2023 Work Sample - Anna Brodersen

ode

ANNA BRODERSEN

PORTFOLIO WORK SAMPLE 2023

Prolougue and purpose

imagine draw think play create communicate dream work plan make research discuss analyze reason commit structure iterate specif y communit y histor y materials location together place teamwork site build act — BRODE

My secret is that I am a unique creative contributor that speaks both artistic and technical languages.

Not merely a designer in one field or the other, but rather a fluent communicator across the domains.

This fluency allows the translation of ideas through a lens of feasibility, technicalities, and multi disciplinary skills to realize creative intent.

Every project is an opportunity to challenge conventional thinking and ignite imagination. In a world where creativity often clashes with practicality, I foster the fluidity between vision and execution.

My key to execution is understanding the intricacies of construction and architectural processes. With a meticulous eye for detail, I blend the poetic with the pragmatic, ensuring every concept is not just a vision, but a practical reality.

I am not in it just for the artistry, or just for the technicalities. These are tools I draw from in the composition of meaningful places that can evoke feelings and spark curiosity. My passion is imagining spaces, and my ambition is sculpting them.

2

Contents

“Because from the fairy tale came the airplane, and the locomotive, and the wonderful instruments of our minds… it all came from wonder.” —Louis Kahn PROJECTS 4

OCEAN PARK Ocean park attraction

16

OASIS Adventure Park

68

BLOOMING SQUARE Mixed Use Commercial Development

88 UNTITLED #7 Installation 4

BI-OPEN MASSY Mixed Use Commercial Development

14

MULBERRY FARM Cultural Retreat Campu

78

TOULOUSE AMIDONNIERS Mixed Use Commercial Development

114 SACRED GEOMETRY CHAPEL Model 120

INSEPRABLE Competition Project - Museum

98

A PLACE FOR ART Museum

58

FARM HOUSES Residence and guest house

130 PERSONAL PROJECTS Mixed media projects

OCEAN PARK 4

presentation concept schematic detailing interiors theming stor yline animal area planning programming guest experience

[2022] Site: Nanjing, China Status: 2020 Targeted completion Phase 1 - 2024 With: JCO Planning + Design Program: Entertainment campus that includes Ocean Park, Water Park, Snow Park & Retail Overall Site: 226,260 sq.m Ocean Park Site: 50,500 sq.m Master Plan of Ocean Park Attraction within a larger scale mixed use, multi-attractions park known as Yanlord G84 project. Services include: capacity analysis, programming, animal areas planning, concept - design development, and construction document review.

Ticketed attraction with Entry Gateway and three themed indoor buildings/pavilions organized around an outdoor Eco Plaza. The three pavilions are: - Tropical Pavilion (Dolphin Viewing and major Dolphin Show Venue) - Deep Sea Pavilion (3 story Aquarium building with variety of aquarium galleries such as Sharks, Coral Reef, Jelly Fish, Sardines and a major tank housing multi-species warm water fishes) - Polar Pavilion ( 2 story Aquarium building with Arctic & Antarctic animal species, including Belugas, Penguins, Arctic Wolves, and Sea Lions)

5

TROPICAL

JELLYFISH GALLERY

DEEP SEA

POLAR

CHILDREN’S AREA FISH LEARNING LAB

LOBBY

PRESENTATION PLANS

MISSION SHARK AREA

6

DEEP SEA L1

(Above) Masterplan of Oceanpark attraction, Polar, Tropical, and Deep Sea pavilions are organized around an Eco Plaza.

(Below) Level 1 plan of the Deep Sea Pavilion.

PROGRAMS USED: Archicad, Photoshop, Illustrator

7

LOBBY CONCEPT SKETCHES

8

CHILDREN’S AREA

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Procreate

CHILDREN’S AREA

Deep Sea Pavillion - Children’s Area.

Divided into three “zones” connected by guest path of travel, children can enjoy deep sea themed ship zone, prop cargo deck, and sensory seeking Lucky Climber that gives an underwater view to above Jellyfish gallery.

9

2 2 1

JELLYFISH GALLERY

1

10

A diagrammatic composition of the jellyfish, creates a mazelike passage to discover the aquariums within colorful lighting and materials.

PROGRAMS USED: Rhino, Illustrator, Photoshop, Procreate Section 1 - partial

The gallery becomes a deep sea underwater ecosystem.

Experiencing the jellies as one of the jellies.

Shown above is gallery 2 of the jellyfish zone.

PROGRAMS USED: Sketchup, Rhino, Photoshop, Procreate

JELLYFISH GALLERY

Section 2

11

3D View – Entrance Hallway

Wall inspired by Shark teeth, represented by two opposite triangles tilted at an angle.

Recessed Lighting Treatment: Walls and ceiling

Side View: Guests can peek through and catch a glimpse of the Main Shark Tank

Artificial Model of a Shark Skeleton

Entry Hallway from L2 Lobby

Dissection table interactive.

Guests can look at all the parts of a few different Sharks, from skin to cartilage to nervous system.

Recessed Lighting

3D View – Entrance Hallway Treatment: Walls and

ceiling

Artificial Model of a Shark Skeleton

Recessed Lighting Treatment: Walls and ceiling

Dissection table interactive.

Guests can look at all the parts of a few different Sharks, from skin to cartilage to nervous system.

3D View – Entrance Hallway

Wall inspired by Shark teeth, represented by two opposite triangles tilted at an angle.

Lighting and Pattern at Shark Entry Lobby / Visible from L2 Main Lobby Wall inspired by Shark teeth, represented by

Light Grey Border

two opposite triangles tilted at an angle.

