--perde for bass flute and harp written for and dedicated to Emma Hospelhorn and Ben Melsky alican çamcĹ 2016 ---
Performance Notes General
– arrows to and from a metronome marking indicate a gradual accelerando or decelerando to that metronome marking. All other tempo changes are subito.
Quarter Tones (from lower to higher):
– dynamics in quotation marks indicate the force of action in the instances where the sonic outcome does not match the action required.
Flute
– mixture of tone and breath sound.
– (used together with the closed emb. indication) breath sound with lips completely covering the embouchure, sounds a major 7th below the written pitch.
– tongue ram. sounds a major 7th below the written pitch.
– altering intonation by adjusting the embouchure, ca. quarter-tone higher or lower.
– inhale and exhale, respectively.
– vocal fry/granular (only used during inhalation): a fragile and unstable “creaky” sound produced in the vocal fry register.
– sing into the instrument, with the mouthpiece covered completely by the mouth. Provided fingerings do not have an effect on the pitch, but rather modify the timbre of the voice, like a filtering effect.
– in case where multiple alternations of fingering are indicated, alternate freely between the indicated options.
IPA chart for Turkish Pronunciations Vowels IPA
English approximation
ɑ a æ e i o ø u ɯ y
as in father as in the French la as in cat as in bed as in creek as in Leo as in the French eu, or German ö as in put somewhat like roses (close back unrounded vowel: make an /u/ sound and unround the lips) as in the French u, or German ü
Consonants IPA
English approximation
b dʒ tʃ d f g ɰ h k l m n p r s ʃ v j z
as in about as in ajar as in change as in ado as in food as in ago as in the French r (articulated from the soft palate, not from uvulae) as in home as in coal as in late as in much as in not as in pan as in the Scottish r (rolled) as in send as in shoe as in vase as in yet as in zone
Vowel/Consonant Configurations: [ʃu] – consonant sound as initial attack, followed quickly by the vowel sound (also used in cases where the vowel sound is sustained) [l(ɯ)] – only the consonant sound: in cases where a consonant is sustained, the vowel indicates the approximate shape of the mouth, itself without being sounded.
Harp
Tuning: C5* string is tuned a quarter note down (50 cents lower). F3, C3 and F4 strings are all tuned 38 cents lower. A3 string is tuned 23 cents lower. *String numbers correspond to harp octaves.
Harmonics sound an octave higher than written.
– pluck/scrape with fingernail. pinch w/ two fingers –
hold the string between the thumb and the index finger, and pluck, creating in a softer, mellower
sound.
– scrape the string vertically. If there is no accompanying fingernail sign, use the flesh of the finger. With brass-coated strings, occasionally speed is also indicated (slow: unstable, with ‘grains audible, fast: an abrupt bright ‘jet’ sound).
– Bartók pizz.
– muted, ‘xylophone’ sound. Use two hands whenever possible, but if not, mute the string with another finger of the same hand, preferably close to the soundboard. Used in combination with the scraping sign, it indicates a fast scrape while muting the string, resulting a dry ‘jet’ sound.
– “Xylharmonic”: play the harmonic without removing the thumb, thus preventing the string to vibrate any further.
– pedal glissando. Do not attack the notes in parentheses.
– create a buzzing sound by pedaling half way.
In addition, the harpist uses a plectrum, and a superball mallet.
All other explanations are indicated in the score.
Duration: ca. 6’ 30”.
written for and dedicated to Emma and Ben
perde
for bass flute and harp
alican çamcı (2016)
q = 80
µ n > ° 4 1 Bass Flute & 4 + 8 b O O O O O ‰ œ µœ ¢ ææ œO ‹ [tʃɑ
p
mp
q = 80
° ‹4 1 & 4+ 8 Œ Harp
b œfij
& 44 + 81
> ɯ]
[o] [tu] [r]
µ n
[sɑ]
nœ ™
Œ
p
sfz
MNMOLNML
[ze > i]
p
o µ¿ œ
j bœ
p
o œ ≈ R
o pp µœfij
° 2 B. Fl. & 4 O ¢ ‹
œ
B
[vɑ]
‰
Db
œ °‹2 œ &4 ≈
n
œ bœ
o
mp
≈
bœ
o™ œ ≈ J
pp o µœfij
& 24 Œ ?2 ¢ 4
∑
nO
[e]
œ
43
# œœ
œ
f
œ
‰
≈
pinch w/ two fingers
43 Œ
∑
p
p
œ
œ …
mp
Œ
œ
p
24
Œ
24
ò ‰ é 24 #œ sfz
n æ 54+ 81 µœ œ œ œ œû ≈ µœ b œæ B O ù ææ
NNLOMNML Bb
## œœ ™™
q = 63
∑
l.v. al niente
[r] [mi] [dø]
p
∑
D§ B§ A§
µ
[i]
∑
∑ Db
24
B#
q = 80
p
Hp.
q = 63
≈ b Oj™ B œ bœ >i]
∑
43 œ
[ho]
mp
q = 80
q = 72
24
[sɑ>z]
[r]
mf
∑
n ≈µOj œ ≈ #Oj™ ≈ 24
l.v.
E§
[ze
‰
[tʃɑ]
24
B
43 b O O æO ≈ æ
∑
o
[e]
q = 80
4
j 2 BO 4
œ b œ œ #œ J
ò ?44+ 1 œ …≈ ≈ ™ ≈ ¿o ≈ Ó ¢ 8 œ J é p pp b œfij
q = 72
≈ bO b œ œ Bœ ù
# œœ. œ ™ ‰ J ≈J
q = 80
45+ 81
45+ 81 µœÓ
mp
45+ 81 Ó
# œ ™™ mf
[te]
[ri]
[ʃi]
mf
µ OOO
[kɯ]
B
q = 72
‰
45
‰
45
‰
45
‰ ‰ j 7 œ7 œ …
45
Πo
[vɑ]
q = 72
bœ
Œ
Ó
Œ
œ
ò ‰ é bœ œ™ p
sfz
o µœ
Π(half ped.)
