festival catalogue by Anna Fo.

21-25¦ÖÅÂÑÏÕÁÑÉÏÕ¦2007 ÈÅÁÔÑÏÑÉÁËÔÏ

¦4thSHORTFILM&DOCUMENTARYFESTIVAL¦21-25FEBRUARY2007¦RIALTOTHEATRE¦

ÄÉÏÑÃÁÍÙÓÇ¦ORGANISATION Õðïõñãåßï Ðáéäåßáò êáé Ðïëéôéóìïý, ÐïëéôéóôéêÝò Õðçñåóßåò Ministry of Education & Culture, Cultural Services ÈÝáôñï ÑéÜëôï, Rialto Theatre

¦4thSHORTFILM&DOCUMENTARYFESTIVAL¦21-25FEBRUARY2007¦RIALTOTHEATRE¦ ¦ÙÑÁÅÍÁÑÎÇÓÐÑÏÂÏËÙÍ20.30¦SCREENINGTIME20.30¦

¦4oÖÅÓÔÉÂÁËÊÕÐÑÉÁÊÙÍÔÁÉÍÉÙÍÌÉÊÑÏÕÌÇÊÏÕÓ¦21-25ÖÅÂÑÏÕÁÑÉÏÕ2007¦ÈÅÁÔÑÏÑÉÁËÔÏ¦

ÐÅÑÉÅ×ÏÌÅÍÁ|CONTENTS ÓÅËÉÄÁ¦PAGE NO

×ÁÉÑÅÔÉÓÌÏÓ ÄÉÅÕÈÕÍÔÑÉÁÓ ÐÏËÉÔÉÓÔÉÊÙÍ ÕÐÇÑÅÓÉÙÍ, ÕÐ.Ð.Ð.| ADDRESS BY THE DIRECTOR OF THE CULTURAL SERVICES, MIN. ED. & CUL.

ÌÅËÇ ÅÐÉÔÑÏÐÇÓ|MEMBERS OF THE JURY

ÐÅÑÉËÇØÅÉÓ ÔÁÉÍÉÙÍ|SUMMARIES ÔÏ ØÙÌÉ ÔÙÍ ÊÕÐÑÉÙÍ¦Ðáó÷Üëçò ÐáðáðÝôñïõ CYPRIOT BREAD|Paschalis Papapetrou

MERSINIS CYPRIUS¦Ãéþñãïò Êïýìïõñïò, Ãåùñãßá Óðáíïý MERSINIS CYPRIUS|George Koumouros, Georgia Spanou

ÐÁÃÉÄÅÕÌEÍÇ ÅÍÔOÓ¦Êùíóôáíôßíá-ÍôÜéíá ÐáðáäÜêç TRAPPED INSIDE¦Constantina-Daina Papadaki

ÔÑÉÊÕÌÉÁ¦×áñÜëáìðïò ×áñáëÜìðïõò ROUGH SEA¦Charalambos Charalambous

SHINEX¦Ãéþñãïò Åãêùìßôçò SHINEX¦George Engomites

ÍÅÊÑÁÍÁÓÔÁÓÇ¦Ìé÷Üëçò ×áðÝóéçò RESURRECTION¦Maikl Hap

ÍÏÌÁÓ ÔÙÍ ÁÓÔÅÙÍ|ÏñÝóôçò ËÜìðñïõ URBAN NOMAD|Orestis Lambrou

ÓÔÇ ÖÙËÉÁ ÔÏÕ AÅÔÏÕ|ËïõêÜò ×ñéóôïöüñïõ IN THE NEST OF THE EAGLE|Loucas Christoforou

ÏÕÑÁÍÏÕ ÆÙÃÑÁÖÉÅÓ|×Üñçò ÈåñáðÞò SKY PAINTINGS|Haris Therapis

ÓÔÅËÉÏÓ|Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëçò STELIOS|Costas Cacogiannis, Pambos Kouzalis

ÊÏÕÊËÏÓÐÉÔÏ|ÄáíÜç Óôõëéáíïý DOLLHOUSE|Danae Stylianou

ÙÄÇ ÓÔÇ ×ÁÑÁ|Êþóôáò ×ñõóÜíèïõ ODE TO JOY|Costas Chrysanthou

ÆÙÉÊÇ ÓÕÌÐÅÑÉÖÏÑÁ|Íßêïò Óýííïò ANIMAL BEHAVIOUR|Nicos Synnos

ÁÐÑÏÓÙÐÅÓ ÓÊÉÅÓ|Êùíóôáíôßíá-ÍôÜéíá ÐáðáäÜêç FACELESS SHADOWS|Constantina-Daina Papadaki

KÅÑÌÁÔÉÓÌÅÍÏÓ|Ôæüííé ÊåâïñêéÜí FRACTURED|Johnny Kevorkian

Ôåôñáëïãßá: ÍÁ ÌÅÉÍÙ ¹ ÍÁ ÖÕÃÙ; ÔÓÁÊÉÓÔÅÓ ÅËÉÅÓ, ÇËÅÊÔÑÉÓÌÏÓ, ÔÁ ÊÏÕÍÅËÉÁ ÎÅ×ÍÏÕÍ|Ëßá Ëáðßèç Four Interconnected Short Documentary films: SHOULD I STAY OR SHOULD I GO?, MARINATED CRUSHED ÏLIVES, ELECTRICITY, RABBITS HAVE NO MEMORY|Lia Lapithi

ÐÅÑÉÅ×ÏÌÅÍÁ|CONTENTS ÅËÅÃ×ÏÍÔÁÓ ÔÏ ÌÅËÁÍÉ|Êùíóôáíôßíïò Ãéáëëïõñßäçò INK CONTROL|Constantinos Giallourides

Ç EÐÉÓÊÅØÇ|×áñÜëáìðïò Ìáõñïìé÷Üëçò THE VISIT|Charalambos Mavromichalis

ÌÉÁ ÂÏËÔÁ|Á÷éëëÝáò Êåíôþíçò, Ìáñßá Ðáðá÷áñáëÜìðïõò Á STROLL|Achilleas Kentonis, Maria Papacharalambous

ÐÁÑÁÄÏÓÉÁÊÏ ÐÁÉÄÉÊÏ ÐÏÉÇÌÁ|Êùíóôáíôßá ÓïöïêëÝïõò POPULAR CHILDREN’S POEM|Constantia Sofocleous

ÐÑÏÂÁ ÐÁËÔÏÕ|Çëßáò Äçìçôñßïõ COAT FITTING |Elias Dimitriou

ÇÌÉÖÙÓ|ÁíôñÝáò Óáââßäçò DUSKY LIGHT|Andreas Savvides

ËÅÌÅÓÉÁÍÏ ÊÁÑÍÁÂÁËÉ|ÈùìÜò ÊáëëÞò LIMASSOL CARNIVAL|Thomas Kallis

ÌÐËÏÕÆ ÃÉÁ ÔÇ ÍÅÄÇ ÑÁÚÁÍ|×ñéóôüöïñïò Ñïäßôçò BLUES FOR NEDI RYAN|Christophoros Roditis

ÐÏÕ ÍÁ ÐÁÙ;|Êñßóôïöåñ Ìáëáðßôáí WHERE SHALL I GO?|Christofer Malapitan

ÐÙËÅÉÔÁÉ AÅÑÏÄÑÏÌÉÏ|ÓÜéìïí ÖáñìáêÜò AIRPORT FOR SALE|Simon Farmakas

ÖÁÑÌÁÊÏ|Éùáêåßì ÌõëùíÜò PHARMACON|Ioakim Milonas

ÍÅÊÑÇ ÆÙÍÇ... ÁÐÁÃÏÑÅÕÅÔÁÉ Ç ÅÉÓÏÄÏÓ|Óðýñïò ÐëáôÞ BUFFER ZONE... NO ÅNTRY|Spyros Plati

ÔÏ ÐÅÔÁÃÌÁ ÌÅÓÁ ÓÔÏ ÍÅÑÏ|Êùíóôáíôßíïò ×áôæçäçìÞôñç FLYING ÉN THE WATER|Constantinos Hadjidimitri

ÊÏÕÐÅÐÅ|ÄÝóðïéíá Óáââßäïõ KOUPEPE|Despina Savvidou

GOODZILLA|Ãéþñãïò Óßóáìïò|Êùíóôáíôßíïò ×áôæçäçìÞôñç GOODZILLA|George Sisamos|Constantinos Hadjidimitri

ÔÑÉÔÏ ÓÕÌÐÏÓÉÏ ÃËÕÐÔÉÊÇÓ|Íßêïò Óýííïò THIRD SCULPTURE SYMPOSIUM|Nicos Synnos

ÔÏ ÏÍÏÌÁ ÔÏÕ ÓÐÏÕÑÃÉÔÉÏÕ|Êýñïò Ðáðáâáóéëåßïõ THE ÍAME OF THE SPARROW|Kyros Papavassiliou

ÐÑÏÃÑÁÌÌÁ ÐÑÏÂÏËÙÍ|SCREENING SCHEDULE

ÅÐÉÌÅËÅÉÁ|CREDITS

×ÁÉÑÅÔÉÓÌÏÓ ÄÉÅÕÈÕÍÔÑÉÁÓ ÐÏËÉÔÉÓÔÉÊÙÍ ÕÐÇÑÅÓÉÙÍ ÕÐÏÕÑÃÅÉÏÕ ÐÁÉÄÅÉÁÓ ÊÁÉ ÐÏËIÔÉÓÌÏÕ Ï èåóìüò ôïõ ÖåóôéâÜë Ôáéíéþí Ìéêñïý ÌÞêïõò êáé ÍôïêéìáíôÝñ, ï ïðïßïò âñßóêåôáé åöÝôïò óôçí ôÝôáñôÞ ôïõ Ýêäïóç, áðïôåëåß ãéá ôï Õðïõñãåßï Ðáéäåßáò êáé Ðïëéôéóìïý ìéá åîáéñåôéêÞ åõêáéñßá íá ðáñïõóéÜóåé ðñïò ôï êïéíü, ôéò ôáéíßåò ðïõ Ý÷ïõí ÷ñçìáôïäïôçèåß áðü ôï ÊñÜôïò, áëëÜ êáé ôéò áíåîÜñôçôåò ðáñáãùãÝò ôáéíéþí ìéêñïý ìÞêïõò êáé íôïêéìáíôÝñ. Ç èÝáóç áõôþí ôùí ôáéíéþí áíáäåéêíýåé ôç äõíáìéêÞ ôïõ ÷þñïõ óôï óýíïëü ôçò, ðñïâÜëëåé ôá íÝá ôáëÝíôá, êáé áíáðôýóóåé, óå ìåãÜëï âáèìü, ôï äéÜëïãï êáé ôçí åðéêïéíùíßá áíÜìåóá óôï êïéíü êáé ôïõò äçìéïõñãïýò. Ôï Õðïõñãåßï, Ý÷ïíôáò áíáãíùñßóåé åäþ êáé áñêåôÜ ÷ñüíéá ôç ìåãÜëç óçìáóßá ôçò ôáéíßáò ìéêñïý ìÞêïõò êáé íôïêéìáíôÝñ, ðáñïõóéÜæåé óôçí Êýðñï, ðÝñáí áðü ôï ÖåóôéâÜë Ôáéíéþí Êõðñßùí Óêçíïèåôþí, ôéò âñáâåõìÝíåò óôï ÖåóôéâÜë ÊéíçìáôïãñÜöïõ ÄñÜìáò åëëçíéêÝò ôáéíßåò ìéêñïý ìÞêïõò êáé íôïêéìáíôÝñ, áëëÜ êáé ôéò åõñùðáúêÝò ôáéíßåò ìéêñïý ìÞêïõò, ïé ïðïßåò Ý÷ïõí âñáâåõèåß áðü ôçí ÅõñùðáúêÞ Áêáäçìßá ÊéíçìáôïãñÜöïõ. Ôáõôü÷ñïíá, ìÝóá áðü åéäéêÜ ðñïãñÜììáôá, åíéó÷ýåé ôçí ðáñáãùãÞ êáé ôçí ðñïâïëÞ ôïõò óå äéÜöïñá öåóôéâÜë áíÜ ôïí êüóìï. Óôï ðáãêüóìéï ðëáßóéï áíÜðôõîçò ôçò ôáéíßáò ìéêñïý ìÞêïõò åßíáé ðéá ðñïöáíÞò ç Üíèçóç êáé ôçò êõðñéáêÞò êéíçìáôïãñáößáò, ìå ôïõò íÝïõò ìáò óêçíïèÝôåò íá óõììåôÝ÷ïõí êáé íá âñáâåýïíôáé óå óçìáíôéêÜ äéåèíÞ öåóôéâÜë. Óôï ÖåóôéâÜë Ôáéíéþí Ìéêñïý ÌÞêïõò êáé ÍôïêéìáíôÝñ ïé Êýðñéïé äçìéïõñãïß öÝñíïõí ôéò öéëìéêÝò áöçãÞóåéò ôïõò åíþðéïí ôïõ êõðñéáêïý êïéíïý, ôïõ äéêïý ôïõò êïéíïý, ôï ïðïßï èá Ý÷ïõí ôçí åõêáéñßá íá óõíáíôÞóïõí êáé íá óõæçôÞóïõí ìáæß ôïõ. Åõ÷áñéóôþ ôïõò åêëåêôïýò ìáò öéëïîåíïõìÝíïõò, ìÝëç ôçò ÊñéôéêÞò ÅðéôñïðÞò, ôïõò ÷ïñçãïýò ôçò åêäÞëùóçò, êáé üëïõò üóïé åñãÜóôçêáí ãéá ôçí õëïðïßçóÞ ôçò. Êõñßùò, üìùò, ôïõò äçìéïõñãïýò, ðïõ ðáñá÷þñçóáí ôéò ôáéíßåò ôïõò ãéá ôïõò óêïðïýò ôçò äéïñãÜíùóçò.

Äñ ÅëÝíç Ó. ÍéêÞôá Äéåõèýíôñéá Ðïëéôéóôéêþí Õðçñåóéþí

ADDRESS BY THE DIRECTOR OF THE CULTURAL SERVICES OF THE MINISTRY OF EDUCATION AND CULTURE The institution of the Short Film and Documentary Festival, currently in its fourth year, is an excellent opportunity for the Ministry of Education and Culture to present to the public the films, which have been financed by the State as well as independent short film and documentary productions. These screenings demonstrate the dynamism of the industry as a whole, promote young talents and develop, to a large extent, dialogue and communication between the audience and the filmmakers. Having recognized several years ago the great significance of short films and documentaries, the Ministry presents in Cyprus, along with the Film Festival of Cypriot Directors, the Greek short films and documentaries which were awarded at the Film Festival of Drama as well as European shorts films awarded by the European Film Academy. At the same time, through a number of specialised programmes, the Ministry strengthens their production and screening in many festivals all over the world. In this global context of growth in the short film industry, Cypriot cinematography is also flourishing with our young directors taking part and receiving awards in important international festivals. At the Short Film and Documentary Festival, Cypriot creators present their film narratives to their own public in Cyprus and are given the opportunity to meet and discuss with the viewers. I would like to thank our distinguished guests, the members of the Jury, the sponsors of this event and all those who have helped organise it. Above all, I would like to thank the filmmakers for kindly providing us with their films for the purposes of this event.

Dr. Eleni S. Nikita Director of the Cultural Services

ÌÅËÇ ÅÐÉÔÑÏÐÇÓ|MEMBERS OF THE JURY ÍÔÉÍÏÓ ÊÁÔÓÏÕÑÉÄÇÓ (Ðñüåäñïò) ÃåííÞèçêå ôï 1927 óôç Ëåõêùóßá ôçò Êýðñïõ. Ïé ðñþôåò ôïõ (èïëÝò) ìíÞìåò åßíáé ôï êÜøéìï ôïõ êõâåñíåßïõ, ç áðáãüñåõóç êõêëïöïñßáò ìåôÜ ôç äýóç ôïõ Þëéïõ, ïé ÅããëÝæïé óôñáôéþôåò ìå ôá êïíôÜ ÷áêß ðáíôåëïíÜêéá êáé ç Üãñéá ôñïìïêñáôßá ôïõò. 1945. Tåëåéþíåé ôï Ðáãêýðñéï ÃõìíÜóéï. Ïé ãïíåßò ôïõ ôïí óôÝëëïõí óôçí ÁèÞíá íá óðïõäÜóåé ãéáôñüò. Áí´ áõôïý áðïöáóßæåé íá ðñï÷ùñÞóåé ìå ôï ðÜèïò ôçò æùÞò ôïõ, ôïí êéíçìáôïãñÜöï. Ïé ãïíåßò ôïõ ôïõ ´êïøáí ôï åðßäïìá. Ìðáßíåé ìå õðïôñïößá óôï ôìÞìá óêçíïèåôþí ôçò ó÷ïëÞò ÓôáõñÜêïõ. ÄÜóêáëüò ôïõ ï Ãñçãüñçò Ãñçãïñßïõ, ìå ôïí ïðïßï äïýëåøå (ùò âïçèüò óêçíïèÝôç) óôï «Ðéêñü Øùìß». Ãéá íá ãëéôþóåé ôç ëéìïêôïíßá, áëëÜ êáé íá ìåßíåé óôï ÷þñï, äÞëùóå ôå÷íéêüò. Äïýëåøå (ìåñïêÜìáôï ðåßíáò) óå ìéá ôáéíßá ôïõ ÓðÝíôæïõ «ÁìÜñôçóá ãéá ôï Ðáéäß ìïõ», ùò âïçèüò ïðåñáôÝñ êáé öùôïãñÜöïò ðëáôü. 1951. ÅñãÜæåôáé óôç ÖÉÍÏÓ ùò âïçèüò ïðåñáôÝñ êáé âïçèüò ìïíôÝñ. Óôç óõíÝ÷åéá ùò ìïíôÝñ, äéåõèõíôÞò öùôïãñáößáò êáé ïðåñáôÝñ. Îåêßíçóå ìå ôçí «ÁííÞ ôïõ Ëéìáíéïý» êáé ðÝñáóå áðü ôáéíßåò üðùò: «Ôï ÓïöåñÜêé», «Ï Ãñïõóïýæçò», «Ç Ùñáßá ôùí Áèçíþí», «Ïýôå ÃÜôá Ïýôå ÆçìéÜ», «Ç Ãêüëöù», «Ï Áãáðçôéêüò ôçò Âïóêïðïýëáò», «ËáôÝñíåò», «Ç ÊõñÜ ìáò ç ÌáìÞ», «Ìéá ÆùÞ ôçí ¸÷ïõìå», «Ç ÁóôÝñù», «Ôï Îýëï ÂãÞêå áð´ ôïí ÐáñÜäåéóï» ê.Ü. 1959. Ðáñáéôåßôáé êáé îåêéíÜ íá åñãÜæåôáé ùò åëåýèåñïò åðáããåëìáôßáò. 1960. Ç ðñþôç ôïõ óêçíïèåôéêÞ äïõëåéÜ «´Åãêëçìá óôá ÐáñáóêÞíéá» ðñïâëÞèçêå óôï ðñþôï ÖåóôéâÜë Åëëçíéêïý ÊéíçìáôïãñÜöïõ óôç Èåóóáëïíßêç êáé åéóÝðñáîå 2 âñáâåßá. Èá áêïëïõèïýóáí ðïëëÜ Üëëá. Óôç öùôïãñáößá, óêçíïèåóßá êáé ìïíôÜæ åíáëëÜóóïíôáé: «Áíôéãüíç», «Áëßìïíï óôïõò ÍÝïõò», «Ï Êýñéïò ÐôÝñáñ÷ïò», «Ôçò Êáêïìïßñáò», «Ïé Áäßóôáêôïé», «Óýíôïìï ÄéÜëåéììá» (äéêÝò ôïõ), «Ï ÌåãÜëïò Äé÷áóìüò», «Ôæßìçò ï Ôßãñçò» êáé Üëëåò. Áðñßëçò 1967, Äéêôáôïñßá. 1968-69. Ãõñßæåé (öùôïãñáößá-ìïíôÜæ) êÜðïéåò ôáéíßåò ðáñáãùãÞò-óêçíïèåóßáò ÈáíÜóç ÂÝããïõ. 1970. ÊÜíåé ôï íôåìðïýôï ôïõ óôçí ðáñáãùãÞ ìå 2 ôáéíßåò äéêéÜò ôïõ óêçíïèåóßáò ìå ôï ÂÝããï ðñùôáãùíéóôÞ. 1971. Ãõñßæåé ìéá áíôéðïëåìéêÞ óÜôéñá ôï «Ôé ¸êáíåò óôïí Ðüëåìï ÈáíÜóç». Ç êñéôéêÞ åðéôñïðÞ ôïõ ÖåóôéâÜë ôßìçóå ôçí ôáéíßá ìå ðïëëÜ âñáâåßá. Ôçí åðüìåíç ÷ñïíéÜ åðáíÝñ÷åôáé ìå 2 ôáéíßåò, ôï «ÈáíÜóç ÐÜñå ô´ üðëï óïõ» (äéêÞò ôïõ óêçíïèåóßáò) êáé «Ôï Ðñïîåíéü ôçò ´Áííáò» ôïõ Âïýëãáñç (ðáñáãùãÞ êáé ôï ìïíôÜæ). Êáé ïé äýï ôáéíßåò óÜñùóáí ôá âñáâåßá ôïõ ÖåóôéâÜë. 1973. Ãõñßæåé Üëëåò 2 ôáéíßåò. Áðü ôï ´76 ùò ôï ´82 ãýñéóå áñêåôÝò áêüìá ôáéíßåò ìå ôï ÂÝããï. Ç ôáéíßá «Ï Ðáëáâüò Êüóìïò ôïõ ÈáíÜóç», Þôáí óðïíäõëùôÞ, ìå åöôÜ 12ëåðôá êéíçìáôïãñáöéêÜ äéçãÞìáôá. Äýï áð´áõôÜ èåùñÞèçêáí áðü ôïõò êñéôéêïýò ôçò åðï÷Þò äåßãìáôá êéíçìáôïãñáöéêÞò áíèïëïãßáò. ÔÝëç ôçò äåêáåôßáò ôïõ ´80 Ýêáíå ìßá èçôåßá ôïõ Ä.Ó. ôïõ Åëëçíéêïý ÊÝíôñïõ ÊéíçìáôïãñÜöïõ êáé ôñåéò èçôåßåò ùò ðñüåäñïò ôçò Åôáéñåßáò ÅëëÞíùí Óêçíïèåôþí. Ôá ôåëåõôáßá 20 ÷ñüíéá åñãÜæåôáé åßôå ùò äéåõèõíôÞò öùôïãñáößáò, åßôå ùò ìïíôÝñ åßôå ùò óõìðáñáãùãüò êáé ðïëý óõ÷íÜ ìå üëåò áõôÝò ôéò éäéüôçôåò ìáæß.

