__MAIN_TEXT__

Page 1

--perde for bass flute and harp written for and dedicated to Emma Hospelhorn and Ben Melsky alican çamcĹ 2016 ---


Performance Notes General

– arrows to and from a metronome marking indicate a gradual accelerando or decelerando to that metronome marking. All other tempo changes are subito.

Quarter Tones (from lower to higher):

– dynamics in quotation marks indicate the force of action in the instances where the sonic outcome does not match the action required.

Flute

– mixture of tone and breath sound.

– (used together with the closed emb. indication) breath sound with lips completely covering the embouchure, sounds a major 7th below the written pitch.

– tongue ram. sounds a major 7th below the written pitch.

– altering intonation by adjusting the embouchure, ca. quarter-tone higher or lower.

– inhale and exhale, respectively.

– vocal fry/granular (only used during inhalation): a fragile and unstable “creaky” sound produced in the vocal fry register.

– sing into the instrument, with the mouthpiece covered completely by the mouth. Provided fingerings do not have an effect on the pitch, but rather modify the timbre of the voice, like a filtering effect.

– in case where multiple alternations of fingering are indicated, alternate freely between the indicated options.


IPA chart for Turkish Pronunciations Vowels IPA

English approximation

ɑ a æ e i o ø u ɯ y

as in father as in the French la as in cat as in bed as in creek as in Leo as in the French eu, or German ö as in put somewhat like roses (close back unrounded vowel: make an /u/ sound and unround the lips) as in the French u, or German ü

Consonants IPA

English approximation

b dʒ tʃ d f g ɰ h k l m n p r s ʃ v j z

as in about as in ajar as in change as in ado as in food as in ago as in the French r (articulated from the soft palate, not from uvulae) as in home as in coal as in late as in much as in not as in pan as in the Scottish r (rolled) as in send as in shoe as in vase as in yet as in zone

Vowel/Consonant Configurations: [ʃu] – consonant sound as initial attack, followed quickly by the vowel sound (also used in cases where the vowel sound is sustained) [l(ɯ)] – only the consonant sound: in cases where a consonant is sustained, the vowel indicates the approximate shape of the mouth, itself without being sounded.

Harp

Tuning: C5* string is tuned a quarter note down (50 cents lower). F3, C3 and F4 strings are all tuned 38 cents lower. A3 string is tuned 23 cents lower. *String numbers correspond to harp octaves.


Harmonics sound an octave higher than written.

– pluck/scrape with fingernail. pinch w/ two fingers –

hold the string between the thumb and the index finger, and pluck, creating in a softer, mellower

sound.

– scrape the string vertically. If there is no accompanying fingernail sign, use the flesh of the finger. With brass-coated strings, occasionally speed is also indicated (slow: unstable, with ‘grains audible, fast: an abrupt bright ‘jet’ sound).

– Bartók pizz.

– muted, ‘xylophone’ sound. Use two hands whenever possible, but if not, mute the string with another finger of the same hand, preferably close to the soundboard. Used in combination with the scraping sign, it indicates a fast scrape while muting the string, resulting a dry ‘jet’ sound.

– “Xylharmonic”: play the harmonic without removing the thumb, thus preventing the string to vibrate any further.

– pedal glissando. Do not attack the notes in parentheses.

– create a buzzing sound by pedaling half way.

In addition, the harpist uses a plectrum, and a superball mallet.

All other explanations are indicated in the score.

Duration: ca. 6’ 30”.


written for and dedicated to Emma and Ben

perde

for bass flute and harp

alican çamcı (2016)

q = 80

µ n > ° 4 1 Bass Flute & 4 + 8 b O O O O O ‰ œ µœ ¢ ææ œO ‹ [tʃɑ

p

mp

q = 80

° ‹4 1 & 4+ 8 Œ Harp

b œfij

& 44 + 81

> ɯ]

[o] [tu] [r]

µ n

[sɑ]

nœ ™

Œ

p

sfz

MNMOLNML

[ze > i]

p

o µ¿ œ

j bœ

p

o œ ≈ R

o pp µœfij

° 2 B. Fl. & 4 O ¢ ‹

œ

B

[vɑ]

Db

œ °‹2 œ &4 ≈

n

œ bœ

o

mp

o™ œ ≈ J

pp o µœfij

& 24 Œ ?2 ¢ 4

nO

[e]

œ

43

# œœ

œ

f

œ

pinch w/ two fingers

43 Œ

p

p

œ

œ …

mp

Œ

œ

p

24

Œ

24

ò ‰ é 24 #œ sfz

n æ 54+ 81 µœ œ œ œ œû ≈ µœ b œæ B O ù ææ

NNLOMNML Bb

## œœ ™™

q = 63

l.v. al niente

[r] [mi] [dø]

p

D§ B§ A§

µ

[i]

∑ Db

24

B#

q = 80

p

Hp.

q = 63

≈ b Oj™ B œ bœ >i]

43 œ

[ho]

mp

q = 80

q = 72

24

[sɑ>z]

[r]

mf

n ≈µOj œ ≈ #Oj™ ≈ 24

l.v.

