Page 1

T H E G A L L E RY C O L L ECT I O N Impressionist | Modern | Contemporary Stern Pissarro Gallery


front cover (detail)

V I C TO R B R A U N E R (1903 – 1966) Composition sur les Noms Communs: Ange, Lion, Fauvette Oil on canvas 92 × 73 cm (361 ⁄ 4 × 283 ⁄ 4 inches) Signed and dated lower right, Victor Brauner 1962. Illustrated on page 35

back cover

C A M I L L E P I S S A R R O (1830 – 1903) Bords de l’Oise, Environs de Pontoise Oil on canvas 32.4 × 40.9 cm (123⁄4 × 161⁄8 inches) Signed and dated lower right, C. Pissarro 1872 Illustrated on page 6


T H E G A L L E RY C O L L ECT I O N Impressionist | Modern | Contemporary

Stern Pissarro Gallery 6 6 S T. J A M ES ’ S S T R E E T, LO N D O N S W 1 A 1 N E , U K TEL: +44 (0)20 7629 6662  EMAIL: STERN@PISSARRO.COM www.pissarro.art


P I E R R E - A U G U S T E R E N O I R (1841 – 1919)

Bord de Rivière, Rameur dans une Barque Oil on canvas 32.7 × 40.6 cm (127 ⁄ 8 × 16 inches) Signed with Estate stamp lower right

Christie’s, New York, 7th December 2002 Bought by a French gallery, acquired from the above Private collection, UK, acquired in 2003

Provenance

Literature

Estate of the artist, M.Dubourg, Paris Galerie Durand-Ruel, Paris, acquired from the above, 1936 J.Guerlain, Paris, acquired from the above, 1940 Waring Hopkins, Paris O’Hara Gallery, New York, acquired from the above Richard L.Feigen & Co., New York, acquired from the above Sarina Tang Fine Arts, New York, acquired from the above Christie’s, New York, 12th November 1997 Private collection, acquired from the above

A.Vollard, Pierre-Auguste Renoir, Tableaux, pastels et dessins, Paris, 1918, Vol.1, p.165, No.653 (illustrated; titled Paysage)

4

This work is accompanied by a letter of authenticity from the Wildenstein Institute, confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.


P I E R R E - A U G U S T E R E N O I R (1841 – 1919)

Femme à la Rose, Andrée Oil on canvas 36.5 × 29.8 cm (143 ⁄8 × 113 ⁄4 inches) Signed with Estate stamp upper right, Renoir Provenance Private collection Private collection, acquired from the above in 1993

Literature Bernheim-Jeune (ed.), L’Atelier de Pierre-Auguste Renoir, Paris, 1931, Vol. II, No. 656, illustrated pl. 205 (with incorrect dimensions)

This work is accompanied by a letter from the Wildenstein Institute, confirming its inclusion in the forthcoming catalogue raisonné of Pierre-Auguste Renoir being prepared by the Wildenstein Institute established from the archives of Daulte, Durand-Ruel, Venturi, Vollard and Wildenstein.

5


C A M I L L E P I S S A R R O (1830 – 1903)

Bords de l’Oise, Environs de Pontoise Oil on canvas 32.4 × 40.9 cm (123⁄4 × 161⁄8 inches) Signed and dated lower right, C. Pissarro 1872

Provenance

Exhibited

Hector Brame, Paris Galerie Durand-Ruel, Paris, acquired from the above on 24th October 1921 Terves, acquired from the above on 1st March 1924 Bruno Stahl, Berlin, placed in storage at the Wildenstein Gallery, Paris Confiscated with other artworks belonging to Georges Wildenstein from the gallery by the Einsatzstab Reichsleiter Rosenberg (ERR) in occupied Paris and transferred to the Jeu de Paume, Paris Transferred to Lager Peter in Altaussee, Austria on 15th January 1943 Transferred to the Central Collecting Point, Munich on 20th June 1945 (inv. No. 212/21) Repatriated to France on 18th April 1946 Restituted to Georges Wildenstein on 21st March 1947 and returned to Bruno Stahl Wildenstein & Co., Inc., New York, acquired from the above in January 1949 Jacques Guerlain, Paris, acquired from the above in 1951 Private collection, France, acquired from the above

Paris, Galerie Durand-Ruel, Pissarro (1830-1903), 1956, No. 11

6

Literature A. Tabarant, Pissarro, Paris, 1924, pl. 13 L-R. Pissarro & L. Venturi, Camille Pissarro son art-son oeuvre, Paris, 1939, Vol. I, No. 161, catalogued p. 102; Vol. II, No. 161, pl. 32 G. Jedlicka, Pissarro, Bern, 1950, pl. 8 T. Natanson, Pissarro, Lausanne, 1950, pl. 8 R. Brettell, Pissarro and Pontoise, the Painter in a Landscape, London & New Haven, 1990, mentioned p. 158 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Vol. II, Paris, 2005, p. 218, No. 274 (illustrated)


C A M I L L E P I S S A R R O (1830 – 1903)

Le Ru de Montbuisson, Louveciennes Oil on canvas 46 × 55.5 cm (181 ⁄ 8 × 217 ⁄ 8 inches) Signed lower right, C. Pissarro Executed circa1869 Provenance

Literature

Alfred Daber, Paris The Lefevre Gallery (Alex Reid & Lefevre), London, acquired from the above in 1950 Robert Morley, London, acquired from the above in 1951 Annabel Morley, London Dr. W. Eisenbeiss, Zürich Private collection, USA

C. Lloyd, Pissarro, London, 1992, No. 8 J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Vol. II, Paris, 2005, p. 12, No. 136 (illustrated)

Exhibited London, The Lefevre Gallery (Alex Reid & Lefevre), Géricault to Renoir, 1951, No. 23 London, The Lefevre Gallery (Alex Reid & Lefevre), XIX and XX Century French Paintings and Drawings, 1960, No. 29

7


C A M I L L E P I S S A R R O (1830 – 1903)

Lisière du Bois Oil on canvas 25.5 × 37 cm (10 × 141 ⁄1 6 inches) Signed and dated lower left, C. Pissarro 67 Provenance Simon Barbey, Geneva before 1960 Versailles, Hôtel Rameau, 9th June 1960 Simon Barbey, Geneva, who was still the owner in 1976, acquired again from the above

Exhibited Pavia, Italy, Visconti Castle Stables, Pissarro, February - June, 2014, cat. no. 7

Literature J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Vol. II, Paris, 2005, p.105, no. 113

8


C A M I L L E P I S S A R R O (1830 – 1903)

Personnages Discutant au Bord d’un Chemin Oil on canvas 32.7 × 45.7 cm (127 ⁄8 × 18 inches) Signed and dated lower left, C. Pizarro 1856 Provenance Private collection, Denmark Private collection, USA

Exhibited New York, The Jewish Museum, Camille Pissarro, Impressions of City and Country, September 2007 - February 2008, p. 78 (illustrated, p. 33, pl. 3) Charlottenlund (Denmark), Ordrupgaard Museum, Pissarro. A Meeting on St. Thomas, March – July 2017, p. 156, no. 151 (illustrated)

Literature J. Pissarro & C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Vol. II, Paris, 2005, p. 50, No. 19 (illustrated)

9


C A M I L L E P I S S A R R O (1830 – 1903)

Entrance to a Village Charcoal on paper 26.7 × 43.2 cm (101 ⁄2 × 17 inches) Signed with Estate stamp lower right, C.P. Executed circa1860 Provenance Mme. Rodo Pissarro (daughter-in-law of Camille Pissarro) Arbit Blatas (acquired from the above) Estate of Arbit Blatas Regina Resnick This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro.

