yakın plan (close-up)

--yakın plan (close-up) for fifteen musicians alican çamcı 2016 ---

Instrumentation Flute (doubling Bass Flute) Oboe Clarinet in Bb Bass Clarinet in Bb Bassoon Horn in F Trumpet in C (plunger and harmon mutes) Trombone (plunger mute) Percussion (1 player): Instruments: Large Metal Sheet, Large Tam-tam, Large Cymbal, Large and Medium Spring Coils, Wooden Edge (see Performance Notes), Four Bongos, Egg shaker, Maracas, Marimba, Thai Gong (A3), Crotales (C6, C#6, D6, F#6). Beaters/sticks: Reibestock (a dented friction stick), superball mallet, two wooden sticks, two wooden chopsticks, shaft of stick (to be used with Wooden Edge), two triangle beaters, two medium-hard mallets, brass mallet, Tam-tam beater, Contrabass bow. “Ad hoc” instruments (see Performance Notes): Three empty spray cans (tin, to be rolled off a table), metal chain (to be dropped from a table, long enough to sound for 6-7 seconds), bag of seeds (ca. 1 kg. of grains such as rice or wheat, to be poured into a container [ossia: a large rainstick]), water (ca. 1 lt., to be poured from a bottle into a container already filled mostly with water, large enough to perform a water-gong effect with the Thai Gong at the end of the piece). Piano (prepared with piano mutes and cigarette filters, pianist also uses a glass guitar slide and superball mallet.) Violin I (wooden mute, violinist also uses a plectrum) Violin II (wooden mute, violinist also uses a plectrum) Viola (violist also uses a plectrum) Violoncello Contrabass (with C extension)

Score is written in C.

Program Notes In Abbas Kiarostami’s 1990 film Close-up, a real-life event (trials of Hossein Sabzian, who cons a family by introducing himself as the famous filmmaker Mohsen Makhmalbaf) is retold through use of documentary footage from the trial, as well as fictional narrative. In addition to this, Kiarostami’s use of the actual people involved (Sabzian and the members of the family) as actors gives way to a complex narrative situation where real life and fiction become entangled. My piece, borrowing its title from the film, attempts at a similar scenario in which 'fictive' sounds (musical/traditional) and 'documentary' sounds (sounds of the mundane, unintentional, even accidental) are placed in relation to each other; keeping in mind that such a division may itself be purely fictional in a musical context. In placing this dualism within a musical parenthesis, perhaps my intention is also to open to question the conditions and circumstances under which this parenthesis appears.

Duration: ca. 14 minutes.

Performance Notes General Microtones: Quarter Tones (from lower to higher):

For reasons of practicality, only quarter-tone flats and sharps are used. Other accidentals (for smaller inflections like eighth tones [where no partial number or cent deviation is specified], and 5th and 7th partials, ca. 14 and 31 cents lower):

Default playing mode is without vibrato.

– dynamics in quotation marks indicate the force of action in the instances where the sonic outcome does not match the action required.

– single mordent above.

– single mordent below.

– highest and lowest possible notes.

– note held for the duration of the line, with the ticks marking the beats.

Woodwinds

– mixture of tone and breath sound.

– (Flute) breath sound with lips completely covering the embouchure.

– (Flute) occasionally, vowels and consonants are specified to modify the breath sounds.

– (Flute) altering intonation by adjusting the embouchure, ca. quarter-tone higher or lower.

– (Flute) jet whistle.

– (Flute) overtone of the indicated fundamental.

– dense multiphonic built on the indicated fundamental.

son roulé – (Bassoon) a special kind of multiphonic that is obtained by strong lip pressure, and has a prominent beating content.

– (Bass Clarinet) slap tongue.

– (Bass clarinet) open slap: a strong slap articulation with very little or no pitch content, achieved by opening the mouth immediately after the slap tongue.

– (Flute and clarinets) tongue ram.

– (Bassoon) flap: produced by hitting the reed with the tongue, very little pitch content.

– bisbigliando: either with the rhythm written out, or given as a duration in which the bisbigliando is performed as fast as possible.

Brass Brass instruments make frequent use of non-tempered partials of the harmonic series, do not correct the intonation of these pitches. For example:

– indicates the seventh partial of a trumpet low F#, sounding 31 cents lower than the tempered E natural.

– open – (Trumpet & trombone) closed – (Horn) stopped

– quick alternation between closed and open (used with plunger and harmon mutes).

– bisbigliando: trill with the same note.

– shake: lip trill between two adjacent partials of the overtone series.

– breath sound. Only for the trumpet, the pitch is indicated, and sounds approximately a seventh below the written note.

– occasionally, vowels are specified for breath tones in order to modify the breath sound, altering its “shading”.

– strike the mouthpiece with the palm. Only for the trombone the pitch is indicated as well.

Percussion Wooden Edge: A wooden surface, like the edge of a table. Played by scraping a wooden stick along the edge. The frequency content of the sound depends on the contact point of the stick to the edge (higher towards the tip, lower towards the hand). C – center E – edge

– circular motion, with the indicated trajectory (from center to the edge, in this instance).

– dead stroke. “Ad Hoc” instruments: At various points in the piece, the percussionist is asked to drop or pour various materials. While initially the actions are controlled (such as rolling the empty cans, or slowly dropping the chain), the performer should quickly let the sounds take their own course.

Piano Preparation: Following strings are to be completely muted, inserting piano mutes between both sets of strings:

Following strings are to be prepared to sound slightly out of tune, almost creating a ‘chorus effect’, using cigarette filters. Insert one or two cigarette filters in between only one set of strings:

A glass guitar slide is used in various ways:

– strike perpendicularly on the metal frame inside.

– drag the slide across the tuning pins, creating a rattling effect.

– modify the speed of the rattling, occasionally breaking down to individual grains (indicated by dots), and accelerating to a more steady stream (lines). Occasionally a sharp and fast scraping gesture is also specified. In addition, a superball mallet is used. Drag the superball mallet on the specified string inside the piano, creating a continuous sound.

Strings Bow positions: SP – sul ponticello ASP – alto sul ponticello (almost on the bridge) ST – sul tasto AST – alto sul tasto ORD – ordinario – bow directly on the bridge, with left hand muting the strings. Arrows to and from the notehead indicate the gradual movement to or away from the indicated bow position (for example, the passage starting in viola and violoncello between mm. 22-24).

Bow pressure: flaut. – flautando bowing, very light bow pressure. – granular sound: increased bow pressure and slow bow speed, creating a scratching sound. Few variants of this technique: 1) The passage in violoncello, starting from m. 21, where there is a gradual intensification of the bow pressure, resulting in the granular quality. 2) The passage in violin II, between measures 57 and 61, where the bow pressure alternates between flautando and over-pressure bowing, loosely following the graphic indications in the score. 3) The passage in contrabass, starting at m. 63, in which the granular sound is achieved by dragging the bow vertically (with a little horizontal motion added) with extreme bow pressure, with left hand mutes the strings.

– bowing clef. Used with the vertical granular sound, indicating the general direction of the bow.

– clef for playing behind the bridge (plucking the second string behind the bridge in this instance).

– circular bowing, with the direction indicated above (from the bridge to the fingerboard in this case).

– “bisbigliando”: finger the same pitch (on the same string) with different fingers, minute fluctuations of intonation are welcome.

– half-harmonic: left hand pressure somewhere between the light harmonic touch and a normal stopped tone, creating a noisy and grainy mixture of both.

A word about harmonics: Apart from their traditional use, ‘harmonic’ pressure is used at unusual nodes to produce complex sounds that will not correspond to a specific overtone (for example, the ‘touch major-second’ harmonics occurring in violoncello in the second measure). One can think of it as a spectrum from a stopped note, through a half-harmonic, to a full harmonic finger pressure.

– pizzicato with a guitar plectrum.

All other explanations are indicated in the score.

written for Le Nouvel Ensemble Moderne

° Bass Flute & ‹ Oboe

Clarinet in Bb

¢

q = 72

∑

&

∑

&

∑

?

&

Trombone

¢

?

°

¢/

Piano

Violin I

Wooden Edge [shaft of stick] slow

ææ -

mf

° & ¢

?

° &

ææ

p

34

6"

∑

6"

∑

6"

∑

6"

∑

6"

∑

g

ææ ææ ææ ææ 6"

g

Viola

Violoncello

Contrabass

& B

44

? ? ¢‹

K œµœ ™

ST, flaut.

mf p

T-P

SP B œ nœ œ œ œ œ œ œO ææ ææ ææ 6 1 2 3 1 2 3

∑

∑ 2

ææ

∑

6"

∑

∑

g 6"

∑

∑

g

∑

g 6"

∑

B µœO ™ ææ

pp

g

∑ (SP)

∑

B µœOnO#O

6"

sffz

g

∑ 3

-

mf

g

6"

-

"ff "

∑

∑

circular motion along the edge moderate speed: approximately one circle per beat

slower

6"

∑

∑

1 ææ

∑

∑

∑

∑

6"

wooden mute

Violin II

∑

g

wooden mute

ô

∑

g

∑

∑

∑

g

q = 72

ô

∑

g

∑

∑

∑

g

ææ ææ

∑

∑

∑

∑ ææ

∑

6"

∑

ææ

g

g

∑

fast

∑

∑

∑

∑

∑

6"

∑

∑

plunger mute

6"

g

∑

∑

plunger mute

g

∑

∑

∑

alican çamcı (2016)

6"

∑

∑

/

Percussion

∑

∑

° Horn in F & Trumpet in C

44

(close-up)

?

Bass Clarinet in Bb

Bassoon

34

yakın plan

III

6

ORD (flaut.)

Ob œ

pp

T-P

-

ST

3

≈ # œ œ B œ œ n -œ µœ ™ ∑ 4

mp

° B. Fl. & ‹

2

&

Ob.

&

Cl.

?

B. Cl.

Bsn.

¢

?

° Hn. & &

C Tpt.

Tbn.

¢

?

° Perc.

/

Vln. I

Vln. II

Vla.

Vc.

Cb.

(2+2+3)

∑

∑

¢

?

° & & B ? ? ¢‹

34

∑

∑

∑ ∑

∑

h ™

µO ™

pp

ppp

∑

∑

∑

∑

∑ P-T

™

O

∑

∑

∑

q

∑

∑

34

∑

∑

r‰ ™ Œ Œ

∑

∑

∑

∑

slow

∑

78

∑

∑ ™

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

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∑

∑

∑

∑

∑

∑

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° & Pno.

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78

-

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m œ#œB œ ™ nœ

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ST

p

r ‰™ Œ Œ œœœœœœœ œ µœ AST

j œfi

7

1 2 3 1 etc.

∑

∑

∑

∑

5

6

7

8

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

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g 5"

∑

g 5"

∑

g 5"

∑

g 5"

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g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑

g 5"

∑ 9

&

° B. Fl. & ‹

∑

44

58

∑

44

(2+3)

∑

54

∑

3

∑

Ob.

&

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

B. Cl.

?

∑

∑

∑

∑

∑

Bsn.

?

∑

∑

∑

∑

∑

° Hn. &

∑

∑

∑

∑

∑

&

∑

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∑

∑

∑

?

∑

∑

∑

∑

∑

/

∑

∑

∑

∑

∑

¢

C Tpt.

Tbn.

¢

°

Tam-tam

Perc.

1 1 1 J ¢/ [chopstick] scrape along the rim

° &

p

3

circular motion along the rim moderate speed

™

-

pp

ææ

mf

ææ

ææ ææ

(scrape along the rim)

™1

o

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

° &

∑

Vln. II

&

∑

∑

∑

∑

∑

Vla.

B

∑

∑

∑

∑

∑

Pno.

Vln. I

¢

o o œo K œo µœ œ 3 & J ORD

IV-5 III-7

Vc.

IV-11

3

Cb.

? ¢‹

mf

∑ 10

44

58

∑

œo ? m O fi œ O O

ASP

III

œ

f

∑ 11

psub

∑

∑

12

13

j3 j œœœœ œ œ œ œ 3

2

∑

ææ ææ ææ™B µœO #œO B B œO o mp ∑

ST

1

44

3 1 etc.

mf

54

∑

SP

∑ ∑ 14

4

° B. Fl. & ‹

44

‰

j bœ

pp

O

œ

p

∑

closed emb.

j O bO 6 3

78

(2+2+3)

mp

j‰ Œ 6 o

54

µO ™

open emb.

∑

pp

h™

q

æ æ µOæ Oæ

ord.

flz.

O™

mp

O™

∑

Ob.

&

Cl.

&

∑

∑

∑

B. Cl.

?

∑

∑

∑

Bsn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

Hn.