Dark Grey Field

Light Grey Border

3D View of Shark Hallway

Dark Grey Field

Light Grey Border

Side View: Guests can peek through and catch a glimpse of the Main Shark Tank 3D View of Shark Hallway

Side View: Guests can peek through and catch a glimpse of the Main Shark Tank

Dark Grey Field

Click to edit Master SHARK title 66style MISSION - L2

Entry Hallway from L2 Lobby

3D View of Shark Hallway

66

Click to edit Master SHARK title style MISSION - L2

Entry Hallway from L2 Lobby

3D View - Entrance to Shark Area

Gallery ID: See Graphics Package

Concrete finish Flooring. Field – Darker Grey Concrete finish

Flooring. Field –

Darker Grey Concrete finish Flooring. Field – Light Grey Bands Darker Grey

at perimeter / Light Grey Bands parallel to walls at perimeter / Light GreytoBands parallel walls at perimeter / parallel to walls

po

po

po

-

Interactive Table

MISSION SHARK AREA

Partial PlanPartial Plan Macro imagery Partial Plan

v1

v1

Shark SkeletonShark Skeleton Interactive Table Interactive Table Shark Skeleton

12

Giant Graphics

v1

Overall Feel

2

Ceiling PartialPartial Ceiling PlanPlan E Partial Ceiling Plan

Entry Hallway from L2 Lobby

(Above) Sharks area Zone 2 - Shark Hallway Zone - Shark Hallway Hallway 2 -2 Shark concept design Zone development. Divider design abstracted from the teeth of sharks. Area signageWallconcept.

Ceiling texture and floor plans of space.

3D view of space. (Right) Plan of Sharks area.

PROGRAMS USED: Sketchup, Illustrator, Photoshop

Ceiling detail

Macro imagery

3DView View -- Shark Shark Skeleton Interactive Table 3D Skeleton Interactive Table

3D View - Shark Skeleton Interactive Table

2

2

Click to edit Master SHARK title style MISSION - L2

65

Click to edit Master SHARK title style MISSION - L2

43

43 ClickClick to edit Master title style to edit Master title MISSION SHARK - SHARK L2 style MISSION - L2

Shark viewing window

Click to edit Master titleTANK style L2 SHARK

50

Main Shark Tank Front Panel

Click to edit Master title sty

MISSION SHARK – L1 (Above) Sketch concept of Sharks main tank viewing, and 3D view of Design Development Sharks main tank viewing.

(Below) Elevation of Sharks main tank viewing.

(Left) Sharks area entry wall lighting.

PROGRAMS USED: Sketchup, Procreate, Photoshop

MISSION SHARK AREA

SHAR

145

13

5-19-2022

FISH LEARNING LAB

Zone 5 – Foraging Fish Lab

14

Click toCEILING edit Master style 2 LEVEL 1 REFLECTED PLANtitle – OPTION

13

Zone 5 – Foraging Fish Lab

Click edit Master title style WALLtoSECTION BUBBLE TANK

18

Yanlord Nanjing G84 Cultural Tourism Destination Project

(Left) Ceiling plan of Fish lab space, interior elevation of first round concept, detailed design development view of area.

(Above), Lab hall section, detailed 3D view, concept colored hallway elevation.

(Below) Concept Lab view collage.

7412 Manchester Rd. I St. Louis, MO. 63143 I USA

P: 314 933 0322 I info@thejco.com

Any unauthorized use, disclosure, dissemination or duplication in whole or part is forbidden without written consent

by Jco Ltd. and will result in liability under applicable laws.

Contractor must check and verify all dimensions, details and levels on the job and report discrepancies to the Architect before proceeding with work.

PROGRAMS USED: Archicad, Sketchup, Procreate, Illustrator, Do not scale drawings, only figured dimensions are to Photoshop be used.

THIS DRAWING IS NOT TO BE USED FOR CONSTRUCTION UNTIL SIGNED AND SEALED BY THE ARCHITECT All work will conform to provincial and federal building codes and regulations NO.

DATE 4/20/2022

DESCRIPTION 50% SCHEMATIC DESIGN (ƶޯѳʹ 50%)

PROJECT (ֻϝ): NANJING, CHINA (ġŚ뻟ϓҷ)

FISH LEARNING LAB

Tone on tone ceiling pattern to match flooring

This document contains copyright material belonging to Jco Ltd. All drawings, specifications and related documents are for use on this project only and must be returned upon request.

15 DRAWING TITLE ( CHINESE):

OASIS AT LAKEPORT

Rendered view showing initial schematic design concept of Oasis Adventure Park

16

master plan guest experience coordination programming development phasing concept detail design landscape design

[2022] Site: Lake of the Ozarks, Missouri Status: Under construction With: JCO Planning + Design Program: Adventure park masterplan: two phases.

Arcade, parking garage, multiple food/beverage areas, amphitheater, 14 rides/attractions, Observation wheel A large site with two phases. Phase one includes the contents shared here. Starting from concept, and working programmatic needs in with a geometric and site specific intensive study of the plan. An aesthetic yet highly organized composition came about. Working with the steep grades, the project is organized into layers, connected from attraction to node in wandering ramps that join the three “platforms” in which the site would be excavated.

With the observation wheel centered, the guest experience of this project is aimed at defining the atmosphere by a whimsical series of attactions and to the forefront, the geography of the Lake of the Ozarks.

