Alexander Noaks // Portfolio 2020

AN// 2018-2020

Alexander Noaks University of Texas at Austin School of Architecture

A Portfolio of Selected Works by:

Alexander Noaks alexnoaks@gmail.com (309) 573 5431

Domicile

4

Wine Niche

30

“Kids Factory”

40

Site Monastery

54

A Journey’s End

72

Resume

78

DOMICILE Design VIII: Comprehensive - Spring 2020 Prof. Ryan Lemmo + Prof. Stephanie Lemmo with Jacob Dasuta

The habitat as home - the core concept of a dwelling that seeks to anchor a community, not turn a blind eye to the challenges social housing may pose. While multigenerational housing represents the liberation of the working class from traditional family typologies of living, in part by promoting a mobility as “stepping stone” platforms for its residents while simulateously offering an economic alternative to standalone single family residence, the perception of this typology can, by its nature, leave out a core concept of the dwelling - stability and permanence.

We saw the necessity of social housing as a duality of ownership. Connection to the fabric of the city is vital to instill the public with accountability for the block, reducing chances of future degradation. This must be coupled with a degree of privacy for the residents, not only in response to the harsh boundaries of the metrorail, but also in favor of encouraging traditional housing typologies such as the single family home.

Our project relies on the understanding that the multitude of user groups requires different relationships with the city, and we believe that by balancing the block as both urban fabric and sanctuary, in addition to instilling ideas of ownership of the ground plane, we may productively generate ideas of permanence for the residents, and transition social housing to a viable home.

With an ode to Jane Jacob’s principle of “Eyes on the Street,” the project integrates the programmatic aspects of its public functions into a porous, contextually engaging ground floor to create an environment that organically encourages autonomy and self-suffciency. By engaging the ground as a public domain, the residents have a social threshold that encourages community participation, thus shifting the negative perception of the “low-income resident” to that of unity and equal democratic forum, while eliminating notions of their impermanence in comparison to their context.

4

5

Missing sidewalk sidewalk Missing Missing bike

Missing bike path path Train line marks threshold

Train line marks threshold between site and neighborbetween hood site and neighborhood Sidewalk Sidewalk Potential for areduction planted with Potential noise threshold for noise reduction planted thresholds 15’ 15’

23’ 23’

awkward scale

31’ 31’

Housing Housing

1935

1935

1880

Setback Setbackcreates creates awkward scale

Site

1980

1990

2010

Hazardous

Hazardous Best Best

Desirable Still Desirable

Desirable Still Desirable

Minority households

Minority concentration

Minority Households

Af.-Amer.

African American Population population

Declining Definitely Declining

Minority Concentrations

Af.-Amer.

African American Population population

Af.-Amer.

African American Population population

Hazardous

Hazardous

Hazardous

Hazardous

Site Site

Desirable Still Desirable

Hispanic Hispanic Population population

Site

Site

Site Site

Hispanic Hispanic Population population

Hispanic Hispanic population Population

Definitely Declining

Declining

HOLC Zoning History

Minority Concentrations MISSING MIDDLE Missing Middle

Midrise Apartments

Single Family Single Family

Duplex Duplex

Triplex Triplex

Courtyard Apartment Courtyard Apartment

Bungalow Court Bungalow Court

Multiplex Multiplex

Townhouse Townhouse

Complex Complex

Negotiating an Appropriate Scale

Banking Banking Medical Medical School School

Medical Medical

Grocery Grocery

Grocery Grocery

School School

Fire Station Firehouse Park Park

Religious Religious

Religious Religious

Religious Religious

Religious Religious Banking Banking

Restaurants/Bar Restaurant/ Bar Offices Offices Retail Retail Bus Lines Lines Bus Train Lines Lines Train

