--eklenip eklemlenmeyen zaman a time added but not integrated for clarinet in Eb, live electronics, sine tones and video written for and dedicated to Gleb Kanasevich alican çamcĹ 2010 ---
Program Notes eklenip eklemlenmeyen zaman (a time added but not integrated) was born out of the idea of découpage, challenging formal integrity as the structure is entirely dependent on the scattering of material. The work is conceived in six episodes, all of which are signaled by the gradual inversions of the odd partials of G. The musical ideas explore the highly unstable and unpredictably complicated colors of the clarinet in Eb. This unpredictability is also evident in the accompanying visuals: Initially conceived separately as two independent streams, the engagement of the music and the video suggests a certain logic because they are presented together, instead of a logic that would relate them in the first place. As a result, the outcome is a ‘felt’ synchronization (instead of a sensational one), inverting two attributes of these two media: spatialization in music, and temporality in visuals. Only in the final episode of the piece, these two streams come together – in a way. The work is written for clarinet in Eb with live electronics and sine tones, in quadraphonic sound system. The live electronics and video control are realized in Max/MSP and Jitter. The video is created by filmmaker Deniz Tortum.
Duration: ca. 8’
written for and dedicated to Gleb Kanasevich
eklenip eklemlenmeyen zaman a time added but not integrated for clarinet in Eb, live electronics, sine tones, and video
alican çamcı (2010) video:deniz tortum
&
Clarinet in Eb
q=80
44
41
√ ∑
8"
44
œ b œB œ ≈
ï ïï ï ïï ∑ïïïï ∑ïïïï w ˜w w˜ w o
q=60
√ ∑
pp
1
2
µB œœ ° › K œœ & Osc. ‹ 3 œo œ ¢& œ
46 nw ™
81 nœ œ œµœ 44
˜w ™ ˜ ™ w w™
3
6"
Ϩ
mp
6
3
45
∑
œ b œ B œ ®˙
mp
p
p
Bœ
œ B œœ b œB œ
˙
fp
4
44
38
∑
4
sfmp
6
3
4 8 Ÿ~~~~~~~~~~~~~ œ ™ µœ w mf
5
video fades in
12
&
38
pitch shift
mp
˜w ˜ w w
˙ ™˜ ˙ ™
pp
Kµ œœœ
˜w ˜ w w œ ˜œ
∑
35
&
78
˙ o
. fij # œ œ ‰ œ µœ ™ œ œ mp
sfz
9
˙ o
43
#˙
˙
sfp
œ
B˙
7
,8
mf
15
M
˙
p
Ϊ
&
j B œfi
œ
œ
˙™
˙
f
w ˜w w ˜w
∑
pp
nw ˜w w ˜w
mp
11
12
pitch shift reverb
inf. rev. comb filt. ring mod.
45
˜˙ ™ ˜ ˙™ ™ ˙
24 n˙
˜˙ ˜ ˙ ˙
p
43 nœ œ
mp
œ b œœ b œB œ œ ‰ n œ ™™ mf
3 16 bœ bœ
p
n-œ
4
b œ. œ. 4
17
inf. rev. stop pitch shift
no el.
o
5 8 œ µœ œ # œ œ
#œnœ œ
f
85 œ. œ. œ. œ. œ. œ. b œ 1 2 1 2 1 2
6
43 ˙™
poco
sub
œ nœn œ
p
44 œb œ w
˜w ˜ w w
mf
sfz
∑ pp
43
w o
‰
44 #˙ ™
#>œ ˙
œ
‰
78 œ
mp
~~~ Bœ œ ,Ÿ œ µœ ‰
p
22
23
ring mod. delay
stop ring mod.
pp
85
b -œ œ µœ œ œ ‰ bœ 5
sfmp
Œ Ó
12:8
1
2
œ
sfzmf
19 K œœ › œ &
45 b œ œ #œnœ#œnœ
q=40
œ œ œ Bœ > B œfij
senza diminuendo
f
‹ &
45
w
mf
16
pitch shift
# œ n œ.
44
(dense multiphonic built on the fundamental)
no el.
18
43
M
10
pitch shift stop rev., comb filt., ring mod.
e=q=60
j nœfi
mp
14
o œ µB œœœ
b œfij
24
œ , œ œ™
mf
13 K œœœ 3
&
poco
∑
45
o
o 3 œœ B œœ
Ó
˙™
24
delay reverb
q=e=60
44 nœ ˜œ
‹ &
8
pitch shift
‹ &
44
sfp
7 › &
q=60
nw ˜w , œ b œ B œ ®‰ w˜w mp
no el.
