A CHINESE QINGBAI VASE, SONG DYNASTY (960-1279)

宋 影青箸瓶

13.4cm high; fitted box

$2,500–3,500

139

TWO CHINESE STONEWARE ANIMALS, SONG/MING DYNASTY, 13TH/16TH CENTURY

宋/明 青白釉犬及褐釉獅

13.6cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

136
136 138 42

140

A FINE CHINESE MOULDED YAOZHOU ‘CHRYSANTHEMUM BOWL, NORTHERN SONG DYNASTY (960-1127)

北宋 耀州窯 印纏枝蓮紋盞

13.3cm diameter; fitted box

$9,000–12,000

141

A CHINESE QINGBAI CONICAL BOWL, SONG DYNASTY (960-1279)

宋 影青釉高足斗笠盞

10.6cm diameter

PROVENANCE

A private collection, South Australia.

$2,000–3,000

Illustrated online at artvisory.com.au

142

A FINE CHINESE JIAN "HARE'S FUR" CONICAL TEA BOWL, SOUTHERN SONG (1127-1279)

The bowl is potted with flaring sides rising to a slightly everted rim bound with a metal band. The interior and exterior are covered with a lustrous black glaze streaked with fine russet 'hare's-fur markings which pools irregularly above the foot which has fired to a dark purplish-brown colour.

南宋 建窯兔毫斗笠盞

11.5cm diameter

Similar example see Christie's New York, 22/3/2018, lot 524; also see Sotheby's London, 9/11/2018, lot 243.

$9,500–10,000

142 140 43

143

A CHINESE QINGBAI VASE, NORTHERN SONG DYNASTY (960-1127)

北宋 青白梅瓶 25.6cm high $2,500–3,500

144

A CHINESE QINGBAI CARVED "DOUBLE FISH" BOWL, SOUTHERN SONG DYNASTY (1127-1279)

南宋 影青刻花雙魚盤

17.6cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

145

A SMALL QINGBAI WATER DROPPER, SONG DYNASTY (960-1279) OR LATER

宋或更晚 青白水注

8.5cm wide

$1,000–2,000

Illustrated online at artvisory.com.au

146

A CHINESE JIZHOU BLACK GLAZED BOWL, SONG DYNASTY (960-1279)

宋 吉州窯黑釉盞

12cm diameter

$1,000–2,000

147

A CHINESE QINGBAI BOWL, POSSIBLY SONG DYNASTY (960-1279)

或為宋 青白釉折沿缽

11.5cm diameter

$3,000–5,000

Illustrated online at artvisory.com.au

143 146 44

A CHINESE MOULDED LONGQUAN CELADON VASE, YUAN DYNASTY (1279-1368)

The body and the neck are applied with moulded meandering stems bearing lotus blossoms above a band of upright petals. The neck rises to a trumpet mouth.

元 龍泉窯 青釉印花紋鳳尾瓶

21cm high

Similar vase see, Sotheby's New York, 20/03/2013, lot 320; also compare to a similar example with broken mouth, see Christie's Hong Kong, 29/05/2013, lot 2221. Compare to a similar vase with bow-string decoration on the neck, see Christie's Hong Kong, 30/05/2018, lot 3100.

$4,000–6,000

149

A VERY RARE CHINESE QINGBAI FIGURE OF LUOHAN PLAQUE, SONG DYNASTY (960-1279)

宋 影青罗汉臂搁

7.5 x 5cm

$8,500–9,500

150

A CHINESE DING-TYPED FOLIATE RIM BOWL, FIVE DYNASTIES (907-960)

五代 定窑系白釉花口盞

17.3cm diameter

PROVENANCE

A private collection, South Australia. $2,000–3,000

Illustrated online at artvisory.com.au

End of Session 1

148
148 149 45

Session 2 — Sunday 4 June, 2pm (Lots 151–299)

151

A CHINESE QINGBAI ‘RICE MEASURE JAR, SONG DYNASTY (960-1279)

宋 影青柳斗罐

11cm diameter

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $3,500–5,500

152

A CHINESE JIAN ‘HARE'S FUR' GLAZED BOWL, POSSIBLY SOUTHERN SONG (1127-1279)

或為南宋 建窯兔毫盞

12.3cm diameter

$2,000–3,000

Illustrated online at artvisory.com.au

153

A PAIR OF CHINESE QINGBAI TOAD-FORM WATER DROPPER, SOUTHERN SONG / YUAN DYNASTY, 13TH CENTURY

宋/元十三世紀 青白釉蟾蜍形水注一對

7cm high each

PROVENANCE

The Estate of the late David Henwood. Leonard Joel, Sydney, 24/05/2015, lot 187. $4,500–5,500

154

A SMALL QINGBAI MELON SHAPED EWER, DAOLIUHU, SONG DYNASTY (960-1279) OR LATER

宋或更晚 影青瓜形倒流壺

10.5cm high

$2,000–3,000

Illustrated online at artvisory.com.au

151 153 46

A VERY RARE CHINESE DING FOLIATE RIMMED DISH, NORTHERN SONG DYNASTY, 11TH/12TH CENTURY

The dish is finely carved with a wave pattern on the interior and is covered with a yellowish-white glaze.

北宋 十一/十二世紀 定窯白釉劃花水波紋盤

11.5cm diameter fitted box

PROVENANCE

China Guardian, Hong Kong, Spring, 2016, lot 808.

Private collection, Melbourne.

EXHIBITED

Melbourne, ACAE gallery, Silent Ritual: The paintings of Zai Kuang & Xiaoyu Bai: Presented with selected Chinese scholar objects, 23/07-20/08/2022, p.63.

LITERATURE

Mizutoshi Ohsugi, Kuro to Shiro~Soji~, Tokyo, 2015, pl. 21.

ACAE gallery, Silent Ritual, Melbourne, 2022, p.63.

$40,000–60,000

156

A CHINESE BLACK GLAZED JIAN TEA BOWL, SONG DYNASTY, CIRCA 12TH CENTURY

The bowl is with the original silver band. 宋

十二世紀 建窯黑釉鑲銀口盞

13cm diameter

PROVENANCE

Raymond and Victoria Tregaskis, Sydney, 13/2/2004.

$6,000–8,000

155
155 156 47

157

A CHINESE JIEXIU DING-TYPE WHITE-GLAZED LOBED DISH, JIN DYNASTY (1115–1234)

金 定窑系介休窑白釉花口碟

11.1cm diam, fitted box 宋金之間北方若干窯口受定窯影響后逐漸形成 與之正面競爭搶占市場的局面,其中就包括了 山西的霍州及介休窯。此件拍品體態輕盈白潤 如玉,比之定窯無一不及。比較一北宋時期 定窯系花口碟,見Bo Gyllensvärd, Chinese Ceramics: in the Carl Kempe Collection, Stockholm, 1965, p.136, no.431.

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $6,000–8,000

158

A RARE CHINESE FLOWER-SHAPED SILVER TEA BOWL, SONG DYNASTY (960-1279)

宋 “中山從遺” 款 銀質花口鏨刻花卉紋盞 11cm diameter, fitted box

Compare to a guild example with a stand, see Xian shi yu ya qi: Tai hua gu xuan cang song yuan zhen pin, Vol. 2, pp.802-803. Also Compare to some similar examples founded at Hunan, see Huhan song yuan jiao cang jin yin qi faxian yu yan jiu, 2009, no. 231, 234 & 235, p. 121 & 123.