Single-Family

6

00

1000 ft 1000 ft

N

Typology B

Single Family Multigenerational Family Assisted Living Single Occupancy cess

ian Ac

Pedestr

Typology A

1 NEGOTATING SCALES + USERS

2 IDENTITY + DENSITY

Metro Stop Playground

Railw

ay

lic t Pub tfron ee Str

tial Residen nt fro Street

3 ADDRESSING SITE BORDERS

Housing

4 INTERNAL ORGANIZATION

Public Program Single Family Units

5 MASSING AS ICON

6 THE WALL

7

St tam oros

E 5t

Ma

h St

San

ta Ro

sa S

t

E 6t

h St

10

2

1

4

3

5

6

7

8

FLOOR 2 1 HOUSING BLOCK A

5 HOUSING BLOCK C

2 HOUSING BLOCK B

6 HOUSING BLOCK D

3 ASSEMBLY

7 GREENHOUSE

4 DINING HALL

8 SINGLE FAMILY

10

20

50

100

1

2

4

3

5

6

7

8

FLOOR 1 1 LIBRARY + CAFE

5 ADMINISTRATION

2 COMPUTER LAB

6 LECTURE HALL

3 CHILD CARE

7 GREENHOUSE

4 TEST KITCHEN

8 SINGLE FAMILY

10

20

50

100

11

SOUTH

EAST

12

WEST

NORTH

13

TYPICAL COURTYARD

14

SOUTHERN STREETFRONT

15

PLAYGROUND

16

GREENHOUSE

17

COMPUTER LAB

TEST KITCHEN

ADMINISTRATION

CLASSROOM

LECTURE HALL

CHILD CARE

GREENHOUSE

PLAYGROUND

TYPICAL HOUSING UNIT

BATH

BED

BED

BED

BATH

BATH

LIVING

DINING

BALCONY

KITCHEN

BATH

KITCHEN

DINING

KITCHEN

BALCONY

LIVING

BALCONY

LIVING

BED

LIVING

BALCONY

DINING

KITCHEN

DINING

20

BATH

BED

BED

BATH

BED

LIBRARY

21

05 PARAPET 59’-8” PARAPET

04 FLOOR FOUR 34’-8”

SLOPE

TRACK LIGHTING

2X6 WOOD COLUMNS + BATT INSUL., TYP. 7/8” PLASTER METAL LATH SLOPE

2” RIGID INSUL., TYP.

03 FLOOR THREE 24’-2”

1/2” SHEATHING

BATT INSUL., TYP. DROP CEILING HUNG FROM JOISTS

FINISHED CEILING STEEL RAILING ALUMINUM FRAME

FINISHED FLOOR ON TOP OF 1” PLYWOOD SUBFLOOR

2X6 BOTTOM PLATE

CAST-IN-PLACE CONCRETE SLAB, PRE-TENSIONED

SLOT DRAIN SLOPE

02 FLOOR TWO 13’-8”

CONCRETE VAULT STEEL WINDOW, FIXED

FINISHED FLOOR CONCRETE SLAB RIGID INSUL., TYP. GRAVEL

WALL SECTION 0

1

2

5

01 FLOOR ONE

HOUSING Glulam frame + wood frame infill

HOUSING PLINTH Cast-in-place concrete vaulted slab and columns

GROUND FLOOR Infill wood frame + CMU w/ brick veneer

24

1. Continuous slot drain 2. Tile finished floor on top of 1/2” subfloor 3. Steel railing 4. Plaster trowel system on top of metal lath 5. 2” rigid insulation 6. 1/2” sheathing 7. Wood bottom plate 8. Continuous exterior slot drain 9. Welded wire corner bead 10. Wood blocking 11. Cantilevered pre-tensioned concrete waffle slab 12. Vented j-channel and drip edge 13. Casing bead 14. Exposed concrete edge 15. Steel header + shadow joint

1. 5/8” gypsum + painted finish 2. Continuous plasterboard ceiling + painted finish 3. Secondary joints 4. Continuous slot drain 5. Coping and drip edge 6. Casing bead 7. Wood bottom plate on top of concrete slab 8. Concrete slab cast on top of metal decking 9. Steel anchor 10. Primary wood beam 11. Sheathing over framing 12. 2” rigid insulation 13. Plaster trowel system on top of metal lath

4 5 8

6 7 3

9 2 1

10

5

6 7

4

11

8

9

12 13

10 14

15

11

12 3 2

INTERMEDIATE FLOOR

PARAPET

0

0

3”

6”

1

2

1. Interior finished floor 2. Steel window sill + shadow joint 3. Finished grade 4. Concrete finished surface 5. Gravel subsurface 6. Slab-on-grade foundation 7. Rigid insulation 8. Gravel

1. Concrete finished surface 2. LED surface-mounted lights 3. Gravel subsurface 4. Compacted soil below

1 3

3”

13

1

6”

1

1 2

4 5

3

4

6

7

8

FOUNDATION 0

3”