DINOS KATSOURIDES (President) Born in Nicosia in 1927. His first (vague) memories include the burning of the British Government House, the curfew after sunset, the British soldiers in their khaki shorts and their wild terrorism. In 1945, he finished the Pancyprian Gymnasium. His parents sent him to Athens to study medicine. He studied his life’s passion: Film. His parents stopped sending him money. In 1950 he won a scholarship for the directing department of the Stavrakos School. His teacher was Gregoris Gregoriou who, at the time, was just starting work on his film “Bitter Bread”. He worked with him as assistant director without being paid. He declared himself a technician, to avoid starvation but also to stay in the industry. He worked (for a starvation wage) on a Spentzos film “I Have Sinned for My Child”, as assistant cameraman and stage photographer. In 1951 he works at FINOS as assistant cameraman. At the beginning he worked as assistant cameraman and assistant editor and immediately after that as editor and later on as director of photography, cameraman and editor at FINOS. He started with “Anni of the Port” and worked on films such as “The Taxi Driver”, “The Jinx”, “Pretty Woman of Athens”, “No Harm Done”, “Golfo”, “The Lover of the Shepherd Girl”, “Barrel-Organs”, “The Midwife”, “We Only Live Once”, “Astero”, “Elias from the 16th”, “Spare the Rod and Spoil the Child” and other. 1959. He resigned from FINOS and started work as a freelancer. In 1960, his first film as director, “Crime Behind the Scenes”, was screened at the First Greek Film Festival of Thessalonica and received two awards. Many others followed. From then on, he worked alternatively as photographer, director and editor: “Antigone” by Tzavellas, “God Save the Young” by Sakellarios, “Mister Wing Commander”, “Mayhem”, “The Ruthless”, “Short Break” (his own), “the Great Discord” by Gregoriou, “Jimmy the Tiger” by Voulgaris and many others. April 1967, Dictatorship. In 1968-69, he made (photography-editing) a number of films produced and directed by Thanassis Vengos. In 1970 he made his debut in production with two films directed by himself starring Vengos. In 1971 he shot the anti-war comedy “What Did You Do in the War Thanassis?”. The jury of the Festival granted the film numerous awards. During the next year he shot two more films, “Thanassi Take your Gun” (directed by himself) and “MatchMaking for Anna” by Voulgaris (production and editing). Both films swept the board at the Festival. In 1973 he made another two films. From 1976 until 1982 he made many more films with Vengos. “The Crazy World of Thanassis” was a structured film consisting of seven 12-minute long stories. Two of these were considered by the critics of the time as masterpieces in film anthology. Towards the end of the ‘80s he served on the Board of Directors of the Greek Film Centre and also served three terms as President of the Greek Directors’ Society. In the past 20 years he has been working either as director of photography, editor or co-producer and very often as all of the above at the same time.

ÌÅËÇ ÅÐÉÔÑÏÐÇÓ|MEMBERS OF THE JURY ÔÁÓÏÓ ÌÐÏÕËÌÅÔÇÓ ÃåííÞèçêå óôçí Êùíóôáíôéíïýðïëç ôï 1957 êáé Þñèå óôçí ÅëëÜäá ôï 1964. Óðïýäáóå ÖõóéêÞ óôï ÐáíåðéóôÞìéï Áèçíþí êáé óêçíïèåóßá êáé ðáñáãùãÞ ÊéíçìáôïãñÜöïõ êáé Ôçëåüñáóçò óôï ÐáíåðéóôÞìéï ôçò Êáëéöüñíéá óôï Ëïò ¢íôæåëåò (UCLA), ìå õðïôñïößá ôïõ Éäñýìáôïò ÙíÜóç. ÅñãÜóôçêå áêáäçìáúêÜ óáí âïçèüò êáèçãçôïý óôï ßäéï ÐáíåðéóôÞìéï. EðéóôñÝöïíôáò óôçí ÅëëÜäá åñãÜóôçêå óáí åëåýèåñïò óêçíïèÝôçò/ðáñáãùãüò óå ôçëåïðôéêÝò åêðïìðÝò óôá êñáôéêÜ êáíÜëéá. Åßíáé óõìðáñáãùãüò, óåíáñéïãñÜöïò êáé óêçíïèÝôçò ôçò ìåãÜëïõ ìÞêïõò ôáéíßáò «Âéïôå÷íßá Ïíåßñùí» ç ïðïßá áðÝóðáóå óõíïëéêÜ 8 âñáâåßá óôçí ÅëëÜäá êáé ôï ×ñõóü âñáâåßï ôáéíéþí ôïõ Öáíôáóôéêïý ÊéíçìáôïãñÜöïõ óôï ÖåóôéâÜë ôïõ ×éïýóôïí. Áðü ôï 1988 óêçíïèåôåß äéáöçìéóôéêÝò ôáéíßåò ãéá ôçí ÅëëÜäá êáé ôï åîùôåñéêü êáé Ý÷åé åéäßêåõóç óôá åéäéêÜ åööÝ êáé óôçí óýíèåóç êáé åðåîåñãáóßá çëåêôñïíéêÞò êáé ôñéóäéÜóôáôçò åéêüíáò. H «Ðïëßôéêç Êïõæßíá» åßíáé ç äåýôåñç ìåãÜëïõ ìÞêïõò ôáéíßá ôïõ, ìéá ðáñáãùãÞ ôçò Village Roadshow Productions óå óõìðáñáãùãÞ ìå ôï Åëëçíéêü ÊÝíôñï ÊéíçìáôïãñÜöïõ. H ôáéíßá áðÝóðáóå 8 êñáôéêÜ âñáâåßá êáé ôï âñáâåßï êïéíïý óôï ÖåóôéâÜë Èåóóáëïíßêçò ôï 2003. ÐÝôõ÷å ñåêüñ åéóéôçñßùí áããßæïíôáò ôá 1.500.000 åéóéôÞñéá óôçí ÅëëÜäá êáé Ý÷åé Þäç ðïõëçèåß óå 36 ÷þñåò óôï åîùôåñéêü.

ÔASOS BOULMETIS He was born in Istanbul in 1957 and came to Greece in 1964. He studied Physics at the University of Athens and Film & TV Direction and Production at the University of California LA (UCLA), with an Onassis Foundation scholarship. He worked as a professor’s assistant at the same University and after his return to Greece worked as a freelance director and producer for the State TV. He is the co-producer, scriptwriter and director of the feature film "Manufacturing Dreams" which was awarded 8 prizes in Greece and received the Golden Award in the Imaginary Film division at the Houston Festival. Since 1988 he has been directing commercials in Greece and abroad and has specialised in special effects and 3D & electronic image composition & processing. “A Touch of Spice” is his second feature film, a Village Roadshow production in collaboration with the Greek Film Centre. The film was awarded 8 State awards as well as the public’s award at the Thessalonica Film Festival in 2003 and sold a record of 1.500.000 tickets in Greece, while it has already been sold to 36 countries abroad.

ÌÅËÇ ÅÐÉÔÑÏÐÇÓ|MEMBERS OF THE JURY ÄÅÓÐÏÉÍÁ ÌÏÕÆÁÊÇ Ðáñáãùãüò êáé ÓêçíïèÝôçò. Óðïýäáóå ×çìåßá óôï ÐáíåðéóôÞìéï Ðáôñþí êáé Óêçíïèåóßá óôç Ó÷ïëÞ ÓôáõñÜêïõ. Óôç óõíÝ÷åéá, óðïýäáóå Åðéêïéíùíßá êáé ÊéíçìáôïãñÜöï óôï ÐáíåðéóôÞìéï ôçò Âïóôüíçò (ÌÁ), ÍôïêéìáíôÝñ ìå ôïí Richard Leacock êáé ÍÝåò Ôå÷íïëïãßåò óôï Media Lab ôïõ MIT. Åðßóçò, Film Finance êáé Marketing óôï Media Business School ôçò Éóðáíßáò. ¸÷åé óêçíïèåôÞóåé ôéò ôáéíßåò ìåãÜëïõ ìÞêïõò “The King and the Corpse” êáé “Man Frames”, ôéò ôáéíßåò ìéêñïý ìÞêïõò “Waterside” êáé “Off Scene” (1985) êáé ôá íôïêéìáíôÝñ “Mill Girl Follies” (1986) êáé “Dario Fo in America” (ðñáãìáôïðïéÞèçêå ìå ÷ïñçãßá ôïõ Academy of Motion Picture Arts and Sciences), ç ïðïßá âñáâåýèçêå ìå ôï New England Film/Video Fellowship áðü ôï MIT Council for the Arts. Åßíáé éäñõôÞò ôçò CINEGRAM S.A. Film & TV Productions, åôáéñåßá ðáñáãùãÞò äéáöçìéóôéêþí, ôçëåïðôéêþí êáé êéíçìáôïãñáöéêþí ôáéíéþí. Áðü ôï 1994 åßíáé ðáñáãùãüò ðïëëþí åðéôõ÷çìÝíùí ôáéíéþí ìå äéåèíåßò äéáêñßóåéò, óõìðåñéëáìâáíïìÝíùí ôùí âñáâåõìÝíùí ôáéíéþí “Ìç ìïõ ¢ðôïõ” (1995) ôïõ ÄçìÞôñç ÃéáôæïõæÜêç êáé “Peppermint” ôïõ Êþóôá ÊáðÜêá (9 êñáôéêÜ âñáâåßá ðïéüôçôáò êáé ðïëëÜ âñáâåßá óå äéåèíÞ öåóôéâÜë). Åßíáé åðßóçò ðáñáãùãüò ôùí ðñüóöáôùí äéåèíþí óõìðáñáãùãþí «Ðïëßôéêç Kïõæßíá» (2003) (8 êñáôéêÜ âñáâåßá ðïéüôçôáò) ôïõ ÔÜóïõ ÌðïõëìÝôç, «Íýöåò» (2004) ôïõ ÐáíôåëÞ Âïýëãáñç, «A Tout De Suite» ôïõ Benoit Jacquot (2004), «Ôï ¼íåéñï ôïõ ºêáñïõ» ôïõ Êþóôá ÍÜôóç (2004), «Borrowed Âride» (2004) ôïõ Atif Yilmaz, êáèþò êáé ôçò ôáéíßáò «Åßíáé o Èåüò ÌÜãåéñáò;» (2004) ôïõ ÓôÝñãéïõ ÍéæÞñç. Ôï 1998 äéïñßóôçêå óôç èÝóç ôçò ÁíôéðñïÝäñïõ ôïõ Åëëçíéêïý ÊÝíôñïõ ÊéíçìáôïãñÜöïõ. ÌÝëïò ôçò European Film Academy, ôçò ÐÁÊÔ, ìÝëïò Ä.Ó. ôïõ PROMEDIA, êáèþò êáé åèíéêüò óõíôïíéóôÞò ôïõ åêðáéäåõôéêïý ðñïãñÜììáôïò EAVE EUROPE AUDIOVISUAL. Ôïí Ïêôþâñéï ôïõ 2002 åêëÝ÷èçêå Ðñüåäñïò ôïõ ÓõíäÝóìïõ ÁíåîÜñôçôùí Ðáñáãùãþí Ïðôéêïáêïõóôéêþí ¸ñãùí (ÓÁÐÏÅ). Áðü ôï 2005 åßíáé Êáëëéôå÷íéêÞ Äéåõèýíôñéá ôïõ Äéåèíïýò ÖåóôéâÜë ÊéíçìáôïãñÜöïõ Èåóóáëïíßêçò.

DESPINA MOUZAKI Producer–Director. Degree in Chemistry (University of Patras), Film Directing (Stavrakos Film and Television School), MA in Communications and Film (School of Communications, Boston University), Documentary filmmaking with Richard Leacock and New Media (MIT) and later on Film Finance & Marketing (Media Business School, Spain). She is the director of the films “The King and the Corpse” and “Man Frames”, the short films “Waterside” and “Off Scene” (1985) and the documentary “Mill Girl Follies” (1986). In 1987, she directed (and also co-produced) the documentary “Dario FO in America”, which won the New England Film/Video Fellowship award from the MIT Council for the Arts, sponsored by the Academy of Motion Picture Arts and Sciences. In 1989 she founded CINEGRAM Film & TV Productions S.A. Since 1994, she has been producing numerous successful feature films, including “Touch Me Not” (1995) by Dimitris Yatzouzakis, which has won both national and international awards and “Peppermint” (1999) by Costas Kapakas, which has received 9 State quality awards by the Ministry of Culture as well as many other awards in international festivals. She has recently co-produced the following international co-productions: the highly awarded film “A Touch of Spice” (2003) by Tasos Boulmetis (8 State quality awards), the long anticipated “Brides” (2004) by Pantelis Voulgaris, “A Tout de Suite” (2004) by Benoit Jacquot, “D’un Village ? l’Autre” by Costas Natsis (2004), “Borrowed Bride” (2004) by Atif Yilmaz and “Is God a Chef?” (2004) by Stergios Niziris. In 1998, she was appointed Vice President of the Greek Film Centre by the Minister of Culture. She is also member of the European Film Academy and of the BoD of PROMEDIA and national co-ordinator of the European educational programme for producers EAVE EUROPE AUDIOVISUAL. In October 2002, she was elected President of the Association of Greek Independent Audiovisual Producers (SAPOE). Since 2005, she is the Artistic Director of the Thessalonica International Film Festival.

010

ÌÅËÇ ÅÐÉÔÑÏÐÇÓ|MEMBERS OF THE JURY ×ÑÉÓÔÏÓ ÃÅÙÑÃÉÏÕ O Xñßóôïò Ãåùñãßïõ ãåííÞèçêå óôï Ëïíäßíï ôï 1966. OëïêëÞñùóå ôçí âáóéêÞ åêðáßäåõóç óôçí Kýðñï êáé ôéò áíþôåñåò óðïõäÝò ôïõ óôçí Aããëßá êáé óôçí Ðïëùíßá. ÓêçíïèÝôçóå 4 âñáâåõìÝíåò ìéêñïý ìÞêïõò ôáéíßåò, êáé ìßá ìåãÜëïõ ìÞêïõò ôáéíßá, ìå ôßôëï «KÜôù áð´ ôá ¢óôñá». Ç ìåãÜëïõ ìÞêïõò ôáéíßá ôïõ êÝñäéóå 6 ÄéåèíÞ âñáâåßá KéíçìáôïãñÜöïõ óõìðåñéëáìâáíïìÝíïõ êáé ôïõ «Prix de Montreal» Êáëýôåñçò Ðñþôçò Táéíßáò, óôï Ìüíôñåáë ôï 2001. ÅñãÜæåôáé ùò óêçíïèÝôçò êáé óåíáñéïãñÜöïò ôáéíéþí ìõèïðëáóßáò êáé íôïêéìáíôÝñ ãéá êéíçìáôïãñÜöï êáé ôçëåüñáóç, óå ÅëëÜäá, ÌåãÜëç Âñåôáíßá êáé Êýðñï. ¸÷åé óêçíïèåôÞóåé äéÜöïñåò ôáéíßåò íôïêéìáíôÝñ, ìõèïðëáóßáò êáé äéáöçìßóåéò óôçí Aããëßá, ÅëëÜäá êáé Kýðñï. ÅôïéìÜæåôáé íá óêçíïèåôÞóåé ôç äåýôåñç ôïõ ôáéíßá ìåãÜëïõ ìÞêïõò ç ïðïßá ôéôëïöïñåßôáé «Ìéêñü ¸ãêëçìá».

CHRISTOS GEORGIOU Christos Georgiou was born in London U.K. in 1966. He completed his basic education in Cyprus and pursued further studies in England and Poland. He has directed 4 award winning short films and one feature film, “Under the Stars”, which won 6 international awards including the prestigious Prix de Montreal (Best First Feature Film) at the Montreal International Film Festival of 2001. He works as a Writer/Director for film and television in England, Greece and Cyprus, on commercials, documentaries and dramas. He is now preparing to shoot his second feature film “Small Crime” in May 2007.

ÃÉÁÍÍÇÓ ÏÉÊÏÍÏÌÉÄÇÓ ÃåííÞèçêå óôç Ëåìåóü ôï 1967. Óðïýäáóå êéíçìáôïãñÜöï óôçí ÁèÞíá. ¸÷åé óêçíïèåôÞóåé áñêåôÝò ôáéíßåò ìéêñïý ìÞêïõò êáé íôïêéìáíôÝñ ïé ðëåßóôåò áðü ôéò ïðïßåò âñáâåýôçêáí óå äéÜöïñá öåóôéâÜë. ÏñéóìÝíåò áðü áõôÝò åßíáé ôá íôïêéìáíôÝñ ìå ôßôëï « ÊáëçìÝñá Íý÷ôá» (1990), «Ìüíï Ìõñßæïíôáò Ãéáóåìß» (1994) êáé «Ç ÆùÞ ðïõ èá ’èåëåò» (1995) êáé ç ôáéíßá ìéêñïý ìÞêïõò ìå ôßôëï «ÓôáäéáêÞ Âåëôßùóç ôïõ Êáéñïý» (1992). Ôï 2003 óêçíïèåôåß ôçí ðñþôç ìåãÜëïõ ìÞêïõò ôáéíßá ôïõ ìå ôßôëï «Óðéñôüêïõôï». «Ç Øõ÷Þ óôï Óôüìá» åßíáé ç äåýôåñç ìåãÜëïõ ìÞêïõò ôáéíßá ôïõ. Ç ôáéíßá åðéëÝãçêå ãéá óõììåôï÷Þ óôçí 45ç ÄéåèíÞ ÅâäïìÜäá ÊñéôéêÞò ôùí Êáííþí ôï 2006, óôï 11th Pusan International Film Festival êáé óôï 42nd Chicago International Film Festival.

YIANNIS ECONOMIDES He was born in Limassol in 1967 and studied Film in Athens. He has directed several short films and documentaries, most of which were awarded in a number of festivals. These include the documentaries “Good morning Night” (1990), “Just Smelling the Jasmine” (1994) and “The Life you Hoped For” (1995) and the short film “Gradual Improvement in the Weather” (1992). He made his feature film debut in 2003 with the film “Matchbox”. “Soul Kicking” is his second feature film. The film was selected for screening at the 45th International Critics Week at Cannes 2006, at the 11th Pusan International Film Festival and at the 42nd Chicago International Film Festival.

011

Ôï øùìß ôçò Êýðñïõ, óýìöùíá ìå ðåñéçãçôÞ ôïõ 18ïõ áéþíá, äåí Þôáí ìüíï åîáéñåôéêÞò ðïéüôçôáò áëëÜ êáé ôï êáëýôåñï ðïõ ìðïñïýóå íá âñåé êáíåßò ó´ üëá ôá ìÝñç ôçò áíáôïëÞò. Ãéá ôïõò íôüðéïõò Þôáí êÜôé ðåñéóóüôåñï, ç âáóéêÞ êáèçìåñéíÞ äéáôñïöÞ ãéá åðéâßùóç. Ï ìáêñýò äñüìïò áðü ôï óéôÜñé óôï øùìß åßíáé ç ðïñåßá ôçò ôáéíßáò. According to an 18th century traveler, the bread of Cyprus was not only of exceptional quality, but also the best to be found in the entire Levant. For the inhabitants of the island, however, it was something even more important: it was their daily staple, necessary for survival. The long road leading from wheat to bread is the path followed by this film.

Ï Ðáó÷Üëçò ÐáðáðÝôñïõ ãåííÞèçêå óôç Ëåõêùóßá ôï 1955. Óðïýäáóå óêçíïèåóßá êéíçìáôïãñÜöïõ-ôçëåüñáóçò óôï Potsdam ôçò Ãåñìáíßáò. Ôáéíßåò ôïõ ðñïâëÞèçêáí ôüóï óôçí Êýðñï üóï êáé óôï åîùôåñéêü. ÖÉËÌÏÃÑÁÖÉÁ|Ôï Øùìß ôùí Êõðñßùí (2006), Ï Ôåëåõôáßïò ÌáíôçëÜñçò ôçò Êýðñïõ (2004), ÓïõâëÜêéá ÓéåöôáëéÜ (2002), Äéá ×åéñüò (2002), Ïé Ñßæåò ôïõ Êñáóéïý (2001), ÔçëÝìá÷ïò ÊÜíèïò (1999), Êþóôáò Áñãõñïý (1997) Paschalis Papapetrou was born in Nicosia in 1955. He studied television and film directing at the University of Potsdam Babelsberg in Germany. Many of his films have been screened both in Cyprus and abroad. FILMOGRAPHY|Cypriot Bread (2006), The Last Kerchief Maker of Cyprus (2004), Souvlakia- Sieftalia (2002), By the Çand (2002), The Roots of the Cyprus Wine (2001), Telemachos Kanthos (1999), Costas Argyrou (1997)

012

MERSINIS CYPRIUS ÓÊÇÍÏÈÅÓIÁ|DIRECTION Ãéþñãïò Êïýìïõñïò, Ãåùñãßá Óðáíïý, Ìáñßíïò Êáñáãéþñãçò| George Koumouros, Georgia Spanou, Marinos Karagiorghis ÓÅÍAÑÉÏ|SCREENPLAY Ãåùñãßá Óðáíïý, Ìáñßíïò Êáñáãéþñãçò, Öùôïýëá Êïãéüíç, ×ñéóôßíá Êïíôïâïýñêç, Óýëâéá Ïéêïíïìßäïõ, ÌáñéÜííá ÐáðáèùìÜ, ÁíôñÝáò ÓïöïêëÝïõò|Georgia Spanou, Marinos Karagiorghis, Photoula Kogioni, Christina Kontovourki, Sylvia Economidou, Marianna Papathoma, Andreas Sophocleous ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ãéþñãïò Êïýìïõñïò, Ðáíßêïò Ôåìðñéþôçò, Ãåùñãßá Óðáíïý|George Koumouros, Panikos Tempriotis, Georgia Spanou ÌÏÍÔÁÆ|EDITING Áíôþíçò Êõðñéáíïý|Antonis Kyprianou

Ç×ÏÓ|SOUND ×ñéóôßíá Êïíôïâïýñêç|Christina Kontovourki ÅÑÌÇÍÅIÅÓ|CAST Ì. Êáñáãéþñãçò, Á. ÓïöïêëÝïõò, Ã. Óðáíïý, Ð. ÊáóôáíÜò, Ð. Ôåìðñéþôçò, Ë. Íéêçöüñïõ, Ë. ÌåíåëÜïõ|M. Karagiorghis, A. Sophocleous, G. Spanou, P. Kastanas, P. Tempriotis, L. Nikiforou, L. Menelaou ÐÁÑÁÃÙÃÇ|PRODUCTION Ðáéäáãùãéêü Éíóôéôïýôï Êýðñïõ|Pedagogical Institute of Cyprus ÄÉÅYÈÕÍÓÇ|ADDRESS ÐáíáãÞ ËÜððá 5 & ÌðáëæÜê, ÁëÝîáíäñïò ÖùêÜò Court, Äéáì. 201, 3075 Ëåìåóüò, Êýðñïò|5 Panagi Lappa & Balzak, Alexandros Fokas Court, Flat 201, 3075 Limassol, Cyprus ÔÇË.|TEL. 00357 99 482421

Ï ÐÝôñïò åðéóôñÝöåé åõôõ÷éóìÝíïò áðü ôï âïõíü, üðïõ åß÷å ðÜåé ìå ôï ößëï ôïõ ôïí Çëßá. ÊñáôÜåé óôá ÷Ýñéá ôïõ Ýíá óðÜíéï ëïõëïýäé, ðïõ ìÝ÷ñé ôþñá êáíÝíáò äåí Þîåñå üôé öõôñþíåé êáé óôçí Êýðñï. ×ñüíéá ôï áíáæçôïýóå óôéò ðëáãéÝò ôïõ Ôñïüäïõò êáé ïíåéñåõüôáí íá ôïõ äþóåé ôï üíïìá “Mersinis Cyprius”. Åíþ âáäßæåé óôï äñüìï ãéá ôï óðßôé ôïõ, ÷áìÝíïò óôéò óêÝøåéò ôïõ, ôçí þñá ðïõ äéáóôáõñþíåé ôï äñüìï, ôïí ÷ôõðÜåé Ýíá áõôïêßíçôï. Ôï “Mersinis Cyprius” ðáñáìÝíåé óôçí Üóöáëôï, ãéá íá ðåñÜóåé óå ëßãï ìéá íôáëßêá êáé íá ôï óõíèëßøåé. Ç íôáëßêá áõôÞ óõìðôùìáôéêÜ, ìåôáöÝñåé ôçí ðñþôç ðáñôßäá ôùí íåïåéóá÷èÝíôùí áðü ôçí Êßíá, Üãíùóôùí óôçí Êýðñï, ëïõëïõäéþí, ìå ôï üíïìá “Mersinis China”. On his return from the mountain, where he went with his friend Elia, Petros is happy. He holds in his hands a rare flower which, by then, no one knew existed in Cyprus. He had been searching for it for years on the slopes of Troodos Mountain. His dream was to name it “Mersinis Cyprius”. On his way home, lost in his thoughts, he is hit by a car while crossing the street. The flower remains there and is crashed by a coming lorry. Inside the lorry there is the first cargo of flowers, imported from China, named “Mersinis China”.