(Bb)
q = 80
2
n
° 5 ≈ bœ Bœ B. Fl. & 4 ¢ ‹ [ ] 7
> i
e
°‹5 &4 Hp.
ææ nœ œ #œ B œ nœ [æ] [r] [kɯ]
b œ nœ
& 45 é bœ
‰ j Bœ
mp
p
O
[r] [mi] [dø] [t]
p
œ 7
D# F#
(G§)
[t]
[ɑ]
38 r ‰ ™ bœ
bO
> z]
[vɑ
mf
mp
q = 80
## œœ ™™
°‹4 &4 Hp.
# ^œ f
& 44 µœ
Œ
mp
? 44 Œ ¢ B
° 3 B. Fl. & 4 ¢ œ ‹ 12
[sø]
sfz
mp
[æ]
[kɑ >u] [rɑ
mf
bœ
… ‰
(D#)
O™
[o]
∑
mf
j B œ7 C§
ΠϪ
(ord.)
24
‰
p
(C§)
∑
≈ µ¿
∑
43 p
o
ord.
#œ
mp
43 43 43
F 6™
(inhale)
85 6
>
∑
85 Œ
78
∑
85
2+3
Ϊ
l.v. (buzzing) al niente
LMLOLNLM
85
169
[u]
"f "sub xylo
Œ
b >œ
xylo
closed emb.
78
œ7 78 œ7
[ki] [pæ] [r] [de] [dæ]
24 µœ
mp
2+2+3
µœ b œ œo
24
2+3
o
æ O nœ œæ œ µœ
## œœ
q = 40 2+2+3
78 Ó
µ
B
Eb
q = 40
‰ Bb
> z]
G#
q = 80
∑
38 œ 7
œ é
mf
ææ ‰ b œ #œ nœ # œ œ nO O O œ
p
?3 Œ ¢ 4
… ≈ ‰
B
n
bœ
3 &4 œ
ò #œ ™ é œ J
pinch w/ two fingers
Œ
mf
∑
38
Ó
‰
°‹3 &4 Hp.
mp
Œ
[o>i]
o
38
Œ
Œ
24 O
‰
q = 72
#œ
Œ
q = 80
µ
O. n O
[a]
œ
∑
o 34 œR ‰ ™ … œ 43 7R ‰ ™
q = 72
B
n ≈
mp
œ
43
‰
µœo
pinch w/ two fingers
∑
q = 72
nn œœ ## œœ J J mf
43 o
[vɑ]
Œ
A§
° 4 µœ œ œ œ œ O ‰ ææ ¢& 4 ù ‹ [i]
… ‰
Œ
µ
9
[i]
Ó
B§ F§
q = 80
B O nO O
p
"f "
?5 Ó ¢ 4
‰
[y]
é Bb œ n œ mp
p
B
n
bO
mp q = 80
mf
B. Fl.
µ
q = 72
fi b¿ ¿b¿
mp
b>¿ R ≈ Œ f
169
∑
169
∑
169
e = q = 80
° 9 B. Fl. & 16 ¢ bœ ‹ 15
2+2+3+2 open emb.
[mɑ]
3
Bœ
ææ ‰ O
b œ <b>O
[kɑ]
[mɑ] [ti]
p
44 bO
[re]
[se]
ææ bO O bO
O
[rɑ
[æ]
> i]
° ‹ 92+2+3+2 & 16
o 44 b œ
∑
o 9 Bb ¿ & 16 ≈
p
b œo ‰ ™
ò ≈ é ≈ é ≈ 44 b¿ b œ l.v.
mp
? 169 b ¿o ¢ J
‰
mp
Cb
sfz
q = 80
B. Fl.
µ
B
æ b Oæ O b O B O
° ¢& b O ‹ 17
[ɑ] [res]
mf
44 Bb œ bœ ™
‰
> ɑ]
[to
Hp.
&
o
mf
? ¢ Ó
#œ
œœ
[rɑ
> i]
bœ µœ
œ nœ nœ Bœ
µœ
‰
mp
Œ
Œ
° 4 B. Fl. & 4 Ó ¢ ‹
closed emb. flz.
æ b 6æ
[r(u)]
"f "
°‹4 &4
∑
4 &4
∑ [w/ superball]
? 4 B b ˙˙ ¢ 4 p
Db
œœ
mf
ææ 6
j œ œ
pp
ord.
6
‰ l.v.
ææ O
q = 66
Ó … ‰
‰
O [æ]
Œ
mf
o
l.v.
44
∑
ææ bO
B
æær ‰ ™ O
q = 80
open emb.
pp
Œ
‰™
mp
œœœ
24
∑
44
24
∑
44 B œ
∑
44 nœ
## œœ
3
mp D§
11 r 16 n-œ [dy]
mf
pinch w/ two fingers
44
Œ
C§
44 ‰ -
p
Œ
43
tongue ram
[ʃ(ɯ)]
44
∑
43 B œ
p
44
Œ
q = 52
œœ 43
µœ
Πo
[ro]
n
24 )
B
43 O
D§ F§
24
o
q = 52
Œ
Db
B
µœ
Œ
C#
n
mp
b ώ
µ
B
œ
"sfz"
19
Hp.
o #œ J
o
D§ F§
[kɯ]
q = 80
°‹ œ & Bœ
n œœ
bœ
E§
ææ nO O # O
p
‰
‰
∑
nœ b œ b O [hɑ]
bœ µœ
j O
[ro]
mf
œ nœ nœ Bœ
µ
mf
mp
e = q = 80
Hp.