6”

PLAZA STAIRS 1

0

3”

6”

1

25

1. Finished ceiling beneath HVAC duct 2. HVAC supply air duct 3. Primary air supply 4. Secondary joist 5. Primary wood beam 6. Plasterboard fastening structure hanging from secondary joists 7. Continuous suspended plasterboard ceiling + painted finish 8. Supply register 9. 5/8” gypsum board + painted finish 10. Double header over interior door 11. Interior door header + trim

1. Pre-tensioned concrete waffle slab 2. Anchor tie cast in slab above 3. Casing bead 4. Exposed concrete ridge 5. Steel anchor 6. Sealant 7. Brick header course

3 1 4 4 5

2

5

6

7

6 7

3 2

8

1 9

10

HVAC SYSTEM 0

3”

6”

MASONRY-TO-CONCRETE

11 1

0

1. CMU block 2. 2.5” drywall channel 3. 5/8” gypsum board 4. Concrete infill 5. Backing channel 6. Sealant 7. Custom steel anchor 8. Bond beam + wall tie 9. Modular brick 10. Air barrier 11. 4” rigid insulation

3”

6”

1

1. Finished floor 2. 5/8” gypsum board + painted finish 3. 2.5” drywall channel 4. CMU block 4 5. Modular brick 6. Wall tie bolted to CMU block 7. 4” rigid insulation 8. Weep + flashing 3 9. Finished grade 10. Concrete finished surface 2 11. Gravel subsurface 12. Rigid insulation 13. Gravel subsurface 1

3 2

5

6 7 8

1

9 10 4

11

5

6 7 8 9 10 11

12

13

BRICK VAULT 0

26

3”

6”

FOUNDATION + BRICK 1

0

3”

6”

1

1. Double header over framed aluminum opening 2. 5/8” gypsum board + painted finish 3. Continuous plasterboard ceiling + painted finish 4. Plasterboard fastening structure hanging from secondary joists 5. Flashing + drip edge above wood-clad aluminum window 6. Plaster trowel system on top of metal lath 7. 2” rigid insulation 8. Concrete slab cast on top of metal decking 9. Sheathing over framing 10. Primary wood beam 11. Steel anchor 12. Secondary joists 13. Concrete slab on to pof metal decking 14. Subflooring 15. Finished floor

15 14 13 12 11

1. Motorized solar shade mounted to steel anchor 2. 2x10 gable rafter 3. Custom angled channel + concealed drain 4. Anchor to bolt channel glass to wood structural assembly 5. 2x10 double top beams 3

10

9

4 2

8

7

6 5 4

3

5

1

SUSPENDED CEILING

2

CHANNEL GLASS JOINT

0

1

0

3”

6”

1. Concrete finished surface 2. Gravel subsurface 3. Lowered planter bed 4. Gravel subsurface 5. Pipe for planter drainage 6. Concrete retaining wall 7. Compacted soil below

1

3”

6”

1

1. Flashing + drip edge 2. Custom sill for side mounting 3. Double layer of glass units 4. Translucent insulation 5. 2x10 wood framing system 6. Subfloor on top of concrete slab 7. Finished floor 8. Single layer laminated glass wall system

1

2

5 4

8

3

7 6

3

2

4

5 1 6

7

PLANTER BED 0

3”

6”

CHANNEL GLASS SILL 1

0

3”

6”

1

27

WINE NICHE Entry for Bee Breeders’ Monte D’Oiro Wine Tasting Room “In wine there is freedom.” - Benjamin Franklin I. Niche as Sculpture At the end of a long procession, the visitor notes an object in the landscape, tucked at the back of a historic winery. Visuals suggest a material understanding of the surrounding buildings, but the niche breaks historic standards of centuries past, whilst feeling familiar nonetheless. It is proud of its prominent standing, and celebrates.

Visitors may wonder, can architecture be art? The niche make this possibility a reality.

II. Niche as Platform Upon entry, the visitor is captured and subsequently propelled into the landscape below, engaging with the seemingly endless vines rolling across the Albequer countryside beyond. Previous notions of sculpture balance a minimal approach with humble, rustic materials; and once seated, the visitor’s experience is paramount. In a sense, physical platform transcends into experiential platform.