Ç óêçíïèåôéêÞ-óåíáñéáêÞ áõôÞ ðñïóðÜèåéá Þôáí ôï áðïôÝëåóìá ôçò äïõëåéÜò óôï ðëáßóéï ôïõ óåìéíáñßïõ «Äçìéïõñãþíôáò ìéá Táéíßá» ôï ïðïßï äéïñãáíþíåé êáé ðñïóöÝñåé óå åêðáéäåõôéêïýò äçìïôéêÞò êáé ìÝóçò åêðáßäåõóçò ôï Ðáéäáãùãéêü Éíóôéôïýôï Êýðñïõ. This film (script direction) was the result of the participation in the course “Creating a Film”, which is organised by the Pedagogical Institute of Cyprus for educators of primary and secondary education.

013

Ôï «ÐáãéäåõìÝíç åíôüò» åßíáé ìéá Ì.Ì. ðåéñáìáôéêÞ ôáéíßá, ìéá õðïêåéìåíéêÞ áíáæÞôçóç ôçò Ýííïéáò «åáõôüò». Ç ðüñôá ôïõ õðïóõíåßäçôïõ áíïßãåé, ìå áñãÜ, áëëÜ óôáèåñÜ âÞìáôá, ôï óêïôÜäé ìÜò ïäçãåß ó´Ýíá ôáîßäé åíôüò, üðïõ ïé åëðßäåò, ïé öüâïé êáé ôá üíåéñÜ ìáò - áëëçëÝíäåôá - äçìéïõñãïýí êáé ôáõôü÷ñïíá ðåñéãñÜöïõí ôçí ýðáñîÞ ìáò. “Trapped Inside” is an experimental S. F. that explores the concept of the “self”. The door to our subconscious opens. With slow but steady footsteps, darkness leads us to a journey where our interconnected hopes, fears and dreams define and describe the fragility of human existence.

Ç Êùíóôáíôßíá-ÍôÜéíá ÐáðáäÜêç ãåííÞèçêå óôç Ëåõêùóßá ôï 1979. Óðïýäáóå, ìå õðïôñïößá, Åðéêïéíùíßåò MME óôï Hawaii Pacific University, óôçí ×ïíïëïõëïý. Ôåëåßùóå ôï ìåôáðôõ÷éáêü ôçò (master) óôç Óêçíïèåóßá ÊéíçìáôïãñÜöïõ óôï University of Miami, óôç Öëþñéäá. ÊáôÜ ôç äéÜñêåéá ôùí óðïõäþí ôçò äïýëåøå óôïí ôïìÝá ôçò ðáñáãùãÞò, óå áìåñéêáíéêÜ êáíÜëéá êáé óêçíïèÝôçóå äéáöçìßóåéò. Äßäáîå ðáñáãùãÞ öéëì óôï ÐáíåðéóôÞìéï ôïõ ÌáúÜìé óôç Öëþñéäá. ÏñéóìÝíåò áðü ôéò ôáéíßåò ôçò Ý÷ïõí ðñïâëçèåß óå ðïëëÜ áìåñéêÜíéêá öåóôéâÜë êéíçìáôïãñÜöïõ. Ç ôáéíßá ôçò «ÐáãéäåõìÝíç Åíôüò» Ý÷åé äéáêñéèåß óå äýï áìåñéêÜíéêïõò äéáãùíéóìïýò êéíçìáôïãñÜöïõ. ÖÉËÌÏÃÑÁÖÉÁ|Aðñüóùðåò ÓêéÝò (2006), Óôïé÷çìáôßæïíôáò ôï ÌÝëëïí (2006), Áêñáßá Ïñåéâáóßá (2005), ÓåîïõáëéêÞ ÓôÝñçóç, Ç Øåõäáßóèçóç ôçò Áèáíáóßáò (2005), Ï ÁäÜì êáé ôï Ößäé (2005), Äýíáìç (2005), ÁíÜìåóá óå êÝéê Êáñüôïõ êáé óôçí Áðåëðéóßá (2004), ÁðáôçëÝò ÁíáìíÞóåéò (2002), Ala Wai Canal (2002), Ç Åêäßêçóç (2002) Constantina-Daina Papadaki was born in Nicosia in 1979. She graduated with a Bachelor of Arts in Visual Communication from Hawaii Pacific University. She has recently graduated from the University of Miami with a Masters of Fine Arts in Motion Pictures Directing. During her studies, Constantina Daina worked for the professional television industry. She has worked on American national advertisements and also for a couple of American television stations. For the last two years she has been teaching Film Production at the University of Miami. Some of her films have been screened in many Film Festivals in the US. Her film “Trapped Inside” has won awards in two film festival competitions in USA. FILMOGRAPHY| Faceless Shadows (2006), Betting ïn the Future (2006), Extreme Rock Climbing (2005), Sexual Depravity, Illusive Immortality (2005), Adam and Snake (2005), Strength (2005), Between Carrot Cake and Exasperation (2004), Fallen Memoirs (2002), Ala Wai Canal (2002), The Revenge (2002)

014

ÔÑÉÊÕÌÉÁ|ROUGH SEA ÓÊÇÍÏÈÅÓIÁ|DIRECTION ×áñÜëáìðïò ×áñáëÜìðïõò|Charalambos Charalambous ÓÅÍAÑÉÏ|SCREENPLAY ×áñÜëáìðïò ×áñáëÜìðïõò|Charalambos Charalambous ÌÏÍÔÁÆ|EDITING ×áñÜëáìðïò ×áñáëÜìðïõò|Charalambos Charalambous Ç×ÏÓ|SOUND ÐÜìðïò ×áñáëÜìðïõò|Pambos Charalambous ÅÑÌÇÍÅIÅÓ|CAST Ãéþñãïò ÁñéóôïäÞìïõ, ×Üñçò ×ñéóôïäïýëïõ, ÊõñéáêÞ ÁñéóôïäÞìïõ, ×ñéóôÜêçò ÓïöïêëÝïõò, Íéêïëßíá ×áñáëÜìðïõò, Ðáíáãéþôçò Ðáðáïíçóéöüñïõ, Ëáâßíéá ÖïõêáñÜ, Ößëéððïò Öéëßððïõ, Óðýñïò Ðáðáãåùñãßïõ| George Aristodemou, Çaris Christodoulou, Kyriaki Aristodemou, Christakis Sofokleous, Nicolina Charalambous, Panagiotis Papaonisiforou, Lavinia Foukara, Philippos Philippou, Spyros Papageorgiou ÐÁÑÁÃÙÃÇ|PRODUCTION ENTOS Production ÄÉÅÈÕÍÓÇ|ADDRESS Ïäüò Ìáêáñßïõ Ã´ 54, 8221 ×ëþñáêáò, ÐÜöïò|4 Makariou C’ str., 8221 Chlorakas, Pafos ÔÇË.|TEL. 00357 26273142, 00357 99517568 ÁõôÞ ç ôáéíßá Ì.Ì. åßíáé ìéá Ýñåõíá ôùí ïñßùí ìåôáîý ìõèïðëáóßáò êáé ÍôïêéìáíôÝñ, ç ïðïßá áíáðáñéóôÜ éäÝåò üðùò ï ÷ñüíïò, ç ìíÞìç êáé ç öèïñÜ ìÝóá áðü ôçí ðáñïõóßáóç éóôïñéþí ôïõ ðáððïý ìïõ. This S.F. is a research on the boundaries between fiction and documentary in film-making, that depicts concepts such as time, memory and decay, by presenting stories told by my grandfather.

Ï ×áñÜëáìðïò ×áñáëÜìðïõò ãåííÞèçêå óôçí ÐÜöï ôï 1980. KáôÝëáâå ôçí ðñþôç èÝóç ðáãêýðñéá óôéò åéóáãùãéêÝò åîåôÜóåéò êáé óðïýäáóå ìå õðïôñïößá. Åßíáé ôåëåéüöïéôïò óôï ôìÞìá Ìáèçìáôéêþí ÁèÞíáò. ÐáñÜëëçëá, áó÷ïëåßôáé ìå ôç ìïõóéêÞ, ôçí ðïßçóç êáé ôç öùôïãñáößá. ´Å÷åé åêäþóåé äýï ðïéçôéêÝò óõëëïãÝò êáé Ý÷åé âñáâåõèåß óå ðáãêýðñéïõò öùôïãñáöéêïýò äéáãùíéóìïýò. ÊáôÜ ôç äéÜñêåéá ôùí óðïõäþí ôïõ óôçí ÁèÞíá ðáñáêïëïýèçóå óåìéíÜñéá Éóôïñßáò ôçò ÔÝ÷íçò êáé óåìéíÜñéá ôçò ÅîÝëéîçò ôùí Åêöñáóôéêþí ÌÝóùí ôïõ ÊéíçìáôïãñÜöïõ. Ôï 2005-06 ïëïêëÞñùóå ìåôáðôõ÷éáêÝò óðïõäÝò êéíçìáôïãñÜöïõ óôï ÐáíåðéóôÞìéï ôïõ Exeter (MA in film). Åêôåëåß ÷ñÝç ðñïÝäñïõ ôçò ÖùôïãñáöéêÞò Åôáéñåßáò Êýðñïõ ôçò ÐÜöïõ. ÖÉËÌÏÃÑÁÖÉÁ|Ôñéêõìßá (2006), Áßèïõóá ÁíáìïíÞò (2005) Charalambos Chralambous was born in Paphos in 1980. He studied with a scholarship at the Mathematics Department of Athens University. He loves music, poetry and photography. He was a piano soloist at seminars of piano aesthetics, has published two poetic collections and received awards at photo competitions in Cyprus. During his studies in Athens he attended seminars in the History of Art and the Evolution of Cinematography. In 2005-06 he graduated from the University of Exeter and received his MA in Film Studies. He is currently the president of the Cyprus Photographic Society (Paphos Branch). FILMOGRAPHY|Rough Sea (2006), The Waiting Room (2005)

015

ÌåôÜ áðü ôçí áðüëõóÞ ôïõ áðü ôç äïõëåéÜ ôïõ, ï Þñùáò ôçò ôáéíßáò áðïìïíþíåôáé óôï óðßôé ìå ìüíç äéÝîïäï ôï çìåñïëüãéï ðïõ êñáôÜåé óôï äéáäßêôõï. ´Ïôáí ôïõ êüâïõí ôï ôçëÝöùíï èá ðñÝðåé íá âñåé Ýíáí ôñüðï íá åðéêïéíùíÞóåé ìå ôïí Ýîù êüóìï. After loosing his job, the main character decides to isolate himself, in his home. His only outlet is an electronic diary, where he shares his thoughts on the Internet but when his phone-line is cut off, he will have to find another way to contact the outside world.

Ï Ãéþñãïò Åãêùìßôçò ãåííÞèçêå óôç Ëåõêùóßá ôï 1980. Óðïýäáóå êéíçìáôïãñÜöï óôçí ÁèÞíá. Ôï Shinex åßíáé ç ôñßôç ôïõ Ì.Ì. ôáéíßá. George Engomites was born in Nicosia in 1980. He studied cinema in Athens. Shinex is his third S.F.

016

ÍÅÊÑÁÍÁÓÔÁÓÇ|RESURRECTION ÓÊÇÍÏÈÅÓIÁ|DIRECTION Ìé÷Üëçò ×áðÝóéçò|Maikl Hap ÓÅÍAÑÉÏ|SCREENPLAY Ìé÷Üëçò ×áðÝóéçò|Maikl Hap ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ÍôÝéâéíô ÑÝíôåêåñ|David Redeker ÌÏÍÔÁÆ|EDITING ÐÜíïò ÑÜðôçò|Panos Raptis ÌÏÕÓÉÊÇ|MUSIC Óêïô ÌðÝíæé|Scott Benzie Ç×ÏÓ|SOUND Ãéþñãïò Ðïôáìßôçò|George Potamites ÅÑÌÇÍÅIÅÓ|CAST ÄçìÞôñçò ÁíôñÝáò, Êñßóôïöåñ ÃêñÝêï, ÎÝíéá Éùáêåßì|Demetris Andreas, Christofer Greco, Xenia Ioakeim ÐÁÑÁÃÙÃÇ|PRODUCTION Acanthus Film & Television Productions, Ìé÷Üëçò ×áðÝóéçò, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Acanthus Film & Television Productions, Maikl Hap, Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS Ô. Ê. 12180, ËáêáôÜìéá, 2341 Ëåõêùóßá|P.O.Box 12180 Lakatamia, 2341 Nicosia ÔÇË.|TEL. 00357 99324910 Åíáò çëéêéùìÝíïò êáëüãçñïò, Ýíáò ¸ëëçíáò åðéóêÝðôçò, Ýíá ìïíáóôÞñé óôï ôÝëïò ôïõ êüóìïõ, ìéá óáãçíåýôñá ãõíáßêá êáé ìéá èýìçóç ÷áìÝíç óôï ÷ñüíï, óìßãïõí óå Ýíá äõíáìéêü äñÜìá ðïõ ðëáíéÝôáé ðÜíù áðü Ýíá ÷ùñéü îå÷áóìÝíï óôá âïõíÜ ôçò Êýðñïõ. An old monk, a Greek visitor, an abandoned monastery at the end of the world, an enchantress and a memory lost in the depths of time, come together in a forceful drama in a village lost in the mountains of Cyprus.

O Ìé÷Üëçò ×áðéÝóçò åßíáé ðáñáãùãüò êáé óêçíïèÝôçò. Æåé êáé åñãÜæåôáé óôï Ëïíäßíï áðü ôï 1974. Óðïýäáóå Áñ÷éôåêôïíéêÞ óôï Greenwich University. Ôï ÖåâñïõÜñéï ôïõ 2001 äçìéïýñãçóå ôçí åôáéñåßá Archistudio óôï ðëáßóéï ôçò ïðïßáò óêçíïèÝôçóå áñéèìü ôáéíéþí Ì.Ì. êáé ÍôïêéìáíôÝñ. Ôï 2002 ïëïêëÞñùóå ôï “Shootout”, ôçí ðñþôç ôïõ ðåéñáìáôéêÞ ôáéíßá ìåãÜëïõ ìÞêïõò (cinemascope). ÓÞìåñá åñãÜæåôáé ðÜíù óôç äåýôåñç ôïõ ôáéíßá ìåãÜëïõ ìÞêïõò ìå ôßôëï «Äåßðíï ìå ôéò ÁäåëöÝò ìïõ». Ôï öèéíüðùñï, èá óêçíïèåôÞóåé ôçí ôáéíßá «Ôï Äßðëùìá», âáóéóìÝíç óå óåíÜñéï ôïõ Michael Powel, óå óõíåñãáóßá ìå ôçí åôáéñåßá Poseidon Film Distributors ðïõ Ý÷åé ôçí Ýäñá ôçò óôï Ëïíäßíï. Maikl Hap is a producer and director living and working in London since 1974. He studied Architecture at Greenwich University from which he graduated in 1984. In February 2001, he created Archistudio Limited through which he produced and directed numerous S. F.s and documentaries. In 2002 he completed “Shootout”, his first experimental feature film (cinemascope). He is now working on his second feature film “Dinner With My Sisters”. In autumn he will direct the film “The Diploma” on Michael Powel’s screenplay in collaboration with the Poseidon Film Distributors company of London.

017

Ìéá ðåñéðëÜíçóç óôïí êüóìï åíüò áóôéêïý íïìÜäá, ðïõ ìÝóá áðü ôïí êéíçìáôïãñáöéêü öáêü, ìáò äåß÷íåé ôç äéêÞ ôïõ Ëåõêùóßá - ìéá ðáñÜëëçëç ðüëç. A peek into the world of an urban nomad, who gives us a tour of his version of Nicosia - a parallel city.

Ï ÏñÝóôçò ËÜìðñïõ óðïýäáóå êéíçìáôïãñÜöï óôï Surrey Institute of Art and Design óôçí Áããëßá, áð´ üðïõ êáé áðïöïßôçóå ôï 2003. Ç äéðëùìáôéêÞ ôïõ ôáéíßá áíôéðñïóþðåõóå ôç Ó÷ïëÞ óå äéÜöïñá äéåèíÞ öåóôéâÜë óôçí Áããëßá. Áðü ôï 2003 ìÝ÷ñé óÞìåñá æåé óôç Ëåõêùóßá êáé åñãÜæåôáé ùò åëåýèåñïò åðáããåëìáôßáò óå êéíçìáôïãñáöéêÝò ðáñáãùãÝò óôïí ôå÷íéêü ôïìÝá. ´Å÷åé óõììåôÜó÷åé óå áñéèìü êéíçìáôïãñáöéêþí ðáñáãùãþí. ÖÉËÌÏÃÑÁÖÉÁ|Ðåæïýíé (2003) Orestis Lambrou studied film and video at the Surrey Institute of Art and Design in Surrey England from where he graduated in 2003. His final film project “Pezouni” represented the University in a number of international film festivals in the UK. Since 2003, he lives and works in Nicosia as a film technician. He has participated in feature films and shorts as well as television advertisements. FILMOGRAPHY|Pezouni (2003)

018

Ôï íôïêéìáíôÝñ áõôü ðñïïñßæåôáé íá åíçìåñþóåé ôï êïéíü ãéá ôç óðáíéüôçôá áõôïý ôïõ áåôïý êáé ôïõò ðïëëïýò êéíäýíïõò ðïõ äéáôñÝ÷åé. Ï óêçíïèÝôçò ðåñéãñÜöåé ìå üìïñöåò åéêüíåò ôç æùÞ êáé óõíÞèåéåò áõôïý ôïõ åíôõðùóéáêïý ðïõëéïý êáé ôéò ðåñéï÷Ýò ðïõ öùëéÜæåé, ìå óôü÷ï íá åõáéóèçôïðïéÞóåé ôï êïéíü ãéá ôçí ðñïóôáóßá ôïõ, ðïõ ôüóï ðïëý ôç ÷ñåéÜæåôáé. The purpose of this documentary is to inform the public on the scarcity of the Bonalis Eagle and the many dangers it faces. Using beautiful pictures, the director describes the life and habits of this impressive bird and the areas where it nests, with the aim of sensitising the public, and therefore protecting this endangered species.

Ï ËïõêÜò ×ñéóôïöüñïõ áó÷ïëåßôáé óõóôçìáôéêÜ ìå êéíçìáôïãñáöÞóåéò ôçò Üãñéáò æùÞò ôçò Êýðñïõ åäþ êáé ðïëëÜ ÷ñüíéá. ´Å÷åé äçìéïõñãÞóåé ôÝóóåñá íôïêéìáíôÝñ ðïõ áöïñïýí ôçí Üãñéá æùÞ ôçò Êýðñïõ. ÖÉËÌÏÃÑÁÖÉÁ|Ãýðáò o Ðõñü÷ñïõò (2001), Áíáæçôþíôáò ôá áãñéíÜ óôï äÜóïò ÐÜöïõ (2004), ÂëÝðïíôáò ôá ÐïõëéÜ óôçí Êýðñï (1999), ÁêÜìáò (1994) Loucas Christophorou has been filming the wildlife of Cyprus for many years. He has created four documentaries on the Cyprus wildlife. FILMOGRAPHY|Red-coloured Eagle (2001), In Search of the Moufflons in the Pafos Forest (2004), Birdwatching in Cyprus (1999), Akamas (1994)

019

Ç åðï÷Þ ìáò ÷áñáêôçñßæåôáé áðü ôçí ôá÷ýôçôá êáé ôï óôñåò. Äåí Ý÷ïõìå ðéá ÷ñüíï ãéá ðñïóùðéêÞ áíÜðôõîç, íá äþóïõìå óçìáóßá êáé áãÜðç óôïõò ãýñù ìáò, í´áôåíßóïõìå êáé íá ãßíïõìå Ýíá ìå ôçí áñìïíßá ðïõ âñßóêåôáé êñõììÝíç ìÝóá óôç öýóç. Ôï «Ïõñáíïý ÆùãñáöéÝò» åßíáé ìéá ðñüóêëçóç ãéá ðñïâëçìáôéóìü. Ìéá áöïñìÞ ãéá íá óôáìáôÞóïõìå ôï áäéÜêïðï ôñÝîéìï ãéá ôá õëéêÜ áãáèÜ êáé íá áöåèïýìå ãéá ëßãï óôç ìáãåßá ôïõ ïõñáíïý. Our era is characterised by quick pace and stress. We no longer have time for personal growth, to give attention and love to people around us, to observe and become one with the natural harmony which surrounds us. “Sky Paintings” is an invitation to think, an excuse to think, an excuse to stop running for material goods and let ourselves enjoy sky magic.