¢

° & &

C Tpt.

Tbn.

¢

?

Œ

¢/

scrape

Tam-tam(front surface) [triangle beater]

Œ

Vln. I

Vln. II

Vla.

Vc.

Cb.

¢

?

° & &

E-C

œ p

° & Pno.

Œ

6

o

44

p

pp

mp

r œ ‰™ Œ

Œ

œ œ™

mp

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78

sffz

b,

pp

15

r #œ œ p

Ϊ

,

∑

54

∑ ∑ ∑

j µ,

n,

mf

#œ

<#> O

ord.

O

j µO b O n O O#O

f

3

∑ 16

mf

Œ Ó

∑

l.v.

∑

flaut.

∑

‰™

Marimba [Reibestock]

?

ORD

mp

p

∑

j3 #, , , b , 7

mf

∑

∑

?

mp

6 6 )™

∑

∑

B

o

6

ĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺĺ œœ œ œ ‰ Œ™ R J

∑

ST, flaut.

+

6™

6

∑

B,

? ¢‹

‰™

egg shaker

Ó

/

+

6™

)

mp

° Perc.

o

mp

>

(ST)

pp

j

fp

<µ>œ œ œ œ œ œ œ O O™ > 6

1 2 3 1 etc.

∑

fp

17

° B. Fl. & ‹ Ob.

Cl.

Hn.

¢

Tbn.

Ó

&

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?

Pno.

Vln. I

Vln. II

Vla.

Vc.

¢

?

° & &

)

? Cb. ¢‹

Œ Œ Œ

Ó Ó

44

g 5"

Ó Ó Ó

(on the bridge: mute strings w/ l.h.)

Ó

p

g

Œ Œ Œ Œ Œ Œ

5"

Œ

g 5"

Œ

g 5"

Œ

g 5"

Œ

g 5"

g

18

o µœ

+ ‰ nœ

5"

Œ

3

pp

g

Thai Gong [Reibestock]

5"

Œ

g 5"

Œ

g

&

œ

p

Œ

∑

∑

∑

∑

∑ +

o r 6

Œ

Bongos [hands]

œ ‰

mp

Œ

Large Cymbal [fingernail] scrape

Ó

œ

g 5"

Œ

Œ ∑

54

, p

pp

P-T

ST

Bœ mf

3

µœ ™ œ

III

5

mp

∑

nœ

˙o sub

ASP III

sub

ST

œ

pp

h

5

sfz

nœ

mp

,

œo œo o ST nœ ™ b œ nœ µœ ™

mp ST

œ#O O b O

p mp

mf

T-P

#O#O O b O

Bœ

3

∑ SP

O

p

∑

∑ ST

Ó

ĺĺĺĺĺĺĺĺĺĺĺ œ ‰™ ‰ œ R

"mf "

Ó

∑

o

"mf "

œ

∑

5"

Œ

∑

∑

g

g

∑

p

Œ

5"

∑

ĺĺĺĺĺĺĺĺĺĺĺĺ œ œ œ ‰™ R R

5"

Œ

∑

‰™

µ

p

p

g

g

mp

egg shaker

Œ

5"

p

O™ b O b OJ

∑

/

‰™

O

∑

mp

j ‰ œ

nO Ofij R ‰™

(overblow)

h

∑

Œ

5"

> g

Œ

ppp

g

Œ

54

bO Ó

Œ

5"

Œ

™

5"

"f "

<µ>O

‰ OJ

Œ

ppp

Ó

B ?

Œ

Ó

¢/

° &

Œ

Ó

°? Perc.

Œ

Ó

?

Œ Œ

Ó

& ¢

pp

&

° &

C Tpt.

q

<µ>O Œ

?

B. Cl.

Bsn.

44

,™

p

pp

m b œ µœ b œ B œ n , ™ œ T-P

ORD

mf

∑

∑

19

20

mp

5

‰

° O B O µO b O B. Fl. & nO O ‹

6

o 3 œo œo n œ o o Oœ

p

œo

mf

44

flz. closed emb.

ææ ææ6 6

"mf "

pp

?

∑

∑

∑

?

∑

∑

∑

° &

∑

∑

∑

&

∑

∑

∑

Bsn.

¢

C Tpt.

? j Tbn. ¢ °

‰

ppp

ΠBongos [hands]

j œ

/ Œ

mp

+ j œ

‰

ææ

p [fingers]

3

mp

ppp

[hands]

‰ œœœœ œ Ó p

æær ‰ ™ µœ

flz.

f

¢/

?

∑

° Vln. I &

∑

&

∑

B B Oœ Oœ

B µOœ ™™

mf

? œB œµœb œ 6

? ¢‹

Ó

j‰ Ó œ Tam-tam

∑

ææ ææ -

[chopstick] (scrape along the rim)

f

44 Oœ

mp

Cb.

∑

ææ

p

∑

B

Ó

Thai Gong

Šj Ϫ

&

∑

° & ¢

Œ

[Reibestock]

Perc.

Vc.

∑

∑

B. Cl.

Vla.

‰ o

∑

&

Vln. II

p

O

∑

Cl.

Pno.

j

∑

&

∑

ææ ‰ #O 6

open emb.

∑

Ob.

Hn.

mp

5

f

,h

,

mf

,

granular IV

nœ

nO

mp

∑ 21

mf

, B Oœ ™™ O

mp

ææ nœO

∑

∑

∑

∑

∑

∑

∑

SP

ææ ææ

ææ œ#œ œO

mp

mf

∑

(ord.)

3

ææ ææ ææ

SP

∑ 22

ææ ææ

b œO ææ

mf

b œO ææ

mf

"f " (on the bridge: mute strings w/ l.h.)

"f "

∑ 23

?

q = 52

rit.

° B. Fl. & ‰ #O B O bO ‹ pp

q

j O

h

q

µO B O ™ O O

‰

O

p

7

j 6 6‰Œ closed emb.

∑

pp

œœ ‰ ‰J

&

∑

∑

∑

Ó

&

∑

∑

∑

Ó

B. Cl.

?

∑

∑

∑

Bsn.

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Ob.

Cl.

Hn.

¢

° & &

C Tpt.

+ ? ≈≈ Tbn. j ¢ 6™ 5

°? ‰

Perc.

Pno.

1 J / ¢ ° & ¢

6™

)

pp

r‰ ™ Ó œ

j #œ

mp

‰

Œ

ppp

?

Œ

Vc.

?

? Cb. ¢‹

∑ r ‰™ Œ Ó œ

C-E

≈ œj™

Œ

j

‰‰œ J 3 o

∑

∑

∑

rit.

ææ

∑ 24

∑

T-P

ST, flaut.

mp

∑

q = 52

∑

, , , , , , BST, J 1

ppp

2

3

3

l˙ ™

µœ ˙ Œ ‰ BO O O

1 etc.

5

Œ

∑ q

p

ppp

3

h

ppp

O

mp

T-P

ST - 7 œœœœœœœ µœ B œ ™ œ œ 1 2 3 1 etc.

p

™ ≈ b ,J b ,

mp

pizz.

mp

BO™

arco ST

pp 25

"f "sempre

Jœ

bœ p

O ‰ Œ J o

(ASP)

œ

pp 26

‰ f

∑

œ#œB œb œ 3

Ó

∑

ææ

5

p

Large Cymbal [bow] arco

o

∑

ST

pp

o

Bw

∑

∑ , #, B ,

≈Œ

mute out

pp

ppp

∑

& B

+

66

mf

(scrape front surface)

∑

Vla.

6 )

Marimba [Reibestock]

° Vln. I & Vln. II

o

&

B œ™ œ ≈J 3

Bœ

sempre

27

° B. Fl. & ‹

8

&

Ob.

&

Cl.

&

B. Cl.

∑

∑

w

B˙ +

b ˙™

Pno.

Vln. I

Vln. II

Vla.

Vc.

Cb.

¢/

l.v.

(muted)

Œ

œœ ‰ J f ◊ÿ # œœœ J‰ sffz

‰ j Ó -

5

mp

Œ

Œ

3

mf

¿ ≈R ‰ Œ

Ó

p

∑

p

∑

ff

∑ ˙

œ J‰Œ

(w/ plectrum)

mp

œ™ ≈≈ J Œ 5

∑ q = 72

Ó œ R ‰™

œ

sfz

&

p

Ó

p

accel.

“7” pizz. œ ‰™ R Œ

r ‰™ Ó #-

Œ

[medium-hard mallets] (dead stroke)

∑

w

&

∑

~~~ Ÿ œ >œ œ œ # œ^œœ ‰™ R J ‰ ‰ ‰ J Œ

mf

∑

œ ‰ Œ J

mp

r ™ ¿‰

mf

∑

≈ r‰ Œ b-

Œ

Ó

rit.

∑ ∑

œ ‰ J ‰ ™™ f

œ bœ RÔ J ‰ Œ

Ó

mp f

BO O O ‰ J o

∑

∑

∑

28

29

30

31

O

3

‰B -j ‰ Œ ?

Œ

∑

∑

w

mf

Œ

tongue ram

∑

Marimba [medium-hard mallets]

≈ œR ‰ ™ Ó

°

<µ> w

mp

œ ‰™ R o

∑

pp

K ® b -r ‰ ™ Ó

≈≈b -r ≈≈ Œ

ppp w/ palm

[i]

"f "

5

Ó

˙

Bongos [wooden sticks]

° w &

? ¢‹

≈Œ o

j ‰ Œ 6

[u]

tongue ram

Œ

rit.

)

mp

œ

∑

∑

∑

?

ppp

Ó

∑

?

B

Œ

"sfz"

∑

&

Ó

mf

° & ¢

j‰ œ

w

∑

°? Perc.

Ϫ J

˙

˙™ ˙

Œ

˙

f

ppp

¢

ppp

pp

+œ œ & ‰™ R ?

mf

˙

j 6 6

[o]

œ

mf

M

mp

Tbn.

w

pp

w

closed emb.

‰

œ R ‰™

mf

<B>w

° Œ Hn. &

Ó

w

<B> w

? Ó Bsn. ¢

C Tpt.

q = 72

accel.

/

° B. Fl. & ‹

q = 52

9

change to Flute in C

∑

&

∑

∑

∑

∑

∑

∑

Ob.

&

∑

∑

∑

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

∑

∑

&

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

B. Cl.

Bsn.

Hn.

¢

C Tpt.

Tbn.

¢

?

° Perc.

plunger mute

∑

Bongos [superball]

/ Ó

mf

Bongos [medium-hard mallets]

¢/ Ó ° &

Pno.

˙

¢

?

œ Œ Ó

Gently roll two empty spray cans from the edge of the table, letting them fall to the ground and continue their motion for a while.

>œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

34

35

36

37

38

sfz

q = 52(bow on the mute)

° Ó Vln. I &

"f "sempre (bow on the mute)

Vln. II

& Ó & Ó

"f "sempre

arco

Vla.

Vc.

"f "sempre

? bow on the side of the bridge

Cb.

? Ó ¢‹

"f "sempre 32

33

34

q = 72

44

° Fl. &

∑

∑

∑

Ob.

&

∑

∑

∑

Cl.

&

∑

∑

∑

∑

∑

B. Cl.

?

∑

∑

∑

∑

∑

Bsn.

?

10

¢

° Hn. & &

C Tpt.

Tbn.

¢

?

° Perc.

Pno.

∑ ∑ ∑

∑

mf

∑

∑

‰™

∑

∑

Vln. II

Vla.

Vc.

Cb.

‰ ‰

o

∑

bœ ™ J

pp

∑

/

¢/

∑

∑

‰

∑

Ó

3

‰œ œ

&

∑

° &

∑

∑

?

∑

∑

∑

b OÛ bO

p

+ Bœ Œ

Œ

Œ

‰™

∑

Large Cymbal [triangle beater] scrape

~~~~~~~~~ ˙ Œ ææ egg shaker

5

œ J

mf

pp

∑

∑

∑

∑

34 Œ

&

Œ

J

µB œO

p

? ? ¢‹

B,

Œ

#œO

bnœO #œO > mp

B µœO

j B œfi

44

∑ bnœO

ppp

B,

ppp

bnœO nœO B µ>œO œO œO > > sfz p

(ASP)

5

#œO

mf

J 41

‰ Œ

pp

&

40

∑

∑

&

39

p

∑

q = 72

° &

Œ

mf

pp

j ‰ Œ 6 6 p + Œ Œ 6

mf

‰ Œ

Œ

O

r 6 )

j œ

∑

h

mf

pp

œ p

j O O

o Bœ

Marimba [Reibestock]

5

q

#) ™

∑

nœ

∑

Œ

Sost.

Vln. I

c j BO

open emb.