Paysage avec deux Personnages Ink on paper 16.2 × 21.6 cm (63 ⁄8 × 81 ⁄2 inches)  Signed with Estate stamp, C.P. Executed between 1855 and 1860

Provenance Estate of the artist Schoneman Galleries, Inc., New York Estate of Margo Schoneman

Exhibited West Palm Beach, Florida, Norton Gallery & School of Art, Pissarro Drawings: From the Collection Mr. and Mrs. F.L. Schoneman, 5th December 1976 - January 1977 This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro.

10


C A M I L L E P I S S A R R O (1830 – 1903)

Arbres au bord d’une rivière Watercolour and pencil on tinted paper 41 × 30.5 cm (161 ⁄8 × 12 inches) Signed, inscribed and dated lower right, C. Pissarro Chantemile 1859 Provenance Galerie Salis, Salzbourg The Baroness Zerilli-Marimò Collection, acquired from the above in 1984

Exhibited Melbourne, Tolarno Galleries, Pissarro: Painting, Pastel, Watercolour,Drawing, July 1983, p. 15 (illustrated) London, J.P.L Fine Arts, Camille Pissarro: Drawings, Watercolours, and Pastels, March – April 1984, p. 15 (illustrated) This work is accompanied by a letter of authenticity from Dr. Joachim Pissarro.

11


H E N R I M A R T I N (1860 – 1943)

Le Vert à l’entrée de Labastide du Vert Oil on canvas 65.4 × 81.5 cm (253 ⁄4 × 321 ⁄8 inches) Signed lower right, Henri Martin Provenance

Exhibited

Galerie Bernheim-Jeune et Cie., Paris André J. Kahn-Wolf, San Francisco (by 1958) The Fine Arts Museum of San Francisco, San Francisco, gifted from the above in 1961 The Mayor’s Office, San Francisco Butterfield and Butterfield, San Francisco, 9th June 1999 Private collection, Los Angeles Anderson Galleries, Beverly Hills Private collection, San Francisco, acquired from the above in 2002 Private collection, USA

California, Stanford University, Stanford Museum Beverly Hills, Anderson Galleries New York, Hammer Galleries, Eden Close at Hand, The Paintings of Henri Martin 18601943, 2005, p. 82-3, no. 21 (illustrated)

Literature P. Chu, Eden Close at Hand: The Paintings of Henri Martin 1960-1943, California, 2005, p. 31 This work is accompanied by a certificate of authenticity issued by Cyrille Martin.

12


H E N R I M A R T I N (1860 – 1943)

L’Heure du Thé sur la Terrasse de Marquayrol Oil on canvas 80 × 129.5 cm (311 ⁄2 × 51 inches) Signed lower left, Henri Martin Provenance Eugénie Esbelin, Labastide-du-Vert, a gift from the artist Private collection, France, by descent from the above Sylvie Dagot, Montluçon, 1991 Richard Green Fine Paintings, London, acquired at the above sale Private collection, acquired from the above in 1991 This work is accompanied by a certificate of authenticity issued by Cyrille Martin.

13


A R M A N D G U I L L A U M I N (1841 – 1927)

La Route des Chintres à Jouy Oil on canvas 60.5 × 73.5 cm (237 ⁄ 8 × 283 ⁄ 4 inches) Signed lower right, Guillaumin Executed circa 1900 Provenance

Literature

Private collection, Paris Maxwell Galleries, San Francisco Butterfields, San Francisco, 16th February 1984 Private collection, Dallas Roughton Galleries, Dallas

G. Serret and D. Fabiani, Armand Guillaumin, 1841-1927: catalogue raisonné de l’œuvre peint, Paris, 1971, no. 473

14


H E N R I M A N G U I N (1874 – 1949)

La Breste, Maison Rouge, Environs de Marseille Oil on canvas 73.5 × 60 cm (29 × 231 ⁄2 inches) Signed lower right, Manguin Executed Summer 1919

Private collection, Israel, acquired at the above sale Christie's London, 30th June 1987 Hilde Gerst Gallery, New York Private collection, California, acquired from the above in 1988

Exhibited

Paris, Galerie E. Druet, Henri Manguin, 1921, no. 8 – Manguin Geneva, Galerie Motte, Manguin, 1958, no. 34 Madame E. Druet, Paris, acquired directly from the artist, January 1920, no. 9120 (titled La Maison dans les Pins and dated 1908) Galerie E. Druet, Paris Collection Dr Girardin, Paris Literature Private collection, France L. & C. Manguin, Henri Manguin, Catalogue Raisonné de l' Francis Briest Paris, 20th March 1985 Œuvre Peint, Neuchâtel, 1980, p. 222, no. 624 (illustrated) Private collection, Japan Sotheby's London, 25th June 1986

Provenance

15


A L B E R T L E B O U R G (1849 – 1928)

Bord de Seine à la Bouille Oil on canvas 46 × 85 cm (181 ⁄8 × 331 ⁄2 inches) Signed and inscribed lower left, a. Lebourg la Bouille Provenance Private collection, France

16


A L B E R T L E B O U R G (1849 – 1928)

Village et Promeneurs en Bord de Seine Oil on canvas 39.5 × 72.5 cm (151 ⁄2 × 281 ⁄2 inches) Signed lower left, a. Lebourg Executed circa 1870s Provenance Private collection, France

17


G U S TA V E LO I S E A U (1865 – 1935)

Les Falaises (Normandie) Oil on canvas 46 × 65 cm (181 ⁄8 × 255 ⁄ 8 inches) Signed lower left, G. Loiseau Provenance Private collection, England Christie's, London, 21st February 1989 Millon Jutheau, Paris, 9th December 1989 Private collection, acquired from the above

This work is accompanied by a certificate of authenticity from Didier Imbert, and will be included in the forthcoming catalogue raisonné.