B ææ bO
q = 66
q = 80
Œ
11 16
Œ
11 16
Ó œ
#œ D# F#
Œ
‰™
o 11 ¿ 16 R
p
4
° 11 ¢& 16 œ ‹
B
3+2+3+3
22
B. Fl.
>
[ga
j O O O µ-O u]
[hæ]
[si] [ga
mf
3+2+3+3 ‹ ° 11 & 16
∑
11 œj & 16
µœ ≈ J
≈ œJ
p
nœ œ ‰ ™ é Jé
? 16 11 ‰ ¢
u]
o # œ n>œ ord
43
#œ
#œ 43 J
mp
B [pæ]
[ga]
f
o
ɯ
®
Ϫ
‰
[ni] [hɑ]
n# œœ # œ
3+3+3+2
Œ
11 16
Œ
Œ
11 ‰ ™ 16
Œ
Œ
11 ≈ œ 16 é
Œ
"f "
… ‰
f
sffz
œbœ
µ
° 4œ ‰ B. Fl. & 4 ¢ 3 ‹
œ #œ
‰™
mp
B œo µœo ‰ R R ‰
‰
mp
‰™
œ ‰ é
F§
ï ïïï ∑ïóó - ï
≈
‰
F#
~~~~~~~~~~~~ œ œ œ
œ
[l(ɯ)]
>
… Œ
Ó
Œ
‰ B œj Œ
mp
[ɯ]
ppsub
‰
œ 45 J
‰
Ó Ó
‰
45 Ó
‰
Œ
bœ
sffz
‰
Œ
j 45 7 œ
œ7
pinch w/ two fingers
mp
∑
(Eb)
[dʒɯ]
sfzpp
fi œ ‹ bœ œ œ ° 4 J Œ &4 ‰ ‰
sfz
Hp.
mp
[w/ plec.]
sfz
> œ œ
ò3
3
> i]
[hy] [se
q = 60
Œ
? 4 + 1 ≈ ™ ò ‰ bœ ¢ 4 8 bœ é é l.v. "f " Eb
O
[tʃɑ]
ɯ
j
Eb
O 45
‰
[i]
‰™
f
D§
Ó
[væ]
p
q = 60
O
> [h ]
≈
» 4 1 µ œ & 4 +8 J
27
O > [h ]
O œ œ BO
11 16 œ œ
Œ
D#
° ‹4 1 Œ & 4 +8 Hp.
[ga]
3+3+3+2
r ‰™ O
ò œé œé 43 ‰ µœ > é
mf
25
B. Fl.
[tʃɑ] [r]
p mf
"f "
D§ G§
° 4 1 ¢& 4 + 8 ‹
>
ææ 3 O -O O 4 O
µ
mp
pdlt
Hp.
B
n
O
n O ‰ J o
mp
Œ
>O
O™
F
I ™ 6 6 6 6 6B 6 ™ 6™ 3 4 #) (inhale)
closed emb.
[sɑ]
[ɑ]
p
(inhale)
6 6™
p
43
∑
24
> [i]
[e]
"f "sub
… ‰ ‰
F
(exhale)
24
∑
[w/ plec.]
?4 ‰ ‰ ¢ 4
3
slow, grains audible
j n œé œ mp E§
fast
‰ Œ é œ
sfz
l.v.
µœœ
j œ œ ‰ ‰ œ œ 7 7 l.v.
[w/ superball]
pp C#
mf
(D§)
43 #œ D#
Œ
ΠNNMOMMNM
24
q = 80
° 2 B. Fl. & 4<#>6 ¢ ‹
3+2+2+3
6™
30
O 10 16 O open emb.
Hp.
3+2+2+3
& 24
10 16 B œ
pdlt
∑ ‰™
° 3 B. Fl. & 4 ¢ #O O ‹ 34
B
n
[tæ]
[tæ
mf
° ‹ 3 #œ &4 ≈
^œ
nO B O
[ga] [za]
p
mp
oj µ¿
° 9 B. Fl. & 16 ¢ œ #œ ‹ [gø
mp
#œ
> y]
B
bO
167 nO
[fæ]
[fæ]
p
‰ l.v.
#œ ° ‹ 9 #œœ ≈ & 16 3+3+3
Hp.
9 & 16 œ p
?9 ¢ 16
> i]
[ɑ
o µœ
mf
#œ
mp
∑
≈
œ
[e]
‰™
µœ ™ J
[si]
[e] [sæ] [rvæ]
mf
ώ
#œ
167
n
[r]
43
p
nœ #œ 3 8 o
∑
43
∑
43
38
∑
43
l.v. o ‰ B œ ≈ 38 #¿
∑
j ææfij B O nœ œ #O > [hy]
[næ]
mf
nœ œ
‰
o
œ #œ
Bœ
∑
167 ‰
[rvæ]
µœé Œ
[r]
169
Œ
169
p q = 40
≈ 43 Œ
43
Œ
l.v.
169
∑
43
169
∑
œ é
"f "
q = 60
B
[gɯ] [ɑ]
mp
‰™
o #>¿ mf
6
j 6
closed emb.