17

705 725

690

720

OVERALL SITE: ZONES 1. ENTRY PORTAL/ARRIVAL 2. ARCADE & RESTAURANT 3. HIGHLANDS 4. THE OVERLOOK 5. OASIS PLAZA 6. LANDING 7. BOARDWALK

CONCEPT DIAGRAMS: Dividing the site into programmatic elements. Using the topography in unison with client program, a guest experience is organized.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Procreate

18

PHASE I

SITE: DIVIDE INTO PHASES

PHASE II

IMPLEMENT CONCEPT

ORGANIZE SITE BASED ON EXISTING GRADES

DIVIDE INTO ZONES AROUND ELEMENTS

The site zones in 4 main nodes: arrival portal, arcade, observation wheel, and ampitheatre. The plan shows an early master plan showing Oasis park and north hotel and waterpark area.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Freehand drawing, Procreate

19

ZONE 1 YEAR - ROUND ZONE ENTRY LEVEL / UPPER PLATFORM

ZONE 2 ALL FAMILY / CHILDREN RIDES MIDDLE PLATFORM

ZONE 3 THRILL RIDES LOWER PLATFORM

ZONE 1 UPPER PLATFORM 725’

ZONE 2 MIDDLE PLATFORM 705’

ZONE 2 LOWER PLATFORM 685’

BOARDWALK

ZONE PLAN

DRAGON RUN RIDE EXPERIENCE FEATURES

DETAIL DESIGN

PARKING GARAGE

6/30/23

665’ BOARDWALK ELEVATOR 685’

DROP-OFF

THRILL RIDES LOWER PLATFORM - 685’

ALL FAMILY / CHILDREN RIDES MIDDLE PLATFORM - 705’

ELEVATOR 705’

SHOOTOUT - RIDE EXPERIENCE FEATURES

P00-010101 FLAT TURN (LOW TO THE GROUND)

01 01

STATION

02 02

LIFT

02 02

HEADCHOPPER (BELOW DEAD END)

03 03

STEEP DROP

03 03

CAMELBACK (OVER STATION)

04 04

TUNNEL

04 04

DIVE TURN

05 05

HORSESHOE

05 05

HEADCHOPPER (BELOW LIFT)

06 06

SPEED BUMP

06 06

LARGE BUNNY HOP

07 07

CAROUSEL

07 07

DEAD END

08 08

CAMELBACK

09 09

HORIZONTAL LOOP

10 10

S-CURVE

11 11

HIGH BANKING FLAT CURVE

12 12

PIT

13 13

FINAL CURVE

R6 BIG THUNDER

01

705’ ELEVATOR 725’

YEAR - ROUND ZONE - ENTRY LEVEL UPPER PLATFORM - 725’

R12

R5 LAKESIDE SWING

R2 05

R1

LITTLE THUNDER

OASIS OBSERVATION WHEEL

02

03

06

R3

R9

THE PLUNGE

SHOOTOUT 05

04

705’

R8

R11

R4

DRAGON RUN

THE CAROUSEL

07

04

685’ lift

06 13

LOADING STATION

R7 BALLOONS

BOH

SLINGSHOT

07

01 08

THE PROPELLER 03

R10 FRISBEE

12

LOADING STATION

02

10

BOH 09

BOH 11

(Above) Overall site zones with attractions. (Below) Site plan with attractions and site walls.

(Right), 3D view of site with observation wheel.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Procreate

20

DETAIL DESIGN

6/30/23

SITE PLAN

P00-02

R6

R5

R12 R9 R2 R1 R7

R3

R8

R4

R11 R10

June26, 16,2023 2023 DESIGN | 6/30/23 May OASIS AT LAKEPORT | SCHEMATIC DETAIL DESIGN GSEducationalVersion

OVERVIEW OF RIDES RIDE - BOOMERANG COASTER

SHEET NO.

(Above) RenderedR9.01 Site plan R00-01 concept phase. (Below) Site plan Design Development phase with attractions in each zone.

SCALE: 1" = 40’ 50'

0'

25'

50'

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Procreate

21

(Left) Renderings showing overall site compilation and atmospheres within. (Above) site plan of south phase I site.

PROGRAMS USED: Rhino, Revit, Photoshop, Procreate

22

View 1

View 2

(Above) Concept plan and views of the Food and Beverage pavilion with basic views of space. Ampitheatre plan and concept rendering.

(Left) Shade structure concept sketch.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop, Procreate

23

(Above) Vekoma Family Coaster 3D on site, and coaster plan. (Right) render of coaster from concept phase.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop

DETAIL DESIGN

DETAIL DESIGN

24

6/30/23

6/30/23

GSEducationalVersion

50'

R9.01 R08-01C SHEET NO. SHEET DRAGON RUN ENTRY VIEW - COLOR OPTION 2 DRAGON RUN VIEW - COLOR OPTION 2 NO.SHEET NO. RIDEENTRY - BOOMERANG COASTER RIDE - BOOMERANG COASTER

25'

50'

SCALE: 1" = 50'

25'

0'

SCALE: 1" = 50' 0'

DRAGON RUN ENTRY - COLOR OPTION 2 RIDEVIEW - BOOMERANG COASTER

DESIGN May| 6/30/23 26, 2023 | SCHEMATIC | 6/30/23 OASIS ATAT LAKEPORT DETAIL DESIGN DESIGN May 26, 2023 | SCHEMATIC OASIS LAKEPORT DETAIL DESIGN

DRAGON RUN ENTRY - COLOR OPTION 2 RIDEVIEW - BOOMERANG COASTER

SHEET NO.

R9.01 R08-01C

RIDE - BOOMERANG COASTER SHEET NO. RUN OVERVIEW - COLOR OPTION 2 DRAGON RUN ENTRY - COLOR OPTION 2 DRAGON RIDEVIEW - BOOMERANG COASTER

DESIGN | May 26, 2023 | SCHEMATIC OASIS |AT LAKEPORT DETAIL DESIGN 6/30/23 DESIGN May 26, 2023 OASIS AT LAKEPORT | SCHEMATIC DETAIL DESIGN 6/30/23 SCALE: 1" =SCALE: 50' 1" = 50'

0'

25'

0'

50'

25'

R9.01 R08-01C R08-01C R9.01 50'

ationalVersion GSEducationalVersion

DESIGN | 6/30/23 May 26, 2023 OASIS AT LAKEPORT | SCHEMATIC DETAIL DESIGN

DESIGN | 6/30/23 May 26, 2023 OASIS AT LAKEPORT | SCHEMATIC DETAIL DESIGN

SCALE: 1" = 50' 0'

25'

R9.01 R08-01C

50'

SCALE: 1" = 50'

0'

25'

50'

SHEET NO.