18


M A X I M I L I E N L U C E (1858 – 1941)

Printemps Saint-Ay de la Loire Oil on canvas 64.8 × 50.5 cm (251 ⁄ 2 × 197 ⁄ 8 inches) Signed lower right, Luce Titled on the stretcher Executed circa 1910

Exhibited Paris, Galerie Dru, M. Luce, Apr. 11-30, 1921, No. 36 (as La Loire à Saint-Ay), (possibly)

Literature Provenance Hammer Galleries, New York Private collection, New York

J. Bouin-Luce, D. Bazetoux, Maximilien Luce: Catalogue Raisonné de L’Œuvre Peint, Paris, 1995, Vol. 3, p. 177, No. 745 (illustrated)

19


G U S TA V E C A R I OT (1872 – 1950)

Les Meules Oil on canvas mounted on board 29 × 47 cm (113 ⁄8 × 181 ⁄2 inches) Signed and dated lower right, G. Cariot 1927 Provenance Private collection, France

20


G U S TA V E C A R I OT (1872 – 1950)

Paysage Oil on canvas 46 × 65.4 cm (181 ⁄8 × 253 ⁄4 inches) Signed and dated lower left, G. Cariot 1936 Provenance Private collection, London Private collection, London, acquired from the above

21


M A U R I C E D E V L A M I N C K (1876 – 1958)

Marine Oil on canvas 73.5 × 92 cm (287 ⁄8 × 361 ⁄4 inches) Signed lower left, Vlaminck Provenance Private collection, Japan Nukaga Gallery, Japan

22

This work is accompanied by a letter of authenticity from the Wildenstein Institute, confirming its inclusion in the forthcoming catalogue raisonné of Maurice de Vlaminck being prepared by the Wildenstein Institute.


M A U R I C E U T R I L LO (1883 – 1955)

Vase de Fleurs sur une Table Oil on board on cradled panel 82.4 × 62.2 cm (3211 ⁄2 × 241 ⁄ 2 inches) Signed lower right, Maurice. Utrillo. U. Executed circa 1940 Provenance Galerie Pétridès Galerie Charpentier, Me. Rheims, 19th March 1958

Galerie Waring Hopkins et Alain Thomas, Paris M. Gangel Collection, New York Maurice Robinot, Paris This work is accompanied by a certificate of authenticity issued by the Comité Utrillo confirming its inclusion in the forthcoming catalogue raisonné.

23


M A R C C H A G A L L (1887 – 1985)

David et Goliath Gouache, pencil and Indian ink on paper 35.5 × 26.4 cm (141 ⁄ 8 × 101 ⁄ 8 inches) Signed with Estate stamp lower left Executed in 1955-56 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall,

24

Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, November 1989 – January 1990, later travelled to Landesmuseum Mainz (State Museum), February – April 1990, no. 59, p. 85 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp 38-39 (illustrated) This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.


M A R C C H A G A L L (1887 – 1985)

Fête au Village Gouache and crayon on Japon paper 56.7 × 76.8 cm (223 ⁄ 8 × 301 ⁄ 4 inches) Signed lower right, Marc Chagall Executed 1969 Provenance A Centro Arte Internazionale, Milan Private collection, Italy This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.

25


M A R C C H A G A L L (1887 – 1985)

David à la Harpe Gouache on paper 39.8 × 59.5 cm (137 ⁄8 × 101 ⁄2 inches) Signed with Estate stamp lower left Executed in 1955-56 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

– January 1990, later travelled to Landesmuseum Mainz (State Museum), February – April 1990, no. 5, p. 30 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp 60-61 (illustrated)

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, November 1989

26

This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.


M A R C C H A G A L L (1887 – 1985)

Vence ou les Amoureux à l'Âne Gouache, India ink wash and India ink on paper laid on canvas 64.8 × 47.9 cm (151 ⁄ 2 × 187 ⁄ 8 inches) Signed and dated lower right, Marc Chagall 1955-56 Provenance Galerie Denise René, Paris Private collection, Florida, acquired from the above circa 1977-1978 Private collection, New York This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.

27


M A R C C H A G A L L (1887 – 1985)

David et Absalom Gouache, Indian ink and pencil on paper 35.9 × 25.7 cm (141 ⁄ 8 × 101 ⁄ 8 inches) Signed with Estate stamp lower centre left Executed in 1955-56

Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, November 1989 – January 1990, later travelled to Landesmuseum Mainz (State Museum), Provenance February – April 1990, no. 65, p. 91 (illustrated) Collection of David McNeil, the artist’s son London, Stern Pissarro Gallery, Marc Chagall: Master of Private collection, Switzerland, acquired from the above, 1986 Colour, June – July 2016, pp 46-47 (illustrated)

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc

28

This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.


M A R C C H A G A L L (1887 – 1985)

Violoniste Devant la Forêt Gouache, colored wash, pen and brown ink and graphite on paper 28.5 × 27.3 cm (111 ⁄ 4 × 101 ⁄ 2 inches) Signed lower left, Marc Chagall Executed circa 1923 Provenance Robert Rau, New York Private collection, New York, thence by descent This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.

29


M A R C C H A G A L L (1887 – 1985)

Cantique des Cantiques Ink wash, Indian ink and pencil on paper 35.5 × 26.8 cm (14 × 101 ⁄ 2 inches) Signed with Estate stamp lower centre Executed in 1958-59 This image relates directly to the lower left hand portion of the first canvas (“I am my beloved’s, and his desire is toward me”) in the Song of Songs series housed in the Museum of the Biblical Message, Nice.

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, November 1989 – January 1990, later travelled to Landesmuseum Mainz (State Museum), February – April 1990, no. 13, p. 38 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp 52-53 (illustrated)

Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

30

This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.


M A R C C H A G A L L (1887 – 1985)

Les Fiancés sur Fond Rouge Oil on canvas 54.5 × 65 cm (211 ⁄ 2 × 255 ⁄ 8 inches) Signed with Estate stamp lower left, Marc Chagall Executed in 1976 Provenance Collection of David McNeil, the artist’s son Corporate collection, Japan

Exhibited Tokyo, Taimei Gallery, Marc Chagall, 1987 This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.

31


M A R C C H A G A L L (1887 – 1985)

Assuérus Chasse Vashti Brush and pen in black ink 32.9 × 26.7 cm (13 × 101 ⁄ 2 inches) Signed with Estate stamp lower left, Chagall Marc Executed in 1958-59 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

32

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 15th November 1989 – 12th January 1990, later travelled to Landesmuseum Mainz (State Museum), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 4th February – 22nd April 1990, no. 70, p. 96 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 30-31 (illustrated) This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.


M A R C C H A G A L L (1887 – 1985)

Ange Ink wash and pastel on paper 39.8 × 29.9 cm (155 ⁄ 8 × 113 ⁄ 4 inches) Signed with Estate stamp lower right, Chagall Marc Executed in 1959-60 Provenance Collection of David McNeil, the artist’s son Private collection, Switzerland, acquired from the above, 1986

Exhibited Bundeskanzleramt Bonn (Federal Chancellery), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 15th November 1989 – 12th January 1990, later travelled to Landesmuseum Mainz (State Museum), Marc Chagall, Die Bibel: Gouachen, Aquarelle, Pastelle und Zeichungen, 4th February – 22nd April 1990, no. 10, p. 35 (illustrated) London, Stern Pissarro Gallery, Marc Chagall: Master of Colour, June – July 2016, pp. 64-65 (illustrated) This work is accompanied by a photo-certificate of authenticity from the Comité Chagall.