"f "

∑

¢

closed emb. j.w.

‰ Œ

Π42

ST

∑ 43

° Fl. & Ob.

Cl.

44

&

Ó

µ˙

mp

pp

&

Ó

B˙

mp

¢ ° Hn. &

Vln. I

Vla.

Vc.

Cb.

j œ ‰

pp

Œ

Œ

œ

œ J

mf

Œ

11

∑

‰

∑

ppp

Œ

∑

∑

∑

∑

∑

∑

∑

pp

+ L˙

pp

j œ ‰

Œ

Œ

∑

j œ ‰

Œ

Œ

∑

pp

mp

[F#5]

mp

pp

∑

∑

∑

° &

∑

∑

∑

¢

¢/

¢

~~~~~ œ ææJ ‰ Œ f

sfz

?

° &

◊>ÿ fij # œœœ

Ó

44

& & & ? ¢‹

Tam-tam [Tam-tam beater]

Ó

Œ

ΠO >

Œ

∑ mf

≈ µOj™ µ œ™

œO

œO

˙O

‰

Œ

Ó

34

œO

f

2

3

œO

œO B B œO

etc.

ORD

j œ o °

(loco)

n˙™ 3

1

pp

∑ ‰

mf

µœ œ œ œ œ œ œ œ œ œ œ œ 1

∑

[superball]

mf

Œ

44

mp

,

, f

˙O SP

mp 5

j œ C

∑

j ‰ œ. “‘

p

Vln. II

œ µœ

pp

ppp

mp

˙

Ó

œ ‰ J

44

?

° & Pno.

Ó

&

C Tpt.

pp

pp

?

Bsn.

Perc.

5

mf

34

b˙

?

B. Cl.

Tbn.

B ó ï ó B œ œ œ œ œï

j œO ‰ Œ o œ J ‰ Œ o

Ó Ó

,

M O #O O (II)

,

ff

f

∑

∑

∑

44

45

46

12

° œ b œ #œ Fl. & pp 3

œ‰ R

œ nœb œB œ R

‰

œ œó œï œó œï œó œï œó B œ

œ œ R

& ‰™

Ob.

µœ œ

6

3

ppp

6

(closed emb.)

œ™ bœ œ

mp

œ J ‰

ppp

&

∑

∑

B. Cl.

?

∑

∑

Bsn.

?

∑

∑

° &

∑

Cl.

Hn.

¢

C Tpt.

Tbn.

Perc.

Pno.

¢

?

∑

° &

∑

¢/

∑

Œ

° &

Œ

∑

? ‰ ¢

‰

p

& ≈

Œ

Ó

µµœO

µœ nœ œ b œ µœ ™

œO

f

Oœ B B œO œO ™™ B B œO œO

œO

ppp

P-T

1

p

P-T

nœ B œ b œ B œ ™ arco ord.

2

3

1

etc.

3

ppp

& #œO œO ##œO œO B B œO

µµœO

ppp

3

œO ##œO œO

ST 3 3 & œB œ b œ œ #œµœ œ œœ œ œ œ œ œ œ œ b œ B œ

5

∑

mp

∑

47

3 1 etc.

mf

r œ o

o

"f "

∑

∑

ææ

ææ

ææ

æ

ææ

ææ

∑

∑

∑

∑ j Oœ ‰ Œ o

˙O

mp

Oœ O

O

mp

- arco ord. Bœ œ <B>O f

∑

+

h

B

‰™

[i]

"f "

q

P-T

Œ ∑

p

arco ord.

1 2

? ¢‹

Ó

[o]

3

3

p

Cb.

1 ææ

Wooden Edge [shaft of stick]

pp

sub

Vc.

o 6

∑ ∑

mp

O

Vla.

mp

Ó

Œ

6

∑

° Vln. I & O œ

Vln. II

Œ

Œ

pp

[i]

&

6

34

<B>O

j O‰ Œ o j O‰ Œ o

i Ó i Ó Ó ASP

flaut.

œ ∑ 48

pp

34

3

?

O œ ∑ 49

œ

° Fl. &

34

44

∑

O O µO B O b O B O

open emb.

µO

Œ

p

Ob.

Cl.

Œ

&

∑

Ó

?

B. Cl.

Bsn.

&

∑

¢

˙™

?

° Hn. &

¢

+ææo ‰™ r œ œ o p j ‰ Œ

?

pp

° & Perc.

Pno.

° Vln. I & Vln. II

Vla.

Vc.

Cb.

ææ ™

° & ¢

34

? ¢‹

‰ nœ

pp

œ µœ ™

œ

B˙

œ

f

pp

j œ œ™

ppp

pp

∑

Œ

∑

∑

Œ

∑

∑

o Œ

∑

ppp

M

3

œ

∑

‰

Ϫ

œ

O™

mp

‰

nO

ppp

5

O

13

j œfi > mp

+ o b ‰ œ

Œ

5

∑

-

Œ

"ff "

Œ

Ó

Œ

[superball]

∑

∑

44

Œ

µµOœ

∑

ST, flaut.

p

Œ

≈ œ

µµOœ J

3

p

‰ ™ #Oœ Oœ R

∑

ST, flaut.

µ, , n,

B,

œ µ œ œ œ µœ B œ œ

∑ 50

f

j b œfi

∑ 51

∑

44

∑ Oœ ™™

nnOœ

™

j nOœ n O # O # O O n œ #œ #œ œ BO

P-T

6

p

ppp

Oœ

p 6

/

Ϊ

œ

58

O˙

ORD

O

œ o

∑ ST, flaut.

J

∑ Tam-tam

∑

B

#œ œ œ œ R

44

(2+3)

p

∑

&

?

3

pp

∑

¢/

?

Œ

pp

&

C Tpt.

Tbn.

j ‰

5

#œ

‰

œ

∑

58

-

b,

,

ppp

mp

ppp

n-œ B œ Bœ j œfi arco ord. ST

mp

‰

j

>

∑ 52

j œfi >

14

° Fl. & &

Ob.

&

Cl.

?

B. Cl.

Bsn.

Hn.

¢

œ

œb œ B œ œ n œ µœ œ 5

‰

Ó

Œ

Œ

Vla.

&

˙

sffz

‰

Œ

+ r bœ ‰™

Ó

[wooden sticks]

Tam-tam [wooden sticks]

Ó

∑ Ó

‰ ‰

µµœO

œO B B œO

B ?

? Cb. ¢‹

‰

Œ

‰

œ J

Ó

5

Œ

∑

∑

∑

∑

tongue ram

rΠ-

mp

j ‰

j œ

mf

‰

J

sffz

µB œO

mp

œ#œB œ nœ µœ 6

- 5 3 nœ b œ œ œœ œœB œ œ #O mf

pizz.

bœ f

53

2

sub

œB œ œ#O

f

pp

3

sub

∑

∑

∑

Ó

Œ

∑

Ó

Ó

pp

◊.ÿ œ ‰ J

secco

mp

44

q = 52

"f "sempre

J

"f "sempre

J‰Œ

"f "sempre

3 etc.

arco

∑

˙O

(arco ord.)

1

∑

˙O

œO ##œO

mp

ppp

E

[guitar slide] hit perpendicularly on metal frame

j3 œO #nœO #œO

Ó

ppp

&

f

œO B B œO ™™

∑

Ó

∑

j‰ Œ

T-P

Vc.

Ó o

"ff "

Œ

Œ

3

µB œO

∑

ppp

j 6 "ff " o j 6 "ff " o j 6

°

J

)

∑

» j -

‰

Œ

Ó

44

nœ

O™ 6

open slap

Bongos

° Vln. I & Vln. II

bœ œ

ppp

?

O

pp

Ó

/

O

mp

Ó

˙

¢/

¢

œ

mp

Œ

° & Pno.

closed emb.

5

pp

?

° Perc.

œ

r ‰™ œ o

& ¢

Ϫ

j œfi

(overblow)

<B>œ J

?

44

q = 52

≈ ≈

° &

C Tpt.

Tbn.

44

™ O nœ

o œ

p sempre o œ

™ O

œ ‰ Œ jJ pizz.

II

I

III IV

mp

r ‰™ o

p 54

55

Œ

‰

° Fl. &

44

24 163 3 4 +

closed emb. tongue ram

Ó

≈ r‰ Œ -

∑

mf

Ob.

&

∑

∑

Cl.

&

∑

∑

B. Cl.

?

∑

∑

Bsn.

?

¢

° Hn. &

Ó

Œ

Ó

Œ

flap

b - - -#mf

w/ palm

j -

‰

Tbn.

¢

¢/

° & Pno.

¢

?

° Vln. I &

Vln. II

Vla.

Vc.

Cb.

∑

j I

III IV

? ? ¢‹

∑

Marimba

#¿ J

Ó

Œ

‰

[medium-hard mallets]

mp

∑

44

∑ Tam-tam

+

‰Œ

,

≈ œj™ Œ mp

3

b- - p

sim.

o r ‰™ œ p o œ ‰™ R

≈ r‰ mp mute out

p

‰ jŒ Œ œ mf

∑ Œ Œ

∑

Œ Œ

∑

∑

∑

∑

∑

∑

Marimba [Reibestock]

Œ

œ

p

∑

∑

∑

∑

∑

∑

∑

∑

7 œ‰ Ó j R I

III IV

“œ”™ J

mp

flaut.

p

Œ

∑

q = 60

accel.

pizz.

Ó

∑

∑

ppp

II

B

Œ Œ

∑

24 3 43 16

∑ Ó

j Ϫ

Ó

f p

J

sim.

[medium-hard mallets]

[tam-tam beater]

∑ °

∑

Thai Gong

<◊> œ œœ ™ #œ R Œ ≈ ≈‰ Œ 3

‰

∑

pp

∑

∑

∑

∑

∑

mp

sfz

+ ‰ j œ œ pp + ‰ B œJ œ

15

∑

j b-

‰

»j ‰Bœ Œ Œ

(dead stroke)

& II

j‰ Œ Œ O > [ku] ∑

∑

ppp

?

° & Perc.

j ‰Œ

&

f

∑

"f "

C Tpt.

open emb.

∑

‰

5 œ Œ ≈≈ œ ≈

∑

f

∑

(alternate between flaut. and over pressure as indicated)

sempre

∑

∑ j ™

54

q = 60

accel.

O

,

∑

∑

∑

∑

∑

∑

∑

56

57

58

59

60

&

54

16

° Fl. &

54

mf

Œ ‰ j Œ #>O

44

Ó

[kü]

q = 52

rit.

∑

∑

∑

∑

∑

∑

∑

Ob.

&

Cl.

&

∑

∑

∑

∑

B. Cl.

?

∑

∑

∑

∑

Bsn.

?

∑

∑

∑

∑

° Hn. &

5

r ‰™ Ó 6

∑

∑

Ó

∑

∑

Ó

∑

∑

∑

∑

¢

Œ Œ

Œ

æær ææ 6 6 flz.

ord.

6

"f "

Tbn.

¢

"f "

?

Ó

Pno.

¢

?

° Vln. I & Vln. II

&

Vla.

B

Vc.

Cb.

j‰

mf

¢/

° &

? ? ¢‹

Œ

o ææ 6

flz.

mf

° & Perc.

ord.

flz.

Œ

p

ææ 6 6

ord.

)

Ó ∑

1 ææ

Wooden Edge [shaft of stick]

pp

∑

54

mp

Œ

f

°

“”œ Œ ‰ J

Œ

Ó

J ‰

Œ

Ó

<“>

mf

O

∑

∑ 61

ppp

ææ

∑

ææ ææ

ææ ææ ææ ææ

∑

[guitar slide] drag on tuning pins, moderate speed

Œ ‰ J

pp

r ‰™ Œ 6

‰ j æ æ 6æ 6æ™ 6 6

Œ Œ

&

C Tpt.

6

44

Ó

ææ

"ff "

∑

ææ

ææ ∑

™ ™™™ ‰™ R ‰ J Œ

sim., dots indicate placement of individual grains

Ó

∑

Œ

p

°

q = 52

rit.

ST, flaut.

,

∑

∑

∑

∑

∑

∑

∑

∑

drag bow vertically with extreme pressure. a little horizontal bow motion should be added. ASP mute the strings with l.h.

∑

62

ææ

ORD AST

Ó

IV

pp

Œ ‰ ™™ RÔ R ‰ ™ ‰ ‰ J R ‰ ™ Œ II

Ó

,

mf

63

sempre

3

64

54

34 165

° Fl. &

∑

∑

Ob.

&

∑

∑

∑

∑

Cl.

&

∑

∑

∑

∑

B. Cl.

?

∑

∑

∑

∑

Bsn.

?

∑

∑

∑

∑

° Hn. &

∑

∑

∑

∑

&

∑

∑

∑

∑

?

∑

∑

∑

∑

° &

∑

∑

∑

∑

¢

C Tpt.

Tbn.

Perc.

¢

¢ / ææ ° &

Pno.

¢

™™

?

Vla.

¢

™ ™™

p

B,

B

∑

ORD AST

ææ ææ ™ ™™

ææ

ææ

+

∑

ææ ææ ææ

∑

™ ™ ™ ™ ™™™scrape Jé ‰ sfz

54

™

™™

™ ™™™

™

p

O

,

o œ

∑

ææ æ ææ

ææ æ æ ∑

17

™™™ ™ ™ ™ ™

R

34 5 16

mf

+

r r

p

‰Œ o

∑

∑

∑

∑

∑

∑

‰ J R ‰ ®R R ‰ ™ ™ ≈ Œ ‰ ‰ ‰ j j ‰ Ô J J 3

65

æær

∑

IV

j

/

ææ

ST, flaut.

& Ó

ASP

ææ

∑

?

Vc.

Cb.

ææ

mf

° Vln. I & Vln. II

ææ

98

66

Ó

≈™

≈Œ 67

j‰

Œ

‰ 68

&

r

98

98

18

° Fl. &

w

ppp

˙ mp

œœ ˙ ‰‰J

∑

œ œ J‰

ppp

w

Œ

µœ ™ ˙ ≈J

œ R ‰™

Œ

∑ w

pp

∑

∑

?

∑

∑

∑

∑

∑

° &

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

¢

ææ #6 ™ flz.

& ¢

? /

"f "

¢

?

° Vln. I & &

Vln. II

&

Vla.

Ϊ

r ≈Œ -

¢

ææ 6 )

ord.

)

∑

98

ASP ORD AST

œ

Œ Œ

mf

› arco Œ&

Crotales [bow]

Ó

j Œ Œ Œ Œ µ œR 5 pp o ST

Œ B˙

arco ST

∑

pp

Œ Ó 69

œ œ o mp

pp

Ó

∑ ∑

∑

∑

∑

∑

œ B œR œ (ST)

5

œ R ‰™

ppp

ppp

w ppp

Ó

˙

Œ b˙

IV-7

∑

w

3

Œ ‰‰ j 6 “‘ pp °

p (ST)

J œo œo ‰ J

ORD

∑

[superball] on lowest string and the metal frame

∑

mp

mp

œ w

∑

w

w

∑

∑

mp

w

Ó Œ

Œ Œ ‰™ r #œ ˙

w

∑ ? ‹

Ó

sim.

∑

w

ppp

harmon mute (stem extended)

∑

∑

j Œ Œ Œ lœ o pp

r ≈Œ

pp

∑

44

mp

Ó

∑

ST

Ϊ

pp

Œ Ó

‰Œ Ó o

?

Vc.

3

Medium Spring Coil [triangle beater] drag beater along the coils

¢/ ° &

Pno.

Cb.

œ

pp

∑

∑

° Perc.

Œ Œ

œfij

j‰ Œ

?

C Tpt.

Tbn.

ord.

∑

B. Cl.

Hn.

Ϊ

ææ

44

B

&

Cl.

Bsn.

ææ 6™

closed emb. flz.

"f "

&

Ob.

(3+2+2+2)

pp

˙o

p

w p

wo ∑

∑

∑

∑

∑

70

71

72

73

° Fl. & &

Ob.

∑

<µ>w p

mp

?

B. Cl.

Hn.

¢

5

¢

ppp

˙

ppp

Ϫ J

˙

mp

ppp

∑

&

?

‰™

∑ ∑

/

Vla.

Vc.

Cb.

& ? ? ¢‹

≈Œ Ó

∑

K œo œ ˙ R [G7]

mf

p

<b>œ

˙o

mp

2

+ ˙

‰ ™fi

p

∑

rŒ Ó œœœœœ

C

E

p

f

3

mp

3

…

Œ

(some low frequencies remain)

∑

3 etc.

5

ppp

≈Œ Ó

SP

mf

J œo œo ˙o ‰™ R sub

SP

Ó

ppp

∑ ∑ 74

&

& ‹

‰™ ‰™

j

‰ œ Jo

∑

mf

‰ Œ C-E

Ó

œ

scrape

Œ

mf

∑ OÛ O

∑

34

Sost.

œ ™ B B Oœ Oœ O˙

ppp

pp

∑

Tam-tam [triangle beater]

∑

bœ œ œ œ œ œ œ œ œ œ œ 1 2

Ó

+ K˙

Large Cymbal [bow] arco

∑

5

Ó

∑

∑

Ϫ J

∑

œ ‰™ Œ R

∑

3 etc.

œo J ‰ Œ

mf

∑

∑

mf

ppp

∑

ïóïó r Œ ‰™ œ œ œ œ

j‰

1

˙o

∑

?

p

œ‰ Œ J

ppp

Metal sheet [Wooden sticks]

¢/ ° &

&

wo

pp

mf

∑

∑

3

˙

(continue bisb.)

∑

° <B> œ B œ œ œ œ œ œ œ œ œ œ œ Vln. I & Vln. II

(-31 cents/tune to trumpet)

≈Œ Ó

sub

∑

Œ ‰ ‰KœJ ˙

sffz

Ó

Perc.

¢

∑

ppp

°› &

Pno.

rŒ Ó O

j.w.

o œo ˙o œ ™ 3 œ

M

?

c

19

[C5]

3

° &

C Tpt.

Tbn.

Ϫ J

ï ó # œ œó œï œó œï œó œ œ œ œ & ≈

Cl.

Bsn.

‰™

34

mf

o o o œ 3R œ ˙ SP

III-5

mf

µœo œo ˙o R SP

IV-11

~w

∑

~w

∑

wo

˙o

œo J ‰ Œ

o w

o ˙

o œ‰ Œ J

wo

wo

mf

75

76

77

?

20

Fl.

° & &

Ob.

¢

ïóïó #œ œ ‰ J

p

3

¢

r B œ ‰™ ppp

Œ

?

° Vln. I & Vln. II

Vla.

Vc.

Cb.

&

‰

& ? ¢& ‹

pp

‰ µµOœ J

n O Oq <B><B>Oœ ‰ R R ORD

pp

#,

r #œ. ‰ ™ #œ. ‰ ™ R f

µœ œB œ#œ œµœ Œ

˙~~~~~~~~~~~~~~~~

78

f

◊ÿ # œœœ

Œ

∑

Oœ

œ

‰

p

œ

mp

7

mf

+p b œ ~~ bœ ‰ f

p

Large Cymbal [triangle beater]

Ó

38 pp

2

3

mp

5

etc.

3

f

∑ 79

B B Oœ J

3

mp SP

µœ œ œ œ œ œ œ œ œ 1

sfz

j # O #œ

µµOœ J

##Oœ

µœ œ œ œ œ œ œ œ , 3

œ J

∑

mp

etc.

5

Œ

∑

Π3

scrape

∑

pp

O 2

pp

∑

T-P

#œ

[B]

‰ ™ B B Oœ R

Œ

h

1

+ Œ œ J p + b œ ~~ bœ ‰

?

Ó

ppp

nO

∑

∑

f

p

™

Œ

Ó

(stir)

44

> B B Oœ

ppp

5

∑

mp

3

Œ

mp

…

O™

ST

p

B œ œ #œ œ K œ #œ nœ nœ ‰‰J

Œ

44

‰

ppp

Œ

pp

p

,

p

<µ>œo ‰ ™ R

µœ

Ó

sfz

Oœ

pp

mf

mp

b œï ó ï ó

≈

Ϫ

∑

Œ

ORD

œj™

3

ppp

œ

3

œ #œ œ

6 ‰ ‰ J

ppp

∑

q = 66

,

Œ

5

Maracas

Œ

bœ

œï œó œï œó œï œó œï œó 3 œ

œ R

∑

ST

p

M

∑

34

6

O O

Ó

p

j œ

#O

38

closed emb.

Œ

∑

/

œ.