>œ #œ
[hu]
34 B œ œo ‰
C§
Œ
D§
43 Œ
o 34 #œ
Œ
NNMOMNNN
43 #Oææ O O [ru]
q = 40
B r ææ 3 ææ ‰ ™ œ 4œ
"f "
#O O O
#O
q = 72
µœé 169
ææ 3 œ œ8
µ æær ≈ Œ œ
5
D§
œ 7 R 16
µ
B
[hu]
p
"f "
D#
q = 72
#œ O
æfij Bœ
#œ 169 #œJ nœ œ ≈ Œ
169 ‰ mf
n
2+3+2+2
ord
sfz
37
p
#œ œ
3+2+2
ò é #œ
"f "
µ
ææ œ nœ
[fɛr]
mf
3+2+2
Œ
3+3+3
9 16 µO. # œ
A#
∑
? 3 ≈ œ™ ¢ 4 é J
[ru]
Œ
œ #œ œ ≈ ≈ ‰™
mp
[ru]
mp
µœ ‰
sfz
O O O
[te > æ]
3 &4
ò 10 é #œ 16 œ ‰ mp
ææ nO b O
#œ o #œ œ ‰ ™ R
10 16 ‰
∑
ææ µO
[fæ]
p
f
? 2 …Œ ¢ 4
Hp.
> i]
q = 80
°‹2 &4
O O
[ʃe
pp
µn
2+3+2+2
‰
Π#∑
169
o
[sɯ]
q = 60
œ #œ œ ≈ R ‰
38
∑
169
Œ
38
∑
169
Œ
38
∑
169
p
o
38
o
œ
l.v.
D§ F§
A§
q = 72
6
µ
3+3+3
ææ ° 9 B. Fl. & 16 O B O ¢ O O ‹ 40
open emb.
[ɑ]
[res]
p
[to]
mf
2+3+2+2
j B Oææ O O O bO ™ >
œ œ
[me]
B
n
[he] [i]
[dʒe]
p
[ru]
mp
[hɯ]
5 F µ6 ≈ 43 6 B 6 6 µ 6 6 n6 n6
44 )
closed emb.
6
> ɯ]
[sɑ
[ɯ]
mp
q = 72
°‹9 œ & 16 B œ
3+3+3
Hp.
& 169
?9 ¢ 16
Bœ Bœ œ
mf
mp
∑
µœ ™ ° 3 ≈ J B. Fl. & 4 ¢ ‹
open emb.
œ
q = 40
o
o
‰ B œé "f " n œ ™
‰
F#
œ µœ ™
#œ
D#
œ 44 ≈ R ‰
Œ
44
44 o Ϫ
C#
7 œ7 œ
Ó
43
∑
43 43
7 ˙
(C#)
ï ïïï ∑ïïï - ó
#œ Bœ œ
[l(i)]
œ
l.v.
‰
78
g ∑
78
p 5"
∑
44 Ó
Œ
‰
g ∑
…
oj µ¿
5"
p
pp
mp
mf
g ∑ 5"
j 6
"f "
44
6
µœ
[i]
pp
œŒ # œ B œ œ
6
#œ œ
~~~~~~~~~~~~~~~ µ E F 44 ) 6
O
p
f
ï ïïï ∑ïïï - ó
closed emb./ sing into the instrument
° 7 >O B. Fl. & 8 ¢ ‹ [tʃ ]
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r b e e 44 E ≈ Ó 6 6 )
2+3+2 open emb.
Œ
[l(ɑ)]
ɑ
p
q = 52
mf
43 Œ
‰™
Œ
æær #œ [r]
ppp
pp
2+3+2
œ ‹ ° 7J &8
[w/ plec.]
sffz
Hp.
bœ
‰
Ϊ
& 78 ?7 ¢ 8
Œ
[w/ superball]
p
œœ ™™
44 44
∑ n œœ
78
MMLOMMNM
B#
q = 52
sffz
p
mp
B§ F§
46
∑
p
poco
p
p
≈#œ
mf
pinch w/ two fingers
#œ #œ
closed emb./ sing into the instrument, fingerings modify the timbre
43
? 3 µœ ¢ 4 #œ
‰
(D§)
q = 40
Hp.
ord
œ 7
Bb
° 3 &4
# œœ b œ # œ ® RÔ ‰™
2+3+2+2
œœ b œ
pdlt
Πl.v.
pp
44 Œ
43
∑
… ‰
j œœ œœ
p
∑
43 Œ
∑ Œ mf
œœœ
43 7˙ ˙ (D§) (E§)
Bœ 3
Œ œ
pinch w/ two fingers
mp
œ
B. Fl.
B
° ææ ‰ & #O O™ ¢ <#>œ ‹ [s 49
3
## œœ ‹ ° & Hp.
mf
Œ
&
? #œ ¢
Œ
‰
‰™
or µœ Œ
b ¿ ¿ #¿ ¿ #¿ mf
5
I 6 #6 ™
6™
6
[ʃ(ɯ)]
‰
Œ
Ó
g Π3"
Ó
ò
g Œ
#˙é
3"
ppp
& 44
µ
3+2+2+3
> i]
f
slow, w/ individual grains audible
pp
B n 3 4 µœ O O
O
[ɑ]
[sɑf]
mp
[sɑ] [fɑ]
#œ œ#œ
3+2+2+3
o #œ 10 # œ 16 ‰ R
q = 72
ord
nœ ‰™
10 16 B œ µœ Œ pdlt
∑
mp
Ϫ
moderate
œ
n
O 10 16 O O #O open emb.
[ʃe
∑
? 44 ¢ <#>œ
3"
45 Ó
Œ
p
MNLOMNNM
°‹4 &4 Hp.