33


L É O P O L D S U R V A G E (1879 – 1968)

Composition Surréaliste Pigment and casein on carton laid on canvas 41.8 × 57 cm (161 ⁄2 × 221 ⁄2 inches) Signed, LS and dated, 17/11/50 lower right Provenance Private collection, France

34


V I C TO R B R A U N E R (1903 – 1966)

Le Matin Oil on canvas 92 × 73 cm (361 ⁄ 4 × 283 ⁄ 4 inches) Signed and dated lower right, Victor Brauner 1962.

Private collection, France Artcurial, Briest, 3rd June 2002 Private collection, New York, acquired from the above sale

Literature

Provenance

Quotrum no. 15, Brussels, 1963, p. 67 (illustrated) Galerie de France, Collection Particulière, Paris, 1994, p. 155 (illustrated) D. Semin, Victor Brauner, Paris, 1990, p. 206 (illustrated)

Galerie Iolas, Paris Galerie Di Meo, Paris Alvarez de Toledo, Madrid

Samy Kinge has confirmed the authenticity of this work which will be included in the forthcoming catalogue raisonné.

35


F E R N A N D L É G E R (1881 – 1955)

Composition Mécanique Pen, ink and pencil on paper 27.1 × 21.2 cm (103 ⁄ 4 × 81 ⁄ 4 inches) Signed with initial and dated lower right, F.L. 1918

36

Provenance

Exhibited

Galerie Louise Leiris, Paris Kunsthalle, Basel Saidenberg Gallery, New York B.C. Holland, Chicago Richard Grey Gallery, Chicago James Francis Trezza, New York

Paris, Galerie Louis Leiris, F. Léger, Dessins et gouaches 1909-1955, 1958, No. 11 (illustrated) This work is accompanied by a certificate of authenticity from Mrs Irus Hansma, confirming its inclusion in the forthcoming catalogue raisonné of works by Fernand Léger.


F E R N A N D L É G E R (1881 – 1955)

Les Papillons dans la Roue Oil on canvas board 43.3 × 52.9 cm (17 × 203 ⁄ 4 inches) Signed and dated lower right, 44 F. LEGER Titled, LES PAPILLONS DANS la roue and signed, F. LEGER. 44 on the reverse Provenance

Literature

Valentine Gallery, New York, circa 1940s Perls Galleries, New York Private collection, Miami Private collection, Paris, acquired from the above Connaught Brown, London Corporate Collection, Brussels

Georges Bauquier, Fernand Léger: Catalogue Raisonné de l’ Œuvre Peint 1944-48, Paris, 1990, no. 1159, p. 17 (illustrated)

Exhibited New York, Valentine Gallery, New Paintings, 1945, no. 15

37


PA B LO P I C A S S O (1881 – 1973)

Femme au Miroir Pen and ink on paper 65.4 × 52.7 cm (253 ⁄ 4 × 203 ⁄ 4 inches) Signed lower right, Picasso Executed circa 1945 Provenance Jerrold Morris Gallery, Toronto, acquired on September 6th, 1968 Private collection, New York, acquired from the above

Exhibited Toronto, Jerrold Morris Gallery, XIX & XX Century Masters 7th Annual Exhibition, 1968 (n.n.) This work is accompanied by a certificate of authenticity issued by Claude Picasso on behalf of the Picasso Administration.

38


G E O R G E S B R A Q U E (1882 – 1963)

Thèiére et Citron Oil on panel 22.5 × 25 cm (87 ⁄ 8 × 97 ⁄ 8 inches) Signed lower left, G. Braque Executed in 1947 Provenance

Literature

Perls Galleries, New York Fujikawa Galleries, Osaka, Japan  Private collection, Spain 

N. S. Mangin, Catalogue de l’œuvre de Georges Braque: peintures 1924-1927, p. 116 (illustrated)

39


J U L E S PA S C I N (1885 – 1930)

Rebecca Couchée Oil over pencil on canvas 73 × 92.3 cm (283 ⁄ 4 × 363 ⁄ 8 inches) Signed lower right, Pascin Executed in 1927, Boulevard de Clichy, Paris Provenance

Literature

Galerie Marcel Bernheim, Paris, acquired from the artist, 1928 Pierre Blum, Paris, acquired from the above, 1952 Perls Galleries, New York Private collection, Osaka Sotheby’s, New York, 14th May 1998 Peter Findlay Gallery, Inc., New York Private collection, USA, acquired from the above, June 2011

Y. Hemin, G. Krogh, K. Perls and A. Rambert, Pascin, Catalogue Raisonné, Peintures, Aquarelles, Pastels, Dessins, Paris, 1984, vol. 1, p. 303, no. 597 (illustrated)

40

Exhibited L. Seoane, Pascin, Buenos Aires, 1944, no. 25 (illustrated)


K E E S V A N D O N G E N (1877 – 1968)

Portrait de Madame Van Der Velde Oil on canvas 126 × 96.5 cm (495 ⁄ 8 × 38 inches) Signed centre left, van Dongen Executed circa 1920-23

Literature E. des Courières, Van Dongen, Paris, 1925, p. 24 (illustrated)

Exhibited

Provenance

Kees van Dongen, Fondation Pierre Gianadda, Martigny, 2002, p. 122 no. 72 (illustrated)

Phillip’s London, 29th June 1987 Drouot-Richelieu Paris, 21st June 1988 Drouot-Montaigne Paris, 31st March 1990 Private collection, France Private collection, acquired from the above in 2001

This work is accompanied by a letter from the Wildenstein Institute. It will be included in the forthcoming catalogue raisonné being prepared by Jacques Chalom des Cordes under the sponsorship of the Wildenstein Institute.

41


B E R N A R D B U F F E T (1928 – 1999)

Poires, Verre et Raisins Oil and pencil on canvas 46 × 65.4 cm (181 ⁄ 8 × 253 ⁄ 4 inches) Signed and dated upper right, Bernard Buffet 50 Provenance Private collection, Japan Private collection, Japan, acquired from the above The authenticity of this work has been confirmed by Maurice & Ida Garnier.

42


M A R I N O M A R I N I (1901 – 1980)

Cavallo e Cavaliere Gouache and ink on paper 25.4 × 33.6 cm (10 × 131 ⁄ 4 inches) Signed lower right, Marino Executed mid 1940s Provenance Sotheby’s New York, 16th November 1989 Gallery Umeda, Osaka, Japan Private collection, Japan This work is accompanied by a certificate of authenticity from Maria Teresa Tosi of the Fondazione Marino Marini.