~~~~~~~~~~ o œ œ œ o Œ ‰ œ J

mf

?

44

∑

µœ

œ

¢/

¢

pp

ppp

Œ

° & Pno.

≈ #O

∑

?

°

œï ó™ï ó

3

pp

&

C Tpt.

j™

BO

µœ #œ œµœ œ J R‰ ‰

° Hn. &

Perc.

µO

open emb.

?

B. Cl.

Tbn.

q = 66

p

&

Cl.

Bsn.

34

™

ppp

™

œO

ASP

mp

ORD

œO œO J

∑ 80

44

° Fl. &

44

œ

&

Ob.

pp

≈

&

Cl.

r ≈ O

6

ï óï ó nœ

mp

pp

3

œ # œ6

œ b œ œ Lœo

B. Cl.

Bsn.

¢

Tbn.

¢

° Perc.

Pno.

¢

° Vln. I & Vln. II

Vla.

Vc.

& & ? ¢& ‹

Œ

g 4"

6

g

Œ

4"

Œ

g 4"

Œ

Oœ ™™ <#> O <#> œ

,™ ,

4"

O˙

™ <B><B>Oœ B B Oœ ™ ppp

ppp

, J

p

µµOœ

3

#O

p

I

B

SP II

III

7

mf

III

œO O #Ob O nO O#O œ Œ 81

g

,

4"

#œ

œ

p

œ nœ œnœ #œ B m

, ‰ J

mp

œ ææ

mf

p

∑

/

∑

mf

‰ nOœ O˙ J pp

##O˙

g g

f

g

f

Œ

Œ

Ÿ~~~~~ œœœ œfij œ ™

3

mf

‰ ™ #œR Ó

Œ

∑

ord.

flz.

œ ‰ Œ J

∑ °

, ‰ J

j‰ œ o

∑

pp

4"

ppp

œ

34

≈ ‰™ Oœ b Oœ

82

Œ

Œ

b Oœ Oœ b Oœ

b Oœ

Oœ OœB B Oœ Oœ nnOœ

pp

6

ppp

Œ

ppp

Oœ O

ORD

p

Œ

Oœ pp

R ‰™ ‰

∑

∑

ppp

4"

II

Ó

mp

4"

ORD

‰

Lœ œ ‰™ R

Œ

g

3

˙

∑ Œ

p

∑

[G#7]

Œ

Œ

Ó

g

p

4"

ppp

∑

g

g

Œ

∑

4"

Œ

Ó

Œ

Œ & ‰ #œJ

Œ

pp

Ó

j‰ 6

ïóïó œ

œ µœ œ B œ œ

∑

Marimba [Reibestock]

4"

∑

pp

Œ

Œ

‰

œ

21

pp

Œ

4"

Œ

f

Cb.

4"

"f "

Ó

44

g 4"

g

Ó

° &

œ

+o n~~~~~~~ œ ‰ j #6 6 3

œ J

œj ‰

g

Œ

Ó

¢/

?

ppp

Œ

4"

Œ

Œ

mp

/

mp

#˙

Ó

œ

Œ

B œo nœ ™

?

œ

∑

Œ

g

œ

pp

œ

&

C Tpt.

4"

M

Ó

°? Hn.

g

mp

Ó

?

Œ

œ J‰ Œ

[D5]

mp

?

g 4"

j #O ‰ Œ

open emb.

34

? ‹

O˙

ppp

83

Œ&

22

° Fl. & &

Ob.

&

Cl.

Bsn.

Hn.

¢

Pno.

‰ Œ Œ o œ µœ B œ œ œ #œ ™ œ

¢

Vla.

Vc.

œ µœ œ b œ 3 ˙ n˙

3

∑

son roulé fast

‰ ‰ j bœ ˙ ) Œ

Œ

Œ

b Oœ ‰ ™ Œ R o

‰ Œ o œ#œ µœ B œ

&

≈

?

œµœB œ #œ œ#œ

f

p

P-T

5

P-T

f Bœ œ œµœ #œ #œ

mf

mf

p

5

Œ

[G5] + o K œ K œ Lœ œ nœnœ b œ µœ nœ #œ nœ. ˙ 3

5

3

mf

Ó

œ R ‰™

‰

Ó

∑

∑

∑

BO bb Oœ B œ J

∑ O˙

3

mp

54

pp

B B Oœ

pp

> µœ œ b œ nœæO æ æ æ ææ æ æ æ æ 5 œO ‰ Œ Œ ææJ

Œ

f

sfzp

>O b œ n œ ˙ µœ ææ 5 ORD

ASP

sfzp

85

pp

86

œ Ó J

‰

mf

slow

‰J

Oœ µµOœ

° pizz. 7 ‰ Ó

Oœ J Oœ J

pizz.