Ï ×Üñçò ÈåñáðÞò Ý÷åé áíáëÜâåé áñéèìü Ýñãùí óôï ÷þñï ôùí ðïëõìÝóùí êáé ôùí ôçëåïðôéêþí ðáñáãùãþí. Áðü ôá éäñõôéêÜ ìÝëç êáé óõíåñãÜôçò ôçò Unitrust Media Group áðü ôï 1992, Ý÷åé óêçíïèåôÞóåé áñéèìü ðáñáãùãþí êáé åßíáé Ýíáò áðü ôïõò óõíôåëåóôÝò ôïõ ðñþôïõ êõðñéáêïý ôçëåïðôéêïý óôáèìïý óôï äéáäßêôõï, ôïõ www.itvcyprus.tv. Åßíáé ìÝëïò ôïõ Åõñùðáúêïý Äéêôýïõ Ðáñáãùãþí ÍôïêéìáíôÝñ (EDN). ÖÉËÌÏÃÑÁÖÉÁ|Ç ÌåãÜëç ÈåÜ (2006), Ïõñáíïý ÆùãñáöéÝò (2006), ÐáñÜ ôç Ëßìíç (2006), ÐñùôáñÜò - Ç ×ñõóÞ Øõ÷Þ ôçò Êýðñïõ (2005), Áãßá ÍÜðá - Ðïý êáé Ãéáôß (2004) Haris Therapis has undertaken various projects in multimedia and the audio-visual field. As founder and associate member of Unitrust media group - in operation since 1992 - he has directed several documentaries and multimedia projects. He is also an associate of the first Cyprus internet TV www.itvcyprus.tv. Member of EDN since 2005. FILMOGRAPHY|Great Goddess (2006), Sky paintings (2006), Para tin Limni (2006), Protaras -The Golden Heart of Cyprus (2005), Agia Napa - Where & Why (2004)

020

ÖÉËÌÏÃÑÁÖÉÁ Êþóôá ÊáêïãéÜííç ÐÜìðïõ ÊïõæÜëç|Åéêïíïðïßçóç - 10 âßíôåïðïéÞìáôá (2007), Eêðáéäåõôéêü íôïêéìáíôÝñ ãéá ôá üñãáíá ôçò ïñ÷Þóôñáò (2007), Profundum ÐÝíôå ÌïõóéêÜ Âßíôåï (2004), ÊÜëáíôá - äýï âßíôåï êëéð (2004), ÄçìïóèÝíçò ÌéôóÞò (2003). FILMOGRAPHY of Costas Cacogiannis and Pambos Kouzalis|Iconopoiisiten video-poetry videos (2007), Dodecatheon-an educational documentary about the instruments of the orchestra (2007), Profundum - five music videos (2004), Kalanta - two Christmas video-clips (2004), Demosthenes Mitsis (2003).

ÓÔÅËÉÏÓ|STELIOS ÓÊÇÍÏÈÅÓIÁ|DIRECTION Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëçò|Costas Cacogiannis, Pambos Kouzalis ÓÅÍAÑÉÏ|SCREENPLAY Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëç|Costas Cacogiannis, Pambos Kouzalis ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ÍôÜíéåë Óðáñêò, Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëçò|Daniel Sparks, Costas Cacogiannis, Pambos Kouzalis ÌÏÍÔÁÆ|EDITING Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëçò|Costas Cacogiannis, Pambos Kouzalis ÌÏÕÓÉÊÇ|MUSIC ÓôÝëéïò ÐéóÞò|Stelios Pisis Ç×ÏÓ|SOUND Èåüäùñïò ÌõëùíÜò|Theodoros Mylonas ÐÁÑÁÃÙÃÇ|PRODUCTION Êþóôáò ÊáêïãéÜííçò, ÐÜìðïò ÊïõæÜëçò, Õð.Ð.Ð.|Costas Cacogiannis, Pambos Kouzalis, Min Ed. & Cul. ÄÉÅÈÕÍÓÇ|ADDRESS Áíôáßïõ 4Á, 3061 Ëåìåóüò|4A Antaiou str., 3061 Limassol ÔÇË.|TEL. 00357 99696274, 00357 99467516 ÖÁÎ|FAX 00357 25462289 ¸íá ìÜèçìá äýíáìçò êáé æùÞò áðü ôï óõíèÝôç ÓôÝëéï ÐéóÞ. ÊáèçëùìÝíïò óôï êñåâÜôé åäþ êáé ÷ñüíéá ëüãù ìõúêÞò äõóôñïößáò, ìðïñåß íá êéíåß ìüíïí ôá äÜêôõëá ôïõ åíüò ÷åñéïý. Ìå ôï ðïíôßêé ôïõ çëåêôñïíéêïý õðïëïãéóôÞ êáé ìå ôç âïÞèåéá ôçò ôå÷íïëïãßáò, ãñÜöåé êáé åíïñ÷çóôñþíåé ìïõóéêÞ. ÌéëÜ ï ßäéïò ãéá ôç ìïõóéêÞ, ôï ðñüâëçìÜ ôïõ êáé ôï âáèýôåñï íüçìá ôçò æùÞò. Ãéá ôïí ÓôÝëéï ìéëïýí ç ìçôÝñá êáé ç óõíåñãÜôéäÜ ôïõ Ìáñßá-´Åëåíá. A lesson of power and will for life by composer Stelios Pissis. Paralysed and bedridden for years as a result of muscular dystrophy, Stelios can only move the fingers of his right hand. With the aid of modern technology he composes and orchestrates. In this documentary, Stelios speaks about his illness and the deeper meaning of life. Also featured are his mother Aglaia and the singer and his associate Maria-Elena. Ï Êþóôáò ÊáêïãéÜííçò åßíáé äéðëùìáôïý÷ïò óôï ðéÜíï, âéïëß, öëÜïõôï êáé äéäáóêáëßá. Óðïýäáóå Electrical Engineering, åíþ ìå õðïôñïößá Fulbright ìåôÝâç óôéò ÇÐÁ ãéá óðïõäÝò óôç óýíèåóç êáé áíþôåñá èåùñçôéêÜ. ÁðïöïéôÜ ðñþôïò ìå ôï âñáâåßï ôïõ êáëýôåñïõ óõíèÝôç êáé ìå õðïôñïößá âñßóêåôáé óôï Eastman School of Music ãéá ìåôáðôõ÷éáêÝò óðïõäÝò óôç óýíèåóç ìïõóéêÞò ãéá ôïí êéíçìáôïãñÜöï. ÄéäÜóêåé óôï ÐáíåðéóôÞìéï ÇëåêôñïíéêÞ ÌïõóéêÞ. ÊÝñäéóå ôïõò äéáãùíéóìïýò óýíèåóçò ôùí BMI êáé GWUC êáé ôéìÞèçêå ìå ôá âñáâåßá Pi Kappa Lambda êáé James Ming. Áðü ôï 1994 ìÝ÷ñé êáé ôï 1998 åßíáé ìáÝóôñïò ôïõ ðïëéôéóôéêïý ïìßëïõ «ÄéÜóôáóç» óôçí Êýðñï. ¸÷åé óõíåñãáóôåß ìå ðïëëïýò óçìáíôéêïýò êáëëéôÝ÷íåò. Ç ìïõóéêÞ ôïõ Ý÷åé åêôåëåóèåß óå äéÜöïñåò áßèïõóåò êáé èÝáôñá áíÜ ôïí êüóìï. Costas Cacogiannis holds diplomas in piano, flute, violin and teaching and has a degree in Electrical Engineering. After winning a Fulbright scholarship, he went to the United States to study theory and composition. He graduated Magna cum Laude and received the Ming Prize (a scholarship for the best composer). He then obtained a Master’s Degree in Composition from the Eastman School of Music in Rochester, N.Y. where he studied Film Scoring as a scholarship student. Costas has won the BMI and GWUC composition contests and was honored with the IEIEE Prize in Electronics. From ’94 to ’98 he was the Musical Director of “Diastasis”. He has collaborated with many famous singers and musicians. His music has been performed in major theaters and music halls around the world. Ï ÐÜìðïò ÊïõæÜëçò ãåííÞèçêå óôç Ëåõêùóßá ôï 1964. Óðïýäáóå Áñ÷áéïëïãßá - Éóôïñßá ôçò ÔÝ÷íçò óôï ÐáíåðéóôÞìéï Áèçíþí. Áðü ôï 1998 åñãÜæåôáé ùò öéëüëïãïò óôç ÌÝóç Åêðáßäåõóç. Óôß÷ïé ôïõ Ý÷ïõí ìåëïðïéçèåß áðü ôïí óõíèÝôç Êþóôá ÊáêïãéÜííç ãéá èåáôñéêÝò ðáñáóôÜóåéò ôïõ ÈÏÊ, ôïõ ÌåãÜñïõ ÌïõóéêÞò Áèçíþí êáé ãéá ôçëåïðôéêÝò ðáñáãùãÝò ôïõ ÑÉÊ, ôïõ ÓÉÃÌÁ êáé ôïõ ÁÍÔ1. ÐïéÞìáôÜ ôïõ Ý÷ïõí äçìïóéåõèåß óå ëïãïôå÷íéêÜ ðåñéïäéêÜ êáé Ý÷ïõí óõìðåñéëçöèåß óå äéÜöïñåò áíèïëïãßåò óôçí Êýðñï êáé ôï åîùôåñéêü. Ôï ÓåðôÝìâñéï ôïõ 2003 åîÝäùóå ôçí ðñþôç ðïéçôéêÞ óõëëïãÞ ôïõ ìå ôßôëï «Ãñáðôüò Ëüãïò». ¸÷åé ãñÜøåé ôï óåíÜñéï ãéá äýï ôçëåôáéíßåò, ðïõ ðñïâëÞèçêáí áðü ôï ÑÉÊ ôï 2003. Pambos Kouzalis was born in Nicosia in 1964. He studied Archeology and History of Art at Athens University. Since 1998 he teaches Greek literature in public schools. Many of his lyrics have been set to music by Costas Cacogiannis and were featured in a number of theatrical productions and TV series for CyBC, ANT1 and Sigma. His poems have been featured in several poetry anthologies and literature magazines in Cyprus and abroad. In September 2003, he published his first poetry anthology “Graptos Logos”. He is also the scriptwriter of two TV films broadcast by CyBC in 2003.

021

ÊÏÕÊËÏÓÐÉÔÏ|DOLLHOUSE ÓÊÇÍÏÈÅÓIÁ|DIRECTION ÄáíÜç Óôõëéáíïý|Danae Stylianou ÓÅÍAÑÉÏ|SCREENPLAY ÄáíÜç Óôõëéáíïý|Danae Stylianou ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ¢áíôåë Íüíôå÷-Öáñá÷Üíé|Aadel Nodeh - Farahani ÌÏÍÔÁÆ|EDITING Áëßêç ÐáíáãÞ|Aliki Panagi ÌÏÕÓÉÊÇ|MUSIC ÓôÝëëá Âïóêáñßäïõ|Stella Voskaridou Ç×ÏÓ|SOUND Ãéþñãïò Ðïôáìßôçò, Áëßêç ÐáíáãÞ|George Potamites, Aliki Panagi ÅÑÌÇÍÅIÅÓ|CAST ÐÝôñïò Ëáãïýôçò, Íéêüë Ãåþñãáëç, ÍåöÝëç ÊáíÜêç, Ìáñßá Ìé÷áÞë|Petros Lagoutis, Nikole Georgali, Nefeli Kanaki, Maria Michael ÄÉÅYÈÕÍÓÇ ÐÁÑÁÃÙÃÇÓ|DIRECTION OF PRODUCTION ÌÜñéïò Óôõëéáíïý|Marios Stylianou ÐÁÑÁÃÙÃÇ|PRODUCTION MS Viewpoint, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|MS Viewpoint, Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS Ðáõóáíßïõ 11, 116 35 ÐáãêñÜôé, ÁèÞíá|11 Pavsaniou str., 116 35 Pagkrati, Athens ÔÇË.|TEL. 0030 6932383747 Å-MAIL dstylianou@yahoo.co.uk Ç åììïíÞ ôçò ï÷ôÜ÷ñïíçò ÄÞìçôñáò ìå ôçí ðëáóôéêÞ ôçò êïýêëá, ôçí ÍåöÝëç, ôçí ïäçãåß óôç äçìéïõñãßá åíüò öáíôáóôéêïý ÷áñáêôÞñá. Óôï êïñìÜêé ôçò ÍåöÝëçò ìðïãéáôßæåé êüêêéíåò êáé ìáýñåò âïýëåò óáí êé áõôÝò ðïõ êñýâïíôáé óôï äéêü ôçò. Ôá óçìÜäéá ôçò æùãñáößæïíôáé áðü ìüíá ôïõò êáé äåí öôáßåé êáíåßò ãé’ áõôü, ðáñÜ ìüíïí ç ÄÞìçôñá, ãéáôß åßíáé Ýíá êáêü ðáéäß. Ç åðéóôñïöÞ óôï «êïõêëüóðéôï» áõôÞ ôç íý÷ôá èá åßíáé äýóêïëç, áöïý óôï êáôþöëé ôïõ ôçí ðåñéìÝíåé ìéá óêëçñÞ ôéìùñßá. Ç ôáéíßá åßíáé áöéåñùìÝíç ó’ áõôïýò ðïõ ìßëçóáí, ìá êõñßùò ó’ áõôïýò ðïõ äåí ôï êáôÜöåñáí áêüìç. Eight-year old Demetra’s obsession with Nefeli, her plastic doll, leads her to create an imaginary character. She paints red and black spots on Nefeli’s small body, just like the ones hiding in her own body. The marks are painted by themselves and nobody is to blame other than Demetra, because she is a bad child. Tonight, the return to the “dollhouse” will be difficult, since a cruel punishment is waiting for her at the threshold. The film is dedicated to those who have spoken, but mostly to those who haven’t managed to do it yet.

Ç ÄáíÜç Óôõëéáíïý ãåííÞèçêå óôç Ëåìåóü ôï 1984. Öïßôçóå óôï ÐáíåðéóôÞìéï ôïõ Westminster óôï Ëïíäßíï, óôï ÔìÞìá Óêçíïèåóßáò ÊéíçìáôïãñÜöïõ, áð´ üðïõ áðïöïßôçóå ôï 2004. ¸÷åé óêçíïèåôÞóåé äýï öïéôçôéêÝò ôáéíßåò M.M., «Ç XéïíÜôç êáé ïé ÅöôÜ Ãïçôåßåò» êáé «Oäüò ¢ãêõñáò» (íôïêéìáíôÝñ). Tþñá æåé óôçí ÁèÞíá êáé åñãÜæåôáé óôïí êéíçìáôïãñÜöï êáé ôçí ôçëåüñáóç. Danae Stylianou was born in Limassol in 1984. She studied Film Directing at the University of Westminster in London, from where she graduated in 2004. During her studies, she directed two S.F.s “Snow White and the Seven Charms” and the short documentary “Ankara Street”. She now lives in Athens and works in the Greek film and television industry.

022

Óå ðåñéüäïõò êáôÜ ôéò ïðïßåò óôç æùÞ ôùí áíèñþðùí åðéêñáôåß ç ìéæÝñéá, ôï ìåëùäéêü Üêïõóìá ôçò ìïõóéêÞò ðñïóäßäåé åëðßäá. Music provides a message of hope in moments of human despair.

Ï Êþóôáò ×ñõóÜíèïõ ãåííÞèçêå óôç Ëåõêùóßá ôï 1979. Ôï 1999 ãñÜöôçêå óôïí êëÜäï ïðôéêïáïõóôéêþí ìÝóùí ôïõ Frederick Institute of Technology, üðïõ áðïöïßôçóå ôï 2001. ÅñãÜóôçêå äýï ÷ñüíéá óôçí ÊõðñéáêÞ Ôçëåüñáóç ðñïôïý ìåôáâåß óôçí Áããëßá ãéá óõíÝ÷éóç ôùí óðïõäþí ôïõ. Ôï 2005 áðïöïßôçóå áðü ôïí êëÜäï Â.Á Film & Moving Image Production ôïõ Leeds Metropolitan University. Ôïí ÓåðôÝìâñç ôïõ 2005 Üñ÷éóå ôéò ìåôáðôõ÷éáêÝò ôïõ óðïõäÝò óôï Ì.Á Film & Moving Image Production ôïõ éäßïõ ðáíåðéóôçìßïõ. ÖÉËÌÏÃÑÁÖÉÁ|ÌïíôÝñíïò Æùïëïãéêüò ÊÞðïò (2005), ÅðéóôñÝöïíôáò (2005), Ôñåéò Óôáèìïß (2004), ÍåêñÞ Æþíç (2001) Costas Chrysanthou was born in Nicosia in 1979. He studied Audio Visual Communication at the Frederick Institute of Technology and worked two years for the Cypriot television. In 2003 he continued his studies in the B.A Film & Moving Image Production course of Leeds Metropolitan University from where he graduated in 2005. In the same year he was admitted at the two year M.A Film & Moving Image Production course of the same University. He is currently in the final year of his studies. FILMOGRAPHY|Modern Zoo (2005), Going Back (2005), Three Laps (2004), Dead End (2001)

023

O DOG åßíáé Ýíáò óõíôçñçôéêüò, áãïñáöïâéêüò, èñÞóêïò êáé ôçëåïìáíÞò ôýðïò. Ç åðßäñáóç ôçò ôçëåïðôéêÞò âßáò óôïí ÷áñáêôÞñá ôïõ Ý÷åé ùò áðïôÝëåóìá ôçí áûðíßá. Ï DOG ðñïóðáèåß íá ëýóåé ôï ðñüâëçìá ôçò áûðíßáò ðïõ Ý÷åé ðáñáêïëïõèþíôáò Ýíá âéíôåï-ãñáöçìÝíï èñçóêåõôéêü, ôçëåïðôéêü ðñüãñáììá. DOG is conservative, agoraphobic, religious and a TV addict. Television violence leads to a cruel game inside DOG’s house. Ironically, at the same time, DOG tries helplessly to find a solution to his insomnia through religious TV programming.

Ï Íßêïò Óýííïò åßíáé äçìéïõñãüò êéíïõìÝíùí ó÷åäßùí áðü ôç Ëåìåóü. Óðïýäáóå ïðôéêÞ åðéêïéíùíßá êáé êéíïýìåíï ó÷Ýäéï (cartoon imagery animation) óôï ÇíùìÝíï Âáóßëåéï êáé óôéò ÇÐÁ. Äçìéïýñãçóå êáé óêçíïèÝôçóå áñêåôÜ åðåéóüäéá óåéñÜò êéíïõìÝíùí ó÷åäßùí ãéá ôçí ôçëåüñáóç óôï ÌåãÜëï Âáóßëåéï êáé äïýëåøå ùò animator êáé layout artist, óå óôïýíôéï êéíïõìÝíùí ó÷åäßùí óôç ÍÝá Õüñêç óõìðåñéëáìâáíïìÝíïõ êáé ôïõ MTV Animation. Äçìéïýñãçóå ôï “toonachunks”, Ýíá óôïýíôéï ðåéñáìáôéêïý êéíïõìÝíïõ ó÷åäßïõ óôç Ëåìåóü ôçò Êýðñïõ. ¸êáíå ôçí ðáñáãùãÞ êáé ôç óêçíïèåóßá óå ðÝíôå ðåéñáìáôéêÝò ôáéíßåò animation êáé ðïëëÝò ôçëåïðôéêÝò äéáöçìéóôéêÝò ôáéíßåò êéíïõìÝíùí ó÷åäßùí. Nicos Synnos is an animator, director / producer from Cyprus. He studied visual communication and cartoon imagery animation in the UK and the USA. He has animated and directed several episodes of cartoon TV series in the UK and worked as an animator and layout artist in New York, including MTV Animation. He established “toonachunks”, a cartoon & experimental animation studio based in Limassol, Cyprus. He has produced and directed five experimental animated S.F.s and several animated TV commercials.

024

ÁÐÑÏÓÙÐÅÓ ÓÊÉÅÓ|FACELESS SHADOWS ÓÊÇÍÏÈÅÓIÁ|DIRECTION Êùíóôáíôßíá ÍôÜéíá ÐáðáäÜêç|Constantina Daina Papadaki ÓÅÍAÑÉÏ|SCREENPLAY Ôæåö ÑÝãåò, ´Áíôæåëá ÌðÜñêåñ|Jeff Reyes, Angela Barker ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Áíôæåëá ÌðÜñêåñ, ¢íôñéáí Ãêáñóßá, ÍôÝéâ ÍáâÜñ|Angela Barker, Andrian Garcia, Dave Navare ÌÏÍÔÁÆ|EDITING IïíÜèáí Ãêñéíìðåñê|Jonathan Grinberg ÌÏÕÓÉÊÇ|MUSIC ´Áíôçò ÓêïñäÞò, ÁíôñÝáò Ôñá÷ùíßôçò|Andys Skordis, Andreas Trahonitis Ç×ÏÓ|SOUND ÌÜéê ÓÜñïïõ, Ôæåñáëíôßí ÁëâÜñåæ|Mike Sarrow, Geraldine Alvarez ÅÑÌÇÍÅIÅÓ|CAST Íáôáëßá ×åñíÜíôåæ, Êåí Ãêüïõ, Êáñïëßíá ÁëâáíÝæ, ÌÜéêë Êïõßë|Natalia Hernandez, Ken Gow, Carolina Albanes, Michael Quill ÐÁÑÁÃÙÃÇ|PRODUCTION ÍôÝéâéíô Ôóïõ|David Chiu ÄÉÅÈÕÍÓÇ|ADDRESS Ðçíåëüðçò ÄÝëôá 10, Áã. ÏìïëïãçôÝò, Ëåõêùóßá|10 Pinelopi Delta str., Ag. Omoloyites, Nicosia ÔÇË.|TEL. 00357 99541638 Ïé ðëçãÝò ôïõ ðáñåëèüíôïò äåí Ý÷ïõí êëåßóåé áêüìá. Óáí áðñüóùðåò óêéÝò èá åðáíÝëèïõí, ãéá íá óôïé÷åéþóïõí ôï ðáñüí êáé íá ïäçãÞóïõí ôçí åëðßäá ãéá ôï ìÝëëïí óôçí êáôáóôñïöÞ. The wounds of the past have not yet healed. Like faceless shadows they return to haunt the present and lead any hope for a better future to destruction.