43


R A O U L D U F Y (1877 – 1953)

Le Village au bord de la Mer Watercolour on Arches paper 50 × 65 cm (183 ⁄ 4 × 255 ⁄ 8 inches) Signed lower centre, Raoul Dufy Provenance Arthur Tooth Gallery, London Knoedler Gallery, New York

Literature F. Guillon-Laffaille, Raoul Dufy, Catalogue Raisonne des Aquarelles, Gouaches et Pastels, Paris, 1981, vol. I, no. 264, p. 95 (illustrated)

44


R A O U L D U F Y (1877 – 1953)

Le Champ de Courses à Epsom Gouache and watercolour on paper 50.3 × 65.7 cm (193 ⁄ 4 × 257 ⁄ 8 inches) Signed lower right, Raoul Dufy Provenance Galerie de France, Paris Galerie Stiebel, Paris Sotheby’s New York, 23rd February 1984 Private collection, USA

Literature F. Guillon-Laffaille, Raoul Dufy, Catalogue Raisonné des Aquarelles, Gouaches et Pastels, Paris, 1981, Vol. 1, p. 378, No. 1040 (illustrated)

45


M A X L I E B E R M A N N (1847 – 1935)

Stage Setting for Gerhart Hauptmann’s Play ‘The Flight of Gabriel Schilling’ (Preparatory work for Act IV) Pastel and pencil on paper laid down on board 31.3 × 49.8 cm (123 ⁄ 8 × 195 ⁄ 8 inches) Signed lower right, M Liebermann Executed in 1912

Matthias Eberle, Max Liebermann, Werkverzeichnis der Gemälde und Ölstudien, Munich, 1996, Vol. 2, cat. No. 1912/9, p.834 Henning Rischbieter, ed., Bühne und bildende Kunst im XX Jahrhundert, Maler und Bildauer arbeiten für das Theater, Hannover, 1968, p. 287

Provenance Max Liebermann, Berlin, 1914 Edgar Vincent, Viscount d’Abernon (British Ambassador in Berlin 1920-1926) Paul Cassirer, acquired from the above, 9th October 1926 Berlin, Paul Cassirer and Hugo Helbing, 17th May 1927 Mr. and Mrs. Ernst Eichenwald, Berlin and New York, circa 1935 Dr. Heinz F. Eichenwald Collection, Texas

Literature Erich Hancke, Max Liebermann, Sein Leben und seine Werke, Berlin, 1914, p. 546

46

Exhibited Mannheim, Kunsthalle, Moderne Theaterkunst. 13. Ausstellung des Freien Bundes, January-February 1913 Dusseldorf, Galerie Ludorff, Max Liebermann, SeptemberFebruary 2013 This work is accompanied by a letter of authenticity from Dr. Margreet Nouwen, confirming its inclusion in catalogue raisonné for pastels, watercolours and gouaches by Max Liebermann.


L E S S E R U R Y (1861 – 1931)

Landscape Pastel on card 35 × 50 cm (133 ⁄ 4 × 193 ⁄ 4 inches) Signed twice, lower left and lower right, L. Ury Provenance Private collection, USA Dr. Sibylle Gross has confirmed the authenticity of this work and its inclusion in the forthcoming catalogue raisonné of works by Lesser Ury.

47


A N D R É B R A S I L I E R (b. 1929)

Courses sur le Rivage Watercolour, pencil and pastel on paper 57 × 76 cm (221 ⁄ 2 × 30 inches) Signed lower right, André Brasilier Signed again, dated and inscribed on the reverse, Courses sur le rivage. André Brasilier. 2004 Provenance Atelier de Paris, Japan This work is accompanied by a certificate of authenticity signed by Alexis Brasilier on behalf of the Comité Brasilier.

48


M A R I E L A U R E N C I N (1883 – 1956)

Suzanne au Foulard Rose Oil on canvas 33 × 24 cm (13 × 91 ⁄ 2 inches) Signed upper right, Marie Laurencin Executed in 1942 Provenance Galerie Bénézit, Paris, 1963 Palais Galliéra, Paris, 12th December 1973 A. Audry, Lyon Galerie de la Présidence, Paris Acquired from the above by the late owner in January 1978 Property from the Estate of Liliane M. Stewart

Literature D. Marchesseau, Marie Laurencin, Catalogue Raisonné de l’Œuvre Peint, Tokyo, 1986, Vol. I, p. 450, No. 1104 (illustrated)

Exhibited Düsseldorf, Kunsthalle, Marie Laurencin, 1957 Paris, Galerie Bénézit, Hommage à Marie Laurencin, June-July 1963, No. 7

49


A U G U S T E H E R B I N (1882 – 1960)

Composition sur Fond Vert Gouache on paper 28 × 44.3 cm (11 × 171 ⁄ 2 inches) Signed and dated lower centre, herbin 1942 Provenance Galerie Melki, Marbella Private collection, Paris This work is accompanied by a certificate of authenticity issued by Madame Geneviève Claisse.

50


A U G U S T E H E R B I N (1882 – 1960)

Composition sur les Noms Communs: Ange, Lion, Fauvette Oil on canvas 160 × 80 cm (63 × 311 ⁄ 2 inches) Signed and dated lower right, Herbin 1942 Provenance Kunstmuseum, Basel Galerie Chalette, New York Donna Josey, Houston Private collection, Alon Zakaim Fine Art, London, acquired in 1994 Private collection, Florida

Exhibited Paris, 54th Salon des Indépendants, 1943, No. 1547 Dallas Museum of Fine Arts, Geometric Abstraction of the 1930s, 1972, No. 73

Literature L. Degand, Auguste Herbin, Privatdruck der Basler Druck und Vergsanstral, 1955, pl. 4 G. Claisse, Herbin, Catalogue Raisonné de l’Œuvre Peint, 1993, Lausanne, No. 798, p. 420 (illustrated)

51


S O N I A D E L A U N AY (1885 – 1979)

Rythme Couleur Gouache, watercolour, ink and pencil on paper 51 × 39 cm (201 ⁄ 8 × 153 ⁄ 8 inches) Signed and dated lower right, Sonia Delaunay 3/72, inscribed lower left, R.1855 Executed in Paris, 1972 Provenance Private collection, France This work is accompanied by a certificate of authenticity issued by Richard Riss on behalf of the Fundacion Arcontit.

52


S O N I A D E L A U N AY (1885 – 1979)

Rythme Couleur Gouache on paper 77 × 56 cm (301 ⁄ 4 × 22 inches) Signed and dated lower right, Sonia Delaunay 1970 Provenance Alexander Kahan Fine Arts Ltd., New York Jane Kahan Gallery, New York Estate of Virginia Ridder, New York Private collection, USA, acquired from the above This work is accompanied by a certificate of authenticity issued by Richard Riss on behalf of the Fundacion Arcontit.

53


S E R G E P O L I A KO F F (1906 – 1969)

Composition Gouache on paper 62.7 × 47.8 cm (243 ⁄ 4 × 187 ⁄ 8 inches) Signed lower right, Serge Poliakoff Executed circa 1961-1962 Provenance Salis & Vertes, Salzburg Private collection, Austria, acquired from the above, 1990s The authenticity of this work has been confirmed by Thaddée Poliakoff and it is registered in the archives of Serge Poliakoff in Paris under the no. 860019.