‰ Ó

∑ b œO

ASP

mf

mp

Oœ Oœ J ‰Œ B pp

ORD

mp

+ j œ Ó >

[guitar slide] drag on tuning pins

∑ bb Oœ

f

Large Spring Coil [triangle beater]

∑

f

84

3

∑

∑

f

[F#7] [G7] [G#7]

∑

∑

3

p

∑

∑

fpp

b œ nœ œ B œ. Ó

Œ

∑

∑

3

fp

∑

∑

∑

3

mp ppp

b œ nœ œ œ ˙

Roll the metal chain from the edge of the table, initially in a controlled fashion. After a while let it go, making sure it completely falls to the ground with its natural accelaration.

∑

<B>Oœ <B> & J

Œ

∑

Œ Œ

∑

?

p

[o]

"f "

° &

œ #œ œ B œ ˙

mp

∑

fp

3

Œ

œ

∑ 6

œ # œ µ œ n œ # œ n œ. ˙

5

Œ

34

œ ˙ J

‰

B œ µœ µœ œ ™

Œ

ppp

[o]

)

∑

‰Œ

˙™

Œ Œ

6

[i]

"f "

¢/

œ œ

Ó

p

∑

ppp

∑

œ œj

∑

[i]

? Cb. ¢‹

∑

∑

° <b>Oœ Vln. I & Vln. II

∑

mf

mp

/

¢

∑

M

p

Œ + <Ÿ>~~~~~ œ ™ & R ‰ o ?

O

p

?

° Perc.

œ J

c j ‰Œ O O b O nO 5

#O

°?

C Tpt.

Tbn.

Œ

?

B. Cl.

54

closed emb. j.w.

œ

ST

œ ‰ J ST

p

b œ nœ œ B >œ mf

3

sfzmp

b œ nœ œ B >œ mf

87

3

sfzmp

7

34

° Fl. &

34

rit.

˙o 3 ˙o O

bO

œ ™B œ ˙

mp

&

Ob.

&

Cl.

B. Cl.

?

Bsn.

?

¢

<B> ˙ ™

Tbn.

¢

Perc.

Pno.

Vla.

Vc.

∑ ∑

° &

° Vln. I & Vln. II

Œ

¢/

¢

&

?

? Cb. ¢‹

∑

Ó

∑

Œ ‰ æj æ # 6æ 6æ

∑

Marimba [Reibestock]

Œ

Œ

ææ 6 6

∑ &

∑

∑

∑

Jé ‰ Œ

scrape

“” bœ ‰™ R Œ f

∑

Œ

œ

p

Ó

sempre

Œ

Œ

44

“œ” ‰J‰Œ 3

Œ

nœ Œ RŒ 5

w/ palm

rΠ-

mf

Marimba [medium-hard mallets]

∑

∑

∑

∑

∑

∑

Ó

Ó

Œ

Ó

O

p

∑

Ó

∑

∑

œ ‰ J‰ Œ 3

Œ

#œ J‰

Œ Œ

‰ œ j J

II

I

III IV

µœ ‰™ R Œ

bœ ≈ R‰ Ó

f

58

∑ ∑

mp

™

O

,

p

∑

∑

AST slow bow, granular

Œ

¿ R ‰™

q = 52

Ó

mf

&

™

∑

mf

Œ Œ

5

3

mp

j ‰ Œ 6

∑

sempre

AST

nO ™

p

» ™Œ j ‰ œ mp ∑

mp

slow and unstable, with grains audible

rit.

∑

)

"f "

ORD

(granular)

Ó

pp

O

nO ™

AST

∑

∑

ORD

(granular)

pp 88

89

Ó

∑

90

91

23

∑

r ‰ ™Ó -n- -B -

flap

Œ ‰ j‰ Ó -

ord.

∑

‰

∑

44

∑ --‰ ™ Œ

∑

3

flz.

mf

o

(3+2)

tongue ram

Ó

w/ palm

sffz

B

j ‰ Œ 6

w

∑

fast

34

œ J ‰Œ

mp

∑

∑

/

?

p

œ

∑

?

°

)

œ œ J ‰Ó

˙

58

q = 52

M

o œ

&

C Tpt.

ææ 6 6

ord.

˙™

pp

˙™

°? Hn.

Œ ‰ ææj ææ n6 6 o mf ˙™

closed emb. flz.

44

ASP ORD AST

Ϊ

mf 92

44

24

° Fl. &

44

∑

∑

54

∑

Ob.

&

∑

∑

∑

Cl.

&

∑

∑

∑

B. Cl.

?

∑

∑

∑

Bsn.

?

¢

sim.

∑

°? Hn.

≈≈

5

b -n- - p

sim.

3

∑

≈ r≈ ‰ -

‰

-

Œ

Ó

Œ ≈ Œ ≈

"f "

C Tpt.

Tbn.

¢

∑

∑

?

∑

∑

¿ ≈R‰ Œ

¢&

Ó

mp

° & Pno.

Vln. I

¢

?

°

j I

44

j œ œ

p

‰™

° ‰ œj Œ

mp f <“> #œ ≈ ≈ Œ j ‰ Œ ≈ ≈ R œ & j 5 II

III IV

Vln. II

II

I

III IV

B

Vla.

¢

ASP ORD AST

∑

f

,

j œ

‰

6 )

p

∑ ææ æ æ

ææ

∑

Œ

Œ ∑

Ó

∑

‰ ‰

&

&

Œ

“” œ ‰ J

mf

54

∑ “œ” mf

44

bœ ≈ J ≈≈Œ Ó 5

∑ O

, pp

?

Vc.

15 Œ ≈ ææ

Wooden Edge [shaft of stick]

/

[superball]

O O

5

∑ ‰

œŒ R

6

h

∑ j‰

∑ Ó

O

mp

moderate speed, a more continuous sound

Perc.

q

5

[i]

&

° &

q

mp

Ó

44

r ‰™

∑ j ‰ 93

j ‰ ‹?

∑

∑

∑

∑

94

95

° Fl. &

44

25

∑ Ó

&

Ob.

q = 66

‰

&

∑

B. Cl.

?

∑

Bsn.

?

Cl.

¢

°? Hn.

Πo

5

œœœœœœ œ œ

(bisb./alternate fingering)

p

Perc.

Pno.

¢

Vla.

pp

° &

ææ

¢/

° & ¢

5

(bisb./alternate fingering)

?

° Vln. I & Vln. II

o œœœœœœ œ œ

?

&

bœ

44

mf

r ‰™ -

q = 66

Œ

arco

Œ

Ó

o

Œ

ppp

&

p

mf

+ j Bœ

œ œ œ

mp

‰

mf

pp

Œ

Ó

pp

› &

Ó Ó

∑

Ó

∑ Ó

‰ ™ B B Oœ O˙ R µµœO

œO

Cb.

? ¢‹

œ

1

3

Œ

◊ÿ fij #n œœœ

sfz

mp

°

##œO

‰

ppp

etc.

5

Bœ

mp

mp

P-T

,

mp P-T

Bœ œ œ œ œ œ œ 6

f

96

#œ

j nnœO

pp

∑

#œ

mp

ppp

mp

3

Crotales [brass mallet]

‰ bœ

B, 2

mp

j µB œO

ASP

Vc.

J +œ

[C7]

Oœ

mp

œO ™™

1

mp

Œ

B ?

Œ

+ œ

+ œ ~~~~~~~~ b œ b œ B œ nœ #œ µœ#œ nœ ‰™ r œ B œ b œ µœ nœ b œ œ œ œ

∑

pp

mp

6

∑

"f "

°

arco

∑

ppp

∑

o

)™

+

6

µœ

∑

"f "

&

p

Œ

"f "

Tbn.

5

O™

+

B œ n œ n œ b œ œ #œ nœ B œ #œ µœ nœ nœ R ‰™

ppp

h™

[o]

C Tpt.

œï ó ï ó

#œ 3

∑

Ó

Π97

Œ

&

ORD

3

œ #œ œ b œ œ mf

3

œ #œ œ b œ œ mf

26

° ‰ Fl. & &

Ob.

Bsn.

mf

<µ>œ

3

¢

‰

?

° Hn. & ˙™ &

C Tpt.

Tbn.

Perc.

¢

Pno.

œ

ϝ

Vla.

6

œœ

j œ o ∑

˙

‰ o ‰

j œ

p

Ó

œ #œ nœ œ B œ b œ #œ œ œ B œ #œ œ

5

œ J

p

M

mf

o

5

Œ

Œ Œ

Ó ∑

flz. # œLœ B œ œ œ K œ #œ nœ nœ b œ œ ™ œ ~~~~ #œ ≈ ææ ææ 6

Metal Sheet [triangle beater] scrape

mf

-r ™ ‰ œ œ

Œ œ J œ J

Ó ‰

œ µœ nœ µœ R

& ‰™

pp

? œB œb œ Bœ

? œB œb œ Cb. Bœ ¢‹ 3

ææ

O

O ææJ

œ bœ œ nœ

ææj ##œO

œ bœ œ nœ

ææ ææ #œ nœO

æj ##œO

mf

ST, flaut.

mp

Œ

[superball]

ææ ææ #œ nœO

ST, flaut.

mp

98

"f "

mf

3

3

&

pp

B B Oœ

˙™ p

° Oœ

5

bb Oœ J

3

bb Oœ

n#Oœ

nOœ

mp

‰

ppp

‰

pp

pp

Ó

œ

≈ ≈ B œ #œ œ b œ

µœ

p

Œ

mp

Ó

#6

Ó

(on the keys)

##Oœ

Ó

‰

Œ

mp

?

ord.

∑

E-C

∑

<B> œ

æ œæ

∑

Œ

¿

3

Ó

f

Ó

œ

M

∑

Ó

Ó

‰

p

[B]

≈ Œ …

3

Vc.

≈ ≈ ≈

Œ

∑

? ‰ ¢

&

Ó

ppp

1 ÆJ

° <b>œ Vln. I & Vln. II

‰

mp

squeeze

°› & <#> œj™ ° &

p

Œ

?

¢/

‰ œ #œ

#O

B œ nœ œ #œnœ œ œB œ nœ µœ #œ pp

L œo # œo

# ˙o

O O

œ J

? Œ

B. Cl.

O™

j O

& ‰

Cl.

L ˙o

open emb.

µ

pp

Œ

Ó ææ ææ nO

ASP

nœ ™ mf

mp

P-T

‰

pp

œ

Ó

sfz

99

,

ææ #,

° Œ Fl. &

‰ nOj

j O

pp

mp

<#> œ b œ B œ nœµœ œ µ œ & J ‰ ‰ ≈

Ob.

ïó ïó µœ ‰ J

3

& Œ

6

ppp

?

B. Cl.

Bsn.

œ n œ œ B œ b œ œ. R

¢

?

&

Tbn.

Perc.

Pno.

¢

<#> 6

? Ó

Vla.

Vc.

Cb.

6™

fi œ œnœ

o

µœ

3

+ œ b œ #œ µœ#œ nœB œ 7

mf

Œ

‰

+ #œ 3

» j ‰ Œ œ ˙

∑ ord. o Ÿœ ~~~~~~~~~~~~~ œ œ ‰ ææ J

œ B œ bœ œ ææ æ p

™

œ ‰™ R

#œ Œ

sfz

Metal Sheet [superball]

‰

∑

& , & Π<#>,

BB

‰™

ST

œ 1

p

‰ ‰

p

B Oœ R

pp

2

#O ™ ≈ n œJ ™ ‰

mp

6

3

etc.

∑ 100

3

Œ

r ‰™ œ

mf

/

Ó

p

∑ ∑

Sost.

n#Oœ

µµOœ ‰™

‰ œj œ

3

bb OOOO b b OO

pp

B B Oœ R

3

mf

∑

∑

b Oœ Oœ J p j Oœ Oœ

œ

sfz

flz.

p

∑

™

µœ œ b œ nœ 5

p

∑

?

6

ppp

f

° &

? ¢‹

Bœ

p

Ó

#œ. Œ

¢/

?

‰

Ó

∑

° , Vln. I & Vln. II

p

27

ïóïó µ œ œ œ ™ œ œ B œ bœ œ™ pp

Œ

∑

°› &

¢

‰™

3

3

∑

° Hn. &

C Tpt.

pp

o 3 œo œ œ 3 µœ œ œ O bO

‰ B O nO µO

Œ

#œ nœ B œ

œ

3

mp

Cl.

‰

f

‰ bnOœ

p

µµOœ µB œO

pp

p

Œ

bO ‰ ™ b œR Bœ mf

SP

5

nnOœ œO nO b O nO O

p

P-T

Œ

˙O

3

Oœ

ORD

µœ p

∑ 101

SP

5

O O b O nO O

28

L œo œ

° Fl. & nO

mf

B. Cl.

?