[ze

[tʃɑ]

24

B

43 b O O æO ≈ æ

o

[e]

q = 80

4

j 2 BO 4

œ b œ œ #œ J

ò ?44+ 1 œ …≈ ≈ ™ ≈ ¿o ≈ Ó ¢ 8 œ J é p pp b œfij

q = 72

≈ bO b œ œ Bœ ù

# œœ. œ ™ ‰ J ≈J

q = 80

45+ 81

45+ 81 µœÓ

mp

45+ 81 Ó

# œ ™™ mf

[te]

[ri]

[ʃi]

mf

µ OOO

[kɯ]

B

q = 72

45

45

45

‰ ‰ j 7 œ7 œ …

45

Πo

[vɑ]

q = 72

Œ

Ó

Œ

œ

ò ‰ é bœ œ™ p

sfz

o µœ

Π(half ped.)

(Bb)


q = 80

2

n

° 5 ≈ bœ Bœ B. Fl. & 4 ¢ ‹ [ ] 7

> i

e

°‹5 &4 Hp.

ææ nœ œ #œ B œ nœ [æ] [r] [kɯ]

b œ nœ

& 45 é bœ

‰ j Bœ

mp

p

O

[r] [mi] [dø] [t]

p

œ 7

D# F#

(G§)

[t]

[ɑ]

38 r ‰ ™ bœ

bO

> z]

[vɑ

mf

mp

q = 80

## œœ ™™

°‹4 &4 Hp.

# ^œ f

& 44 µœ

Œ

mp

? 44 Œ ¢ B

° 3 B. Fl. & 4 ¢ œ ‹ 12

[sø]

sfz

mp

[æ]

[kɑ >u] [rɑ

mf

… ‰

(D#)

O™

[o]

mf

j B œ7 C§

ΠϪ

(ord.)

24

p

(C§)

≈ µ¿

43 p

o

ord.

mp

43 43 43

F 6™

(inhale)

85 6

>

85 Œ

78

85

2+3

Ϊ

l.v. (buzzing) al niente

LMLOLNLM

85

169

[u]

"f "sub xylo

Œ

b >œ

xylo

closed emb.

78

œ7 78 œ7

[ki] [pæ] [r] [de] [dæ]

24 µœ

mp

2+2+3

µœ b œ œo

24

2+3

o

æ O nœ œæ œ µœ

## œœ

q = 40 2+2+3

78 Ó

µ

B

Eb

q = 40

‰ Bb

> z]

G#

q = 80

38 œ 7

œ é

mf

ææ ‰ b œ #œ nœ # œ œ nO O O œ

p

?3 Œ ¢ 4

… ≈ ‰

B

n

3 &4 œ

ò #œ ™ é œ J

pinch w/ two fingers

Œ

mf

38

Ó

°‹3 &4 Hp.

mp

Œ

[o>i]

o

38

Œ

Œ

24 O

q = 72

Œ

q = 80

µ

O. n O

[a]

œ

o 34 œR ‰ ™ … œ 43 7R ‰ ™

q = 72

B

n ≈

mp

œ

43

µœo

pinch w/ two fingers

q = 72

nn œœ ## œœ J J mf

43 o

[vɑ]

Œ

° 4 µœ œ œ œ œ O ‰ ææ ¢& 4 ù ‹ [i]

… ‰

Œ

µ

9

[i]

Ó

B§ F§

q = 80

B O nO O

p

"f "

?5 Ó ¢ 4

[y]

é Bb œ n œ mp

p

B

n

bO

mp q = 80

mf

B. Fl.

µ

q = 72

fi b¿ ¿b¿

mp

b>¿ R ≈ Œ f

169

169

169


e = q = 80

° 9 B. Fl. & 16 ¢ bœ ‹ 15

2+2+3+2 open emb.

[mɑ]

3

ææ ‰ O

b œ <b>O

[kɑ]

[mɑ] [ti]

p

44 bO

[re]

[se]

ææ bO O bO

O

[rɑ

[æ]

> i]

° ‹ 92+2+3+2 & 16

o 44 b œ

o 9 Bb ¿ & 16 ≈

p

b œo ‰ ™

ò ≈ é ≈ é ≈ 44 b¿ b œ l.v.

mp

? 169 b ¿o ¢ J

mp

Cb

sfz

q = 80

B. Fl.

µ

B

æ b Oæ O b O B O

° ¢& b O ‹ 17

[ɑ] [res]

mf

44 Bb œ bœ ™

> ɑ]

[to

Hp.

&

o

mf

? ¢ Ó

œœ

[rɑ

> i]

bœ µœ

œ nœ nœ Bœ

µœ

mp

Œ

Œ

° 4 B. Fl. & 4 Ó ¢ ‹

closed emb. flz.

æ b 6æ

[r(u)]

"f "

°‹4 &4

4 &4

∑ [w/ superball]

? 4 B b ˙˙ ¢ 4 p

Db

œœ

mf

ææ 6

j œ œ

pp

ord.

6

‰ l.v.

ææ O

q = 66

Ó … ‰

O [æ]

Œ

mf

o

l.v.

44

ææ bO

B

æær ‰ ™ O

q = 80

open emb.

pp

Œ

‰™

mp

œœœ

24

44

24

44 B œ

44 nœ

## œœ

3

mp D§

11 r 16 n-œ [dy]

mf

pinch w/ two fingers

44

Œ

44 ‰ -

p

Œ

43

tongue ram

[ʃ(ɯ)]

44

43 B œ

p

44

Œ

q = 52

œœ 43

µœ

Πo

[ro]

n

24 )

B

43 O

D§ F§

24

o

q = 52

Œ

Db

B

µœ

Œ

C#

n

mp

b ώ

µ

B

œ

"sfz"

19

Hp.

o #œ J

o

D§ F§

[kɯ]

q = 80

°‹ œ & Bœ

n œœ

ææ nO O # O

p

nœ b œ b O [hɑ]

bœ µœ

j O

[ro]

mf

œ nœ nœ Bœ

µ

mf

mp

e = q = 80

Hp.