6
g Œ
45 Ó
p
q = 72
° 4 B. Fl. & 4 6 ¢ ‹
ppp
¿ 45 J
D# F#
51
‰ 6
œ
F3 j 6 6
[ho]
p
Œ
3"
3
z]
ɑ
g 6
closed emb.
45 Œ
œ Œ
7
10 ‰ é œ 16 œ
fast
o #œ J
‰
sfz
æ nœæ
[dɑ]
œ 43
O [si > a]
[rɑ]
mf
3 4 œ µœ
‰
o
µœ
o nœ ‰ 43 Œ R
A#
p
Œ
D§
45
Œ
∑
p
mf
45
[se] [t]
## œœ b œ ™
œ o
B r ‰™ #O
45
l.v.
[w/ superball] on the soundboard
œ
45
p
Eb
MMLOLMNM
ï ïïï ----ó ó ∑ïïï
closed emb./ sing into the instrument: (try to match the pitch from the harp at a higher octave)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ E™ e e F n) ™ 6 6 #6
° 5 B. Fl. & 4 Ó ¢ ‹ 54
[v(ɑ)]
p
°‹5 &4 Hp.
6
œ
˙
mf
˙
[ɑ] [res]
"f "sub
∑ slow
)
[ɑ]
∑
& 45 ?5 ¢ 4
mf
mf
∑
167 B œœ
∑
167
moderate
˙
B æ 11 167 O Oæ nO O O ≈ 16 ù > open emb.
œ
mp
j ‰ œ
pp
Œ
mf
167 Œ
o
[to
> ɑ] [k]
œœ # œ 11 ≈ œ ≈ 16 mp
Bœ Bœ
11 16
‰ C#
r 11 µ¿ 16
mf
8
µ
2+2+2+3+2
° 11 B. Fl. & 16 ¢ ‹ O 57
O bœ
[e]
[fla]
° ‹ 11 b œJ & 16
#œ b œ
#œ
‰
o
11 & 16 Œ
≈
44 ΠO O
[se] [t]
p
44
‰
F#
C§
mf
44 Ó
Bœ
Œ
o œ7
o œ Œ
(C§)
tongue ram
j #-
ùµœ
? 44 ‰ ™ ¢
mf
oo bB œœ
g ∑
A§
g ∑
n ¿o … ≈≈ R ‰ 3
38
∑
44
∑
44
pp
mp
#œ ™ ≈J
Œ
‰
Ó
q = 63
g ∑
C§ Ab
œ J
[i]
mf
5"
oo œœ
44
nœ 3 > 8
open emb.
mf
∑
∑
q = 63
g ∑
‰
38
B§ A#
5"
∑
oo r µœœ
o
≈
mf
o œ7™
5"
& 44
[l]
p
#œ b œ
∑
mp
ppp
°‹4 &4
38 Œ
3
or o 4 ≈Bœ 4 œ
‰™
~~ r ≈ e 44 6
mf
q = 52
j nœ
> [i]
[z]
p
j #œ ™ pdlt
‰
~~~~~~~~~~~~~~~~~~~ 3 r B e e e ™ ‰ n6 6 6 ‰
ord
~~~~~~~~~~~~~~~~~~~~~~~~~ 60 ° 4 j ‰ B. Fl. & 4 #6e ¢ ‹
Hp.
B
ï ïïï - ó ∑ïïï --- ó
tr2
p
bœ
? 11 Œ ¢ 16
bO O
[ki > a]
[tun]
2+2+2+3+2
Hp.
œ
ï ïïï ∑ïïó -
closed emb./ sing into the instrument
q = 52
Ó ∑
5"
[w/ superball]
fij #µœœ
mp
o
œœ
j œœ ‰
œœ
mp
Œ
l.v.
NNNOMMNM
° ≈ B. Fl. & ¢ ‹
µœ ™ ææJ
63
°‹ &
»
& µœ
Hp.
[r]
¢
p
### œœœ
sfz
? Ó
œ ææ
mp
œ ææ
F
6
closed emb.
6™
[i]
pp
j -
key click
tongue ram
"f "
mf
¿
‰
Œ
‰
Œ
œ
[e]
pp
∑ ‰
j µœ
open emb.
∑ œ™
Ó oj ‰ <µ>¿ p
mf
Œ
#œ p
B§
o µœoœ Œ œ
‰™
pinch w/ two fingers
Œ œ 7 (D#)
œ 7
>¿
xylo
f
ΠA#
r µœ p
ææ ° B. Fl. & <µ>œ ¢ ‹ [r]
B
ææ œ
65
I
closed emb.
)
[i]
## œœ
mf
ò ™ ‰ ‰ éj bœ œ
ppp
B. Fl.
F
Hp.
?3 ¢ 8
open emb. flz.
Eb
> [ɑ]
∑
∑
o o 43 µb#œœœé ‰ ‰ ‰ œj œ ™ 3
"f "
œ™ ææj Oe ‰ ≈ J
2+2+2+3
72 ° 9 B ^œ B. Fl. & 16 ≈ J ¢ ‹ [k]
open emb.
≈ œJ [t]
mf
mf
p
µ æfij œ œæ > ææ #O
> [r]
Hp.
[tʃ]
mf
2+2+2+3
43
o 3 œ7 4 œ7
? 9 b ¿o ‰ ¢ 16 mf
µœ ‰
#œo œo J mp F#
∑
38
ï ïïï - ó ∑ïïï --- ó
B Ϫ
~~~~~~~~~~~ F be E 6 ) ) closed emb.