Bsn.

?

¢

#O

p

œ™ Bœ Bœ

&

Cl.

p

# œo

µ

o L œo # œ

‰

O O

ppp

° Hn. &

∑

mf

∑

∑

∑

∑

∑

∑

∑

∑

‰

o

∑

Œ

∑ ∑

æo o 3 œ Lœ #œ œ#+œæ œµœ #œµœnœ œB œ b œ œ J

‰ ™ µœr œ ˙

Œ ‰B œ ˙ 3o ∑

∑

j œ

˙

‰

mf

Ó

mp

q = 52

mf

œ nœ b œ œ #œ œ nœ #œ nœ nœ b œ

&

Ob.

œ œo L J ‰ O

Ó

w

‰ ‰B œ w J

&

Tbn.

¢

Perc.

f

?

°

Ó

pp

/

¢/

Ó

Œ

Ó

Œ

¢

Medium Spring Coil [triangle beater]

Cb.

1 ææJ

?

Ó SP

œO

mp

Œ

‰ ‰

"f " j fi œ

œ J

◊ÿ # œœœ J ‰ mf

sfz

[guitar slide] hit perpendicularly on metal frame

Œ

J

‰

pp

sfz

[o]

p

ææJ

? fij #O nO Obb œO bO æ

ææ

ææJ

nœO

? ¢‹

mf

p

∑

-

Œ

∑ ∑

∑

∑

∑

∑

∑

∑

"f "

ææ

mf

∑

ææ ææ

ææ ™

ppp

nO nœ nœO

B #O nO Obb œæO æ j b Ofi

)

"f "

bb Oœ p

∑

#œO

p

& nnOœ µµOœ

æ ææ

∑

+ ææ ææ

mf

q = 52

Oœ b O bœ

mp

Vc.

‰

"f "

Ó

SP

Vla.

Œ

mf

6 "f " o j 6 )

6

∑

push the stem of the harmon mute in

[i]

° Vln. I & Vln. II

mp

Wooden Edge [shaft of stick]

° & Pno.

3

j‰ Œ Œ 6 6

[F11]

3

Œ

mf mf

∑

[G#7]

C Tpt.

pp

∑ 102

f

f

‰ ‰

∑

∑

∑ ∑ 103

lw ST

Ó

p

∑ ST B œ™ œ ≈J

Ó w

b˙

ST

p

ppp

104

mf

mf

mf 105

° Ó Fl. &

q = 66

& Œ

Ob.

‰™

pp

B. Cl.

Bsn.

?

∑

° &

∑

Hn.

∑

mf

Tbn.

¢

° Perc.

Pno.

sffz

? œ

mp

Œ

Ó

Œ

Ó

Vln. II

Vla.

Vc.

Cb.

78

ORD

œO ™™

B Ó

‰™

? Œ ¢‹

pizz.

nœ f

œ

pizz.

f

"f "

pp

mp

œO

B µOœ R

B Oœ R

pp

3

‰ œ p

106

pp

5

b œO ™™

œ µ œ œB œ

œ

Œ

Œ

Ϊ

Œ

Œ

nOœ J

‰

j # œO

‰

<B> œ

pp

j œ

p

œ

#œ R

ppp

µµOœ J

b œO

j O bœ

J

f

p

B B Oœ

ppp

mf

#œ ™

sfz

‰™

Ϊ

ææ O

ASP

5

mp

mp

mp

ppp 3

+ ≈ ‰ œ µœnœB œ#œ ≈ .

Œ

pp

29

œ œ B œ #œ

∑

##Oœ

ORD

arco ORD

Ó

j œ

mp

& ˙O

? Œ

p

bœ

Oœ ™™ B B Oœ Oœ

O˙ ° Vln. I &

‰

‰

°

q = 66

œ J

54

Ϊ

ppp

Tam-tam scrape [fingernails]

∑

◊œÿ œ ° #œ & ¢

5

sfz

‰™

p

ææ œ œœ œ

Ϊ o Ϊ

‰™

+ b~~~~~~~~~ œ™ œB œ#œ µœ nœ µœ nœ. R mf p + #œ œ. J R

o Kœ œ

œœ ≈ ™ œ j ‰ œææ œ

pp

‰

µœ

∑

[A7]

∑

¢/

» r #œ sfz r œ

Œ

3

pp

Ϫ

f

Bongos [hands]

/

œ B œ #œ nœ B œ œ B œ

mp

p

?

ïó ïó bœ mp

ïóïó œ

+ææo œ œ™

+ & œ

C Tpt.

ppp

B ó ï ó ï ó ï # œ œ œ œ œ œ œ œ œó R

‰™

#œ

5

mp

œo R ‰™

(2+2+3)

pp

œ µœ œ µœ œ

œ

? ¢

≈ Œ

ppp

& Ó

Cl.

bO R

ïóïó œ œ™ J

pp

78

o 3 œo œ

B Oœ

54

pp ST

µœ œ œ œ œ œ œ œ œ

‰™

Ϊ

107

1

3

2

3

etc.

30

° Fl. & &

Ob.

Cl.

B. Cl.

Bsn.

¢

54

Tbn.

¢

& ?

∑

?

Vln. I

Vln. II

Vla.

Vc.

Cb.

pp

‰

Œ

Ó

6

pp

œ

p

M

p

ïóïó ‰ œ J

r nœ ‰ ™ Ó

Ó

+ œœœ œ œ

? ¢‹

ppp

œ‰ J

3

+

∑ Ó

Kœ

mf

o µ œ ~~ # œ b œ B œ K œ œ œ µ œ œ #œ R

Metal Sheet [superball]

≈ œj™ ˙

p

∑

Ó

≈œ™ mf

µµ Oœ J

, ‰ J

µµOœ J

B >œ œ œ ™ > f mp ORD

Ó

5

µO µO ‰ ‰ ™ µ œR µ œ

p

, ‰™ Ó R

pp

µµ Oœ ‰J

‰Œ

p

nnOœ

pp

pp

Oœ µµOœ

p

arco ST

œ

p 108

^œ # Œ R Œ 5

f

∑

B B Oœ

1 1 ÆJ

n Oœ

1 1 ÆJ

nnOœ ∑

µœ ™

˙

œ

O

µœ ™

˙

œ

O

ST

nœ

7

bnOœ

ppp µœ

ff

mf

∑

Œ

5

7

™ œ

j œ™ ≈ ∑

p

B µOœ µµOœ ‰ J

drop

∑

Ó

54

f

[F#]

∑

mp

Kœ J‰

[G]

Œ +ææ o ™ œ œ

p

‰ bœ J

3

∑

o ‰œ J mp oj ‰œ

mf

œ

∑

sffz

mf

/

?

œ ‰ J

mf

∑

B

» ‰ j œ

mp

?

&

œ

˙

&

° &

ïóïó #œ œ œ# œB œ n œ b œ B œ œ J 6

o 7 3 ‰ œµœnœB œ#œœnœµœ b œB œ nœ. ‰ ™ Œ R

?

∑

B œ n œ µ œ b œB œn œ ™ ˙

mp

¢/

¢

5

mf

° & Pno.

mf

Ó

° Perc.

œ R ‰™

<#>œ J ‰

° Hn. &

C Tpt.

n>œ µ>œ œ ™

44

109

44

° Fl. &

44

∑

<#> œ œ œ

&

Ob.

Œ

&

Cl.

B. Cl.

?

Bsn.

?

¢

mf

‰œ ˙

&

Tbn.

¢

Perc.

¢

?

° Vln. I & Vln. II

Vla.

Vc.

&

44

11 11

? Cb. ¢‹

∑

œ ‰ Œ Ó J + o mp Ÿœ ~~~~~~~~~~ œ œ œ #œnœ B œ #œ b œ 6 ™ R œ œ œB œ b œ ‰

Bw p

+ œ

∑

Ó

mp

∑

∑

∑

∑

O ‰ Œ J

Π110

Ó

^œ ‰ ™ R

p

œ R

mp

°

Œ

Ó

Œ

Ó

bb Oœ ‰ ™ R

∑

‰ ™ b œOr œO

‰ ™ #œR œ

µœ

ST

pp

bST Oœ

&

w

ppp

˙

p

ææ

Oœ ‰

mp

n œO

Œ

Ó

œ ‰ J

Œ

Ó

Oœ J ‰

Œ

Ó

mf 111

Oœ

œ ‰ J

mf

pp

p

ppp

mf

~w

1 ææJ

Tam-tam [chopstick]

‰

∑

ST

&

mf

‰ ™ µµOœR

mp

Œ

p

b Oœ R ‰™ mp

O ‰ Œ J

œ R ‰™ Ó

œ œ ‰ J

‰™

granular

∑

&

5

pp

pp

Œ

arco

granular

∑

Marimba [Reibestock]

Ó

f

f

Ó

mf

[F13]

f

f

Œ

∑

‰ ™ œr o

B ?

œ ‰ J

5

∑

∑

Tam-tam [bow]

ppp

œ #œ nœ #œ b œ œ œ œ bœ

∑

ppp

/

ïóïó nœ œ

Ó

∑

~~~~~~~

Œ

mf

Œ

∑

‰™ Œ r ~~~ p + œ ‰™ Œ R

~~~~~~~

¢/

Ϫ

mp

w

∑

° & Pno.

pp

mf

bœ ˙ ™ ‰ R

ppp

?

°

mp

Œ

31

œ J ‰

3

° Hn. & C Tpt.

Ó œ J ‰ Œ

M

Bœ œ ‰ J

34

112

B µOœ mf

34

32

° Fl. &

34

nœ R ‰™

&

Ob.

mp

‰™

&

Cl.

B. Cl.

?

Bsn.

?

¢

‰™

‰™

° Hn. &

‰™

œ ˙ R

œ b œ b œ nœ #œ nœ #œ nœ #œ œ

œ

Œ

bœ ˙ R

Œ

Œ

Œ

œ R ‰™

œ

mf

∑

Œ

œ ˙ R

r Jœ ˙

r ™ œ‰

[F7]

œ

mf

^^ ^ ^ œ œ#œ Lœ Œ

&

Tbn.

Perc.

¢

f

?

° &

ææj ‰ -

¢/

¢

?

° Vln. I & Vln. II

Vla.

Vc.

& & &

? Cb. ¢‹

f

∑

° & Pno.

™

>o œ Œ

‰™

mf

Œ

ÿ #◊œœœ R Œ sffz

‰ ‰

‰™

ORD

‰™

ORD

‰™

ORD

mf

Jœ ˙ R

(-31 cents)

mf

Œ?

3

pp

Œ

+

3

p

œ J

˙

œ

mp flap

Ó

Œ

(on the keys)

3

‰

3

‰

‰

™ mp

Oœ

j& œ p “‘ j œ mp “‘ µµœO

3

ppp

ppp

B B Oœ J

mf

œ ‰™ R

mp

Œ

Œ

œ

p

[superball]

˙

-b - - - b 6

œ

w/ palm

r -

mf

mf

Œ

œ

Ó

nœ

pizz.

Œ

#œ ‰ R‰

Œ

5

mf

O˙ ™™

Oœ

pp

˙

pp

mp

Œ

3

j œ

œ

sfz

ST

œ R

‰™

‰ Œ

3

∑

P-T

114

‰™

‰

Œ …

∑

#œ œ

Ó

44

Œ

◊ÿfi

œ Œ

Oœ ‰ ™ R

3

∑

j #œ

‰

‰ bb Oœ J

Œ

∑

∑

j ‰ ‰µB œO

mf

mp

‰

Œ

œ R ‰™

œ

Ó

f

3

Oœ O˙ R

113

‰

∑

7

Œ

Œ

œ

mf

p

pp

˙

Œ

arco

‰‰ j œ œ

Bœ ˙ R mf

nœ ‰ J

Œ

ppp

# œO ™™

ppp

34

œ R ‰™ Ó

∑

Œ

j ‰Œ B µ œO œO

6

≈

œ

Œ b œ b œ nœ#œ nœ #œ µœ nœ ‰

Œ

› &

<B><µ>Oœ n#Oœ ## Oœ Oœ J ‰Œ

6

3

7

Œ

∑

34

mp

mf

Crotales [bow]

Œ

p

œ ‰™ R

œ

M

mf

6

mp

Œ

[F#5]

C Tpt.

b œ œ nœ B œ b œ œ #œ 3

mf

44

3

œ œœœœ œ

‰Ó

1 2 3 etc.

pp

115

sfz

34

° Fl. &

&

Cl.