B ææ bO

q = 66

q = 80

Œ

11 16

Œ

11 16

Ó œ

#œ D# F#

Œ

‰™

o 11 ¿ 16 R

p


4

° 11 ¢& 16 œ ‹

B

3+2+3+3

22

B. Fl.

>

[ga

j O O O µ-O u]

[hæ]

[si] [ga

mf

3+2+3+3 ‹ ° 11 & 16

11 œj & 16

µœ ≈ J

≈ œJ

p

nœ œ ‰ ™ é Jé

? 16 11 ‰ ¢

u]

o # œ n>œ ord

43

#œ 43 J

mp

B [pæ]

[ga]

f

o

ɯ

®

Ϫ

[ni] [hɑ]

n# œœ # œ

3+3+3+2

Œ

11 16

Œ

Œ

11 ‰ ™ 16

Œ

Œ

11 ≈ œ 16 é

Œ

"f "

… ‰

f

sffz

œbœ

µ

° 4œ ‰ B. Fl. & 4 ¢ 3 ‹

œ #œ

‰™

mp

B œo µœo ‰ R R ‰

mp

‰™

œ ‰ é

ï ïïï ∑ïóó - ï

F#

~~~~~~~~~~~~ œ œ œ

œ

[l(ɯ)]

>

… Œ

Ó

Œ

‰ B œj Œ

mp

[ɯ]

ppsub

œ 45 J

Ó Ó

45 Ó

Œ

sffz

Œ

j 45 7 œ

œ7

pinch w/ two fingers

mp

(Eb)

[dʒɯ]

sfzpp

fi œ ‹ bœ œ œ ° 4 J Œ &4 ‰ ‰

sfz

Hp.

mp

[w/ plec.]

sfz

> œ œ

ò3

3

> i]

[hy] [se

q = 60

Œ

? 4 + 1 ≈ ™ ò ‰ bœ ¢ 4 8 bœ é é l.v. "f " Eb

O

[tʃɑ]

ɯ

j

Eb

O 45

[i]

‰™

f

Ó

[væ]

p

q = 60

O

> [h ]

» 4 1 µ œ & 4 +8 J

27

O > [h ]

O œ œ BO

11 16 œ œ

Œ

D#

° ‹4 1 Œ & 4 +8 Hp.

[ga]

3+3+3+2

r ‰™ O

ò œé œé 43 ‰ µœ > é

mf

25

B. Fl.

[tʃɑ] [r]

p mf

"f "

D§ G§

° 4 1 ¢& 4 + 8 ‹

>

ææ 3 O -O O 4 O

µ

mp

pdlt

Hp.

B

n

O

n O ‰ J o

mp

Œ

>O

O™

F

I ™ 6 6 6 6 6B 6 ™ 6™ 3 4 #) (inhale)

closed emb.

[sɑ]

[ɑ]

p

(inhale)

6 6™

p

43

24

> [i]

[e]

"f "sub

… ‰ ‰

F

(exhale)

24

[w/ plec.]

?4 ‰ ‰ ¢ 4

3

slow, grains audible

j n œé œ mp E§

fast

‰ Œ é œ

sfz

l.v.

µœœ

j œ œ ‰ ‰ œ œ 7 7 l.v.

[w/ superball]

pp C#

mf

(D§)

43 #œ D#

Œ

ΠNNMOMMNM

24


q = 80

° 2 B. Fl. & 4<#>6 ¢ ‹

3+2+2+3

6™

30

O 10 16 O open emb.

Hp.

3+2+2+3

& 24

10 16 B œ

pdlt

∑ ‰™

° 3 B. Fl. & 4 ¢ #O O ‹ 34

B

n

[tæ]

[tæ

mf

° ‹ 3 #œ &4 ≈

nO B O

[ga] [za]

p

mp

oj µ¿

° 9 B. Fl. & 16 ¢ œ #œ ‹ [gø

mp

> y]

B

bO

167 nO

[fæ]

[fæ]

p

‰ l.v.

#œ ° ‹ 9 #œœ ≈ & 16 3+3+3

Hp.

9 & 16 œ p

?9 ¢ 16

> i]

o µœ

mf

mp

œ

[e]

‰™

µœ ™ J

[si]

[e] [sæ] [rvæ]

mf

ώ

167

n

[r]

43

p

nœ #œ 3 8 o

43

43

38

43

l.v. o ‰ B œ ≈ 38 #¿

j ææfij B O nœ œ #O > [hy]

[næ]

mf

nœ œ

o

œ #œ

167 ‰

[rvæ]

µœé Œ

[r]

169

Œ

169

p q = 40

≈ 43 Œ

43

Œ

l.v.

169

43

169

œ é

"f "

q = 60

B

[gɯ] [ɑ]

mp

‰™

o #>¿ mf

6

j 6

closed emb.

>œ #œ

[hu]

34 B œ œo ‰

Œ

43 Œ

o 34 #œ

Œ

NNMOMNNN

43 #Oææ O O [ru]

q = 40

B r ææ 3 ææ ‰ ™ œ 4œ

"f "

#O O O

#O

q = 72

µœé 169

ææ 3 œ œ8

µ æær ≈ Œ œ

5

œ 7 R 16

µ

B

[hu]

p

"f "

D#

q = 72

#œ O

æfij Bœ

#œ 169 #œJ nœ œ ≈ Œ

169 ‰ mf

n

2+3+2+2

ord

sfz

37

p

#œ œ

3+2+2

ò é #œ

"f "

µ

ææ œ nœ

[fɛr]

mf

3+2+2

Œ

3+3+3

9 16 µO. # œ

A#

? 3 ≈ œ™ ¢ 4 é J

[ru]

Œ

œ #œ œ ≈ ≈ ‰™

mp

[ru]

mp

µœ ‰

sfz

O O O

[te > æ]

3 &4

ò 10 é #œ 16 œ ‰ mp

ææ nO b O

#œ o #œ œ ‰ ™ R

10 16 ‰

ææ µO

[fæ]

p

f

? 2 …Œ ¢ 4

Hp.

> i]

q = 80

°‹2 &4

O O

[ʃe

pp

µn

2+3+2+2

Π#
169

o

[sɯ]

q = 60

œ #œ œ ≈ R ‰

38

169

Œ

38

169

Œ

38

169

p

o

38

o

œ

l.v.

D§ F§


q = 72

6

µ

3+3+3

ææ ° 9 B. Fl. & 16 O B O ¢ O O ‹ 40

open emb.

[ɑ]

[res]

p

[to]

mf

2+3+2+2

j B Oææ O O O bO ™ >

œ œ

[me]

B

n

[he] [i]

[dʒe]

p

[ru]

mp

[hɯ]

5 F µ6 ≈ 43 6 B 6 6 µ 6 6 n6 n6

44 )

closed emb.

6

> ɯ]

[sɑ

[ɯ]

mp

q = 72

°‹9 œ & 16 B œ

3+3+3

Hp.

& 169

?9 ¢ 16

Bœ Bœ œ

mf

mp

µœ ™ ° 3 ≈ J B. Fl. & 4 ¢ ‹

open emb.

œ

q = 40

o

o

‰ B œé "f " n œ ™

F#

œ µœ ™

D#

œ 44 ≈ R ‰

Œ

44

44 o Ϫ

C#

7 œ7 œ

Ó

43

43 43

7 ˙

(C#)

ï ïïï ∑ïïï - ó

#œ Bœ œ

[l(i)]

œ

l.v.

78

g ∑

78

p 5"

44 Ó

Œ

g ∑

oj µ¿

5"

p

pp

mp

mf

g ∑ 5"

j 6

"f "

44

6

µœ

[i]

pp

œŒ # œ B œ œ

6

#œ œ

