The 4th Fountain
Artunch Manavoglu
Cypriot Tradition
Hand Drawing
Traditional chair
Hand Drawing
Traditional chair
Tools: Pecil + Acrylic
Traditional Dance
https://www.facebook.com/profile.php?id=100067837274775php?id=100067837274775
Abergavenny Terrior Centre
Columns & Beams Axonometric
Renders
Creative Reuse Centre
Axonometric
Primary structure inspired by festival tents
Concept Collage
https://www.youtube.com/watch?v=0_ffGsGbaEw&t=135s
The Other Side Identity Crisis
https://www.youtube.com/watch?v=P5VnmCFP1Gw
Fetine Sel Tuzel
Fetine Sel Tuzel
Kings Cross
Public Happy
Division Order
Border
Invisible Boundaries
Cause/theme:
The brief aims to make participants aware of how invisible boun movement and perception of space—both in Cyprus and in their ev The installation represents the emotional experience of divisio other side” without explicitly referencing Cyprus, making it un
Group:
Anyone who has ever felt excluded, displaced, or separated by a emotional boundary.
Description
Light Beams as Borders: Invisible to the eye until triggered, laser or light beams cut across the direction of entry to the fountain, creating an abst of invisible borders. As people walk through the square, they t beams, which suddenly illuminate, blocking their path and repre boundaries and divisions are never static and are variable from tives.
QR Codes for Soundscapes: Participants would be able to scan a code to listen to oral histories of experiences of exclusion or sounds of whis sations and abstract, evoking the feeling of being on one side or place, without knowing what’s on the other. This abstractly of belonging to one side of a divided place.
Aesthetic and User Experience:
The minimalist design of the light beams gives the installation look that fits within the aesthetic of Granary Square. The abstr fer a layered experience, allowing participants to reflect on the boundaries they face in their own lives.
Precedents
Nese Yasin - Yurdunu Sevmeliymis Insan
Yurdunu sevmeliymiş insan, öyle diyor hep babam.
Benim yurdum ikiye bölünmüş ortasından, hangi yarısını sevmeli insan?
WhyThis brief aims to speak to the Turkish Cypriot identity crisis, the legacy of British colonialism, and the contemporary dynamics of gentrification and exclusion in spaces like Granary Square. The Invisible Boundaries project taps into both the history and current dynamics of Granary Square. By focusing on the feeling of being restricted or divided by something unseen, I aim to highlight the emotional and psychological effects of division, which applies to everything from geopolitical borders to social divisions in everyday life. Through this intervention, participants experience firsthand how invisible borders shape their movement and perception, I aim to link the local dynamics of Granary Square to the global and historical forces that continue to divide communities and individuals.
Jane Watt - Illuminations