54


TO S H I M I T S U I M A I (1928 – 2002)

Red Composition Oil on canvas 80 × 55.2 cm (311 ⁄ 2 × 213 ⁄ 4 inches) Signed Toshimitsu Imai, dated 1963 Paris Inscribed in Japanese on the reverse Provenance Private collection, USA

55


A L E X A N D E R C A L D E R (1898 – 1976)

Spirale Gouache and ink on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches) Signed and dated lower right, Calder 1969 Dedicated lower middle and lower right à Anne – Marie with an illustration of a hammer Provenance Collection Anne-Marie Marteau, Tours, France, gifted from the artist Thence by descent, private collection This work is registered in the archives of the Calder Foundation, New York.

56


A L E X A N D E R C A L D E R (1898 – 1976)

Composition Gouache On paper 75 × 109.5 cm (291 ⁄ 2 × 431 ⁄ 8 inches) Signed, dated and dedicated lower left, à Ray & Jeanne Sutter, Sandy Calder 70 Provenance Raymond & Jeanne Sutter Collection (neighbours of Calder in Saché), gifted from the artist, 1970 Private collection, Paris Galerie Carole Brimaud, Paris Private collection, acquired from the above in 1992 This work is registered in the archives of the Calder Foundation, New York.

57


A L E X A N D E R C A L D E R (1898 – 1976)

Composition Gouache on paper 57 × 77 cm (221 ⁄ 2 × 301 ⁄ 4 inches) Signed, dated and dedicated lower left, à Marie Paule et Jean Leymarie Calder 69 Provenance Collection Marie-Paule and Jean Leymarie, France, gifted from the artist, 1969 Thence by descent, private collection This work is registered in the archives of the Calder Foundation, New York.

58


A L E X A N D E R C A L D E R (1898 – 1976)

Hanging Spirals Gouache on paper 75 × 110 cm (291 ⁄ 2 × 431 ⁄ 4 inches) Signed, dated and dedicated lower right, à Jacqueline & Daniel, Sandy Calder 69 Provenance Christie’s Paris, December 2005 Private collection, Florida, acquired from the above sale This work is registered in the archives of the Calder Foundation, New York.

59


PA U L J E N K I N S (1923 – 2012)

Phenomena Winter Harth Oil and sand on canvas 66 × 122 cm (26 × 48 inches) Signed, titled and dated on verso, Paul Jenkins “Phenomena Winter Harth” 1978 Provenance Private collection, California

60


N O R M A N B L U H M (1921 – 1999)

Jocasta Acrylic on cardboard laid down on wood 59 × 89 cm (231 ⁄ 4 × 35 inches) Signed and dated lower right, bluhm 73 Provenance Martha Jackson Gallery, New York, archive no. 15408 Galleria d’Arte Rinaldo Rotta, Genoa Private collection, Europe

Exhibited Milan, Norman Bluhm, Galleria Il Cerchio and Galleria Rinaldo Rotta, 1974 Venice, Norman Bluhm, Circolo Artistico Palazzo delle Prigioni Vecchie, 19th July – 22nd August 1974 This work is accompanied by a photo-certificate from Galleria d’Arte Rinaldo Rotta, Genoa.

61


PA U L J E N K I N S (1923 – 2012)

Phenomena Listen Listen Evermore Acrylic on canvas 100.3 × 81.3 cm (391 ⁄ 2 × 32 inches) Signed lower left, Paul Jenkins Signed, titled and dated Paul Jenkins 2004 “Phenomena Listen Listen Evermore” on the overlap Inscribed twice on the reverse Paul Jenkins 2004 “Phenomena Listen Listen Evermore” Provenance Jerald Melberg Gallery, Charlotte Private collection, acquired from the above

62


S A M F R A N C I S (1923 – 1994)

Los Angeles Gouache on paper 121.5 × 161.5 cm (477 ⁄ 8 × 631 ⁄ 2 inches) Signed, dated 1970 and stamped by The Estate of Sam Francis on the reverse Provenance Galerie Delaive, Amsterdam Private collection, Europe Acquired from the above This work will be included in the forthcoming catalogue raisonné edited by Debra Burchett-Lere and is registered with the Sam Francis Foundation.

63


PA U L J E N K I N S (1923 – 2012)

Phenomena Greet by Day Acrylic on canvas 146 × 114.3 cm (571 ⁄ 2 × 45 inches) Signed lower right, Paul Jenkins Executed in 1994-1996 Provenance Private collection, New York, acquired directly from the artist

64


J E A N - PA U L R I O P E L L E (1923 – 2002)

Carros Oil on canvas 89.5 × 116 cm (351 ⁄ 4 × 455 ⁄ 8 inches) Signed and dated lower right, Riopelle 66 Signed and dated, Riopelle 66 and titled, Carros on the reverse Provenance Galerie Maeght, Paris Galerie Samuel Lallouz, Québec Private collection, USA, acquired from the above in 1987 Christie’s Paris, 5th June 2013 Private collection, Paris, acquired from the above sale

Literature P. Schneider, Riopelle signes mêlés, Paris, 1972, p. 142 & 174, no. 134 (illustrated) Vie des Arts, vol. XXXI, no. 126, Montréal, 1987, p. 75 (illustrated) Y. Riopelle and T. Riopelle, Catalogue raisonné de Jean-Paul Riopelle, vol IV, 1961-1971, Montréal, 2014, p. 98, no. 1966.031H.1966 (illustrated) This work is accompanied by a certificate of authenticity issued by Yseult Riopelle.

65


TO S H I M I T S U I M A I (1928 – 2002)

Vagues “Wave” Acrylic on paper 127 × 95 cm (50 × 373 ⁄ 8 inches) Signed lower right, IMAI Inscribed on the reverse in Japanese and English, VAGUES “WAVE”, 1992-1997 Signed and dated on the reverse, TOSHIMITSU IMAI août (August) 1992 Provenance Dr Jean-Paul Coussy (Director of the MAGCP Museum, France), acquired directly form the Artist, March 15th 1998 Dr Giorgio Tosetti, Italy, acquired from the above

66

Exhibited Paris, Galerie Chozo Yoshii, Hommage à André Malraux - Les voix du Silence, September November 1997

Literature G. C. Calza, Edizioni Electa, Venezia, 1998


G E R H A R D R I C H T E R (b. 1932)

Blech Oil on canvas 20 × 27 cm (77 ⁄ 8 × 105 ⁄ 8 inches) Signed on the reverse, Richter, 1988 and numbered, 681-23 Executed in 1988 Provenance Private collection, North Rhine-Westphalia, Germany

Literature Butin, H., Gronert, S., Olbricht, T,. (eds.): Gerhard Richter – Editions 1965-2013, Ostfildern/Cologne 2013, cat. rais. no. 65, p. 234 (illustrated) Kunst-und Ausstellungshalle der Bundesrepublik Deutschland (ed.): Gerhard Richter. Werkübersicht/Catalogue raisonné 1962-1993, vol. III, Ostfildern-Ruit 1993, cat.rais. no. 681-23 (illustrated) Butin, H., Gerhard Richter, Unikate in Serie, 2017 (illustrated) Museum Folkwang, Gerhard Richter: Die Editionen, 2017 (illustrated)

67


A N D R É L A N S KOY (1902 – 1976)