"f "
µb#œœœé ‰ …"f "
œ7
45
∑
169
45
∑
169
r b œ. ‰ p oj ≈ Bœ pdlt
mf
ï ïïï - ó ∑ïïï
µ ~~~~~~~~ b ej™ ≈ ‰ 6™
q = 63
44 + 1 8 O
> [s]
44 + 1 µœ 8 oj 44 + 1 µœ 8
[i]
mp
∑
169
MNMOLMMM
#O ææ
#O
[rɑ]
µœ ‰
closed emb. t.r.
-
mp
n>œœ ™™
44 + 1 Π8
∑
& 169 ≈ B œ
‰ 44
[l(i)]
q = 72
°‹9 & 16
38
45
(A§)
q = 72
∑
l.v.
f
43
38
∑
44
[r]
mp
∑
j ‰ Œ œ œ
[ɯ]
A§
tr2
[v(ɑ)]
>
[l(ɯ)]
44
mp
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 34 b 6e ™ n6e 43 Oææe
° 3 ¢& 8 6 ™ ‹ ° 3 &8
D# F#
ï ïïï - ó ∑óóó ---
6e
∑
44 + 1 8 ˙˙
sfz Bb
68
∑
[w/ superball]
Œ
~~~~~~~~~~~~~~~~~~~~~~~ j 4 38 6e 4 )E 6e 6e 6e
p
44 + 1 8
∑
? Œ ¢
44 + 1 8
mp
nn œœ
&
44 + 1 ) 8 > [k ]
j 6 b 6e 3
9
Eb
(sing into the instrument)
ɯ
"f "sub
°‹ Ó & Hp.
F
ï ïïï- ó ∑óóó
f
‰™ Œ
C# F§
ææ 6 6
[ro]
## œœ
D# F#
mf
q = 63
Ó
r bœ
mp
[l(ɯ)]
44
nœ Ó E§
Œ
‰
44
‰
44
‰
44
l.v.
q = 72
10
> o o œ Lœ œ
B O
[D5]
° 4 nœ B. Fl. & 4 ≈ æ ≈ ¢ æ ‹ [r] open emb.
74
œfij
[s>t]
O #æO æ
‰
[k]
[hɑ]
#-
r œ Bœ™
Hp.
¢
mp
? 44 µœo #œo
nœo ‰
mf
µœ ‰
j œ p o µœ
œ
° 9 ≈ >OJ B. Fl. & 16 ¢ ‹ [k]
> O µO
open emb.
F I 6 6
77
mf
[tʃ]
mp
>O J
closed emb.
[k]
[h]
F 6
°‹9 & 16
‰™
(pdlt)
Hp.
? 9 œo œo ¢ 16 mf
b œ» r ≈ µœ B œ Bb œ ‰ J
j ¿™
p
mf
Gb
° j ‰ Œ ¢& 67 o ‹ 81
B. Fl.
Hp.
¢
?
sfz
open emb.
O™
Fb
Π3
(F§)
∑
169
Œ
Œ
38
∑
169
38
∑
169
(Gb)
C§
vocal fry/granular (while inhaling)
6
44 7 )
67
)7
mp
q = 52
43 43
l.v.
∑
44
∑
∑
44
∑
?
[w/ plec.]
43
44 ‰
∑
C#
é œ œ
slow, w/ grains audible
˙
p
F§
q = 72
ó - ï ïïï- ó ∑ïïï --- ó
continue the random fingerings. because of the nasal consonant, no filtering will occur, but make the key clicks audible.
random fingerings
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b ej e E e 24 3 e 44 4 6 6 6 6 6 ) )™
closed emb.
3
p
o
o 2 4 œ ™ #œ
mp
24 Œ
D#
> [n(ɯ)]
> [ɯ]
[l(ɯ)]
mf
é ‰ ‰ 7 7 œ œ ˙ fast
o œo b œ ≈ 7Bb œ B œ µœ
F§
[kɯ]
°? Ó
Œ
mp
Cb
Œ
œ
f
sfz
o b œo B œo Bb œj™
38
LMMOMNMM
> [æ]
ò bœ™ J
‰™
3+2+2+2
∑
Œ
l.v.
43 6
"f "
q = 72 3+3+3
169
≈Œ
Db
open emb.
F I n6 6
p
∑
q = 52
closed emb.
[s] [k]
nœ
∑
C§
38
q = 63
43
f
‰™
mp
f
3+2+2+2 closed emb.
6
[l(ɯ)]
3 4 œ bœ
or B ¿ ‰™
F#
3+3+3
9 & 16 ‰ ™
3
mp
≈
pdlt
o nœo #œ µœ
F§
q = 72
‰
6
p
ò œ bœ™ # œ nœ 43 J
q = 72
ord
ææ 3 4 6 6
[ro]
mf
& 44 ‰ ™
B ~~~~~~~~~~~ e er C§
closed emb. t.r.
[r]
Œ
q = 63
Ab
mp
°‹4 Ó &4
ï ïïï ∑ïïï
p
q = 72
∑
&
‰
43 Œ
j 43 b œœ ˙˙ o
[w/ superball]
Eb
Œ
Œ j ‰ œ œ
mf
44
∑
l.v.
Œ
Œ
nœ … oœ D§ E§
44
ï ïïï ∑ïïï
11
Ab
#e 6 #6
85
[ni] [h(ɑ)]
∑
4 &4 ¢
? 44
œœ
mp
p
‰
e 6
e ‰ 6
B œfij
6
o µœ œ
Ó
o o œo #œ ¿
G§
Œ
‰
µœ B œ
j Bb œ
o
mp
œ
F#
F§
Fb
6 6#6 6 6
6 67™
… ‰
Œ
6
n67
mp
∑
Ó
>œ œ
∑
Ó [w/ superball]
‰
° B. Fl. & ¢ -j ‰ ‹ tongue ram
sfz
Hp.
