Type Specimen: Clark Sans - Anghelina Coslet

Clark

Clark

designed by Anghelina Coslet

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abilities neede d t tive o fi gni exa m ple

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the person will persist in

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Font features

angled terminals give hardness

bracketed and delicate terminal slightly right-leaning stress

long descenders the thickness doesn’t change and the font appears clean and soft

bracketed terminals

Upper case

ABCDEFGHI J KLMNOPQR STUVWXYZ Lower case

abcdefghi j klmonpqr stuvwxyz

100 pt

KINDNESS kindness

92 pt

Design process Upper case

STEP 1: skeleton base

STEP 2: brush application

STEP 3: add terminals where needed

STEP 4: expand and get the final result

Lower case

STEP 1: skeleton base

STEP 2: brush application

STEP 3: add terminals where needed

STEP 4: expand and get the final result

Latitude

41° 23’ 2° 19’’ 09’ N 32’’ E

Longitude

BARCELONA

Glyphs Metrics

Simple and clean letters The font is well structured and clean due to some simple and basic letters.

These letters have simple bracketed terminals with no serifs.

when

WHY what

who

How

26

43

27/32

34 22/26

Five W’s chart

WHO

Identify the characters in the reading and make a list of them.Draw connecting lines between the characters and describe to yourself the relationship between the characters.

WHAT

Draw connecting lines between the eventsor actions to show the relationship between them. Draw connecting lines between the characters and the events as you describe to yourself the relationship between them.

23

WHERE

19/22

Identify all the places in the reading and make a list ofthem.

Draw connecting lines between places, events and characters as you describe to yourself the relationship among them.

15

WHEN Draw connecting lines between time factors, places, events and characters as you describe to yourself the relationship among them.

16/19

12 11/13

WHY Draw connecting lines from the causes to effects on the characters, events, places, or times as you describe to yourself the relationship among them.

Old style figures

;

MAKE GOOD CHOICES IN YOUR LIFE FLORENCE, ITALY, MARGARET JOHANSON

STAY AWAY FROM

NEGATIVE PEOPLE

DO IT NOW, DO IT

TODAY

I DON’T THINK IT HAS BEEN A TRANSPARENT PROCESS,

12 8 45

40

45

123

16/18

I PERSONALLY DON’T THINK IT WAS MEDICALLY NECESSARY. 8

Doctor Rimm, First Avenue, 248/B

9/10

Suggested that consumers track how they feel after eating fries. And that, in turn, might lead to changes in eating habits.

8

Ms. Magee, Broadley Street,27/A

10/12

Ms. Magee said to savor the flavor.

Take half a fry, put it on your tongue

We are now totally into the holiday season.

14/14

The whole world is talking about Melania 12/14 Trump’s White House Christmas decorations, which feature a bunch of trees of a sort of terrifying crimson color. Do you think it’s some kind of metaphor for the Wall? Her mood?

28/24

Clark sans Divine Comedy

12/14

Dante is guided by the Roman poet Virgil, who represents the epitome of human knowledge, from the dark wood through the descending circles of the pit of Hell (Inferno). Passing Lucifer at the pit’s bottom, at the dead centre of the world, Dante and Virgil emerge on the beach of the island mountain of Purgatory. At the summit of Purgatory, where repentant sinners are purged of their sins, Virgil departs, having led Dante as far as human knowledge is able, to the threshold of Paradise. There Dante is met by Beatrice, embodying the knowledge of divine mysteries bestowed by Grace, who leads him through the successive ascending levels of heaven to the Empyrean, where he is allowed to glimpse, for a moment, the glory of God.

8/9,5

The central allegory of the poem is essentially medieval, taking the form of a journey through the worlds beyond the grave with, as guides, the Roman poet Virgil and the lady of Dante’s La vita nuova (c. 1293; Eng. trans. Vita nuova or The New Life), Beatrice, who symbolize reason and faith, respectively. The poem is divided into three cantiche, or narrative sections: Inferno, Purgatorio, and Paradiso.

7/8

Each section contains 33 cantos, though the Inferno has one more, since the very first canto serves as a prologue to the entire work. Dante, through his experiences and encounters on the journey, gains understanding of the gradations of damnation, expiation, and beatitude, and the climax of the poem is his momentary vision of God.

The greatness of the poem lies in its complex imaginative power of construction, inexhaustible wealth of poetry, and continuing significance of spiritual meanings.

Thanks largely to the extraordinary influence ofPetrarcha very different sort of poet and a denigrator of everything medieval, including Dante’s works, Dante’s reputation suffered a 400 year eclipse after enjoying immediate popularity in the 14th century. It was revived in the Romantic period, and Dante’s work continues to challenge translators and to influence modern poets both inside and outside Italy.

The end

Faculty of Design and Art Free University of Bolzano - Bozen Typeface designed by Anghelina Coslet WUP 18/19 Prof. Antonino Benincasa Gian Marco Favretto Maximilian Boiger Calligraphy Workshop by Mag. Art. Eva Pรถll Font created with Illustrator & Fontself