R9.01 R08-01B

GSEducationalVersion

GSEducationalVersion

DESIGN | 6/30/23 May 26, 2023 OASIS AT LAKEPORT | SCHEMATIC DETAIL DESIGN

DRAGON RUN ENTRY - COLOR OPTION 2 RIDEVIEW - BOOMERANG COASTER SCALE: 1" = 50' 0'

25'

50'

SHEET NO.

R9.01 R08-01C

GSEducationalVersion

1

ROOF PLAN

1”=20’-0”

STANDING SEAM METAL ROOF

(Above) Vekoma Family Coaster Theming concept renderings and roof plan.

MULTI-C FABRIC

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop

SHADE STRUCTURE AT QUEUE AREA

25

(Above) Vekoma Family Coaster colored site context section, loading station section, and plan.

Coordination, landscape, operations, and placement design was a major role during the concept and detail design phases.

PROGRAMS USED: Rhino, Revit, Illustrator, Photoshop

26

TYPE D

RAILINGS TYPES LEGEND & NOTES

TYPE F

RETAINING WALL TYPE A - QUEUE RAILING ALONG PERIMETER OF SITE, ALONG THE RETAINNG WALLS. 48”ABOVE FINISH GRADE. SEE LANDSCAPE DRAWINGS

TYPE E

TYPE B - QUEUE LINE RAILING REMOVABLE STANCHIONS 36” ABOVE FINISH GRADE TYPE C - QUEUE LINE – PERMANENT 36” ABOVE FINISH GRADE

ZONE 5 1.5M WIDE

TYPE D - RESTRICTED AREA RAILING (RIDE BARRIER) 48” ABOVE FINISH GRADE (4’ HIGH) (1.2M)

ROOF SHADE <3.0M SEE SECTION B

TYPE E - RESTRICTED AREA RAILING (72” ABOVE FINISH GRADE. (6’-0” HIGH)

ZONE 4 0.6M WIDE

TYPE F - RESTRICTED AREA RAILING (MIN. 2.0M ABOVE FINISH GRADE. (6’-8” HIGH)

ZONE 3

RIDE ENTRY

*

ZONE 1 ROOF SHADE >3.0M SEE SECTION A

ROOF SHADE STRUCT. UNDER TRACK

ROOF SHADE STRUCT. UNDER LIFT

NOT REQUIRED

SEE SECTIONS A & B FOR ROOF SHADE CRITERIA

SECTIONS SHOWN ON THIS SHEET ARE VEKOMA (RIDE MANUFACTURER) GENERATED DRAWINGS. THEY ARE USED FOR REFERENCE PURPOSES.

ZONE 2

ZONE 3

SERVICE GATES INTO RESTRICTED AREAS OF RIDES. . SAFETY ACCESS WITH KEYS LINKED TO THE COASTER’S MASTER KEY

RAILING TYPE D REFER TO SECTION E

RAILINGS TYPE E, F REFER TO SECTION D

DRAGON RUN COASTER - RAILING TYPES

DETAIL DESIGN

6/30/23

R08-06

2700 MM (8’-10”)

1

3750MM (12’-4”) MAX. HEIGHT -

BEYOND

3D VIEW

422MM (1’-4”) SOFT FLOORING BELOW TRACK RIDE BARRIER @ RESTRICTED AREA

3

LONGITUDINAL SECTION 2-2

2

CROSS SECTION 1-1

(Above) Vekoma Family Coaster Technical coordination drawings.

Clearance checks with site walls and layout. 3D view of coaster with clearancees, section through loading building.

PROGRAMS USED: Rhino, Revit

June 16,2023 2023 DESIGN | May 26, DETAIL DESIGN 6/30/23 OASIS AT LAKEPORT | SCHEMATIC

DRAGON RUN LOADING BUILDING SECTION SHEET NO. RIDE - BOOMERANG COASTER SCALE: 1" = 50' SCALE: AS NOTED 0'

25'

50'

R9.01 R08-04

GSEducationalVersion

27

BLOOMING SQUARE 52

concept form urban site activation diagram communicate developer radiate idealize

[2018] Site: Paris, France Status: Competition complete With: Lina Ghotmeh - Architecture Program: Retreat Center Clichy-la-garenne, once an entirely wooded territory before the 19th century, is now developing in the continuity of Greater Paris.

Urban expansion engulfing unbuilt spaces, this project set out to develop a balance between urbanization and the protection of green spaces.

It proves how architecture can be a vector of a rapprochement between man and nature.

Water as a structuring element of the territory - the Seine river, the artery irrigating the Ile-deFrance territory, is an element that contributes to the identity of Greater Paris. Clichy-la-Garenne, at the gates of Paris, enjoys immediate proximity to the Seine which turns on itself upstream. This territory has seen ambitious projects, such as that of the portfroideville in the 16th century, and continues to be a major axis of project development, with in particular that of the seine metropolis, linking Le Havre - Rouen - Paris.

Water and green space make up the DNA of the site for this future “Blooming Square.” The art of the impressionists in the late 1800’s and relating urban expansion at the time gave depth to our research of the area and how to design a space that is truthful to the site, and the city.

53

Paris

Paris

Paris

Set on the cusp of the city, The Seine, and the various parks that surround it, the site - soon to be home of a mixed use office/retail complex - would become a centre for the area. Using the idea of connection, and growth - we created a system to bring the green spaces, and views, into the spaces in between throughout this multi level complex tower.