~~~~~~~~~~~~~~~ µ E F 44 ) 6

O

p

f

ï ïïï ∑ïïï - ó

closed emb./ sing into the instrument

° 7 >O B. Fl. & 8 ¢ ‹ [tʃ ]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r b e e 44 E ≈ Ó 6 6 )

2+3+2 open emb.

Œ

[l(ɑ)]

ɑ

p

q = 52

mf

43 Œ

‰™

Œ

æær #œ [r]

ppp

pp

2+3+2

œ ‹ ° 7J &8

[w/ plec.]

sffz

Hp.

Ϊ

& 78 ?7 ¢ 8

Œ

[w/ superball]

p

œœ ™™

44 44

∑ n œœ

78

MMLOMMNM

B#

q = 52

sffz

p

mp

B§ F§

46

p

poco

p

p

≈#œ

mf

pinch w/ two fingers

#œ #œ

closed emb./ sing into the instrument, fingerings modify the timbre

43

? 3 µœ ¢ 4 #œ

(D§)

q = 40

Hp.

ord

œ 7

Bb

° 3 &4

# œœ b œ # œ ® RÔ ‰™

2+3+2+2

œœ b œ

pdlt

Πl.v.

pp

44 Œ

43

… ‰

j œœ œœ

p

43 Œ

∑ Œ mf

œœœ

43 7˙ ˙ (D§) (E§)

Bœ 3

Œ œ

pinch w/ two fingers

mp

œ


B. Fl.

B

° ææ ‰ & #O O™ ¢ <#>œ ‹ [s 49

3

## œœ ‹ ° & Hp.

mf

Œ

&

? #œ ¢

Œ

‰™

or µœ Œ

b ¿ ¿ #¿ ¿ #¿ mf

5

I 6 #6 ™

6™

6

[ʃ(ɯ)]

Œ

Ó

g Π3"

Ó

ò

g Œ

#˙é

3"

ppp

& 44

µ

3+2+2+3

> i]

f

slow, w/ individual grains audible

pp

B n 3 4 µœ O O

O

[ɑ]

[sɑf]

mp

[sɑ] [fɑ]

#œ œ#œ

3+2+2+3

o #œ 10 # œ 16 ‰ R

q = 72

ord

nœ ‰™

10 16 B œ µœ Œ pdlt

mp

Ϫ

moderate

œ

n

O 10 16 O O #O open emb.

[ʃe

? 44 ¢ <#>œ

3"

45 Ó

Œ

p

MNLOMNNM

°‹4 &4 Hp.