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $9,000–12,000

159

A LARGE CHINESE FAMILLE-VERTE VASE, QING DYNASTY, 19TH CENTURY

清 十九世紀 五彩錦雞牡丹紋大瓶

59cm high

$2,000–3,000

Illustrated online at artvisory.com.au

157 158 48

160

A VERY RARE CHINESE MOULDED DING BUBBLE BOWL, SONG/JIN DYNASTY, 11TH/12TH CENTURY

The interior of the bowl decorated with three carps and lotus flowers.

宋/金 十一/十二世紀 印蓮花鯉魚紋泡泡盌

9.5cm diameter; fitted box

PROVENANCE

F. Y. Fine Art, Hong Kong.

An important private collection, Sydney.

EXHIBITED

Sydney, Asian Arts Institute of Australia, 2013.

LITERATURE

Asian Arts Institute of Australia, Sydney, 2013, no.8, p.13.

$25,000–45,000

161

A CHINESE LONGQUAN CELADON STEM CUP, YUAN DYNASTY (1279-1368)

元 龍泉窯 青釉高足杯

13.5cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

162

A CHINESE DING FLOWER SHAPED BOWL, NORTHERN SONG DYNASTY (960-1127)

北宋 定窯 白釉五出花形碟

15cm diameter

A similar example see Li Zhiyan and Simon Kwan, Song Ceramics, no. 5, p, 110

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $30,000–50,000

160 162 49

163

A CHINESE QINGBAI EWER AND COVER, SONG DYNASTY (960-1279)

宋 影青帶蓋執壺

15cm wide; 14.6cm high

PROVENANCE

Collection of Duncan Macintosh (label)

Sotheby's Australia, lot 331 (label)

$4,500–6,500

164

A PAIR OF CHINESE QINGBAI WASHERS, SOUTHERN SONG DYNASTY (1127-1279)

南宋 青白釉刻花洗一對

11.4cm diameter

$1,000–2,000

165

A CHINESE MOULDED LONGQUAN CELADON VASE, YUAN DYNASTY (1279-1368)

The body is applied with moulded meandering stems bearing lotus blossoms above a band of upright petals. The neck rises to a trumpet mouth and is decorated with raised bow-string bands.

21cm high

For a similar example see Christie's Hong Kong, 30/05/2018, lot 3100. $2,000–3,000

Illustrated online at artvisory.com.au
元 龍泉窯 青釉印花紋鳳尾瓶
163 165 50

166

A RARE CHINESE QINGBAI LOBED VASE, NORTHERN SONG DYNASTY (960-1127)

The vase is well potted with a lobed ovoid body below a trumpet neck that rises to an outward-turned, flower-shaped mouth, and is supported on a scalloped foot, all under an even greenish-blue glaze.

宋 青白釉瓜棱瓶

26cm high; fitted box

Accompanied by the Certificate of Antiquity, Hong Kong Art Craft Merchants Association Limited, 12/06/2007, no. 1826.

Compare a qingbai vase with similar shape but with more yellowish and pale glaze, see Sotheby's 25/11/2014, lot 1015.

PROVENANCE

An important private collection of Asian Art Leonard Joel, 12/09/2021, lot 28.

$20,000–30,000

167

A RARE QINGBAI OCTAGONAL ‘PRUNUS’ VASE, MEIPING, SOUTHERN SONG-YUAN DYNASTY, 13TH CENTURY of conforming octagonal shape and each facet is relief moulded with a prunus spray. The glaze of pale blue tone.

南宋/元

影青八角印梅紋梅瓶

21cm high

For a very similar but smaller example (18.5cm high) see Christie's Hong Kong, 3/12/21, lot 2807. Another smaller example see The Classic Age of Chinese Ceramics: An Exhibition of Song Treasures from the Linyushanren Collection, no. 65; later sold at the same house, 15/9/2016, lot 728.

$20,000–30,000

166 167 51

168

A CHINESE LONGQUAN TRIPOD CENSER, MING DYNASTY (1368-1644)

明 龍泉青釉三足爐

16cm diameter

$2,000–3,000

169

A CHINESE QINGBAI FOLIATE RIM BOWL, SONG DYNASTY (960-1279)

宋 青白釉刻花花口盞

12cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$700–900

Illustrated online at artvisory.com.au

170

A CHINESE QINGBAI CONICAL BOWL, SONG DYNASTY (960-1279)

宋 青白釉 斗笠盞

14cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

171

A CHINESE LONGQUAN JAR AND COVER, YUAN DYNASTY (1279–1368)

元 龍泉窯 蓋罐

6cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

172

A CHINESE JIZHOU OVOID VASE, PROBABLY SOUTHERN SONG/YUAN DYNASTY, 13TH CENTURY 或為南宋/元 吉州窯「喜上眉梢 」紋瓶

16cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

PROVENANCE

An old private collection, Melbourne, Australia. 澳大利亞資深私人收藏。

$500–700

Illustrated online at artvisory.com.au

173

A CHINESE JIZHOU BOWL, SONG DYNASTY (960-1279)

宋 吉州窯 盞

11.5cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

174

A WHITE GLAZED BOWL, NORTHERN SONG (960-1127) 北宋 白釉盌

17.5cm diameter

$800–1,200

Illustrated online at artvisory.com.au

168 52

A FINE CHINESE LONGQUAN CELADON VASE, SOUTHERN SONG DYNASTY (1127-1279)

The bulbous body rises to a wide cylindrical neck, terminating in an everted lipped rim, and is covered overall in a glaze of even greyish-green tone.

南宋 龍泉窯 青釉箸瓶

12.8cm height

Almost identical examples, see Christie's New York, 24/03/2023 lot 1033; and 13/09/2019, lot 1011; Christie's Hong Kong, 4/10/2016, lot 127; and Sotheby's New York, 11/09/2019, lot 776.

PROVENANCE

Dr. Steven Zedor Collection. Mossgreen, Melbourne, 16/11/2015, lot 82. $5,000–7,000

176

A RARE CHINESE GILT SILVER DISH, SONG DYNASTY (960-1279)

宋 鎏金銀質鏨刻花卉紋平底碟

15.7cm diameter, fitted box

Compare to some similar examples found at Hunan, see Hunan song yuan jiao cang jin yin qi faxian yu yan jiu, 2009, no. 48-56, pp.24-28; no. 79 & 80, p283; no. 344, p. 174 and no. 547, p. 271.

PROVENANCE

K. Y. Fine Art, Hong Kong. An important private collection, Sydney. $9,000–12,000

175
176 53
175

177

A TIBETAN BRONZE SEATED BUDDHA, 18TH CENTURY

十八世紀 銅燃燈佛坐像

16.8cm high

$3,000–5,000

178

AN INDIAN TERRACOTTA RELIEF TILE OF A MONKEY, GUPTA PERIOD, 5TH CENTURY CE

印度 笈多王朝 五世紀

30cm high

PROVENANCE

紅陶高浮雕猴子方磚

Collection of Mohamed Makiya (1914-2015).