54

55

Linking green space

Linking city elements

SITE

Using the concept of a tree cutting away at a box, thus creating a “link” that becomes an exterior public space, connecting the interior out, and vice versa. We then used programmatic requirements, and surrounding buildings to inform height, and began building up.

56

57

58

Concept sketch showing life that would be activated through this project.

Greenery would enliven the stacked masses of the building and create multi level spaces bringing the interior out and vice versa.

59

60

Conceptual collage showing how the existing spaces of green react to the project by radiating these tertiary spaces outward. Ultimatley showing how the site will grow from the surrounding green.

Photo renderings for the schematic design presentations. I created the 3D model for these renderings and provided auxiliary rendering touch ups after the renderers submitted them to our team. Provided here to show atmosphere and final design.

61

88

UNTITLED #7

[2017] Site: East Hills Warehouse - Lawrence, Kansas Status: Academic Project With: Kadim Al-Asady Program: Design Build Installation An abstract endeavor of place construction, proving an innovation in how we build for our modern world. This Studio-Build project challenges the artist’s role in design and extends the boundaries of how space is composed. It explores possible conditions we may invent from friction fit joints. And proves the inventions through the making of a 1:1 scale model. Interrelated steps stitch together a logic structure based on an imposed grid and invented rules and physical elements emerge from the geometric play. For the first time architecture is not rooted in the built artifact, but in the result of the process of space transformation. The art here lies in the design process rather than as a result of it.

89

Exhibition phamplet 90

6í-6î

60∞

0í-8î

12í-0î

12í-0î

6í-0î

0í-8î

6í-0î

45∞

36í-0î

1

2

3

4

17í-6î

5

ENGINEERED GEOMETRY - COLUMN

36'-6" 6í-6î

11'-0"

13'-6"

60∞

2í-0î

5'-10 3/4"

12'-0"

7'-7 1/4"

ENGINEERED GEOMETRY - SEVEN WALL

45∞

0í-8î

6í-0î 36í-0î

45∞

17í-6î

75∞

6

7

8

9

10

13'-0"

ENGINEERED GEOMETRY - BOOLEAN WALL

Y - SEVEN WALL

EQ

13'-0"

R6'-6"

ENGINEERED GEOMETRY - CIRCLE WALL A

EQ

6'-3" 6'-0"

EQ

6

45°

12'-0"

EQ

ENGINEERED GEOMETRY - CIRCLE WALL B

0° 12'-0

"

5'-9"

3'-0"

62'-0"

ENGINEERED GEOMETRY - BOOLEAN WALL

75

EQ

12'-0"

EQ

45°

3'-0"

°

R17'-6" 7'-0"

12'-0"

R36'-0"

CIRCLE WALL B

Algorithmic engineering of geometry, and final logic structure with scale model (Above).

Composition from logic structure (Below).

91

RULE 3.3

RULE 5 . 1 RULE 5.1

1/4"

RULE 5 . 0 RULE 5.0

RULE 2.0

RULE 5.0 RULE 5.0

RULE 5 . 1 RULE 5.1 2 29/32" 2 1/2" 1" R0 1/4"

R0 1/4"

2 1/2"

39/64" 19/32"

29/64"

0 29/64"

0 7/16"

0 17/32"

2 13/64"

RULE 3.2

RULE 1.1

RULE 3.1 RULE 3.0 RULE 3.1 RULE 3.3

RULE 3.2

RULE 3.3

1 25/64"

1 13/16"

7/16"

0 7/16"

RULE 3.3

RULE 3.2 RULE 3.0

0 61/64" 0 47/64" 19/32"

2 1/2"

1 13/64"

R0 13/64"

RULE 3.4

39/64" 19/32"

RULE 3.4 0 29/64"

0 51/64"

R0 13/64"

SHEET 3 (20X)

RULE 3.1

29/64"

SHEET 6 (5X)

0 51/64"

0 25/32"

1 11/16"

2 13/64"

RULE 1.0

22 rules allowed the assembly of each component every element within this parts-to-whole system.

Fabrication - Each element is a comprised flat pack of CNC milled pieces.

SHEET 5 (2X)

92

SHEET 2 (15X)

Shown is the rule, the piece and its layout on wood sheet.

Element one section cut 1'-7 9/16" A

3

A

1'-7 9/16"

3

Element one plan 1'-7 9/16"

EQ

2'-0"

EQ

A

Element one elevation

93

The “rules”

Rules on pieces, comprise the element

94

95

“Untitled 7” Exhibition 1:1 Physical Model

96

97

BI-OPEN MASSY

Isometric showing the importance of the facade to the concept of the space

4

competition materialit y program design development facade concept program refinement coordination

[2018] Site: Massy, Île-de-France, France Status: Design Development complete With: Lina Ghotmeh - Architecture Program: Mixed use urban develooment: office space, retail, public plaza, two phases.

Bi Open Massy takes up a strategic place in the new Atlantis district. Located at the entry to Massy, France, it becomes an iconic element for the inhabitants of the district, the users as well as the users of the main motorway.

The building is on two levels. The ground floor is intended to accommodate tertiary activity of all kinds and the first level is devoted to offices.

The project is expressed in two phases. Totally symmetrical, the southern part rises initially. A buffer is then created between the motorway and the Atlantis district thanks to the public plaza that protects users from noise and visual pollution.

My contribution was the development of the program/spatial layout, and dialing in the facade by defining the complex facade panels. Doing material testing and physical models, the back and forth from the digital model, to physical model, was crucial in advancing the detail of the facade, and how it interacts with the surroundings, as well as the intended program, all under the conditions of client needs/engineer coordination.

5

Roof

R+1

RDC

Using the design that won the competition for the firm, I worked on developing the program to fit new parameters: client needs, keeping design integrity throughout value engineering.

This included rearranging spaces to fit within a new envelope, to work out phases for which construction will take place.