Composition Gouache on paper laid on canvas 35 × 65 cm (133 ⁄ 4 × 255 ⁄ 8 inches) Signed lower right, Lanskoy Provenance Private collection, Portugal

68


M A X E R N S T (1891 – 1976)

Surrealist Composition Oil on canvas 17.5 × 25.4 cm (67 ⁄ 8 × 10 inches) Signed lower right, Max Ernst Signed and dedicated on the reverse, A HANS RICHTER amicalement MAX ERNST Executed in 1948 Provenance Hans and Frida Richter, Southbury, Connecticut, gift from the artist, 1948 Private collection, thence by descent from the above Christie's, New York, 5th May 2004 Private collection, New York, acquired at the above sale

Literature W. Spies and S. and G. Metken, Max Ernst, Werke, 1939-1953, Cologne, 1987, vol. 5, p. 144, no. 2574 (illustrated)

69


C H U N KW A N G -YO U N G (b. 1944)

Aggregation AU00-182 Mixed media with Korean mulberry paper mounted on board 163 × 131 cm (641⁄8 × 515⁄8 inches) Signed in Korean and English, titled and dated 2000 on the reverse Provenance Ruth Ziegler Fine Arts, New York Private collection, Hong Kong, acquired from the above

70


J E A N D U B U F F E T (1901 – 1985)

Texte Terreux Oil on paper laid down on canvas (assemblage) 49 × 57 cm (191 ⁄ 4 × 221 ⁄ 2 inches) Signed and dated upper left, J. Dubuffet 59 Signed, J. Dubuffet titled, Texte Terreux and dated on the reverse, mai 59 Provenance Galerie Daniel Cordier, Paris Private collection, Paris, acquired from the above in 1960

from 1955-1962, May - July 1989; catalogue, no. 4, n.p. (illustrated)

Exhibited

Literature

Paris, Galerie de France; Paris, Galerie Baudouin Lebon, Dubuffet: sols et terrains, 1956-1960, January - March 1988; catalogue, p. 67 (illustrated) New York, Arnold Herstand & Compagny, Dubuffet, earth and terrain: Assemblages, texturologies and materiologies: paintings and works on paper

Max Loreau, Catalogue des travaux de Jean Dubuffet, Fascicule XIV: Célébration du sol II, texturologies, topographies, Lausanne, 1969, no. 183, p. 113 (illustrated)

71


A L B E R T G L E I Z E S (1881 – 1953)

Composition Gouache on paper laid down on cardboard 25.7 × 13 cm (101 ⁄ 8 × 51 ⁄ 8 inches) Signed and dated lower right, Albgleizes 22

72

Provenance

Literature

Collection Paul Lombard, Paris

A. Varichon, Albert Gleizes, Catalogue Raisonné, volume I, Editions Somogy, Paris, 1998, No. 1079, p. 357 (illustrated, upside down)


V I C TO R V A S A R E LY (1906 – 1997)

GESTALT-SIN Acrylic on canvas 180 × 122 cm (707 ⁄ 8 × 48 inches) Signed, titled and dated, Vasarely - “GESTALT-SIN” 1969 on the reverse Provenance Private collection, acquired directly from the artist Pierre Vasarely has confirmed the authenticity of this work which will be included in the forthcoming Catalogue Raisonné de l’Oeuvre Peint de Victor Vasarely currently being prepared by the Fondation Vasarely, Aix-en-Provence.

73


D A M I E N H I R S T (b. 1965)

Spin Household gloss on paper Diameter: 45.8 cm (18 inches) Signed with the Artist’s Stamp and dated 2001 on the reverse Provenance Private collection, London, employee of the artist, gifted from the artist Private collection, England, acquired from the above

74


J I M D I N E (b. 1935)

A Smaller Fortress Oil on board 91.5 × 122.2 cm (36 × 481 ⁄ 8 inches) Titled, signed and dated on the reverse A Smaller Fortress, Jim Dine 1981 Provenance Private collection, Japan The Market Auction, Tokyo, 25th October 2007 Private collection, Hong Kong The Studio of the Artist has confirmed this work is listed in the Artist's inventory records.

75


A N TO N I T À P I E S (1923 – 2012)

Als Mestres de Catalunya No. 6 Oil, chalk and pencil on heavy paper laid on canvas 78.7 × 60.9 cm (301 ⁄ 8 × 227 ⁄ 8 inches) Signed lower right, Tàpies Inscribed twice upper middle with a line from the Catalonian national anthem, Els Segadors (The Reapers), Bon cop de falc (Strike with your sickle) Inscribed lower middle, Homes de Catalunya Lluiten! (Men of Catalonia Fight!) Inscribed on the reverse, N° 6 E.M. Executed in 1973 76

Provenance Sala Joan Gaspar, Barcelona Collezione Baruffaldi – Montefiridolfi, Florence, acquired from the above, 1974

Literature Anna Agustí, Tàpies, Obra Completa, vol. 3, 1969-1975, ed., Fundació Antoni Tápies y Ediciones Poligrafa, Barcelona 1992, cat no. 2603 The present work is part of the series Al Mestres de Catalunya (To the Masters of Catalonia).


K A R E L A P P E L (1921 – 2006)

Personnage dans la Tempête Oil on canvas 115.9 × 88.9 cm (455 ⁄ 8 × 35 inches) Signed and dated lower centre right, k. appel ‘54

Exhibited

Provenance

New York, Martha Jackson Gallery, Karel Appel: First American Exhibition, 6th – 31st December 1954, no. 6 (illustrated)

Martha Jackson Gallery, New York Private collection, New York Private collection, USA, thence by decent

This work is registered in the archive of the Karel Appel Foundation.

77


J E A N - M I C H E L AT L A N (1913 – 1960)

Composition Pastel on paper 54 × 46 cm (211 ⁄ 4 × 181 ⁄ 8 inches) Signed and dated lower left, Atlan 58 Provenance Private collection, New York Artcurial, Paris, 7th December 2005 Private collection, France

Literature Jacques Polieri, Atlan, Catalogue Raisonné de l’oeuvre complet, Milan, 1996, no. 1534, p. 565 (illustrated in colour)

78


J E A N - M I C H E L AT L A N (1913 – 1960)

Composition Oil on canvas 100 × 65.3 cm (391 ⁄ 2 × 253 ⁄ 4 inches) Signed lower middle-left, Atlan Executed circa 1958

Provenance Galerie Arditti, Paris, 1958 Private collection, France This work is accompanied by a certificate of authenticity issued by Monsieur Jacques Elbaz.

79


L E O N KO S S O F F (b. 1926)

Fidelma in a Chair Oil on board 31.8 × 21 cm (121 ⁄ 2 × 81 ⁄ 4 inches) Executed in 1984 Provenance Mr and Mrs Block (brother in law and sister of the artist), gifted by the Artist

Exhibited Fischer Fine Art Ltd., London Anthony d’Offay, London

80

Reverse image of the present work


A N D R É L A N S KOY (1902 – 1976)

Composition Oil on canvas 81 × 54 cm (317 ⁄ 8 × 211 ⁄ 4 inches) Signed, LANSKOY, lower right Provenance Private collection, Germany This work is accompanied by a certificate of authenticity from the Comité Lanskoy confirming its inclusion in the forthcoming Catalogue Raisonné de l’Oeuvre d’André Lanskoy.