III. Niche as Ecology Tasting wine serves numerous purposes. Whilst there is certainly the social component that draws friends and family together, it can also be thought of as an integral stage in the ecological cycle of the grape. The journey from vine to bottle is understood here, and the space is the final resting place for many bottles to be enjoyed for generations. Let the process be celebrated here at the niche, for one and for all.

30

31

5

4

3 1. FOUNDATION As the structure straddles the hill, footings extend 5 meters down to ensure proper stability and retention of soil.

2. FINISHES A plaster interior and exterior create a crisp visual experience that is seamless. An ode to the historic buildings on site, yet with the intrinsic ability to be sculpted to fit modern needs.

2

C

3. ACCENT Natural material ties building to earth, where a lath serves as the backdrop to a row of vines - straddling the threshold upon approach.

4. MASONRY A load-bearing structural system that stands the test of time, the double wythe cavity wall supports the necessary loads whilst sitting atop the plinth below.

1 B

5. CONCRETE Bolstered when needed, reinforcement allows for an interior unencumbered by structural distractions breaching finished surfaces.

A

I. Niche as Sculpture

II. Niche as Platform

A. BASE A platform extends beyond the hill, serving as a plinth on which rests the enclosure, and finished with natural materials including wood, marble stone, and polished alloy.

B. POOL The circular void carved from the enclosure is further enhanced by integrating water as a threshold between the interior and the surrounding contexts.

C. ENCLOSURE The facility is wrapped in a monolithic shroud of plaster, occasionally and strategically punctured with fenestration that prioritises view whilst capturing natural light

III. Niche as Ecology

33

ião

de

is

Gó

alo am

ç on

oG Sã R. D

R. 0

34 20 40 60

1 2 4

5

3

The niche begins as a monolith, a homogenous unit. Space is thus carved - sometimes added, sometimes subtracted. The experience can be characterised by the gradual curve - the largest of the sculpted voids. Nature is framed by sweeping floor-to-ceiling operable glazing that orients to the widest lens feasible. Seating follows this same curve, staggered in such a manner to ensure that every occupant has an equally valuable experience, avoiding the pitfalls of a typical rectangular table. Each seat retains the same view of exceptional Portuguese landscape, whilst allowing conversation to ebb and flow.

PLAN 02 1 Elevated Walkway 2 Storage 3 Cupboard 4 Wine Rack 5 Toilets

B

3

A

A

2 1

PLAN 01

B

1 Entry 2 Tasting Room 3 Reflection Pool 0

1

2

3

35

36

2

AA 0

1

2

0

1

2

3

1

3

4

BB 3

37

DTL 1

DTL 3

0

DTL 2

38

.1

.2

.3

DTL 4

1 2 3 4 5

6

7 8 9 10 11 12 13

1 White painted stucco 2 Reinforced mortar 3 30mm polystyrene insul.

4 Reinforced concrete shell 5 Slot drain 6 25mm steel window frame 7 9mm plaster rendering 8 11cm brick masonry 9 16mm extruded polystyrene 10 Air gap 11 11cm brick masonry 12 Wood lath 13 Plaster rendering beyond 14 Finished floor; 2cm wood board 15 12cm reinforced mortar 16 2x 27cm reinforced concrete floor 17 5cm thermal insul.

18 Compacted soil 19 Concrete footing 20 5cm bentonite layer 21 Reinforced mortar 22 Moisture barrier 23 Concrete planter box 24 Drainage

21 22 23 24

14 15 16 17 18 19 20

FRONT FACADE 0

.3

.6

.9

39

“KIDS FACTORY” Design VI - Spring 2019 Prof. Dean Almy What was once a prolific pottery factory has since fallen on hard times - a rotting shell of a building at the core of an otherwise-scenic lakeside town in Italy’s industrial northern region. This project revitalizes the site, shifting the focus towards the growth and development of future generations.

The project, at its core, seeks to affirm a child’s suspension of disbelief - as their perception of architecture does not follow the same logics as adults. The Kids Factory is a place to host children from all walks of life - to cater to any interest. Whether apart of a visiting camp or permanent local residents, children at the Kids Factory have the tools to prosper. Organized into three core components of education, community, and recreation, the project is a place for the nurture and celebration of a child’s mind.

The project pays homage to its past life, incorporating the similar repetitive geometry of the gable, yet raising it up to breach beyond the previous confines of the perimeter walls. New masses puncture the old, resulting in the notion of bridging - introducing the Kids Factory back into the urban fabric of Laveno-Mombello.