&
q=40
43 ˙™ ˜˙™ 44 nw
6
24
ring mod. reverb
o
œ. µœ. œ. œ. œ b œ b œ œµœ œ œ ®
45 nw
no el.
o
sfmp
20
21
stop pitch shift
delay
non legato
p
3 œb œB œ œ nœ ≈ œ œ ˙
p
o
µB3 œœœœ
nœ b œ œ b œ b œ œ
Œ ‰
43
n œ1 œ2 œ1 œ2 œ1 œ2 œ1
≈‰ ™ œ
mf
œ1 œ2 œ1 œ2 œ1 œ2 6
f
43
≈
œ nœ nœ b œ 6
Ÿ~~~~ ‰ bœ œ œ œ mf
sub
24 no el.
p
81
‰
2 q=80
only air sound, no pitch
√ √ ∑ ) 4"
52
&
1 4^
√ ∑
6"
4"
fff
^^ œ b œB œ ≈
4 4
25
26
inf. rev. comb filt. ring mod.
inf. delay stop comb filt. ring mod.
65
&
œ œ ≈ œ b œB œ b œ op o f
√ ∑ 3"
Bœ
o
44
(rev. continue)
mf
2"
27 Kœ œ o
‹ &
ord.
√ ∑
8"
sfz
(reverberations continue...)
› &
43
√ ∑
˙
œ b œB œ ≈
&
nœ œ mp
‰™ œ o
œ
o
pp
o
44
3
nœfij
sfp
p
31 inf rev.
œ #œnœ œ
Œ œ
44 B œ
b˙ b˙
œ
bœ B œ ‰
f
Œ
> 45 B œ
Ó™
?
∑
(rev. continue)
o
œ
, œ œœœœ
mp
oo
mf
5 4 œ Bœ œ
5 4
flz.
nw b w
b w nw o mf
mp
o
mp
o
œ b œ B œ ®‰
œ œ
˙ o
mp
pp
o
√ ∑
3 4
M ord.
˙™
˙ o
w ˜w w˜ w
2"
p
35
change rev. amount stop pitch shift ring mod
comb filt. rev.
√ ∑
8"
78 œ
Ϫ
o pp 38
o
Ϫ
p
≈
118 œœœœœœœœœ œ 1 2 3 1 2 3 1 2 3
sfmf
9
Ϫ
≈
Ϫ o
f
45 w
˜w nœ ˜œ w˜ w œ ˜ œ
p
39 ring mod
inf. rev.
7 8
œfij
,3 b œfij .œ œ. b œ ™™ œ œ. œ. œ. œ. œ. œ b œ B œnœ b œ 4 fij œ
5
mf
40
41
42
no el.
inf. delay
no el.
nw ˜w , w˜ w
p
(rev. continue)
34
œ Bµœœœœœ 3 Kœ
œ >œ œ ™ J ‰ 3 mf o
Œ ˙
mf
44 w
w
œ ˙ 3
o
o mp 33
stop comb filt.
nœ ˜œ œ˜œ
o
f
ring mod.
37
nw ˜w & w ˜w
o o
30
video cue for last seq.
2 4
mf
29
36
84
o
mp
4 4
˙ µ˙
no el.
45 ˙™™
Œ
œ nœ
œ
œ µœ œ œ
œ
2 ,4
28
sotto voce
B œ™ ˙ ‰™
œ
sim.
ring mod. pitch shift (inf. rev.)
98 œ.
5 8 bœ
ring mod.
stop ring mod.
œ.
œ nœ œ œ
œ
o
f
32
75
2 4
o
œ µB3 œœœœ
j #œfi
1 4
e=q=40
4 4
∑
Œ
-œ
sfz
Œ
-œ
‰
sfz
µ -œ œ
3 4
Ó
sfz
Œ
µ˙
o
sfp
°? ¢
- - & nœ µœ œ Œ
93
sfz
n -œ
43
44
comb filt. ring mod
°? ¢
Œ
sfz
stop ring mod.
44
Bœ
Bœ
sfmf
45 comb filt. ring mod.
Ó o
# œ ‰ µœ ˙ mf
46 rev.
sfp
Œ mf
œ œBœ
‰≈ nœ ™ sfz
47 inf. rev. stop ring mod. comb filt.
45
Œ œ µœ nœ #œ B œ mf
5
24 B œ
Œ o
44 B œ sfz
Œ
œ
Œ
Bœ
Œ
œ
Œ
Bœ
Œ
œ
Œ
Bœ
Œ
œ
Œ
sim.
48 stop rev. video fades out sine tones stop
Œ