Mohamed Makiya was a famous Iraqi/British Architect. An important private collection, Tasmania.

$1,000–2,000

Illustrated online at artvisory.com.au

179

A TIBETAN GILT BRONZE SEATED FIGURE OF BUDDHA AMITAYUS, 15TH CENTURY

十五世紀 鎏金銅無量壽佛坐像

13cm high

PROVENANCE

A private collection, Sydney, acquired from Tibet in the early 80s.

$6,500–8,500

180

A GANDHARAN SANDSTONE CARVED RELIEF BUST OF A YOUTH, 3RD-4TH CENTURY

犍陀羅 三/四世紀 沙石雕青年半身像

12cm high

PROVENANCE

An important private collection, Tasmania.

$600–800

Illustrated online at artvisory.com.au

177 179 54

A RARE AND IMPORTANT CHINESE LIMESTONE CARVED STONE TORSOR OF BUDDHA SHAKYAMUNI, NORTHERN WEI DYNASTY, 534-550

CE

The figure is carved standing with the right hand raised, possibly in abhaya mudra, the left arm lowered along the side of the body, possibly in varada mudra. He is wearing an Indian style uttarasanga and antaravasaka, the intermediary shawl secured with a tied cable was first introduced in 489 CE after a decree which attempted to curb the growing Indian cultural influence on Northern China and promote the sinofication of the nomadic Xianbei society.

北魏 青石雕释迦牟尼佛身立像

65.5cm high; 73cm with mount

The asymmetrical execution of the uttarasanga dates to the Eastern Wei. Medieval iconoclastic persecutions of Buddhism, first taking place in 845 AD, are the likely explanation for damage inflicted upon this image. It would have likely been richly decorated with pigments and gilding. This lot was officially exported from Hong Kong by shippers and handlers recommended and approved by Mass Transit Railway Corporation of Hong Kong on the 10th May 2003, with documentation.

PROVENANCE

Roger Moss OBE, acquired in HK 1980-2003. Moss was the president of the Oriental Ceramic Society, direct of MTRC, HK, an international advisor to Goldman Sachs (Asia) and an expert in Chinese art. $70,000–90,000

181
181 55

A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF AMITAYUS, QING DYNASTY, 18TH-19TH CENTURY

The figure is seated in dhyanasana on a double-lotus base with hands held in dhyana mudra holding a vessel filled with ambrosia, the face with a serene expression framed by pendulous earrings and a five-pointed diadem encircling a tiered topknot.

清 十八世紀/十九世紀 鎏金铜无量寿佛坐像

18.8cm high

PROVENANCE

Private collection, Sydney, Australia

$3,000–5,000

Illustrated online at artvisory.com.au

183

A TIBETAN BRONZE STUPA, 16TH CENTURY

西藏 十六世紀 銅佛塔

12.5cm high

PROVENANCE

Mossgreen, lot 773 (label)

$2,500–3,500

184

A SINO-TIBETAN GILT BRONZE SEATED FIGURE OF MANJUSHRI, POSSIBLY YUAN DYNASTY (1279-1368)

The figure is seated in dhyanasana, on a double lotus base, the hand in dharmacakramudra and clasping stems of lotus sprays rising to the shoulders, wearing a dhoti, elaborate jewellery and a tiara inset with semiprecious stones.

或為元代 鎏金銅文殊菩薩坐像

17cm high

$50,000–70,000

182
183 184 56

185

A TIBETAN SEATED BRONZE VAJRADHARA, 15TH CENTURY

西藏 十五世紀 銅金剛手菩薩坐像

18cm high

$15,000–25,000

186

A GANDHARA STUCOO OF HEAD OF ASCETIC, 3RD-5TH CENTURY

犍陀羅 三/五世紀 僧人頭像

10cm high

PROVENANCE

Collection of Roger Moss (1936-2020)

An important private collection, Tasmania.

$600–800

Illustrated online at artvisory.com.au

187

A FINE TIBETAN GILT BRONZE SEATED PADMASAMBHAVA, 15TH/16TH CENTURY

西藏 十五/十六世纪 鎏金铜蓮花生大士坐像

19cm high

Compare a circa 15th century Padmasambhava formerly in the Blanche C. Olschak Collection, see Ulrich von Schroeder, Indo-Tibetan Bronzes, Hong Kong, 1981, p. 449, pl. 1222C. See also a similar figure sold at Sotheby's Hong Kong, 12/9/2018, lot 272. A larger example see the same house, 1/12/2017, lot 449.

PROVENANCE

Collection of Tom Bennett (label)

Sotheby’s Australia, 18/7/2018, lot 285.

$20,000–30,000

185 187 57

188

A TIBETAN BRONZE VAJRA, 16TH CENTURY

西藏 十六世紀 銅五股金剛杵

12cm long

$1,500–2,500

189

TWO TIBETAN BRONZE NINE PRONGED VAJRAS, 16TH/17TH CENTURY

西藏 十六/十七世紀 九股金剛杵 兩件

12.6cm and 12cm long

$2,500–3,500

190

A GROUP OF THREE SINO-TIBETAN AND CHINESE SILVER PIECES, LATE QING DYNASTY, 19TH/20TH CENTURY

Including a silver belt buckle, a dress ornament and a necklace

藏漢 晚清 十九/二十世紀 銀飾三件

largest 28cm diameter

$1,000–2,000

Illustrated online at artvisory.com.au

191

A CHINESE AGATE CARVED FIGURE OF A LADY, LATE QING DYNASTY, 19TH/20 CENTURY

清 十九/二十世紀 瑪瑙雕仙女

18cm high

$1,000–2,000

Illustrated online at artvisory.com.au

192

A SEATED ROCK CRYSTAL FIGURE OF BUDDHA, LATE QING DYNASTY/REPUBLIC PERIOD, EARLY 20TH CENTURY

清末/民國 水晶觀音坐像

12cm diameter

PROVENANCE

The Collection of Hsiao family, Melbourne. Private collection, Sydney. $1,000–2,000

Illustrated online at artvisory.com.au

188 189 58

A FINE AND RARE TIBETAN GILT-BRONZE SEATED FIGURE OF A BUDDHA SHAKYAMUNI, 15TH CENTURY

The figure is seated in a beaded robe on a double-lotus throne, the ushrisha inlaid with turquoise.

西藏 十五世紀 鎏金銅佛坐像

19.5cm high

PROVENANCE

From an important Australian private collection Mossgreen Melbourne, 19/11/2013, lot 176. $40,000–60,000

193
193 59

194

AN IMPRESSIVE GANDHARAN STUCCO HEAD OF BODHISATTVA, 45H/5TH CENTURY AD.

The figure is with elaborate headdress and wreaths surmounted by a lion mask pendant, the finely worked face with crisp features and heavily lidded eyes, with looped earrings.

犍陀羅 四/五世紀 泥塑佛頭

46cm high

PROVENANCE

Acquired by the present owner in Melbourne from a private collection. Silk Road Asian Art, Melbourne, 3/2020, no. 61.