025

FRACTURED|ÊÅÑÌÁÔÉÓÌÅÍÏÓ ÓÊÇÍÏÈÅÓIÁ|DIRECTION Ôæüííé ÊåâïñêéÜí|Johnny Kevorkian ÓÅÍAÑÉÏ|SCREENPLAY Ôæüííé ÊåâïñêéÜí|Johnny Kevorkian ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ×Üñçò ×áñáëÜìðïõò|Harris Charalambous ÌÏÍÔÁÆ|EDITING ´Éáí ÍôéöÝñ|Ian Differ ÌÏÕÓÉÊÇ|MUSIC ÍÜéôæåë ÊëÜñê, ÌÜéêë ÊóÜíé-Ãïõßëò|Nigel Clarke, Michael Csanyi-Wills Ç×ÏÓ|SOUND Äþñïò ÍéêïëáÀäçò|Doros Nicolaides ÅÑÌÇÍÅIÅÓ|CAST ÍôÝìéáí Ï´ ×Ýáñ, Áëåîßá ÐáñáóêåõÜ, Åëßæá Ðáôóáëßäïõ|Damian O´ Hare, Alexia Paraskeva, Eliza Patsalidou ÐÁÑÁÃÙÃÇ|PRODUCTION ¢ííá ÔóéÜñôá, Íéë ÌÝñöé, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Anna Tsiarta, Neil Murphy, Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS ÓÜèáò 3Ê, Äéáì. 301, ´Áã. ÏìïëïãçôÝò, Ëåõêùóßá|3K Sathas str., flat 301, Ag. Omologites, Nicosia ÔÇË.|TEL. 00357 22311792, 0044 7887563518 ÖÁÎ|FAX 004420 89981590 Ï ×Üñé ×Ýíóïí óõíÝñ÷åôáé Ýíá áðüãåõìá Ýîù áðü ôï õðüóôåãï ôïõ êÞðïõ ôïõ, üðïõ Ý÷áóå ôéò áéóèÞóåéò ôïõ, Ýðåéôá áðü Üãñéï îõëïêüðçìá. Óôï óðßôé ôïõ âñßóêåé Ýíá ìÞíõìá óôïí õðïëïãéóôÞ ôïõ áðü êÜðïéïí Üãíùóôï ðïõ ôïõ ëÝåé üôé áðÞãáãå ôç ãõíáßêá ôïõ. ´Å÷åé ðïëý ëßãï ÷ñüíï óôç äéÜèåóÞ ôïõ ãéá íá ôç âñåé êáé íá ôç öÝñåé ðßóù æùíôáíÞ. Ïne afternoon, Harry Henson recovers after being knocked unconscious in his garden shed. He has been beaten and left almost dead. Shortly afterwards, he receives a video message on his email that tells him that his wife has been kidnapped by an unknown person. He has very little time to find her and bring her back alive.

Ï Ôæüííé ÊåâïñêéÜí ãåííÞèçêå óôçí Êýðñï êáé óðïýäáóå êéíçìáôïãñÜöï óôï ðáíåðéóôÞìéï ôïõ ÃïõÝóôìéíóôåñ ôïõ Ëïíäßíïõ. ÓêçíïèÝôçóå ôáéíßåò Ì.Ì., ìïõóéêÜ âßíôåï êáé ðáñáãùãÝò åðé÷åéñÞóåùí. ÅñãÜóôçêå åðßóçò ùò óêçíïèÝôçò ãéá ôç äåýôåñç ìïíÜäá ôçò ôáéíßáò “24 Hours in London”. Ïé Ì.Ì. ôáéíßåò ôïõ, “Wake” êáé “Seizures”, êÝñäéóáí âñáâåßá êáé ðñïâëÞèçêáí óå ðïëëÜ öåóôéâÜë ðáãêïóìßùò. Ïé ôáéíßåò áõôÝò äéáíÝìïíôáé áðü ôçí Hypnotic, ôç ìåãáëýôåñç äéáäéêôõáêÞ åôáéñåßá äéáíïìÞò ôáéíéþí. ÁõôÞ ôçí ðåñßïäï ï Ôæüííé âñßóêåôáé óôï óôÜäéï ôçò ðñï-ðáñáãùãÞò ôçò ðñþôçò ôïõ ôáéíßáò ìåãÜëïõ ìÞêïõò. Johnny Kevorkian was born in Cyprus and moved to London to study filmmaking. He graduated in Film from the University of Westminster. He then worked as director on numerous S. F.s, music videos, corporate productions and feature films, including 2nd Unit Directing on “24 Hours In London”. His S. F.s “The Wake and Seizures” won prizes and have been screened at various film festivals around the world. They have been acquired by the largest internet based film distribution company, “Hypnotic”. Johnny is currently in pre-production on his first feature length film.

026

ÔÅÔÑÁËÏÃÉÁ: ÍÁ ÌÅÉÍÙ ´Ç ÍÁ ÖÕÃÙ;, ÔÓÁÊÉÓÔÅÓ ÅËÉÅÓ, ÇËÅÊÔÑÉÓÌÏÓ, ÔÁ ÊÏÕÍÅËÉÁ ÎÅ×ÍÏÕÍ| FOUR INTERCONNECTED SHORT DOCUMENTARY FILMS: SHOULD I STAY OR SHOULD I GO?, ELECTRICITY, MARINATED CRUSHED OLIVES, RABBITS HAVE NO MEMORY ÓÊÇÍÏÈÅÓIÁ|DIRECTION Ëßá Ëáðßèç|Lia Lapithi ÓÅÍAÑÉÏ|SCREENPLAY Ëßá Ëáðßèç|Lia Lapithi ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ëßá Ëáðßèç|Lia Lapithi ÐÁÑÁÃÙÃÇ|PRODUCTION Ëßá Ëáðßèç|Lia Lapithi ÄÉÅÈÕÍÓÇ|ADDRESS ÄçìïóèÝíïõò 14, 1101 Ëåõêùóßá|14 Demosthenous str., 1101 Nicosia ÔÇË.|TEL. 00357 99 613360 Å-MAIL lia@lialapithi.com www.lialapithi.com Ìéá ôåôñáëïãßá áðü ôáéíßåò ìéêñïý ìÞêïõò/íôïêéìáíôÝñ, ãéá ôçí Êýðñï. Ç öüñìá ôùí ôáéíéþí êõìáßíåôáé ìåôáîý áöçãçìáôéêÞò-ðïëéôéêÞò ôáéíßáò ìå áêáôÝñãáóôï áñ÷åéáêü õëéêü êáé ðåéñáìáôéóìïý, ìå åóêåììÝíç õöÞ åñáóéôå÷íéêïý âßíôåï. ÂëÝðïíôáò äéáöçìßóåéò ðïõ ðñïâÜëëïõí ôçí Êýðñï ùò ôïõñéóôéêü ðñïïñéóìü, Ýíá «ëïõóôñáñéóìÝíï» íçóß ôçò áãÜðçò, åôïßìáóá áõôÞí ôçí ôåôñáëïãßá óáí áíôßäñáóç óôï êëéóÝ áõôü. Åßíáé ìéá åíáëëáêôéêÞ Üðïøç ôçò ðñáãìáôéêüôçôáò áðü ôç óêïðéÜ ôïõ åéêáóôéêïý. Four interconnected short documentary films on Cyprus. The tetralogy oscillates between narrative politics, raw archive documentary and the experimental with purposeful “home-made” video and montage effect. An alternative artist's version, these four films were a reaction to tourist clips advertising holidaying in Cyprus, giving a glossy cliche of “the island of love”.

Ç Ëßá Ëáðßèç-Óïõêéïýñïãëïõ ãåííÞèçêå óôçí Ëåõêùóßá ôï 1963 üðïõ æåé êáé åñãÜæåôáé. Áðïöïßôçóå áðü ôï ðáíåðéóôÞìéï UCSC óôç Êáëéöüñíéá ìå BA Art and Environmental Design, áðü ôï ðáíåðéóôÞìéï ôïõ ËÜíêáóôåñ ìå Mphil Art, êáé, áðü ôï ðáíåðéóôÞìéï ôïõ ÊáíôÝñìðïõñõ, ìå Diploma of Architecture (RIBA 2). ÔéìÞèçêå ìå ôï âñáâåßï 'Outstanding International Student' áðü ôï UCSC, ôï Grand Prix óôçí 20ç ÌðéåíÜëå ôçò ÁëåîÜíäñåéáò êáé ìå ôï 3ï âñáâåßï óôçí ÌðéåíÜëå Öëùñåíôßáò óôçí Éôáëßá. ÁôïìéêÝò åêèÝóåéò (ìåôáîý Üëëùí) óå óõíäõáóìü ìå åêäüóåéò: Ðéóôåýåéò óôï íåñü - Ãéáôñåýïíôáò ôçí Öýóç (2006), ÅéóðíïÞ - ÅêðíïÞ (2003), ×åéñïõñãéêïß èÜëáìïé (2001). Ðñüóöáôåò ïìáäéêÝò åêèÝóåéò (2005-2007): Crossings - A Contemporary View (Ãáëëßá), 28ï Ìåóïãåéáêü ÖåóôéâÜë ÓéíåìÜ (Ãáëëßá), ÓõíÜíôçóç Åõñþðçò - Êýðñïõ óôï ºäñõìá Apollonia European Art Exchanges (Ãáëëßá), ´Åêèåóç Europart (Áõóôñßá), ÖåóôéâÜë âßíôåï Rencontres Ðáñßóé - Âåñïëßíï, ÔñéåíÜëå Öùôïãñáößáò (Öéíëáíäßá), ¸êèåóç Somatopia (ÌåãÜëç Âñåôáíßá), «Capturing Utopia» óôï ÊÝíôñï ïé Öïýñíïé (ÅëëÜäá), ´Åêèåóç Venice Open (Éôáëßá) Lia Lapithi Shukuroglou was born in Nicosia in 1963, where she lives and works. She obtained double major BA Art and Environmental Design UCSC, California, USA. Mphil Art Lancaster University, UK. Diploma of Architecture (RIBA 2) Canterbury Institute of Art and Design. Awarded 'Outstanding International Student' UCSC, Le Grand Prix, 20th International Biennale of Alexandria, Egypt and multimedia award at the 3rd Biennale of Florence, Italy. Solo exhibitions (amongst others) with publications: Do you Believe in Water - Healing Nature (2006), Inhale-Exhale (2003), Operating Theatres (2001). Recent group exhibitions (2005-2007): Crossings - A contemporary View, (France), 28e Festival Cinéma Méditerranéen (France), Meeting Europe - Cyprus Apollonia European Art Exchanges, (France), Europart (Austria), Rencontres (Paris Berlin), Triennial of Photography (Finland), Somatopia (Great Britain), Capturing Utopia, Fournos Center (Greece), Exhibition Venice Open (Italy).

027

¸íáò ìïíá÷éêüò óõããñáöÝáò ÷Üíåé ôïí Ýëåã÷ï ôçò éóôïñßáò ðïõ ãñÜöåé. Ïé ÷áñáêôÞñåò ôïõ äéáöùíïýí ìáæß ôïõ êáé èÝëïõí íá áðïöáóßóïõí ïé ßäéïé ãéá ôçí ôý÷ç ôïõò. A lonely writer loses control of his story. His characters disagree with him and want to make their own decisions on their fate.

O Êùíóôáíôßíïò Ãéáëëïõñßäçò óðïýäáóå öùôïãñáößá óôçí ÁèÞíá êáé óêçíïèåóßá êéíçìáôïãñÜöïõ óôï Northern Film School óôç ÌåãÜëç Âñåôáíßá. ÖÉËÌÏÃÑÁÖÉÁ|Ï ÐÝìðôïò ¼ñïöïò (2004) Constantinos Giallourides studied Photography in Athens and Film Direction at the Northern Film School in Great Britain. FILMOGRAPHY|The 5th Floor (2004)

028

ÊÁÔÇÃÏÑÉÁ|CATEGORY Ì.Ì. (Ìõèïðëáóßá)| S.F. (Fiction) ÅÔÏÓ|YEAR 2006 ÄÉÁÑÊÅÉÁ|DURATION 4~43~~ (DVD)

Ç ÅÐÉÓÊÅØÇ|THE VISIT ÓÊÇÍÏÈÅÓIÁ|DIRECTION ×áñÜëáìðïò Ìáõñïìé÷Üëçò|Charalambos Mavromichalis ÓÅÍAÑÉÏ|SCREENPLAY ×áñÜëáìðïò Ìáõñïìé÷Üëçò, Ãéþñãïò Ðåëëáðáúóéþôçò|Charalambos Mavromichalis, George Bellapaisiotis ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ìðï÷éôÜíá Óìßñíïâá|Bohdana Smyrnova ÌÏÍÔÁÆ|EDITING ×áñÜëáìðïò Ìáõñïìé÷Üëçò, Ãéþñãïò Ðåëëáðáúóéþôçò|Charalambos Mavromichalis, George Bellapaisiotis ÌÏÕÓÉÊÇ|MUSIC ÍôÜñéï ÅóêåíÜæé|Dario Eskenazi Ç×ÏÓ|SOUND ÔæÝíéöåñ Ëß|Jennifer Li ÅÍÄÕÌÁÔÏËÏÃÏÓ|COSTUME DESIGN Ãéþñãïò Ðåëëáðáúóéþôçò|George Bellapaisiotis ÅÑÌÇÍÅIÅÓ|CAST Ìáñê ´Áéñéò, Íéå ÍÜéô, ´Åñéí ÑÜöôåñé|Mark Irish, Niae Knight, Erin Raftery ÄÉÅÈÕÍÓÇ|ADDRESS Óôáóßíïõ 3Á, Áêñüðïëç, 2014 Óôñüâïëïò, Ëåõêùóßá|3A Stasinou str., Akropoli, 2014 Strovolos, Nicosia ÔÇË.|TEL. 00357 22315873, 001 9734645435, 001 2124730979 ÖÁÎ|FAX 00357 22430050 Å-MAIL mavroh@aol.com «Ç Åðßóêåø» ç ôáîéäåýåé ôï èåáôÞ óôçí êïìøüôçôá, ôçí ïìïñöéÜ êáé ôï «êáëü ãïýóôï» ôçò äåêáåôßáò ôïõ 1920. ´ ¸íá ðëïýóéï æåõãÜñé åôïéìÜæåôáé ãéá ðñüãåõìá óôç âåñÜíôá ôïõ óðéôéïý ôïõ üôáí, îáöíéêÜ åìöáíßæåôáé ìéá ðñþçí ößëç ôïõ óõæýãïõ ìå ôçí åîþãáìç èõãáôÝñá ôïõò. ´Ïðùò ðñïóðáèåß íá ôçí îåöïñôùèåß, ç ìáôéÜ ôïõ ðÝöôåé óôçí êüñç ôïõ. ÁõôÞ ç ìïíáäéêÞ ìáôéÜ áðáëýíåé ôï èõìü êáé ôïí ìåôáôñÝðåé óå Ýíá ðñùôïöáíÝò óõíáßóèçìá ðïõ ìðïñåß íá êáôáóôñÝøåé üëï ôïõ ôï åßíáé. “The Visit” is a story about a rich couple in the 1920s whose peaceful life gets disrupted by a visit from the past. The couple is preparing breakfast in their patio when the husband’s ex-lover appears in his estate together with their illegitimate daughter. As he is trying to get rid of his lover, he can’t help but notice his daughter. That one look transforms his anger and turns it into a new emotion that could endanger his whole existence.

Ï ×áñÜëáìðïò Ìáõñïìé÷Üëçò åßíáé ÷ïñïãñÜöïò êáé éäñõôÞò ôçò ÷ïñåõôéêÞò ïìÜäáò ìïíôÝñíïõ ÷ïñïý “Dance Anonymous”. Âñßóêåôáé óôï äåýôåñï Ýôïò ôùí óðïõäþí ôïõ ãéá ôßôëï “master” óôç óêçíïèåóßá, óôï ÐáíåðéóôÞìéï ôçò ÍÝáò Õüñêçò, üðïõ óðïõäÜæåé ìå õðïôñïößåò. Åßíáé áðüöïéôïò ôïõ Rutgers University ìå Bachelor in Communication and Spanish Literature. Óðïýäáóå ÷ïñü óôçí Êïðåã÷Üãç êáé ìåôÝðåéôá óôç ÍÝá Õüñêç óôéò ó÷ïëÝò The Ailey School êáé Steps on Broadway. Charalambos Mavromichalis is a choreographer and founder of the Dance Anonymous modern dance company. Çe is in his second year towards a Master’s degree in Cinematography at New York University where he is studying with scholarships. He is a graduate of Rutgers University with a high honours Bachelor’s degree in Communication and Spanish Literature. He has studied dance in Copenhagen and later in New York at The Ailey School and Steps on Broadway.

029

ÌÉÁ ÂÏËÔÁ|A STROLL ÓÊÇÍÏÈÅÓIÁ|DIRECTION Á÷éëëÝáò Êåíôþíçò, Ìáñßá Ðáðá÷áñáëÜìðïõò|Achilleas Kentonis, Maria Papacharalambous ÓÅÍAÑÉÏ|SCREENPLAY Ìáñßá Ðáðá÷áñáëÜìðïõò, Á÷éëëÝáò Êåíôþíçò|Maria Papacharalambous, Achilleas Kentonis ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ìáñßá Ðáðá÷áñáëÜìðïõò|Maria Papacharalambous ÌÏÍÔÁÆ|EDITING Ìáñßá Ðáðá÷áñáëÜìðïõò, Á÷éëëÝáò Êåíôþíçò|Maria Papacharalambous, Achilleas Kentonis ÅÑÌÇÍÅIÅÓ|CAST Íéüâç ×áñáëÜìðïõò, ´Áíôñïò ÐÜöéïò|Niovi Charalambous, Andros Paphios ÐÁÑÁÃÙÃÇ|PRODUCTION Á÷éëëÝáò Êåíôþíçò, Ìáñßá Ðáðá÷áñáëÜìðïõò, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Achilleas Kentonis, Maria Papacharalambous, Min. Ed & Cul. (S.Å.ÊÉÍ) ÄÉÅÈÕÍÓÇ|ADDRESS Áã. ÏìïëïãçôÝò 64, 1080 Ëåõêùóßá|64 Ay. Omoloyites Ave., 1080 Nicosia ÔÇË.|TEL. 00357 22445455 ÖÁÎ|FAX 00357 22818128 Å-MAIL achilleas@artosfoundation.org

Ìéá ðåñéðÝôåéá óôï Ìïõóåßï Ãêïýãêåí÷áúì ôïõ ÌðéëìðÜï. ÊÜðïéïò ðñïóðáèåß íá ãëéóôñÞóåé ìÝóá óå Ýíá Ýñãï ôÝ÷íçò, áëëÜ áõôü Ý÷åé äéáöïñåôéêÜ ó÷Ýäéá. Ç áíáðáñÜóôáóç ôïõ ðßíáêá æùíôáíåýåé êáé êÜíåé ìéá âüëôá óå ìéá ìéêñÞ ðüëç… ÐåñéðëáíéÝôáé óå äéÜöïñá ìÝñç, áëçèéíÜ Þ ìç, êáé óõíáíôÜåé ðáñÜîåíá üíôá êáé åéêüíåò. An adventure in the Bilbao Gugenheim Museum. Somebody is trying to sneak inside a work of art, but this has a different plan. The figure depicted in the painting comes to life and takes a stroll in a small town… It wanders around various areas, real or unreal, and meets strange creatures and figures.

Ï Á÷éëëÝáò Êåíôþíçò óðïýäáóå Çëåêôñïëüãïò Ìç÷áíéêüò, ÖõóéêÞ êáé ÏðôéêÝò ÔÝ÷íåò óôéò ÇÐÁ, ÁéóèçôéêÞ ÍÝùí Ôå÷íïëïãéþí óôçí Éóðáíßá êáé ÐïëéôéóôéêÞ Ôå÷íïëïãßá (Äéäáêôïñéêü) óôçí ÅëëÜäá. ¸÷åé åêðñïóùðÞóåé ôçí Êýðñï óå äéÜöïñåò åêèÝóåéò êáé ÌðéåíÜëå óôï åîùôåñéêü. Achilleas Kentonis studied Electronic Engineering, Physics and Visual Arts in the U.S., Aesthetics of New technologies in Spain and Cultural Technology (PhD) in Greece. Çe has represented Cyprus in various exhibitions and Biennale abroad. Ç Ìáñßá Ðáðá÷áñáëÜìðïõò ãåííÞèçêå óôç Ëåõêùóßá ôï 1964. Óðïýäáóå óôç Ó÷ïëÞ Êáëþí Ôå÷íþí ôçò ÁèÞíáò êáé óôç óõíÝ÷åéá Ýêáíå ìåôáðôõ÷éáêÝò óðïõäÝò óôç Ó÷ïëÞ Cuenca, óôç Ìáäñßôç (Éóðáíßá) êáé óôï ÐáíåðéóôÞìéï Castille La Mancha in Cuenca, óôçí Éóðáíßá (1982-1993). ¸÷åé åêðñïóùðÞóåé ôçí Êýðñï óå äéÜöïñåò åêèÝóåéò êáé ÌðéåíÜëå óôï åîùôåñéêü. Maria Papacharalambous was born in Nicosia in 1964. She studied at the School of Fine Arts in Athens and later on at the Foucaultad in Cuenca, Srain Madrid (post-graduate) and the University of Castille La Mancha in Cuenca, Spain (1982-1993). She has represented Cyprus in various exhibitions and Biennale abroad. ÖÉËÌÏÃÑÁÖÉÁ|FILMOGRAPHY (ÅðéëïãÞ|Selection) Åõèñáóôüôçôá (2005), Öïéíéêïý (2003), Ï ×ï(ù)ñïðïéüò (2002), ¸íá Áõãü (1999)| Fragility (2005), Phinikou (2003), The Choros (space/dance) Maker (2002), An Egg (1999)

030

Ç âßá êáé ï öüâïò óôéò ðáéäéêÝò éóôïñßåò. Ç ôáéíßá áêïëïõèåß ïðôéêÜ ôçí ðñïóðÜèåéá åíüò ìéêñïý êïñéôóéïý íá ìÜèåé Ýíá ðáéäéêü äçìïôéêü ðïßçìá ðïõ ðÝñáóå áðü ãåíéÜ óå ãåíéÜ ìå ðáñáëëáãÝò. ÐáëéÜ ðáé÷íßäéá êáé Þñùåò åéêïíïãñáöçìÝíùí ðáñáìõèéþí Ý÷ïõí ÷ñçóéìïðïéçèåß ùò ìïíôÝëá ãéá ôá êéíïýìåíá ó÷Ýäéá ôçò ôáéíßáò. Violence and fear in children’s stories. The movie follows visually the effort of a child to learn to recite correctly a popular children’s poem passed on from generation to generation in different versions. Old toys and heroes from illustrated fairytales are used as models for the drawings in the animation.