6

g Œ

45 Ó

p

q = 72

° 4 B. Fl. & 4 6 ¢ ‹

ppp

¿ 45 J

D# F#

51

‰ 6

œ

F3 j 6 6

[ho]

p

Œ

3"

3

z]

ɑ

g 6

closed emb.

45 Œ

œ Œ

7

10 ‰ é œ 16 œ

fast

o #œ J

sfz

æ nœæ

[dɑ]

œ 43

O [si > a]

[rɑ]

mf

3 4 œ µœ

o

µœ

o nœ ‰ 43 Œ R

A#

p

Œ

45

Œ

p

mf

45

[se] [t]

## œœ b œ ™

œ o

B r ‰™ #O

45

l.v.

[w/ superball] on the soundboard

œ

45

p

Eb

MMLOLMNM

ï ïïï ----ó ó ∑ïïï

closed emb./ sing into the instrument: (try to match the pitch from the harp at a higher octave)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ E™ e e F n) ™ 6 6 #6

° 5 B. Fl. & 4 Ó ¢ ‹ 54

[v(ɑ)]

p

°‹5 &4 Hp.

6

œ

˙

mf

˙

[ɑ] [res]

"f "sub

∑ slow

)

[ɑ]

& 45 ?5 ¢ 4

mf

mf

167 B œœ

167

moderate

˙

B æ 11 167 O Oæ nO O O ≈ 16 ù > open emb.

œ

mp

j ‰ œ

pp

Œ

mf

167 Œ

o

[to

> ɑ] [k]

œœ # œ 11 ≈ œ ≈ 16 mp

Bœ Bœ

11 16

‰ C#

r 11 µ¿ 16

mf


8

µ

2+2+2+3+2

° 11 B. Fl. & 16 ¢ ‹ O 57

O bœ

[e]

[fla]

° ‹ 11 b œJ & 16

#œ b œ

o

11 & 16 Œ

44 ΠO O

[se] [t]

p

44

F#

mf

44 Ó

Œ

o œ7

o œ Œ

(C§)

tongue ram

j #-

ùµœ

? 44 ‰ ™ ¢

mf

oo bB œœ

g ∑

g ∑

n ¿o … ≈≈ R ‰ 3

38

44

44

pp

mp

#œ ™ ≈J

Œ

Ó

q = 63

g ∑

C§ Ab

œ J

[i]

mf

5"

oo œœ

44

nœ 3 > 8

open emb.

mf

q = 63

g ∑

38

B§ A#

5"

oo r µœœ

o

mf

o œ7™

5"

& 44

[l]

p

#œ b œ

mp

ppp

°‹4 &4

38 Œ

3

or o 4 ≈Bœ 4 œ

‰™

~~ r ≈ e 44 6

mf

q = 52

j nœ

> [i]

[z]

p

j #œ ™ pdlt

~~~~~~~~~~~~~~~~~~~ 3 r B e e e ™ ‰ n6 6 6 ‰

ord

~~~~~~~~~~~~~~~~~~~~~~~~~ 60 ° 4 j ‰ B. Fl. & 4 #6e ¢ ‹

Hp.

B

ï ïïï - ó ∑ïïï --- ó

tr2

p

? 11 Œ ¢ 16

bO O

[ki > a]

[tun]

2+2+2+3+2

Hp.

œ

ï ïïï ∑ïïó -

closed emb./ sing into the instrument

q = 52

Ó ∑

5"

[w/ superball]

fij #µœœ

mp

o

œœ

j œœ ‰

œœ

mp

Œ

l.v.

NNNOMMNM

° ≈ B. Fl. & ¢ ‹

µœ ™ ææJ

63

°‹ &

»

& µœ

Hp.

[r]

¢

p

### œœœ

sfz

? Ó

œ ææ

mp

œ ææ

F

6

closed emb.

6™

[i]

pp

j -

key click

tongue ram

"f "

mf

¿

Œ

Œ

œ

[e]

pp

∑ ‰

j µœ

open emb.

∑ œ™

Ó oj ‰ <µ>¿ p

mf

Œ

#œ p

o µœoœ Œ œ

‰™

pinch w/ two fingers

Œ œ 7 (D#)

œ 7

>¿

xylo

f

ΠA#

r µœ p


ææ ° B. Fl. & <µ>œ ¢ ‹ [r]

B

ææ œ

65

I

closed emb.

)

[i]

## œœ

mf

ò ™ ‰ ‰ éj bœ œ

ppp

B. Fl.

F

Hp.

?3 ¢ 8

open emb. flz.

Eb

> [ɑ]

o o 43 µb#œœœé ‰ ‰ ‰ œj œ ™ 3

"f "

œ™ ææj Oe ‰ ≈ J

2+2+2+3

72 ° 9 B ^œ B. Fl. & 16 ≈ J ¢ ‹ [k]

open emb.

≈ œJ [t]

mf

mf

p

µ æfij œ œæ > ææ #O

> [r]

Hp.