EXHIBITED

Melbourne, Silk Road Asian Art, 3/2020, no. 61.

LITERATURE

Silk Road Asian Art, 3/2020, Melbourne, no. 61

$15,000–20,000

194 195 196 60

A RARE GHANDARAN POLYCHROMED STUCCO FIGURE OF STANDING BUDDHA, 4TH/5TH CENTURY

犍陀羅 四/五世紀 彩繪灰泥佛像

70cm high

PROVENANCE

Acquired by the present owner in Melbourne from a private collection.

$20,000–25,000

196

A LARGE KHMER ANGKOR VAT STYLE STONE TORSO, 12TH CENTURY

The figure is carved standing in samabhanga on a rectangular base, his arms broken, wearing vertical striated sampot held together by a belt and with a single fish tail-shaped flange falling between his legs, naked upper body incised with a belly-button

柬埔寨 12世纪 吴哥窟风格 天神立像

Torso: 61.5cm high

PROVENANCE

Acquired from David Baker Gallery, London in 8th May 2017, from a collection in Oxford formed during 1970's (original receipt). Raymond and Victoria Tregaskis, Sydney, Australia. An important private collection, NSW.

$8,000–10,000

197

A FINE SINO-TIBETAN GILT-BRONZE FIGURE OF AMITAYUS, KANGXI PERIOD (1662-1722)

The figure is shown seated in dhyanasana on a double petalled lotus base, with his hands in dhyanamudra. His face with serene expression flanked by foliage earrings and surmounted by a five-peaked ornate tiara. Three characters "Shang, Shi" and "Shi", translated "Upper ten" and "ten" inscribed on the base.

11.2cm high

Compare to a larger example (24cm high) with the base and figure separately cast, see Christie's Hong Kong, 30/05/2018, lot 2867.

PROVENANCE

A private collection, Sydney, acquired from The Antique Guild, Brisbane, 8/9/2016, receipt no. 1671 (original receipt).

$6,000–8,000

195
康熙 鎏金銅無量壽佛坐像
197 61

198

A CHINESE SOAPSTONE FIGURE OF A LUOHAN, QING DYNASTY (1644-1912)

With inscribed mark of "Men Tong" to the back, and with a carved soapstone stand.

10cm long

$1,500–2,500

199

A CHINESE SOAPSTONE FIGURE OF A LUOHAN, QING DYNASTY (1644-1912)

With inscribed mark of "Shang Jun" to the back, and with a carved soapstone stand.

11cm long

$1,500–2,500

清 “開通”刻款 壽山石雕羅漢 清 “尚均”刻款 壽山石雕羅漢
200 198 199 62

200

A CHINESE SOAPSTONE FIGURE OF A LUOHAN, QING DYNASTY (1644-1912)

With inscribed mark of "Shang Jun" to the back, and with a carved soapstone stand.

清 “尚均”刻款 壽山石雕羅漢

10.4cm high

$1,500–2,500

201

A NEPALESE BRONZED SEATED SHIVA AND PARVATI, CIRCA 16TH CENTURY

尼泊爾 十六世紀 濕婆與帕爾瓦蒂坐像

11cm high

PROVENANCE

An important private collection, Melbourne. Soo Tze Orientique, Melbourne, 26 July 1990. An important private collection, Sydney.

$2,000–3,000

Illustrated online at artvisory.com.au

202

A CHINESE SMALL ROCK CRYSTAL MOUSE

紫水晶 鼠

4cm wide

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

203

A RARE AND LARGE CHINESE CARVED AND GOLD LACQUERED WOOD FIGURE OF XUANWU, MING DYNASTY, 16TH/17TH CENTURY

明 十六世紀/十七世紀 大型木漆金玄武大帝

坐像

111cm high

$6,000–8,000

203 63

204

AN INDIAN LIMESTONE TORSO, PALA PERIOD, 8TH-12TH CENTURY

印度 帕拉王朝時期 青石雕女神身像

9cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$1,000–2,000

Illustrated online at artvisory.com.au

205

A CHINESE SOAPSTONE FIGURE OF GUANYIN, QING DYNASTY (1644-1912)

清 壽山石雕觀音坐像

13.5cm high; fitted box

$1,500–2,500

206

AN INDIAN GILT BRONZE FRAGMENT, PALA PERIOD, 10TH-11TH CENTURY

印度 帕拉王朝 十/十一世紀 銅鎏金背光部件

15cm high

PROVENANCE

An important private collection, Tasmania.

$1,000–2,000

Illustrated online at artvisory.com.au

207

A CHINESE SOAPSTONE FIGURE OF A LUOHAN, QING DYNASTY (1644-1912)

With inscribed mark of "Shang Jun" to the back, and with a carved soapstone stand.

清 “尚均”刻款 壽山石雕羅漢

9.5cm high

$1,500–2,500

205 207 64

208

A SET OF TIBETAN GILT COPPER AND ROCK CRYSTAL OFFERING BOWL, COVER AND STAND, 20TH CENTURY

二十世紀 西藏 水晶供盌及銅鎏金鏨刻嵌水晶蓋子和銅鎏金鏨刻嵌紅珊瑚綠

松石象身底座

overall: 34cm high; 25cm wide

$4,000–6,000

209

A SMALL INDIAN BRONZE FIGURE OF A GANESHA, 19TH CENTURY

印度 十九世紀 象頭神犍尼薩銅坐像

5cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

PROVENANCE

An important private collection, Tasmania.

$600–800

Illustrated online at artvisory.com.au

210

A RARE NEPALESE BRONZE FIGURE OF BUDDHA SHAKAYMUNI, 10TH/11TH CENTURY

The figure seated on a double-lotus throne, with trace of gilt.

尼泊爾 十/十一世紀 鎏金銅釋迦牟尼佛坐像

12.8cm high

Compare to a kneeling figure with the same style of base, also dated to circa 10th century, see Ulrich Von Schroeder, Buddhist Sculpture in Tibet, Vol.1, plate no. 152.

PROVENANCE

Private Collection, Melbourne. Mossgreen, Melbourne, 19/11/2013, lot 213.

$55,000–65,000

208 210 65

211

A PAIR OF TIBETAN FRAMED TSAKALI PAINTINGS, CIRCA 19TH CENTURY

西藏 十九世紀 繪畫一組兩幅 帶銅鎏金嵌寶

石框

each 21.5 x 17cm

$2,500–3,500

212

A GANDHARAN GREY SCHIST CARVING OF BUDDHA’S DISCIPLES, 2ND-3RD CENTURY AD.

犍陀羅 2/3世紀 石雕佛弟子像

21.8cm high

$2,500–3,500

Illustrated online at artvisory.com.au

213

AN INDIAN BRONZE FIGURE OF A GANESHA, 13TH/15TH CENTURY

印度 十三/十五世紀 象头神犍尼萨銅坐像

7.6cm high

$2,000–3,000

Illustrated online at artvisory.com.au

214

A RARE PAIR OF SINO-TIBETAN EMBROIDERED TEXTILE SUTRA COVERS, QING DYNASTY, 18TH/19TH CENTURY

清 十八/十九世紀 刺繡經書封面封底

44 x 11.7cm

A similar sutra covers see Christie's Hong Kong, 30/05/2005, lot 1246.