Ç Êùíóôáíôßá ÓïöïêëÝïõò ãåííÞèçêå óôç Ëåìåóü ôï 1974. Óðïýäáóå animation óôï ÐáíåðéóôÞìéï ôïõ Westminster óôï Ëïíäßíï (MSc in Computer Animation) ìå äéÜêñéóç êáé Internet Technologies óôï ÐáíåðéóôÞìéï ôçò ÍÝáò Õüñêçò (NYU) ìå õðïôñïößá ôïõ Fulbright. ÓõíÝ÷éóå ìå ãñáöéóôéêÞ óôá ÔÅÉ Áèçíþí üðïõ õðÞñîå õðüôñïöïò ôïõ ÉÊÕ ÅëëÜäïò. Ìåôåêðáéäåýôçêå óôç äçìéïõñãßá Çëåêôñïíéêþí Ðáé÷íéäéþí óôï CIANT/FAMU óôçí ÐñÜãá. ¸ñãá ôçò ðáñïõóéÜóôçêáí óå ÄéåèíÞ ÖåóôéâÜë Animation êáé óå ÅêèÝóåéò óôçí Êýðñï êáé óôï åîùôåñéêü. Ôï 2005 åêðñïóþðçóå ôçí Êýðñï óôçí 51ç ÄéåèíÞ ¸êèåóç ôçò ÌðéåíÜëå Âåíåôßáò ìå äýï ôáéíßåò êéíïõìÝíùí ó÷åäßùí. Æåé êáé åñãÜæåôáé óôç Ëåìåóü. ÖÉËÌÏÃÑÁÖÉÁ| Ïé ÐåñéðÝôåéåò ôçò Áëßêçò (êéíïýìåíá ó÷Ýäéá) (2005), Glouglou (êéíïýìåíá ó÷Ýäéá) (2002) Constantia Sofocleous was born in Limassol in 1974. She studied animation at the University of Westminster in London (MSc in Computer Animation) from where she graduated with Distinction and Internet Technologies at New York University (NYU) and was a Fulbright scholar. She then studied Graphic Design at TEI of Athens and was an IKY scholar. She also received training in 3D Games Development at CIANT/FAMU in Prague. Her work has been presented in International Animation Festivals and Art Exhibitions in Cyprus and abroad. In 2005 she represented Cyprus at the Venice Biennale 51st International Art Exhibition with two animated movies. She lives and works in Limassol. FILMOGRAPHY| Alice’s Adventures in Wonderland (animation) (2005), Glouglou (animation) (2002)

031

ÐÑÏÂÁ ÐÁËÔÏÕ|COAT FITTING ÓÊÇÍÏÈÅÓIÁ|DIRECTION Çëßáò Äçìçôñßïõ|Ålias Dimitriou ÓÅÍAÑÉÏ|SCREENPLAY Çëßáò Äçìçôñßïõ|Ålias Dimitriou ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Óßìïò ÓáñêåôæÞò|Simos Sarketzis ÌÏÍÔÁÆ|EDITING Çëßáò Äçìçôñßïõ|Ålias Dimitriou ÌÏÕÓÉÊÇ|MUSIC Íßêïò Ðáðáäïãïýëáò|Nikos Papadogoulas Ç×ÏÓ|SOUND Ãéþñãïò Âáóéëåßïõ|George Vasiliou ÅÍÄÕÌÁÔÏËÏÃÏÓ|COSTUME DESIGN Êþóôáò Ðáðáãåùñãßïõ|Costas Papageorgiou ÅÑÌÇÍÅIÅÓ|CASTÃéþñãïò ÁñìÝíçò, ÅëÝíç ÂåñãÝôç, ÐáíôåëÞò Ðáðáäüðïõëïò|George Armenis, Eleni Vergeti, Pantelis Papadopoulos ÐÁÑÁÃÙÃÇ|PRODUCTION Çëßáò Äçìçôñßïõ|Ålias Dimitriou ÄÉÅÈÕÍÓÇ|ADDRESS ÌÞäåéáò 4, 162 32 Âýñùíáò, ÁèÞíá|4 Midias str., 162 32 Vironas, Athens ÔÇË.|TEL. 0030 2107641164 ÖÁÎ|FAX 0030 2107641164 Å-MAIL eliafilm@hotmail.com Ï ÉïñäÜíçò, Ýíáò ðáëéüò ñÜöôçò, êÜèåôáé ÷ùñßò äïõëåéÜ óôï ðáñáôçìÝíï ñáöåßï ôïõ áíáðïëþíôáò ôéò ðáëéÝò åðï÷Ýò. Ç îáöíéêÞ åìöÜíéóç ôçò Ìáñßáò, ðïõ èÝëåé íá ãõñßóåé Ýíá íôïêéìáíôÝñ ãéá ôïí ßäéï, öùôßæåé ôç ìïõíôÞ æùÞ ôïõ. ¼ëá áðïêôïýí Ýíá êáéíïýñãéï íüçìá îáíÜ. Óáí óêïíéóìÝíç êïýêëá ðïõ æùíôÜíåøå áñ÷ßæåé íá ðáßæåé Üøïãá ôïí ìïíáäéêü ñüëï ðïõ åñìÞíåõóå óôçí æùÞ ôïõ, áõôüí ôïõ ñÜöôç. ÃñÞãïñá ìåôáîý ôïõò áíáðôýóóåôáé ìéá âáèéÜ áíèñþðéíç ó÷Ýóç. Jordan is an old tailor sitting in his deserted shop reminiscing the old times. Suddenly, Maria shows up. She is interested in making a documentary on his life, and this lights up his dull existence. His life has a meaning again. Like a dusty doll that is brought back to life, he starts playing the role of the tailor, the only role he has ever played in his life. Soon, a deeply human relationship develops between them.

O Çëßáò Äçìçôñßïõ ãåííÞèçêå óôçí Êýðñï. Óðïýäáóå Èåïëïãßá êáé ÊéíçìáôïãñÜöï óôçí ÁèÞíá üðïõ æåé êáé åñãÜæåôáé ùò óêçíïèÝôçò, âïçèüò óêçíïèÝôç êáé ìïíôÝñ. Ïé ôáéíßåò ôïõ Ý÷ïõí áðïóðÜóåé áñêåôÜ âñáâåßá êáé äéáêñßóåéò óå åëëçíéêÜ êáé äéåèíÞ öåóôéâÜë. ÖÉËÌÏÃÑÁÖÉÁ|Éóôïñßá ôùí ×ñüíùí ìïõ - Êþóôáò Ôóüêëçò 1985 (2005), Ðýëá, Áõôïß ðïõ ÐÜíôá ¸ìåíáí Ìáæß (2004), ÎÝíç ÁèÞíá (2003), Ðëáôåßá ÈåÜôñïõ (2003), Ãéþñãïò Áñâáíßôçò (2002), Åíôüò ôùí Ôåé÷þí (2001), Merry Kitschmas (2000), Tricolore (1998), Prive (1996) Ålias Dimitrioõ was born in Cyprus. He studied Theology and Film in Athens where he lives and works as a director, assistant director and editor. His films have received several awards and distinctions in Greek and international festivals. FILMOGRAPHY|History ïf My Times - Kostas Tsoklis 1985 (2005), Pyla, Those who Have Always Lived Together (2004), Strange Athens (2003), Theatre Pit (2003), George Arvanitis (2002), Within the Walls (2001), Merry Kitschmas (2000), Tricolore (1998), Prive (1996)

032

ÇÌÉÖÙÓ|DUSKY LIGHT ÓÊÇÍÏÈÅÓIÁ|DIRECTION ÁíôñÝáò Óáââßäçò|Andreas Savvides ÓÅÍAÑÉÏ|SCREENPLAY ÁíôñÝáò Óáââßäçò|Andreas Savvides ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ÄçìÞôñçò ×ùñéáíüðïõëïò|Demetris Horianopoulos (×Üñçò ËÜìðñïõ - âïçèüò| Harris Lambrou - Camera Assistant) ÌÏÍÔÁÆ|EDITING ×ñÞóôïò ÊáñÝôóïò|Christos Karetsos ÌÏÕÓÉÊÇ|MUSIC ËÜìðñïò ÔáêëÞò|Lambros Taklis Ç×ÏÓ|SOUND Íßêïò Ìðïýãéïõêïò|Nikos Bougoukos ÓÊÇÍÏÃÑÁÖÉÁ|PRODUCTION DESIGN Óðýñïò ËÜóêáñçò, Éùáêåßì ÌõëùíÜò|Spyros Laskaris, Ioakim Milonas ÅÑÌÇÍÅIÅÓ|CAST Ãéþôá ÖÝóôá, Ìáñßá Éùáííßäïõ, Êùíóôáíôßíïò ËÜãêïò|Yiota Festa, Maria Ioannidou, Kostantinos Lankos ÏÌÁÄÁ ÐÁÑÁÃÙÃÇÓ|PRODUCTION ÔÅÁÌ Ðáíáãéþôçò Öùôßïõ, ´Åêôïñáò ÁãáèïêëÝïõò, Ðáíßêïò ÔóåñóÞ÷| Panagiotis Fotiou, Ektoras Agathocleous, Panikos Tserich ÐÁÑÁÃÙÃÇ|PRODUCTION Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS Ìåóïãåßùí 30, Áìðåëüêçðïé, 115 27 ÁèÞíá|30 Mesogeion str., Ampelokipoi, 115 27 Athens ÔÇË.|TEL. 0030-6972083748 Å-MAIL andreaskleinmein@yahoo.com Ç ôõöëÞ Måëßóóá ìðáßíåé óôçí åöçâåßá ôçò êáé Ýôóé Ýñ÷åôáé áíôéìÝôùðç ìå ôá ðñïâëÞìáôá ðïõ êÜèå êïñßôóé âñßóêåé óôçí çëéêßá áõôÞ. The blind twelve-year old Melissa has to deal with passage to adolescence and the problems that all girls face at this age.

O ÁíäñÝáò Óáââßäçò ãåííÞèçêå óôç Ëåìåóü ôï 1977. Óðïýäáóå äçìïóéïãñáößá êáé óêçíïèåóßá êéíçìáôïãñÜöïõ óôçí ÁèÞíá óôç Ó÷ïëÞ Ëõêïýñãïõ ÓôáõñÜêïõ. Äïõëåýåé ùò âïçèüò óêçíïèÝôç óå ìåãÜëïõ ìÞêïõò ôáéíßåò, ìéêñÜ íôïêéìáíôÝñ áëëÜ êáé äéáöçìßóåéò, äßðëá óå êáôáîéùìÝíïõò óêçíïèÝôåò. Ç ôáéíßá ôïõ «Çìßöùò» Ý÷åé ðñïâëçèåß óå äéÜöïñá äéåèíÞ öåóôéâÜë êéíçìáôïãñÜöïõ. ÖÉËÌÏÃÑÁÖÉÁ|Çìßöùò (2005), Ôï Ìðáëüíé (2003) Andreas Savvides was born in Limassol, Cyprus in 1977. He studied journalism and film direction in Stavrakos Film School in Greece. He is currently working as assistant director in fiction films, documentaries and TV commercials in cooperation with well established directors. His movie “Dusky Light” has been screened in various international film festivals. FILMOGRAPHY| Dusky Light (2005), The Balloon (2003)

033

Ìéá áíáäñïìÞ óôï êáñíáâÜëé ôçò Ëåìåóïý êáé óôïí ôñüðï ðïõ ïé Ëåìåóéáíïß ôï âéþíïõí. A flashback to the Limassol Carnival and the way in which Limassolians live and experience it.

Ï ÈùìÜò ÊáëëÞò óðïýäáóå ÊéíçìáôïãñÜöï êáé Ôçëåüñáóç. Äïýëåøå ùò óêçíïèÝôçò óå ôçëåïðôéêïýò óôáèìïýò êáé áðü ôï 1998 äéåõèýíåé ôçí åôáéñåßá ðáñáãùãÞò ôáéíéþí ÉÑÉÄÁ. ÖÉËÌÏÃÑÁÖÉÁ|Êßôñéíï ÊáíÜëé (2005), ÅðéêÞäåéïò (1998), ÓÞìá Êéíäýíïõ (1983), ¢ãíùóôïò ôçò Íý÷ôáò (1980) Thomas Kallis studied Cinema and Television. He has worked as a director for a number of TV Stations. Since 1998 he is the Director of IRIDA Production Company. FILMOGRAPHY| Yellow Channel (2005), Funeral (1998), Alarm Signal (1983), Stranger in the Night (1980)

034

ÌÐËÏÕÆ ÃÉÁ ÔÇ ÍÅÄÇ ÑÁÚÁÍ|BLUES FOR NEDI RYAN ÓÊÇÍÏÈÅÓIÁ|DIRECTION ×ñéóôüöïñïò Ñïäßôçò|Christoforos Roditis ÓÅÍAÑÉÏ|SCREENPLAY ×ñéóôüöïñïò Ñïäßôçò|Christoforos Roditis ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Êùíóôáíôßíïò ´Ïèùíïò|Constantinos Othonos ÌÏÍÔÁÆ|EDITING ÃéÜííçò ÊáôóÜìðïõëáò|Giannis Katsamboulas ÌÏÕÓÉÊÇ|MUSIC ÂÜóïò Áñãõñßäçò|Vasos Argyrides Ç×ÏÓ|SOUND ×ñÞóôïò ´Ïèùíïò|Christos Othonos ÓÊÇÍÏÃÑÁÖIÁ|PRODUCTION DESIGN Óôáýñïò Áíôùíüðïõëïò|Stavros Antonopoulos ÅÑÌÇÍÅIÅÓ|CAST ÄÞìçôñá ÄçìçôñéÜäïõ, Á÷éëëÝáò Ãñáììáôéêüðïõëïò, ÁíäñÝáò Âáóéëåßïõ, ËéÜíá ×áëêéÜ, Öþôçò Ãéùñãßäçò, Íôßíïò Ëýñáò|Demetra Demetriadou, Achilleas Grammatikopoulos, Andreas Vassiliou, Liana Chalkia, Photis Georgides, Dinos Lyras ÄÉÅYÈÕÍÓÇ ÐÁÑÁÃÙÃÇÓ|PRODUCTION CO-ORDINATOR Èåüäùñïò Ðñáâéôóéþôçò|Theodoros Pravitsiotis ÐÁÑÁÃÙÃÇ|PRODUCTION Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS Ô. È. 20651, 1661 Ëåõêùóßá|P.O.Box 20651, 1661 Nicosia ÔÇË.|TEL. 00 357 22311959 ÖÁÎ|FAX 00357 22498931 Ç ÍÝäç, ìéá íåáñÞ êïðÝëá, æåé ìå ôïí Üíôñá ôçò óå Ýíá äéáìÝñéóìá ðïëõêáôïéêßáò. Ç ÍÝäç äåß÷íåé üôé ôïí áãáðÜ êáé èÝëåé íá êÜíïõí ìáæß Ýíá ðáéäß. Ï Üíôñáò ôçò åãêáôáëåßðåé åãùéóôéêÜ ôç ó÷Ýóç êáé äçìéïõñãåß Ýíáí ðñüóêáéñï äåóìü ìå ìéáí Üëëç ãõíáßêá. Ç ÍÝäç áíáóôáôùìÝíç ðñïóðáèåß íá êáëýøåé ôï øõ÷éêü ôçò êåíü. ÐÝöôåé óôçí ìÜôáéç áíáæÞôçóç ôçò ó÷Ýóçò ôçò ìéáò íý÷ôáò. Äßðëá ôïõò, óå Ýíá Üëëï äéáìÝñéóìá, Ýíá æåõãÜñé ìÝóçò çëéêßáò ðåñíÜ ôç äéêÞ ôïõ êñßóç. Ç ó÷Ýóç ôùí äýï ìåóçëßêùí öáßíåôáé íá öôÜíåé óôáèåñÜ óôï ôÝëïò ôçò. Äýï êáèçìåñéíÝò éóôïñßåò ìå ôñáãéêÞ åîÝëéîç êáé ôÝëïò. Nedi, a young woman, lives with her husband in their apartment in a block of flats. She is in love with him and very keen to have a child. On the contrary, he shows no interest in their relationship and cheats her with another woman. When Nedi finds out she tries to fill the emotional gap by seeking a one night stand. Next to their flat lives a middle age couple, also going through a crisis. Their relationship seems to be coming to an end. Two parallel, everyday stories which develop and end tragically.

Ï ×ñéóôüöïñïò Ñïäßôçò ãåííÞèçêå ôï 1972. Óðïýäáóå óôç Ó÷ïëÞ ÊéíçìáôïãñÜöïõ Ëõêïýñãïõ ÓôáõñÜêïõ óôï ôìÞìá Óêçíïèåóßáò (1991 - 1994), üðïõ áðïöïßôçóå ìå Ôéìçôéêü Äßðëùìá. ÓõíÝ÷éóå ôéò óðïõäÝò ôïõ óôï London International Film School (1994 - 1996). Åðßóçò, BBC Location Lighting Course (1998) êáé BBC Avid Non Linear Editing (1999). Áðü ôï 1997 äïõëåýåé óôçí TRANSVIDEO LTD ùò ÓêçíïèÝôçò, ÄéåõèõíôÞò Öùôïãñáößáò êáé ÌïíôÝñ. ÖÉËÌÏÃÑÁÖÉÁ|Ëåõêùóßá (2005), Ç Éóôïñßá ôçò ÊõðñéáêÞò ÄéáöÞìéóçò (2004), Ç Óêõôáëïäñïìßá ôïõ ÈáíÜôïõ (1998), ÊõíÞãçóá ôç Ãõíáßêá ìïõ ÌÝ÷ñé ðïõ ìå ÔóÜêùóå (1995), Ï ÁíåëêõóôÞñ (1993) Christophoros Roditis was born in Nicosia in 1972. He graduated from Lykourgos Stavrakos Film School (19911996). He continued his studies at the London International Film School (1994 -1996). Also, BBC Location Lighting Course (1998), BBC Avid Non Linear Editing (1999). Since 1997, he has been working for TRANSVIDEO LTD as a Director, Director of Photography and Editor. FILMOGRAPHY|Lefkosia (2005), The History of Advertising in Cyprus (2004), The Battle of Liopetri (1998), É Chased My Woman Until she Caught me (1995), The Elevator (1993)

035

Ç ìÝãéóôç äéáìïíÞ ðïõ åðéôñÝðåôáé óôïõò ìåôáíÜóôåò åñãÜôåò óôçí ÊõðñéáêÞ Äçìïêñáôßá åßíáé Ýîé ÷ñüíéá. Åäþ, óå áõôü ôï êáéíïýñãéï ðåñéâÜëëïí, áíôéìåôùðßæïõí äõóêïëßåò êáé áðïëáìâÜíïõí ðáñÜëëçëá íÝåò åõêáéñßåò. Ôï âßíôåï èÝôåé åñùôÞìáôá, üðùò ôï ðþò ïé ìåôáíÜóôåò äéáìïñöþíïõí ôçí êáôïéêßá êáé ôç íÝá ôáõôüôçôÜ ôïõò êáé êÜôù áðü ðïéïõò êïéíùíéêïýò êáé íïìéêïýò ðåñéïñéóìïýò ðñÝðåé íá ïñßóïõí ôá ðéï ðÜíù. Ðñüêåéôáé ãéá Ýíá âßíôåïðïñôñáßôï ìéáò áíþíõìçò íåáñÞò áðü ôç ÄõôéêÞ ÁöñéêÞ ðïõ æåé óôç Ëåõêùóßá. The maximum stay granted to migrant workers in the Republic of Cyprus is six years. Apart from the difficulties they face within their new environment, they also enjoy new opportunities. The video explores such questions as how do migrants configure home, place and belonging and the social and legal impositions that define them. How do they construct home away from home? The video draws a portrait of an anonymous young lady from West Africa living in Nicosia.

Ï Êñßóôïöåñ Ìáëáðßôáí åßíáé åëåýèåñïò åðáããåëìáôßáò óôïí ôïìÝá ó÷åäéáóìïý ðïëõìÝóùí. ÃåííçìÝíïò óôï ÊïõâÝéô áðü ÖéëéððéíÝæï ðáôÝñá êáé Áããëßäá ìçôÝñá, æåé êáé åñãÜæåôáé óôçí Êýðñï. Óðïýäáóå Ãñáöéêü Ó÷Ýäéï êáé êáôáñôßóôçêå óôïí ïðôéêïáêïõóôéêü ôïìÝá, äïõëåýïíôáò óå óôïýíôéï ðáñáãùãÞò, ãéá ôçëåïðôéêÜ promos, ôå÷íéêÜ/åêðáéäåõôéêÜ âßíôåï, ôçëåïðôéêÝò äéáöçìßóåéò, íôïêéìáíôÝñ êáé ôáéíßåò ìéêñïý ìÞêïõò. Ôï «Ðïý èá ÐÜù;» åßíáé ç ðñþôç ôïõ ðñïóðÜèåéá ùò áíåîÜñôçôïõ óêçíïèÝôç/ðáñáãùãïý. ÖÉËÌÏÃÑÁÖÉÁ|Óå ´Éóïõò ´Ïñïõò (2006) Christofer Malapitan was born in Kuwait from Philipino and British parents. Çe is a freelance media artist living and working in Cyprus. With a background in Graphic Design, he gained his video skills at an audiovisual studio producing video-promos, training/educational videos, TV commercials, documentaries as well as S.F.s. “Where Shall I Go?” is his first attempt as an independent movie maker. FILMOGRAPHY|On Equal Ôerms (2006)

036

ÐÙËÅÉÔÁÉ ÁÅÑÏÄÑÏÌÉÏ|AIRPORT FOR SALE ÓÊÇÍÏÈÅÓIÁ|DIRECTION ÓÜéìïí ÖáñìáêÜò|Simon Farmakas ÓÅÍAÑÉÏ|SCREENPLAY ÓÜéìïí ÖáñìáêÜò|Simon Farmakas ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY ÊïñíÞëéïò Óéïýëôóå-Êñáöô|Cornelios Schultze-Kraft ÌÏÍÔÁÆ|EDITING ÓùôÞñçò ×Üëéïò, ÓÜéìïí ÖáñìáêÜò|Sotiris Halios, Simon Farmakas ÌÏÕÓÉÊÇ|MUSIC Êëáïýíôéï Ìïíôïõüñé|Claudio Montuori Ç×ÏÓ|SOUND ÓôÝëéïò Óôõëéáíïý|Stelios Stylianou ÅÑÌÇÍÅIÅÓ|CAST Áíôþíçò ÊáôóáñÞò, Óïõ Êáóêßí, ÁëÝîçò Ðáõëßäçò, ÓôÝöáíïò Ðáõëßäçò, ×áóÜí ÃêïíÝíïãëïõ, Åõñéðßäçò ÓéÜ÷ïõñïò, ÁíôñÝáò Áíôùíßïõ|Antonis Katsaris, Su Caskin, Alexis Pavlides, Stephanos Pavlides, Hasan Gonenoglu, Evripides Shahouros, Andreas Antoniou ÐÁÑÁÃÙÃÇ|PRODUCTION ÓÜéìïí ÖáñìáêÜò, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Simon Farmakas, Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS Ô. È. 24204, 1702 Ëåõêùóßá|P. O. BOX 24204, 1702 Nicosia ÔÇË.|TEL. 00357 22670806, 000357 9967397 ÖÁÎ|FAX 00357 22671364 ¸îé ðáéäéÜ óõíáíôþíôáé ìÝóá óôï åãêáôáëåëåéììÝíï äéåèíÝò áåñïäñüìéï ôçò Ëåõêùóßáò. Âñßóêïõí Ýíá ðáëéü ñïëüé ôïõ ôïß÷ïõ êáé áðïöáóßæïõí íá ôï åðéäéïñèþóïõí. Six children enter the abandoned Nicosia international airport. They find an old clock and decide to have it repaired.