40

41

42

LU IN O 19 KM

E

TO

R O I G G

TO

INT RA

A

G

O

M

A

KM

L

6

L A V E N O- M O M B E L LO

TO

MI LA NO 78

KM

TO IO OLEGG 44 KM

43

NOTION OF BRIDGING

44

COLUMN GRID MATRIX

PRINCIPLE AXES OF CIRCULATION

EDUCATION + COMMUNITY + RECREATION

45

46

CIRCULATION + BRIDGING

NEWLY CREATED VOLUMES

NEW FORMS OVER EXISTING STRUCTURE

SAVED OLD FORMS

47

4 9

3 2 6

7

8

5

FLOOR 2 1 SECONDARY SCHOOL ROOMS

7 ART GALLERY

2 CHILDREN’S RESEARCH

8 OPEN-AIR FIELD

3 CAFE

9 DORMITORY

1

4 DANCE STUDIO 5 THEATER + LOBBY 6 LIBRARY + RESEARCH

C

A

4

8

9

12

13

14

15

18

A 6 7

11

10

17

16

FLOOR 1 B

4

B 1 3

5 2

C

1 PRIMARY SCHOOL ROOMS

7 INSTALLATION PLAYSCAPE

13 TEST KITCHEN

2 SECONDARY SCHOOL ROOMS

8 MUSIC REHEARSAL

14 TEXTILES

3 CAFETERIA

9 THEATER SUPPORT

15 CULTIVATION FACILITIES

4 DAYCARE

10 VISUAL ARTS STUDIOS

16 HEALTH CLINIC

5 PLAYGROUND

11 FABRICATION WORKSHOP

17 MULTI-SPORT GYMNASIUM

6 ADMINISTRATION

12 LAB SPACE

18 DORMITORY COMMONS

FLOOR 0 1 POOL + FACILITIES

48 38 10

50

100

FLOOR 4

2

1 STUDENT LOUNGE 1

2 ASTRONOMY + OBSERVATORY

FLOOR 3 1 SECONDARY SCHOOL ROOMS 1

49

BB

10

50

20

50

100

CC

10

20

50

100

51

OUTSIDE THE GABLES

AA

52

INSIDE THE GABLES

10

20

50

100

53

SITE MONASTERY Design VII: Italy - Fall 2019 Prof. Smilja Milovanovic-Bertram With Lisa Yang + Payton Russell

Cortona, Italy - a town dating to the Etruscan era with a permanent population of merely 700. Atop its daunting, steep hills lies a terraced cove nestled on the edge of the community, hugging an ancient stone wall. The proposal in this location is one suitable for a private life, a sanctuary for those who seek and value qualities such as community, nature, and a notion of self-sufficiency. The following project houses twelve monks - those dedicated to and celebratory of a lifestyle extremely apt for such an advanced site and resulting architecture.

The challenge lies not only in designing for austerity, but deciding what constitutes an absolutely necessary inclusion for those interested in only essentials. No luxury is spent here, instead cherishing the luxury of the surrounding landscape. A new, secondary perimeter wall was added, one that pays homage to the existing typology deeply rooted in Italian communities across Tuscany. This encloses the programs of living quarters, cloister, and chapel from the adjacent public road, instead funneling views beyond, to the miles of Tuscan landscape below Cortona. Integrating with the existing terraces, monks have the potential to harness these for agriculture, allowing for a distinct separation and little reliance from their surroundings.

54

55

56

57

ANCIENT MONOLITH

A

NEW MONOLITH

PRIVACY ESTABLISHED

MONASTIC FORMS CREATED

58

B

1 3

6

5

2

4 A

B

1 ANCIENT WALL 2 NEW WALL 3 LIVING QUARTERS 4 CLOISTER 5 CHAPEL 6 AGRICULTURE

59

SITE (CONTE CRAYON)

