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AUS Media Clippings Newspaper Clippings of American University of Sharjah May 09, 2011

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gulfuews : The play that shaJJ not be named

Dubai: Don't wish an actor good luck on opening night. Instead, says Anthony Tassa, associate professor of theatre and performing arts at the American University of Sharjah (AUS), tell him or her to go out there and break a leg. Stage actors, Tassa explains, are superstitious, and one belief holds that wishing an actor good luck on opening night is tempting fate. In Shakespeare's time, Tassa says, to "break a leg" literally meant to bow by bending at the knee. Only those actors that had in effect done their job well were entitled to "break a leg" on stage to the applause of the audience, so by telling an actor to do so, one is actually wishing them good luck. Such superstitions among stage actors abound and several have come to be associated with certain plays. However few plays keep actors on edge in quite the same way as Shakespeare's Macbeth. Ever since it was first produced in the early 1600s, Macbeth has been the stuff of dark dramatic legend, held responsible for an array of theatrical misfortunes. Thespians have been said to have sustained critical injuries, become deathly ill and even died on opening night. With a history of theatrical disasters in its wake it is not surprising that stage actors are wary of this play. In fact, one of the oldest theatre superstitions - known as the Scottish Curse - dictates that speaking the very name of the play inside a theatre will bring bad luck, an exception being when the name is spoken as a line in the play. Thus actors refer to the play by euphemisms such as the "Scottish Play" or the "Bard's Play." Variations of the 20f6

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gulfnews: The play that shall not be named


with the state of the theatres and how special effects were created during that time. "Most theatres at that time were made out of wood and had thatched roofs. Couple that with the fact that gunpowder was used to create special effects like lightning and thunder and it is not surprising that a lot of theatres went up in flames," Tassa says.

History Dr. Fawwaz H. Jumean, head of Department of Biology, Chemistry and Environmental Sciences) at AUS, suggests that the reasons the play earned its dark reputation actually lie in the bloody history of the royal family and Shakespeare's very motivation to write the play. Jumean notes that Shakespeare wrote the play mainly to please James I of England, and drew heavily from the history of the royal family. Prior to being crowned King of England after Queen Elizabeth I's death, James I was James VI of Scotland. His mother, Mary Queen of Scots, was forced to abdicate the Scottish throne in his favor, and was later executed for treason. "To understand Macbeth one must understand the motive of Shakespeare. We must remember that Shakespeare, more than any other playwright, knew well his audience and was adept at capturing their attention," Jumean points out. When writing the play Shakespeare had two goals in mind, Jumean adds. He wanted first and foremost to please the newly crowned King - what better way to do so than by writing a play about a King of Scotland? Secondly, Jumean says, Shakespeare wanted to reassure James with a portrayal of himself as a legitimate monarch. Thus a major character in the play is Banquo, whose descendants were the Kings of 50f6

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gulfnews-: The play that shall not be named

http.z/gulfnews. com!arts-entertainment!performing-vIsual-arts/the-pia...

Scotland, James among them. Jumean observes that Shakespeare knew James I to be very superstitious. In 1579 James I had published a book titled Daemonologie, a compendium of learned dialogue, wherein he expressed his awe at witches' power to manipulate individuals' will. Shakespeare was also well aware of James' fascination with the Malleus Maleficarum or the witchcraft manual as it is more popularly known today. Having known these factors, Jumean explains, eventually led to the creation of the cauldron scene in the play, which was in itself unnecessary to the development of the plot. But both Jumean and Tassa hold that the play's dark nature can also be attributed to Macbeth representing certain aspects of human nature. Jumean notes that the play "reminds you that there is a certain degree of darkness within us all. Greed and the quest for power are present within everyone. It's just that in those times it was easier to attribute them to witchcraft. However, unlike Shakespeare's other tragedy, in which he injects a degree of opacity into the motives behind the actions (or in the case of Hamlet, inaction) of his main characters, the motives behind the actions of Macbeth are transparent. They are human, real and thus they intrigue and haunt us." "It does offer you a valuable warning against unbridled ambition does it not?" Tassa asks. "And it also makes you wonder what you would have done had you been in Macbeth's position. Would you have allowed the witches to control your end? Or would you have fought against the lust for power?"


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