Ï ÓÜéìïí ÖáñìáêÜò Ý÷åé äïõëÝøåé óå ðïëëÝò ðáñáãùãÝò ùò âïçèüò óêçíïèÝôç êáé äéåõèõíôÞò ðáñáãùãÞò. Æåé êáé åñãÜæåôáé óôç Ñþìç. Simon Farmakas has worked in many local and international film productions as an assistant director and production manager. He lives and works in Rome.

037

Ï Éùáêåßì ÌõëùíÜò áðïöïßôçóå ìå BA (Hons) Communication and Film áðü ôï Anglia Polytechnic University of Cambridge. Áêïëïýèùò Ýêáíå ìåôáðôõ÷éáêü óôç óêçíïèåóßá óôï Leeds Metropolitan. ÁíÞêåé óôçí êéíçìáôïãñáöéêÞ ïìÜäá Klein Mein. Ç ôáéíßá ôïõ «ÖÜñìáêïí» Ý÷åé ðñïâëçèåß óå äéÜöïñá äéåèíÞ öåóôéâÜë êáé ôéìÞèçêå ìå äéÜöïñá âñáâåßá. ÖÉËÌÏÃÑÁÖÉÁ|Ï Äñüìïò ðñïò ôç Ëýôñùóç (2004), ×ñüíïò (2004), Ïéäßðïõò Ôýñáííïò ôïõ ÓïöïêëÞ (2003), Ï ¢íèñùðïò ôïõ ÐïôÝ (2003) Ioakim Milonas obtained a BA (HONS) in Communications and Film from Anglia Polytechnic University of Cambridge and a Master’s Degree in Film Direction from Leeds Metropolitan University. He belongs to the “Klein Mein” film group. His movie “Pharmakon” has been screened in various international film festivals and has been honoured with various awards. FILMOGRAPHY|Road to Redemption (2004), Chronos (2004), Sophocle's Oedipus Tyrannos (2003), The Never Man (2003)

038

ÍÅÊÑÇ ÆÙÍÇ…BUFFER ZONE … NO ENTRY ÓÊÇÍÏÈÅÓIÁ|DIRECTION Óðýñïò ÐëáôÞ|Spyros Plati ÓÅÍAÑÉÏ|SCREENPLAY Óðýñïò ÐëáôÞ|Spyros Plati ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Âëáäßìçñïò Óïýìðïôéôò|Vladimir Subotic ÌÏÍÔÁÆ|EDITING Áëßêç ÐáíáãÞ|Aliki Panagi ÊÁËËÉÔÅXÍÉÊÇ ÄÉÅÕÈÕÍÓÇ|ART DIRECTOR ×ñéóôßíá Áããåëßäïõ|Christina Angelidou Ç×ÏÓ|SOUND ÓôåöÜí ÌÝôæíåñ|Stefan Metzner ÅÑÌÇÍÅIÅÓ|CAST ÁíôñÝáò ÆáìðÜò, ÁíôñÝáò ÁíôñÝïõ, ´Áããåëïò Æßôôçò, ´Áíèéìïò Ìá÷áéñéþôçò, Óðýñïò Ìá÷áéñéþôçò| Andreas Zambas, Andreas Andreou, Angelos Zittis, Anthimos Macheriotis, Spyros Macheriotis ÐÁÑÁÃÙÃÇ|PRODUCTION Óðýñïò ÐëáôÞ|Spyros Plati ÄÉÅÈÕÍÓÇ|ADDRESS ÄáéäÜëïõ 6, ´Áãéïé ÏìïëïãçôÝò, Ëåõêùóßá|6 Daidalou str., Ag. Omologites, Nicosia ÔÇË.|TEL. 00357 99491718 Ç ôáéíßá áíáðôýóóåé ôï ðþò ôï ðïäüóöáéñï ìðïñåß íá öÝñåé åéñÞíç, óõíåíþíïíôáò ôïõò áíèñþðïõò, áêüìá êáé êÜôù áðü äýóêïëåò óõíèÞêåò. ÐáñïõóéÜæåé äýï áíôßðáëá óôñáôüðåäá, ðïõ èá ìðïñïýóáí íá âñßóêïíôáé ïðïõäÞðïôå óôïí êüóìï. Ïé óôñáôéþôåò ðáñáìåñßæïõí ìßóïò, ñáôóéóìü, áíôéðáëüôçôá, èñçóêåßá, áöÞíïõí êáôÜ ìÝñïò ôá üðëá ãéá êÜôé ðéï äõíáôü êáé áíþôåñï, ôï ðïäüóöáéñï. Ç ìðÜëá óôçí ôáéíßá óõìâïëßæåé ôçí åëðßäá üôé ôï «ðáé÷íßäé» óõíå÷ßæåôáé… Ôá ãõñßóìáôá ôçò ôáéíßáò ðñáãìáôïðïéÞèçêáí óôç Ëåõêùóßá, êïíôÜ óôçí ðñÜóéíç ãñáììÞ. “Buffer Zone... No Entry” is about football in all its glory - no borders no enemies, just pure, clean fun and a love of the game. Two opposing teams, two opposing armies, come together under the watchful eye of a buffer zone, to play football, uniting color and race, politics and religion. And in the end - there is no end - hope remains when all else is lost. Filming took place in Nicosia near the buffer zone area.

Ï Óðýñïò ÐëáôÞ Ý÷åé åñãáóôåß ðñüóöáôá ãéá ôç äçìéïõñãßá ôïõ ‘CyprusDirectTv’ óôçí Êýðñï ôï ïðïßï ìåôáäßäåôáé áðü ôï SKY TV ôïõ ÇíùìÝíïõ Âáóéëåßïõ. Ïé ðñïóðÜèåéåò ôïõ åðéêåíôñþíïíôáé óÞìåñá óôçí ðñïþèçóç ôçò ôåëåõôáßáò ìåãÜëïõ ìÞêïõò ôáéíßáò ôïõ “Nous” êáé ôïõ óåíáñßïõ ôïõ “Invert”. ¸÷ïíôáò åñãáóôåß óå äéáöçìéóôéêÜ óðïô óôçí Êýðñï êáé óå ôáéíßåò ìéêñïý ìÞêïõò óôéò ÇÐÁ êáé óôçí Êýðñï, íéþèåé óÞìåñá Ýôïéìïò íá åìðëáêåß óå ìéá ìåãÜëç ðáñáãùãÞ ç ïðïßá èá ìðïñïýóå íá öÝñåé ôçí êéíçìáôïãñáöéêÞ êïéíüôçôá ðéï êïíôÜ óôçí Êýðñï. Spyros Plati recently worked on setting up “CyprusDirectTV” here in Cyprus which is being broadcasted on SKY TV, UK. He is also busy trying to promote his latest feature film “Nous” and his current script “Invert”. Having worked on commercials here in Cyprus and S.F.s in the USA and Cyprus, he feels ready to jump into a large production that could bring the film community closer to Cyprus.

039

Åíáò ðáñÜäïîïò ôßôëïò, êáèþò ç ëÝîç «ðÝôáãìá» óõíÜðôåôáé ìå ôïí áÝñá êáé ç ëÝîç «íåñü» ìå ôï êïëýìðé. Ç ìüíç óôéãìÞ ãéá ôïí Üíèñùðï íá ðåôÜîåé! ´Åíáò êüóìïò, ðïõ äåí åßíáé üðùò åêåßíïí ôùí ïíåßñùí, üìùò Ýíá áðü ôá ìåãáëýôåñá üíåéñá ôïõ áíèñþðïõ, ìÝóá ó´ áõôüí, ìðïñåß íá ãßíåé ðñáãìáôéêüôçôá. Ï êüóìïò ôïõ íåñïý åðéôñÝðåé óôïí Üíèñùðï íá íéêÞóåé ôï íüìï ôçò âáñýôçôáò êáé ôïí áöÞíåé íá áéùñåßôáé ìÝóá ôïõ üðùò ï áÝñáò ôá ðïõëéÜ. Ç ãëþóóá äåí åßíáé ðáñÜ Ýíáò áðü ôïõò ðïëëïýò êþäéêåò åðéêïéíùíßáò ðïõ ÷ñçóéìïðïéïýí ïé Üíèñùðïé ìåôáîý ôïõò. Ôï ðÝôáãìá êáé ôï êïëýìðé åßíáé ìéá ðáíïìïéüôõðç äéáäéêáóßá. Án unusual title, considering that the wïrd “fly” contains the element of air whilst the word “water” the act of swimming. The only chance for mán to fly! The underwater world does not resemble the one of our dreams, but still the element of water can turn one of man’s biggest dreams into reality. The water world allows man to overcome the law of gravity and be suspended in the water the same way birds can be suspended in the air. The interpretation of a word defines the image that will be projected in our minds when hearing it. Flying and swimming consist of an identical process.

Ï Êùíóôáíôßíïò ×áôæçäçìÞôñç ãåííÞèçêå óôç Ëåìåóü ôï 1981. Áðïöïßôçóå áðü ôçí Áêáäçìßá Êáëþí Ôå÷íþí ôçò Ñþìçò ìå äéÜêñéóç, ôï 2006. Áó÷ïëåßôáé ìå ôçí æùãñáöéêÞ, ôçí åéêïíïãñáößá, ìå ôï áíéìáôéïí, ôçí öùôïãñáößá ìå ôï videï art êáé video performance. Ðáñïõóßáóå äïõëåéÜ ôïõ óå Êýðñï êáé Éôáëßá. Óõììåôåß÷å óå ïìáäéêÝò åêèÝóåéò óôï "Æïïlogico" êáé óôï "Circolo Degli Artisti" óôçí Ñþìç. ÅñãÜóôçêå ùò õðåýèõíïò öùôïãñáößáò êáé óêçíïãñáößáò óôçí ôáéíßá ìéêñïý ìÞêïõò “Mangia Le Fragole” ôïõ Éôáëïý óêçíïèÝôç Domenico Schiavetti. Constantinos Hadjidemetri was born in 1981 in Limassol and graduated from the Rome Academy of Fine Arts in 2006 with distinction. Çis work includes painting, illustration, animation, photography, video art and video performance and has been presented in both Cyprus and Italy. He has taken part in collective exhibitions at “Zoologico” and “Circolo Degli Artisti” in Rome. He has also worked as photography and stage design director for the short film “Mangia Le Fragole” by Italian director Domenico Schiavetti.

040

ÊÏÕÐÅÐÅ|KOYPEPE ÓÊÇÍÏÈÅÓIÁ|DIRECTION ÄÝóðïéíá Óáââßäïõ|Despina Savvidou ÓÅÍAÑÉÏ|SCREENPLAY ÄÝóðïéíá Óáââßäïõ|Despina Savvidou ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ôæïí Ìé÷áçëßäçò|John Michaelides ÌÏÍÔÁÆ|EDITING ÌÜñéïò Ðéðåñßäçò|Marios Piperides ÌÏÕÓÉÊÇ|MUSIC ÌÜéê ×áôæçìÜéê|Mike Hajimike, Stand Out Selector Ç×ÏÓ|SOUND ÓôÝöáí ÌÝôæíåñ|Stephan Metzner ÊÁËËÉÔÅXÍÉÊÇ ÄÉÅÕÈÕÍÓÇ|ART DIRECTOR Áëßêç Êõñìßôóç|Aliki Kirmitsi ÅÑÌÇÍÅIÅÓ|CAST Ãéùñãïýëá Óíåë, ´Åëëç Êõñéáêßäïõ, Êßìùíáò Áðïóôïëüðïõëïò, Áíôþíçò Ëáðçèéþôçò, ÃéÜííïò Óðáíüò| Giorgoula Snel, Elli Kiriakidou, Kimonas Apostolopoulos, Antonis Lapithiotis, Giannos Spanos ÐÁÑÁÃÙÃÇ|PRODUCTION ÌÜñéïò Ðéðåñßäçò, Õð.Ð.Ð. (Ó.Å.ÊÉÍ)|Marios Piperides, Min. Ed. & Cul. (S.E.KIN) ÄÉÅÈÕÍÓÇ|ADDRESS ÁèáëÜóóçò 13, 2221 ËáôóéÜ|13 Athalassis str., 2221 Latsia ÔÇË.|TEL. 00357 99932548 H ËÝëëá êáé ç Åñùößëç ößëåò ãéá 40 ÷ñüíéá êáé ãåéôüíéóóåò óôçí ðáëéÜ Ëåõêùóßá, êñáôoýí ç ìéá óõíôñïöéÜ ôçò Üëëçò, þóðïõ óôç ãåéôïíéÜ öôÜíåé Ýíáò «ÊáëáìáñÜò» ëåâåíôüãåñïò, ï Ìáíþëçò. Ôüôå áíáðôýóóåôáé ìåôáîý ôïõò ìéá æÞëéá. Ðñïóðáèïýí íá ôïí öëåñôÜñïõí ìáãåéñåýïíôÜò ôïõ, îå÷ùñéóôÜ, ç êÜèå ìéá, ôï áãáðçìÝíï ôïõ öáãçôü, íôïëìáäÜêéá (êïõðÝðéá). ÊÜôé, üìùò, ðÜåé ðïëý óôñáâÜ êáé êáôáëÞãïõí üëïé óôï áóôõíïìéêü ôìÞìá. Friends and neighbours in old town Nicosia for over forty years, Lella and Erofili only have each other for companionship. This is only until a handsome old man from Greece, Manolis, moves into the house between them. Rivalry now begins between the two women, each taking her turn in trying to seduce him by cooking his favourite food, ntolmadakia (koupepia). But something goes terribly wrong and all three end up in police custody.

Ç ÄÝóðïéíá Óáââßäïõ ðÞñå ðôõ÷ßï masters óôçí ðáñáãùãÞ êáé óêçíïèåóßá êéíçìáôïãñÜöïõ áðü ôï University of Southern California êáé ðôõ÷ßï Bachelors óôçí ðáñáãùãÞ êáé óêçíïèåóßá ôçëåüñáóçò áðü ôï California State University, Sacramento. Ôï «ÊïõðåðÝ» åßíáé ç ðñþôç ôçò ôáéíßá ùò óåíáñéïãñÜöïò - óêçíïèÝôçò óôçí åëëçíéêÞ ãëþóóá. ÖÉËÌÏÃÑÁÖÉÁ|ÓêÜóéìï ôïõ Êýìáôïò (2003), ÐÝöôïíôáò (2002), Ï Ôåëåõôáßïò ×ïñüò (2002), Êáëùóüñéóåò óôçí ÏéêïãÝíåéá (2002), ÄïíÞóåéò (2002), Óõã÷þñåóÝ ìå (2001) Despina Savvidou holds an MFA degree in Cinema Production and Directing from the University of Southern California and a BA degree in Television Production and Directing from California State University, Sacramento. “Koupepe” is her first writing/directing project in her native language. FILMOGRAPHY|Breakwater (2003), Falling Out (2002), The Last Dance (2001), Welcome to the Family (2002), Tremors (2002), Forgive Me (2001)

041

GOODZILLA ÓÊÇÍÏÈÅÓIÁ|DIRECTION Ãéþñãïò Óßóáìïò, Êùíóôáíôßíïò ×áôæçäçìÞôñç|George Sisamos, Constantinos Hadjidimitri ÓÅÍAÑÉÏ|SCREENPLAY Ãéþñãïò Óßóáìïò, Êùíóôáíôßíïò ×áôæçäçìÞôñç|George Sisamos, Constantinos Hadjidimitri ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Ãéþñãïò Óßóáìïò, Êùíóôáíôßíïò ×áôæçäçìÞôñç|George Sisamos, Constantinos Hadjidimitri ÌÏÍÔÁÆ|EDITING Ãéþñãïò Óßóáìïò, Êùíóôáíôßíïò ×áôæçäçìÞôñç|George Sisamos, Constantinos Hadjidimitri ÐÁÑÁÃÙÃÇ|PRODUCTION NEME ÄÉÅÈÕÍÓÇ|ADDRESS Óáñéðüëïõ 52, 3036 Ëåìåóüò - Ðáëáéþí Ðáôñþí Ãåñìáíïý 47, Ëåìåóüò|52 Saripolou str, 3036 Limassol - 47 Paleon Patron Germanou str., Limassol ÔÇË.|TEL. 00357 25341206, 00357 99494579 Ìßá ðáñùäßá åíüò Þäç õðáñêôïý ×ïëéãïõíôéáíïý Þñùá, ôïõ “Goodzilla”. Ç ðïñåßá ôïõ ôÝñáôïò ðïõ äéáëýåé üôé âñåèåß óôïí ðÝñáóìá ôïõ, äåí åßíáé ôõ÷áßá áëëÜ ðñïêáèïñéóìÝíç áðü ôïõò äçìéïõñãïýò ôïõ. Ìéá ìïñöÞ äýíáìçò ðïõ ìáò åðéôñÝðåé íá äéáëýóïõìå êáé íá êáôáóôñÝøïõìå ìÝóá óå ìéá øçöéáêÞ ðñáãìáôéêüôçôá, üôé ìáò åíï÷ëåß óôçí áóôéêÞ ðñáãìáôéêüôçôá. Ï “Goodzilla” ãßíåôáé ôéìùñüò ôïõ êáôåóôçìÝíïõ, ôçò áðëçóôßáò, ôçò ëáéìáñãßáò, ôïõ ÷ñÞìáôïò, ôçò êáôÜ÷ñçóçò ôçò åîïõóßáò, ôïõ êáêïý ãïýóôïõ, ôçò åðéäåéêôéêüôçôáò. Ç ôáéíßá äéáäñáìáôßæåôáé óôçí øçöéáêÞ Ëåìåóü, ìå ÷áñáêôÞñåò ó÷åäéáóìÝíïõò óôï ÷Ýñé. ¸íá êñÜìá ðáñáäïóéáêïý äéóäéÜóôáôïõ, áëëÜ êáé ôñéóäéÜóôáôïõ animation, video, êáé internet. A parody of an already existing Hollywood hero, “Goodzilla”. The journey of the monster, which destroys everything in its path, isn’t arbitrary but predetermined by its creators. A form of power within digital reality allows us to demolish and destroy whatever bothers us in urban reality. “Goodzilla” is the punisher of the establishment, of greed, of money, of power abuse, of bad taste and of ‘show off’s’. The movie takes place in digital Limassol, with characters drawn by hand. A marriage of traditional two-dimensional with three-dimensional animation, video and internet. Ï Êùíóôáíôßíïò ×áôæçäçìÞôñç ãåííÞèçêå óôç Ëåìåóü ôï 1981. Áðïöïßôçóå áðü ôçí Áêáäçìßá Êáëþí Ôå÷íþí ôçò Ñþìçò ìå äéÜêñéóç, ôï 2006. Áó÷ïëåßôáé ìå ôçí æùãñáöéêÞ, ôçí åéêïíïãñáößá, ìå ôï áíéìáôéïí, ôçí öùôïãñáößá ìå ôï video art êáé video performance. Ðáñïõóßáóå äïõëåéÜ ôïõ óå Êýðñï êáé Éôáëßá. Óõììåôåß÷å óå ïìáäéêÝò åêèÝóåéò óôï "Æïïlogico" êáé óôï "Circolo Degli Artisti" óôçí Ñþìç. ÅñãÜóôçêå ùò õðåýèõíïò öùôïãñáößáò êáé óêçíïãñáößáò óôçí ôáéíßá ìéêñïý ìÞêïõò “Mangia Le Fragole” ôïõ Éôáëïý óêçíïèÝôç Domenico Schiavetti. Constantinos Hadjidemetri was born in 1981 in Limassol and graduated from the Rome Academy of Fine Arts in 2006 with distinction. Çis work includes painting, illustration, animation, photography, video art and video performance and has been presented in both Cyprus and Italy. He has taken part in collective exhibitions at “Zoologico” and “Circolo Degli Artisti” in Rome. He has also worked as photography and stage design director for the short film “Mangia Le Fragole” by Italian director Domenico Schiavetti. Ï Ãéþñãïò Óßóáìïò ãåííÞèçêå óôç Ëåìåóü ôï 1980. Áðïöïßôçóå ôï 2003 áðü ôï IED óôï ÌéëÜíï óôïí êëÜäï ôïõ Digital Art. Añãüôåñá åéäéêåýôçêå óôï âßíôåï êáé ôï 3d animation. Áðü ôüôå Ý÷åé ðáñïõóßáóåé ôç äïõëåßá ôïõ óôï ÌéëÜíï áëëÜ êáé óôç Âñåôáíßá, ôçí Êýðñï êáé ôçí ÅëëÜäá. ×ñçóéìïðïéåß äéÜöïñá ìÝóá ðïõ ðåñéëáìâÜíïõí ôïí Þ÷ï, ôï âßíôåï, ôéò åãêáôáóôÜóåéò, ôï performance, êáé ôï animation. Äçìéïýñãçóå ôá video “Provoking Urban Episodes” (Biennale Âåíåôßáò 2006) “Sedimatation Experiment” (ÐÜôñá - Ëåìåóüò 2006) êáé “The Whirligig ïf Time” (2006). Åðßóçò, óêçíïèÝôçóå ôçí ðáñÜóôáóç “Bridge” êáé ôï video dance “ÐáëëÜò”, ôo ïðïßï ðñïâëÞèçêå óå äéÜöïñá öåóôéâÜë êáèþò êáé ôï “Rooms Full of Clouds” (2005) êáé ôo 3rd animation âßíôåï ôïí “Claud9 ‘D_Lake’ ” (2003) (öéíáëßóô óôï Virtuality Conference 2005, óôï Ôïñßíï ôçò Éôáëßáò). George Sisamos was born in 1980 in Limassol. Çe graduated from the IED of Milan in Digital Art in 2003 and later specialized in video and 3d animations. His work has been presented in Milan, Great Britain, Cyprus and Greece. He uses various media which include sound, video, installations, performance and animation. He has created the videos “Provoking Urban Episodes” (Biennale - Venice 2006), “Sedimatation Experiment” (Patra - Limassol 2006) and “The Whirligig of Time” (2006). He has also directed the performance “Bridge” and the dance video “Pallas” (2005) which was performed in several Festivals, the video “Rooms Full of Clouds” (2005) and the 3rd animation video of “Claud9 ‘D_Lake’ ” (2003) (Finalist at the Virtuality Conference 2005, Turin, Italy).