$2,000–3,000

215

A TIBETAN GILT BRONZE VAJRA, 18TH CENTURY

西藏 十八世紀 銅鎏金五股金剛杵

12cm long

$1,500–2,500

Illustrated online at artvisory.com.au

211 214 66

216

A SMALL TIBETAN TANGKA, 19TH CENTURY

西藏 十九世紀 唐卡釋迦牟尼佛坐像

22 x 18cm

$1,000–2,000

217

A RARE BHUTAN PARCEL-GILT SILVER ALLOY AND GILT FIGURE OF AVALOKITESHVARA, 19TH/EARLY 20TH CENTURY

不丹 银质局部鎏金八臂观音立像

11cm high

PROVENANCE

Collection of Donald Stuart Leslie Friend (1915-1989). Donald was a painter, draughtsman, decorator and writer, and a leading figure in modern art in Australia.

Christie's Melbourne, 12/9/1992, lot 36.

Soo Tze Orientique, Melbourne, 6 September 1991.

An important private collection, Melbourne. An important private collection, Sydney.

$800–1,200

Illustrated online at artvisory.com.au

218

A TIBETAN MONK’S WATER FLASK, 19TH CENTURY

With silver, brass and iron

西藏 十九世紀 祭祀用聖水袋

30cm long

$800–1,200

219

A CHINESE SILVER NECKLACE, LATE QING DYNASTY, 19TH/20TH CENTURY

清 十九/二十世紀 銀掛鏈 「金花」款

46cm long overall; weight: 99g

$600–800

Illustrated online at artvisory.com.au

216 218 67

220

A TIBETAN FRAMED THANGKA PAINTING DEPICTING HAYAGRIVA, CIRCA 18TH CENTURY with lacquer frame.

西藏 十八世紀 唐卡马头金刚像

34.4 x 26.7cm

$1,500–2,500

221

A TIBETAN BRONZE FIGURE OF A GELUGPA LAMA, POSSIBLY TZONGKHAPA, CIRCA 18TH CENTURY

西藏 十八世紀 銅宗客巴大師坐像

16cm high

$1,500–2,500

Illustrated online at artvisory.com.au

222

A TIBETAN FRAMED MANDALA THANGKA PAINTING, CIRCA 18TH CENTURY with gold lacquer frame.

西藏 十八世紀 唐卡曼陀羅壇城

21 x 20.5cm without frame

$1,500–2,500

223

A TIBETAN BRONZE FIGURE OF SEATED JAMBHALA, 19TH CENTURY

西藏 十五世紀 銅財神坐像

11cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

PROVENANCE

An important private collection, Tasmania.

$800–1,200

Illustrated online at artvisory.com.au

220 222 68

224

A TIBETAN THANGKA OF BUDDHA SHAKYAMUNI, 18TH CENTURY

西藏 十八世紀 唐卡釋迦牟尼佛坐像

75 x 55cm

$1,500–2,500

225

A CHINESE SILVER NECKLACE, LATE QING DYNASTY, 19TH/20TH CENTURY

清 十九/二十世紀 銀掛鏈

55 x 8cm; weight: 109g

$800–1,200 Illustrated

226

A TIBETAN THANGKA OF GREEN TARA, 19TH CENTURY

西藏 十九世紀 唐卡綠度母坐像

39 x 30cm

$1,500–2,500

online at artvisory.com.au
224 226 69

227

A CHINESE FRAMED GILT BRONZE AND JADEITE BELT BUCKLE, LATE QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY

清末 十九世紀/二十世紀 鎏金銅嵌翡翠帶扣

buckle: overall 6.8cm wide: including frame: 9 x 3cm

$3,500–5,500

228

A CHINESE WHITE JADE CARVED OX, 20TH CENTURY

二十世紀 和田白玉臥牛

9.5cm long

$3,000–5,000

Illustrated online at artvisory.com.au

229

A CHINESE PALE WHITE JADE BUDDHA HAND, 20TH CENTURY

和田青白玉佛手擺件

13cm high

$3,000–5,000

Illustrated online at artvisory.com.au

230

A CHINESE JADEITE PENDANT, LATE QING DYNASTY, EARLY 20TH CENTURY

清 二十世紀早期 翡翠掛牌

6cm high; 4.5cm wide

$800–1,200

Illustrated online at artvisory.com.au

231

A CHINESE WHITE JADE SNUFF BOTTLE, QING DYNASTY (1636–1912)

清 和田白玉鼻煙壺

6cm high, fitted box

$3,500–5,500

二十世紀
227 231 70

232

A CHINESE PALE WHITE JADE CARVED OPENWORK PENDANT, QING DYNASTY (1644-1912)

with carved wood stand

清 和田青白玉鏤空雕鳳銜林芝紋玉牌及木底座

8.2cm high; 4.8cm wide

$1,000–2,000

Illustrated online at artvisory.com.au

233

A CHINESE PALE WHITE JADE CARVED BIXIE, QING DYNASTY (1644-1912)

With a fitted stand.

清 和田青白玉辟邪

5.5cm wide

$4,000–5,000

234

A CHINESE JADE CUP, MING DYNASTY (1368-1644)

明 和田玉如意耳杯

8.9cm wide

A similar cup dated to Jin/Yuan, is illustrated in Forsyth and McElney, Jades from China, no. 262, p. 341. For a late Tang white ceramic cup of similar form and with a similar handle, which may have been the inspiration for this vessel, see Zhejiang Kaogu Jinhua, p. 209.

PROVENANCE

Roger Keverne Pty. Ltd., London, 2013

EXHIBITED

London, Roger Keverne Pty. Ltd., Winter, 2013.

LITERATURE

Roger Keverne, Winter 2013, no. 69.

$15,000–25,000

71
233 234

235

A CHINESE WHITE JADE PENDANT OF A PEA, QING DYNASTY (1636–1912)

清 和田白玉豌豆形掛墜

6cm long

$3,500–5,500

236

A CHINESE CELADON JADE CARVING OF A LION AND A CUB

和田青玉 雕太狮少狮把件

6.6cm wide

$1,500–2,500

Illustrated online at artvisory.com.au

237

A CHINESE PALE WHITE JADE FLOWER VASE

青白玉雕花插

11.5cm high

$1,500–2,500

Illustrated online at artvisory.com.au

238

A CHINESE WHITE JADE GOOSE WASHER, 20TH CENTURY

鶴銜靈芝紋 筆洗

9.4cm wide

$2,000–3,000

Illustrated online at artvisory.com.au

239

A CHINESE ARCHAISTIC DOUBLE TWISTED RING WITH DRAGON, 20TH CENTURY

青玉雕奎龍繩紋環

8 x 6.5cm

$1,500–2,500

Illustrated online at artvisory.com.au

240

A SET OF NINE CHINESE CELADON JADE CUPS

青玉杯 一組九件

largest 8cm diameter

$800–1,200

Illustrated online at artvisory.com.au

二十世紀和田白玉雕
二十世纪
235 72

241

A CHINESE MINIATURE JADE CARVED VESSEL YUE, MING/QING DYNASTY, 17TH/18TH CENTURY

明/清 十七世紀 青白玉雕卣 弄器

5cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

242

A CHINESE WHITE JADE PENDANT OF BUTTERFLY, QING DYNASTY (1636-1912)

清代 蝴蝶焦扇紋白玉佩 6cm diameter, fitted box

$4,500–5,500

243

A CHINESE PALE GREY JADE DOG

和田灰白玉 卧犬把件

7.5cm wide

$1,500–2,500

Illustrated online at artvisory.com.au

244

A CHINESE PALE WHITE JADE PENDANT OF A CHILONG, QING DYNASTY (1636-1912)

清 和田青白玉螭龍掛墜

6.8cm long

$3,500–5,500

242 244 73

245

A CHINESE WHITE JADE DANCING FIGURE, HAN DYNASTY (202 B.C.-220 A.D.)