6

Set in industrial suburban France. A goal of the project as a commercial mix-use development project was to revitalize the area and activate the neighborhood.

Program development was always driven back to site specific and community needs.

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Facade development was a major part of the work I contributed to. Oscillating between physical models, program layout, coordination with engineers/clients, and renderings, it was a collaborative effort to dial in exactly how the envelope of the building would act.

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Keeping the function of central cores at the ground level to orient vertical circulation as well as WC’s/storage, we divided each wing into three offices, each with a separate entrance from the street, and with access to the central public courtyard.

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Value engineering and client changes occured post competition. Refinement was worked through a variety of mediums: massing and full architectural models were developed for analysis. A complex material palette was distilled, and how it manifests through the facade system. This process was a back and forth of material studies, physical models and digitally produced drawings/renderings.

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Through coordination with the team, supervisors, principal, and engineers, I worked through the detailing of the facade system panels.

Working towards getting the facade system design to match the proposed concept, atmosphere, and client wishes.

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[2018] Site: Madison County, North Carolina Status: Under Construction With: Cutler Anderson Architects Program: Retreat Center 388 Acre site 12 Buildings 75 Guest Cabins Mulberry farm is a project centered around Enlightenment. The objective was to integrate each of the buildings on the campus so deeply and intimately into the site of hundreds of acres of forest and hills. I contributed to each building in the project. Shown will be three of the buildings that had a special impact on me and my understanding of wood, steel, and concrete construction. This project was massive in the need for coordination across disciplines: architecture, landscape, structural, HVAC, contractors, clients, and ultimately within each building on the campus.

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Mulberry Farm (North Carolina)

MEETING HALL

Auditorium - Gathering Hall

The Meeting Hall is the most complex building on the campus. An 8,500 square foot auditorium building with full back of house and lobby areas, as well as an outdoor deck leading to the central plaza that connects the “core” buildings: The Meeting Hall, Dining Hall, Event Center, and Fitness Center. The concept of this building at the core of the site, is a concrete “bowl” that holds the auditorium risers for seating. This system of concrete piers and slabs connect to form a bowl-like structure which supports the framing for the rest of the exoskeleton: the second floor and roof super structure from a composition of wood framing members and built up steel beams and columns. The result is a building with transparent envelopes towards the views of the pond, and solid envelopes at the back areas. This building is shown here from a mix of concept sketches, to drawings taken directly from the Construction Documentation package. The photos are all taken at midst of construction, as this is the current status of the building.

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(Left) Second Floor plan, oriented towards the views of the pond, with the auxilary spaces surrounding the auditorium space.

(Above) 1, view of Meeting Hall from plaza courtyard.

2, sketched views of first floor lobby.

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(Above), the auditorium is warmed with birch plywood and select pine finishes, exposed custom steel beams, and the super structure’s concrete pillars poke through. (Right), out of the 296 details created to complete the document package, shown here are few of the details describing the main intersection of concrete “bowl” connecting to the floor and roof framing systems.

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Construction photos showing the concrete “bowl” with the surrounding concrete pillars that form the foundation for the rest of the super structure. (Fig. 1), shows the junction of the stepped concrete beams that support the auditorium risers.

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Section from Construction Document package, cut through main staircase, showing iconic split steel colum that frames entrance to first floor lobby.

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This school offers a place for the education of business wisdom. A small building with a lecture hall and two breakout classrooms, as well as small back of house and administration spaces. The building is centered around a 200 year old Oak tree deemed the “Wisdom Tree.” The entire orientation of the building is around this tree, giving the main lecture hall/ multipurpose space a view directly in admiration of this aged specimen. The building is a play of roofs on two main masses connected by an entry foyer. The building sits on the highest point of the entire site. The main lecture hall mass has a compound sloped roof - the framing members are ripped on the top and bottom to give the slope its rise along both the south and east axes. The two masses are joined by the entry space that opens up to a balcony connecting one classroom and the audtorium space, with views of the entire site. The simple wood framed building is made complex by sitting on top of its foundation to give the effect of the building sitting on a plinth. This also gave way for a crawl space to hold all HVAC equipment and ducting, which made it possible to have an open cavity ceiling exposing on the interior the glulam members. This building began schematic design in August of 2019 and I contributed to the entire process of documentation through construction administration - including coordination among disciplines as well as putting together the specifications, schedules, and handling communication between contractors, engineers, and clients. This building was the first building to start construction for the campus.

Lecture Hall & Classrooms

SCHOOL OF BUSINESS WISDOM

Mulberry Farm (North Carolina)

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Final floor plan. Grading was slight since it sits on top of the site, cutting minimally into the earth.

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Diagram shows how the massing evolved, orienting towards the Widsom Tree.

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(Above), photos showing the exterior of the auditorium space’s southwest corner (left), and the interior view of the auditorium that opens up to the Wisdom Tree (right).

Details show the glazing condition at the transition of 4” mullions to 6” mullions, and the window condition at the compound roof.

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Section taken from final Construction Document package, and colored. This cut is East/West through the auditorium space.

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Construction photos of interior auditorium space. (Top) exposed glulams with toungue and groove ceiling finish. (Bottom) close up of built up steel beam, see detail.

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Mulberry Farm (North Carolina)

GUEST CABINS

Pre Fabricated Guest Accomodations

The cabins. Small one/two bed individual hotel rooms. Built up on steel columns to fit into their respective locations on the site. All 75 cabins are pre fabricated and assembled on site.

Each cabin has a private entrance, WC, and private balcony. Each cabin is individually placed into the site to maximize the views and minimize the harm to the earth at each location. There are five versions of the cabins: one bed cabin, two bed cabin, ADA cabin one bed, ADA cabin two bed, and VIP cabin. The differences are slight, and mostly vary in size of cabin footprint, with the VIP cabin being the largest accomodating two beds and a sitting area. The cabins distill details from all buildings throughout the site. Birch plywood finishes, and full glazed corner to allow for the best views. Each cabin has a landing from the road, with a bridge to the cabin entrance. This allows for best placement on the site, and so the only custom construction is the bridge, varying in length and disturbing as little of the earth as possible.