[tʃ]

mf

2+2+2+3

43

o 3 œ7 4 œ7

? 9 b ¿o ‰ ¢ 16 mf

µœ ‰

#œo œo J mp F#

38

ï ïïï - ó ∑ïïï --- ó

B Ϫ

~~~~~~~~~~~ F be E 6 ) ) closed emb.

"f "

µb#œœœé ‰ …"f "

œ7

45

169

45

169

r b œ. ‰ p oj ≈ Bœ pdlt

mf

ï ïïï - ó ∑ïïï

µ ~~~~~~~~ b ej™ ≈ ‰ 6™

q = 63

44 + 1 8 O

> [s]

44 + 1 µœ 8 oj 44 + 1 µœ 8

[i]

mp

169

MNMOLMMM

#O ææ

#O

[rɑ]

µœ ‰

closed emb. t.r.

-

mp

n>œœ ™™

44 + 1 Π8

& 169 ≈ B œ

‰ 44

[l(i)]

q = 72

°‹9 & 16

38

45

(A§)

q = 72

l.v.

f

43

38

44

[r]

mp

j ‰ Œ œ œ

[ɯ]

tr2

[v(ɑ)]

>

[l(ɯ)]

44

mp

~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 34 b 6e ™ n6e 43 Oææe

° 3 ¢& 8 6 ™ ‹ ° 3 &8

D# F#

ï ïïï - ó ∑óóó ---

6e

44 + 1 8 ˙˙

sfz Bb

68

[w/ superball]

Œ

~~~~~~~~~~~~~~~~~~~~~~~ j 4 38 6e 4 )E 6e 6e 6e

p

44 + 1 8

? Œ ¢

44 + 1 8

mp

nn œœ

&

44 + 1 ) 8 > [k ]

j 6 b 6e 3

9

Eb

(sing into the instrument)

ɯ

"f "sub

°‹ Ó & Hp.

F

ï ïïï- ó ∑óóó

f

‰™ Œ

C# F§

ææ 6 6

[ro]

## œœ

D# F#

mf

q = 63

Ó

r bœ

mp

[l(ɯ)]

44

nœ Ó E§

Œ

44

44

44

l.v.


q = 72

10

> o o œ Lœ œ

B O

[D5]

° 4 nœ B. Fl. & 4 ≈ æ ≈ ¢ æ ‹ [r] open emb.

74

œfij

[s>t]

O #æO æ

[k]

[hɑ]

#-

r œ Bœ™

Hp.

¢

mp

? 44 µœo #œo

nœo ‰

mf

µœ ‰

j œ p o µœ

œ

° 9 ≈ >OJ B. Fl. & 16 ¢ ‹ [k]

> O µO

open emb.

F I 6 6

77

mf

[tʃ]

mp

>O J

closed emb.

[k]

[h]

F 6

°‹9 & 16

‰™

(pdlt)

Hp.

? 9 œo œo ¢ 16 mf

b œ» r ≈ µœ B œ Bb œ ‰ J

j ¿™

p

mf

Gb

° j ‰ Œ ¢& 67 o ‹ 81

B. Fl.

Hp.

¢

?

sfz

open emb.

O™

Fb

Π3

(F§)

169

Œ

Œ

38

169

38

169

(Gb)

vocal fry/granular (while inhaling)

6

44 7 )

67

)7

mp

q = 52

43 43

l.v.

44

44

?

[w/ plec.]

43

44 ‰

C#

é œ œ

slow, w/ grains audible

˙

p

q = 72

ó - ï ïïï- ó ∑ïïï --- ó

continue the random fingerings. because of the nasal consonant, no filtering will occur, but make the key clicks audible.

random fingerings

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b ej e E e 24 3 e 44 4 6 6 6 6 6 ) )™

closed emb.

3

p

o

o 2 4 œ ™ #œ

mp

24 Œ

D#

> [n(ɯ)]

> [ɯ]

[l(ɯ)]

mf

é ‰ ‰ 7 7 œ œ ˙ fast

o œo b œ ≈ 7Bb œ B œ µœ

[kɯ]

°? Ó

Œ

mp

Cb

Œ

œ

f

sfz

o b œo B œo Bb œj™

38

LMMOMNMM

> [æ]

ò bœ™ J

‰™

3+2+2+2

Œ

l.v.

43 6

"f "

q = 72 3+3+3

169

≈Œ

Db

open emb.

F I n6 6

p

q = 52

closed emb.

[s] [k]

38

q = 63

43

f

‰™

mp

f

3+2+2+2 closed emb.

6

[l(ɯ)]

3 4 œ bœ

or B ¿ ‰™

F#

3+3+3

9 & 16 ‰ ™

3

mp

pdlt

o nœo #œ µœ

q = 72

6

p

ò œ bœ™ # œ nœ 43 J

q = 72

ord

ææ 3 4 6 6

[ro]

mf

& 44 ‰ ™

B ~~~~~~~~~~~ e er C§

closed emb. t.r.

[r]

Œ

q = 63

Ab

mp

°‹4 Ó &4

ï ïïï ∑ïïï

p

q = 72

&

43 Œ

j 43 b œœ ˙˙ o

[w/ superball]

Eb

Œ

Œ j ‰ œ œ

mf

44

l.v.

Œ

Œ

nœ … oœ D§ E§

44


ï ïïï ∑ïïï

11

Ab

#e 6 #6

85

[ni] [h(ɑ)]

4 &4 ¢

? 44

œœ

mp

p

e 6

e ‰ 6

B œfij

6

o µœ œ

Ó

o o œo #œ ¿

Œ

µœ B œ

j Bb œ

o

mp

œ

F#

Fb

6 6#6 6 6

6 67™

… ‰

Œ

6

n67

mp

Ó

>œ œ

Ó [w/ superball]

° B. Fl. & ¢ -j ‰ ‹ tongue ram

sfz

Hp.