汉代 和田白玉舞人像

7cm high

$6,500–8,500

246

A CHINESE CELADON JADE RUYI, 20TH CENTURY

29.3cm long, fitted box

$2,500–3,500

Illustrated online at artvisory.com.au

247

A CHINESE WHITE JADE PENDANT

和田白玉鐘形吊墜

8cm high

$2,500–3,500

Illustrated online at artvisory.com.au

248

A CHINESE CELADON JADE LINGZHI PENDANT, QING DYNASTY (1644-1911)

清 青白玉雕灵芝配飾

6.5cm wide

$1,000–2,000

249

A CHINESE PALE WHITE JADE DOG 和田青白玉雕卧犬 6.5cm wide

$1,000–2,000

二十世紀
青玉一束蓮形如意
245 248 74
Illustrated online at artvisory.com.au

250

A RARE CHINESE FINELY CARVED RETICULATED JADE 'DRAGON' BOULDER, YUAN DYNASTY (1271-1368)

元 和田玉鏤空雕龍形山子

9.5cm high, fitted box

Compare to a smaller jade openwork "dragon" plaque (6cm long), from Roger Keverne Collection, see Bonhams London, 11/5/2021, lot 110.

$15,000–25,000

251

A CHINESE ARCHAISTIC WHITE JADE BELT HOOK, 20TH CENTURY

二十世紀 和田白玉仿古帶扣

8.3cm long

$2,000–3,000

Illustrated online at artvisory.com.au

252

A CHINESE WHITE JADE DEER, 20TH CENTURY

和田白玉臥鹿把件

6.4cm long

$2,000–3,000

Illustrated online at artvisory.com.au

253

A CHINESE WHITE JADE MYTHICAL BEAST 和田白玉 神兽把件

5cm wide

$1,500–2,500

Illustrated online at artvisory.com.au

254

A CHINESE JADE CARVED DRAGON, CONTEMPORARY 當代 和田白玉雕臥龍把件

5.2cm wide

$1,000–2,000

Illustrated online at artvisory.com.au

255

A CHINESE WHITE JADE PENDANT 和田白玉掛牌

6cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

二十世紀
250 75

256

A CHINESE MOTTLED RUSSET JADE DISC BI, WARRING STATE/ HAN DYNASTY, 5TH CENTURY B.C.-3TH CENTURY A.D. finely carved in relief on both sides with comma spirals, set within slightly raised borders.

战国/漢 「谷紋」玉璧

9.5cm diameter, fitted box

Similar examples see Christie's Hong Kong, 3/12/2021, lot 2725; also see the same house, 29/11/2022, lot 2711.

$15,000–25,000

257

A CHINESE ARCHAIC CELADON JADE NOTCHED DISC, XUANJI, NEOLITHIC PERIOD (7000–1700 B.C.)

新石器时期 玉玄机

7.4cm diameter

$1,500–2,500

256 257 76

258

A CHINESE CELADON JADE CARVED PLAQUE, 17TH CENTURY

with carved wood stand

清早期 青白玉雕玉鎖形和合二仙紋插屏

15 x 9.5cm

PROVENANCE

Palm Springs estate, Californian. $1,500–2,500

259

A CHINESE PALE WHITE JADE BOY, QING DYNASTY (1644-1911)

清 青白玉雕童子

6cm wide

$1,000–2,000

260

A CHINESE JADE OPEN-WORK DRAGON PENDANT, QING DYNASTY (1636-1912)

清 和田白玉 鏤空雕交龍紋牌

6.9 x 4.6 x 1cm $3,500–5,500

258 259 260 77

261

A CHINESE ARCHAIC RITUAL BRONZE WINE VESSEL, GU, SHANG DYNASTY (CIRCA 1600-1046 B.C.)

商 青铜觚 21cm high

PROVENANCE

An important private collection, Tasmania. $4,500–5,500

262

A CHINESE CARVED CHILONG JADE BI, MING DYNASTY (1368-1644)

明 和田青白玉螭龍璧

10.5cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

263

A CHINESE JADE CARVED DOG, MING OR LATER

明或更晚 青玉雕臥犬笔搁

13cm long

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

264

A CHINESE GREEN JADE BRUSH POT

碧玉筆筒

13cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

265

A CHINESE ARCHAISTIC JADE SWORD GUARD

仿古玉劍擋

12 x 9cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

261 78

A CHINESE ARCHAIC JADE RING YUAN, WARRING STATE PERIOD (476-221 BC)

戰國 玉榖紋瑗

5.7cm diameter, fitted box

For a similar examples, see Duboc, Exhibition of Chinese Art, no. 190; Hebei Provincial Institute of Cultural Relics, Tomb of Cuo, The King of the Zhongshan State in the Warring States Period, pl. 125, fig. 2; Ip, Chinese Jade Carving, no. 99, pp. 114-15; and Li, Ancient Jade of Hangzhou, no. 73, p. 84.

See related examples of jade discs, Warring States period, illustrated in the Compendium of Collections in the Palace Museum. Jade 3. Spring and Autumn Period and Warring States Period, Beijing, 2011, nos.63 and 115.

Compare to another example sold at Christie's Pairs, 9/6/2021, lot 1.

PROVENANCE

Roger Keverne Pty. Ltd., London, 2013

EXHIBITED

London, Roger Keverne Pty. Ltd., Summer Exhibition, 2013.

LITERATURE

Roger Keverne, Summer Exhibition 2013, no. 68. $8,500–9,500

267

A CHINESE FOLIATE RIM BLUE AND WHITE WITH RED ENAMEL DISH, LATE MING-EARLY QING DYNASTY, 17TH CENTURY

明/清 十七世紀 青花紅綠彩花口盤

19cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

268

A CHINESE DARK GREEN GLAZED WASHER, DAOGUANG MARK AND PERIOD (1820-1850)

清 道光款及本朝 綠釉螭龍堆塑筆洗

7cm high

$1,000–2,000

Illustrated online at artvisory.com.au

266
266 79

269

A YELLOW TAIHU SCHOLAR ROCK

黃太湖石 文人賞石

58.5 x 53.5cm (overall)

$2,500–3,500

270

A CHINESE TAIHU SCHOLAR ROCK

太湖石 文人赏石

31cm high

$1,000–2,000

Illustrated online at artvisory.com.au

271

A CHINESE LINGBI SCHOLAR ROCK

灵璧石山子 文人赏石

42 x 13cm

$1,500–2,500

272

A CHINESE TAIHU SCHOLAR ROCK

太湖石 「一帆風順」文人賞石

28cm high

$2,000–3,000

Illustrated online at artvisory.com.au

269 271 80

273

A CHINESE YELLOW WAX SCHOLAR ROCK, QING DYNASTY, 18TH/19TH CENTURY

The rock is from Guangdong or guangxi province, it's with an original longyan wood stand.