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(Left) Site Plan of typical cabin. (Above) sketch elevation used in client presentations during SD, Elevation from Construction Document package, in process photo of cabin during pre-fab assembly in warehouse and upon site placement.

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TOULOUSE AMIDONNIERS 62

multi family mix use masterplan preser ve unite communit y t ypology atmosphere elevation facade program site histor y

[2018] Site: Toulouse, France Status: Competition complete With: Lina Ghotmeh - Architecture Program: Masterplan, apartments, mixed-use, public spaces, renovation of historic chalets ~55,000m² site 3 Multi-family buildings 1 Résidence gérée 1 Hotel 8 Renovated chalets 2 Multi-purpose buildings Toulouse Amidonniers was a competition project that spanned the last quarter of 2018. It consisted of a site north west of the city of Toulouse, France.

The competition intention was to develop this site with multi-family housing and thoughtfully renovate and keep existing historic chalets. We started by doing extensive site studies and context studies of the area. Taking existing typologies of Toulouse historic architecture and using them to inform the form and atmosphere of the development.

Using the site to inform all decision making, you can see the process of how the extensive site and context studies informed the architecture, which came to be known as a jeux des toits. Using materiality and complex elevations to give personality to the dwellings, and manifest a community through the programed spaces in between.

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A site emerges from existing typologies. Many Context studies were undergone to study the relationships of the buildings from the city center as the town expanded outward. This site sits on the northwest cusp of the city. The typologies of the architecture throughout the city were kept top of mind, and used to create a series of masses that may vis-a-vis and nod to the historic heart of this area.

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One of the defining elements to this project was the objective to preserve the historic chalets. Using typology studies, we played with different approaches to reshaping and adapting the old: integrating multi family buildings, with a community center, and senior housing.

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Typology studies in elevation. Facades of historic Toulouse buildings illustrated to show brick detail and hues that have evolved. This informed the project facades.

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Protoype chalet plan and elevation in relationship the multi family buildings.

Typology studies drove the iterations - varying heights and functions of multi family housing blocks are shown above.

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C Creating communities within the site: To preserve the identity of the small historic town, spaces throughout the site were programmed to foster community, and evolve into activated nodes.

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SACRED GEOMETRY CHAPEL 106

geometr y model wood contemplation space frame inhabit

[2015] Site: University of Kansas West Campus, Pioneer Cemetery, Lawrence, KS Status: Academic With: Kent Spreckelmeyer Program: Chapel A place for contemplation - a chapel made by the combination of systematic lines and areas of suggested use, extrapolated from a sacred geometric figure. This concept of a chapel challenges arbitrariness by the premise of inhabiting the exact structure which composes it.

Numbers and shapes are directly connected to the atmosphere they create. It is about the experience of the structure and the spatial system it defines.

This geometry chapel is proof of an ambition to make a fractal of architecture that embodies geometric applications - numeric, ideal, common into a larger and indefinite system of the built form.

This geometry is not merely form-making but the primary conceptual tool for inhabitation.

For me, this chapel has universal and cosmic implications, but for the rest of the world the objective is perhaps pragmatic. The idea is to give light to how unusual it would be to exist within numbers and systems, and at the same time how ordinary. In every aspect of life we are inhabiting geometry, it is just the matter of how explicit, and to what degree our architecture is daring to connect us to it.

107

The chapel structure anticipates a computational approach intended to be ultimately algorithmic as well as formulaic. Constructed primitively with only wood.

The application of these numeric and geometric systems makes for classic space frame construction.

(Above) Metatron’s Cube with highlighted connections used as a base for the structure.

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INSEPARABLE

Portion of master site plan. Circled in red are projects described in following pages.

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steel wood concrete construction details documentation specificy materials coordination

[2023] Site: Port of Beirut, Lebanon Status: Competition With: Noura Abo-Fakher Program: Museum of Emotions Positive emotion space Negative emotion space Reception “Some of you say, ‘Joy is greater than sorrow,’ and others say, ‘Nay, sorrow is the greater.’ But I say unto you, they are inseparable.”

- Khalil Gibran.

We approached the project from a view of expressing the Lebanese condition. To put into physical form, the experience of dichotomy Living in pain for your home, and at the same time constructing a life positively, with love and happiness. But living a life in which these two conditions are inseparable. Not able to have one without the other, and while existing within one, not being able to forget the other side is right on the other side.

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Deconstruction to Construction. The site of the August 4th, 2020 Port of Beirut blast provices the base for contrast. We build spaces of emotion from the contrast of the destroyed and the hopeful. Positive and Negative. Inventing an order from the disorder.

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More of an exploration of the geometry of meaning rather than an intended A to B concept to deliverable process, the plan of the pavilion emerged through a free drafting technique letting the lines become the emotions and vice versa.

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Inseprable describes the relationship between the nature of being in space.

Existing within a dichotomy of positive and negative is more of a symbioctic experience than one of contrasted feeling.

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A PLACE FOR ART 72

museum design site engagement urban infill detailing materialit y stor y building galler y experience

[2018] Site: Denver, Colorado Status: Academic With: Sean Hermann Program: Museum - gallery spaces, classrooms, BOH, WC, Cafe, Library A play of walls sews together a vacant sliver of a site in an up-and-coming arts district in Denver, Colorado. An arts center for the community combines spaces to gather, observe, and partake in art and learning.

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(Top) Merging of varying urban fabrics.

(Bottom - left to right) Using the site to reach out. Adjacent buildings inform base nodes. Nodes become the plan.