¢
q = 60
MMMOMMNM
pp
œœ
B§
C§
œœ
7 ‰
7 7 œœ œœ
f
J
bœ
‰ b>œ
mp Eb
Œ
Bœ
mf
pinch w/ two fingers
œ
œœ
Œ
3
#œ
nœ
mp
D# F#
q = 72
[l(i)]
j 6™
[i]
ppp
p
≈
6™
[ʃe]
pp
f
F
6 ‰ µææOJ
43
∑
[hi]
[ru]
‰™
3 3 ‰ Œ r 4 œœ œœ l.v.
[w/ superball]
ppp
‰™
sfz
é #œo ™ œ B œœ "f " mf
…
µ
≈
78
[ru]
p
mp
nœo >œo ™
œo b œo ‰ œ 7 J J 8 mp o o o 78 #œ b œ ™ B ¿
» j ≈B œ ™
∑
O™ ææJ
open emb.
q = 72
Œ
## œœ
(B§) (A§)
~~~~~~~~~~~~~~~~~~~~~3 F j e b e 3 e ‰ j 4 6 6 6 6 6
…
? Ó
j œœ
Œ
ó - ï ïïï - ó ∑ïïï --- ó
q = 60
° &
œfij
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ )7
vocal fry/granular
> [y]
mf
89
[tʃ] [k]
ï ïïï ∑ïïó -
q = 52
? ¿ ¢ J
> j 6fi 6
tr2
"f "
&
closed emb.
Eb
[h(ɯ)]
Hp.
œ
p
q = 52
°‹ &
[p]
mf
mf
mp
bO
‰
[s]
p
µœ
pdlt
Ó
l.v.
87 ° F B. Fl. & ¢ ) ‹
nO J
open emb.
Ó
∑ j œ œ
C#
[v]
mf
°‹4 &4 Hp.
I
F
° 4 B. Fl. & 4 ¢ ) ‹
~~~~~~~~
‰
G§
D#
Eb
q = 72
12 2+2+3
° 7‰ B. Fl. & 8 ¢ ‹
O™ ææ
open emb.
92
æfij n6
j 6 #- 6 ™ t.r.
[rhu]
[s]
? 78 #œo nœo ¢ mf
D§ A#
œo
° 3 ¢& 4 ‹ 95
B. Fl.
Hp.
q = 63
24
mf
° 3 Bb œ & 4 Bb œ
o Ϫ
?3 ¢ 4
Fb
… ‰
"f "
ææj ææ6 6 [r]
p
∑
24
∑
24
∑
œ #œ
pdlt
?4
4 ≈ nœ ≈ é
&≈
44 B œo ™ mf
f
o o µœ ≈ # ¿ C# E§
µ»œ
Œ
Bœ Bœ
‰
‰
o o œœ 7J
mp
43 o œ J
43
D# (E§)
F§
Eb
[v(ɑ)]
6
78
∑
78 Ó
Œ
2+2+3
l.v.
Œ
[w/ plec.]
?4
4Ó
‰
4 j 4 œœ œœ
j ‰ œœ l.v.
[w/ superball]
"f "
pp A§
open emb.
~~~~~~~~ e er ‰ ™ #6 6
[k]
[l(ɯ)]
‰
pp
o B œ œ ™
pdlt
mp
O [si]
mp
o µœ J
é &≈ B œ ‰ ™ œ p sfz o Œ µœ fast
‰
Œ
43
7 œœ
(B§) (A§)
q=e
C#
mf
˙™
p
43
Ab
6> ‰
&
é œ œ
slow, w/ grains audible
E§
ï ïïï ∑ïïï
I
∑
43
67
pp
Œ
o b œ ≈B #œœœé ™™™
vocal fry/granular
[ɑ]
ppp
Œ
7j œœ
or ® œ ™ 43 ord
‰
q = 60
C§ Eb
mp
œ ‰ µœ J
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ F e3 e e™ 78 E 44 e 6 6 ) 6™ 6 6
q = 72
?3 ¢ 4 7 ˙˙
[r]
mp
2+2+3
mp
Hp.
[k(ɑ)]
tr2
° 3 ¢& 4 )7™ ‹
? 43
[t]
43
q = 60
98
°‹3 &4
µ o L œ œ œ œ ææ ææ R
nO ‰ ™
"f " p
q = 72
B. Fl.
≈
[t]
44 Ó
D§ F#
ó - ï ïïï - ó ∑ïïó ---
closed emb.
‰
‰
B b œœœé ‰
Db
‰
B œ
q = 72
Ϊ
o bœ ™
œ
[t]
mp
mp
Bœ p
o bœ o B œ µœ Bœ Œ
7 &8
44
∑
[r]
mp sfzp
2+2+3 ‹ ° 7 &8 Ó
Hp.
µ 24
q = 63
[E5]
mf C#
closed emb.
ææ bO [r]
æ Oæ
æ )æ p
q=e
‰
Œ µœ ‰ R
mf
o o œ #œ Œ D# F#
» µœ J
∑ l.v.
sfz j b œfi Bb
44
…
‹ &
44
∑
44
∑
44
e=q
B ° 4 æj B. Fl. & 4 æ ¢ <b>6 ‹ [r ]
6 #- ‰
bO ™ J
[k]
[sɯ]
t.r.
101
3
‰
(u)
mf
°‹4 &4
sffz
Hp.
» mf #œ ‰ µœ
o 4 B œ œ Bœ &4 p
[r]
43
3
Œ #œ J
mp 3
D§
A#
‰
[dʒe]
mf
∑
43 ‰
oj µœ
34 œo
#œo
mf
… Œ
>O J
open emb.