清 十八/十九世紀 黃蠟石文人賞石及原配龍眼木底座

18 x 10cm

A very similar example see Worlds Within Worlds: The Richard Rosenblum Collection of Chinese Scholar's Rocks, no: 63., p. 274.

PROVENANCE

An important private collection, Sydney.

$3,000–5,000

274

A CHINESE HUANGHUALI KANG TABLE, QING DYNASTY (1644-1912)

清 黃花梨炕桌

62.5 x 62.5 x 31.5cm

$3,000–5,000

275

A JAPANESE CINNABAR LACQUER STAND, 19TH CENTURY

日本十九世紀 剔紅石榴龍紋束腰香几

44.5cm high

$1,000–2,000

Illustrated online at artvisory.com.au

274 273 81

276

A CHINESE HARDWOOD TABLE

硬木桌

75 x 40 x 27cm

$1,500–2,500

277

A CHINESE COROMANDEL LACQUER SCREEN, EARLY 20TH CENTURY 清

四葉漆屏風

217 x 196cm

$1,000–2,000

Illustrated online at artvisory.com.au

278

A CHINESE HARD WOOD KANG TABLE, QING DYNASTY (1664-1912)

The top is inlaid with burlwood.

清 硬木嵌癭木炕桌

55 x 33.4 x 7.6cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

279

A CHINESE HONGMU ROUND-CORNER TAPERED CABINET

紅木立櫃

195.4 x 94.5 x 51cm

$1,500–2,500

二十世紀早期
276 279 82

280

STUDIO OF NGUYEN PHAN CHANH (VIETNAMESE, 1892-1984)

Lên Dong or ‘Une Expérience Mediumique’ (‘A temple medium offering incense’)

signed in Chinese and stamped with the artist’s seal (centre/upper left) ink and gouache on silk painted circa 1960 following the 1931 original version

越南 阮潘正 (1892-1984)

水墨水粉絹本 題款,簽名,鈐印

46.0 x 65.2 cm – image size

47.5 x 66.0 cm - folio size

68.8 x 87.7 cm – frame size

Having graduated in 1930 from the first course of the École des Beaux Arts de L’Indochine in Hanoi, this image is among the artist’s best known works and considered an icon of Vietnamese art, originally painted in 1931 and exhibited at the International/Colonial Exhibition in Paris in 1931, where it was acquired by a French collector. As far as is known that first painting is still held by descendants of that collector.

It is known that the artist repainted this picture in 1972 for the collection of the Vietnam Fine Arts Museum in Hanoi. The Fine Arts Museum also requested Nguyen Phan Chanh to reproduce some of his own paintings from the 1930s during the 1960s when American bombing of North Vietnam started. The museum was concerned that national treasures might be lost forever if the museum storage was destroyed. The most

important thirty or so national treasure paintings were evacuated into caves in the countryside.

Also, when loaning out paintings for international exhibitions, the culture ministry (and its museums) often followed the practice of making reproductions for the loans, either by the original artists during their lifetime or by other artists employed by the government.

During the last twenty-six years only two other versions of the Lendong painting are known to have come on the market: at Christie’s Hong Kong ‘Asian 20th Century Art Sale’ on 25 November 2018, lot 341, catalogued as ‘ink and gouache on silk, 46 x 62.5 cm , signed and inscribed in Chinese (middle left), one seal of the artist, painted circa 1960 following the 1931 original version’. The painting sold for HK$225,000 (approx.US$26,500). A similar version of Lên Dong was sold in Paris on 14 March 2022 at Aguttes Auctions’ sale “Painters of Asia – Major Works”, lot 43, catalogued as “La Sorcière, Follower of Nguyen Phan Chanh” which sold for Euro136,500 (approx. US$149,000).

This work is accompanied by the catalogue raisonné of the artist’s work, a limited edition published in 1992 by the National Fine Arts Museum in Hanoi to commemorate the centennial anniversary of his birth, titled Tranh Lua {Silk Paintings} – Nguyen Phan Chanh. This painting is illustrated on page 27, plate 4.

PROVENANCE

Private collection, Melbourne, Australia.

$20,000–30,000

280 83

281

ZHANG DAQIAN (1899-1983)

Flowers ink and color on paper hanging scroll signed and one red seal of the artist 張大千(1899-1983)《荷花》

設色紙本,扇面重新裝裱為立軸,簽名,鈐印。

25.3cm diameter

PROVENANCE

Property of Kobijutsu KenShuDo, Japanese Osaka Estate Antique Company.

A private collection, Sydney.

$5,500–6,500

282

ANONYMOUS, QING DYNASTY (1644-1912)

Album leaf (7) ink and colour on silk, each inscribed

清 佚名

26 x 17.5cm

$3,500–5,500

Illustrated online at artvisory.com.au

283

ZHAO SHAOANG (1905-1998)

Flowers and Birds, hanging scroll ink and colour on paper signed, with a red seals of the artist 趙少昂 花鳥 立軸,設色紙本,簽名,鈐印

32.5 x 31.3cm

$1,500–2,500

284

A FRAMED CHINESE EMBROIDERED GOLD-GROUND SECOND RANK OFFICIAL BADGE, QING DYNASTY (1644-1912)

清 金地彩繡二品文官補子

31 x 28cm

$600–800

Illustrated online at artvisory.com.au

《耕織圖》設色絹本
281 283 84

285

CHEN JIALING (B.1937)

ink on paper

one red seals of the artist framed and perspex

陳家泠 (1937-) 水墨紙本

45 x 43cm

$1,000–2,000

286

ATTRIBUTED TO SHUN WEN (1866-1925)

Calligraphy, ink on paper, inscribed, signed, and one red of the artist.

傳 孫文 書法 水墨紙本 簽名 題識 鈐印

143 x 51cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

287

LIN FENGMIAN (1900-1991)

ink and colour on paper framed signed and a red seal of the artist

林風眠 (1900-1991)

設色紙本,簽名,鈐印

47 x 43cm

PROVENANCE

A private collection, Singapore, acquired in Hong Kong.

$15,000–25,000

288

WU ZHUOXIAN

Calligraphic Couplet hanging scroll, ink on paper, inscribed, signed and five seals of the artist.

吳卓賢 對聯 水墨紙本 題識,簽名,鈐印

each 135.5 x 34cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$400–600

Illustrated online at artvisory.com.au

285 287 85

289

LIU CHUNLIN (1872-1942)

Calligraphy

ink on paper, inscribed, signed, and two red seals of the artist

劉春霖 (1872-1942),書法,水墨紙本,題識,簽名,鈐印。

131 x 31cm

$1,500–2,500

290

ATTRIBUTED TO HUANG JUNBI (1898-1991)

Stream from the Mountain

Hanging scroll ink and colour on paper

Inscribed and signed, with four red seals of the artist

傳 黃君璧 《高山流水圖》立軸 設色紙本 題識,簽名,鈐印。

65 x 39cm

$1,000–2,000

Illustrated online at artvisory.com.au

291

XIE JUN

Cranes and flowers (2)

Each ink and colour on silk framed, each inscribed, signed and with one red seal of artist.