¢

q = 60

MMMOMMNM

pp

œœ

œœ

7 ‰

7 7 œœ œœ

f

J

‰ b>œ

mp Eb

Œ

mf

pinch w/ two fingers

œ

œœ

Œ

3

mp

D# F#

q = 72

[l(i)]

j 6™

[i]

ppp

p

6™

[ʃe]

pp

f

F

6 ‰ µææOJ

43

[hi]

[ru]

‰™

3 3 ‰ Œ r 4 œœ œœ l.v.

[w/ superball]

ppp

‰™

sfz

é #œo ™ œ B œœ "f " mf

µ

78

[ru]

p

mp

nœo >œo ™

œo b œo ‰ œ 7 J J 8 mp o o o 78 #œ b œ ™ B ¿

» j ≈B œ ™

O™ ææJ

open emb.

q = 72

Œ

## œœ

(B§) (A§)

~~~~~~~~~~~~~~~~~~~~~3 F j e b e 3 e ‰ j 4 6 6 6 6 6

? Ó

j œœ

Œ

ó - ï ïïï - ó ∑ïïï --- ó

q = 60

° &

œfij

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ )7

vocal fry/granular

> [y]

mf

89

[tʃ] [k]

ï ïïï ∑ïïó -

q = 52

? ¿ ¢ J

> j 6fi 6

tr2

"f "

&

closed emb.

Eb

[h(ɯ)]

Hp.

œ

p

q = 52

°‹ &

[p]

mf

mf

mp

bO

[s]

p

µœ

pdlt

Ó

l.v.

87 ° F B. Fl. & ¢ ) ‹

nO J

open emb.

Ó

∑ j œ œ

C#

[v]

mf

°‹4 &4 Hp.

I

F

° 4 B. Fl. & 4 ¢ ) ‹

~~~~~~~~

D#

Eb


q = 72

12 2+2+3

° 7‰ B. Fl. & 8 ¢ ‹

O™ ææ

open emb.

92

æfij n6

j 6 #- 6 ™ t.r.

[rhu]

[s]

? 78 #œo nœo ¢ mf

D§ A#

œo

° 3 ¢& 4 ‹ 95

B. Fl.

Hp.

q = 63

24

mf

° 3 Bb œ & 4 Bb œ

o Ϫ

?3 ¢ 4

Fb

… ‰

"f "

ææj ææ6 6 [r]

p

24

24

œ #œ

pdlt

?4

4 ≈ nœ ≈ é

&≈

44 B œo ™ mf

f

o o µœ ≈ # ¿ C# E§

µ»œ

Œ

Bœ Bœ

o o œœ 7J

mp

43 o œ J

43

D# (E§)

Eb

[v(ɑ)]

6

78

78 Ó

Œ

2+2+3

l.v.

Œ

[w/ plec.]

?4

4 j 4 œœ œœ

j ‰ œœ l.v.

[w/ superball]

"f "

pp A§

open emb.

~~~~~~~~ e er ‰ ™ #6 6

[k]

[l(ɯ)]

pp

o B œ œ ™

pdlt

mp

O [si]

mp

o µœ J

é &≈ B œ ‰ ™ œ p sfz o Œ µœ fast

Œ

43

7 œœ

(B§) (A§)

q=e

C#

mf

˙™

p

43

Ab

6> ‰

&

é œ œ

slow, w/ grains audible

ï ïïï ∑ïïï

I

43

67

pp

Œ

o b œ ≈B #œœœé ™™™

vocal fry/granular

[ɑ]

ppp

Œ

7j œœ

or ® œ ™ 43 ord

q = 60

C§ Eb

mp

œ ‰ µœ J

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ F e3 e e™ 78 E 44 e 6 6 ) 6™ 6 6

q = 72

?3 ¢ 4 7 ˙˙

[r]

mp

2+2+3

mp

Hp.

[k(ɑ)]

tr2

° 3 ¢& 4 )7™ ‹

? 43

[t]

43

q = 60

98

°‹3 &4

µ o L œ œ œ œ ææ ææ R

nO ‰ ™

"f " p

q = 72

B. Fl.

[t]

44 Ó

D§ F#

ó - ï ïïï - ó ∑ïïó ---

closed emb.

B b œœœé ‰

Db

B œ

q = 72

Ϊ

o bœ ™

œ

[t]

mp

mp

Bœ p

o bœ o B œ µœ Bœ Œ

7 &8

44

[r]

mp sfzp

2+2+3 ‹ ° 7 &8 Ó

Hp.

µ 24

q = 63

[E5]

mf C#

closed emb.

ææ bO [r]

æ Oæ

æ )æ p

q=e

Œ µœ ‰ R

mf

o o œ #œ Œ D# F#

» µœ J

∑ l.v.

sfz j b œfi Bb

44

‹ &

44

44

44


e=q

B ° 4 æj B. Fl. & 4 æ ¢ <b>6 ‹ [r ]

6 #- ‰

bO ™ J

[k]

[sɯ]

t.r.

101

3

(u)

mf

°‹4 &4

sffz

Hp.

» mf #œ ‰ µœ

o 4 B œ œ Bœ &4 p

[r]

43

3

Œ #œ J

mp 3

A#

[dʒe]

mf

43 ‰

oj µœ

34 œo

#œo

mf

… Œ

>O J

open emb.

#F 6 I - ‰

[s>t]

mp

ò œœœœ R ‰™

‰ œ

"f "

≈ Œ

sfz

? 44 ‰ B nnœœœé ¢

34 ≈ BæO ≈ Ofij O O æ

mp

3

e=q

13 closed emb. t.r.

o Bœ

nœ œ

» µœ B œ

o

sfz

œ 7 Bœ

µœ ‰

f

D#

G#

(D§)

C#

q = 52

° B. Fl. & ¢ ‹

103

°‹ & Hp.

closed emb.

ææj 6

open emb.

6 ‰™ R

‰ #O

[ru]

#œ p

24

> ɯ]

[sɑ

pp

mf

Œ

& µœ

closed emb.

Œ

Hp.

"f "sub

44

43

Œ

Œ

24

44

43

o

24

44 ˙˙ o

q = 52

l.v.

[w/ superball]

I

° 3<µ>) ™ ¢& 4 7 ‹

vocal fry/granular

mp

?3 ¢ 4 ˙7˙

43

[i]

fp

œœ

j ‰ œœ l.v.

Ó

∑ o

ò #œ œfij

BϪ mf

j ‰ 7 œœ A§

44 ‰ nt.r.

sfz

)

open emb.

ï ïóó - ï ∑ïóó

6 45

closed emb.

OO