60

AA

BB

61

AXONOMETRIC

62

1

2

3

4 5

1

FLOOR 2 2 4

1 2 3 4 5

CONFERENCE LIBRARY BREEZEWAY ABBOTT’S OFFICE ABBOTT’S QUARTERS

1 2 3 4 5

DINING HALL KITCHEN STORAGE BREEZEWAY VISITOR QUARTERS

3

5

FLOOR 1

5

LIVING QUARTERS

SECTION

63

MONK’S CELL

64

FLOOR 1

CLOISTER

SECTION

65

1 2

FLOOR 1 1 PRAYER SPACE 2 BELL TOWER

CHAPEL

66

SECTION

6 X 8 TOP PLATES REINF. CAST CONCRETE BEAM; 4-15M

4 IN. RIGID INSULATION

10M VERTICAL METAL BARS 10M CONT. HORIZONTAL METAL BARS RAMMED EARTH WALL CONCRETE SLAB + FINISHED FLOOR

RIGID INSULATION SAND REINF. CONCRETE FOOTING W/ 10M STIRRUPS

RAMMED EARTH WALL SECTION AT CHAPEL

67

MATERIAL STUDY

68

LIVING QUARTERS (WATERCOLOR)

69

MATERIAL STUDY

70

CHAPEL FROM BELOW (WATERCOLOR)

71

A JOURNEY’S END Entry for ARKxSite Monastery with Jacob Middleton

At land’s end, one arrives to a place of contemplation. Sublime yet serene, the intervention straddles the threshold of land and sea, reaching out from the cliffs of Cape Espichel and towards the ocean, an infinite beyond. Ancient meets modern, where the dialogue between the two is ongoing. Modern understands, respects, and remembers ancient.

When - or if - one is ready, they may enter the ruins of centuries past, submerging below and into the core of the fortress. Once inside, one is immersed in a site acutely aware of its history, allowing for a deeply intimate exploration that increases in its sacred nature as one penetrates further into its heart. Thus, it is truly apt for a title such as monastery. Isolated from our rapid, high-paced society, the intervention respects the notions of protection and safety, and rewards pilgrims with solitude and opportunities for reflection.

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73

entry viewing

dining

dorm reflection 7

meeting

5 8

6

4

Plan 0

1.

2.

3.

4.

5.

6.

7.

8.

74

entry kitchen dining dorm restroom storage reflection meeting

2

3 1

Plan 1

Reflection

75

Meeting

76

Viewing

77

ALEXANDER NOAKS alexnoaks@gmail.com (309) 573-5431 3001 Cedar St. #312 Austin, TX 78705

EDUCATION

SKILLS + ABILITIES

The University of Texas at Austin // Bachelor of Architecture

Digital

Analogue

ArchiCAD

Freehand drafting

Revit

Physical modeling

Rhinoceros

Watercoloring

Adobe Creative Suite

Woodworking

2016-2021 (anticipated)

EXPERIENCE Designer // Smith Holt, LLC // Summer 2019 - Summer 2020

AutoCAD

Work primarily involved in the public sector, particularly for bond projects with Austin Independent School

V-Ray for Rhino

Lumion

District. Other projects include residential renovation, commercial shell, and adaptive reuse. Breadth of experience includes schematic design, design documentation, construction documentation, opinions of probable cost, permitting, project management.

ACADEMICS + ACTIVITIES

Intern // Seaux Pierce Architecture // Summer 2018

Dean’s Design Distinction // Spring 2019

A firm specializing in residential and commercial design across the Hill Country + greater Austin area.

Recognition of outstanding design at Third Year Portfolio Reviews.

Worked in many facets of the design process, including schematic design, construction documentation, client

University Honors + College Scholar

presentation, rendering, site visits.

Top 20% of class + rigorous GPA criteria per semester

Architecture Student Associate // 2017-2019

Issue XVI (publication) // 2019

Architecture + Planning Library (Battle Hall): Managing the circulation desk, organizing book stacks, renovating + redeveloping, creating displays + exhibitions, and general assistance with patrons.

Kids Factory - based on the 2018 Young Architects Competition.

Alpha Rho Chi // Fall 2016 - present

REFERENCES

Professional fraternity specializing in architecture + the allied arts.

Smith Holt

Chad Pierce

Ryan + Stephanie Lemmo

Served as treasurer: includes managing accounts + cards, annual budgeting, filing taxes, as well as general officer responsibilities

Smith Holt, LLC

Seaux Pierce Architecture

Visiting Professors

within the fraternity. Represented UT Austin as delegate to the

(512) 420-0026

(512) 699-6200

(512) 380-1756

71st National Convention in Baltimore, MD, 2018.

smith@smithholt.com

chad@seauxpierce.com

University of Texas at Austin