81


H E N R Y M O O R E (1898 – 1986)

Maquette for Reclining Figure: Cloak Bronze 7.1 × 12.1 × 5.6 cm (23 ⁄ 4 × 43 ⁄ 4 × 21 ⁄ 4 inches) Signed and numbered on the back, Moore 9/9 Conceived in 1966 Provenance Wildenstein & Co., Inc., New York, acquired directly from the artist The Arthur and Anita Kahn Collection, acquired in 1974

Literature A. Bowness, ed., Henry Moore, Sculpture and Drawings, 1964-1973, London, 1977, Vol. 4, p. 49, No. 564 (another cast illustrated, p. 48, pl. 66b)

82


C H A N A O R LO F F (1888 – 1968)

Deux Danseuses Bronze 78.5 × 18.7 × 20 cm (307 ⁄ 8 × 73 ⁄ 8 × 77 ⁄ 8 inches) Signed and inscribed on the base, Ch.Orloff 4/8 Executed in 1914 Provenance Private collection, Japan

Literature F. Marcilhac, Chana Orloff, Les éditions de l’amateur. 1991, p. 204, pl. 11 (illustrated)

83


OT TO P I E N E (1928 – 2014)

MyMy Fire gouache on card 67.5 × 47.8 cm (265 ⁄ 8 × 187 ⁄ 8 inches) Titled lower left, MyMy; signed and dated lower middle, O Pienne 75 Provenance Galerie Löhrl, Mönchengladbach Private collection, Germany, acquired from the above

84


OT TO P I E N E (1928 – 2014)

Feuer Fire gouache on card 100 × 70 cm (393 ⁄ 8 × 271 ⁄ 2 inches) Titled lower left, “Feuer”, signed and dated lower right, O Piene, 72 Provenance Private collection, Germany

85


A R M A N (1928 – 2005)

Accumulation Accumulation: shapes of iron and violins on panel 116 × 89.9 cm (455⁄8 × 353⁄8 inches) Signed on the underside of the canvas, arman Executed in 2003 Provenance Private collection, France This work is accompanied by a certificate of authenticity from the Fondation A.R.M.A.N in Geneva.

86


A R M A N (1928 – 2005)

Colère de Violon Sliced violin and acrylic on canvas 81 × 60.2 cm (317⁄8 × 233⁄4 inches) Signed on the lower edge, arman Executed in 2003 Provenance Bugno Art Gallery, Venice Private collection, Italy Private collection, France, acquired from the above

Exhibited Venice, Centro d'Arte Cultura et Bugno Galerie Arte, Arman: opere recenti, June 2004 This work is accompanied by a certificate of authenticity issued by the Artist and is recorded in the Arman Studio Archives, New York under no. APA# 8021.03.242. It is also listed in the Archives of Denyse Durand-Ruel who is preparing the forthcoming catalogue raisonné of Arman under no. 8076.

87


Y V E S D A N A (b. 1959)

Silence (n.452) Bronze 27 × 10 × 5 cm (​105 ⁄ 8 × 4 × 2 inches) Signed ​and inscribed ​on the base​, Yves Dana 2 ​ /8 Executed in 2010 Provenance Studio of the Artist, Switzerland

88


Y V E S D A N A (b. 1959)

Passages (n.485)

Passages (n.481)

Passages (n.483)

Bronze 42 × 6 × 4 cm (​105 ⁄ 8 × 23 ⁄ 8 × 15 ⁄ 8 inches) Signed ​and inscribed ​on the base​, Yves Dana ​15/18 Executed in 2010

Bronze 47 × 6 × 4 cm (​181 ⁄ 2 × 23 ⁄ 8 × 15 ⁄ 8 inches) Signed ​and inscribed o ​ n the base​, Yves Dana ​14/18 Executed in 2010

Bronze 35 × 5 × 4 cm​ (​10 5 ⁄ 8 × 4 × 15 ⁄ 8 inches) Signed a ​ nd inscribed o ​ n the base​, Yves Dana ​13/18 Executed in 2010

Provenance

Provenance

Provenance

Studio of the Artist, Switzerland

Studio of the Artist, Switzerland

Studio of the Artist, Switzerland

89


L É L I A P I S S A R R O (b. 1963)

Transparency of Mental Content Acrylic, oil and resin on canvas 160 × 120 cm (63 × 471 ⁄ 4 inches) Signed lower right, Lélia Pissarro Executed in 2009

90

Provenance

Literature

Studio of the Artist, London

Lélia Pissarro, The Colours of Silence, London 2010, p.56


INDEX APPEL, Karel 77

LAURENCIN, Marie 49

ARMAN

86, 87

LEBOURG, Albert

16, 17

ATLAN, Jean-Michel

78, 79

LÉGER, Fernand

36, 37

BLUHM, Norman 61

LIEBERMANN, Max 46

BRAQUE, Georges 39

LOISEAU, Gustave 18

BRASILIER, André 48

LUCE, Maximilien 19

BRAUNER, Victor 35

MANGUIN, Henri 15

BUFFET, Bernard 42 CALDER, Alexander

56, 57, 58, 59

CARIOT, Gustave

20, 21

CHAGALL, Marc

24, 25, 26, 27, 28, 29, 30, 31, 32, 33

DANA, Yves

88, 89

DELAUNAY, Sonia 52,53 DINE, Jim 75 DUBUFFET, Jean 71 DUFY, Raoul

44, 45

ERNST, Max 69 FRANCIS, Sam 63 GLEIZES, Albert 72

MARINI, Marino 43 MARTIN, Henri

12, 13

MOORE, Henry 82 ORLOFF, Chana 83 PASCIN, Jules 40 PICASSO, Pablo 38 PIENE, Otto PISSARRO Camille

84, 85 6, 7, 8, 9, 10, 11

PISSARRO Lélia 90 POLIAKOFF, Serge 54 RENOIR, Pierre-Auguste

4, 5

RICHTER, Gerhard 67

GUILLAUMIN, Armand 14

RIOPELLE, Jean-Paul 65

HERBIN, Auguste

50, 51

SURVAGE, Léopold 34

HIRST, Damien 74

TÀPIES, Antoni 76

IMAI, Toshimitsu

55, 66

URY, Lesser 47

60, 62, 64

UTRILLO, Maurice 23

KOSSOFF, Leon 80

VAN DONGEN, Kees 41

KWANG-YOUNG, Chun 70

VASARELY, Victor 73

LANSKOY, André

VLAMINCK, Maurice de 22

JENKINS, Paul

68, 81


Stern Pissarro Gallery www.pissarro.art

Stern Pissarro Gallery - The Gallery Collection, January 2018  
Stern Pissarro Gallery - The Gallery Collection, January 2018