B. Cl.

¢

#œ œ œ B œ b œ œ #œ µœ nœ

r‰™ nsfz

?

+ K œ Kœ J

&

Perc.

¢

°› &

° & Pno.

Vln. I

Vln. II

Vla.

Vc.

3

?

¢/

¢

?

° & &

? Cb. ¢‹

Œ

mf

‰

mp

Œ

ff

3

œ

f

mp Marimba [Reibestock]

bb Oœ ‰

p

ppp

nnOœ p

‰

œ J

f

Œ

∑ 116

‰ #œj p

∑

µµOœ ‰

ppp

O mf

mf

p

p

3

ASP ORD AST ASP ORD AST

+

‰nœ œ ™ œ 3

Ó œ ææ ‰ ™ R

Œ

œ

‰™

mf

ΠIII

Œ

‰ J

J

Ó

Œ

‰ J

J

mf

mf

pp

ææ œ

r œ œ

j œ‰/

p

3

‰œ Œ mf

°

ord.

granular

mf

sfz

∑

granular

Bœ

pp

∑

∑

,

sfz

+ 3 ‰ œææ

p

Ó

117

‰™ Ó

Ó

,

œ ‰ J ‰Œ Œ

Œ

5

∑

44

B B Oœ

drag bow vertically with extreme pressure. a little horizontal bow motion should be added. mute the strings with l.h.

∑

ppp

∑

∑ nOœ n ‰ J

r œ ‰™

5

ppp

Ó

&

- - -b b p

≈

r ™ Bœ ‰

Œ

arco

sim.

+ææo o + flz. œ œ œœ ææ

∑

<◊> ^ # œœœ

34

[Ab7]

‰ Jœ œ œ

p

∑

∑ ∑

∑

o œnœb œµœnœB œ#œµœ œ. ≈b œ Jœ 3

Œ

Ó

∑

[Ab]

+ j œ

Œ

mp

∑

3

p

œ R ‰™

p

Œ

mf

∑

ïóïó M œ œ œ™ œ

Œ

mp

pizz. 7 Π&

&

ppp

∑

œ

∑ [F#7] [G7]

Tbn.

∑

‰

#œ

98

33

mf

° Hn. &

C Tpt.

6

pp

» j ‰ Œ œ

?

44

∑

‰

&

Ob.

Bsn.

34

ord.

> ‰ œj œJ ‰ Œ j

II

I

III IV

‰ ≈ R ‰ J ™ ≈‰ j ‰ ≈ R ‰ ™ ≈‰ j J 118

98

34

° Fl. &

98

?

B. Cl.

Œ

° Hn. &

Œ

¢

mp

Ϫ

œ ‰™ R

Œ™ Jœ

(-31 cents)

mp

Ó

?

Bsn.

bœ

Œ

&

Cl.

Œ Ó

&

Ob.

(2+2+3+2)

ïóïó bœ

œ

3œ

mp

b œ œ nœ

˙

p

p

œ

Tbn.

¢

?

° Perc.

Pno.

/

° &

° Vln. I & &

Vln. II

j

Vla.

II

I

III IV

ASP

Vc.

ORD AST

Cb.

¢

ASP ORD AST

Ó

Œ œj

Ó

Ϊ

[triangle beater]

¢/ ¢

œ

r ‰™ œ

Œ

98

Œ

Œ

scrape

Ϊ

B B Oœ ™™ œ œ O

mp

119

Œ

Ó

Œ

Ó ∑

flz.

œ ææ

œ™ ææJ ≈ ‰

[Ab]

Jœfib œ 3œb œ

ord.

∑

ææj bœ

flz.

mf

Marimba [Reibestock]

&

‰ b œJ œ

ææ ˙

œ ‰ Œ J

mp

f

44

ppp

œ Oœ ™™

j ‰ j ‰

∑

f

µµOœ ™™

j

Ó

∑

p

∑

∑

∑

∑ granular

##Oœ O˙

Oœ ≈ #O #œ

pp

&

O˙

∑

granular

mf

B

∑ 120

Oœ

Oœ

Oœ

Œ

ASP

arco

∑ Œ

##Oœ p

ord.

bb Oœ O˙ p

œ

mf

P-T

? ‹

µµOœ

ord.

Oœ

mf

nnOœ ≈ Oœ Oœ

mp

r ‰™ Œ

mp

Ó

~~~~~~~~~~~~~~~~~~~~~~~~ œ œ œ ‰ Ó J J

Œ

j

bœ ˙ J

(stir)

Œ ≈ œR Œ

r ‰™ Œ

œ

f

∑

Ϫ

œ ˙

M

∑

Maracas

‰

œ

[F#]

Œ

™

O

Ó

mf

˙

^^ b œ œ µœ œ œ#^œ K^œ ™ L 3

mp

Tam-tam

?

œ

34

∑ M

œ

Ϫ

‰

∑

Œ ≈ r œ œ o J

œfij

œ R ‰™ Œ

mp

o Ÿ~~~~~ r r b œ nœ B œ œ œ œ ‰ ™ Œ ≈ œ µœnœ 5 p b +œ œ ™ Œ Œ

&

œ œB œ™ œ œ œ

r œ ‰™

Ϫ

Œ

M

b œ nœ

ord.

C Tpt.

∑

ppp

mp [G5]

44

µœ

Ó

œ

Ó

∑

œ f

121

34

34

° Fl. & Ob.

Cl.

B. Cl.

Bsn.

¢

<b>œ œ nœ œ #œ B œ nœ 5

ppp

3

&

∑

&

∑

?

∑

?

∑

° Hn. &

Œ

Tbn.

¢

° & Perc.

Pno.

p

?

¢/

pp

?

° Vln. I & Vln. II

Vla.

Vc.

‰

^œ J

‰

& B &

? Cb. ¢‹

‰

34

sfz

O

3

3

‰

pp

j 6 6

mp

j ‰ Lœ 6

6 6

mp

6

6 6

j ‰ Œ 6

ppp

ææ 6™

ppp

Œ

∑ 122

œ

mf

Œ

‰ Œ

∑

Œ

Œ

∑

"f "

78

Ó

"f "

"f "

pp

o

œo ™

∑ 123

∑

œ

+ ≈ r œ p

œ

drag along the coils

mp

p

∑

# Oœ ™™

3

Œ

∑

##Oœ Oœ ™™

K œo œo ‰‰J

mp

mf

Œ

™ B B Oœ ™

III-7

35

œ

Œ

Medium Spring Coil [chopstick]

Œ

™

µœ ™

∑

j œ ‰

J

mp

‰

mp

44

∑

+ 3œ

∑

Œ ∑

"f "

≈ œJ ™

Œ

œ

[G5]

‰ Œ

Oœ##Oœ ™™

<b><b>Oœ

Œ

∑

Ϫ

œ J

µµOœ

<µ><µ>Oœ

34

Ϫ

∑

p

o

∑

°

Ϫ

œ ‰ J

[D10]

mp

3

O #O O ™ O ™

pp

Œ

n

∑

œ ≈

3

◊ÿ # œœœ

f

‰

pp

mf

mf

Bongos [wooden stick]

° & ¢

œ

q

7

+ œ

‰ sim.

mf

(2+2+3)

B L œo # œo L œo ™ # œo ™

‰ j µœ œ

ææ <b>œ œnœ B œnœ µœ #œ œ ≈

&

> O O

‰ ord.

C Tpt.

q

78

j œ

j ‰

[superball]

p

34

Oœ ™™

ppp

Oœ ™™ J

ORD

ppp

Œ

ST

##Oœ ˙

mp

≈Œ

Œ

Œ

Œ

Oœ J ‰

ORD

œo ™ J

œo

ppp

mf

Œ

o µ œ ‰ 3

IV-11

& ‹

ORD

mp

124

≈Œ

œo

44

36

° Fl. &

44

pp

B. Cl.

?

Bsn.

?

¢

<µ>w

Tbn.

Perc.

mf

f

¢/

Metal Sheet [bow]

° &

‰

j œ

+ j ‰ ‰ Kœ ˙

¢

Vln. I

Vln. II

Vla.

Vc.

Cb.

° & & B & ¢& ‹

œ #ord. œ™

˙™

p

˙™

M

œ

˙™

∑

p

ææ ˙™

[Bb7]

œ

œ~~~ ~

∑

‰

~~~~ j -

mp

∑ ææ ˙™

flz.

mp

› &

Crotales [bow]

mf

drop

o n˙ ™ ‰

mf arco

j #œ p

(on the keys)

?

∑

flz.

p

œ

œ

mf

Œ

∑

∑

Œ

∑ Œ

∑

&

mf

Pno.

?

Œ

3

j ‰

arco

bO

≈ œJ ™ œ

‰

Œ

Bœ ∑

o 3œ

œ

ppp

3

™

œ

M

œ J

+ ~~~~~~~~~ œ #œ nœ œ B œ #œ µœ nœ œ b œ œ œ

fi #œ œ œ#œ

Œ

p

∑

?

° &

œ

3

mf

Œ

54

˙o ™

mp

∑

& ¢

Œ

∑

° Hn. & C Tpt.

3

p

&

Cl.

#œ µœ œ #œ nœ œ B œ J

œ

&

Ob.

œ ‰™ R

˙

34

44

∑

<#>w B B Oœ n Oœ

pp

B ˙™

34

µµOœ

p

pp

[superball]

ppp

mp

œ

p

ppp

∑

#Oœ

mp

<µ>wo

? ‹

p

ppp 125

˙™

mp

µ˙ ™

œ

p

Œ

µœ ™ ≈ J

∑

∑

ppp

ST

∑

mf

°

Œ

‰

j

∑ ˙™

∑

∑

126

127

54

° Fl. & &

Ob.

54

f

∑

f

∑

œ

j‰ œ

Bsn.

¢

?

r bœ ‰™

mp

° Hn. &

o æ œæ ‰ b œ œ

&

^^ ‰ Lœ b œ Œ

?

∑

ord.

~~~~~~~~ œ œ œ Œ

pp

mf

1

Tbn.

Perc.

Pno.

¢

°› &

¢

Vla.

Vc.

& B &

j µµœO œO ˙O

j Oœ

3

p

<µ>œ J ‰

µO b O ‰ µ œJ œ p

j ‰ <µ>œ

? ¢‹

Oœ O˙

mf

∑

f

f

Œ ‰

granular

P-T

Cb.

mf

34

pizz.

∑

f

œ

∑

Π?

Œ

7

“œ” J

p

bœ J

p

+ µ œœ œ 3

mp

∑

Œ

mf

∑

…

mp

∑ ∑

∑

∑

38

j ‰ nnœO Oœ ppp

µO ‰ µ œJ

ppp

Œ

O O ‰ #œJ œJ o mp

3

b +œ nœ

Œ

∑

Œ

p

ïóïó bœ

‰

p

ppp

mf

granular

5

+ œ R ‰™

Šj Ϫ

∑

∑

[F#11]

∑

37

Œ

mp

sim.

‰ œj

°

‰

mp

mf

Œ

∑

œ J

mp

44

∑

‰ œ µœ œ

sffz

j œfi mf

‰

5

mp

◊ÿ œœ #œ Œ Ó

‰

b - - n-n- b -

5

+ o b œ B œ œ œ œnœ

f

scrape

Œ

54

Œ

œ J

38

p

"f "

∑

∑

° &

?

bœ

Metal Sheet [fingernails]

¢/

° Vln. I & Vln. II

æær ‰ ™ œ

mf

rip

‰

j -

p

[F#5]

C Tpt.

w/ palm

‰

flap

Œ

pp

œ J

mp

(-31 cents)

Œ Ó

pp

Œ

‰

Œ

ïóïó œ

mf

µœ J o nœ ‰ J o Kœ ‰ J o ∑

Œ Œ

œ ‰ J

f

?

B. Cl.

34

∑

<#> œ J ‰

&

Cl.

œo J ‰

B µOœ J ‰

44

Oœ Oœ Oœ p

œ ≈ R ‰ ‰ Oœ µµOœ Oœ mf

Œ

p

nb Oœ J

mf

bœ

pizz.

œ

∑

∑ 128

129

‰

mf 130

38

° Fl. &

Ob.

&

Cl.

&

Bœ œ œ ‰ J mp

¢

Tbn.

œ ‰™ R

slower

ppp

<µ>œ œ œ +p #˙ pp

¢

° Vln. I & Vln. II

Vla.

Vc.

& B ?