~~~~~~~~~~~~~~~~~~~~ F I b 6 6 6 b 6e 6e 6e ™™ 6 J Eb

[ʃu]

[ɑ]

mp

p

q = 60

44

44

44 ‰ B ¿r ‰ Œ 3

mf

D#

µœ

45

∑ Ó

pinch w/ two fingers

45 #œ

mp

C#

3

> [l]

[ʃe]

mf

#œ nœ J ∑

45

43

7 ˙˙

mp

q = 60

& 43 Ó

)

A#

°‹3 &4

F

24

"f " mf

B. Fl.

66

ò #œ œ œ #œ œ R ‰™ ‰

? ‰ µœœœé o ¢ #œ

107

O™

closed emb.

[ki]

pp

mf

44 Ó

> ‰ µO J

open emb.

‰ ∑

3

oo nœ ‰ B œœj Œ J p

mf

Ó


14

q = 72

° 23 B. Fl. & 4 +16 6™ ¢ ‹

F

110

B O

bO ObO

6 ‰

[i]

[s>f]

"f "

mp

ææ O O 85 # - ‰ # 6ææ # 6 closed emb. t.r.

[s > fɑ]

open emb.

[si>ɑ]

[r]

mf

p

mf

»j 3 2 ≈ & 4 +16 B œ ™

Hp.

? 24+163 #œo ™ ¢

p

85 Ó

o µœ

œo # œo o Bœ ‰ ‰ 85

b œ b œ nœ o o o nœo #œ b œ nœ

sfz

mp

MNMOLNNM

85 n¿J

ï ïïï ∑ïïó -

44

¢

?

44 Ó

6 )

6

>

[v]

Œ

ææ fij #O O ≈ 6

F

6 6™

[ɑ]

6™

6

I 3 6 46

mp

"f "

[r]

mf

[s>t]

œ

p

r ‰™ œ

ppp

> ° #O #O n6 >6 ‰ ™ R B. Fl. & ¢ ‹ closed emb.

o o Bb œ» B œ µœ B œ µœ J R sffz

°‹ & Hp.

&

» #œ ™

mf

o ? Bb œ b œ ¢ f

mp

Cb

Œ

44 b F) ™

Œ

o o

bœ œ

I

6 6™

ppp

Db F§

)

6

3

Œ

44

Œ

44

44

o o 7 7 œ œ (Cb)

l.v. al niente (buzzing)

o Bœ C§

F#

6 6 J [i]

p

q = 66

mp

>

[o]

mp

J

b œo o o b œ µœ œ

mf

[s > t]

œ

[t]

q = 66

116

ò œ

[f]

mp

C#

f

>O

f

œ œ 34 œo b œo œo

Ó

µO

[k]

p

43 ‰ ™

∑ ˙

B # O >O

Fb

[ki>ɑ]

œ

open emb.

mp

[w/ superball] on the soundboard

ppp q = 72

~~~~~~~~~~~~~~~~~~~~~~~ e E e e

œ

l.v.

q = 72

œ

MMMOLMNM

pp

° & Hp.

œ

44

Eb

6™

mp

Eb

(try to match the pitch from the harp at a higher octave)

113

6

q = 52

tr2

° B. Fl. & ¢ 6 ‹

I

6™

[ɑ]

p

p

F

j 6 6 3

[s] [tɯ]

o µœ ‰ J n œ ™mf b œ J ≈J

mf

44 6 6 )

ò œ J

q = 72

°‹2 3 & 4 +16

q = 52

closed emb.


15

° <b>6 ™ B. Fl. & ¢ ‹ [k ] 120

° &

Hp.

¢

F

g ) 7

vocal fry/granular

6 6 7 7

until the end of the breath

[pær]

i

∑ [w/ plec.] slow, w/ grains audible

? ‰

34 bI 6 ™ J

3

j œé œ

p

g

(colla parte)

˙

43 43

mp

≈ 6j

[de]

p

∑ ∑

Œ

Profile for Alican Çamcı

perde (curtain)  

perde (curtain)  

Advertisement