謝雋 《梅春鹤寿》《春苑鹤鸣》一对 設色絹本 題識

101.4 x 50.5cm each

簽名 鈐印

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$600–800

Illustrated online at artvisory.com.au

292

ANONYMOUS, DATED TO 1958

Birds and Flowers, 1958 hanging scroll ink and colour on paper inscribed, dated, and two red seals of the artist

佚名,

82.2 x 39.3cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

1958年作,《花鳥》,設色絹本,題識,鈐印。
289 86

293

YU YOUREN (1879-1964)

Calligraphy in Cursive Script hanging scroll ink on paper, one red seal of the artist Dedicated to Fu Chuanhua.

(1879-1964)

129.8 x 43.5cm

PROVENANCE

Collection of Mr. Fu Chuanhua. Mr. Fu was the former Secretary-General of the American-Chinese Region of the Three Principles of the People's League.

$10,000–20,000

294

ATTRIBUTED TO PU RU (1896-1963)

Bamboo hanging scroll ink on paper inscribed, signed and one red seal of the artist

100 x 20.2cm

$2,000–3,000

Illustrated online at artvisory.com.au

295

A CHINESE ALBUM LEAF PAINTING, ATTRIBUTED TO FENG ZIKAI (1898-1975) ink and colour on paper inscribed, signed and one (two) red seal(s) of the artist. (6)

傳 豐子愷

34.1 x 23.7cm each

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$300–500

Illustrated online at artvisory.com.au

296

ATTRIBUTED TO LIN ZEXU (1785-1850)

Calligraphy

hanging scrolls, ink and colour on paper, each inscribed, signed and one red seal of artist.

傳 林則徐 書法 三件 立軸 水墨紙本 題識 簽名 鈐印 each 95.5 x 41cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$200–300

Illustrated online at artvisory.com.au

于右任
草書書法 水墨紙本, 題識,簽名,鈐印
溥儒 《竹》立軸 水墨紙本 題識,簽名,鈐印。
設色紙本,題識,簽名,鈐印
293 87

297

SONG YULIN (1947-)

Ink and colour on paper hanging scroll inscribed, signed and two red seals of the artist 宋玉麟 (1947-)

《璧波魚樂》

立軸,設色紙本,題款,簽名,鈐印

78.5 x 35.5cm

$3,500–4,500

297 88

298

CHENG SHIFA (1921-2007)

Prosperity and Prestige hanging scroll ink and colour on paper inscribed, signed and three red seals of the artist Together with Traditional Chinese Painting Classics, 2013, vol., 6.

程十發(1921-2007)《富貴圖》 立軸 設色紙本,題 識,簽名,鈐印(三枚)配《國畫經典》2013年,卷6。

68 x 45cm

LITERATURE

Traditional Chinese Painting Classics, 2013, vol., 6, p. 18. $4,500–5,500

299

ANONYMOUS, QING DYNASTY (1644-1912)

Qilin and books hanging scroll ink and colour on paper inscribed, signed and a red seal of the artist 清

立軸,設色紙本,題識,簽名,鈐印

129.5 x 65cm

$2,500–3,500

Illustrated online at artvisory.com.au

END OF AUCTION

佚名 《麒麟玉書》
298 89

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I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 26% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile): Telephone (home/work): Invoice address (PO Box not accepted): City State Post Code Country
Lot Number (in order) Catalogue Description (please print clearly) Cover Bid Not including buyer’s premium or GST (where applicable) A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$
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Signature Date Bidder Number (Office Use Only) 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au 91

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The contract for the sale of the property is therefore made between the Seller and the Buyer.

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c) Buyers Responsibility

All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller. Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report

No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

4. At the Sale

a) Refusal of Admission

Artvisory reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

b) Registration before Bidding

Any prospective new buyer must complete and sign a registration form and provide photo-identification before bidding. Artvisory may request bank, trade or other financial references to substantiate this registration.

c) Bidding as a Principal

When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Artvisory before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Artvisory and that Artvisory will only look to the principal for payment.

d) International Registrations

All International clients not known to Artvisory will be required to scan through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Artvisory’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Artvisory also reserves the right to request any additional forms of identification prior to registering an overseas bid. This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 can not be charged to this card without prior arrangement.

This deposit is redeemable against any auction purchase.

e) Absentee bids

Artvisory will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Artvisory after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

f) Telephone bids

Priority will be given to overseas and interstate bidders. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Artvisory accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Artvisory cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen. Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

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G) Online Bidding

Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com. Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

H) Reserves

Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

I) Auctioneers Discretion

The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive.

J) Successful bid and passing of risk

Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

K) Indicative Bidding steps, etc.

Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion:

Increment Amount Dollar Range

$20 $0–$500

$50 $500–$1,000 $100 $1,000–$2,000 $200 $2,000–$5,000

$500 $5,000–$10,000

$1,000 $10,000–$20,000

$2,000 $20,000–$50,000

$5,000 $50,000–$100,000

$10,000 $100,000–$200,000

$20,000 $200,000–$500,000 $50,000 $500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

5. After the Sale

a) Buyers Premium

In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 26% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b) Payment and passing of title

The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received. This applies even if the buyer wishes to send items interstate or overseas.

Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit). Payments can also be made by credit card in person with a 1.43% (inc GST) merchant fee for Visa, Mastercard and American Express. Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account.

c) Collection of Purchases & Insurance

Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer.

At the fall of the hammer, insurance is the responsibility of the purchaser.

d) Packing, Handling and shipping

Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

e) Cultural heritage Export Licences

Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted.

f) Remedies for non-payment

If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law)

i) to charge interest at such a rate as we shall reasonably decide

ii) to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii) to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit

v) to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer.

vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs.

viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids.

ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us.

x) to take such other action as Artvisory deem necessary or appropriate

If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default. If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

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g) Failure to collect purchases

Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability

Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty

Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

The warranty is subject to the following:

i) it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property.

ii) the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction.

iii) the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable. Neither the Seller nor Artvisory will be liable for

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

v) The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

8. Severability

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright

The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction

These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates

Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results

Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax

In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions. GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate.

GST is also applicable on the buyer’s premium.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

1. The items are exported through a Artvisory approved freight company including Australia Post

2. The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

14. Resale Royalty Scheme

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

• was the artwork acquired after 8 June 2010?

• is the sale/reserve price (including GST) $1,000 or more?

• is the artist from Australia or a country listed in the Regulations to the Act?

• is the artist alive, or deceased less than 70 years?

The seller:

i) acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii) undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii) undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL).

Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.

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ASIAN ART SPECIALISTS

310 Toorak Road South Yarra Victoria 3141

+61 3 9826 4039 | www.artvisory.com.au

310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artvisory.com.au ASIAN ART SPECIALISTS
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