#F 6 I - ‰
[s>t]
mp
ò œœœœ R ‰™
‰ œ
"f "
B§
≈ Œ
sfz
? 44 ‰ B nnœœœé ¢
34 ≈ BæO ≈ Ofij O O æ
mp
3
e=q
13 closed emb. t.r.
Bœ
o Bœ
nœ œ
» µœ B œ
o
sfz
œ 7 Bœ
µœ ‰
f
D#
G#
A§
(D§)
C#
q = 52
° B. Fl. & ¢ ‹
103
°‹ & Hp.
closed emb.
ææj 6
open emb.
6 ‰™ R
‰ #O
[ru]
#œ p
24
> ɯ]
[sɑ
pp
mf
Œ
& µœ
closed emb.
∑
Œ
Hp.
"f "sub
44
∑
∑
43
Œ
Œ
24
∑
44
∑
∑
43
o
24
∑
44 ˙˙ o
q = 52
l.v.
nœ
[w/ superball]
C§
I
° 3<µ>) ™ ¢& 4 7 ‹
vocal fry/granular
mp
?3 ¢ 4 ˙7˙
43
[i]
fp
œœ
j ‰ œœ l.v.
Ó
∑ o
ò #œ œfij
BϪ mf
j ‰ 7 œœ A§
44 ‰ nt.r.
sfz
)
open emb.
ï ïóó - ï ∑ïóó
6 45
closed emb.
OO
~~~~~~~~~~~~~~~~~~~~ F I b 6 6 6 b 6e 6e 6e ™™ 6 J Eb
[ʃu]
[ɑ]
mp
p
q = 60
44
…
44
44 ‰ B ¿r ‰ Œ 3
mf
D#
µœ
45
∑ Ó
pinch w/ two fingers
45 #œ
mp
C#
3
> [l]
[ʃe]
mf
#œ nœ J ∑
45
∑
43
7 ˙˙
mp
q = 60
& 43 Ó
)
∑
A#
°‹3 &4
F
24
"f " mf
B. Fl.
66
ò #œ œ œ #œ œ R ‰™ ‰
? ‰ µœœœé o ¢ #œ
107
O™
closed emb.
[ki]
pp
mf
‰
44 Ó
> ‰ µO J
open emb.
‰ ∑
3
#œ
oo nœ ‰ B œœj Œ J p
mf
D§
C§
Ó
14
q = 72
° 23 B. Fl. & 4 +16 6™ ¢ ‹
F
110
B O
bO ObO
6 ‰
[i]
[s>f]
"f "
mp
ææ O O 85 # - ‰ # 6ææ # 6 closed emb. t.r.
[s > fɑ]
open emb.
[si>ɑ]
[r]
mf
p
mf
∑
»j 3 2 ≈ & 4 +16 B œ ™
Hp.
? 24+163 #œo ™ ¢
p
85 Ó
o µœ
œo # œo o Bœ ‰ ‰ 85
b œ b œ nœ o o o nœo #œ b œ nœ
sfz
mp
MNMOLNNM
G§
85 n¿J
E§
ï ïïï ∑ïïó -
44
¢
?
44 Ó
6 )
6
>
[v]
Œ
ææ fij #O O ≈ 6
F
6 6™
[ɑ]
6™
6
I 3 6 46
mp
"f "
[r]
mf
[s>t]
œ
p
r ‰™ œ
ppp
> ° #O #O n6 >6 ‰ ™ R B. Fl. & ¢ ‹ closed emb.
o o Bb œ» B œ µœ B œ µœ J R sffz
°‹ & Hp.
&
» #œ ™
mf
o ? Bb œ b œ ¢ f
mp
Cb
Œ
∑
44 b F) ™
Œ
o o
bœ œ
I
6 6™
ppp
Db F§
)
6
3
Œ
∑
44
∑
∑
Œ
∑
44
∑
∑
∑
44
∑
∑
o o 7 7 œ œ (Cb)
l.v. al niente (buzzing)
o Bœ C§
F#
6 6 J [i]
p
q = 66
‰
‰
mp
>
[o]
mp
J
b œo o o b œ µœ œ
mf
[s > t]
œ
[t]
q = 66
116
ò œ
[f]
mp
C#
f
>O
f
œ œ 34 œo b œo œo
Ó
‰
µO
[k]
p
43 ‰ ™
∑ ˙
B # O >O
Fb
[ki>ɑ]
œ
open emb.
∑
mp
[w/ superball] on the soundboard
ppp q = 72
~~~~~~~~~~~~~~~~~~~~~~~ e E e e
œ
∑
l.v.
q = 72
œ
∑
MMMOLMNM
pp
° & Hp.
œ
44
Eb
6™
mp
Eb
(try to match the pitch from the harp at a higher octave)
113
6
q = 52
tr2
° B. Fl. & ¢ 6 ‹
I
6™
[ɑ]
p
p
F§
F
j 6 6 3
[s] [tɯ]
o µœ ‰ J n œ ™mf b œ J ≈J
‰
mf
44 6 6 )
ò œ J
q = 72
°‹2 3 & 4 +16
q = 52
closed emb.
15
° <b>6 ™ B. Fl. & ¢ ‹ [k ] 120
° &
Hp.
¢
F
g ) 7
vocal fry/granular
6 6 7 7
until the end of the breath
[pær]
i
∑ [w/ plec.] slow, w/ grains audible
? ‰
34 bI 6 ™ J
3
‰
j œé œ
p
g
(colla parte)
˙
43 43
mp
…
≈ 6j
‰
[de]
p
∑ ∑
Œ