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FARM HOUSES 42

residential, wood & concrete, construction, site work, filing, collaboration

[2021] Site: Lancaster, Pennsylvania Status: Design Development With: Cutler Anderson Architects Program: Primary residence, 2 bed 2.5 bath Guest residence gym pool This house is for a thoughtful actor. They wanted a place that serves as a haven from the city while bringing in the chic-ness of the city to this two hundred year old land in Pennsylvania. They wanted a place for creatives and friends alike to gather, celebrate, and create together. After going through design iterations and never feeling like we “had it,” a look back at the clients program inspired a shift back to the core wishes for this place: a place to gather and celebrate and perform. A central circle driveway enters through the main house, and opens up to a dance studioturned-amphitheater orients the program around it, facing the south views overlooking a valley.

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Knowing the client wanted a primary dwelling and a guest dwelling, the design took off from there. Setting the house on the site came down to keeping it directly south of the original residence, and orienting it with the best views of the land.

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Program was stacked for public/private spaces, with a deck in the center. The guest wing opens up to an auditorium for the client, an actor, to have recitals - intent was to create a home as a generational gathering space for creatives alike to flourish. Left is sketch depicting foundation walls on site.

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s/annabrodersen/Dropbox/ANNA'S FOLDER/SPRING 2022/PORTFOLIO/Groff/Groff.pln, 6/28/22, 9:36 PM

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(Left), floor plan used in final Design Development pricing set. (Above), east elevations of the main house, cutting through the central courtyard space and deck. Details show intersection point where concrete and wood framed walls join with glazing at a single point.

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(Above), two main and first drawn details for the gable roof with sliding barn doors integrated into the roof structure.

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(Top), south elevation taken from Design Development package. (Bottom) section through site taken from Design Development package. Cut through living room and primary bedroom in the main house, showing the crawl space and closed cavity roof structure. Through the guest house section cuts through the gym, a two story space. The center deck holds a hot tub framed by pennsylvania feild stone stacked walls.

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84'-6" F.F. FIRST FLOOR 84'-0" WATER LEVEL

LINE OF BOTTOM OF POOL

ELEVATION 1

A12

FOOTING LINE

SCALE: 1/4" = 1'-0"

PLUMBING VENT. TYP.

D4

ROOFING 15# BP 5/8" PLYWD 2X4 PREFAB TRUSS @ 24" O.C. INSUL VAPOR RETARDER CEILING FINISH

3" Ø PLUMBING VENT W/ LEAD FLSG

1

T

2'-0"

3" Ø PLUMBING VENT W/ LEAD FLSG

8

12

12

8

LINE OF "CRICKET" FLSG BEYO SEE

SIDING EXT INSUL SYSTEM AIB 1/2" PLYWD 2X6 @ 24" O.C. INSUL VAPOR RETARDER WALL FINISH

3'-0"

6'-10"

6'-10"

SIDING EXT INSUL SYSTEM AIB 1/2" PLYWD 2X6 @ 24" O.C. INSUL VAPOR RETARDER WALL FINISH

OPEN

T

2'-6"

2'-6"

2'-6"

95'-0" F.F. SECOND FLOOR MIRROR T

T

F

CEILING BEYOND

8'-0"

AREA OF FILL FINISH GRADE

ROUGH

CUT

CUT

T

FOOTING BEYOND 8"

8" FOUN. WALL WATERPROOFING DRAINMAT WASHED GRAVEL FILTER FABRIC

OPEN

87'-0" T.O. WALL

ROUGH

8'-0"

EXISTING GRADE

EXISTING GRADE

2" STONE PAVER 1 1/2" SETTING BED 4" CONC SLAB WASHED GRAVEL

T

T

T 4" CONC SLAB W/ POLISHED FINISH & RADIANT COILS 2" EXTRUDED POLYSTYRENE 4" MIN. WASHED GRAVEL

T

84'-6" F.F. FIRST FLOOR T

8" FOUN. WALL WATERPROOFING DRAINMAT WASHED GRAVEL FILTER FABRIC

T

8

F

WATER LEVEL

4" Ø PERF. PIPE

PROGRESS: NOT FOR CONSTRUCTION

ELEVATION 2 SCALE: 1/4" = 1'-0"

NOT

51SECTIO

SCALE: 1/4" = 1'-

PERSONAL PROJECTS

Wall Mural, 79” x 90” Acrylic on Plasterboard, [2022]

120

draw paint build cast sketch express create

[2018 - 2022] Art, sketches, objects The following pages include a few images of the volumes of outside work, and projects I have completed.

Abstract paintings that focus heavily on color theory and human interaction/emotions.

Objects that focus on attention to detail, form, material.

Sketches that are centered around how I view the world around me, and a snippet into my freehand drawings which are one facet to how I think.

121

Table Bench

An exploration into deformity of traditional furniture - by taking a simple poplar leg and apron table and deforming it. The result - a hand and machine carved whimsical friend who I call “Table Bench.” Intended as a piano bench, or a small table...

Be careful, she likes to run away!

Curly Maple with walnut buttons

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123

Birdhouse

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Pepe’s Garden 12” x 12” x 12” Seattle, Washington [2021] Plaster, pine, white oak, and walnut

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Paintings

« 417 / 419 » 24” x 36” Acrylic on Birch panel

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Salt on the Earth, I & II (Above) 9” x 12” Graphite, ink, watercolor on paper, (Below) 16” x 20” Graphite, ink, watercolor, acrylic, oil on canvas

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Freehand Drawings

(Top) My mother’s home in Bichmezzine, Lebanon.

(Bottom) Maison Bacha, an abandoned chateau in the neighborhood of my mother’s home depictng classical arab architecture.

Watercolor, ink, graphite on paper 128

Gas Works Park abandoned factory silos in Seattle, WA. Watercolor, ink, graphite on paper

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