? Cb. ¢‹

Œ

∑

∑

Œ

∑

∑

Œ

‰™

Œ

son roulé slow

˙

ææ œ

Œ

#6

"f "

6

6™ 6

6

6

j‰ Ó 6

+ ~~~~~~~~~~~~ [E7] Ÿ o ææ nœ œ œ œ R # œ œJœ œ œ

pp

flz.

Œ

mp

mf

o

Œ

œ

o

Œ

∑ Ó

Bongos [fingers]

œfiœ

Marimba [Reibestock]

Œ

?

œ ‰™ R

<“>

Œ œ J ‰

Ó

<µ><µ>Oœ J ‰ Œ o <b>O˙

µB œO

ppp

34

Œ

Oœ ™™

∑ 131

‰™

j Oœ ™™

"f "

pp

∑

Jœo

œo ™ J Oœ ™™ J

ppp

Oœ Oœ ppp

ASP ORD AST

‰™

∑

‰ ™ b œœ œ R

œ ‰ Œ J

p

≈Œ

bœ RŒ

Œ

mp

mp

RJ

mf

j

II

I

III IV

Œ

≈Œ ≈Œ

(senza pedale)

Œ

mp

44

pizz.

Ó Œ

j

II

I

III IV

pizz.

Ó

AST

mf

J

‰

‰

‰

ORD

132

J

Ó ∑

‰ J

ASP

mp

o r 6

p

∑

‰™

Œ

IV-7

&

mf

Œ

∑ Oœ ‰ Œ J o

b˙

j ‰ œ

œ

∑

∑

44

"f "

Œ

"f "

fast

r bœ œ

pp

¢/

?

∑

B œ ™ µœ b œ µ˙

?

∑

∑

Ó

° & Pno.

‰™

44

∑

sfz

°› & Perc.

» j ‰ -

open slap

mf

& ¢

mf

<b>˙

?

Œ

r µœ ‰ ™

œ œ

Ó

° Hn. & C Tpt.

mf

œ ™ R‰

34

∑

<b>œ

?

B. Cl.

Bsn.

44

7

7

nœ ‰™ R Œ f

‰ ‰™

3

‰ ™™

Œ

J

Œ

II

j I

III IV

œœœ œ RÔ

ff

‰™ ‰

œœ œœ R

f

‰™

œœ œœ J

mf

R

‰ ‰™ 133

R

r j ‰

° Fl. &

58

∑

44

(2+3)

∑

Œ

‰

˙o

o 3œ

39

OJ

fp

&

∑

∑

&

∑

∑

B. Cl.

?

∑

∑

Bsn.

?

∑

Ob.

Cl.

¢

° æ & æ

flz.

Hn.

& ææ

flz.

C Tpt.

Tbn.

¢/ Œ ° &

Pno.

Vln. I

¢

?

°

I

III IV

II

ææ 6 p

j

II

III IV

Vc.

ORD AST

¢

ASP ORD AST

Œ

ææ ææ

Œ Ó

‰

‰ B œJ œ

p

fp

Œ

p

ord.

[Bb] + 3 mo j #œ ‰ œj nœ # œ 3œ ™

Ó

mp

ppp ord.

r≈ Œ

+ 6 3 ‰ œB œ #œ µœ #œnœ ≈ ‰

Œ

ppp

j

mp

mf

Ó

Œ

Ó

∑ ∑

∑

∑

∑

∑

&

r j ™ ‰ ™

bœ

44

p

°

∑

&

≈Œ

[superball]

‰

&

3 r ≈ ‰ ‰

134

58

b +œ R

‰™

p

∑

Ó

Œ

Œ

ppp

Pour the bag of seeds into a container, starting slowly and accelarating towards the end.

Œ

˙

3

ppp

mf

‰

ord.

‰

nœ

∑

ïóïó bœ J

mp

ææ

∑

I

ASP

flz.

ææ

ææ

∑

I

III IV

Vla.

ææ

ææ

∑

j

II

ææ

∑

j

Vln. II

Cb.

ææ

? Ó ¢ °? Œ

Perc.

ææ

Œ

Œ

œ b œ œ B œ #œ R ‰™

Œ

Œ

∑

arco

j ‰ ‰ 135

µO ‰ µ œJ pp o o Jœ œ R

‰™

j

o ≈ 3œ ™ J III-5

µ˙o

IV-11

p

µµœO ‰

pp

Œ

‹ ‰&

Ó

j B O ‰ Bœ

arco

∑

j ‰&

‰

mf

arco

™ ‰

‰

fp

fp

o œ

˙o

µµOœ

‰ B B Oœ J

ppp

Oœ Oœ ™™

ppp

o ˙ œo J

mf 136

‰

Œ

? ‹

40

° Fl. & &

Ob.

p

Ó

≈

nœ b œ

¢

?

° & &

C Tpt.

¢

Œ

œ ‰™ R

¢

[Bb5]

œ

mp

‰™

Ó

o b œ Bœ œ œ œ œ œ 3

mp

Metal Sheet [chopsticks]

Vc.

Cb.

& & ? ¢‹

+ œ

5

p

Œ

‰ œfij œj

‰ -J Œ

Ó

Œ

p

∑

&

Œ

bœ ‰ ææJ

Œ

w/ palm

5

rΠ-

"f "

flz.

mf

w/ palm

rΠ-

b œO

pp

Oœ##Oœ µµOœ Oœ ≈ B µOœ p œo R ‰™

o œ ‰™ R ‰™

B B Oœ

P-T

nœ R f

Oœ

granular

pp

Œ ?‰

œO

j -œ

mf bœ

Ó 137

[Eb]

p

f p 3

‰

[hand]

◊œÿœ J f

f

°

ææ œ

p

mf

Œ

Œ

µµœO

j œfi

∑

j œO

‰

Œ

Oœ J

‰

Œ

mf

> œ œ œ 3

Ó

pizz.

Ó

pizz.

ΠΠ138

3

J

ppp

nnœO

ppp

∑

Ó

ASP

5

Ó

r œ œ œ œ œ [fingers]

mf

Ó

Lœ 3 œ ™ [D10]

"f "

∑ granular

#œ o

+ææ o ‰ j r ‰™ œ œ o p o

mf

Œ

3

mp

ææj ‰ œ

‰™

ppp

œ J

tongue ram

∑

Ó

µœ

Ó

‰™

Œ

Bongos [hands]

p

Vla.

Ó

∑

?

&

‰

‰

sffz

Œ

flz.

œ bœ œ B œ œ B œ R

pp

° <B>O B O O O Vln. I & <B> œ B œ nœ œ ≈ nnO œ Vln. II

œ J

Ó

+ o 3 3 nœ œ b œ n œ # œ b œ Lœ

j -

tongue ram

Œ

mf

Ó

+ œ Bœ œ œ

° & Pno.

œ

Ó

Œ

pp

? BϪ

¢/

œ bœ

M

∑

°? Perc.

Ó

3

f

Tbn.

œ

?

B. Cl.

Hn.

Œ œ Bœ œ œ

<B>œ ‰ ™ & R

Cl.

Bsn.

œo R ‰™

#œ f

#œ f

3

J

° Fl. &

Ó

‰™

&

Ó

‰™

Ob.

&

Cl.

œ

p

? Ó

B. Cl.

Bsn.

Bœ

¢

?

¢

<#>˙

3

‰

Vln. I

Vln. II

Vla.

Vc.

Cb.

¢

^ ‰ œJ

Œ

˙

mp son roulé fast

bœ

œ

mf

b œo

3

œ

œ œ œ

mf

œ

p

œ

& b œO

œ

? B œR ‰ ™ ¢‹

r ‰™ 6

3

j‰ n6 6 6

Œ

Ó

f

r ‰™ 6

6 )

"f "

/

‰ j œ

Œ œ

p

+ # ‰ œJ

ΠMaracas (stir)

~~~~~~~~~~~~~~~~ œ œ œ J ‰

Œ ∑

∑

∑

∑

p

Oœ

Œ

Ó

Oœ #O ™™ Or ‰ ™ œ œ

Oœ ‰ Œ ‰ ™ O nœ J R

f

‰™

Œ Œ

Ó 139

#O O R II

p

O

Œ ‰ ™ b Oœ R p

p

arco

p

b œO œO##œO pp

#œO œO nœO pp

∑

∑

O ‰ Ó J

∑

∑

∑

140

141

f

&

f

∑

Oœ Oœ

mf

Œ

Ó

∑

Oœ nO ™ O ‰ b œ™ œ

ff

pp

p

scream effect: rub tip of stick

mf

o

+ o [F#5] ~~~~~~~~~~~ ^ ^ 6 œ b œ µœ nœ œ B œ b œ œ #œ Lœ Œ

"f "

Ó

pp

mp

6 )

Tam-tam [wooden stick]

bœ œ R

‰ j µœ œ o mf Œ

˙™

∑

∑

r B œ ‰™

Ó

p "f "

p

‰ ‰ œJ Œ

Œ

Πo

mf

‰™

Ó

[Ab7]

œ

6

mp

˙

pp

Large Spring Coil [triangle beater]

sfz

° B B Oœ &

?

o

∑ ï óïó œ B œ #œ nœ œ B œ b œ œ #œ. µ œ. Œ

œ J ‰ Ó

∑

?

&

‰ ™ b œr œ o

f

Œ

mf

p

œ M

+ o b œ µ œ n œ B œ # œ µ œ n œ ™ œ œ ‰ J

° & Pno.

‰

41

œ ‰ Ó J

f

œœ

œ b œ ™ œJ J œ

? Ó

¢/

œ

œ J ‰ Ó

f

p

3

°? Perc.

œœ R

p

r‰ ™ œ

p

&

C Tpt.

œ

Œ

° Hn. & B œ

Tbn.

œ œ

œœ R

#O #œ

mf #O #œ

mf

&

42

° Fl. & Ó

Œ

& Ó

Œ

Ob.

& <b>˙ ™

Cl.

pp

Jœ

pp

‰™

& Ó

C Tpt.

¢

o # œ µœ J

?

3

° & Ó

œ œ œ nœ 3

mp

Œ

‰

Perc.

¢/

Pno.

∑

?

∑

¢

Vln. II

Vla.

Vc.

Cb.

& b˙

pp

µœ

142

Ϊ

œœœ

6

mf

6

6 6™ 6™

+

98

‰ j I

pizz.

ææ

Œ

œ œ

7 œ ‰™ R

ff

Œ

f

œ ‰™ R

Œ

Œ

B œ ‰™ R

Œ

f

143

Ϊ Ϊ Ϊ Ϊ

arco ST

‰ ‰ ™™

-## p

+ Kr Kœ

[F#7]

p

∑ æ

ææ

ppp

∑ Œ

ææ

flap

‰ b œj Œ Ó

44

f

(pizz.)

Ϊ

mp

Œ

ææ

ææ ™

∑

œ ‰™ R

Œ

r ‰™ Œ Ó 6 o r ‰™ Œ Ó 6 o

o

Tam-tam [chopsticks] scrape on the rim

°

3

Ó 6 6™ 6™

∑

‰ ‰ --Œ

Ó

∑

mp

∑

f

mp

III IV

mp

Ϊ

Œ

mf

Thai Gong [chopsticks]

II

µœ

pp

r ‰™ œ

sfz

∑

œ œ

sfz

ææ pp ◊œÿ œ #œ Œ J ‰ Œ

ppp

œ™ œ œ Œ ≈ J &

? ¢‹

p

ST

&

Ó

» r B œ ‰™ mf

Œ

nœ œ ‰™ R J

° Ó Vln. I &

Œ

Œ

∑

° &

Œ

Œ

pp

sfz

O b O ™ O™

∑

Ÿ~~~~~~~~~~ œœœ ‰ R J

j - ‰ Œ Ó

r ‰™ Œ Ó O o

‰

p

Ϊ

Œ

tongue ram

œ ‰ J bO

œ

mp

j œ

œ ‰™ R

f

f

œ

[Bb7]

œ

44

∑

∑

° Hn. & Ó

¢

(2+2+2+3)

‰

mp

Œ

Tbn.

œï ó ï ó J

mp

nœ

? Ó

Bsn.

Bœ

?

B. Cl.

98

∑ B, B, (ST)

ppp

&

B, B, B,

?

r ‰™ B,

arco ST

ppp

B

™

B,

B, B, ST

ppp

B,

B, B , B,

™ B, Œ

ST

ppp

B, B, ppp

B, 144

,

58

44

rit.

° Fl. &

(2+3)

∑

Ob.

&

∑

Cl.

&

∑

?

∑

?

∑

B. Cl.

Bsn.

¢

° Hn. & C Tpt.

Tbn.

¢

Ϊ

Vc.

Cb.

∑

∑

∑

∑

∑

Ó

o Ó

‰ ™™ Kr Kr‰ ™™ Œ b- -

Œ

Ó

?

‰

∑

pp

j Ϊ -

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