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2 - - Antiques & Auction News — May 27, 2022
Klinker Continued from page 1
Crocker Farm sale. Another similar jar with identical handles sold for $13,800 in 1994 at the George Scott sale through Christie’s. And another also with identical handles and dated in slip “1790” sold for $56,400 in 2004 through Freeman’s. According to Edwin Atlee Barber’s (1851-1916) 1903 book, “Tulip Ware of the Pennsylvania-German Potters: An Historical Sketch of the Art of Slip-Decoration in the United States,” “One of the pioneer potters of Bucks County, Pa., was Christian Klinker, who is supposed to have come from Germany. An earthenware jar in the collection of the Pennsylvania
Museum (now the Philadelphia Museum of Art), covered with colored slips in raised floral designs, bears on the bottom his initials, C.K., and the date of fabrication, 1773. According to an old deed formerly in possession of the late William J. Buck, of Jenkintown, Pa., Christian Klinker was an “earthen potter maker” in 1792, near Bucksville, in the same county, where he had resided for at least five years previous to that date.” The museum’s jar also serves as evidence documenting Klinker as a potter in Bucks County, as early as 1773. It is also because of these pieces at the Philadelphia Museum of Art, along with a few others retaining strong histories of ownership, that an interpretation can be
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Even though the construction of this pot is different than the other objects illustrated in this article, this piece was possibly made by Christian Klinker, ca. 17731798. Photo courtesy Philadelphia Museum of Art. made with how some of Klinker’s production appeared in the late 1700s, seeing there is not much archaeological evidence from his production in existence, which is possibly a result of some of his property being sold in 1792. About Christian Klinker The history of Christian Klinker’s migration to America is not well documented, although it is known that he was producing red earthenware in Upper Bucks County as early as 1773, located to the north of Philadelphia, along the Pennsylvania/New Jersey border. The potters who flourished in Bucks County from 1770 to 1830 were known for their elaborate use of slip decoration, often utilizing upwards of four different colors; they were also known for sgraffito decorated wares, a technique that was created by applying a preliminary surface color, covering it with another color, and then scratching the top layer in such a way that the emerging decoration revealed the contrasting lower color. Among the forms manufactured in Bucks County in
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An 18th-century slip decorated red earthenware jar possibly by Christian Klinker, formerly owned by Ralph O. Esmerian and the American Folk Art Museum in New York City. It sold for $11,250 in 2014 through Sotheby’s. Photo courtesy Sotheby’s.
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An 18th-century slip decorated red earthenware jar possibly by Christian Klinker that was previously owned by Lester and Barbara Breininger. It sold for $3,792 in 2011 through Pook & Pook. Photo courtesy Pook & Pook.
Possibly an 18th-century slip decorated red earthenware jar, which resembles the type of known wares that were made by Christian Klinker, as well as other potters working in Southeastern Pennsylvania. The jar was previously owned in the late 19th and/or early 20th century by Robert Weeks and Emily Johnston De Forest.
An 18th-century slip decorated red earthenware jar attributed to Christian Klinker. The shape is similar to the dated “1773” jar at the Philadelphia Museum of Art. This jar was acquired by the Met in 1913, the same year that Robert Weeks De Forest became president of the museum. Photo courtesy Metropolitan Museum of Art. the 18th and 19th century are sgraffito decorated plates, as well as slip decorated plates and platters, various shaped jars (some with reticulated cutouts), flower vases, bottles, bowls, flowerpots, mugs, among other forms, including whimsical objects. It is apparent that Klinker was as prolific with his use of slip decoration as any potter working in Bucks County. This statement can be interpreted based on the surviving objects attributed to Klinker owned by art museums such as the Philadelphia Museum of Art and the Metropolitan Museum of Art in New York City. Furthermore, it was published in the Bucks County Historical Society’s 1897 book, “Tools of the Nation Maker: A Descriptive Catalogue of Objects in the Museum of the Historical Society of Bucks County, Pennsylvania,” “Bucks county potters like Christian Klinker, Philip Kline and the Headmans before 1825, could tone the glaze in warm shades of brown, yellow, green and orange, and painted upon the unbaked wares by means of an earthen cup tapped by a quill. Its contents was the slip or clay paste of consistency like molasses, and productive of the green, yellow, black and white colors used in the varied designs.” Nockamixon Township was founded in 1742, Klinker was a large landholder in the area. It was published by American journalist William Watts Hart Davis’ (1820-1910) 1876 book, “The History of Bucks County, Pennsylvania,” “Nicholas Buck (1767-1829), the founder of Bucksville, was the third son of Nicholas Buck (1730-1786), of Springfield, where he was born the 20th of March, 1767. He married Mary (1769-1857), the daughter of John Eck
My nephew, Jason, holding the jar which sold in 2018 at Nye & Company while standing outside the Metropolitan Museum of Art. (1721-1809), of Upper Salford, Montgomery County, and in the fall of 1792 he purchased of Christian Klinker sixtyfour acres on the Durham Road, in Nockamixon, the site of Bucksville. Here he erected a dwelling, wheelwright and blacksmithshops, and made other improvements. He built a tavern-house, sign of the “White Horse,” in 1808, licensed the following year, and opened a store in 1818.” Some noted characteristics of Klinker’s production, based on extant examples, include thin or refined construction with a raised lid rim flange that is glazed, unlike other styles of this form made in Pennsylvania, where the rim flange is intentionally left unglazed. Many of the pots are also decorated with the same light orange lead glaze, which the decorative slip is applied. Among the wares known today that are like Klinker’s production is a slip decorated pot that sold in a group lot at Nye & Company in Bloomfield, N.J., in 2018. The pot was included in the collection of Robert Weeks (1848-1931) and Emily Johnston De Forest (18511942), which had descended in the De Forest family. Robert Weeks wore many professional hats during his lifetime, but he is most remembered today for being named president of the Metropolitan Museum of Art in 1913. In this role, the Forests amassed a major collection of American decorative arts, which they largely donated to the Met in 1922, in order to establish the American Wing. But not every
object they collected was given to the Met, some of which had descended in their estate until 2018. Nonetheless, Christian Klinker’s efforts as one of the pioneering potters in Bucks County helped spark one of the country’s most prolific areas of red earthenware production. Based on the few known examples of Klinker’s production that survive today, notably jars, it can be gathered that the slip decorated wares he produced were some of the most colorful wares made anywhere in America in the last quarter of the 1700s. The foundation that he helped establish in the 1700s continued with how red earthenware was produced in Bucks County in the 19th century, where this industry flourished, and it is regarded today as one of the most important areas for historic red earthenware production in the country. Sources Barber, Edwin Atlee. “Tulip Ware of the PennsylvaniaGerman Potters.” University of Michigan, 1903. Buck County, Penn. Historical Society. “Tools of the Nation Maker: A Descriptive Catalogue of Objects in the Museum of the Historical Society of Bucks County, Pennsylvania.” Bucks County, PA, 1897. Davis, William Watts Hart. “The History of Bucks County, Pennsylvania.” Doylestown, PA: Democrat Book and Job Office Print, 1876. Hollander, Stacy C. “American Radiance: The Ralph Esmerian Gift to the American Folk-Art Museum.” New York: Harry N. Abrams, 2001