042

3o ÓÕÌÐÏÓÉÏ ÃËÕÐÔÉÊÇÓ|3rd SCULPTURE SYMPOSIUM ÓÊÇÍÏÈÅÓIÁ|DIRECTION Íßêïò Óýííïò|Nicos Synnos ÓÅÍAÑÉÏ|SCREENPLAY Íßêïò Óýííïò|Nicos Synnos ÖÙÔÏÃÑÁÖIÁ|CINEMATOGRAPHY Íßêïò Óýííïò|Nicos Synnos ÌÏÍÔÁÆ|EDITING Íßêïò Óýííïò|Nicos Synnos Ç×ÏÓ|SOUND Éãêïñ Ãëéêüñïö|Igor Glygorof AËËÏÉ ÓÕÍÔÅËÅÓÔÅÓ|OTHER CAST Íßíá ÓïõìÜñáôò|Nina Sumarac ÐÁÑÁÃÙÃÇ|PRODUCTION Íßêïò Óýííïò|Nicos Synnos ÄÉÅÈÕÍÓÇ|ADDRESS 44-45 Ãåùñãßïõ Ãñßâá ÄéãåíÞ áñ. 1, ÑåíÜíôá 3, Áìáèïýò, 4532 Ëåìåóüò|1, 44-45 Georgiou Griva Digeni str., Renandá 3, Amathus, 4532 Limassol ÔÇË.|TEL. 00357 99474877 ÖÁÎ|FAX 00357 25724553 EMAIL toona@spidernet.com.cy Ìéá ðåéñáìáôéêÞ ðáñïõóßáóç ôçò äéáäéêáóßáò äçìéïõñãßáò ôïõ ðÜñêïõ ãëõðôéêÞò óôç Ëåìåóü. Ç ôáéíßá ðáñïõóéÜæåé ôï 3ï óõìðüóéï ãëõðôéêÞò. ÖùôïãñáöÞèçêå ìå ìç÷áíÞ 35 ÌÌ ôï êáëïêáßñé ôïõ 2000. Ïé öùôïãñáößåò, áöïý ôõðþèçêáí, ìåôáöÝñèçêáí óå çëåêôñïíéêü õðïëïãéóôÞ üðïõ ÷ïñïãñáöÞèçêáí óå ôáéíßá. An experimental presentation portraying the creation of the sculpture park in Limassol. The film shows the 3rd symposium which took part in summer 2000. The film was made using a 35 MM still photography film camera. The photographs were then printed and scanned before choreographed into the moving image.

Ï Íßêïò Óýííïò åßíáé äçìéïõñãüò êéíïõìÝíùí ó÷åäßùí áðü ôç Ëåìåóü. Óðïýäáóå ïðôéêÞ åðéêïéíùíßá êáé êéíïýìåíï ó÷Ýäéï (cartoon imagery animation) óôï ÇíùìÝíï Âáóßëåéï êáé óôéò ÇÐÁ. Äçìéïýñãçóå êáé óêçíïèÝôçóå áñêåôÜ åðåéóüäéá óåéñÜò êéíïõìÝíùí ó÷åäßùí ãéá ôçí ôçëåüñáóç óôï ÌåãÜëï Âáóßëåéï êáé äïýëåøå ùò animator êáé layout artist, óå óôïýíôéï êéíïõìÝíùí ó÷åäßùí óôç ÍÝá Õüñêç óõìðåñéëáìâáíïìÝíïõ êáé ôïõ MTV Animation. Äçìéïýñãçóå ôï “toonachunks”, Ýíá óôïýíôéï ðåéñáìáôéêïý êéíïõìÝíïõ ó÷åäßïõ óôç Ëåìåóü ôçò Êýðñïõ. ¸êáíå ôçí ðáñáãùãÞ êáé ôç óêçíïèåóßá óå ðÝíôå ðåéñáìáôéêÝò ôáéíßåò animation êáé ðïëëÝò ôçëåïðôéêÝò äéáöçìéóôéêÝò ôáéíßåò êéíïõìÝíùí ó÷åäßùí. Nicos Synnos is an animator, director/producer from Cyprus. He studied visual communication and cartoon imagery animation in the UK and the US. He has animated and directed several episodes of cartoon TV series in the UK and worked as an animator and layout artist in New York, including MTV Animation. He established “toonachunks”, a cartoon & experimental animation studio based in Limassol, Cyprus. He has produced and directed five experimental animated short films and several animated TV commercials.

043

¸íáò íåáñüò ÷Üíåé ôï üíïìÜ ôïõ êáé ìåôáöÝñåôáé óå Ýíáí åéäéêü, “ïíïìáôïëüãï” ãéáôñü, ãéá íá ôïõ ôï âñåé. A young man loses his name and is taken to a specialist «nameologist» doctor to help him find it.

O Êýñïò Ðáðáâáóéëåßïõ ãåííÞèçêå óôç Ëåõêùóßá ôï 1972. Óðïýäáóå Öéëïóïößá êáé ÌïõóéêÞ óôçí ÁìåñéêÞ. Áðü ôï 1997 æåé óôçí ÁèÞíá, üðïõ ìåëÝôçóå êéíçìáôïãñÜöï ùò áõôïäßäáêôïò. ÅñãÜæåôáé ùò ìïíôÝñ. Ôï 2002 åîÝäùóå ôçí ðïéçôéêÞ óõëëïãÞ «Ðüíçìáí», áðü ôéò Åêäüóåéò Ãáâñéçëßäç. ÖÉËÌÏÃÑÁÖIÁ| Óôï ÄïêéìáóôÞñéï ôïõ ÊÜöêá (2005), ÈñÞíïò (2002) Kyros Papavassiliou was born in Nicosia in 1972. He studied Music and Philosophy in America. Since 1997 he has been living in Athens, where he self-studied cinema. He works as a film editor. In 2002 he published a collection of poems under the name “Ponema”, by Gabrielides Publishing House. FILMOGRAPHY|At Kafka's Trial Room (2005), Lament (2002)

044

045

ÐÑÏÃÑÁÌÌÁ ÐÑÏÂÏËÙÍ|SCREENING SCHEDULE ÔÅÔÁÑÔÇ21ÖÅÂÑÏÕÁÑÉÏÕ¦WEDNESDAY21FEBRUARY ÔÏ ØÙÌÉ ÔÙÍ ÊÕÐÑÉÙÍ¦Ðáó÷Üëçò ÐáðáðÝôñïõ¦(ÍôïêéìáíôÝñ) CYPRIOT BREAD|Paschalis Papapetrou¦(Documentary) MERSINIS CYPRIUS¦Ãéþñãïò Êïýìïõñïò, Ãåùñãßá Óðáíïý|Ì.Ì. (Ìõèïðëáóßá) MERSINIS CYPRIUS|George Koumouros, Georgia Spanou|S.F. (Fiction) ÐÁÃÉÄÅÕÌEÍÇ ÅÍÔOÓ¦Êùíóôáíôßíá-ÍôÜéíá ÐáðáäÜêç¦Ì.Ì. (ÐåéñáìáôéêÞ) TRAPPED INSIDE¦Constantina-Daina Papadaki¦S.F. (Experimental) ÔÑÉÊÕÌÉÁ¦×áñÜëáìðïò ×áñáëÜìðïõò¦ÖïéôçôéêÞ ROUGH SEA¦Charalambos Charalambous¦Student’s Film SHINEX¦Ãéþñãïò Åãêùìßôçò¦M.M. (Ìõèïðëáóßá) SHINEX¦George Engomites¦S.F. (Fiction) ÍÅÊÑÁÍÁÓÔÁÓÇ¦Ìé÷Üëçò ×áðÝóéçò¦M.M. (Ìõèïðëáóßá) RESURRECTION¦Maikl Hap¦S.F. (Fiction)

ÔÅËÅÔÇ ÁÐÏÍÏÌÇÓ ÂÑÁÂÅÉÙÍ|AWARDS CEREMONY ÐÁÑÁËËÇËÅÓ ÅÊÄÇËÙÓÅÉÓ|PARALLEL EVENTS MASTER CLASS Ôï ÓÜââáôï 24 Öåâñïõáñßïõ óôï ÈÝáôñï ÑéÜëôï áðü ôéò 17.00 -19.00 èá ðñáãìáôïðïéçèåß Master Class ðÜíù óôï Ýñãï ôïõ ÄéáêåêñéìÝíïõ ÄéåõèõíôÞ Öùôïãñáößáò, ÓêçíïèÝôç êáé ÐñïÝäñïõ ôçò ÊñéôéêÞò ÅðéôñïðÞò ôïõ 4ïõ ÖåóôéâÜë Ôáéíéþí Ìéêñïý ÌÞêïõò êáé ÍôïêéìáíôÝñ , ê. Íôßíïõ Êáôóïõñßäç. (Ãéá ðåñéóóüôåñåò ðëçñïöïñßåò óôï Ôçë. 22800985, 22800507 & 25343900) MASTER CLASS on the work of the distinguished Director of Photography, Film Director and President of the Jury of the 4th Short Film and Documentary Festival, Mr. Dinos Katsourides, will be held on Saturday, 24th February, at Rialto Theatre from 17.00 until 19.00. (For more information you may contact 22800985, 22800507 & 25343900) ÔÑÉÇÌÅÑÏ ÓÅÌÉÍÁÑÉÏ ÊÁÉ ÅÑÃÁÓÔÇÑÉÏ ÔÑÉÓÄÉÁÓÔÁÔÏÕ ÊÉÍÏÕÌÅÍÏÕ Ó×ÅÄÉÏÕ/ÁÍÉÌÁÔÉÏÍ Áðü ôéò 22 ìÝ÷ñé 24 Öåâñïõáñßïõ äéïñãáíþíåôáé ôñéÞìåñï óåìéíÜñéï êáé åñãáóôÞñéï ìå èÝìá ôç äçìéïõñãßá ôïõ ôñéóäéÜóôáôïõ KéíïõìÝíïõ Ó÷åäßïõ/ ÁíéìÜôéïí. Ïé åñãáóßåò èá îåêéíïýí ôï ðñùß óôéò 9.30 - 13.00 êáé ôï áðüãåõìá áðü ôéò 14.30 -17.00. Ôï óåìéíÜñéï êáé åñãáóôÞñéï èá ðñáãìáôïðïéçèïýí óôï ÊÝíôñï Ðëçñïöüñçóçò êáé Åðéêïéíùíßáò ÍÝùí (Ðïëõ÷þñïò Ëåìåóïý) 1ç ÄçìïôéêÞ ÁãïñÜ (ðáíôïðùëåßï), Ïäüò ÊáíÜñç 13.(Ãéá ðëçñïöïñßåò êáé äéêáßùìá óõììåôï÷Þò íá åðéêïéíùíåßôå óôï ôçë. 22800985, 22809507 & 25343900). Ôï åñãáóôÞñé ðñáãìáôïðïéåßôáé ìå ôç óôÞñéîç ôïõ Ïñãáíéóìïý Íåïëáßáò Êýðñïõ. THREE-DAY SEMINAR AND WORKSHOP ON 3D ANIMATION A three-day seminar and workshop on the creation of 3D Animation will be organised between 22nd and 24th of February. Sessions will be held between 9.30 and 13.00 and 14.30 and 17.00. The seminar and workshop will be held at the Youth Information and Communication Centre (Limassol Multi-purpose Area), 1st Municipal Market, 13 Kanaris Str. (For information and participation fees you may contact 22800985, 22809507 and 25343900). The workshop is organised with the support of the Cyprus Youth Board. ÌÏÕÓÉÊÅÓ ÅÊÄÇËÙÓÅÉÓ Ôçí ÐáñáóêåõÞ 24 êáé ôï ÓÜââáôï 25 Öåâñïõáñßïõ, ìå ôï ôÝëïò ôùí ðñïâïëþí èá ðñáãìáôïðïéçèïýí ìïõóéêÝò åêäçëþóåéò. Ï ÷þñïò êáé ôá ìïõóéêÜ ó÷Þìáôá èá áíáêïéíùèïýí áñãüôåñá. MUSIC EVENTS will be held after the end of the screenings on Friday 24 and Saturday 25. The venue and groups that will take part in the events will be announced at a later stage. ÓÕÍÁÍÔÇÓÅÉÓ ÄÇÌÉÏÕÑÃÙÍ ÌÅ ÔÏ ÊÏÉÍÏ Ôï ÈÝáôñï ÑéÜëôï ðñïóêáëåß ôï êïéíü óå êáèçìåñéíÝò óõíáíôÞóåéò ìå ôïõò äçìéïõñãïýò, óôçí êáöåôÝñéá ôïõ èåÜôñïõ, ìåôÜ ôéò ðñïâïëÝò. MEETINGS BETWEEN CREATORS AND AUDIENCE Rialto Theatre invites the audience to daily meetings with the creators after the screenings, at the Theatre’s cafeteria.

YÐÅÕÈÕÍÏÉ ÅÑÃÁÓÔÇÑÉÏÕ 3D ANIMATION| WORKSHOP SUPERVISORS ON 3D ANIMATION ÌÐAÌÐÇÓ ÂÅÍÅÔÏÐÏÕËÏÓ Åéêáóôéêüò, éäñõôéêü ìÝëïò ôçò MDA. Åßíáé õðåýèõíïò ôïõ äçìéïõñãéêïý ôìÞìáôïò ôçò MDA. Åßíáé óêçíïèÝôçò ôçò âñáâåõìÝíçò óåéñÜò 776 B.C. (ÁNIMAMUNDI 2002 - 3rd Best Portfolio) êáé Üëëùí äçìéïõñãéþí êéíïõìÝíïõ ó÷åäßïõ êáé äéáöçìéóôéêþí ðáñáãùãþí. ¸÷åé óõììåôÜó÷åé óå ðïëëÝò åêèÝóåéò ôÝ÷íçò êáé öåóôéâÜë óôçí ÅëëÜäá êáé ôï åîùôåñéêü. ¸÷åé åñãáóôåß ùò êáèçãçôÞò óôç ó÷ïëÞ êüìéêò «ÐñÜîéò». Åßíáé áðüöïéôïò ôïõ Ìåôáðôõ÷éáêïý ÐñïãñÜììáôïò «ØçöéáêÝò ÌïñöÝò ÔÝ÷íçò» ôçò Áíþôáôçò Ó÷ïëÞò Êáëþí Ôå÷íþí Áèçíþí (Õðüôñïöïò ôïõ ÉÊÕ, ùò ðñþôïò âáèìïëïãéêÜ êáé áñéóôïý÷ïò), áñéóôïý÷ïò ôçò Ó÷ïëÞò Êáëþí Ôå÷íþí ôïõ ÁÐÈ, êÜôï÷ïò ðôõ÷ßïõ Äéáêüóìçóçò, ÉÅÊ ÄÝëôá Èåóóáëïíßêçò êáé Diploma Art & Design, The South Manchester College.

BABIS VENETOPOULOS Artist, founder - member of MDA, Art and Animation Director. He is the director of the awarded series 776 B.C. (ÁNIMAMUNDI 2002 - 3rd Best Portfolio) and of several animation and commercial productions. He has participated in many art exhibitions and festivals in Greece and abroad. He has worked as a comic strips teacher in “Praxis” private Studio. He is a graduate of the Athens School of Fine Arts (with scholarship, having the highest grades in his class) with an MA in Digital Forms of Art. He is also a graduate of the School of Fine Arts of Aristotle University of Thessaloniki (with honours), and he holds a diploma in Interior Design (IEK Delta of Thessaloniki) and a Diploma of Art & Design from the South Manchester College.

ÃÉÙÑÃÏÓ ÂÅÍÅÔÏÐÏÕËÏÓ Çëåêôñïíéêüò - ÐñïãñáììáôéóôÞò, éäñõôéêü ìÝëïò ôçò MDA. Åßíáé ï õðåýèõíïò ãéá ôá èÝìáôá Ýñåõíáò êáé áíÜðôõîçò ëïãéóìéêïý êáé ôçò ôå÷íéêÞò êáé äéêôõáêÞò ïñãÜíùóçò ôçò MDA. ¸÷åé åñãáóôåß ãéá ôçí äçìéïõñãßá âïçèçôéêïý ëïãéóìéêïý êáèþò êáé ùò ôå÷íéêüò äéåõèõíôÞò óå ðïëëÝò ðáñáãùãÝò êéíïõìÝíùí ó÷åäßùí. Åðßóçò Ý÷åé áíáðôýîåé ðïëëÝò äéáäéêôõáêÝò êáé ðïëõìåóéêÝò åöáñìïãÝò. ¸÷åé óõììåôÜó÷åé óå ðïëëÝò åêèÝóåéò ôÝ÷íçò ðáñÝ÷ïíôáò ôå÷íéêÞ õðïóôÞñéîç. ¸÷åé åñãáóèåß óå ôìÞìáôá ìç÷áíïñãÜíùóçò åôáéñéþí êáé åðßóçò ùò êáèçãçôÞò óôç ó÷ïëÞ êüìéêò "ÐñÜîéò". ¸÷åé óðïõäÜóåé óôï ÔÅÉ Èåóóáëïíßêçò, ÔìÞìá ÇëåêôñïíéêÞò êáé åßíáé êÜôï÷ïò ðôõ÷ßïõ Åöáñìïãþí ÐëçñïöïñéêÞò, ÉÅÊ ÄÝëôá Èåóóáëïíßêçò.

GEORGE VENETOPOULOS Electronic Engineer - Programmer, founder - member of MDA, Technical Director. He is responsible for the software, hardware and networks concerning MDA. He has worked as a technical director and has created supporting software for many animation productions. He has developed many internet and multimedia applications. He has been technical supporter for many art exhibitions. He has worked in Information Technology Departments of several companies and also as a comic strips teacher in “Praxis” private Studio. He has studied Electronic Engineering in TEI of Thessaloniki, Department of Electronics and he has a Diploma in Computer and Information Technology in IEK Delta of Thessaloniki.

ÐÁÍÏÓ ÎÅÍÁÊÇÓ Åéêáóôéêüò - Ãëýðôçò. Åßíáé õðåýèõíïò ôïõ äçìéïõñãéêïý ôìÞìáôïò ôçò MDA. ¸÷åé êÜíåé ìáêñï÷ñüíéá Ýñåõíá êáé åöáñìïãÞ óôïí ÷þñï ôùí åéäéêþí åöÝ (SFX) ãéá ëïãáñéáóìü ôçëåïðôéêþí êáé êéíçìáôïãñáöéêþí ðáñáãùãþí. ¸÷åé åñãáóôåß óå ðïëëÝò ðáñáãùãÝò ôñéóäéÜóôáôïõ êéíïõìÝíïõ ó÷åäßïõ. Åðßóçò Ý÷åé åñãáóôåß ùò êáèçãçôÞò åëåõèÝñïõ ó÷åäßïõ óôï ÊÝíôñï Ôå÷íþí ÐëÜêá, ãéá ôçí ðñïåôïéìáóßá õðïøÞöéùí óðïõäáóôþí ãéá ôçí Á.Ó.Ê.Ô. ¹ôáí õðåýèõíïò ãéá ôçí ôñéóäéÜóôáôç öùôïñåáëéóôéêÞ áðåéêüíéóç êôéñßùí óôçí áñ÷éôåêôïíéêÞ åôáéñßá «Áñ÷éôåêôïíïöéëßá». ¸÷åé óõììåôÜó÷åé óå ðïëëÝò ïìáäéêÝò åêèÝóåéò ôÝ÷íçò êáé projects. ¸÷åé óðïõäÜóåé óôçí ÁíùôÜôç Ó÷ïëÞ Êáëþí Ôå÷íþí Áèçíþí.

PANOS XENAKIS Artist - Sculptor member of MDA, Art Director. He has worked for many years in research and creation of special effects (SFX) for several TV and cinema productions. He has worked in many 3D animation productions. He has also worked as a free sketch teacher in “Plaka” Art Studio, preparing students for the exams of the School of Fine Arts. He worked for the architecture company “Architectonofilia” in 3D photorealistic building presentations. He has participated in many group art exhibitions and projects. He has studied in the Athens School of Fine Arts.

048

ÓÇÌÅÉÙÓÅÉÓ|NOTES

049

ÓÇÌÅÉÙÓÅÉÓ|NOTES

050

ÓÕÍÔÏÌÏÃÑÁÖÉÅÓ|ABBREVIATIONS M.M. Ìéêñïý ÌÞêïõò|S.F. Short Film Yð.Ð.Ð. Õðïõñãåßï Ðáéäåßáò êáé Ðïëéôéóìïý| Ìin. Ed. & Cul. Ministry of Education and Culture Ó.Å.ÊÉÍ. ÓõìâïõëåõôéêÞ ÅðéôñïðÞ ÊéíçìáôïãñÜöïõ S.E.KIN. Cinema Advising Comittee

ÅÐÉÌÅËÅÉÁ ÊÅÉÌÅÍÙÍ ÊÁÉ ÊÁÔÁËÏÃÏÕ/ÓÕÍÔÏÍÉÓÌÏÓ ÄÉÏÑÃÁÍÙÓÇÓ| ÅËÅÍÁ ×ÑÉÓÔÏÄÏÕËÉÄÏÕ (ÌÏÑÖÙÔÉÊÇ ËÅÉÔÏÕÑÃÏÓ Á~) CATALOGUE AND TEXT EDITING/COORDINATION OF THE ORGANISATION| ELENA CHRISTODOULIDOU (CULTURAL OFFICER A~) Ó×ÅÄÉÁÓÌÏÓ ÊÁÉ ÊÁËËÉÔÅ×ÍÉÊÇ ÅÐÉÌÅËÅÉÁ|ANNA ÖÙÔÉÁÄÏÕ DESIGN AND ART DIRECTION|ANNA PHOTIADOU(www.urbanindex.net) ÅÐÉÌÅËÅÉÁ ÁÃÃËÉÊÙÍ ÊÅÉÌÅÍÙÍ|ÍÁÔÁÓÁ ÅÐÁÌÅÉÍÙÍÄÁ EDITING OF ENGLISH TEXT|NATASA EPAMINONDA ÓÕÍÔÏÍÉÓÌÏÓ ÕËÇÓ ÊÁÉ ÊÅÉÌÅÍÙÍ|ÌÁÑÉÁ ÊÙÍÓÔÁÍÔÉÍÏÕ COORDINATION OF MATERIAL AND TEXT|MARIA CONSTANTINOU ÅÊÔÕÐÙÓÇ/ÂÉÂËÉÏÄÅÓÉÁ|TYÐÏÃÑÁÖÅÉÁ ÓÔÁÕÑÉÍÉÄÇ PRINTING/BINDING|STAVRINIDES PRESS

×ÏÑÇÃÏÓ ÅÐÉÊÏÉÍÙÍÉÁÓ¦MEDIA SPONSOR Ñáäéïöùíéêü ºäñõìá Êýðñïõ, Cyprus Broadcasting Corporation ×ÏÑÇÃÏÓ¦SPONSOR AB Seahorse Film Productions LTD